The Art from the Famous Michelangelo - POWERPOINT.pptx

8/16/2019 The Art from the Famous Michelangelo - POWERPOINT.pptx

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The Art from the Famou

Michelangelo: HighRenaissance

Savannah Threet

IHU-1015/23/2016


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Michelangelo’s“David”

Michelangelo created the great masterpiece that is called !avid" #et$e150'( He )sed a #loc* o& +arrera mar#le &or his stat)e,s material( The stat)e it even more a$e-inspiring( The height o& this stat)e is practicall% the sie o& a

t

!avid" is standing in contrapposto( +ontrapposto is $hen the $eight is #aand leg $ith the sho)lders relaed and slanting do$n$ard( This $as a pop)la

#eca)se it ma*es the g)re appear m

rom the $a% !avid" is standing ma*es %o) &eel li*e he is a#o)t to go to e%es are &oc)sed in one direct


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The head of “Da

e can clearl% see all o& the detail that Michelangelo p)t into $as great care ta*en in ma*ing the g)re loo* epressive as

4art o& the reason his stat)e $as so large $as #eca)se he madea $arning to Italian cities that lorence $asn,t a cit% to #e trie

Michelangelo didn,t hold #ac* at all $hen it came to sc)lptingmade all o& the lines strong and this created a shado$ e.ect l

I thin* that !avid" is #ea)ti&)l and #e%ond $ell sc)lpted( I hocan see the stat)e in real li&e #eca)se I *no$ I $o)ldn,t #e a#le


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“Mose 4ope 7)li)s II commissione

%ear 1505 to create a tomoriginal plan &or this tom# stories tall and have more sc)lpt)res decorating the t 7)li)s II as*ed Michelangelthe tom# to start $or*ing

The tom# $asn,t complete

$ere pro#lems $ith 7)li)s $as event)all% nished 8)s The tom#,s height and detover$helming in m% opinio

Moses,s height is 9 &eet tais sitting: Michelangelo adto all aspects and g)res o 8)st Moses( Moses is the la$hich ma*es )s #e more d


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Close upMos

Moses $as so $ell sc)lpted that $e can &eel as tho)gHis #od% positioning appears to #e him getting reastrong opinion to$ards someone( e can see &rom

#ac* that he is a#o)t to rise( He also holds the Ten +as i& he is a#o)t to scold someone $h

There is some de#ate on $h% Moses has horns( It,s#eca)se in the atin( ?o$ the% thin* it co)ld

He is portra%ed as a ver% strong m)sc)lar and intenlarge $hich co)ld also #e #eca)se Moses had s)ch


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The istineChapel

Michelangelo started his $or* on the Sistine chapel incomplete his $or* there )ntil the %ear 1512( Tho)gh

Michelangelo $as not pleased to #e commisssc)lpting $as his main artistic pro&ession( He did ho

Michelangelo painted this masterpiece o& a chapelthat he had made himsel&( The process o& painting ttort)re #% Michelangelo( +an %o) imagine standing

and


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“The Creation of Adam”

The +reation o& Adam" is one o& the more pop)lar &res

o& the Sistine +hapel( Michelangelo managed to cochapel,s str)ct)re $ith

A &resco is a painting that is made #% )sing pigments disis applied

Michelangelo accomplished the sense o& &eeling and ecan see the longing in the e%es o& od and Adam( T

ma*es it loo* and &eel ver% nat)ralistic( Michelansc)lptor he $as also a g


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The Ceiling ofistine Chap

The panels o& the ceiling $ere completed #% Michescenes &rom the +reation =o

The col)mns that &rame the &rescos on the ceiling appethe% are merel% painted on( Michelangelo $as so deta

in this chapel loo* as tho)gh the% are th


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The !ast "udgement #

The $all #ehind the alter $as completed long a&ter thchapel( Michelangelo started this $all &resco in the %ear 1

This &resco is considered to #e a >ast 7)dgement scene( M$all so #rilliantl% leaving the vie$er 8)st eno)gh #lan

man% details in this chapel that %o) co)ld nd somethin

The resco consists o& over 300 m)sc)lar g)res( This &rom the other $alls and ceiling #eca)se there is


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“$iet%”

Michelangelo $as commissioned #% a rench +ardinal4ietC" too* him &rom 1'D9 to 1500 to complete( The s

Mar% mo)rning and holding her son,s dead #od%(once again ma*e mar#le app

Michelangelo managed to ma*e the &olds o& Mar%,sloo* e.ortlessl% eas%( The &olds are detailed and place

easier &or )s to en8o% o#serving th


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“$iet%” Deta

4ietC" is the onl% sc)lpt)re that Michelangelo ever sig

Bo) can &eel the sadness that comes &rom Mar% losinher &ace as $ell( Michelangelo portra%ed this sadn

one to *no$ eactl% ho$ to per&ec

Mar% $as portra%ed a simple $oman in this stat)e #she $as( =)t in her simplicit% there is a di.erent


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Conclusion

7)st &rom o#serving a &e$ o& Michelangelo,s #rilliant masterpieces $e canin man% di.erent $a%s( I &eel inspired to accept an% challenges that comeli&e and also to contin)e to p)rs)e m% artistic ideas no matter $hat( I $ill#ecome someone as nota#le as Michelangelo #)t %o) can al$a%s p)sh %o

#ecome the #est that %o) can( He created so man% po$er&)l $or*s o& art his paintings or man% sc)lpt)res( He $as tr)l% a h)ge part o& the High Eenand his $or*s o& art $ill al$a%s #e remem#ered and adored(


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References

'( Michelangelo +eiling o& the SistinFincl)ding the +reation o& AdamG( FnMa% 23 2016 &romhttps//$$$(*hanacadem%(org/h)mae-re&ormation/high-ren-orence-rome/michelangelo/v/michelangelo-sistine-chapel-1509-12

5( Michelangelo 4ietC( Fn(d(G( Eetriev2016 &romhttps//$$$(*hanacadem%(org/h)mae-re&ormation/high-ren-orence-rome/michelangelo/v/michelangelo-

6( Martin ( !( 7aco#s >( A( F2015Humanities Through the Arts F?inth ?B Mcra$-Hill Jd)cation(

1( Michelangelo !avid( Fn(d(G( Eetrieved Ma% 23 2016 &romhttps//$$$(*hanacadem%(org/h)manities/renaissance-re&ormation/high-ren-

orence-rome/michelangelo/v/michelangelo-david-mar#le-1501-0'-galleria-dell-accademia-orence

2( Michelangelo Moses( Fn(d(G( Eetrieved Ma% 23 2016 &romhttp//$$$(*hanacadem%(org/h)manities/renaissance-re&ormation/high-ren-

orence-rome/michelangelo/v/michelangelo-moses-ca-1513-15

3( 23 Interesting acts a#o)t the Sistine +hapel( Fn(d(G( Eetrieved Ma% 23 2016&rom http//$$$(incredi#leart(org/lin*s/sistine-chapel(htmlKsthash(d8I9L2&3(dp)&

The Art from the Famous Michelangelo - POWERPOINT.pptx

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