Somang Galley Program

44

description

์†Œ๋ง๊ฐค๋Ÿฌ๋ฆฌ

Transcript of Somang Galley Program

Page 1: Somang Galley Program

1

Page 2: Somang Galley Program

2

Somang Gallery started its mission with sincere desire to combine culture

of giving and culture of art in heart. Therefore, in every piece of art and

culture exhibited here at Somang Gallery has an engraving of our sharing

heart and soul. This is engraved in every donorโ€™s heart, every artistโ€™s world

and above of it all, in every oneโ€™s heart whoโ€™s here to join us today.

์†Œ๋ง๊ฐค๋Ÿฌ๋ฆฌ๋Š” ๊ธฐ๋ถ€๋ฌธํ™”์™€ ๋ฌธํ™”์˜ˆ์ˆ ์˜ ์„ธ๊ณ„๋ฅผ ์ ‘๋ชฉํ•˜๊ณ ์ž ํ•˜๋Š” ๊ฐ„์ ˆํ•œ ์†Œ๋ง์˜ ๋งˆ

์Œ์„ ๋ฐ”ํƒ•์œผ๋กœ ์‹œ์ž‘๋˜์—ˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋ ‡๊ธฐ์— ์†Œ๋ง๊ฐค๋Ÿฌ๋ฆฌ์— ์ „์‹œ๋˜๋Š” ๋ชจ๋“  ๋ฌธํ™”, ์˜ˆ์ˆ 

ํ’ˆ์—” ๋‚˜๋ˆ„๊ณ ์ž ํ•˜๋Š” ๊ท€ํ•œ ์†Œ๋ง์˜ ๋งˆ์Œ๊ณผ ํ˜ผ์ด ์ƒˆ๊ฒจ ์žˆ์Šต๋‹ˆ๋‹ค. ์†Œ์žฅ์ž์˜ ๊ธฐ๋ถ€ํ•˜๋Š”

๋งˆ์Œ์†์—, ์ž‘๊ฐ€์˜ ์„ธ๊ณ„ ์†์—, ๋˜ ๋ฌด์—‡๋ณด๋‹ค ์†Œ๋ง ๊ฐค๋Ÿฌ๋ฆฌ์— ์ฐธ๊ฐ€ํ•ด ์ฃผ์‹œ๋Š” ๋ชจ๋“  ์‚ฌ๋žŒ

๋“ค์˜ ๋งˆ์Œ์†์— ์ƒˆ๊ฒจ ์žˆ์Šต๋‹ˆ๋‹ค.

Page 3: Somang Galley Program
Page 4: Somang Galley Program

4

์œ ๋ถ„์ž ์ด์‚ฌ์žฅPresident, Boon Ja Yoo

Greeting ์ธ์‚ฌ์˜ ๋ง์”€

์ž‘์€ ์†Œ๋ง์ด ์”จ์•—์ด ๋˜์–ด ๋งˆ์นจ๋‚ด โ€˜์†Œ๋ง ๊ฐค๋Ÿฌ๋ฆฌโ€™๋ผ๋Š” ํฐ ๊ฒฐ์‹ค์„ ๋งบ๊ฒŒ ๋

์Šต๋‹ˆ๋‹ค. ์ด ํ”„๋กœ์ ํŠธ์— ๋™์ฐธํ•ด ์ฃผ์‹  ๋ชจ๋“  ๋ถ„๋“ค๊ป˜ ์ง„์‹ฌ์œผ๋กœ ๊ฐ์‚ฌ๋“œ๋ฆฝ๋‹ˆ๋‹ค.

์บ ํŽ˜์ธ์„ ์‹œ์ž‘ํ•œ์ง€ ์–ผ๋งˆ ์•ˆ๋๋Š”๋ฐ๋„ ๋งŽ์€ ๋ฏธ์ˆ ํ’ˆ๊ณผ ๊ณจ๋™ํ’ˆ, ๊ณต์˜ˆํ’ˆ ๋“ฑ

์ด ๊ฐค๋Ÿฌ๋ฆฌ์— ๋‹ต์ง€ํ•ด ํ–‰์‚ฌ๋ฅผ ์ฃผ๊ด€ํ•˜๋Š” ์†Œ๋ง์†Œ์‚ฌ์ด์–ดํ‹ฐ๋กœ์„œ๋„ ๋ฌด์ฒ™ ๋†€๋ž

์Šต๋‹ˆ๋‹ค. ํ•œ์ธ์‚ฌํšŒ์˜ ์œ ๋ช…์ธ์‚ฌ๋“ค์€ ๋ฌผ๋ก  ์ €ํฌ ์ทจ์ง€์— ๊ณต๊ฐํ•˜๋Š” ๊ฐ๊ณ„๊ฐ์ธต

์˜ ํ•œ์ธ๋“ค์ด ์ ๊ทน์ ์ธ ํ˜ธ์‘์„ ๋ณด์—ฌ์ค˜ ์ „์‹œํšŒ ๊ฐœ์ตœ๊ฐ€ ๊ฐ€๋Šฅํ•˜๊ฒŒ ๋˜์—ˆ์Šต๋‹ˆ

๋‹ค. ํŠนํžˆ ํ•œ๊ตญ์„œ ์ด์ข…๊ตญ ์ž‘๊ฐ€์™€ ์‹ ์˜ฅ๊ท  ํ™”๋ฐฑ๋„ ๋™์ฐธ์˜์‚ฌ๋ฅผ ๋ฐํ˜€ ๋”์šฑ ํž˜

์ด ๋‚ฉ๋‹ˆ๋‹ค.

์‹œ์ž‘์€ ์ฐธ์œผ๋กœ ์šฐ์—ฐ์ด์—ˆ์Šต๋‹ˆ๋‹ค. ์ง€๋‚œํ•ด ์—ฌ๋ฆ„ 40๋…„ ๋„˜๊ฒŒ ์‚ด๊ณ  ์žˆ๋˜ ์ง‘์„

์ฒ˜์Œ์œผ๋กœ ์ˆ˜๋ฆฌํ•˜๋ฉด์„œ ์ง‘ ๊ณณ๊ณณ์— ๋จผ์ง€๋ฅผ ์ž”๋œฉ ๋’ค์ง‘์–ด ์“ฐ๊ณ  ์•‰์•„์žˆ๋˜ ์ œ ๊ฐœ

์ธ ์†Œ์žฅํ’ˆ๋“ค์„ ๋ฐœ๊ฒฌํ•˜๊ฒŒ ๋˜์—ˆ์Šต๋‹ˆ๋‹ค. ๊ธฐ์ฆ๋ฐ›๊ฑฐ๋‚˜ ๊ตฌ์ž…ํ•œ ๊ทธ๋ฆผ๊ณผ ๊ธ€์”จ, ๋ณ‘

ํ’๊ณผ ์žฅ์‹ ๊ตฌ ๋“ฑ ๊ฐ’๋‚˜๊ฐ€๋Š”๋ฌผํ’ˆ๋“ค์ด ์ ์ง€ ์•Š์•˜์Šต๋‹ˆ๋‹ค. ๊ทธ์ค‘ ๋ฐฑ์ž๋Š” 450๋…„

์ด๋‚˜ ๋˜๋Š” ๋ฌธํ™”์žฌ๊ธ‰์ž„์„ ๋’ค๋Šฆ๊ฒŒ ์•Œ๊ฒŒ ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.

์ด์ฒ˜๋Ÿผ ๊ท€ํ•œ ์†Œ์žฅํ’ˆ๋“ค์„ ๊ทธ๋ƒฅ ๋ฐฉ ํ•œ ๊ตฌ์„์— ์ฉํžˆ๊ณ  ์žˆ์—ˆ๋‹ค๋‹ˆ ๋‚˜๋„ ์ฐธ ์žฌ

๋ฏธ์—†๋Š” ์‚ถ์„ ์‚ด์•˜๊ตฌ๋‚˜ ํ•˜๋Š” ๋’ค๋Šฆ์€ ํ›„ํšŒ๊ฐ€ ๋ถˆํ˜„๋“ฏ ๋“ค๊ธฐ๋„ ํ–ˆ์Šต๋‹ˆ๋‹ค. ๋‚˜

์™€ ๋น„์Šทํ•œ ๊ฐ€์ •์ด ์ ์ง€ ์•Š์„ ๊ฒƒ ๊ฐ™์•˜์Šต๋‹ˆ๋‹ค. ์ด๋“ค์ด ๋‚ด๋†“์€ ์†Œ์žฅํ’ˆ๋“ค์„

ํ•œ๋ฐ ๋ชจ์•„ ์ „์‹œํšŒ๋ฅผ ์—ด๋ฉด ์–ด๋–ป๊นŒ ํ•˜๋Š” ์ƒ๊ฐ์ด ์Šค์ณค์Šต๋‹ˆ๋‹ค. ์ฃผ๋ณ€ ์ง€์ธ๋“ค

๊ณผ ์ƒ์˜ํ•ด ๋ณด๋‹ˆ ์˜์™ธ๋กœ ๋ฐ˜์‘์ด ์ปธ์Šต๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ์ƒ๊ฐํ•ด ๋‚ธ ๊ฒƒ์ด โ€˜์ƒ๋ช…์‚ด

๋ฆฌ๊ธฐ ๊ฐค๋Ÿฌ๋ฆฌโ€™์˜€์Šต๋‹ˆ๋‹ค.

ํ˜„๊ธˆ์ด ์•„๋‹Œ ์†Œ์žฅํ’ˆ์„ ๊ธฐ์ฆ๋ฐ›์•„ ์ด๋ฅผ ํŒ๋งค, ์ˆ˜์ต๊ธˆ ์ „์•ก์„ ์–ด๋ ค์šด ์‚ฌ๋žŒ์„

์œ„ํ•ด ์“ฐ์ž๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.

๋ˆ์˜ ์šฉ์ฒ˜๋Š” ์ฐธ์œผ๋กœ ๋งŽ์Šต๋‹ˆ๋‹ค. ์˜๋ฃŒ๋ณดํ—˜์ด ์—†๋Š” ๋นˆ๊ณค์ธต์˜ ์‹ฑ๊ธ€๋ง˜ ๋•๊ธฐ์—

์„œ๋ถ€ํ„ฐ, ์•„ํ”„๋ฆฌ์นด ์ฃผ๋ฏผ๋“ค์„ ์œ„ํ•œ ๊ตฌํ˜ธ ํ”„๋กœ๊ทธ๋žจ ๋“ฑ ์ƒ๋ช…์ด ์œ„ํ˜‘๋ฐ›๊ณ  ์žˆ๋Š”

์ง€๊ตฌ์ดŒ ๊ณณ๊ณณ์— ํฌ๋ง๊ณผ ์šฉ๊ธฐ, ๊ทธ๋ฆฌ๊ณ  ๊ฟˆ์„ ์‹ฌ์–ด์ฃผ๊ณ  ์‹ถ์Šต๋‹ˆ๋‹ค.

์ฒ˜์Œ์€ ์ž‘์€ ์‹œ์ž‘์— ๋ถˆ๊ณผํ•˜์ง€๋งŒ ์•ž์œผ๋กœ ํ•ด๋ฅผ ๊ฑฐ๋“ญํ• ์ˆ˜๋ก ๋”์šฑ ํ’์„ฑํ•œ ๊ฐค

๋Ÿฌ๋ฆฌ๋กœ ๊พธ๋ ค๊ฐ€๊ฒŒ ๋˜๊ธฐ๋ฅผ ๊ธฐ๋Œ€ํ•ฉ๋‹ˆ๋‹ค.

ํ–‰์‚ฌ๋ฅผ ์œ„ํ•ด ๋ถˆ์ฒ ์ฃผ์•ผ ์‚ฌ๋ž‘์˜ ์ˆ˜๊ณ ๋ฅผ ์•„๋ผ์ง€ ์•Š์œผ์‹  ์†Œ๋ง์†Œ์‚ฌ์ด์–ดํ‹ฐ ๊ณต

๋™์œ„์›์žฅ ๋งˆ๋™ํ™˜, ์ฐจ์›๊ฒฝ ์„ ์ƒ ๊ทธ๋ฆฌ๊ณ  ์Šคํƒœํ”„๋“ค๊ณผ ๋ด‰์‚ฌ์ž๋“ค, ํŠนํžˆ ์ „๋ฌธ์ 

์ธ ์ž๋ฌธ๊ณผ ๋งŽ์€ ๋„์›€์„ ์•„๋ผ์ง€ ์•Š์œผ์‹  ๋กœ์Šค์•ค์ ค๋ ˆ์Šค ํ•œ๊ตญ ๋ฌธํ™”์› ๊น€์žฌ์›

์›์žฅ๋‹˜๊ณผ UCI, Joseph S. Lewis III ์˜ˆ์ˆ ๋Œ€ํ•™์žฅ๊ป˜ ๊ฐ์‚ฌ๋ฅผ ๋“œ๋ฆฝ๋‹ˆ๋‹ค.

๋ฌด์—‡๋ณด๋‹ค ์†Œ์žฅํ’ˆ๋“ค์„ ์„ ๋œป ๋‚ด์–ด์ฃผ์‹  ๋ถ„๋“ค๊ป˜ ์ง„์ •์œผ๋กœ ๊ณ ๋งˆ์›€์„ ์ „ํ•ฉ๋‹ˆ๋‹ค.

Last summer I was working on some extensive home improvements, many of

which were long overdue from the four decades I have lived there. While shuffling

things here and there, I came upon a large collection of paintings, calligraphies,

embroidered screens and craftworks which had for a very long time been quietly

stored away.

One piece in particular, a white porcelain dating from the Yi Dynasty was later

estimated to be over 450 years old. Reflecting on its history, I came to regret

that I had allowed these treasures to be cloistered away for so long and gone

unappreciated. I felt guilty that my custodianship had failed to value these works

of art.

I have been very fortunate in my life, and this episode reminded me that comfort

can allow things to fall into neglect. This exhibition is an attempt to do some justice,

to bring together for the display and sales a collection of Korean artworks and to

have those procedes go toward the benefit of people who are victims of neglect; in

particular the children of Africa, and medically uninsured single mothers.

We wish that the efforts of the Somang Gallery will instill hope, courage and help

bring peopleโ€™s dreams alive.

On behalf of the Somang Society, I would like to express great appreciation to

the generosity of effort and treasure that was donated by the Korean American

community to make our exhibition come to life.

Thanks to you, the Somang Gallery art exhibition has blossomed into an endeavor

that has far surpassed its initial humble vision.

It must also be emphasized that it has required a genuine community wide

effort to assemble such a large collection consisting of hundreds of pieces. This

exhibition represents the contributions of a generous and vibrant Korean American

community, not merely the donations of a few select benefactors. Two Koreaโ€™s

famous artists, Mr. JONGKUK LEE and Mr. OK-KYUN SHIN, also donated their

work to help raise funds.

In closing I would like to give special thanks to Mr. Jae Won Kim, director of the

Korean Cultural Center of Los Angeles, and University of California Irvine Art Center

for their invaluable advice and collaboration.

I am also very grateful to all the staff and volunteers, especially Mr. DAVID T. MARH

and Mrs. Won-Kyung Cha whose co-chairmanship of the Gallery made this charity

event a great success. With all of your continued support, I am certain that our

exhibition will continue to grow in the many years to come.

์ž‘์€ ์†Œ๋ง์ด ๋ชจ์•„์ง€๋ฉด ์ƒ๋ช…์„ ์‚ด๋ฆฝ๋‹ˆ๋‹ค.

Page 5: Somang Galley Program

5

Congratulatory Remarks ์ถ•์‚ฌ

๊น€์žฌ์› ๋ฌธํ™”์›์žฅJae Won Kim

Director, Korean Cultural Center, LA

I am honored and pleased to have this wonderful event, โ€œSomang Galleryโ€,

which was put together with warm hearts at our Korean Cultural Center.

This event came about as a result of your concern and support. Your

collections and the buried treasures that you donated were a big part in

making this event possible.

In particular, the Somang Society put together various programming for the

elderly like todayโ€™s event, โ€œa beautiful like, a beautiful finish.โ€

Through this event, everyone will have a place in their hearts of the wonderful

memories and lives of the seniors by witnessing the beautiful culture of giving

joy.

It is not easy to help others but this meaningful event will show that sharing

love is natural.

Furthermore, I thank all the members of the Somang Society, contributors for

making this show possible, and especially extend my appreciation to BoonJa

Yoo, president of the Somang Society.

Through this event, I hope that everyone will be able to take away with them,

sharing your heart with others who need help.

์•„๋ฆ„๋‹ค์šด ๋งˆ์Œ์ด ๊นƒ๋“  ๋ฉ‹์ง„ ์ „์‹œํšŒ๋ฅผ ์ €ํฌ LAํ•œ๊ตญ๋ฌธํ™”์›์—์„œ ๊ฐœ์ตœํ•˜๊ฒŒ๋จ์„ ๊ธฐ

์˜๊ฒŒ ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค.

์ด๋ฒˆ ์†Œ๋ง๊ฐค๋Ÿฌ๋ฆฌ ์ „์‹œ๋Š” ๋งŽ์€ ๋ถ„๋“ค์˜ ๊ด€์‹ฌ๊ณผ ์ง€์›์œผ๋กœ ์ด๋ฃจ์–ด์กŒ์Šต๋‹ˆ๋‹ค. ์†Œ์ค‘ํžˆ

๊ฐ„์งํ•˜๊ณ  ์žˆ๋˜ ์ž‘ํ’ˆ์—์„œ๋ถ€ํ„ฐ ์ง‘์•ˆ ๊นŠ์ˆ™ํžˆ ๋ฌปํ˜€์žˆ๋˜ ์†Œ์žฅํ’ˆ๋“ค์„ ๋„์›€์ด ํ•„์š”ํ•œ

์ด์›ƒ๋“ค์„ ์œ„ํ•ด ๊ธฐ๊บผ์ด ๊ธฐ๋ถ€๋ฅผ ํ•˜์—ฌ ์ด๋ฒˆ ์ „์‹œ๋ฅผ ๊ฐœ์ตœํ•˜๊ฒŒ ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.

ํŠนํžˆ ์†Œ๋ง์†Œ์‚ฌ์ด์–ดํ‹ฐ๋Š” ์—ฐ์žฅ์ž๋ฅผ ์œ„ํ•œ ๋‹ค์–‘ํ•œ ํ”„๋กœ๊ทธ๋žจ์„ ์ง„ํ–‰ํ•˜๋ฉด์„œ โ€œ์•„๋ฆ„๋‹ค

์šด ์‚ถ ์•„๋ฆ„๋‹ค์šด ๋งˆ๋ฌด๋ฆฌโ€ ๋ผ๋Š” ํ–‰๋™์„ ์ด๋ฒˆ ํ–‰์‚ฌ๋ฅผ ํ†ตํ•ด ์ง์ ‘ ๋ณด์—ฌ์ฃผ๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.

์—ฐ์žฅ์ž๋“ค์˜ ์‚ถ ์†์— ์•„๋ฆ„๋‹ค์šด ๊ธฐ๋ถ€๋ฌธํ™”๊ฐ€ ์ ‘๋ชฉ๋˜์–ด ๊ธฐ์จ๊ณผ ์†Œ๋ง์„ ๋‚˜๋ˆ„์–ด ์ค„ ์ด

๋ฒˆ ์†Œ๋ง๊ฐค๋Ÿฌ๋ฆฌ ํ–‰์‚ฌ๋Š” ๋ชจ๋‘์˜ ๊ธฐ์–ต๊ณผ ๊ฐ€์Šด์†์— ์ž๋ฆฌ์žก์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค.

๋‚จ์„ ๋•๋Š” ์ผ์ด ์‰ฌ์šด ์ผ์€ ์•„๋‹ˆ์ง€๋งŒ, ๊ทธ๋ฆฌ ๋ฉ€๋ฆฌ ์žˆ์ง€๋„ ์•Š์Šต๋‹ˆ๋‹ค. ์ด๋ฒˆ ๋‚˜๋ˆ”์˜

์‚ฌ๋ž‘์„ ๋ณด์—ฌ์ฃผ๋Š” ๋œป๊นŠ์€ ํ–‰์‚ฌ์— ๋งŽ์€ ๊ด€์‹ฌ์„ ๋ณด์—ฌ ์ฃผ์‹œ๊ธฐ ๋ฐ”๋ž๋‹ˆ๋‹ค.

๋์œผ๋กœ ์ž‘ํ’ˆ์„ ๊ธฐ์ฆํ•˜์‹  ๋ชจ๋“  ๋ถ„, ์†Œ๋ง์†Œ์‚ฌ์ด์–ดํ‹ฐ ํšŒ์› ์—ฌ๋Ÿฌ๋ถ„, ๊ทธ๋ฆฌ๊ณ  ํŠนํžˆ ์†Œ

๋ง์†Œ์‚ฌ์ด์–ดํ‹ฐ ์œ ๋ถ„์ž ์ด์‚ฌ์žฅ๋‹˜๊ป˜ ๊ฐ์‚ฌ์™€ ๊ฒฉ๋ ค์˜ ๋ง์”€์„ ๋“œ๋ฆฝ๋‹ˆ๋‹ค,

์•„๋ฆ„๋‹ค์šด ๋งˆ์Œ์ด ๊นƒ๋“  ๋ฉ‹์ง„ ์ „์‹œํšŒ

Page 6: Somang Galley Program

6

์ •์ง„ํ™ ๊ต์ˆ˜Professor, Jin Hong Chung

Congratulatory Remarks ์ถ•์‚ฌ

์‚ด๋ฉด์„œ ๋ฒŒ๋ ค๋†“์€ ์ด๋Ÿฐ์ €๋Ÿฐ ์ผ๋“ค, ๋งŒ๋‚˜ ์–ฝํžŒ ์ด๋Ÿฐ์ €๋Ÿฐ ์ธ์—ฐ๋“ค, ๊ฟˆ๊ณผ ํ˜„์‹ค

์‚ฌ์ด์—์„œ ๊ฝค๋‚˜ ๋งˆ์Œ ์”€์ด ์ง€๊ทนํ–ˆ๋˜ ์ผ๋“ค ๋ชจ๋‘๋ฅผ ๋‹ค๋“ฌ์–ด ๋๋‚ด ์ค๋‹ˆ๋‹ค. ๋ชธ

์˜ ์•„ํ””์กฐ์ฐจ ์ฃฝ์Œ์€ ๋” ์šฐ๋ฆฌ๋ฅผ ๊ดด๋กญํžˆ์ง€ ์•Š๋„๋ก ํ•ด ์ค๋‹ˆ๋‹ค. ์ฃฝ์Œ์€ ๊ทธ

๋Ÿฌํ•œ ์˜๋ฏธ์—์„œ ์‹ค์€ ์ถ•๋ณต์ž…๋‹ˆ๋‹ค. ๊ทธ๊ฒƒ์€ ์‚ถ์— ์ฃผ์–ด์ง€๋Š” ์œ„๋กœ์ด๊ณ  ์•ˆ์‹

์ž…๋‹ˆ๋‹ค. ์ฃฝ์Œ์ด ์—†์—ˆ๋‹ค๋ฉด ์–ด์ฉŒ๋ฉด ์‚ถ์€ ์‚ฌ๋ญ‡ ์ง€์ €๋ถ„ํ•˜๊ฒŒ ๋์—†์ด ์ด์–ด์กŒ

์„์ง€๋„ ๋ชจ๋ฆ…๋‹ˆ๋‹ค.

๊ทธ๋Ÿฌ๋‚˜ ์ฃฝ์Œ์ด ๋ˆ„๊ตฌ์—๊ฒŒ๋‚˜ ์ด๋ ‡๋“ฏ ๊ณ ์šด ๋งˆ๋ฌด๋ฆฌ๋‚˜ ๋”ฐ๋œปํ•œ ์•ˆ์‹์œผ๋กœ ์ด๋ฅด

์ง€๋Š” ์•Š์Šต๋‹ˆ๋‹ค. ๋ชจ๋“  ์‚ถ์˜ ๊ณผ์ •์ด ๊ทธ๋žฌ๋“ฏ์ด ์ฃฝ์Œ๋„ ์‚ถ์ด ๋ฐ˜๋“œ์‹œ ๋งŒ๋‚˜์•ผ

ํ•  โ€˜์‚ถ์˜ ํ˜„์ƒโ€™์ด๋ผ๋ฉด ์šฐ๋ฆฌ๋Š” ์ด๋ฅผ ์œ„ํ•œ ์ค€๋น„๋ฅผ ํ•˜์ง€ ์•Š์œผ๋ฉด ์•ˆ ๋ฉ๋‹ˆ๋‹ค.

๋ฒŒ๋ ค ๋†“์•˜๋˜ ์ผ๋“ค๋„ ์ถ”์Šค๋ ค์•ผ ํ•˜๊ณ , ๋งŒ๋‚œ ์ธ์—ฐ์—์„œ ๊ฒช์€ ๋ฏธ์›€๊ณผ ์‚ฌ๋ž‘๋„

๊ฒฐ ๊ณฑ๊ฒŒ ๋น—์–ด์•ผ ํ•ฉ๋‹ˆ๋‹ค. ์Šค์Šค๋กœ ์†์„ ํƒœ์šฐ๋ฉฐ ํ•œ์Šค๋Ÿฌ์› ๋˜ ์ผ๋“ค๋„ ๊ฑท์–ด์•ผ

ํ•˜๊ณ , ๋ชธ์˜ ์•„ํ””๋„ ๋‹ด๋‹ดํ•˜๊ฒŒ ๋ฐ›์•„ ๋“ค์—ฌ์•ผ ํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋Ÿด ์ˆ˜ ์žˆ๋Š” ์ค€๋น„๋ฅผ

ํ•˜์ง€ ์•Š์œผ๋ฉด ์ฃฝ์Œ์ด ์ถ•๋ณต์ผ ์ˆ˜๊ฐ€ ์—†์Šต๋‹ˆ๋‹ค.

๊ทธ๋Ÿฐ๋ฐ ๊ทธ ์ค€๋น„ ์ค‘์— ์ž์นซ ๋†“์น˜๊ธฐ ์‰ฌ์šด ๊ฒƒ์ด ์žˆ์Šต๋‹ˆ๋‹ค. ๋งˆ์Œ ๋‹ค์ง๋„ ๋ชธ

๊ฐ€๊ฟˆ๋„ ์žŠ์ง€ ์•Š์œผ๋ฉฐ ์‚ด๋ฉด์„œ ์ง€๋…”๋˜ ์‚ด๋ฆผ๋„ ์ •๋ฆฌ ํ•ด์•ผ ํ•œ๋‹ค๋Š” ์‚ฌ์‹ค์„ ์žŠ

์„ ์ˆ˜๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค. ์ƒ๊ฐํ•ด๋ณด๋ฉด ์šฐ๋ฆฌ ๋ˆ„๊ตฌ๋‚˜ ์ฐธ ์• ์“ฐ๋ฉด์„œ ์‚ด์•„์™”์Šต๋‹ˆ๋‹ค.

์‚ด๋ ค๋‹ˆ ๋งˆ๋ จํ•ด์•ผ ํ•  ๊ฒƒ๋„ ๋งŽ์•˜๊ณ , ๋˜ ์‚ด์ž๋‹ˆ ์˜ˆ์œ ๊ฒƒ, ๊ท€ํ•œ ๊ฒƒ, ํŽธํ•œ ๊ฒƒ์„

์ฐพ์œผ๋ฉด์„œ ์ฐธ ๋งŽ์€ ์‚ด๋ฆผ์„ ์žฅ๋งŒํ•˜๋ฉฐ ์‚ด์•˜์Šต๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‹ค๋ณด๋‹ˆ ๋ชจ์€ ์žฌ๋ฌผ

๋„ ๊ฝค ๋˜๊ณ , ๊ท€ํ•œ ๊ฒƒ๋“ค๋„ ์ ์ง€ ์•Š์Šต๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ์ฃฝ์Œ์€ ์ด์ œ ๊ทธ๋Ÿฌํ•œ ๊ฒƒ

๋“ค์ด ์ฃฝ์Œ๊ณผ ๋”๋ถˆ์–ด ์ ์–ด๋„ ๋‚ด๊ฒŒ๋Š” ์“ธ ๋ชจ ์—†๋Š” ๊ฒƒ์ผ ์ˆ˜๋ฐ–์— ์—†๋‹ค๋Š” ๊ฒƒ์„

๊ฐ€๋ฅด์ณ ์ค๋‹ˆ๋‹ค. ๊ทธ๋ ‡๋‹ค๋ฉด ์šฐ๋ฆฌ๋Š” ์‚ถ์„ ๋งˆ๋ฌด๋ฆฌํ•˜๋Š” ๋งˆ์ง€๋ง‰์ด ์ด๋ฅด๊ธฐ ์ „

์— ์„œ์„œํžˆ, ๊ทธ๋ฆฌ๊ณ  ๊ฒฝ์šฐ์— ๋”ฐ๋ผ์„œ๋Š” ์„œ๋‘˜๋Ÿฌ, ์ด ์‚ด๋ฆผ๋“ค๋„ ๋‹ค ์ •๋ฆฌํ•ด์•ผ ํ•ฉ

๋‹ˆ๋‹ค. ๋ฌผ๋ก  ๋‚ด๊ฐ€ ์ฃฝ์œผ๋ฉด ๊ทธ ๋ชจ๋“  ๊ฒƒ์ด โ€˜๋‚จ์˜ ๊ฒƒโ€™์ด ๋˜๋‹ˆ ๋‚ด๊ฐ€ ์น˜์šฐ์ง€ ์•Š์•„

๋„ ๋œ๋‹ค๊ณ  ์ƒ๊ฐํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋ ‡์Šต๋‹ˆ๋‹ค. ๊ทธ๋ ‡๊ฒŒ ๋ฉ๋‹ˆ๋‹ค.

ํ•˜์ง€๋งŒ ๋งŒ์•ฝ ๋‚ด๊ฐ€ ์•„์ง ์ฃฝ๊ธฐ ์ „์—, ์ฃฝ์Œ์„ ์˜ˆ์ƒํ•˜๋ฉด์„œ, ์ด ์‚ด๋ฆผ๋“ค์„ ์ž˜

์†์งˆํ•ด์„œ ํ•„์š”ํ•œ ์‚ฌ๋žŒ๋“ค์—๊ฒŒ ์ฃผ๊ณ , ๋˜ ๊ทธ๊ฒƒ์„ ํ•  ์ˆ˜ ์žˆ์œผ๋ฉด ํŒ”์•„ ์–ด๋ ค์šด

์ด์›ƒ๋“ค์„ ์œ„ํ•ด ์‚ฌ์šฉํ•  ์ˆ˜ ์žˆ๊ฒŒ ํ•œ๋‹ค๋ฉด, ์šฐ๋ฆฌ๋Š” ๋‚ด โ€˜์ฃฝ์Œ ๋งž์ดโ€™๋ฅผ ์•„์ฃผ ๊ฐ€

๋ณ๊ณ  ์ฆ๊ฒ๊ฒŒ ํ•  ์ˆ˜ ์žˆ์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค.

์ƒ๊ฐํ•ด๋ณด๋ฉด, ์ฃฝ์Œ์„ ์•ž๋‘๊ณ  ๋˜๋Œ์•„ ๋ณด๋ฉด, ์ฐธ ๋งŽ์ด ๊ฐ€์ง€๊ณ  ์‚ด์•˜์Šต๋‹ˆ๋‹ค. ๊ทธ

์ € ์ถ•๋ณต์ด๋ผ๊ณ  ๋งํ•˜๊ธฐ์—๋Š” ๋ถ€๋„๋Ÿฌ์šธ ๋งŒํผ ์š•์‹ฌ์Šค๋Ÿฝ๊ฒŒ ์‚ด์•˜๋Š”์ง€๋„ ๋ชจ๋ฅด

๊ฒ ์Šต๋‹ˆ๋‹ค. ์ฃฝ์Œ์„ ์ง„์ •์œผ๋กœ ์ถ•๋ณต์ด๊ฒŒ ํ•˜๋ ค๋ฉด ์ด์ œ๋Š” ์ด ๋ชจ๋“  ๊ฒƒ์—์„œ ๋†“

์—ฌ๋‚˜์•ผ ํ•ฉ๋‹ˆ๋‹ค. ๋‹ด๋‹ดํ•˜๊ฒŒ ์ž์œ ๋กœ์›Œ์•ผ ํ•ฉ๋‹ˆ๋‹ค. ์†Œํƒˆํ•˜๊ฒŒ, ๋‹ด๋ฐฑํ•˜๊ฒŒ, ๊ทธ๋ฆฌ

๊ณ  ์–ด์ฉŒ๋ฉด ๊ทธ๋ž˜์„œ ์ˆœ์ˆ˜ํ•˜๊ฒŒ ์‚ด๋‹ค ์ฃฝ์Œ์„ ๋งž์ดํ•ด์•ผ ๊ทธ ์ฃฝ์Œ์ด ๋ฐ”๋กœ ์šฐ๋ฆฌ

๊ฐ€ ์ง„์ •์œผ๋กœ ๋ฐ”๋ผ๋Š” ํ‰ํ™”๋กœ์šด ์•ˆ์‹์˜ ์ฃฝ์Œ์ด ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค.

ํ™€๋กœ ์ด๋Ÿฌํ•œ ๊ฒฐ๋‹จ์„ ํ•˜๊ธฐ๋Š” ์‰ฝ์ง€ ์•Š์Šต๋‹ˆ๋‹ค. ๊ทธ๋Ÿฐ๋ฐ ๋œป์ด ๋งž๋Š” ์‚ฌ๋žŒ๋“ค์ด

๋”๋ถˆ์–ด ํ•จ๊ป˜ํ•˜๋ฉด ์ฆ๊ฒ๊ณ  ํ–‰๋ณตํ•˜๊ฒŒ ์ด ์ผ์„, ๊ณง ์‚ด๋ฆผ์„ ์ž˜ ์ฒ˜๋ถ„ํ•˜๋ฉด์„œ ์ด

๋ฃจ๋Š” ์ฃฝ์Œ์ค€๋น„๋ฅผ, ํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.

์†Œ๋ง์†Œ์‚ฌ์ด์–ดํ‹ฐ์—์„œ ํ•˜๋Š” ์ด๋ฒˆ ์ƒ๋ช…์‚ด๋ฆฌ๊ธฐ ์†Œ๋ง ๊ฐค๋Ÿฌ๋ฆฌ ํ–‰์‚ฌ์— ์šฐ๋ฆฌ ์ฆ

๊ฒ๊ฒŒ ์ฐธ์—ฌํ•˜๋ฉด์„œ ์šฐ๋ฆฌ์˜ ์ฃฝ์Œ์ค€๋น„๋ฅผ ํ•  ์ˆ˜ ์žˆ์—ˆ์œผ๋ฉด ์ข‹๊ฒ ์Šต๋‹ˆ๋‹ค. ์ด์ œ

๊นŒ์ง€ ์• ์ง€์ค‘์ง€ํ•˜๋˜ ๊ฒƒ๋“ค์„ ๋‚ด๋†“์•„ ์ด์›ƒ์„ ์œ„ํ•œ ์‚ฌ๋ž‘์„ ์‹ค์ฒœํ•˜๋ฉด์„œ ๋‚ด

์ฃฝ์Œ์„ ์ง„์ •ํ•œ ์ถ•๋ณต์˜ ๊ณ„๊ธฐ๋กœ ๋งŒ๋“ค์—ˆ์œผ๋ฉด ์ข‹๊ฒ ์Šต๋‹ˆ๋‹ค. ์šฐ๋ฆฌ๋Š” ์ด๋ฅผ ์‹ค

์ฒœํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ์ด๋ฏธ ์ต์ˆ™ํ•˜๊ฒŒ ์ฃฝ์Œ์„ ์ค€๋น„ํ•ด ์™”๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.

Death complete life.

It refines and completes all the things of our daily unfinished assignments, entangled

relationships and the things we cherished the most in realty and in our dreams. Death

prevail even our worst physical ailment. In that essence, death is actually a blessing.

Death is a comfort and rest given to our lives. Without it, we might have to continue our

unending, restless life forever.

But, not everyone perceives death as this beautiful thing or welcoming resting place.

Like every step of oneโ€™s life we should prepare it if itโ€™s part of our life. We should

recollect our unfinished projects, straighten our hatred and love from our encounters

in our life. We should let go of our worst regrets and calmly accept even our sickness.

Death can never be a blessing without that process.

In doing so, there are things that we should remember which we often forget. One of

them is that we forget to organize and clean out our households as we organize our

body and mind. Thinking back on my life, we all truly strived our best in life. We needed

and wanted many different things and household items for many different reasons

and routes. Hence, I find that I have accumulated quite a few treasures and precious

antiques in my house. However, death teaches me that these things will all be no use

to me when Iโ€™m not here on this earth. If so, we should gradually prepare for this before

the ultimate ending

comes so that we donโ€™t have to hurry at the last minute. Of course, some might think

that there is no worry once they are here anymore since everything will go to somebody

else anyway.

But, what if I can contribute all the proceeds from selling all these in advance to our

needy neighbors or fix them to donate to our neighbors while we organize our life

before it ends. We can probably โ€˜welcome our endโ€™ very lightly and joyfully. Looking

back at my life before it ends I think I had so much in life. It might be even more than

just blessing but more like embarrassing greed. If I wanted death to be a blessing to me

I should free myself from all these. Serene freed. Humbly, clearly and maybe that will

bring me a truly peaceful and resting ending that I can welcome with a pure heart.

It wonโ€™t be an easy decision to doing all this all by myself. We can do this together

happily and joyfully with other people whom share the same philosophy to prepare

oneโ€™s death through clearing out our unused household collections.

Iโ€™d wish that we can all participate joyfully together in Somang Societyโ€™s philosophy

and prepare for our beautiful end. I wish that I can turn my own end into something

beautiful and blessing by donating my own treasures and collections in caring my

neighbors. We can do this. Because we are already well on our way for preparing

death until now.

์ฃฝ์Œ์€ ์‚ถ์„ ๋งˆ๋ฌด๋ฆฌํ•ด์ค๋‹ˆ๋‹ค.

Page 7: Somang Galley Program

7

Congratulatory Remarks ์ถ•์‚ฌ

๊น€์˜ฅ๋ผ ์ด์‚ฌ์žฅPresident, Ok Ra Kim

Kakdang Social Welfare Foundation

Iโ€™d like to sincerely congratulate this โ€˜Life Restoring Somang

Galleryโ€™. Iโ€™d like to send my deepest respect, trust and love

to Somang Society as one of โ€˜Welfare Workerโ€™ as they now

even endeavor into life restoring campaign along with their

strive to help Korean American citizens to prepare for their

ultimate end of beautiful life.

Somang Society has touched many Korean charity foun-

dations here in California last year by donating more than

100 wells which was over their original number of goal to

a remote area of Chad, Africa where peopleโ€™s lives were

threatened by not having clean water.

I canโ€™t express well enough how deeply I am touched this

time again by their bold and decisive action toward open-

ing this โ€˜Life Restoring Galleryโ€™ after their well project in

Africa last year.

In fact, many of us can only think of holding some kind of

โ€˜Bajaโ€™ sales when we try to help others. We, then, believe

that we delivered our responsibility by just donating few

pieces of clothes or used house goods. So, I send my big-

gest applaud to Somang Societyโ€™s mind blowing idea of

donating proceeds from selling donatorโ€™s collection items.

It reminds of my old friend I used to know at Theology

school whom passed away recently from a much pro-

gressed cancer. She used to take care of the most com-

plicated accounting works by just using her old abacus in

no time for over 10 years. One day, she just hung her one

piece of cloth by her hospital bedside and gave out all her

other belongings to needy neighbors and organized all her

surroundings and left this world light hearted.

I heard that this Somang Gallery came from President,

Yooโ€™s idea when she found so many collection items from

organizing her attic during remodeling of her house. Isnโ€™t

this also a part of preparing end of oneโ€™s life? It also gave

me a big awakening lesson what a true happiness is from

possessing nothing.

I feel the weight of oneโ€™s life in each donated items at this

gallery. I wish this will be a chance to bring a true happi-

ness where thereโ€™s a pain. Further, I wish that Somang

Gallery can send wave of motivation to all of us to look

back at our neighbors and ponder upon a true meaning

of sharing.

โ€˜์ƒ๋ช…์‚ด๋ฆฌ๊ธฐ ์†Œ๋ง ๊ฐค๋Ÿฌ๋ฆฌโ€™ ๊ฐœ์ตœ์— ์ง„์‹ฌ์œผ๋กœ ์ถ•ํ•˜๋“œ๋ฆฝ๋‹ˆ๋‹ค.

์žฌ๋ฏธ ํ•œ๊ตญ์ธ๋“ค์˜ ์•„๋ฆ„๋‹ค์šด ์‚ถ์˜ ๋งˆ๋ฌด๋ฆฌ์— ์ง„๋ ฅํ•˜๊ณ  ์žˆ๋Š” ์†Œ๋ง์†Œ์‚ฌ

์ด์–ดํ‹ฐ๊ฐ€ ์ด์ œ๋Š” ์‚ฌ์—…์˜์—ญ์„ ๋„“ํ˜€ ์ƒ๋ช…์‚ด๋ฆฌ๊ธฐ ์บ ํŽ˜์ธ์—๋„ ์ ๊ทน์ ์œผ

๋กœ ์ฐธ์—ฌํ•˜๊ณ  ์žˆ์–ด ๊ฐ™์€ โ€˜๋ณต์ง€ ๋™์—ญ์žโ€™๋กœ์„œ ๊นŠ์€ ์กด๊ฒฝ๊ณผ ์‹ ๋ขฐ, ๊ทธ๋ฆฌ๊ณ 

์‚ฌ๋ž‘์„ ๋ณด๋ƒ…๋‹ˆ๋‹ค.

์ง€๋‚œํ•ด ์•„ํ”„๋ฆฌ์นด ์˜ค์ง€ ์ฐจ๋“œ์—์„œ ์‹์ˆ˜๊ฐ€ ์—†์–ด ์ƒ๋ช…์˜ ์œ„ํ˜‘์„ ๋Š๋ผ๋ฉฐ

์‚ด๊ณ  ์žˆ๋Š” ์ฃผ๋ฏผ๋“ค์—๊ฒŒ ๋‹น์ดˆ ๋ชฉํ‘œ๋ฅผ ์ดˆ๊ณผํ•ด 100๊ฐœ๊ฐ€ ๋„˜๋Š” ์šฐ๋ฌผ์„ ํŒŒ

์ค€ ์†Œ๋ง์†Œ์‚ฌ์ด์–ดํ‹ฐ์˜ ๊ฐ๋™ ๋“œ๋ผ๋งˆ๋Š” ์ด๊ณณ ํ•œ๊ตญ์˜ ์ž์„ ๋‹จ์ฒด๋“ค ์‚ฌ์ด์—

์„œ๋„ ํฐ ํ™”์ œ๊ฐ€ ๋์Šต๋‹ˆ๋‹ค.

์šฐ๋ฌผ ํŒŒ๊ธฐ์— ์ด์–ด ์ด๋ฒˆ์—” ์ƒ๋ช…์‚ด๋ฆฌ๊ธฐ ์ „์‹œํšŒ๋ฅผ ํ•œ๋‹ค๋Š” ์†Œ์‹์— ๋˜ ํ•œ

๋ฒˆ ๊ทธ ์•„์ด๋””์–ด์™€ ์ฆ‰๊ฐ ์‹ค์ฒœ์œผ๋กœ ์˜ฎ๊ธฐ๋Š” ๊ฒฐ๋‹จ๋ ฅ์— ๊ฐํƒ„์„ ๊ธˆ์น˜ ๋ชป

ํ•ฉ๋‹ˆ๋‹ค.

์‚ฌ์‹ค ์ด์›ƒ๋•๊ธฐ ํ•˜๋ฉด ๊ธฐ๊ป ์ƒ๊ฐํ•˜๋Š” ๊ฒƒ์ด ๋ฐ”์žํšŒ ์ •๋„์ž…๋‹ˆ๋‹ค. ๋Œ€๋ถ€๋ถ„

๊ฐ์ž ์ง‘์—์„œ ์“ฐ๋˜ ์ƒํ™œ์šฉํ’ˆ์ด๋‚˜ ์˜ท๊ฐ€์ง€๋“ค์„ ๋ช‡์  ๊ธฐ์ฆํ•˜๊ณ ๋Š” ์ฑ…์ž„์„

๋‹คํ•˜๋Š” ๋“ฏ ์ƒ๊ฐํ•˜์ง€์š”. ๊ทธ๋Ÿฐ๋ฐ ์†Œ์žฅํ’ˆ์„ ๊ธฐ์ฆ๋ฐ›์•„ ์ˆ˜์ต๊ธˆ์„ ์ž์„ ๊ธฐ๊ธˆ

์œผ๋กœ ์ ๋ฆฝํ•˜๊ฒ ๋‹ค๋Š” ๋ฐœ์ƒ์˜ ์ „ํ™˜์— ๋ฉ€๋ฆฌ์„œ๋‚˜๋งˆ ๋ฐ•์ˆ˜๋ฅผ ๋ณด๋ƒ…๋‹ˆ๋‹ค.

๊ฐค๋Ÿฌ๋ฆฌ ์†Œ์‹์„ ์ „ํ•ด๋“ฃ๊ณ  ๋ฌธ๋“ ๋ง๊ธฐ์•” ์„ ๊ณ ๋ฅผ ๋ฐ›๊ณ  ํˆฌ๋ณ‘ ์ค‘ ์„ธ์ƒ์„ ๋– 

๋‚œ ์‹ ํ•™๊ต ์นœ๊ตฌ๊ฐ€ ์ƒ๊ฐ์ด ๋‚ฉ๋‹ˆ๋‹ค. 10๋…„ ๋„˜๊ฒŒ ์šฐ๋ฆฌ ์žฌ๋‹จ์˜ ๋ณต์žกํ•œ ๊ฒฝ๋ฆฌ

์—…๋ฌด๋ฅผ ์ฃผํŒ ํ•˜๋‚˜๋กœ ๋ง๋”ํžˆ ์ •๋ฆฌํ•ด์ฃผ๊ณค ํ–ˆ๋˜ ๋ถ„์ž…๋‹ˆ๋‹ค. ์–ด๋Š๋‚  ๊ทธ ์นœ

๊ตฌ๋Š” ๋ณ‘์› ์ž…์›์‹ค์— ์ž์‹ ์ด ์ž…์—ˆ๋˜ ์˜ท์„ ๊ฑธ์–ด๋†“๊ณ  ํ•„์š”ํ•œ ์‚ฌ๋žŒ๋“ค์—๊ฒŒ

๋ชจ๋‘ ๋‚˜๋ˆ ์ฃผ๋Š” ๋“ฑ ์‚ถ์„ ๋งˆ๋ฌด๋ฆฌํ•˜๊ณ ๋Š” ์ด์Šน์„ ํ›Œ์ฉ ๋– ๋‚ฌ์Šต๋‹ˆ๋‹ค.

์†Œ๋ง ์ „์‹œํšŒ๋„ ์•Œ๊ณ ๋ณด๋‹ˆ ์œ ๋ถ„์ž ์ด์‚ฌ์žฅ์ด ์ง‘์ˆ˜๋ฆฌ๋ฅผ ํ•˜๋Š” ๊ฐ€์šด๋ฐ ๊ณจ๋ฐฉ

์— ๋ณด๊ด€๋œ ์†Œ์žฅํ’ˆ๋“ค์„ ๋ฐœ๊ฒฌํ•˜๊ณ ๋Š” ์‚ฌํšŒ์— ๊ธฐ์ฆ์„ ํ•˜๊ธฐ๋กœ ๊ฒฐ์‹ฌํ•œ๋ฐ์„œ

๋น„๋กฏ๋๋‹ค๊ณ  ํ•ฉ๋‹ˆ๋‹ค. ์ด ์—ญ์‹œ ์‚ถ์˜ ๋งˆ๋ฌด๋ฆฌ๋ผ๊ณ  ํ• ๊นŒ์š”. ํ•œํŽธ์œผ๋ก  ๋ฌด์†Œ

์œ ๋ฅผ ํ†ตํ•œ ํ–‰๋ณต์ด ๋ฌด์—‡์ธ์ง€๋ฅผ ๊นจ๋‹ซ๊ฒŒ ํ•ด์ค˜ ํฐ ๊ตํ›ˆ์„ ์–ป์—ˆ์Šต๋‹ˆ๋‹ค.

์ด๋ฒˆ ์ „์‹œํšŒ์— ์ถœํ’ˆ๋œ ์ž‘ํ’ˆ ํ•˜๋‚˜ํ•˜๋‚˜์— ์ƒ๋ช…์˜ ๋ฌด๊ฒŒ๋ฅผ ๋Š๋‚๋‹ˆ๋‹ค. ์ „

์‹œํšŒ๊ฐ€ ๊ณ ํ†ต์ด ์žˆ๋Š” ๊ณณ์— ์ฐธ ํ–‰๋ณต์„ ๊ฐ€์ ธ๋‹ค ์ค„ ์ˆ˜ ์žˆ๋Š” ๊ณ„๊ธฐ๊ฐ€ ๋˜๊ธฐ

๋ฅผ ๊ธฐ๋Œ€ํ•ด ๋ด…๋‹ˆ๋‹ค. ์•„์šธ๋Ÿฌ ์†Œ๋ง ๊ฐค๋Ÿฌ๋ฆฌ๊ฐ€ ๋™๊ธฐ๋ถ€์—ฌ๊ฐ€ ๋ผ ๋ชจ๋“  ์‚ฌ๋žŒ

๋“ค์ด ํ•œ ๋ฒˆ์ฏค์€ ๋‚ด ์ด์›ƒ์„ ๋Œ์•„๋ณด๋Š” ๊ทธ๋Ÿฐ ์ž๊ทน์„ ์ฃผ์—ˆ์œผ๋ฉด ํ•˜๋Š” ๋ฐ”

๋žŒ์ž…๋‹ˆ๋‹ค.

์†Œ๋ง ๊ฐค๋Ÿฌ๋ฆฌ๋Š” ๋น„์˜๋ฆฌ๋‹จ์ฒด์˜ ๋กค๋ชจ๋ธ

Page 8: Somang Galley Program

8

๋งˆ๋™ํ™˜ ์ค€๋น„์œ„์›์žฅ

๊ตฟ๋„ค์ด๋ฒ„์Šค USA ์ด์‚ฌ์žฅ๋งˆ๋™ํ™˜ ๋ณ€ํ˜ธ์‚ฌ ๊ทธ๋ฃน ๋Œ€ํ‘œDavid Marh, Esq.Co-Chair of Somang GalleryChairman of Good Neighbors U.S.A.Marh & Associates Law Firm

Greeting ์ธ์‚ฌ์˜ ๋ง์”€

์†Œ๋ง ๊ฐค๋Ÿฌ๋ฆฌ๋Š” ์—ญ์‚ฌ์  ์œ ํ’ˆ๊ณผ ์˜ˆ์ˆ ์„ธ๊ณ„๋ฅผ ๊ธฐ๋ถ€๋ฌธํ™”์™€ ์ ‘๋ชฉ

ํ•˜์—ฌ, ์ƒ๋ช…์„ ์‚ด๋ฆฌ๊ณ ์ € ํ•˜๋Š” ๊ฐ„์ ˆํ•œ ์†Œ๋ง์˜ ๋งˆ์Œ๋“ค๋กœ ์ด๋ฃจ

์–ด ์กŒ์Šต๋‹ˆ๋‹ค. ๊ทธ๋ ‡๊ธฐ์—, ์†Œ๋ง ๊ฐค๋Ÿฌ๋ฆฌ์— ์ „์‹œ๋˜๋Š” ๋ชจ๋“  ์—ญ์‚ฌ

์  ์œ ํ’ˆ๊ณผ ์˜ˆ์ˆ ํ’ˆ์—” ์ƒ๋ช…์„ ์‚ด๋ฆฌ๊ณ ์ €ํ•˜๋Š” ์†Œ๋ง์˜ ๋งˆ์Œ๊ณผ ํ˜ผ

์ด ์ƒˆ๊ฒจ ์žˆ์Šต๋‹ˆ๋‹ค.

์†Œ์žฅ์ž์˜ ๊ธฐ๋ถ€ํ•˜๋Š” ๋งˆ์Œ ์†์—, ์ž‘๊ฐ€์˜ ์˜ˆ์ˆ ์„ธ๊ณ„ ์†์—, ๋˜ ๋ฌด

์—‡๋ณด๋‹ค ์†Œ๋ง ๊ฐค๋Ÿฌ๋ฆฌ์— ์ฐธ๊ฐ€ํ•ด ์ฃผ์‹œ๋Š” ๋ชจ๋“  ๋ถ„๋“ค์˜ ๋งˆ์Œ ์†

์— ์ƒˆ๊ฒจ ์žˆ์Šต๋‹ˆ๋‹ค.

์œก์ฒด์  ์ •์‹ ์  ์žฅ์• ๋กœ ์–ด๋ ค์šด ์‚ถ์„ ์ด์–ด๊ฐ€๋Š” ์ด์›ƒ๋“ค์—๊ฒŒ,

์‹ค์งˆ์ ์ธ ๋„์›€๊ณผ ์†Œ๋ง์„ ์ฃผ๊ณ ์ž ํ•˜๋Š” ๊ฒƒ์ด ์†Œ๋ง ๊ฐค๋Ÿฌ๋ฆฌ์˜

โ€œ์ƒ๋ช… ์‚ด๋ฆฌ๊ธฐโ€์ž…๋‹ˆ๋‹ค. ์ž ์ž๊ณ  ์žˆ๋Š” ์˜ค๋žœ ์†Œ์žฅํ’ˆ๋“ค์˜ ๊ฐ€์น˜

๊ฐ€ ์†Œ๋ง ๊ฐค๋Ÿฌ๋ฆฌ์—์„œ ์ƒ๋ช…์„ ์‚ด๋ฆฌ๋Š” ๋ถ€ํ™œ์˜ ๊ฐ€์น˜๋กœ ๋‹ค์‹œ ํƒœ

์–ด๋‚˜๋Š” ๊ฒƒ์ด๊ณ , ์•„์ง ๋“œ๋Ÿฌ๋‚˜์ง€ ์•Š์€ ์ž‘๊ฐ€์˜ ์„ธ๊ณ„์™€ ์ž‘ํ’ˆ์ด

์†Œ๋ง ๊ฐค๋Ÿฌ๋ฆฌ์—์„œ ๊ท€ํ•œ ๊ฐ€์น˜๋กœ ์ฐฝ์กฐ๋˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.

๊ทธ๋ ‡๊ธฐ์—, ์†Œ๋ง ๊ฐค๋Ÿฌ๋ฆฌ์—์„œ๋Š” ๋ชจ๋“  ์ž‘ํ’ˆ์˜ ๊ฐ€์น˜๊ฐ€ ๊ฐ๊ด€์ ์œผ

๋กœ ์ •ํ•ด์ง„ ์•ก์ˆ˜๋ณด๋‹ค ์ƒ๋ช…์„ ์‚ด๋ฆฌ๊ณ ์ € ํ•˜๋Š” ๋งˆ์Œ์œผ๋กœ ํ‰๊ฐ€๋œ

๋‹ค ํ•  ์ˆ˜ ์žˆ๊ฒ ์Šต๋‹ˆ๋‹ค.

์†Œ๋ง ๊ฐค๋Ÿฌ๋ฆฌ๋ฅผ ํ†ตํ•œ ์ƒ๋ช…์‚ด๋ฆฌ๊ธฐ์˜ ํ–‰๋ณด๋Š” ์ด์ œ ์‹œ์ž‘์ž…๋‹ˆ

๋‹ค. ๋” ๋งŽ์€ ์†Œ์žฅ์ž๋“ค์˜ ๊ธฐ๋ถ€๋ฅผ ํ†ตํ•ด ๋” ๋งŽ์€ ์ƒ๋ช…์„ ์‚ด๋ฆฌ

๊ธฐ ๊ธฐ์›ํ•˜๊ณ , ๋” ๋งŽ์€ โ€œ์ƒ๋ช… ์‚ด๋ฆฌ๊ธฐโ€ ๋งˆ์Œ์— ๋™์ฐธํ•˜๋Š” ์ž‘๊ฐ€

๋“ค์„ ๋ฐœ๊ตดํ•˜์—ฌ ๊ทธ๋“ค์˜ ์„ธ๊ณ„๋ฅผ ์—ด์–ด๊ฐ€๋Š”๋ฐ ์ผ์กฐํ•  ๊ฒƒ์ž…๋‹ˆ

๋‹ค. ์•„์šธ๋Ÿฌ ์†Œ๋ง ๊ฐค๋Ÿฌ๋ฆฌ๋Š” ๋ฌธํ™”์™€ ์˜ˆ์ˆ ์„ ํ†ตํ•œ ์ƒˆ๋กœ์šด ์žฅ๋ฅด

์˜ ๊ธฐ๋ถ€๋ฌธํ™”๋ฅผ ์ •์ฐฉ์‹œํ‚ด์€ ๋ฌผ๋ก , ๋ฌธํ™”์™€ ์˜ˆ์ˆ ์„ ํ†ตํ•ด ์„ธ๋Œ€

์™€ ์ธ์ข…์˜ ๋ฒฝ์„ ์ดˆ์›”ํ•œ ๋ฒ” ์ปค๋ฎค๋‹ˆํ‹ฐ์  ์†Œ๋ง ๊ฐค๋Ÿฌ๋ฆฌ์˜ โ€œ์ƒ๋ช…

์‚ด๋ฆฌ๊ธฐโ€๋กœ ์„ฑ์žฅํ•ด ๊ฐˆ ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ณง ํƒ„์ƒ๋  ์†Œ๋ง WEB ๊ฐค๋Ÿฌ

๋ฆฌ๋ฅผ ํ†ตํ•ด ๊ธฐ์ฆ๋˜๊ณ  ํŒ”๋ฆฐ ๋ชจ๋“  ๊ท€์ค‘ํ’ˆ๋“ค์˜ ๊ธฐ๋ก์€ ๋ฌผ๋ก , ๊ธฐ

์ฆ์ž๋“ค๊ณผ ์ž‘๊ฐ€๋“ค๊ณผ ์ƒˆ๋กœ์šด ์†Œ์žฅ์ž๋“ค๊ฐ„์˜ NETWORK์ด ํ˜•

์„ฑ๋  ๊ฒƒ์ด๋ฉฐ, ์ด๋ ‡๊ฒŒ ์ง€ํ‰์„ ๋„“ํ˜€๊ฐ€๋Š” ์†Œ๋ง ๊ฐค๋Ÿฌ๋ฆฌ๊ฐ€ ๋ ์ˆ˜

์žˆ๋„๋ก ๋ชจ๋“  ๋ถ„๋“ค์˜ ํ›„์›์„ ๊ฐ„์ ˆํžˆ ์†Œ๋งํ•˜๋Š” ๋ฐ”์ž…๋‹ˆ๋‹ค

Somang Gallery was created with the hearts of those who were inspired by

the idea of converting dormant values of cultural & historical artifacts, kept

unappreciated and merely collecting dusts at times, into vibrant living values

in helping lives of our neighbors whose fundamental needs of everyday

life have been greatly deprived due to their physical, emotional & social

disabilities (so called โ€œillegal alien statusโ€). Many compassionate people

are donating their treasures for the same cause, and an increasing number

of artists are approaching Somang Gallery to join the idea of bridging the

โ€œworld of artโ€ and โ€œworld of giving.โ€ And Somang Gallery shall continue to

provide venues for artists to display their passion and for collectors and

generous givers to show their care.

All funds generated through Somang Gallery shall strictly be used for the

purpose of helping these impoverished neighbors. The appropriation of

funds shall be determined by an impartial selection committee, whose

membersโ€™ lives are directly involved in helping people in needs, and the

administration of funds shall be done with complete transparency.

Unlike at other galleries, the values of the arts & artifacts at Somang Gallery

are not measured in terms of objective standards but rather in terms of

purity of hearts that want to share their belongings and talents in helping

others in need. From a certified 450-year old vase from Lee Dynasty to a

souvenir that was picked in a family trip, the genre & selections of items

at Somang Gallery is vastly open and broad. But every item carries a

common inherent theme, which is a genuine interest & desire to help those

in needs.

Somang Gallery has now just embarked. With support of those who read

this message and of those who participate in Somang Gallery event,

Somang Gallery shall continue to grow and hopes to be a formidable entity

in joining โ€œworld of artโ€ with โ€œworld of giving.โ€

Thank you.

์ƒ๋ช…์„ ์‚ด๋ฆฌ๊ณ ์ € ํ•˜๋Š” ๊ฐ„์ ˆํ•œ ์†Œ๋ง์˜ ๋งˆ์Œ๋“ค

Page 9: Somang Galley Program

9

Greetings ์ธ์‚ฌ์˜ ๋ง์”€

์ฐจ์›๊ฒฝ ์ค€๋น„์œ„์›์žฅWon Kyung Cha

Co-Chair of Somang Gallery Chief Committee Member

์„ธ์›”์˜ ๊ฐ•๋ฌผ์†์œผ๋กœ ๋ฌด์‹ฌํžˆ ํ˜๋Ÿฌ ๊ฐ€๋‹ค๋ณด๋ฉด ์–ด๋Š๋ง ์ง€์ƒ์˜ ์‚ถ์—์„œ ์˜์›

์œผ๋กœ ํ–ฅํ•˜๋Š” ์‹œ๊ฐ„์˜ ๋ฌธํ„ฑ์„ ๋„˜์–ด์„œ๋ฉฐ ์•„์‰ฌ์›€ ์†์— ๋จธ๋ญ‡๊ฑฐ๋ฆฌ๋Š” ์ž์‹ ์„

๋ฐ”๋ผ๋ณด๊ฒŒ ๋  ๋‚ ์ด ์˜ฌ ๊ฒƒ์ž…๋‹ˆ๋‹ค.

๊ทธ๋•Œ์„œ์•ผ ์กฐ๊ธ‰ํ•œ ๋งˆ์Œ์œผ๋กœ ์šฐ๋ฆฌ์˜ ๋งˆ์ง€๋ง‰ ์—ฌํ–‰ ์ค€๋น„๋ฅผ ์„œ๋‘๋ฅด๊ธฐ์—๋Š”

๊ทธ ์ฃฝ์Œ์ด๋ผ๋Š” ๋ถˆ์ฒญ๊ฐ์ด ์–ธ์ œ ์–ด๋–ค ๋ชจ์Šต์œผ๋กœ ์šฐ๋ฆฌ๋ฅผ ์ฐพ์•„ ์˜ฌ ์ง€ ๊ทธ ๋ˆ„

๊ตฌ๋„ ์˜ˆ์ธกํ•  ์ˆ˜ ์—†์Šต๋‹ˆ๋‹ค. ๊ทธ๋ ‡๊ธฐ์— ์‚ถ์˜ ๋งˆ๋ฌด๋ฆฌ ์ค€๋น„๋Š” ์‚ถ์˜ ์—ฌ์ • ์•ˆ

์—์„œ ํ•ญ์ƒ ์ฃฝ์Œ์„ ์ธ์‹ํ•˜๋ฉด์„œ ์ผ์ƒ ์•ˆ์—์„œ ์ด๋ฃจ์–ด์ ธ์•ผ ํ•˜๋Š” ์ค‘๊ฐ„ ๊ณผ์ •

์ด ์•„๋‹๊นŒ ํ•ฉ๋‹ˆ๋‹ค.

์•„๋ฆ„๋‹ค์šด ์‚ถ์˜ ๋งˆ๋ฌด๋ฆฌ ์ „์‹œํšŒ๋ฅผ ์œ„ํ•œ ์†Œ์žฅํ’ˆ๋“ค์„ ๋Œ€ํ•˜๋ฉด์„œ ๋งŽ์€ ๋Š๋‚Œ

๋“ค์ด ์Šค์ณ์ง€๋‚˜๊ฐ‘๋‹ˆ๋‹ค.

์˜ค๋žซ๋™์•ˆ ์šฐ๋ฆฌ์—๊ฒŒ ๋ณด๋ฉฐ ์ฆ๊ธฐ๋Š” ๊ธฐ์จ๋„ ์ฃผ๊ณ , ํ•œํŽธ์œผ๋กœ๋Š” ๋ฉ€์–ด์ง„ ๋ˆˆ๊ธธ

์† ํ•œ ์ผ ์—์„œ ์ž ๋“ค๊ณ  ์žˆ๋˜ ์†Œ์žฅํ’ˆ๋“ค์ด ๋•Œ๋ฅผ ๋งŒ๋‚œ ๋“ฏ, ์„ธ์›”์˜ ์ž…๊น€ ์†์—

๋น›๋ฐ”๋žœ ๋ชจ์Šต์„ ํ„ธ์–ด๋‚ด๊ณ  ๊นจ์–ด๋‚˜๋Š” ๋“ฏ ํ•ฉ๋‹ˆ๋‹ค.

๋งˆ์น˜ ์ž์‹ ์˜ ์กด์žฌ ๊ฐ€์น˜๋ฅผ ๋ฐœ๊ฒฌ ํ•˜๊ณ ์ž ํ•˜๋Š” ์ธ๊ฐ„์ฒ˜๋Ÿผ, ์šฐ๋ฆฌ ๊ณ ์œ ์˜ ์ •

์„œ๊ฐ€ ๊นƒ๋“  ์ž‘ํ’ˆ๋“ค์ด ์ด์›ƒ ํƒ€์ธ์ข…์—๊ฒŒ ๋‹ค๊ฐ€๊ฐ€๋Š” ๊ธฐํšŒ์™€ ๋”๋ถˆ์–ด ์ƒ๋ช…์„

์‚ด๋ฆฌ๋Š” ๊ท€ํ•œ ์ผ์— ์“ฐ์ž„ ๋ฐ›๊ธฐ์œ„ํ•ด ๋ถ€๋ฅด์‹ฌ์„ ๋ฐ›์•„ ๊ฑฐ๋“ญ ๋‚˜๋“ฏ์ด... ๊ทธ๋ฆฌ๊ณ 

๋‹จ์ˆœํ•˜๊ณ  ๊ฐ„์†Œํ•œ ์‚ถ์˜ ์˜๋ฏธ๋ฅผ ํ•œ๋ฒˆ์ฏค ์ƒ๊ฐํ•ด ๋ณด๊ฒŒ ๋ฉ๋‹ˆ๋‹ค.

์žŽ์ƒˆ๋ฅผ ๋–จ์ณ๋ฒ„๋ฆฌ๊ณ  ๋นˆ๊ฐ€์ง€๋กœ ๋ฌต๋ฌตํžˆ ์„œ์žˆ๋Š” ๋‚˜๋ฌด๋ฅผ ๋ฐ”๋ผ๋ณด๋ฉด ๋‚˜ ์ž์‹ 

๋„ ๋–จ์ณ ๋ฒ„๋ฆด ๊ฒƒ์ด ์—†๋Š”์ง€ ๋˜๋Œ์•„ ๋ณด๊ฒŒ ๋ฉ๋‹ˆ๋‹ค.

์šฐ๋ฆฌ์˜ ์‚ถ๋„ ๋น„์›Œ๋‚ด๊ณ  ๋ฌต์€ ๊ฒƒ๊ณผ ๊ฒฐ๋ณ„ํ•˜๋Š” ์ž‘์—…์„ ํ†ตํ•ด ๋ณด๋‹ค ์ƒˆ๋กœ์šด ์‚ถ

์„ ๊ฐ€๊พธ๊ธฐ ์œ„ํ•œ ์—ฌ๋ฐฑ์˜ ์•„๋ฆ„๋‹ค์›€์ด ๊นƒ๋“ค์ง€ ์•Š์„๊นŒ... ๋Œ€๋‚˜๋ฌด๊ฐ€ ํ•œ๋ฒˆ ์”ฉ

๋งค๋“ญ์„ ๋งบ์–ด์คŒ์œผ๋กœ์จ ๋”์šฑ ์ƒˆ๋กญ๊ณ  ๊ณง๊ฒŒ ์ž๋ผ๋“ฏ์ด ์ง„๋ถ€ํ•œ ์ผ์ƒ์—์„œ ๋ฒ—

์–ด๋‚˜ ์‚ถ์„ ์ƒˆ๋กญ๊ฒŒ ํ•˜๊ณ ์ž ํ•  ๋•Œ ์žก๋‹คํ•œ ์†Œ์œ ์™€ ์ฃผ๋ณ€์„ ์ •๋ฆฌํ•˜๋Š” ๊ฒฐ๋‹จ๊ณผ

์šฉ๊ธฐ๊ฐ€ ํ•„์š”ํ•  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ์†Œ์œ ์˜ ์ง‘์ฐฉ๊ณผ ๋ฏธ๋ จ์—์„œ ์˜ค๋Š” ๋ฒˆ์žกํ•จ์ด ์ž์‹ 

์„ ๋Œ์•„๋ณด๋Š” ์„ฑ์ฐฐ๊ณผ ์ฃผ๋ณ€ ์ •๋ฆฌ๋ฅผ ํ†ตํ•ด ๋‹จ์ˆœํ•˜๊ณ  ํ™€๊ฐ€๋ถ„ํ•œ ๋งˆ์Œ์œผ๋กœ ๋Œ

์•„๊ฐ€๋Š” ๊ฒƒ, ๊ทธ๊ฒƒ์ด ๋ฐ”๋กœ ์‚ถ์˜ ๋งˆ๋ฌด๋ฆฌ ์ค€๋น„์˜ ์ฒซ๊ฑธ์Œ์ด ์•„๋‹๊นŒ์š”? ๋‚˜์•„

๊ฐ€, ์•„๋ฆ„๋‹ค์šด ์‚ถ์˜ ๋งˆ๋ฌด๋ฆฌ ์ค€๋น„๊ฐ€ ํƒ€์ธ์˜ ์ƒ๋ช…์„ ์‚ด๋ฆฌ๋Š” ์ผ๋กœ ์ด์–ด์ ธ

๋”๋ถˆ์–ด ์‚ฌ๋Š” ์‚ถ, ๋‚˜๋ˆ”์„ ์‹ค์ฒœํ•˜๋Š” ์‚ฌํšŒ๋กœ ๋‚˜์•„๊ฐ€๋Š” ์ž‘์€ ๋ฌผ๊ผฌ ์—ญํ• ์„

ํ•  ์ˆ˜ ์žˆ๋‹ค๋ฉด ๊ทธ๊ฒƒ์€ ๋ฌด์—‡๋ณด๋‹ค ๊ท€ํ•˜๊ณ  ๋œป๊นŠ์€ ์ผ์ด๋ผ ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค.

์ด ์„ธ์ƒ์—์„œ ๊ฐ€์žฅ ์•„๋ฆ„๋‹ต๊ณ ๋„ ๊ฐ€์น˜ ์žˆ๋Š” ์„ ๋ฌผ, ์‚ฌ๋ž‘...

๊ทธ ์ตœ๊ณ ์˜ ์„ ๋ฌผ์ธ ์‚ฌ๋ž‘์œผ๋กœ ์šฐ๋ฆฌ ์ฃผ๋ณ€์—์„œ ๊บผ์ ธ๊ฐ€๋Š” ์ƒ๋ช…์˜ ๋ถˆ์”จ๋ฅผ ์‚ด

๋ฆฌ๋Š” ๋ฐœ๊ฑธ์Œ์— ๋งŽ์€ ๋ถ„๋“ค์ด ๋™ํ–‰ํ•ด ์ฃผ์‹œ๊ธธ ์†Œ๋งํ•ฉ๋‹ˆ๋‹ค.

There will be a time when we all have to face self-hesitation to step over

to this door of everlasting time, crossing from our lives even before we

realize it, while we are all floating in the current of Lifeโ€™s river.

In knowing that, we canโ€™t rush our journey to prepare our end because

we canโ€™t predict when this stranger will visit us in what kind of shape.

So, I think this is rather a middle process where we prepare in our daily

livesโ€™ journey by recognizing and acknowledging its existence as part

of our lives.

Many thoughts come across my mind while looking at all the gallery

collection items for this event in order to ready this beautiful lifeโ€™s

journey. All of these pieces once gave us joy and the chance to

appreciate them, then for a while they were just stashed away far from

our view and now it looks as if theyโ€™ve just shaken off their dust and

faded looks from this long breath of lifeโ€™s years. Itโ€™s as if they are trying

to say that they are worthy of existing. These items once again called

upon this mission to be used to restore many of our neighborโ€™s life. Itโ€™s

meaningful because it reflects our own cultures and ethos. I get to think

about simple and thrift lifestyle in doing so.

Looking at this tree standing quietly without any green leaves on its

empty branches makes me think if thereโ€™s anything that I should also

shake off from my own branches. Why donโ€™t we have some room

in our life to store beautiful space through shuffling our own self and

let go of old and aged thingsโ€ฆwe need courage to make a decision

in order to get rid of our crummy belongings and surroundings and

refresh our life out of complacency. Itโ€™s like the bamboo shoots makes

its stern knot to grow even further and straighter. Isnโ€™t this be the first

step toward preparing our finish line by letting go of your obsession of

possession and looking back our self to return to our original simple

and lighted heat and mind. Furthermore, it will be the most valuable

and meaningful deed when its used towards sharing and helping our

neighbors.

Loveโ€ฆthe most precious and beautiful gift in the whole world. I dream

that many of you come and join with us in this walk of restoring

diminishing light of our neighbors by sharing this beautiful gift of love.

๊ฐ€์žฅ ์•„๋ฆ„๋‹ต๊ณ ๋„ ๊ฐ€์น˜์žˆ๋Š” ์„ ๋ฌผ

Page 10: Somang Galley Program

10

์‹ ์—ฐ์˜ฅ์ „๋‚จ๊ฐ€์ฃผํ•œ์ธ๊ฐ„ํ˜ธํ˜‘ํšŒ์žฅ

Yeon Ok Shin Former President of

The Korean Nurses of Association of SC

Congratulatory Poem ์ถ• ์‹œ

์‚ฌ๋ž‘์˜ ์”จ์•—์œผ๋กœ ์†Œ๋ง์„

๋‚˜๋ˆ”์˜ ์•„๋ฆ„ ๋‹ค์Œ์œผ๋กœ

์ƒ๋ช…์„ ์‚ด๋ฆฝ๋‹ˆ๋‹ค.

๋จผ์ง€ ์•„๋ž˜ ์ˆจ๊ฒจ์ง„ ์• ๋ฌผ์„

๋น›์œผ๋กœ ๋ฐํžˆ๋ฉฐ

ํฌ๋ง์„ ์„ ๋ฌผํ•ฉ๋‹ˆ๋‹ค.

๋งˆ์Œ ํ•œ ํŽธ์—์„œ ๋ง์„ค์ด๋Š”

์‚ฌ๋ž‘์˜ ์‹ฌ์ง€์—

์–ด๋ ค์›€ ์†์—์„œ ๊ฐ„์ ˆํžˆ ๊ตฌํ•˜๋Š”

๋ˆ„๊ตฐ๊ฐ€์˜ ์ƒ๋ช…์„ ํ–ฅํ•ด

๋จผ์ง€๋ฅผ ํ„ธ์–ด๋‚ด๊ณ 

์ด›๋ถˆ์„ ์ผœ์•ผ์ง€์š”.

์ƒ๋ช… ์‚ด๋ฆฌ๊ธฐ ์†Œ๋ง ๊ฐค๋Ÿฌ๋ฆฌ๋Š”

์‚ฌ๋ž‘๊ณผ ์†Œ๋ง์œผ๋กœ ๋‹ค์ ธ์ง„

๋‚˜๋ˆ”์˜ ์žฅ์ž…๋‹ˆ๋‹ค

ํฌ๋ง์˜ ๊ฝƒ์ž…๋‹ˆ๋‹ค.

ํ•œ ๊ฑธ์Œ์œผ๋กœ ์‹œ์ž‘ํ•ฉ๋‹ˆ๋‹ค.

์ด ๋ชจ๋‘์˜ ๊ฑธ์Œ ๊ฑธ์Œ์ด

์ƒ๋ช…์œผ๋กœ ์ด์–ด์ ธ

์†Œ๋ง์˜ ์—ด๋งค๋ฅผ ๋งบ์œผ๋ฆฌ๋ผ ๋ฏฟ์Šต๋‹ˆ๋‹ค.

์ „์‹œ๋œ ์ด ๋ชจ๋“  ์• ์žฅํ’ˆ์€

์‚ฌ๋ž‘์ด์š”

๋‚˜๋ˆ”์ด์š”

์ƒ๋ช…์ž…๋‹ˆ๋‹ค.

์ƒ๋ช… ์‚ด๋ฆฌ๊ธฐ ์†Œ๋ง ๊ฐค๋Ÿฌ๋ฆฌ

Page 11: Somang Galley Program

11

Somang Galleryโ€™s Donated Arts & Crafts

์†Œ๋ง ๊ฐค๋Ÿฌ๋ฆฌ ๊ธฐ์ฆ ์ž‘ํ’ˆ

Page 12: Somang Galley Program

12

Cho-Sun Baekja SomunbyungNarrow Mouthed White Porcelain Vase

Mid-Yi Dynasty AD 1630-1650

(Certificate attached)

์กฐ์„ ๋ฐฑ์ž ์†Œ๋ฌธ๋ณ‘ ์กฐ์„  ์ค‘๊ธฐ AD 1630-1650๋…„ ์ œ์ž‘

(์ฆ์„œ ํฌํ•จ)

Cho-Sun BaekjaLee Dynasty White Porcelain

(Somun Baekja)/Narrow Mouthed White Porcelain

Its characteristics are that there is no decorative patterns on the surface of these

porcelains in a single color of white. These porcelain pieces were made from early

Chosun dynasty till later time for a long period and has a very neat and poised

characteristics in general.

์กฐ์„ ๋ฐฑ์ž์†Œ๋ฌธ๋ฐฑ์ž : ๊ทธ๋ฆ‡ํ‘œ๋ฉด์— ์ „ํ˜€ ์žฅ์‹ ๋ฌด๋‰˜๊ฐ€ ์—†๊ณ  ๋ฐฑ์ƒ‰์˜ ๋‹จ์ผ์ƒ‰์œผ๋กœ ๋œ๊ฒƒ์ด๋‹ค.

์ด๋Ÿฌํ•œ ๊ทธ๋ฆ‡์€ ์กฐ์„  ์ „๊ธฐ๋ถ€ํ„ฐ ํ›„๊ธฐ์— ์ด๋ฅด๊ธฐ๊นŒ์ง€ ์˜ค๋žซ๋™์•ˆ

๋งŒ๋“ค์–ด์กŒ์œผ๋ฉฐ, ๋Œ€์ฒด๋กœ ํฌ์šฉ๋ ฅ์ด ์žˆ๊ณ  ์ฒญ์ดˆํ•ด ๋ณด์ด๋Š” ํŠน์ง•์„ ์ง€๋‹ˆ๊ณ  ์žˆ๋‹ค.

Donated by Yoo, Boon Ja

์œ ๋ถ„์ž ๊ธฐ์ฆ

Page 13: Somang Galley Program

13

Donated by Yoo, Boon Ja

์œ ๋ถ„์ž ๊ธฐ์ฆ

Pungsokdo Folk Cultural Painting

Artist by Youngnam Lee, Siyeon in 1978

12 in. x 48 in.

ํ’์†๋„ ์˜๋‚จ ์ด์‹œ์œค ๊ทธ๋ฆผ, 1978๋…„ ์ž‘

Pungsokdo Folk Cultural Painting

It gives a glimpse of this particular times hereditary and interest and

background of their lives. We can grasp the atmosphere of the town

with the background of picturesque mountain view and the relaxed

and warm glow of townโ€™s people.

ํ’์†๋„์‹œ๋Œ€์  ์„ธ์Šต ๋ฐ ๊ด€์‹ฌ, ์‚ฌ๋Š” ๋ฐฐ๊ฒฝ์„ ์—ฟ๋ณผ ์ˆ˜ ์žˆ๋Š” ์ž‘ํ’ˆ

๋งˆ์„์˜ ์ •์ทจ์™€ ๋’ค๋กœ ๋ณด์ด๋Š” ์‚ฐ์˜ ์ ˆ๊ฒฝ์ด ์–ด์šฐ๋Ÿฌ์ ธ

์˜› ์„ ์ง„๋“ค์˜ ์—ฌ์œ ์™€ ๋”ฐ๋œปํ•œ ์ •์ทจ๋ฅผ ๋Š๋‚„ ์ˆ˜ ์žˆ๋Š” ์ž‘ํ’ˆ

Page 14: Somang Galley Program

14

Kang San Choon Sim

River and Mountain View in Spring

Artist By: Jung, Moon Sik

Expresses the relaxations and resting

of the fisherman and the beauty of the

Azalea flowers blooming in spring time.

12 in x 40 in

๊ฐ•์‚ฐ์ถ˜์‹ฌ ์ •๋ฌธ์‹ ์ž‘

๋ด„์— ํ”ผ์–ด๋‚˜๋Š” ๋ณต์‚ฌ๊ฝƒ์˜ ์•„๋ฆ„๋‹ค์›€๊ณผ

๋‚š์‹œํ•˜๋Š” ์‚ฌ๋žŒ์—๊ฒŒ ์—ฌ์œ ์™€ ์‰ผ์„

๋Š๋ผ๊ฒŒ ํ•˜๋Š” ์ž‘ํ’ˆ

San Jung Jook Saeng Wun

Calm Mountain View with

baby bamboo sprouting

8 in x 25.5 in

์‚ฐ์ •์ฃฝ์ƒ์šด๊ณ ์š”ํ•œ ์‚ฐ์— ๋Œ€๋‚˜๋ฌด ์ƒ๊ธฐ๊ฐ€

๋‹์•„๋‚จ์„ ํ‘œํ˜„

Soo Mok San Soo Hwa

Black Ink Landscape Painting

Itโ€™s a painting of oriental landscapes of nature,

rare rocks and mountains, people and

pavilion scenes along with four seasons in it.

์ˆ˜๋ฌต์‚ฐ์ˆ˜ํ™”์ž์—ฐ์˜ ๊ฒฝ์น˜๋ฅผ ์ฃผ์ œ๋กœ ๊ทธ๋ฆฐ ๋™์–‘ํ™”

์‚ฐ์ˆ˜, ์ˆ˜์„ ๋“ฑ ์ž์—ฐ์˜ ๊ฒฝ์น˜๋ฅผ ๊ทธ๋ฆฐ ๊ฒƒ์œผ๋กœ,

ํ’๋ฌผ๋กœ์„œ ์ธ๋ฌผ, ๋ˆ„๊ฐ ํ’์† ๋“ฑ์ด ํฌํ•จ๋˜๋ฉฐ

์‚ฌ๊ณ„์ ˆ๊ณผ ์ง์„ ๋งž์ถ”๋Š” ๊ฒฝ์šฐ๊ฐ€ ๋งŽ๋‹ค.

Donated by Yoo, Boon Ja

์œ ๋ถ„์ž ๊ธฐ์ฆ

Page 15: Somang Galley Program

15

San Jung Jook Saeng Wun

Calm Mountain View with

baby bamboo sprouting

8 in x 25.5 in

์‚ฐ์ •์ฃฝ์ƒ์šด๊ณ ์š”ํ•œ ์‚ฐ์— ๋Œ€๋‚˜๋ฌด ์ƒ๊ธฐ๊ฐ€

๋‹์•„๋‚จ์„ ํ‘œํ˜„

Nak Hwa AhmFlower Falling Cliff

Artist by Song Jae in 1974

Itโ€™s a place where three thousand palace maids

threw themselves off the cliff like falling flower

petals at this mountainside.

25 in x 12.5 in

๋‚™ํ™”์•” ์†ก ์žฌ ์ž‘, 1974๋…„

์ˆ˜๋งŽ์€ ๋‚˜๋ฌด์™€ ๋Œ์ด ์žˆ๋Š” ์‚ฐ ์œ„์—์„œ

์‚ผ์ฒœ๊ถ๋…€๊ฐ€ ๊ฝƒ์ฒ˜๋Ÿผ ๋ฌผ ์†์œผ๋กœ ๋–จ์–ด์ง„ ๊ณณ

Donated by Yoo, Boon Ja

์œ ๋ถ„์ž ๊ธฐ์ฆ

Chu kang Dok GyunFishing alone at a riverside in fall

In 1987

12 in x 12 in

์ถ”๊ฐ•๋…๊ท  1987๋…„ ์ž‘

๊ฐ€์„ ๊ฐ•์—์„œ ํ™€๋กœ ๋‚š์‹œํ•˜๋‹ค

Page 16: Somang Galley Program

16

Donated by Yoo, Boon Ja

์œ ๋ถ„์ž ๊ธฐ์ฆ

Sul Joong Chung HyangRefreshing Scent in Winter 1974

9 in x 18 in

์„ค์ค‘์ฒญํ–ฅ1974๋…„ ๊ฒจ์šธ

๋ˆˆ ์†์— ๋ง‘์€ ํ–ฅ๊ธฐ๊ฐ€ ๋ˆ๋‹ค.

Man Hyang Han CheeFull of Chill Chrysanthemum scent

In Summer 1978

11 in x 9 in

๋งŒํ–ฅํ•œ์ทจ1978๋…„ ์—ฌ๋ฆ„

์ฐจ๊ฐ€์šด ๊ตญํ™” ํ–ฅ๊ธฐ๊ฐ€ ๊ฐ€๋“ํ•˜๋‹ค.

Donated by Yoo, Boon Ja

์œ ๋ถ„์ž ๊ธฐ์ฆ

Page 17: Somang Galley Program

17

Pyong AnArtist by Kang, Eun Jun

10 in x 13 in

ํ‰์•ˆ๊ฐ•์€์ „ ์ž‘

Donated by Cha, Won Kyong ์ฐจ์›๊ฒฝ ๊ธฐ์ฆ

DalmadoLooking with an intense stare

Artist By: Il Boong Seo, Kyong Bo

In Spring 1981

16 in x 26 in

๋‹ฌ๋งˆ๋„ ์ผ๋ถ• ์„œ๊ฒฝ๋ณด ์ž‘, 1981๋…„ ๋ด„

ํ‘ธ๋ฅด๋ฅธ ์ฐจ๊ฐ€์šด ๋ˆˆ๋น›์œผ๋กœ ์‚ฐํ•˜๋ฅผ ์˜์•„๋ณด๋‹ค. Donated by Kim, Dong Sung ๊น€๋™์„ฑ ๊ธฐ์ฆ

Page 18: Somang Galley Program

18

Donated by Cha, Won Kyong ์ฐจ์›๊ฒฝ ๊ธฐ์ฆ

Donated by Hong, Yang Heeํ™์–‘ํฌ ๊ธฐ์ฆ

LandscapeArtist by Eesuk Im, Song Hee

10.5 in x 9.5 in

์‚ฐ์ˆ˜ํ™”์ด์„ ์ž„์†กํฌ ์ž‘

Flowers and BirdsArtist by Jip Dang No In

In Fall 1949

16 in x 12 in

๊ฝƒ๊ณผ ์ƒˆ์ง‘๋‹น ๋…ธ์ธ ์ž‘, 1949๋…„ ๊ฐ€์„

Donated by Yoo, Boon Ja

์œ ๋ถ„์ž ๊ธฐ์ฆ

Falcon on a RockArtist By: Kyuam Han, Kyu Dong

In Spring 1989

Artist Han once broke his paint brushes

when Republic of Korea left Seoul when North Korean came

down and occupied Seoul in 1950. He began his work again

when he was over 70 years old.

18 in x 21 in

์•”์„ ์œ„ ๋งค๊ทœ์•” ํ•œ๊ทœ๋™ ์ž‘, 1989๋…„ ๋ด„

1950๋…„ ์šฐ๋ฆฌ ์ •๋ถ€๊ฐ€ ์„œ์šธ์„ ๋– ๋‚˜๊ณ 

๋ถ์ชฝ์—์„œ ์ž ์‹œ ์„œ์šธ์„ ์ ๋ นํ–ˆ์„ ๋•Œ

์„œ์šธ ์ˆ˜๋ณต ํ›„ ๋ถ“์„ ๊บพ๊ณ  ๊ทธ๋ฆผ์„ ๊ทธ๋ฆฌ์ง€ ์•Š๋‹ค๊ฐ€

70์„ธ๊ฐ€ ๋„˜์–ด ๊ทธ๋ฆผ์„ ๊ทธ๋ฆผ

Page 19: Somang Galley Program

19

Donated by Yoo, Boon Ja

์œ ๋ถ„์ž ๊ธฐ์ฆ

Donated by Vincent Lee๋นˆ์„ผํŠธ ๋ฆฌ ๊ธฐ์ฆ

โ€œHard to be Humbleโ€Artist by Cho, Young Nam In 2007

He used Korean folk playing cards as

his painting theme.

16 in x 20 in

๊ฒธ์†์€ ํž˜๋“ค์–ด ์กฐ์˜๋‚จ ์ž‘, 2007๋…„

ํ™”ํˆฌ๋ฅผ ์†Œ์žฌ๋กœ ํ‘œํ˜„ํ•œ ์ž‘ํ’ˆ

RosesArtist by Choonsu Jung, Sung Sim

10 in x 10 in

์žฅ๋ฏธ ์ถ˜์ˆ˜ ์ •์„ฑ์‹ฌ ์ž‘

Donated by Cho, Young Nam์กฐ์˜๋‚จ ๊ธฐ์ฆ

Greeting Card for New YearArtist by Lee, Il Young

8.5 in x 8.5 in

ํ•˜์ •(์—ฐํ•˜์žฅ) ์ด์ผ์˜ ์ž‘

Page 20: Somang Galley Program

20

Donated by Shin, Ok Kyun์‹ ์˜ฅ๊ท  ๊ธฐ์ฆ

Seorak Woolsan BaweeArtist by Wu-song Shin, Ok Kyun

18 in x 18 in

์„ค์•… ์šธ์‚ฐ๋ฐ”์œ„์šฐ์†ก ์‹ ์˜ฅ๊ท  ์ž‘

Pine Tree Embracing the SunArtist by Wu-song Shin, Ok Kyun

17.5 in x 28 in

ํ•ด๋ฅผ ํ’ˆ์€ ์†Œ๋‚˜๋ฌด์šฐ์†ก ์‹ ์˜ฅ๊ท  ์ž‘

Wu-Song Shin / ์šฐ์†ก ์‹ ์˜ฅ๊ท 

Born in Jeonbook Ik San, he held his own exhibition for 8 times at places like Seoul, LA, Buena Park, Glendale, Garden Grove and etc.4 Korean Artists Invitation Exhibition/Huntington Beach, Golden West College GalleryGroup Invitation Gallery/Seoul, Busan, In Cheon, Gwa Cheon, Kwang Ju, Chun ju, Peking China, New York, LA and etc.Korean National Disabled Artistโ€™s Exhibition, Korean National Exhibtion, Kyung Ki Do Peaceful Unification Art Exhibition and Being a Judge or Management members of many.

์ „๋ถ ์ต์‚ฐ์ƒ๊ฐœ์ธ์ „8ํšŒ / ์„œ์šธ,LA,๋ถ€์—๋‚˜ํŒŒํฌ,๊ทธ๋ Œ๋ฐ์ผ,๊ฐ€๋“ ๊ทธ๋กœ๋ธŒํ•œ๊ตญ์ž‘๊ฐ€4์ธ์ดˆ๋Œ€์ „/ํ—ŒํŒ…ํ„ด ๋น„์น˜,๊ณจ๋“  ์›จ์ŠคํŠธ ์ปฌ๋ฆฌ์ง€ ๊ฐค๋Ÿฌ๋ฆฌ๋‹จ์ฒด์ „ ์ดˆ๋Œ€์ „ / ์„œ์šธ,๋ถ€์‚ฐ,์ธ์ฒœ,๊ณผ์ฒœ,๊ด‘์ฃผ,์ „์ฃผ,๋ถ๊ฒฝ,๋‰ด์š•,LA ๋“ฑ ๋‹ค์ˆ˜ํšŒ์ „๊ตญ์žฅ์• ์ธ๋ฏธ์ˆ ๋Œ€์ „,๋Œ€ํ•œ๋ฏผ๊ตญ๋ฏธ์ˆ ๋Œ€์ „(๊ตญ์ „),๊ฒฝ๊ธฐ๋„ํ‰ํ™”ํ†ต์ผ๋ฏธ์ˆ ๋Œ€์ „,๋“ฑ ์‹ฌ์‚ฌ ๋ฐ ์šด์˜์œ„์›์—ญ์ž„

Page 21: Somang Galley Program

21

Donated by Kim, Young Shin๊น€์˜์‹  ๊ธฐ์ฆ

SongArtist by Young Shin Kim

9 in x 17 in x 6.5 in

๋…ธ๋ž˜๊น€์˜์‹  ์ž‘

๊น€์˜์‹  / Young Shin Kim

MA in Ceramicx Art, CSU FullertonMany Exhibitions in Solo & Groups

Adjunct Faculty at North Orange County College District & Muckenthaler Cultural Center, Fullerton

Wings of LifeArtist by Young Shin Kim

16 in x 16 in x 6 in

์ƒ๋ช…์˜ ๋‚ ๊ฐœ๊น€์˜์‹  ์ž‘

Page 22: Somang Galley Program

22

Donated by Yoo, Boon Ja

์œ ๋ถ„์ž ๊ธฐ์ฆ

Pal Chok Byung Pung8 Piece Folding Screen

Artist by Hae Dang Guh Sa

In 1974

8์ชฝ ๋ณ‘ํ’ ํ•ด๋‹น ๊ฑฐ์‚ฌ ์ž‘, 1974๋…„

Byung PungFolding Screens

its purpose is to block winds or as an interior decoration. The original purpose was to block winds but the modern trend is to appreciate

more on the art side of the paintings, embroideries and calligraphy works. It can be folded or be spread out to utilize its original purpose

and as an art piece.

๋ณ‘ํ’ ๋ฐ”๋žŒ์„ ๋ง‰๊ฑฐ๋‚˜ ์žฅ์‹์šฉ์œผ๋กœ ๋ฐฉ ์•ˆ์— ๋‘˜๋Ÿฌ์น˜๋Š” ๋ฌผ๊ฑด ๋ณธ๋ž˜ ๊ตฌ์‹ค์€ ๋ฐ”๋žŒ์„ ๋ง‰๋Š” ๊ฒƒ์ด์—ˆ์œผ๋‚˜

ํ˜„๋Œ€์—๋Š” ๊ทธ๋ฆผ์ด๋‚˜ ์ž์ˆ˜, ๊ธ€์”จ๋“ค์„ ๊ฐ์ƒํ•˜๊ธฐ ์œ„ํ•˜์—ฌ ์‚ฌ์šฉํ•˜๋Š” ๊ฒฝํ–ฅ์ด ๋” ์ง™์–ด์กŒ๋‹ค.

์ ‘๊ฑฐ๋‚˜ ํŽผ ์ˆ˜ ์žˆ๊ฒŒ ๋งŒ๋“ค์–ด ๋ฐฉ ์•ˆ์— ์น˜๋Š” ์‹ค์šฉ์„ฑ๊ณผ ์˜ˆ์ˆ ์„ฑ์„ ๊ฒธํ•  ์ˆ˜ ์žˆ๋‹ค.

Page 23: Somang Galley Program

23

Donated by Yoo, Boon Ja

์œ ๋ถ„์ž ๊ธฐ์ฆ

6 Piece Folding Screen with

Folk Cultural Paintings.

ํ’์†ํ™”๋ฅผ ๊ทธ๋ฆฐ 6์ชฝ ๋ณ‘ํ’

Page 24: Somang Galley Program

24

Donated by Yoo, Boon Ja

์œ ๋ถ„์ž ๊ธฐ์ฆ

6 Piece Embroidered Folding Screen

6์ชฝ ์ž์ˆ˜ ๋ณ‘ํ’

Donated by Kim, Jung Bin๊น€์ •๋นˆ ๊ธฐ์ฆ

Ja Soo Byung PungEmbroidered Folding Screen

Folding screen with embroidery containing various colors of pictures, calligraphs and patterns on cloth.

์ž์ˆ˜๋ณ‘ํ’ ์˜ท๊ฐ์ด๋‚˜ ํ—๊ฒŠ ๋”ฐ์œ„์— ์—ฌ๋Ÿฌ๊ฐ€์ง€ ์ƒ‰์‹ค๋กœ ๊ทธ๋ฆผ, ๊ธ€์ž, ๋ฌด๋Šฌ ๋”ฐ์œ„๋ฅผ ์ˆ˜ ๋†“์€ ๋ณ‘ํ’

4 Piece Embroidered Folding Screen

4์ชฝ ์ž์ˆ˜ ๋ณ‘ํ’

Page 25: Somang Galley Program

25

Donated by Yoo, Boon Ja

์œ ๋ถ„์ž ๊ธฐ์ฆ

Han Yak JangOriental Medicine Cabinet

ํ•œ์•ฝ์žฅ

Antique Chest

๊ณ ๊ฐ€๊ตฌ

Page 26: Somang Galley Program

26

Donated by Kim, Jung Bin

๊น€์ •๋นˆ ๊ธฐ์ฆ

Yeon JeokA good inkstone with a poised beautiful water holder can

accentuate a noble scholarโ€™s statue.

์—ฐ์  ๋ฒผ๋ฃจ์— ๋จน์„ ๊ฐˆ ๋•Œ ์‚ฌ์šฉํ•  ๋ฌผ์„ ๋‹ด์•„๋‘๋Š” ๊ทธ๋ฆ‡

์ข‹์€ ๋ฒผ๋ฃจ์— ์šด์น˜์žˆ๋Š” ์—ฐ์ ์„ ๋‘์–ด ์„ ๋น„์˜ ๊ณ ์ƒํ•œ ์ •์ทจ๋ฅผ ๋‹๊ตฐ๋‹ค.

Small Interior PiecesCandle Holder, Shoes, Bell

์†Œ ์žฅ์‹ํ’ˆ ์ด›๋Œ€๋ฐ›์นจ, ์‹ ๋ฐœ, ์ข…Donated by Yoo, Boon Ja

์œ ๋ถ„์ž ๊ธฐ์ฆ

Page 27: Somang Galley Program

27

Donated by Yoo, Boon Ja

์œ ๋ถ„์ž ๊ธฐ์ฆ

Cho Sun Dynasty

White Porcelain Narrow Mouthed Vases

์กฐ์„ ๋ฐฑ์ž ์†Œ๋ฌธ๋ณ‘

Page 28: Somang Galley Program

28

Donated by Yoo, Boon Ja

์œ ๋ถ„์ž ๊ธฐ์ฆ

Da Sik PanRice Snack Mold

Itโ€™s a wooden mold to make patterns on traditional rice snacks.

On top and bottom of long and sturdy mold lies engraved rice

snack patterns. These were always used for weddings,

60th birthdays and formal ceremonies.

๋‹ค์‹ํŒ๋‹ค์‹์„ ๋ฐ•์•„๋‚ด๋Š” ํ‹€

๊ธธ์ญ‰ํ•˜๊ณ  ๋‹จ๋‹จํ•œ ๋‚˜๋ฌด์กฐ๊ฐ ์œ„ ์•„๋ž˜์— ๋‹ค์‹ ๋ชจ์–‘์„ ํŒŒ ๋‚ธ ๊ฒƒ๊ณผ

ํ•œ ์กฐ๊ฐ์— ๊ตฌ๋ฉ์„ ํŒŒ ๋‚ธ ๊ฒƒ๋„ ์žˆ๋‹ค.

ํ˜ผ๋ก€, ํšŒ๊ฐ‘์—ฐ, ์ œ๋ก€ ๋“ฑ์— ๋ฐ˜๋“œ์‹œ ์‚ฌ์šฉ๋˜์—ˆ๋‹ค.

Gom Bang DaeSmoking Pipes

Pipes for smoking tobacco leaves chopped in small pieces.

๊ณฐ๋ฐฉ๋Œ€์ž˜๊ฒŒ ์ฌ ๋‹ด๋ฐฐ๋ฅผ ํ”ผ์šธ ๋•Œ ์‚ฌ์šฉํ•˜๋Š” ๊ธฐ๊ตฌ

Ttwa RheeThis was used on top of head to help people carry heavy loads of

water and goods.

๋˜ฌ๋ฆฌ์ง์„ ๋จธ๋ฆฌ ์œ„์— ์–น์–ด์„œ

์ง์„ ๊ดด๋Š” ๊ณ ๋ฆฌ๋ชจ์–‘์˜ ๋ฌผ๊ฑด

Page 29: Somang Galley Program

29

Donated by Shin, Dong

์‹  ๋™ ๊ธฐ์ฆ

Ho Yeon Ji KiA Great and Vast Spirit

Artist By: Hae Dang No In

In Winter 1974

A great and vast spirit filled in between

earth and sky.

47 in x 12 in

ํ˜ธ์—ฐ์ง€๊ธฐ ํ•ด๋‹น ๋…ธ์ธ ์ž‘, 1974๋…„ ๊ฒจ์šธ

ํ•˜๋Š˜๊ณผ ๋•… ์‚ฌ์ด์— ๊ฐ€๋“์ฐฌ ๋„“๊ณ  ํฐ ์›๊ธฐ๋ผ๋Š” ๋œป

Filled with Holy Spirit

and prayer is answeredArtist By: Guh Song Shin Dong

In Spring 2006

12 in x 40 in

์„ฑ๋ น์ถฉ๋งŒ ๊ธฐ๋„์‘๋‹ต ๊ฑฐ์†ก ์‹ ๋™ ์ž‘, 2006๋…„ ์ƒˆ๋ด„

Page 30: Somang Galley Program

30

Donated by Yoo, Boon Ja

์œ ๋ถ„์ž ๊ธฐ์ฆ

CHUNMA-CHONG GOLD CROWNOld Silla (ca,5th 6th century A,D)

Replica of National Treasure No. 188 Korea

life size (Actual)

์ฒœ๋งˆ์ด ๊ธˆ๊ด€ (๊ตญ๋ณด188ํ˜ธ)

Donated by Kim, Yonghwa

๊น€์šฉํ™” ๊ธฐ์ฆ

Silk RoosterArtist Song, Doo Young

5 in x 7 in

๋น„๋‹จ ๋‹น๋‹ญ์†ก๋‘์˜ ํ™”๋ฐฑ

Page 31: Somang Galley Program

31

Donated by Carol Choi์บ๋กค ์ตœ ๊ธฐ์ฆ

Donated by Kim, Joohae๊น€์ฃผํ˜œ ๊ธฐ์ฆ

Donated by Yoo, Boon Ja

์œ ๋ถ„์ž ๊ธฐ์ฆ

Donated by Yoo, Hwadong์œ ํ™”๋™ ๊ธฐ์ฆ

Gayageum Korean Zither with twelve strings made

with silk thread on a Royal Foxglove tree.

58 in x 10 in

๊ฐ€์•ผ๊ธˆ ์˜ค๋™๋‚˜๋ฌด์— ๋ช…์ฃผ์‹ค์„ ๊ผฌ์•„์„œ ๋งŒ๋“  12์ค„๋กœ ๋œ ํ˜„์•…๊ธฐ

Teapot

์ฐป ์ฃผ์ „์ž

Norigae Korean traditional ornament worn by women

๋…ธ๋ฆฌ๊ฐœ

A small mouthed

white porcelain vase

์†Œ๋ฐฑ์ž

Page 32: Somang Galley Program

32

Donated by Yang, Myung Ja

์–‘๋ช…์ž ๊ธฐ์ฆ

Donated by Yang, Myung Ja

์–‘๋ช…์ž ๊ธฐ์ฆ

CarpArtist by Hoo Gok

34 in x 8 in

์ž‰์–ดํ›„ ๊ณก ์ž‘

BambooArtist By: Choo, Soon Ja

10 in x 36 in

๋Œ€๋‚˜๋ฌด์ถ”์ˆœ์ž ์ž‘

Donated by Min, Soo Bong

๋ฏผ์ˆ˜๋ด‰ ๊ธฐ์ฆ

Green porcelain vase

์ฒญ์ž๊ธฐ

Page 33: Somang Galley Program

33

Artist Lee, Jong Kook ์ด์ข…๊ตญ ์ž‘๊ฐ€

๋Œ€ํ•™์—์„œ ๋ฏธ์ˆ ์„ ์ „๊ณตํ•œ ํ›„ ์ž…์‹œ๋ฏธ์ˆ ํ•™์›์„ ์šด์˜ํ•˜๋ฉฐ ํฐ ๋ˆ๋„ ๋ฒŒ์–ด๋ดค์ง€๋งŒ, ๋˜‘๊ฐ™์€ ์ง€์‹

๊ณผ ๋˜‘๊ฐ™์€ ์„ฑ๊ณต์„ ๊ฟˆ๊พธ๋ฉฐ ๋งค์ผ ๋ฐ”์˜๊ฒŒ ์‚ด์•„์•ผ ํ•˜๋Š” ๋„์‹œ๋ฅผ ๋– ๋‚œ ์ž์—ฐ ์†์—์„œ ์ •์ฒด์„ฑ์„ ์ฐพ

๊ณ ์ž 25๋…„ ๊ฐ€๊นŒ์ด ์‚ฐ์ค‘์ƒํ™œ์„ ํ•ด์™”๋‹ค. ๊ทธ๋ฆฌ๊ณ  15๋…„ ์ „ ์ถฉ๋ถ ์ฒญ์›๊ตฐ์—์„œ ๊ฐ€์žฅ ๊นก์ดŒ์œผ๋กœ

์†๊ผฝํžˆ๋Š” ์˜ค์ง€, ๋ฒŒ๋ž๋งˆ์„์— ๋“ค์–ด์™€ ์•ผ์ƒ์˜ ์‚ถ์„ ์‚ด๋‹ค๊ฐ€ ์•„๋‚ด ๋ฉ”๋ฃจ๋ฅผ ๋งŒ๋‚˜๊ณ  ์•„๋“ค ์„ ์šฐ๋ฅผ

๋งž์ดํ•˜๊ฒŒ ๋˜๋ฉด์„œ ๊ฐ€์กฑ์ด๋ผ๋Š” ๋ฟŒ๋ฆฌ๋ฅผ ๋‚ด๋ฆฌ๊ฒŒ ๋˜์—ˆ๋‹ค. ํ•œํŽธ 1973๋…„ ์ด๋ž˜ ๋งˆ์„์—์„œ ์ค‘๋‹จ๋œ

์ „ํ†ตํ•œ์ง€์˜ ๋งฅ์„ ์ž‡๊ณ ์ž ๋‹ฅ๋‚˜๋ฌด๋ฅผ ์‹ฌ์–ด ์ข…์ด๋ฅผ ๋งŒ๋“ค๊ณ , ์ „ํ†ตํ•œ์ง€ ๊ณต์˜ˆ๋ฅผ ๋˜์‚ด๋ฆฌ๋ฉด์„œ ๋งˆ

์นจ๋‚ด ๋ฒŒ๋ž์„ ํ•œ์ง€์ฒดํ—˜๋งˆ์„๋กœ ๋งŒ๋“ค์—ˆ๋‹ค. ํ˜„์žฌ๋Š” ๋‹ค์–‘ํ•œ ํ•œ์ง€ ์ž‘ํ’ˆ์„ ๋งŒ๋“ค๊ณ  ๋‹ค์–‘ํ•œ ์›Œํฌ

์ˆ๊ณผ ๊ฐ•์˜ ๋“ฑ์„ ํ†ตํ•ด ์ž์—ฐ๊ณผ ์ „ํ†ต ํ•œ์ง€๋ฅผ ์•Œ๋ฆฌ๋Š” ์ž‘๊ฐ€๋กœ ํ™œ๋™ํ•˜๊ณ  ์žˆ๋‹ค.

There is a small town called โ€˜Bol Lotโ€™ in a remote area of Sojun Ri, Moonui Myun,

Chungwon Koon, Choongbook, Korea. Itโ€™s a Shangri-La. The word, โ€˜Lotโ€™ in Chinese

means โ€˜Fallingโ€™ which means that it is in the most remote area where sometimes the

townโ€™s people donโ€™t even know when there is a war in the countryโ€ฆthey say itโ€™s a

legend. Itโ€™s the end of the earth where one can live a free life from all the worries of

the world for the peculiar shape of the land which is โ€˜closed front and back entrance

with opened up skyโ€™. There, this nature guy with his family lives for the past 15 years.

Yi, Jong Kookโ€ฆwho spent all his life wrestling with mulberry trees for his crazy pas-

sion for โ€˜Hanjiโ€™. (Hanji is traditional Korean paper handmade from mulberry trees.)

He, now, lives his second life as not only a Hanji craftsman but also as a painter

and an ecology researcher ever since he started painting on the paper and saw the

providence of mother nature.

UCI Claire Trevor School of the ArtsMarch, 8-10, 2012

Page 34: Somang Galley Program

34

๋‚˜๋ˆ”์˜ ๊ธฐ์จ์— ๋™์ฐธํ•˜๋ฉฐ์ด ์ข… ๊ตญ

์‚ฐ๊ณจ์— ์›€๋ง‰์ง“๊ณ  ํ˜ผ์ž ์‚ด์•„๊ฐ€๋˜ ์‹œ์ ˆ, ์ €์˜ ์‹œ์„ ์„ ๋ฉˆ์ถ”๊ฒŒ ํ•˜๋Š” ์†Œ

๋ฆฌ์™€ ์›€์ง์ž„์— ๊ฐ€ ๋‹ฟ์œผ๋ฉด ๊ฑฐ๊ธฐ์—” ๋Š˜ ์ƒˆ์™€ ๋ฐ”๋žŒ์ด ์žˆ์—ˆ์Šต๋‹ˆ๋‹ค. ์ด๋ฅธ

๋ด„ ๊ณจ์งœ๊ธฐ์—์„œ ์ œ์ผ ๋จผ์ € ๋ด„์„ ํ’€์–ด๋‚ด๋Š” ๊ฒƒ๋„ ์ƒˆ ์˜€๋Š”๋ฐ, ์ƒˆ์˜ ๊ทธ

๋ง‘์€ ์†Œ๋ฆฌ์— ๋ด„๊ฝƒ๋„ ํ”ผ์–ด๋‚˜๊ณ  ์‚ฐ์†์˜ ๋ญ‡ ์ƒ๋ช…๋“ค์ด ํŠธ๋ฆผํ•˜๋“ฏ ๊นจ์–ด

๋‚ฌ์ง€์š”. ์ƒˆ์˜ ์›€์ง์ž„์—์„œ ์‚ถ์˜ ํ˜œ์•ˆ์„ ์–ป์—ˆ๋“ฏ์ด ๋ฐฐ์ถ”๋ฐญ์—์„œ ๋ง‰ ๊นจ

์–ด๋‚˜ ํ’€ํ’€ ๋‚ ์•„์˜ค๋ฅด๋Š” ๋‚˜๋น„์˜ ๋ชจ์Šต์—์„œ ๊นŠ์€ ์˜๊ฐ์„ ๋ฐ›๊ฒŒ ๋ฉ๋‹ˆ๋‹ค.

์ž์—ฐ์ด ์ฃผ๋Š” ์ปค๋‹ค๋ž€ ๋‚˜๋ˆ”์ด๋ฉฐ ๊ธฐ์จ์ž…๋‹ˆ๋‹ค.

์šฐ๋ฆฌ๋Š” ์ €๋งˆ๋‹ค ์ฐจ๊ณ  ๋„˜์น˜๋Š” ๊ฒƒ์ด ์žˆ๋Š” ๋ฐ˜๋ฉด ์กฐ๊ธˆ ๋ถ€์กฑํ•˜๊ณ  ๋” ์ฑ„์›Œ

์•ผ ํ•  ํ•„์š”๋„ ์žˆ์Šต๋‹ˆ๋‹ค. ๋ˆ„๊ตฐ๊ฐ€๋Š” ๋ฌผ์งˆ์€ ๋„˜์น˜๊ฑฐ๋‚˜ ๋ถ€์กฑํ•˜๊ณ  ๋ˆ„๊ตฐ

๊ฐ€๋Š” ๊ด€์‹ฌ๊ณผ ์‚ฌ๋ž‘์ด ๋„˜์น˜๊ฑฐ๋‚˜ ๋” ํ•„์š”ํ•  ์ง€๋„ ๋ชจ๋ฆ…๋‹ˆ๋‹ค. ๊ทธ๊ฒƒ์ด ๋ฌผ

์งˆ์ด๋“  ๋งˆ์Œ์ด๋“  ์šฐ๋ฆฌ๋Š” ์„œ๋กœ ๋‚˜๋ˆ„๋ฉด์„œ ์ฑ„์›Œ์ง€๊ณ  ํ•˜๋‚˜๊ฐ€ ๋˜๋ฉฐ ์˜จ

์ „์ง€๋Š” ๊ฒƒ ๊ฐ™์Šต๋‹ˆ๋‹ค.

์ €๋Š” ์ž‘๊ฐ€๋กœ์„œ ์ž‘์—…ํ•˜๋Š” ๊ฒƒ์ด ๋‚˜๋ˆ”์ด๋ผ ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค. ๋‹ฅ๋‚˜๋ฌด๋ฅผ ํ‚ค

์šฐ๊ณ  ํ’€์„ ์ œ๊ฑฐํ•˜๊ณ  ๋‚˜๋ฌด๋ฅผ ์ž๋ฅด๊ณ  ์‚ถ๊ณ  ๋‘๋“ค๊ฒจ ์ข…์ด๋ฅผ ๋งŒ๋“œ๋Š” ๊ฒƒ

์˜ ์ œ ์‚ถ์˜ ๊ทผ๊ฐ„์ด ๋ฉ๋‹ˆ๋‹ค. ์ฒœ๋…„์„ ์ด์–ด์˜จ ์ข…์ด๊ฐ€ ์‹œ๋Œ€์˜ ๋ณ€ํ™”์†์—

์„œ ์™ธ๋ฉด๋‹นํ•œ ์•„ํ””์„ ๋”›๊ณ  ์šฐ๋ฆฌ๊ฐ€ ์ด์–ด๊ฐ€๋Š” ์‚ถ์˜ ์“ฐ์ž„์„ ํšŒ๋ณตํ•˜๋ฉฐ

์น˜์œ ๋˜๊ณ  ์ง„ํ™”ํ•ด๊ฐ€๊ธฐ๋ฅผ ๋ฐ”๋ผ๋Š” ์ง„์ •์„ฑ์„ ๋‹ด์•„๊ฐ€๊ณ  ์žˆ๋Š” ๊ฒƒ์ด์ง€์š”.

์ œ๊ฐ€ ์ „ํ†ต์ด ์‚ฌ๋ผ์ง€๋Š” ๊ฒƒ์„ ์•„์‰ฌ์›Œํ•˜๋ฉฐ ์ „ํ†ตํ•œ์ง€ ๋ณต์›์— ์˜ค๋žซ๋™์•ˆ

๋…ธ๋ ฅ์„ ๊ธฐ์šธ์—ฌ ์˜จ ๊ฒƒ์€ ๋ฌธํ™”์  ์†Œ์™ธ๋Š” ์ •์‹ ์ด ๊ฐ€๋‚œํ•ด์ง€๋Š” ๊ฒƒ์ด๋ผ

์—ฌ๊ฒผ๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค. ํ•œ์ง€๋ฅผ ๋ณต์›ํ•˜๋ฉด์„œ ์ €๋Š” ์ •์‹ ์  ํ’์š”๋ฅผ ๊ฐ–๊ฒŒ

๋˜์—ˆ๊ณ  ๊ทธ๋Ÿฌํ•œ ์ €์˜ ๊ฒฝํ—˜์„ ๋‚˜๋ˆ„๊ณ  ๊ฐ€๋ฅด์น˜๊ณ  ์žˆ๋Š”๋ฐ ์ข‹์€ ๋ฐ˜์‘์„

์–ป๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ์ง€์†๊ฐ€๋Šฅํ•œ ๊ท€๋†๊ต์œก๊ณผ ํ•ด์™ธ์ „์‹œ๋„ ๋งŽ์€ ๊ด€์‹ฌ์„

๋ฐ›๊ณ  ์žˆ๋Š”๋ฐ, ๋‚˜๋ˆŒ์ˆ˜ ์žˆ๋‹ค๋Š” ๊ฒƒ์ด ์–ผ๋งˆ๋‚˜ ๊ธฐ์œ์ผ์ธ์ง€์š”.

๋‚˜๋ˆ„๋Š” ๊ธฐ์จ์ด ๊ณ„์†์ ์œผ๋กœ ์ „ํ•ด์ ธ ๊ฐˆ ๋•Œ ์„ธ์ƒ์€ ์–ด๋–ป๊ฒŒ ๋‹ฌ๋ผ์ ธ๊ฐˆ

๊นŒ์š”! ์ง€๋‚œ ์ด๋ง˜๋•Œ์ฏค์ผ ๊ฒ๋‹ˆ๋‹ค. ์ €๋Š” ์†Œ๋ง์†Œ์‚ฌ์ด์–ดํ‹ฐ์˜ ๋‚˜๋ˆ” ํ–‰์‚ฌ

์— ๋™์ฐธํ•˜๋ฉฐ ๋งŽ์€ ๊ด€์‹ฌ์†์— ์ข‹์€ ์ „์‹œ๋ฅผ ์น˜๋ฅผ ์ˆ˜ ์žˆ์–ด ๊ธฐ์˜๊ณ  ๊ฐ

์‚ฌํ–ˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋•Œ ๋™์˜์ƒ์„ ํ†ตํ•ด ์†Œ๋ง์†Œ์‚ฌ์ด์–ดํ‹ฐ์—์„œ ์‹ค์ฒœํ•˜๊ณ  ์žˆ

๋Š” ์•„ํ”„๋ฆฌ์นด ์šฐ๋ฌผํŒŒ๊ธฐ ํ”„๋กœ์ ํŠธ ๊ณผ์ •์„ ๋ณด๊ฒŒ ๋˜์—ˆ๋Š”๋ฐ ๊นŠ์€ ๊ฐ๋ช…

์„ ๋ฐ›์•˜์Šต๋‹ˆ๋‹ค. ์šฐ๋ฌผ์—์„œ ๋ฌผ์„ ํ‘ธ๋ฉฐ ํ™˜ํฌ์— ์ฐจ ๊ธฐ๋ปํ•˜๋Š” ์•„ํ”„๋ฆฌ์นด

์ธ๋“ค์˜ ๋ชจ์Šต๋„ ์ข‹์•˜์ง€๋งŒ ์ด๋Ÿฐ ์ €๋Ÿฐ ์–ด๋ ค์›€์„ ํ†ตํ•ด์„œ๋„ ํ•œ์‚ฌ๋žŒ ํ•œ

์‚ฌ๋žŒ์˜ ๋งˆ์Œ์ด ๋ชจ์•„์ ธ๊ฐ€๋Š” ๊ณผ์ •์€ ๊ฐ๋™์ ์ด์—ˆ์Šต๋‹ˆ๋‹ค. ์ž์‹ ์˜ ๊ณ 

ํ†ต์€ ๋’ค๋กœ ํ•œ ์ฑ„ ์• ์จ ๋ชจ์•„๋†“์€ ์Œˆ์ง“๋ˆ๊นŒ์ง€ ๋ณดํƒœ๋ฉด์„œ ๊ธฐ์จ์— ๊ฒจ

์›Œ ํ˜๋ฆฌ๋Š” ๋ˆˆ๋ฌผ์€, ๋‚˜๋ˆ”์€ ๋ฐ›๋Š” ์‚ฌ๋žŒ๋ฟ๋งŒ์ด ์•„๋‹ˆ๋ผ ์ฃผ๋Š” ์‚ฌ๋žŒ์—

๊ฒŒ๋„ ์ปค๋‹ค๋ž€ ๊ธฐ์จ์ž„์„ ๋ณด์—ฌ์ฃผ๋Š” ์‚ฐ ์ฆ๊ฑฐ์˜€์ง€์š”. ์šฐ๋ฆฌ๋Š” ์•„๋งˆ๋„ ๋ณธ

์„ฑ์ ์œผ๋กœ ๋‚จ๋„ ํ–‰๋ณตํ•  ๋•Œ ์šฐ๋ฆฌ์ž์‹ ๋„ ์ง„์ •์œผ๋กœ ํ–‰๋ณตํ•ด์ง€๋Š” ๊ฒƒ๊ฐ™

์Šต๋‹ˆ๋‹ค. ๊ทธ๋Ÿผ์—๋„ ํƒ€์ธ์˜ ํ–‰๋ณต์„ ์œ„ํ•ด ์• ์“ฐ๊ณ  ์‹ค์ฒœํ•˜๊ธฐ๋Š” ์‰ฝ์ง€ ์•Š

์€ ๊ฒƒ๊ฐ™์Šต๋‹ˆ๋‹ค.

๊ทธ๋Ÿฌํ•œ ํ•œ๊ณ„๋ฅผ ๊นจ๊ณ  ๋‹น์‹  ์Šค์Šค๋กœ์˜ ์‹ค์ฒœ์€ ๋ฌผ๋ก  ๋‹ค๋ฅธ ์ด๋“ค์˜ ๋ณธ์„ฑ

๊นŒ์ง€ ์ผ๊นจ์šฐ๊ณ  ์•ž์žฅ์„œ์„œ ์ด๋Œ์–ด์ฃผ์‹œ๋Š” ์†Œ๋ง์†Œ์‚ฌ์ด์–ดํ‹ฐ์˜ ์œ ๋ถ„์ž

ํšŒ์žฅ๋‹˜๊ป˜ ์ปค๋‹ค๋ž€ ๋ฐ•์ˆ˜์™€ ์กด๊ฒฝ์„ ๋ณด๋ƒ…๋‹ˆ๋‹ค. ์˜ค์ง€๋งˆ์„ ์‚ฐ์†์—์„œ ์‚ด

๊ณ  ์žˆ๋Š” ์ €๋ฅผ ์ด๋Œ์–ด๋‚ด ์ด๊ณณ๊นŒ์ง€ ์˜ค๊ฒŒ ํ•œ ์œ ๋ถ„์žํšŒ์žฅ๋‹˜, ์ด๋ ‡๊ฒŒ ๋‚˜

๋ˆ”์˜ ๊ธฐ์จ์— ๋™์ฐธํ•จ์— ๊นŠ์€ ๊ฐ์‚ฌ๋ฅผ ๋“œ๋ฆฝ๋‹ˆ๋‹ค.

2012๋…„ 1์›” 25์ผ๋”ฐ๋œปํ•˜๊ณ  ํ•˜๋‚˜๋œ ์„ธ์ƒ์„ ๊ฟˆ๊พธ๋ฉฐ

About being a part of this joy of sharing...Lee, Jong Kook

There are always birds and winds when I reach out to this sound and movement which grasp my attention in this remote area of countryside where my little mud-hut is. In early spring, there goes these birds appearing first to greet the sea-son. Their pure chirping sound awakes spring blossoms and all living things in

the mountainside from their lazy sleep. I often get inspired by this nature, butterfly flopping itโ€™s weak wings on a cabbage leaf, as I get wised up about life from a birdโ€™s line of moving. Itโ€™s a natureโ€™s big gift and joy to me.Sometimes we are over loaded and sometimes we are needy. Someone might be over loaded with things and someone might be over loaded with love and caring or in need of them. Whether itโ€™s the things or hearts, we become full and complete by sharing them. I believe my workings are my sharing as an artist. Planting a mulberry tree and watering them, cutting them and beating them down to make paper became the root of my life itself. This thousand year old paper had to overcome peopleโ€™s dis-regard which came along with wind of change. It holds the sincere hope of evolving and continuing its useful life again. The reason why I strive so much to revive this disappear-ing traditional โ€˜Hanjiโ€™, losing its traditional value is because I believe that cultural isolation is a poverty of oneโ€™s mind. Iโ€™ve become rich in spirit from reviving work of โ€˜Hanjiโ€™ and I get more of positive reactions from students whom I share and teach my workings with. It has become a big joy to me to lead on-going educations on how to return to nature and doing over-seas galleries.How the world will change if we keep on continuing our effort to share this joy with everybody? It was around this time of last year. I was happy and thankful that I was able to hold a gallery with much attention as part of Somang Societyโ€™s benefit fair. I was deeply moved by Somang Societyโ€™s Well Project in Africa region by watching video of their works. It was touching not only to see many African neighbors jump-ing for great delight for the fresh and clean water pouring out of their new well but also to see the whole process of overcoming obstacles by pouring in everyoneโ€™s heart one by one. It was a living proof to all of us that givers get as much joy as takers get by looking at these volunteers shedding tears of joy when they even chip in the last little change from their pocket not concerning their own need. Maybe it is our instinct that we become truly happy when others become happy too. Although, it is also true that itโ€™s not an easy task to strive for other peopleโ€™s happiness.None the less, I send my biggest applaud and respect to President, Yoo at Somang Society who leads by example by not only pro-actively do it but also awakes other peopleโ€™s in-stinct. She even drew me out of my small mud-hut house in remote countrysideโ€ฆI deeply thank you for letting me part-take in this joy of sharing.

January 25, 2012. Dreaming of one worldโ€ฆ.

Page 35: Somang Galley Program

35

Connecting Sound

์ด์–ด๊ฐ€๋Š” ์†Œ๋ฆฌ

62.5 in x 35 in

Ties ์ธ์—ฐ

13 in x 15 in Wild Grass ๋“คํ’€

13 in x 15 in

Page 36: Somang Galley Program

36

Sound of Nature ์ž์—ฐ์˜ ์†Œ๋ฆฌ 141 in x 35 in

Forest Bird

์ˆฒ์ƒˆ

11.8 in x 23.6 in

Wrinkle Lamp

์ฃผ๋ฆ„๋“ฑ

11.8 in x 196.85 in

Page 37: Somang Galley Program

37

Sound of Flower

๊ฝƒ์†Œ๋ฆฌ

7.8 in x 4 in

Paper Pot

์ข…์ด ํ•ญ์•„๋ฆฌ

19.5 in x 27.5 in

Lotus

์—ฐ๊ฝƒ

11.8 in x 15.7 in

Page 38: Somang Galley Program

38

Newspaper Article ์‹ ๋ฌธ๊ธฐ์‚ฌ

โ€œ์ง‘์•ˆ ์†Œ์žฅํ’ˆ ๊ธฐ๋ถ€ํ•ด ์ด์›ƒ ๋„์™€์š”โ€

์†Œ๋ง์†Œ์‚ฌ์ด์–ดํ‹ฐ, ๋‚ด๋‹ฌ `์ƒ๋ช…์‚ด๋ฆฌ๊ธฐโ€™ ๊ฐค๋Ÿฌ๋ฆฌ ๊ฐœ์ตœ

์ „ํ†ต๊ณต์˜ˆํ’ˆ์ด๋‚˜ ๋ฏธ์ˆ ํ’ˆ ๊ธฐ์ฆ๋ฐ›์•„ ๊ฒฝ๋งคํ†ตํ•ด ๋ชจ๊ธˆ

โ€œ์ง‘์•ˆ ๊ตฌ์„ ์–ด๋””์—์„ ๊ฐ€ ์ž ์ž๋Š” ์†Œ์žฅํ’ˆ์„ ๊นจ์›Œ ์‚ฌ๋žŒ์˜ ์ƒ๋ช…์„ ์‚ด๋ฆฌ๋ ค๊ณ  ํ•ฉ๋‹ˆ๋‹ค.

ํ•œ์ธ ์—ฌ๋Ÿฌ๋ถ„ ๋“ค์˜ ๋™์ฐธ์„ ๋ฐ”๋ž๋‹ˆ๋‹ค.โ€

๋ฏธ์ฃผ ํ•œ์ธ์‚ฌํšŒ์—์„œ ๊ธฐ๋ถ€๋ฌธํ™”๋ฅผ ์ด๋Œ์–ด์˜ค๊ณ  ์žˆ๋Š” ์†Œ๋ง์†Œ์‚ฌ์ด์–ดํ‹ฐ(์ด์‚ฌ์žฅ ์œ ๋ถ„์ž)

๋Š” ์˜ค๋Š” 3์›” โ€˜2012 ์ƒ๋ช… ์‚ด๋ฆฌ๊ธฐ ์†Œ๋ง๊ฐค๋Ÿฌ๋ฆฌโ€™๋ฅผ ๊ฐœ์ตœํ•œ๋‹ค. ์†Œ๋ง๊ฐค๋Ÿฌ๋ฆฌ๋Š” ํ•œ์ธ๋“ค์ด

์ง€๋‹ˆ๊ณ  ์žˆ๋Š” ํ•œ๊ตญ ์ „ํ†ต๊ณต์˜ˆํ’ˆ๋“ค์ด๋‚˜ ๋ฏธ์ˆ ํ’ˆ ๋“ฑ์„ ๊ธฐ์ฆ๋ฐ›์•„ ์ „์‹œํšŒ๋ฅผ ๊ฐ–๊ณ  ๊ฒฝ๋งค๋ฅผ

ํ†ตํ•ด ์–ป์€ ์ˆ˜์ต๊ธˆ์œผ๋กœ ๋ถˆ์šฐํ•œ ํ•œ์ธ๋“ค์„ ๋•๋Š”๋‹ค๋Š” ๊ณ„ํš์ด๋‹ค.

์ „์‹œํšŒ๋Š” LA ํ•œ๊ตญ๋ฌธํ™”์›์—์„œ 3์›”1์ผ๋ถ€ํ„ฐ 3์ผ๊นŒ์ง€, UCI ํด๋ ˆ์–ด ํŠธ๋ž˜๋ฒŒ ์˜ˆ์ˆ ํ•™๊ต

์—์„œ 8์ผ๋ถ€ํ„ฐ 10์ผ๊นŒ์ง€ ๋‘ ์ฐจ๋ก€ ๊ฐœ์ตœํ•œ๋‹ค. ์ด๋ฒˆ ์†Œ๋ง๊ฐค๋Ÿฌ๋ฆฌ๋Š” ๊ธฐ๋ถ€๋ฌธํ™”์™€ ๋ฌธํ™”

์˜ˆ์ˆ ์˜ ์„ธ๊ณ„๋ฅผ ์ ‘๋ชฉํ•ด ์ƒ๋ช…์„ ์‚ด๋ฆฐ๋‹ค๋Š” ์ทจ์ง€๋กœ ๋ผ ์žˆ์–ด ์˜์˜๋ฅผ ๋”ํ•œ๋‹ค. ์†Œ๋ง๊ฐค๋Ÿฌ๋ฆฌ

์ค€๋น„์œ„์›ํšŒ ๋งˆ๋™ํ™˜ ์œ„์›์žฅ์€ โ€œ์˜ˆ์ˆ ํ’ˆ์„ ์ „๋ฌธ์ ์œผ๋กœ ๊ฐ์ •ํ•˜๊ฑฐ๋‚˜ ์˜ˆ์ˆ ์ ์ธ ๊ฐ๋™์„

์ „ํ•˜๋Š” ๊ฒƒ์ด ์šฐ๋ฆฌ์˜ ๋ถ„์•ผ๊ฐ€ ์•„๋‹ˆ๋‹คโ€๋ฉฐ โ€œ์ด๋ฅผ ํ†ตํ•ด ์ƒˆ๋กœ์šด ์ƒ๋ช…์„ ์‚ด๋ ค๋‚ด๋Š” ๊ฒƒ์ด

์šฐ๋ฆฌ์˜ ๋ถ„์•ผ์ด๋ฉฐ ์šฐ๋ฆฌ๊ฐ€ ๊ด€์‹ฌ์„ ๊ฐ€์ ธ์•ผ ํ•  ๋ถ€๋ถ„โ€์ด๋ผ๊ณ  ์ง€์ ํ–ˆ๋‹ค.

์ค€๋น„์œ„์›ํšŒ๋Š” ์ „์‹œํšŒ์— ์ฐธ๊ด€ํ•˜๋Š” ์‚ฌ๋žŒ๋“ค์„ ๋Œ€์ƒ์œผ๋กœ ๊ณ ์œ ์˜ ์ผ๋ ฌ๋ฒˆํ˜ธ๋ฅผ ์ฃผ๊ณ 

์ „์‹œ๋œ ๋ฌผํ’ˆ ์˜†์— ํฌ๋งํ•˜๋Š” ๊ตฌ์ž… ๊ธˆ์•ก๊ณผ ๋ฒˆํ˜ธ๋ฅผ ์ ๋Š” ๋ฐฉ์‹์œผ๋กœ ๊ฒฝ๋งค๋ฅผ ์ง„ํ–‰ํ•˜๊ธฐ๋กœ

ํ–ˆ๋‹ค. ๋ชจ์•„์ง„ ๊ธˆ์•ก์€ ์†Œ๋ง์†Œ์‚ฌ์ด์–ดํ‹ฐ์— ์‚ฌ์—ฐ์„ ํ†ตํ•ด ๋„์›€์„ ๊ตฌํ•˜๋Š” ๋Œ€์ƒ์ž๋“ค์„

์„ ์ •ํ•ด ์ง€๊ธ‰ํ•˜๊ฒŒ ๋œ๋‹ค. ์‹ฌ์‚ฌ์˜ ๊ณต์ •์„ฑ์„ ์œ„ํ•ด ์ค€๋น„์œ„์›ํšŒ๋‚˜ ์†Œ๋ง์†Œ์‚ฌ์ด์–ดํ‹ฐ์—

์†Œ์†๋˜์ง€ ์•Š์€ ์™ธ๋ถ€ ์ธ์‚ฌ๋ฅผ ์˜์ž…ํ•œ๋‹ค๋Š” ๋ฐฉ์นจ์ด๋‹ค. ํ˜„์žฌ ์†Œ๋ง๊ฐค๋Ÿฌ๋ฆฌ๋Š” ๊ฐ์ •๊ฐ€ 2

๋งŒ๋‹ฌ๋Ÿฌ์— ๋‹ฌํ•˜๋Š” ์ผ๋ถ• ์„œ๊ฒฝ๋ณด์”จ์˜ ๋‹ฌ๋งˆ๋„๋ฅผ ๋น„๋กฏํ•ด ์ด์„ ์ž„์†กํฌ์”จ์˜ ์‚ฐ์ˆ˜ํ™” ๋“ฑ

70์—ฌ์ ์˜ ์ž‘ํ’ˆ๋“ค์„ ๋ชจ์•˜๋‹ค. ์ด๋“ค ์ค‘์—์„œ๋Š” ๋™์–‘ํ™”๊ฐ€๋‚˜ ๊ณต์˜ˆ๊ฐ€๊ฐ€ ์ž์‹ ์˜ ์ž‘ํ’ˆ์„

์ง์ ‘ ๊ธฐ์ฆํ•œ ๊ฒƒ๋„ ์žˆ๋‹ค.

์œ ๋ถ„์ž ์ด์‚ฌ์žฅ์€ 1630~50๋…„์— ์ œ์ž‘๋œ ๊ฒƒ์œผ๋กœ ์ถ”์ •๋œ ์กฐ์„ ๋ฐฑ์ž ์†Œ๋ฌธ๋ณ‘์„ ๋น„๋กฏํ•ด

44๋…„ ๋™์•ˆ ์ด๋ฏผ์ƒํ™œ์„ ํ•ด ์˜ค๋ฉด์„œ ์ˆ˜์ง‘ํ•œ 50์—ฌ์ ์˜ ์˜ˆ์ˆ ํ’ˆ๋“ค์„ ๊ธฐ์ฆํ–ˆ๋‹ค.

์œ  ์ด์‚ฌ์žฅ์€ โ€œ์–ผ๋งˆ ์ „ ์ง‘์ˆ˜๋ฆฌ๋ฅผ ์œ„ํ•ด ์‚ด๋ฆผ์„ ์ •๋ฆฌํ•˜๋‹ค ์ง‘ ํ•œ ๊ตฌ์„์—์„œ ๋จผ์ง€ ์Œ“ ์ธ

์žฅ์‹ํ’ˆ์ด ๋ช‡ ๋งŒ๋‹ฌ๋Ÿฌ๋‚˜ ๋˜๋Š” ๊ณจ๋™ํ’ˆ์ด๋ผ๋Š” ๊ฒƒ์„ ์•Œ์•˜๋‹คโ€๋ฉฐ โ€œ์ด๋Ÿฐ ๋ฌผํ’ˆ๋“ค์ด ๋ชจ์—ฌ

์–ด๋ ค์šด ์ƒ๋ช…์„ ์‚ด๋ฆฌ๋Š” ๊ท€์ค‘ํ•œ ๋‚˜๋ˆ”์ด ๋  ์ˆ˜ ์žˆ์„ ๊ฒƒโ€์ด๋ผ๋Š” ์ƒ๊ฐ์—์„œ ์ผ์„ ์‹œ์ž‘

ํ•˜๊ฒŒ ๋๋‹ค๊ณ  ์„ค๋ช…ํ–ˆ๋‹ค.

ํ˜„์žฌ 2012 ์ƒ๋ช… ์‚ด๋ฆฌ๊ธฐ ์†Œ๋ง๊ฐค๋Ÿฌ๋ฆฌ ์ค€๋น„์œ„์›ํšŒ๋Š” 12๋ช…์œผ๋กœ ๊ตฌ์„ฑ๋๋‹ค. ๋งˆ๋™ํ™˜

๋ณ€ํ˜ธ์‚ฌ(๊ตฟ๋„ค์ด๋ฒ„์Šค USA ์ด์‚ฌ์žฅ)์™€ ์ฐจ์›๊ฒฝ(์†Œ๋ง์†Œ์‚ฌ์ด์–ดํ‹ฐ)์”จ๊ฐ€ ๊ณต๋™ ์ค€๋น„์œ„์›์žฅ

์œผ๋กœ ๋ผ ์žˆ์œผ๋ฉฐ ์„œ์–‘ํ™”๊ฐ€ ์ตœ์šฉ์ˆœ์”จ์™€ ๋ฐ•์˜์„  ์ƒ์†์ „๋ฌธ ๋ณ€ํ˜ธ์‚ฌ ๋“ฑ์ด ์ค€๋น„์œ„์›์œผ๋กœ

ํ™œ๋™ํ•˜๊ณ  ์žˆ๋‹ค.

์†Œ๋ง๊ฐค๋Ÿฌ๋ฆฌ๋Š” ํ•œ์ธ๋“ค์ด ์†Œ์žฅํ•˜๊ณ  ์žˆ๋Š” ์ž‘ํ’ˆ ๊ธฐ์ฆ์„ ๋ฐ›๊ณ  ์žˆ์œผ๋ฉฐ ๋ฌธ์˜๋Š” ์†Œ๋ง

์†Œ์‚ฌ์ด์–ดํ‹ฐ (562)977-4580์œผ๋กœ ํ•˜๋ฉด ๋œ๋‹ค.

<ํ•œ๊ตญ์ผ๋ณด ๊ธฐ์‚ฌ>

โ€œ์†Œ์žฅ ์˜ˆ์ˆ ํ’ˆ ํŒ๋งคํ•ด ํ•œ์ธ ๋•๊ธฐ์— ์จ์š”โ€

๊ธฐ๋ถ€์ž‘ ์ „์‹œ ์ˆ˜์ต๊ธˆ์œผ๋กœ ๋นˆ๊ณค์ธต ๋“ฑ ์ง€์›์†Œ๋ง์†Œ์‚ฌ์ด์–ดํ‹ฐ ์ฃผ๊ด€ยท์ค‘์•™์ผ๋ณด ํ›„์›

3์›” LA๋ฌธํ™”์›ยทUC์–ด๋ฐ”์ธ ๋‘ ๊ณณ์„œ

์˜ˆ์ˆ ํ’ˆ ํŒ๋งค๋ฅผ ํ†ตํ•œ ์ƒˆ๋กœ์šด ๊ธฐ๋ถ€ ํ”„๋กœ์ ํŠธ์ธ โ€˜์ƒ๋ช…์‚ด๋ฆฌ๊ธฐ ์†Œ๋ง๊ฐค๋Ÿฌ๋ฆฌโ€™๊ฐ€ 3์›”

LAํ•œ๊ตญ๋ฌธํ™”์›์—์„œ ์ „์‹œํšŒ๋ฅผ ์—ฐ๋‹ค. ๊ฐค๋Ÿฌ๋ฆฌ ์ค€๋น„์œ„์›์žฅ์ธ ์ฐจ์›๊ฒฝ ๋งˆ๋™ํ™˜์”จ(์™ผ์ชฝ

๋ถ€ํ„ฐ)์™€ ์ฃผ๊ด€๋‹จ์ฒด์ธ ์†Œ๋ง์†Œ์‚ฌ์ด์–ดํ‹ฐ์˜ ์œ ๋ถ„์ž ์ด์‚ฌ์žฅ์ด ํ–‰์‚ฌ ์ทจ์ง€๋ฅผ ์„ค๋ช…ํ•˜๊ณ 

์žˆ๋‹ค. ์˜ค๋ฅธ์ชฝ ์‚ฌ์ง„์€ ์œ  ์ด์‚ฌ์žฅ์ด ๊ธฐ๋ถ€ํ•œ ์กฐ์„ ์‹œ๋Œ€ ๋ฐฑ์ž.

๊ทน์‹ฌํ•œ ์‹์ˆ˜๋‚œ์„ ๊ฒช๊ณ  ์žˆ๋Š” ์•„ํ”„๋ฆฌ์นด ๊ทน๋นˆ๊ตญ ์ฐจ๋“œ์— โ€˜์†Œ๋ง ์šฐ๋ฌผโ€™ 100๊ฐœ๋ฅผ ์„ธ์›Œ

์ƒ๋ช…์ˆ˜๋ฅผ ์„ ๋ฌผํ–ˆ๋˜ ์†Œ๋ง์†Œ์‚ฌ์ด์–ดํ‹ฐ(์ด์‚ฌ์žฅ ์œ ๋ถ„์ž.์ดํ•˜ ์†Œ๋ง)์™€ ๊ตฟ๋„ค์ด๋ฒ„์Šค

USA ์ค‘์•™์ผ๋ณด๊ฐ€ ๋‹ค์‹œ ์†์žก๊ณ  ์ƒˆ๋กœ์šด ์ƒ๋ช…์‚ด๋ฆฌ๊ธฐ ํ”„๋กœ์ ํŠธ๋ฅผ ์ง„ํ–‰ํ•œ๋‹ค.

์†Œ๋ง์ธก์€ 25์ผ LAํ•œ๊ตญ๋ฌธํ™”์›(์›์žฅ ๊น€์žฌ์›)์—์„œ ๊ธฐ์žํšŒ๊ฒฌ์„ ํ†ตํ•ด โ€˜์ƒ๋ช…์‚ด๋ฆฌ๊ธฐ

์†Œ๋ง๊ฐค๋Ÿฌ๋ฆฌโ€™ ํ”„๋กœ์ ํŠธ์˜ ์‹œ์ž‘์„ ์•Œ๋ ธ๋‹ค.

์†Œ๋ง๊ฐค๋Ÿฌ๋ฆฌ๋Š” ํ•œ์ธ๋“ค์˜ ์†Œ์žฅ ์˜ˆ์ˆ ํ’ˆ์„ ๊ธฐ๋ถ€๋ฐ›์•„ ์ด๋ฅผ ํŒ๋งคํ•œ ์ˆ˜์ต๊ธˆ์œผ๋กœ ์œก์ฒด์ 

์ •์‹ ์ ์œผ๋กœ ๊ณ ํ†ต๋ฐ›๋Š” ํ•œ์ธ๋“ค์„ ๋•๊ธฐ ์œ„ํ•œ ์‚ฌ๋ž‘ ๋‚˜๋ˆ” ๊ฐค๋Ÿฌ๋ฆฌ๋‹ค. ๊ธฐ๋ถ€์™€ ๋ฌธํ™”์˜ˆ์ˆ 

์„ ์ ‘๋ชฉํ•œ ์ƒˆ๋กœ์šด ์‹œ๋„๋‹ค.

์ค‘์•™์ผ๋ณด์™€ ๊ตฌํ˜ธNGO ๊ตฟ๋„ค์ด๋ฒ„์Šค ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ LAํ•œ๊ตญ๋ฌธํ™”์›๋„ ํ›„์›ํ•œ๋‹ค.

์†Œ๋ง๊ฐค๋Ÿฌ๋ฆฌ๋Š” 3์›” 1์ผ๋ถ€ํ„ฐ 3์ผ๊นŒ์ง€ LAํ•œ๊ตญ๋ฌธํ™”์›์—์„œ 3์›” 8์ผ๋ถ€ํ„ฐ 10์ผ๊นŒ์ง€

UC์–ด๋ฐ”์ธ ๋ชจ๋˜ ์•„ํŠธ์—์„œ 2์ฐจ๋ก€ ๊ฐœ๊ด€ํ•œ๋‹ค.

์ „์‹œํ’ˆ์€ ์œ ๋ถ„์ž ์ด์‚ฌ์žฅ์ด ์†Œ์žฅํ•ด์˜จ ์กฐ์„ ์‹œ๋Œ€ ์ค‘๊ธฐ ๋ฐฑ์ž๋ฅผ ํฌํ•จํ•œ 30์—ฌ์  ๊ณผ

์„ธ๊ณ„ ๊ฐ์ง€ ํ•œ์ธ๋“ค์ด ๊ธฐ๋ถ€ํ•œ ์†Œํ’ˆ ๋“ฑ ์ด 70์—ฌ์ ์— ๋‹ฌํ•œ๋‹ค. ํŠนํžˆ ๋ฐฑ์ž๋Š” 1630

~1650๋…„๋Œ€ ์ œ์ž‘๋œ ์†Œ๋ฌธ๋ณ‘์œผ๋กœ ๊ฐ€์น˜๋ฅผ ๋งค๊ธฐ๊ธฐ ์–ด๋ ค์šด ๋ฌธํ™”์žฌ๊ธ‰ ๋ณด๋ฌผ์ด๋‹ค. ์ฆ์„œ

๋„ ์ฒจ๋ถ€๋ผ ์žˆ๋‹ค. ์ด๋ฒˆ ํ”„๋กœ์ ํŠธ๋Š” โ€˜๊ณจ๋ฐฉโ€™์—์„œ ์šฐ์—ฐํžˆ ์‹œ์ž‘๋๋‹ค.

์œ  ์ด์‚ฌ์žฅ์€ โ€œ์ง€๋‚œํ•ด 11์›” ์ง‘ ๋ฆฌ๋ชจ๋ธ๋ง์„ ์‹œ์ž‘ํ–ˆ๋Š”๋ฐ ๋นˆ๋ฐฉ ํ•œ์ผ ์— ๋ชจ์•„๋‘” ์˜ˆ์ˆ 

ํ’ˆ๋“ค์„ ์ •๋ฆฌํ•˜๋‹ค๊ฐ€ ์•„์ด๋””์–ด๋ฅผ ์–ป์—ˆ๋‹คโ€๋ฉด์„œ โ€œ์•„๋ฌด๋ฆฌ ๊ฐ’๋น„์‹ผ ์˜ˆ์ˆ ํ’ˆ์ด๋ผ๋„

๋จผ์ง€๋งŒ ์“ฐ๊ณ  ์žˆ์œผ๋ฉด ์ฃฝ์€ ๋ฌผ๊ฑด์ด๋ผ๊ณ  ์ƒ๊ฐํ–ˆ๋‹ค. ์ฃฝ์–ด์žˆ๋˜ ๊ฐ€์น˜๋ฅผ ๊นจ์›Œ ์‚ฐ ์‚ฌ๋žŒ

์„ ์‚ด๋ฆฌ๋Š” ์ผ์— ์“ฐ๊ธฐ ์œ„ํ•œ ํ”„๋กœ์ ํŠธโ€๋ผ๊ณ  ์„ค๋ช…ํ–ˆ๋‹ค.

์ƒ๋ช…๊ฐค๋Ÿฌ๋ฆฌ๋ฅผ ํ†ตํ•ด ์กฐ์„ฑ๋œ ์ˆ˜์ต๊ธˆ์€ ์ „์•ก ์งˆ๋ณ‘์œผ๋กœ ๊ณ ํ†ต๋ฐ›๋Š” ๋นˆ๊ณค์ธต๊ณผ ์‹ฑ๊ธ€

๋ง˜ ๋“ฑ ์ ˆ๋ง ํ•œ๊ฐ€์šด๋ฐ ํฌ๋ง์„ ์‹ฌ๋Š” ์ผ์— ์“ฐ์—ฌ์ง„๋‹ค. ์ˆ˜ํ˜œ ๋Œ€์ƒ์ž๋Š” ํ•œ์ธ์‚ฌํšŒ ์ €๋ช…

์ธ์‚ฌ 3~4๋ช…์œผ๋กœ ๊ตฌ์„ฑ๋œ ์‹ฌ์‚ฌ์œ„์›ํšŒ๊ฐ€ ์„ ์ •ํ•œ๋‹ค. ์ˆ˜ํ˜œ์ž ์ˆ˜๋‚˜ ์ง€์›๊ธˆ์•ก์€ ์•„์ง

๊ฒฐ์ •๋˜์ง€ ์•Š์•˜๋‹ค.

์†Œ๋ง์ธก์€ ์ด๋ฒˆ ์ „์‹œํšŒ๋ฅผ ํ†ตํ•ด ๊ฐค๋Ÿฌ๋ฆฌ์˜ ์˜๋„๋ฅผ ์•Œ๋ฆฌ๊ณ  ํ–ฅํ›„ ์—ฐ์ค‘ ํ–‰์‚ฌ๋กœ ์ด์–ด

๊ฐˆ ๊ณ„ํš์ด๋‹ค. ๋˜ ์†Œ๋ง๊ฐค๋Ÿฌ๋ฆฌ ์›น์‚ฌ์ดํŠธ๋ฅผ ์ œ์ž‘ํ•ด ๊ธฐ์ฆ๋ฐ›์€ ์ž‘ํ’ˆ์˜ ๊ธฐ์ฆ์ž์™€

๊ตฌ๋งค์ž๋ฅผ ๊ธฐ๋กํ•ด ์ตœ๋Œ€ํ•œ ํˆฌ๋ช…ํ•˜๊ฒŒ ์šด์˜ํ•˜๊ฒ ๋‹ค๊ณ  ๋ฐํ˜”๋‹ค.

์†Œ๋ง์€ ์ง€๋‚œ 2010๋…„ 3์›” ๋ณธ๋ณด์™€ ์†์žก๊ณ  ์†Œ๋ง ์šฐ๋ฌผ ํ”„๋กœ์ ํŠธ๋ฅผ ์‹œ์ž‘ํ–ˆ๋‹ค.

์•„ํ”„๋ฆฌ์นด ๊ทน๋นˆ๊ตญ ์ฐจ๋“œ์— ์šฐ๋ฌผ์„ ํŒŒ์ฃผ๊ธฐ ์œ„ํ•œ ์‚ฌ์—…์ด๋‹ค. ๋‹น์ดˆ 40๊ฐœ๋ฅผ ๋ชฉํ‘œ๋กœ

ํ–ˆ์ง€๋งŒ 1๋…„๋งŒ์— 2๋ฐฐ๊ฐ€ ๋„˜๋Š” 100๊ฐœ ๋ถ„๋Ÿ‰์˜ ๊ธฐ๋ถ€๊ธˆ 30๋งŒ๋‹ฌ๋Ÿฌ๋ฅผ ๋ชจ๊ธˆํ–ˆ๋‹ค. ์˜ฌํ•ด

2์ฐจ ์†Œ๋ง์šฐ๋ฌผ ํ”„๋กœ์ ํŠธ๋ฅผ ์ง„ํ–‰ํ•  ๊ณ„ํš์ด๋‹ค.

<์ค‘์•™์ผ๋ณด ๊ธฐ์‚ฌ>

Page 39: Somang Galley Program

39

Weโ€™d like to send our warmest invitation to everyone to join with Somang Society and Good Neighborโ€™s Somang

Well Project in Chad, Africa. Weโ€™d like to thank Good Neighborโ€™s USA for donating pictures of Somang Wells in Africa.

์†Œ๋ง์†Œ์‚ฌ์ด์–ดํ‹ฐ์™€ ๊ตฟ๋„ค์ด๋ฒ„์ŠคUSA์™€ ํ•จ๊ป˜ ํ•˜๋Š” ์•„ํ”„๋ฆฌ์นด ์ฐจ๋“œ ์†Œ๋ง ์šฐ๋ฌผ ํ”„๋กœ์ ํŠธ์— ์—ฌ๋Ÿฌ๋ถ„๋“ค์˜ ๊ท€ํ•œ ์†๊ธธ์„ ๊ธฐ๋‹ค๋ฆฝ๋‹ˆ๋‹ค.

๊ตฟ๋„ค์ด๋ฒ„์ŠคUSA๋Š” ์•„ํ”„๋ฆฌ์นด ์†Œ๋ง์šฐ๋ฌผ ์‚ฌ์ง„์„ ๊ธฐ์ฆํ•ด ์ฃผ์…จ์Šต๋‹ˆ๋‹ค. ๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.

Water of LifeSomang Society

Page 40: Somang Galley Program

40

Donors ๊ธฐ์ฆ์ž๋“ค

Yong Hwa Kim Lee

๊น€์šฉํ™” (์ฒœ๋งˆ์ด ๊ธˆ๊ด€)

Wu-Song Shin

์‹ ์˜ฅ๊ท  (์‚ฌ๊ณผ๋‚˜๋ฌด ๊ทธ๋ฆผ ์™ธ 2์ )

Yang, Myung Ja

์–‘๋ช…์ž (๊ทธ๋ฆผ ์™ธ 3์ )

Oh, Jae Sun

์˜ค์žฌ์„  (๋„์ž๊ธฐ)

Yoo, Hwa Dong

์œ ํ™”๋™ (๋„์ž๊ธฐ)

Yoo, Boon Ja

์œ ๋ถ„์ž (๋ณ‘ํ’ ์™ธ 40์—ฌ์ )

Cho, Young Nam

์กฐ์˜๋‚จ (๊ทธ๋ฆผ)

Park, Young Hee

๋ฐ•์˜ํฌ (๊ทธ๋ฆผ, ์„œ์˜ˆ ์™ธ 5์ )

์—ฌ๋Ÿฌ๋ถ„๋“ค์ด ๊ธฐ์ฆํ•˜์‹  ์†Œํ’ˆ์ด ์ƒ๋ช…์„ ์‚ด๋ฆฝ๋‹ˆ๋‹ค.

Page 41: Somang Galley Program

41

์ƒ๋ช… ์‚ด๋ฆฌ๊ธฐ ์†Œ๋ง ๊ฐค๋Ÿฌ๋ฆฌ๋ฅผ ์ข€ ๋” ์ฒด๊ณ„์ ์ด๊ณ  ์ƒ์‚ฐ์ ์ธ ํ–‰์‚ฌ๋กœ ๋งŒ๋“ค๊ธฐ ์œ„ํ•ด ๋งˆ๋™ํ™˜,

์ฐจ์›๊ฒฝ ๊ณต๋™์œ„์›์žฅ์„ ์ถ”๋Œ€ํ•˜๊ณ  ๊น€์šฉํ™”, Carol Choi, Sylvia Ahn, Maria Ahn, Vincent

Lee, Bryan Lee, ๋ฐ•์˜์„ , ์ตœ๊ฒฝ์ฒ , Kathy Lee, Phil Ahn 10๋ช…์˜ ์ค€๋น„์œ„์› ๋ชจ์ž„์œผ๋กœ ์ค€

๋น„์œ„์›ํšŒ๊ฐ€ ์‹œ์ž‘๋˜์—ˆ์Šต๋‹ˆ๋‹ค.

๋งค์›” ๋‘์ฐจ๋ก€ ํšŒ์˜๋ฅผ ํ†ตํ•ด ๋‹ค์–‘ํ•œ ์˜๊ฒฌ๋“ค์ด ํ˜•์„ฑ๋˜์—ˆ์œผ๋ฉฐ ํŠนํžˆ ์ด๋ฒˆ ํ–‰์‚ฌ๋Š” ์•„๋ฆ„๋‹ค์šด

๊ธฐ๋ถ€๋ฌธํ™”์˜ ์„ ๋ก€๋ฅผ ๋‚จ๊ธฐ๊ณ  ์ฃฝ๊ธฐ ์ „์— ํ•  ์ˆ˜ ์žˆ๋Š” ์ผ, ์•„๋ฆ„๋‹ค์šด ๋งˆ๋ฌด๋ฆฌ๋ฅผ ์œ„ํ•œ ํ–‰์‚ฌ๋กœ

์ง„ํ–‰๋  ์ˆ˜ ์žˆ๋„๋ก ์œ ๋„ํ•˜๊ณ  ์ค€๋น„ํ•˜์ž๋Š” ๊ณตํ†ต๋œ ๋ชฉ์ ์œผ๋กœ ์‹œ์ž‘๋˜์—ˆ์Šต๋‹ˆ๋‹ค.

Weโ€™ve appointed Mr. Ma, Dong Hwan and Ms. Cha, Won Kyung as our Head of

Committee Member in order to create a more effective and productive Somang Gal-

lery event. Furthermore, we started out with our 10 other Committee Members of

Yong Hwa Kim, Carol Choi, Sylvia Ahn, Maria Ahn, Vincent Lee, Bryan Lee, Young

Sun Park, Kyung Chul Choi, Kathy Lee and Phil Ahn.

We have gathered twice a month to discuss about how we could make this event

a beautiful precedent of donating culture in our community, and to help others think

about what they could do to prepare oneโ€™s death. We have a common goal of set-

ting this event a beautiful step towards our meaningful end.

์‹ค๋น„์•„ ์•ˆ ์œ„์›

Sylvia Ahn

Translator

์ตœ๊ฒฝ์ฒ  ์œ„์›

CHAPLAIN Joseph Choi

Berevement Manager St. Michael Hospice

์ด์„์ค€ ์œ„์›

Vincent Lee

Skunk Juice CEO

๋ฐ•์˜์„  ์œ„์›

Young Sun Park

Attorney at Law

์ด๋ณ‘ํฌ ์œ„์›

Bryan Lee

Director of Development at Good Neighbors

๊น€์šฉํ™” ์œ„์›

Yong Hwa Kim Lee

ChFC, LUTCF, MBA, CPA

๋งˆ๋ฆฌ์•„ ์•ˆ ์œ„์›

Maria Ahn

President of The Korea Nurses of Association of SC

์•ˆ์ถฉ๋ชจ ์œ„์›

Phil AN

Logos Lgistics Inc. CEO Chang-ha America CEO

์บ๋กค ์ตœ ์œ„์›

Carol Choi

UEC CEO

์ผ€ํ‹ฐ ๋ฆฌ ์œ„์›

Kathy Lee

Volunteer

Committee Members ์ค€๋น„์œ„์›

๋งˆ๋™ํ™˜ ์œ„์›์žฅ

David Marh, Esq.Co-Chair of Somang Gallery

Chairman of Good Neighbors U.S.A.Marh & Associates Law Firm

์ฐจ์›๊ฒฝ ์œ„์›์žฅ Won Kyung Cha

Co-Chair of Somang Gallery Chief Committee Member

Somang Gallery

์—ฌ๋Ÿฌ๋ถ„๋“ค์ด ๊ธฐ์ฆํ•˜์‹  ์†Œํ’ˆ์ด ์ƒ๋ช…์„ ์‚ด๋ฆฝ๋‹ˆ๋‹ค.

์กฐ์žฌํ˜„ ์‚ฌ๋ฌด๊ตญ์žฅ

Jae Hyun Cho

Director of Somang Society

Page 42: Somang Galley Program

42

Special Thanks ๊ฐ์‚ฌ๋“œ๋ฆฝ๋‹ˆ๋‹ค

Advisors

MD. Jung, Jin Hong/Ul San University

President Kim, Ok Ra/Ghak Dang Welfare Foundation

President Hong, Yang Hee/Life & Death Pondering Assc.

President Kim, In Sun/Hospice Dongheng

Prev. President Shin, Yeon Ok/ So.Cal.Korean Nurses Association

Vice President Han, Sang/So.Cal.Calligrapherโ€™s Association

President Kim, Sang Dong/So.Ca. Photographerโ€™s Association

Curator Choi, Hee Sun/LA Korean Cultural Association

Dean Joseph S. Lweis III/UCI Claire Trevor School of the Arts

Donor

Hwang, Ik Soo/Teacher

Kim, Ki Soon/President

Kim, Jung Bin/Board Member

Ji, Hee Soon/President

Kim, Joo Hye/Teacher

Park, Hwa Ja/Teacher

Yoo, Hea Dong/Elder

Cho, Young Nam/Singer and Artist

Cha, Won Kyung/Chief Committee Member

Shin, Ok Kyun/Artist

Kim, Young Shin/Teacher

Yi, Jong Guk/Artist

Yi, Kyung Ok/Teacher

Kim, Young Dae/Rev.

Han, Brian/Rev.

Choi, Carol/President

Yang, Myung Ja/Teacher

Park, Young Sun/Lawyer

Vincent Lee/President

Kim, Dong Sung/President

Park, Young Hee/Teacher

Park. Hye Soo/Teacher

David Marh/Chief Committee Member

Yong Sun Summers

Min, Soo Bong/Teacher

Kim, Myung Hee/Teacher

Media

Reporter Jung, Gu Hyun/Korea Daily News

General Chief Kim, Jong Ha/Korea Times News

Chief Koo, Sun Ah/Korea Times News

Head of Dept. Ahn, Sang Ho/Radio Seoul

Reporter Kim, Hye Jung/Radio Korea

President Kim, Chang Ho/Christian Newsweek

President Lee, Jung Hyun/Christian Herald

Reporter Park, Kyung Soo/Christian Daily News

Volunteers

Prof. Joo, Hye Mi

Jung, Young Tae/JDSN

Hyun, Wol Seo/Teacher

Kang, Chin Hyo/Teacher

Baik, Jennifer/Teacher

Chief Park, Hye Soo

Rev. Choi, Kyung Chul

Kim, Sunny/Teacher

Park, Hye Sook/Teacher

Tae, Ran Yeong/Teacher

Park, Young Sook/Teacher

์ž๋ฌธ ๋ฐ ๋„์›€ ์ฃผ์‹  ๋ถ„๋“ค

์ •์ง„ํ™ ๋ฐ•์‚ฌ / ์šธ์‚ฐ๋Œ€ํ•™๊ต

๊น€์˜ฅ๋ผ ์ด์‚ฌ์žฅ / ๊ฐ๋‹น๋ณต์ง€์žฌ๋‹จ

ํ™์–‘ํฌ ํšŒ์žฅ / ์‚ถ๊ณผ ์ฃฝ์Œ์„ ์ƒ๊ฐํ•˜๋Š” ํšŒ

๊น€์ธ์„  ๋Œ€ํ‘œ / ๋…์ผ ํ˜ธ์Šคํ”ผ์Šค ๋™ํ–‰

์‹ ์—ฐ์˜ฅ ํšŒ์žฅ / ์ „๋‚จ๊ฐ€์ฃผํ•œ์ธ๊ฐ„ํ˜ธํ˜‘ํšŒ

ํ•œ ์ƒ ๋ถ€ํšŒ์žฅ / ๋‚จ๊ฐ€์ฃผ์„œ์˜ˆํ˜‘ํšŒ

๊น€์ƒ๋™ ํšŒ์žฅ / ๋‚จ๊ฐ€์ฃผ์‚ฌ์ง„์ž‘๊ฐ€ํ˜‘ํšŒ

์ตœํฌ์„  ์„ ์ƒ / LAํ•œ๊ตญ๋ฌธํ™”์›

์กฐ์…‰ ๋ฃจ์ด์Šค 3์„ธ ํ•™์žฅ / UCI ํด๋ ˆ์–ด ํŠธ๋ ˆ๋ฒ„ ์ „์‹œ์žฅ

๊ธฐ์ฆ์ž

ํ™ฉ์ต์ˆ˜ ์„ ์ƒ

๊น€๊ธฐ์ˆœ ํšŒ์žฅ

๊น€์ •๋นˆ ์ด์‚ฌ

์ง€ํฌ์ˆœ ํšŒ์žฅ

๊น€์ฃผํ˜œ ์„ ์ƒ

๋ฐ•ํ™”์ž ์„ ์ƒ

์œ ํ™”๋™ ์žฅ๋กœ

์กฐ์˜๋‚จ ์„ ์ƒ

์ฐจ์›๊ฒฝ ์œ„์›์žฅ

์‹ ์˜ฅ๊ท  ํ™”๋ฐฑ

๊น€์˜์‹  ์„ ์ƒ

์ด์ข…๊ตญ ์ž‘๊ฐ€

์ด๊ฒฝ์˜ฅ ์„ ์ƒ

๊น€์˜๋Œ€ ๋ชฉ์‚ฌ

๋ธŒ๋ผ์ด์–ธ ํ•œ ๋ชฉ์‚ฌ

์ผ€๋กค ์ตœ ์‚ฌ์žฅ

์–‘๋ช…์ž ์„ ์ƒ

๋ฐ•์˜์„  ๋ณ€ํ˜ธ์‚ฌ

์ด์„์ค€ ์‚ฌ์žฅ

๊น€๋™์„ฑ ์‚ฌ์žฅ

๋ฐ•์˜ํฌ ์„ ์ƒ

๋ฐ•ํ˜œ์ˆ˜ ๊ต์œก๋ถ€์žฅ

๋งˆ๋™ํ™˜ ์œ„์›์žฅ

์˜์„  ์„ฌ๋จธ

๋ฏผ์ˆ˜๋ด‰ ์„ ์ƒ

๊น€๋ช…ํฌ ์„ ์ƒ

์–ธ๋ก ์‚ฌ

์ •๊ตฌํ˜„ ๊ธฐ์ž / ์ค‘์•™์ผ๋ณด

๊น€์ข…ํ•˜ ๋ถ€์žฅ / ํ•œ๊ตญ์ผ๋ณด

๊ตฌ์„ ์•„ ๊ธฐ์ž / ํ•œ๊ตญ์ผ๋ณด

์•ˆ์ƒํ˜ธ ๊ตญ์žฅ / ๋ผ๋””์˜ค์„œ์šธ

๊น€ํ˜œ์ • ๊ธฐ์ž / ๋ผ๋””์˜ค ์ฝ”๋ฆฌ์•„

๊น€์ฐฝํ˜ธ ์‚ฌ์žฅ / ํฌ๋ฆฌ์Šค์ฒœ๋‰ด์Šค์œ„ํฌ

์ด์ •ํ˜„ ์‚ฌ์žฅ / ํฌ๋ฆฌ์Šค์ฒœํ—ค๋Ÿด๋“œ

๋ฐ•๊ฒฝ์ˆ˜ ๊ธฐ์ž / ๊ธฐ๋…์ผ๋ณด

๋ด‰์‚ฌ์ž

์ฃผํ˜œ๋ฏธ ๊ต์ˆ˜

์ •์˜ํƒœ ์ „๋„์‚ฌ

ํ˜„์›”์„œ ์„ ์ƒ

๊ฐ•์นœํšจ ์„ ์ƒ

์ œ๋‹ˆํผ๋ฐฑ ์„ ์ƒ

๋ฐ•ํ˜œ์ˆ˜ ๋ถ€์žฅ

์ตœ๊ฒฝ์ฒ  ์›๋ชฉ

์จ๋‹ˆ ๊น€ ์„ ์ƒ

๋ฐ•ํ˜œ์ˆ™ ์„ ์ƒ

ํƒœ๋ž€์˜ ์„ ์ƒ

๋ฐ•์˜์ˆ™ ์„ ์ƒ

Page 43: Somang Galley Program

43

๋‹นํ•˜๋Š” ์ฃฝ์Œ์—์„œ ๋งž์ดํ•˜๋Š” ์ฃฝ์Œ์œผ๋กœ...์—ฌํ–‰์„ ๋– ๋‚˜๊ธฐ ์ „ ์žŠ์ง€ ๋ชปํ•  ์ถ”์–ต์„ ๋‚จ๊ธฐ๊ธฐ ์œ„ํ•ด ์ฒ ์ €ํ•œ ์ค€๋น„๋ฅผ ํ•˜๋“ฏ์ด

์ด ์„ธ์ƒ์„ ๋– ๋‚˜๋Š” ๋งˆ์ง€๋ง‰ ์—ฌํ–‰์—๋„ ์ค€๋น„๊ฐ€ ํ•„์š”ํ•ฉ๋‹ˆ๋‹ค. ์ƒ์˜ ๋งˆ์ง€๋ง‰ ์‹œ

๊ธฐ์— ๊ฐ€์กฑ๊ณผ ์ธ์‚ฌ๋ฅผ ๋‚˜๋ˆ„๋ฉฐ ์ธ์ƒ์„ ์•„๋ฆ„๋‹ต๊ฒŒ ๋งˆ๋ฌด๋ฆฌํ•˜๊ณ  ์‹ถ์€ ์šฐ๋ฆฌ์˜

์†Œ๋ง์„ ์ด๋ฃจ๊ธฐ ์œ„ํ•ด ์ฃฝ์Œ ์ค€๋น„๊ฐ€ ์ ˆ๋Œ€๋กœ ํ•„์š”ํ•œ ๋•Œ์ž…๋‹ˆ๋‹ค.

์‚ฌ๋žŒ๋“ค์€ ๋ˆ„๊ตฌ๋‚˜ ์ฃฝ์„ ๋•Œ ์ธ๊ฐ„์œผ๋กœ์„œ์˜ ์กด์—„์„ฑ์„ ์œ ์ง€ํ•˜๋ฉด์„œ ํŽธ์•ˆํ•˜

๊ฒŒ ๊ฐ€์กฑ์—๊ฒŒ ๋‘˜๋Ÿฌ์‹ธ์—ฌ ๋งˆ์ง€๋ง‰ ์ž‘๋ณ„์ธ์‚ฌ๋ฅผ ๋‚˜๋ˆ„๊ณ  ๊ฐ€์กฑ์—๊ฒŒ ๋ถ€๋‹ด์„ ์ 

๊ฒŒ ์ฃผ๋ฉด์„œ ๋– ๋‚˜๊ณ  ์‹ถ์–ดํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๋ถˆํ–‰ํ•˜๊ฒŒ๋„ ์ด๋Ÿฌํ•œ ์ด๋ณ„์„ ๋งž์ด

ํ•˜์ง€ ๋ชปํ•˜๋Š” ์‚ฌ๋žŒ๋“ค์ด ๋งŽ์Šต๋‹ˆ๋‹ค. ๊ทธ ์ด์œ ๋Š” ๋ฏธ๋ฆฌ ์ฃฝ์Œ์„ ์ค€๋น„ํ•˜์ง€ ์•Š

์•˜๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.

์†Œ๋ง์œ ์–ธ์„œ(Advance Healthcare Directive)๋ฅผ ๊ผญ ์จ์•ผ ํ•˜๋Š” ์ด์œ ๋œปํ•˜์ง€ ์•Š์€ ์‚ฌ๊ณ ๋‚˜ ๋ณ‘์œผ๋กœ ์˜์‹๋ถˆ๋ช… ์ƒํƒœ๊ฐ€ ๋˜์—ˆ์„ ๋•Œ, ์–ด๋–ค ์˜๋ฃŒํ–‰์œ„

๋ฅผ ๋ฐ›์„ ๊ฒƒ์ธ๊ฐ€๋ฅผ ๋ฏธ๋ฆฌ ๋ฌธ์„œ๋กœ ์ž‘์„ฑํ•จ์œผ๋กœ์จ ์ž„์ข… ์‹œ ์ธ๊ฐ„์œผ๋กœ์„œ ํ’ˆ์œ„

์™€ ์กด์—„์„ฑ์„ ์ง€ํ‚ค๊ฒŒ ๋„์™€ ์ค๋‹ˆ๋‹ค. ๋˜ํ•œ ํšŒ๋ณตํ•  ์ˆ˜ ์—†๋Š” ์ƒํƒœ์—์„œ ๊ฐ’๋น„์‹ผ

์ƒ๋ช… ์—ฐ์žฅ ์žฅ์น˜์™€ ์˜๋ฃŒ ์„œ๋น„์Šค๊ฐ€ ๋‚จ์šฉ๋˜๋Š” ๊ฒƒ์„ ๋ฐฉ์ง€ํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ํ™˜

์ž ์ž์‹ ์€ ๊ณ ํ†ต์„ ์ค„์—ฌ ์กด์—„ํ•œ ์ž„์ข…์„ ๋งž์„ ์ˆ˜ ์žˆ๊ณ  ๊ฐ€์กฑ๋“ค์€ ์ž„์ข…์ž๋ฅผ

ํŽธ์•ˆํ•˜๊ฒŒ ๋ณด๋‚ผ ์ˆ˜ ์žˆ์œผ๋ฉฐ ๋™์‹œ์— ์˜๋ฃŒ๋น„ ๋ถ€๋‹ด์„ ์ค„์ผ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.

Tel 562. 977. 4580

[email protected]

www.somangsociety.org

17211 Valley View Ave., Cerritos, CA 90703

์†Œ๋ง ์†Œ์‚ฌ์ด์–ดํ‹ฐ๋Š” ์ธ์ƒ์˜ ๋งˆ์ง€๋ง‰ ์ค‘๋Œ€์‚ฌ์ธ ์ฃฝ์Œ์„ ์˜ฌ๋ฐ”๋กœ ์ดํ•ดํ•˜๊ณ 

์ฃฝ์Œ์— ๊ด€๋ จ๋œ ํ˜ผ๋ž€๊ณผ ์ ˆ๋ง์  ์ƒํ™ฉ์„ ์‹ฌ๋ฆฌ์ , ์‚ฌํšŒ์ ์œผ๋กœ ๊ทน๋ณตํ•˜๊ธฐ ์œ„

ํ•˜์—ฌ ์ฐฝ๋ฆฝ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.

์ฃฝ์Œ๊ณผ ๊ด€๋ จ๋œ ๊ฐ์ข… ๋ฌธ์ œ์— ๋Œ€ํ•œ ๊ณ„๋ชฝ๊ณผ ๊ต์œก์„ ํ†ตํ•ด โ€˜์•„๋ฆ„๋‹ค์šด ์‚ถ๊ณผ ์•„

๋ฆ„๋‹ค์šด ๋งˆ๋ฌด๋ฆฌโ€™๋ผ๋Š” ์Šฌ๋กœ๊ฑด ์•„๋ž˜ ์‚ฌ๋žŒ๋“ค์ด ํ‰ํ™”๋กญ๊ณ  ์กด์—„์„ฑ ์žˆ๊ฒŒ ๊ฐ’์ง„

์ฃฝ์Œ(Well-Dying)์„ ๋งž์ดํ•  ์ˆ˜ ์žˆ๋„๋ก ๋„์™€๋“œ๋ฆฝ๋‹ˆ๋‹ค.

์‚ถ์˜ ๋งˆ๋ฌด๋ฆฌ๋ฅผ ์ž˜ ์ค€๋น„ํ•˜๊ณ (Well-Aging) ๋˜ ๋‚จ์€ ์‚ถ์„ ์ข€ ๋” ํ–‰๋ณตํ•˜๊ณ 

์•„๋ฆ„๋‹ต๊ฒŒ ์‚ด ์ˆ˜ ์žˆ๋„๋ก ๋„์šฐ๋ฉฐ (Well-Being), ์žฅ๊ธฐ ๋ฐ ์žฌ์‚ฐ์˜ ๊ธฐ๋ถ€, ์žฅ

๋ก€ ์ ˆ์ฐจ์˜ ๊ฐ„์†Œํ™”์™€ ํ™”์žฅ ์žฅ๋ ค ๋“ฑ์„ ํ†ตํ•ด ๋‚˜๋ˆ”์˜ ๋ฌธํ™”๋ฅผ ์‹ค์ฒœ ํ•จ์œผ๋กœ

์จ ์ด์›ƒ์˜ ์ƒ๋ช…์„ ์‚ด๋ฆฌ๋Š” ์‚ถ์˜ ์•„๋ฆ„๋‹ค์šด ๋งˆ๋ฌด๋ฆฌ์— ๋™์ฐธํ•˜์ž๋Š” ๊ต์œก๊ณผ

๊ณ„๋ชฝ์„ ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.

Somang Society is a non-profit organization with a vision to educate

and enlighten the community about the final stage of life and pre-

paring for death. Operating under the slogan of โ€œBeautiful Life and

Departure,โ€ Somang Societyโ€™s mission is to enhance the quality of

life of all human beings by promoting awareness about death and to

thoughtfully prepare an individual toward a peaceful and meaningful

end of life. Somang Society educates participants about preparing

for funerals, promotes benefits of cremation, and encourages organ

donation and financial benefaction to charitable causes upon death.

Somang Society ultimately inspires participants to realize the true

value of beautiful living through education and preparation about

death.

์†Œ๋ง ์†Œ์‚ฌ์ด์–ดํ‹ฐ๋Š”...

SOMANG SOCIETY์•„๋ฆ„๋‹ค์šด ๋งˆ๋ฌด๋ฆฌ

WELL-DYING

Somang Society ์†Œ๋ง์†Œ์‚ฌ์ด์–ดํ‹ฐ

Page 44: Somang Galley Program

44