Kenseikai Shorinji Kempo Baru

213
Elemental techniques Establish a basic skill level through illustrated tips. Basically, you have to learn Shorinji Kempo at a branch where an official instructor can teach you each techniques. Shorinji Kempo is not suitable for self learning. Especially, you need your partner to learn Juho Juho Juho Juho to know how it works and what kind of pain each Juho Juho Juho Juho technique causes. However, it may be worth you practice some techniques by yourself at home after you have been taught them at the branch. This page may be helpful for you to remind you of some tips of each techniques. Practice those techniques as many times as possible, to make these techniques part of your inherent ability. Listed below, basic movements and technical words and tips for some important techniques. English names given to each techniques may different from the WSKO's authorized technical term. I put them just for your ease of understanding. If you find out the difference between the names used in this page from the WSKO's terminologies, please let me know by email, thank you. Today's basic technique Recently introduced explanations about the basic techniques are listed in the menue below, please select and click to see the explanation. The above function does not work well in Netscape, please use Internet Explorer, or use the index list below. Index Comments Basic stance Foot positions and basic way of standing and how to sit. Basic postures Basic postures of Byakuren Byakuren Byakuren Byakuren chool and Giwa Giwa Giwa Giwa shool. Body movement How to move your body and dodge. Basic steps Basic way of carring your body. Body parts Body parts used in offense and defense. Elemantal techniques in Goho Basic movement in Goho Goho Goho Goho, such as punch, kick and guard. Elemantal technics of Shorinji Kempo http://kenseikai.world.coocan.jp/gihou/kihon/engyogo.htm#sokui 1 of 4 23/06/2009 11:01

Transcript of Kenseikai Shorinji Kempo Baru

Page 1: Kenseikai Shorinji Kempo Baru

Elemental techniquesEstablish a basicskill level throughillustrated tips.

Basically, you have to learn Shorinji Kempo at a branch where anofficial instructor can teach you each techniques. Shorinji Kempo is notsuitable for self learning. Especially, you need your partner to learnJuhoJuhoJuhoJuho to know how it works and what kind of pain each JuhoJuhoJuhoJuho techniquecauses.However, it may be worth you practice some techniques by yourself athome after you have been taught them at the branch. This page may behelpful for you to remind you of some tips of each techniques. Practicethose techniques as many times as possible, to make these techniquespart of your inherent ability.Listed below, basic movements and technical words and tips for someimportant techniques.English names given to each techniques may different from the WSKO'sauthorized technical term. I put them just for your ease ofunderstanding. If you find out the difference between the names used inthis page from the WSKO's terminologies, please let me know by email,thank you.

  Today's basic techniqueRecently introduced explanations about the basic techniques arelisted in the menue below, please select and click to see theexplanation.

The above function does not work well in Netscape, please use InternetExplorer, or use the index list below.

Index Comments

Basic stanceFoot positions and basic way of standingand how to sit.

Basic posturesBasic postures of ByakurenByakurenByakurenByakuren chool and GiwaGiwaGiwaGiwashool.

Body movement How to move your body and dodge.

Basic steps Basic way of carring your body.

Body parts Body parts used in offense and defense.

Elemantal techniques

in GohoBasic movement in GohoGohoGohoGoho, such as punch,kick and guard.

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Tips and explanation Important tips about specific techniques.

Basic stance Back

Basic stance is called Sokui hoSokui hoSokui hoSokui ho in Shorinji Kempo. Listed below are some of basicstances.

How to sit.Click here to see how to sit down on the floor for ZazenZazenZazenZazen. The basic style for meditation is shown.

Example of several foot position.

Foot position NameFootposition

Name

KaisokuKaisokuKaisokuKaisokuopen stance

HeisokuHeisokuHeisokuHeisoku,closed stance

Gyaku chojiGyaku chojiGyaku chojiGyaku choji,regular stance

Mae kagiMae kagiMae kagiMae kagiashiashiashiashi,front footright anglestance,a transitionalstance.

Ushiro kagiUshiro kagiUshiro kagiUshiro kagiashiashiashiashi,rear foot rightangle stance, atransitionalstance.

Yoko kagiYoko kagiYoko kagiYoko kagiashiashiashiashi,front foot stepover stance, atransitionalstance.

HachijiHachijiHachijiHachijiashiashiashiashi,kanjikanjikanjikanji "eight"figure stance.

kawashikawashikawashikawashiashiashiashiashi,cross legstance, atransitionalstance.

Listed below are basic way of standing.

Stance Name Stance Name Stance Name

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Zenkutu dachiZenkutu dachiZenkutu dachiZenkutu dachi,front weightposition

Koukutu dachiKoukutu dachiKoukutu dachiKoukutu dachi,rear weightposition

Nekoashi dachiNekoashi dachiNekoashi dachiNekoashi dachi,front kick position

Kiba dachiKiba dachiKiba dachiKiba dachi,low weight position

Fukko dachiFukko dachiFukko dachiFukko dachi,knee position

Ku no ji dachiKu no ji dachiKu no ji dachiKu no ji dachi,standard standingposition

Basic postures Back

Tai gamaeTai gamaeTai gamaeTai gamae, or posture, is a position useful in guarding yourself and initiatingoffence.

Eight postures of Byakuren school

Gassho

gamae

Manji

gamae

MidareMidareMidareMidaregamaegamaegamaegamae

Hasso

gamae

Taiki

gamae

GyakuGyakuGyakuGyakutaikitaikitaikitaikigamaegamaegamaegamae

Aiki

gamae

ByakurenByakurenByakurenByakurenchuudanchuudanchuudanchuudangamaegamaegamaegamae

Nine postures of Giwa school

Kesshu

gamae

Ichiji

gamae

Niou

gamae

Chudan

gamae

Gedan

gamae

GyakuGyakuGyakuGyakugedangedangedangedangamaegamaegamaegamae

Fukko

gamae

TachiTachiTachiTachimusomusomusomusogamaegamaegamaegamae

Yoko

muso

gamae

Fujin hou, Relative positioning

There are three types of positionings as shown below.

Seitai gamaeYou face your opponent asshown in the left figure.

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Tai gamae

When your opponent standswith his left (right) footforward, you stand with yourleft (right) foot forward.

Hiraki gamae

When your opponent standswith his left (right) footforward, you stand with yourright (left) foot forward.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003 continues to do so, and reserves all rightsassociated with the structure of this site and the information available on thissite.

Elemantal technics of Shorinji Kempo http://kenseikai.world.coocan.jp/gihou/kihon/engyogo.htm#sokui

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Page 5: Kenseikai Shorinji Kempo Baru

Elemental techniquesEstablish a basicskill level throughillustrated tips.

Basically, you have to learn Shorinji Kempo at a branch where anofficial instructor can teach you each techniques. Shorinji Kempo is notsuitable for self learning. Especially, you need your partner to learnJuhoJuhoJuhoJuho to know how it works and what kind of pain each JuhoJuhoJuhoJuho techniquecauses.However, it may be worth you practice some techniques by yourself athome after you have been taught them at the branch. This page may behelpful for you to remind you of some tips of each techniques. Practicethose techniques as many times as possible, to make these techniquespart of your inherent ability.Listed below, basic movements and technical words and tips for someimportant techniques.English names given to each techniques may different from the WSKO'sauthorized technical term. I put them just for your ease ofunderstanding. If you find out the difference between the names used inthis page from the WSKO's terminologies, please let me know by email,thank you.

  Today's basic techniqueRecently introduced explanations about the basic techniques arelisted in the menue below, please select and click to see theexplanation.

The above function does not work well in Netscape, please use InternetExplorer, or use the index list below.

Index Comments

Basic stanceFoot positions and basic way of standingand how to sit.

Basic posturesBasic postures of ByakurenByakurenByakurenByakuren chool and GiwaGiwaGiwaGiwashool.

Body movement How to move your body and dodge.

Basic steps Basic way of carring your body.

Body parts Body parts used in offense and defense.

Elemantal techniques

in GohoBasic movement in GohoGohoGohoGoho, such as punch,kick and guard.

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Tips and explanation Important tips about specific techniques.

Basic stance Back

Basic stance is called Sokui hoSokui hoSokui hoSokui ho in Shorinji Kempo. Listed below are some of basicstances.

How to sit.Click here to see how to sit down on the floor for ZazenZazenZazenZazen. The basic style for meditation is shown.

Example of several foot position.

Foot position NameFootposition

Name

KaisokuKaisokuKaisokuKaisokuopen stance

HeisokuHeisokuHeisokuHeisoku,closed stance

Gyaku chojiGyaku chojiGyaku chojiGyaku choji,regular stance

Mae kagiMae kagiMae kagiMae kagiashiashiashiashi,front footright anglestance,a transitionalstance.

Ushiro kagiUshiro kagiUshiro kagiUshiro kagiashiashiashiashi,rear foot rightangle stance, atransitionalstance.

Yoko kagiYoko kagiYoko kagiYoko kagiashiashiashiashi,front foot stepover stance, atransitionalstance.

HachijiHachijiHachijiHachijiashiashiashiashi,kanjikanjikanjikanji "eight"figure stance.

kawashikawashikawashikawashiashiashiashiashi,cross legstance, atransitionalstance.

Listed below are basic way of standing.

Stance Name Stance Name Stance Name

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Zenkutu dachiZenkutu dachiZenkutu dachiZenkutu dachi,front weightposition

Koukutu dachiKoukutu dachiKoukutu dachiKoukutu dachi,rear weightposition

Nekoashi dachiNekoashi dachiNekoashi dachiNekoashi dachi,front kick position

Kiba dachiKiba dachiKiba dachiKiba dachi,low weight position

Fukko dachiFukko dachiFukko dachiFukko dachi,knee position

Ku no ji dachiKu no ji dachiKu no ji dachiKu no ji dachi,standard standingposition

Basic postures Back

Tai gamaeTai gamaeTai gamaeTai gamae, or posture, is a position useful in guarding yourself and initiatingoffence.

Eight postures of Byakuren school

Gassho

gamae

Manji

gamae

MidareMidareMidareMidaregamaegamaegamaegamae

Hasso

gamae

Taiki

gamae

GyakuGyakuGyakuGyakutaikitaikitaikitaikigamaegamaegamaegamae

Aiki

gamae

ByakurenByakurenByakurenByakurenchuudanchuudanchuudanchuudangamaegamaegamaegamae

Nine postures of Giwa school

Kesshu

gamae

Ichiji

gamae

Niou

gamae

Chudan

gamae

Gedan

gamae

GyakuGyakuGyakuGyakugedangedangedangedangamaegamaegamaegamae

Fukko

gamae

TachiTachiTachiTachimusomusomusomusogamaegamaegamaegamae

Yoko

muso

gamae

Fujin hou, Relative positioning

There are three types of positionings as shown below.

Seitai gamaeYou face your opponent asshown in the left figure.

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Page 8: Kenseikai Shorinji Kempo Baru

Tai gamae

When your opponent standswith his left (right) footforward, you stand with yourleft (right) foot forward.

Hiraki gamae

When your opponent standswith his left (right) footforward, you stand with yourright (left) foot forward.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003 continues to do so, and reserves all rightsassociated with the structure of this site and the information available on thissite.

Elemantal technics of Shorinji Kempo http://kenseikai.world.coocan.jp/gihou/kihon/engyogo.htm#kamae

4 of 4 23/06/2009 11:02

Page 9: Kenseikai Shorinji Kempo Baru

Body movement, or Taisabaki Back

Taisabaki means "body movement" to dodge punches and kicks and the way of changing body direction.

Listed below are some of the basic way of moving the upper body to dodge your opponent's attack.

Name Movement Explanation

Yoko furimiSide sway

Step your right leg to

your right a little and

sway your body to the

right.

RyusuiSway forward

Step your right leg to

your right a little and

sway your body to the 45

degree of angle to the

right with your left

shoulder leading your

upper body's right turn.

SorimiSway back

Putting your weight to

your rear leg, sway back.

HikimiDrawing body

Draw your middle body

back to put it out of your

opponent's reach.

Listed below are some of the basic way of changing the body direction.

Name Movement Explanation

Han tenshinSimple shift

Pull your rear leg behind

your left leg to turn right and

shift your body to the left.

You can dodge your

opponent's strait punch or

kick with this technique.

Gyaku tenshinReverse shift

Pull your front leg behind

your right leg to turn left and

shift your body to the right.

You can dodge your

opponent's strait punch or

kick with this technique.

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Han tenkanHalf turn

Put your front leg slightly

forward to turn right.

Put your rear leg a step

forward to turn left.

Zen tenkanFull turn

Put your front leg in front of

your rear leg and turn right

180 degree of angle to face

your opponent on your back.

Nisoku zentenkanTwo steps full turn

You can turn 180 degree in

two steps. This technique is

important to throw your

opponent with Juho.

Ukemi Back

Ukemi is a guarding technique to save your body from falling down and hit your body to the floor. There

are several types of Ukemi techniques but the basic two techniques are shown below. Click on each

figure to see the detail explanations.

Mae ukemiFront turn guard

To save your body from falling down damage,

make your body turn forward.

Ushiro ukemiBackward turn guard

To save your body from falling down damage,

make your body turn backward.

Basic steps Back

Listed below are some of the basic steps of Shorinji Kempo.

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Name of the techniques Movement Explanation

Fumikomi ashi,

Front leg forward stepPut your front leg a step forward.

Mae yose ashi,

Rear leg forward stepDraw your rear leg toward your front leg.

Sashikomi ashi,

Forward steps

Put your front leg a step forward and then draw

your rear leg toward your front leg.

Sashikae ashi,

Forward steps changing

legs

Put your rear leg a step forward beyond your front

leg. As shown in the left FIg. first, draw your right

leg near your front leg and then put it in front of

the left leg in 45 degree of angle.

Tobikomi ashi,

Rear leg jump forwardJump forward jumping with rear leg.

Mae kumo ashi,

Front leg jump forward

Jump forward jumping with front leg. As shown in

the left Fig. land on your rear leg first.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. The same

Keijiro Hayashi maintained and improved this site during the years: 1998, 1999, 2000, 2001, 2002, 2003

continues to do so, and reserves all rights associated with the structure of this site and the information

available on this site.

Elemantal technics of Shorinji Kempo http://kenseikai.world.coocan.jp/gihou/kihon/engmove.htm#taisaba

3 of 3 23/06/2009 11:02

Page 12: Kenseikai Shorinji Kempo Baru

Body movement, or Taisabaki Back

Taisabaki means "body movement" to dodge punches and kicks and the way of changing body direction.

Listed below are some of the basic way of moving the upper body to dodge your opponent's attack.

Name Movement Explanation

Yoko furimiSide sway

Step your right leg to

your right a little and

sway your body to the

right.

RyusuiSway forward

Step your right leg to

your right a little and

sway your body to the 45

degree of angle to the

right with your left

shoulder leading your

upper body's right turn.

SorimiSway back

Putting your weight to

your rear leg, sway back.

HikimiDrawing body

Draw your middle body

back to put it out of your

opponent's reach.

Listed below are some of the basic way of changing the body direction.

Name Movement Explanation

Han tenshinSimple shift

Pull your rear leg behind

your left leg to turn right and

shift your body to the left.

You can dodge your

opponent's strait punch or

kick with this technique.

Gyaku tenshinReverse shift

Pull your front leg behind

your right leg to turn left and

shift your body to the right.

You can dodge your

opponent's strait punch or

kick with this technique.

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Page 13: Kenseikai Shorinji Kempo Baru

Han tenkanHalf turn

Put your front leg slightly

forward to turn right.

Put your rear leg a step

forward to turn left.

Zen tenkanFull turn

Put your front leg in front of

your rear leg and turn right

180 degree of angle to face

your opponent on your back.

Nisoku zentenkanTwo steps full turn

You can turn 180 degree in

two steps. This technique is

important to throw your

opponent with Juho.

Ukemi Back

Ukemi is a guarding technique to save your body from falling down and hit your body to the floor. There

are several types of Ukemi techniques but the basic two techniques are shown below. Click on each

figure to see the detail explanations.

Mae ukemiFront turn guard

To save your body from falling down damage,

make your body turn forward.

Ushiro ukemiBackward turn guard

To save your body from falling down damage,

make your body turn backward.

Basic steps Back

Listed below are some of the basic steps of Shorinji Kempo.

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Page 14: Kenseikai Shorinji Kempo Baru

Name of the techniques Movement Explanation

Fumikomi ashi,

Front leg forward stepPut your front leg a step forward.

Mae yose ashi,

Rear leg forward stepDraw your rear leg toward your front leg.

Sashikomi ashi,

Forward steps

Put your front leg a step forward and then draw

your rear leg toward your front leg.

Sashikae ashi,

Forward steps changing

legs

Put your rear leg a step forward beyond your front

leg. As shown in the left FIg. first, draw your right

leg near your front leg and then put it in front of

the left leg in 45 degree of angle.

Tobikomi ashi,

Rear leg jump forwardJump forward jumping with rear leg.

Mae kumo ashi,

Front leg jump forward

Jump forward jumping with front leg. As shown in

the left Fig. land on your rear leg first.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. The same

Keijiro Hayashi maintained and improved this site during the years: 1998, 1999, 2000, 2001, 2002, 2003

continues to do so, and reserves all rights associated with the structure of this site and the information

available on this site.

Elemantal technics of Shorinji Kempo http://kenseikai.world.coocan.jp/gihou/kihon/engmove.htm#unsoku

3 of 3 23/06/2009 11:03

Page 15: Kenseikai Shorinji Kempo Baru

Body parts for offense and defense Back

Shorinji kempo uses almost all parts of the body for offense and defense. Sometimes, a wooden or iron

stick is used. However, the main "arms" used are our own body, that is, hand, arm, leg and so on.

1. Hand : There are many variations other than illustrated below. But the following are enough for usual

techniques.

kind name Part Description

fist

Seiken

Bend your four fingers onto your palm and attach your

thumb to a pointing finger tightly. This is a most

commonly used part. Seiken means "ordinary grip" or

"right grip".

Uraken

A backside of Seiken shown in the left figure. Used in

backhand brow. Bend your wrist outside when use

Uraken. There is a possibility that you may break a back

of your hand if you hit something hard with Uraken

bending your wrist inside.

HirakenFlat fist, as shown in the left figure.

ShoukenUse little finger side of Seiken grip.

NaishouUse wrist side of Hiraken.

open

hand

HirateOpen hand.

Shutou

Shutou means "hand used as a sword". Use little finger

side as shown in the left figure.

Choujide

This part is used in Juho to press a critical or vital point

of a joint or arm.

othersKumade

Kumade means "a palm of a bear". Using this part will

let you hit your opponent without cutting his skin.

2. Arm : Although there are many other way of use, the following are mainly used in usual techniques.

Name Part Description

Wantou

Wantou means "arm used as a sword". Use little

finger side as shown in the left figure.

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Page 16: Kenseikai Shorinji Kempo Baru

Nai wantou

Nai wantou means "inside Wantou". Use thumb

side as shown in the left figure.

HijiElbow.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. The same

Keijiro Hayashi maintained and improved this site during the years: 1998, 1999, 2000, 2001, 2002, 2003

continues to do so, and reserves all rights associated with the structure of this site and the information

available on this site.

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2 of 2 23/06/2009 11:03

Page 17: Kenseikai Shorinji Kempo Baru

Elemental techniques in Goho Back

Listed below are some of the basic punching, kicking and guarding techniques ofShorinji Kempo. Detail explanations are given for those who would like to practicethem at home. Click on each figures to see detailed explanation.

Name of the

techniquesMovement

Explanation

Jun duki,

front hand

punch(04.9.19)

Jun dukiJun dukiJun dukiJun duki, or a jab in boxing, is used toactivate sequence of techniques because it canbe delivered without big movement of the body.

Gyaku duki,

back hand

punch(04.10.2)

Gyaku dukiGyaku dukiGyaku dukiGyaku duki is a powerful blow in nature,because it travels long distance to earn enoughenergy. However, because of this, it is rathereasy to anticipate or to dodge.

Jun geri,

front leg

kick(03.3.2)

Jun geriJun geriJun geriJun geri is useful to stop your opponent'sattack. You can deliver Jun geriJun geriJun geriJun geri with smallaction.Speed is very essential for this technique.

Gyaku geri,

rear leg

kick(04.10.17)

Gyaku geriGyaku geriGyaku geriGyaku geri is a powerful straight kick. But,it is rather easy to dodge it because ittravels long way. Apply it after you make youropponent unable to guard or dodge, that is,after putting him in unstable condition.

Mawasi geri,

round kick

(04.10.31)

Mawashi geriMawashi geriMawashi geriMawashi geri is a hook kick to hit youropponent horizontally. To deliver MawashiMawashiMawashiMawashigerigerigerigeri, lift your knee aimed at the target andthen give your foot circular momentum byturning your hip.

Yoko geri,

side kick

(04.8.9)

Yoko geriYoko geriYoko geriYoko geri is used to kick an opponent standingjust your left or right side. To give this kickenough power, you have to push out your hiptoward the target.

Uwa uke,

upper

guard(04.6.13)

Uwa ukeUwa ukeUwa ukeUwa uke is mainly used to block a punch aimingat your face. Try to move your body so that youwill not be hit even if you do not use your armto block it.

Shita uke,

lower

guard(04.7.4)

Shita ukeShita ukeShita ukeShita uke is used to block a body blow or kickaiming at your body. Try to move your body sothat you will not be hit even if you do not useyour arm to block it.

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Uchi uke,

inside

guard(03.5.30)

Uchi ukeUchi ukeUchi ukeUchi uke is a blocking technique using yourarm from outside to inside of your center. Itcan be used to block a punch or kick. Try tomove your body so that you will not be hit evenif you do not use your arm to block it.

Harai uke,

sweep

guard(03.6.14)

Harai ukeHarai ukeHarai ukeHarai uke is used to block a kick such asMawashi geriMawashi geriMawashi geriMawashi geri. To give Harai ukeHarai ukeHarai ukeHarai uke enough powerto block a powerful Mawashi geriMawashi geriMawashi geriMawashi geri, you have totwist your hip to transfer the body power toyour arm.

Ren uke,

Sequential

guard(03.6.28)

Ren ukeRen ukeRen ukeRen uke is used to block sequential punch ofyour opponent. Apply Uwa ukeUwa ukeUwa ukeUwa uke and then ShitaShitaShitaShitaukeukeukeuke sequentially. Shita ukeShita ukeShita ukeShita uke must beaccompanied with Uchi ukeUchi ukeUchi ukeUchi uke to gauard your facein case your opponent's second punch comes toyour face.

Furiko duki,

Pendulam punch

training(03.7.13)

Furiko dukiFuriko dukiFuriko dukiFuriko duki( Furiko zukiFuriko zukiFuriko zukiFuriko zuki ) is a method topractice straight punch.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003 continues to do so, and reserves all rightsassociated with the structure of this site and the information available on thissite.

Elemantal technics of Shorinji Kempo http://kenseikai.world.coocan.jp/gihou/kihon/engkihon.htm#kihontuki

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Tips and explanations Back

Basic technical explanations and tips are listed below.

Direction of force in Nuki waza Back

By understanding the right direction of the force you have to apply in Nuki waza, you can easily escape

from a grip.

Those animals developed thumb can

grab things tightly. That means if you

can make a force of the thumb

grabbing your wrist weaken, you can

easily escape from the grip.

Thumb can resist against the forces

shown by red arrows in the left figure,

but can not resist forces shown by

green arrows.

Shorinji Kempo utilize this fact, using

(1) direction are Kote nuki and

others, using (2) direction are Kiri

nuki and others.

Another way of escaping is applying force in the direction of locking techniques

and make your opponent release his grip because of the pain the locking

techniques causes.

Meuchi Back

Once your opponent is prepared for your next move, it may have become difficult to execute a technique,

that is, your waza on him. Especially if your opponent is stronger than you, some special techniques are

called for. You should try to make it difficult for your opponent to concentrate on the essential elements

that determine the effectiveness of your techniques.

This category of techniques is called Meuchi and consists of flapping at eyes with fingertips. Delivering

Meuchi, you can create a window of opportunity to getting rid of his concentration. You do not have to

actually flap at your opponent's eye balls, just waving your finger tips in front of the eyes is sometimes

enough.

Use Meuchi whenever you try to execute Juho.

Kagite Back

Kagite is a typical guard style used for preventing your

opponent from controlling you once your opponent has

seized your wrist.

Once one of your hands is in your opponent's grip, do not try to

free your hand by pulling it directly back towards you.Your

opponent, with greater strength, will hold fast to your hand.

Rather, treating your hand-arm-body system as a lever, try to

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Do not try to pull the hand

grabbed.

Point in the right description

to see Kagite.

position the fulcrum of that system close to your body. The

leverage gained will magnify your strength. This is a simple

physical principle.

Open your hand as illustrated in the left figure. By opening your

hand, your wrist becomes thicker and this makes your opponent

a little bit difficult to fasten the grip. However, this gives your

opponent a chance to grip your finger at the same time.

Therefore do not be in Kagite style for long. Move to the next

technique as soon as possible.

Remember, to effect this guard style, put your body and not

your opponent's grip, near the fulcrum.

Sankaku shuhou or Triangle guard position Back

Sankaku shuhou is a guard technique against your opponent's

offense, trying to twist your arm in a direction shown in the left

Fig.

Do not pull your wrist toward you, but rather put yourself near to your

wrist seized and put it as close as your side body. Your arm will make a

triangle shown in the left figure below.

As you can see, your opponent's grip has already weakened just after

you take Sankaku shuhou guard position.Point in the

right description to

see Sankaku

shuhou.

Nisoku tenkai Back

As illustrated at left, Nisoku tenkai,

which means two steps full turn, is a

way to turn 180 degree in two steps.

The quickness and economy of

movement this allows is important in

throwing techniques.

Tips on Boshikyu Back

Boshikyu , or thenar,

refers to the part of your

palm just at the base of

your thumb.

Usig Boshikyu,

the aim is to

control and push the

back of your

opponent's hand in

such a way that your

arm and your

opponent's arm form a

straight line.

One man training:(Figs. below)

(1)Put the palm of your left hand against the back of your right hand so that both palm faces you.

Your left hand is to execute this maneuver on your right hand, which plays the part of your

opponent's hand.

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(2)Hook the middle and ring fingers of your left hand around the fleshy base of your right thumb.

(3)Using the leverage afforded by your palm, press the Boshikyu of your left hand against the back

of your right hand to fold your right wrist. You shall be able to easily fold your right wrist as far as it

will go and, thereby, point the fingers of you right hand at your chest. This will make your arms form

a straight line

(4)Twist your left hand to check a direction of the force you should apply to give the maximun pain.

You can feel how the leverage gives your left hand control over your right hand.

In step 3, it is important to press your Boshikyu against the back of

your opponent's hand and not twist your opponent's wrist with your

thumb. Beginners sometimes try to twist their opponent's wrist, however this

allows your opponent to escape from your grip. It does not work to your

advantage at all, especially when your opponent is stronger than you.

Yubidori Back

This technique is used to lock an opponent's wrist and thumb.

Use your Boshikyu firmly attached to the back of his hand

and twist his thum in the direction shown in the right Fig.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. The same

Keijiro Hayashi maintained and improved this site during the years: 1998, 1999, 2000, 2001, 2002, 2003

continues to do so, and reserves all rights associated with the structure of this site and the information

available on this site.

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Uwa uke geri

This is a very essential movement. You must practice it as many times as you can sothat it comes out instinctively.Stop motion illustration is added.(2005.12.18)

When your opponent try to punch yourface, step back aside with UwaukeUwaukeUwaukeUwauke andcounterattack with middle kick.Practice both left and right, andalso step back and forward.

The opponenttry to hit yourface.

You steppingback aside,guarding yourface withUwaukeUwaukeUwaukeUwauke.

Youcounterattackwith middlekick almost atthe same timewith UwaukeUwaukeUwaukeUwauke.

Step back tokeep distance.

Prepare for thenext movement.

Tips:Although UwaukeUwaukeUwaukeUwauke is an early stage

technique, it is not easy to do it in a refinedstyle.It is important to slide up your arm as shownin the left figure. Do not try to wipe off hishand as shown in the left figure.Counterattack shall be done almost at the sametime with UwaukeUwaukeUwaukeUwauke.

Clickhere to

see stipmotionillustration.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

uwauke geri http://kenseikai.world.coocan.jp/gihou/uwaukeri/enguwaukeri.htm

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Sode nuki

What it means

The first one character part of is pronounced "SodeSodeSodeSode", meaning "sleeve" and thelast one character part is pronounced "nukinukinukinuki", meaning "escape" or "make it free".Thus this technique means "escape method when seized by sleeve".

Techniques

When your opponent seized yourright(left) upper sleeve from overyour hand by his left(right) hand,use SodnukiSodnukiSodnukiSodnuki to escape.

Put your righthand forward to

let youropponent seizeyour right uppersleeve.

Take KagiteKagiteKagiteKagiteguard position.

Deliver meuchimeuchimeuchimeuchi.

Turn your righthandcounterclockwise.Make youropponent's wristbent.

Push down yourhand to escape.

Hit his facewith your rightUrakenUrakenUrakenUraken.

Follow with leftmiddle punch.(And prepare forthe nextmovement.)

TipsTipsTipsTipsMake sure that your opponent's wrist bent after you turn

your elbow counterclockwise.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Sodenuki http://kenseikai.world.coocan.jp/gihou/sodenuk/engsodenuk.htm

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Uwauke duki

(Uwa uke zuki)

What it means

The first two characters part of is pronounced "Uwa ukeUwa ukeUwa ukeUwa uke", a name of theShorinji Kempo guard technique, the last one character part is pronounced "zukizukizukizuki",meaning "a punch". Thus this technique means "Guard with uwa ukeuwa ukeuwa ukeuwa uke and counterattackwith a punch.

Techniques

This technique is a very fundamental one, practice as many time as possible so thatyour body moves automatically.

When your opponent try to hit yourhead or face, guard it with Uwa ukeUwa ukeUwa ukeUwa uke,and counterattack with middle punch.Try as many variation as possible.

Your opponenttry to hit youby Shuto uchiShuto uchiShuto uchiShuto uchi.

You stepforwarddiagonallyright and guardyour head withUwaukeUwaukeUwaukeUwauke.

Middle punchwith righthand.

Kumade dukiKumade dukiKumade dukiKumade dukiwith your lefthand.

Prepare for thenext movement.

TipsTipsTipsTipsPlease refer to UwaukeUwaukeUwaukeUwauke about its detail and how to

practice it effectively.( updated explanation, 2004.6.13)

Click here tosee

stopmotionillustration.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Uwauke duki http://kenseikai.world.coocan.jp/gihou/uwautuk/enguwautuk.htm

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Uchiuke duki

(Uchi uke zuki)

What it means

The first two charactors of are pronounced "Uchi Uke" meaning "Inside guard" andthe last one charactor is pronounced "duki" meaning a punch.

Techniques

When your opponent try to punch yourface, you step aside with Uchi ukeUchi ukeUchi ukeUchi ukeand counterattack with middle punchfollowed by middle kick.

The opponentstry to punchyour face.

You make hispunch miss yourface bysteppingforward at 45degree angle.Apply Uchi ukeUchi ukeUchi ukeUchi ukeat the sametime.

Make sure thatyou guard yourface with UchiUchiUchiUchiukeukeukeuke so that hecan not hit youany more.

You punchhis bodywith theoppositehand.

You kickhis body.

Step back andprepare for thenext movement.

TIPS:TIPS:TIPS:TIPS:Do not wipe off your opponent's hand with your

hand. You have to step forward at 45 degree angle tomake his punch miss you even if you do not use yourhand to block his punch.

Click hereto see stopmotion figuresof the leftanimation.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998.The same Keijiro Hayashi maintained and improved this site during the years: 1998, 1999,2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all rights associatedwith the structure of this site and the information available on this site.

Uchiuke Duki http://kenseikai.world.coocan.jp/gihou/uchiutuki/enguchiuket.htm

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Eri nuki

What it means

The first one character part of is pronounced "EriEriEriEri", meaning a lapel, a red part

of . The last one character part is pronounced "nukinukinukinuki", meaning "escape" or "makeit free". Thus this technique means "escape method when seized by a lapel".

Techniques

When your opponent seized yourneckband , use Eri nukiEri nukiEri nukiEri nuki to escape.

Make a space infront of yourchest to

let youropponent seizeyour lapel.

Deliver meuchimeuchimeuchimeuchi. Strike down yourright elbow onto youropponent's lefthand.

Turn your righthandcounterclockwise.

Make youropponent's wristbent.

Push down yourhand to escape.

Hit his facewith your rightUrakenUrakenUrakenUraken and leftmiddle punch.

TipsTipsTipsTipsMake sure that your opponent's wrist bent after you turn

your elbow counterclockwise so that he has to let your lapelfree because of pain caused by keep holding your lapel.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Eri nuki http://kenseikai.world.coocan.jp/gihou/erinuk/engerinuk.htm

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Oshi kiri nuki

Use Oshi kiri nukiOshi kiri nukiOshi kiri nukiOshi kiri nuki when your opponent seizesyour upper arm/arms with his hand/hands. Turnyour forearm to set it inside of your opponent'shands and then push it out.

Apply Oshi kiriOshi kiriOshi kiriOshi kirinukinukinukinuki, when youropponent seizesyour upper armswith his arms

bending, pushing his elbowoutside as in the left Fig.

Try Johaku nukiJohaku nukiJohaku nukiJohaku nuki whenyour opponent seizesyour upper arms asshown in the rightFig.

Your opponentseizes yourupper arms withhis hands.

Take KagiteKagiteKagiteKagiteguard positionso that you donot lose thecontrol.

Turn your rightforearmclockwise to putyour right arminside of youropponent's lefthand.

Push your rightforearm out tokill youropponent's leftwrist.

Stretch out yourright hand torelease it fromyour opponent'sgrip.

Hit youropponent's backneck withWantou uchiWantou uchiWantou uchiWantou uchi.

Apply JohakuJohakuJohakuJohakunukinukinukinuki to yourleft hand.

Prepare for thenext movement.

Oshikiri nuki http://kenseikai.world.coocan.jp/gihou/osikinuk/engosikinuk.htm

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TipsTipsTipsTipsPush your forearm

out to cut youropponent's lock. Tryto push it out alittle bit backward.

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Oshikiri nuki http://kenseikai.world.coocan.jp/gihou/osikinuk/engosikinuk.htm

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Shitauke geri

This is a very essential movement. You must practice it as many times as you can sothat it comes out instinctively.

When your opponent try to punch yourbody, step forward aside a littlewith ShitaukeShitaukeShitaukeShitauke and counterattack withmiddle kick. Practice both left andright, and also step back andforward.

Take HassouHassouHassouHassougamaegamaegamaegamae to let youropponent think ofpunching orkickking yourbody.

You steppingforward aside,

guarding yourbody withShitaukeShitaukeShitaukeShitauke.

Counterattackwith Gyaku geriGyaku geriGyaku geriGyaku gerimiddle kick.

Tips:Although ShitaukeShitaukeShitaukeShitauke is an early stage technique, it is not easy to do it in a

refined style.It is important to slide down your arm. Do not try to wipe off the offending hand orleg.Counterattack shall be done almost at the same time with ShitaukeShitaukeShitaukeShitauke.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Shitauke geri http://kenseikai.world.coocan.jp/gihou/sitaukeri/engsitaukeri.htm

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Uragaeshi nage

You will learn Uragaeshi nageUragaeshi nageUragaeshi nageUragaeshi nage at early stage of learning Shorinji Kempo. Thistechnique can be easily practiced once you know its tips.

Apply this technique with Gyaku goteGyaku goteGyaku goteGyaku gote orMaki goteMaki goteMaki goteMaki gote to bring your opponent down inreverse position, his chest facing theground,

You are applyingGyaku goteGyaku goteGyaku goteGyaku gote orMaki goteMaki goteMaki goteMaki gote.

At the momentyour opponent'ship hits thefloor,

push your lefthand to make himturn around thepoint where hiship iscontacting thefloor.

Then turn hiswrist clockwiseand pull.

He will beforced to rolldown with hisback facing up.

Fix his shoulderwith your lefthand.

Step forwardyour right footand applyUragatameUragatameUragatameUragatame.

Uragaeshi nage http://kenseikai.world.coocan.jp/gihou/uragang/enguragang.htm

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TipsTipsTipsTipsIt is essential that you

should turn your opponentexactly when his hip hitsthe floor. After his backlies on the floor, it isimpossible to turn himaround.As you can see in the rightanimation, turn him makingthe + mark in the animationas a pivot of turning. Makehis head go through underyour hands.After his body turned, twistyour opponent's wristclockwise and pull it low.By this action your opponentwill be forced to roll tothe chest down position.It is important to makeenough space to make himturn and roll by moving yourfeet. Try as many time aspossible to get the tips.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Uragaeshi nage http://kenseikai.world.coocan.jp/gihou/uragang/enguragang.htm

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Shita uke jun geri

This is a very essential movement. You must practice it as many times as you can sothat it comes out instinctively.

When your opponent try to punch yourbody, withdraw your body a littlewith ShitaukeShitaukeShitaukeShitauke and counterattack withjun gerijun gerijun gerijun geri. Practice both left andright.

Take HassouHassouHassouHassougamaegamaegamaegamae to let youropponent think ofkickking orpunching yourbody.

Your opponenttrys to punchyour body, youwithdraw yourbody and applyshita ukeshita ukeshita ukeshita uke.

Counterattackwith jun gerijun gerijun gerijun geri.

Prepare for thenext movement.

Tips:Although Shita ukeShita ukeShita ukeShita uke is an early stage technique, it is not easy to do it in a

refined style.It is important to slide down your arm. Do not try to wipe off the offending hand orleg.Counterattack shall be done almost at the same time with Shita ukeShita ukeShita ukeShita uke.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Shitauke jungeri http://kenseikai.world.coocan.jp/gihou/sitaujkeri/engsitaujkeri.htm

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Sode maki

When your opponent seized yourright(left) upper sleeve from underyour hand by his left(right) hand,use SodemakiSodemakiSodemakiSodemaki.

Put your righthand forward to

let youropponent seizeyour right uppersleeve.

Deliver meuchimeuchimeuchimeuchiand,

put your lefthand on to youropponent's lefthand.

Turn your righthand clockwise.Make youropponent's handin "S" shape.

Pull down yourhands.

Kick his bodywhile keepinghis hand in "S"shape.

Prepare for thenext movement.

TipsTipsTipsTipsKeep your opponent's hand tightly fixed to your right hand's angle

by pushing it with your left hand. Make sure your opponent's hand is in"s" shape.

Sodemaki http://kenseikai.world.coocan.jp/gihou/sodemk/engsodemk.htm

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(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Sodemaki http://kenseikai.world.coocan.jp/gihou/sodemk/engsodemk.htm

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Tsukiten ichi

This technique is used, when youropponent has thrown consecutivepunches to your face and body, tocounterattack them with your kick.

Your opponenttrys to throw apunch to yourface.

You sway andguard it withUwaukeUwaukeUwaukeUwauke.

Your opponetthrows middlepunch. Youguard it withShitaukeShitaukeShitaukeShitauke.Guard your faceat a same time.

You kick back.Kick almost atthe same timeof guarding.

Prepare fornext movement.

<Tips><Tips><Tips><Tips>Speed is essential for this technique. The animation

above makes several stopping for better understanding.Practice as many times as you can to achieve smooth movement.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Tukiten ichi http://kenseikai.world.coocan.jp/gihou/tukit1/engtukit1.htm

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Sodedori

What it means

The first one character part of is pronounced "SodeSodeSodeSode", meaning "a sleeve" andthe last one character part is pronounced "doridoridoridori", meaning "catch or lock". Thus thistechnique means "lock your opponent's hand when he seizes your sleeve".

Techniques

When your opponent seized yourright(left) upper sleeve from overyour hand by his left(right) hand,use SodedoriSodedoriSodedoriSodedori.

Put your righthand forward to

let youropponent seizeyour right uppersleeve.

Deliver shutoshutoshutoshutogirigirigirigiri, as shownbelow, ormeuchimeuchimeuchimeuchiand,

put your lefthand on to youropponent's lefthand.

Turn your righthand clockwise.Make youropponent's arm

in " " shape.

Pull down yourhands

While keeping

his arm in " "shape,

kick his body.

TipsTipsTipsTipsKeep your opponent's

hand tightly fixed to yourright hand's angle bypushing it with your lefthand. Make sure your

opponent's hand is in " "shape.

Click here to see stopmotion figures of the leftanimation.

Sodedori http://kenseikai.world.coocan.jp/gihou/sodedo/engsodedo.htm

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While keeping your

opponent's arm in " " shapetwist his palm as shown inthe left figure and push itslittle finger root.You must do this with yourright upper arm whilebending your joint. This isbased on the same principleas Johaku doriJohaku doriJohaku doriJohaku dori.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Sodedori http://kenseikai.world.coocan.jp/gihou/sodedo/engsodedo.htm

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Kote nuki

Kote nuki Kote nuki Kote nuki Kote nuki works well when youropponent seizes your right (left)hand with his right (left) hand asillustrated in the right figure.

The opponentseizes yourright wrist byhis right hand.

Deliver MeuchiMeuchiMeuchiMeuchiright away and,

take KagiteKagiteKagiteKagiteguard style.Move to KoteKoteKoteKotenukinukinukinuki.

Turn your palmdown and pushout your elbowfrom insideout, not movingthe pivot.

Turn your elbowout till yourwrist isreleasedcompletely.

Hit into hisface with thehand justreleased.

Wrong:Wrong:Wrong:Wrong:This will not work

well, if you try toescape when his arm isnot stretchedstraight. He canfollow your movementif his arm has freedomto bend.Never try to escape bypulling your hand.

TipsTipsTipsTips::::Stretch his elbow

straight. It is themost inportant checkpoint in KotenukiKotenukiKotenukiKotenuki. Asfar as his arm isstraight, you caneasily applyKotenukiKotenukiKotenukiKotenuki.When you push out yourelbow, do not move thepivot but turn yourwrist like cutting histhumb.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. Thesame Keijiro Hayashi maintained and improved this site during the years: 1998, 1999, 2000,

Kote nuki http://kenseikai.world.coocan.jp/gihou/kotenuki/engkote.htm

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2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all rights associated with thestructure of this site and the information available on this site.

Kote nuki http://kenseikai.world.coocan.jp/gihou/kotenuki/engkote.htm

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Sodemaki tenbin

(Sodemaki tembin)

What it means

The first two character part of is pronounced "Sode makiSode makiSode makiSode maki", a name of theShorinji Kempo technique, the last two characters part is pronounced "tembintembintembintembin",meaning "a balance" and also a name of the critical spot in an elbow joint. Thus thistechnique means "lock your opponent's hand at the critical spot "tembintembintembintembin" in caseyour opponent tries to escape from "Sode makiSode makiSode makiSode maki".

Techniques

When your opponent tries to escapefrom your SodemakiSodemakiSodemakiSodemaki. lock youropponent's arm at the critical spotTembinTembinTembinTembin,

Put your righthand forward to

let youropponent seizeyour right uppersleeve.

Deliver meuchimeuchimeuchimeuchiand,

put your lefthand on to youropponent's lefthand.

Turn your righthand clockwise.Make youropponent's handin "S" shape.

Your opponenttries to escapeby twisting hisbody, turingback.

Fix his elbowbetween yourbody and yourright elbow.

Use your rightelbow to lockhis arm and liftyour left handfor effectiveforce.

TipsTipsTipsTipsKeep your opponent's elbow tightly fixed at your side

body.Apply this technique hard and quickly. Slow attackwill let your opponent have a chande to escape.

Click hereto see stopmotion figuresof theanimationbelow.

Sodemaki tembin http://kenseikai.world.coocan.jp/gihou/sodemkte/engsodemkte.htm

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(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003,2004,2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Sodemaki tembin http://kenseikai.world.coocan.jp/gihou/sodemkte/engsodemkte.htm

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Katate Yorinuki

Use YorinukiYorinukiYorinukiYorinuki to free your hand from youropponent's grip when he seized your hand as shownin the right Fig.

Your opponentseizes yourhand.

You deliverMeuchiMeuchiMeuchiMeuchi andguard inKagiteKagiteKagiteKagite.

Pull your bodynear to thepoint your handis seized.

Turn your palmdown and pushyour elbow outfrom under,twisting yourhand clockwise.

Keep pushingout your elbowuntil your handis completelyfreed.

Punch.

<Tips><Tips><Tips><Tips>When starting YorinukiYorinukiYorinukiYorinuki turn your palm down andthen twisting your hand clockwise, push yourelbow toward your opponent's body.Get back to safe position as soon as you escape.Do not pull your hand toward you when you try toescape.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. Thesame Keijiro Hayashi maintained and improved this site during the years: 1998, 1999, 2000,2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all rights associated with thestructure of this site and the information available on this site.

Katate Yorinuki http://kenseikai.world.coocan.jp/gihou/yorinuk/engrtyrink.htm

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Jo(u)haku dori

Johaku doriJohaku doriJohaku doriJohaku dori locks your opponent's hand, when heseized your upper arm as shown in the right Fig.

Your opponentsseizes yourupper arm.

You deliverMeuchiMeuchiMeuchiMeuchi andguard inKagiteKagiteKagiteKagite.

Lock his handwith your foldarm and theopposite hand.

Take down hishand with yourarm.

Try to twist alittle to pushdown his hand.

Kick.

<Tips><Tips><Tips><Tips>You must make your

opponent's hand and arm toform the figure as shown inthe left Fig.Try to fix your youropponent's hand as firm aspossible so that it may notslip away.

Effective form How to fix your opponent's hand.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. Thesame Keijiro Hayashi maintained and improved this site during the years: 1998, 1999, 2000,2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all rights associated with thestructure of this site and the information available on this site.

Johaku dori http://kenseikai.world.coocan.jp/gihou/johakudo/engjohakudo.htm

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Ryo(u)te Yori nuki

Ryoute Yori nuki Ryoute Yori nuki Ryoute Yori nuki Ryoute Yori nuki is used when both your handsare seized with your opponent's both hands. UseYori nukiYori nukiYori nukiYori nuki to free your hand from your opponent'sgrip. It is applicable when he seized your handas shown in the right Fig.

Your opponentseizes your bothhand.

Guard in KagiteKagiteKagiteKagiteposition.

Pull your bodynear to thepoint your handis seized. ApplyYorinukiYorinukiYorinukiYorinuki toyour right hand.

Apply meuchimeuchimeuchimeuchiwith your righthand.

Middle punch.

Apply yorinukiyorinukiyorinukiyorinukito your lefthand.

Upper punch withyour left hand.

Use your righthand in the sameway as uchiukeuchiukeuchiukeuchiuke,and

kick in hishead.

Step down yourleg in front andichiji kamaeichiji kamaeichiji kamaeichiji kamae.

<Tips><Tips><Tips><Tips>Before you apply second YorinukiYorinukiYorinukiYorinuki, make your body close to your

opponent and set your left hand close to you so that you can easilyturn your elbow in YorinukiYorinukiYorinukiYorinuki movement. You may step forward yourright foot when applying second Yori nukiYori nukiYori nukiYori nuki, but in advance phaseyou must be able to apply second Yori nukiYori nukiYori nukiYori nuki without steppingforward your right foot as shown in the animation.Do not pull your hand toward you when you try to escape.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Ryoute Yorinuki http://kenseikai.world.coocan.jp/gihou/rtyorinuk/engrtyrink.htm

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Kusshin duki

(Kusshin zuki)

This technique is used tocounterattack your opponent's hookpunch with your punch.

Your opponenttrys to punchin your face.

Duck guardingyour face.

Go under youropponent's handandcounterattackwith a punch.

Prepare fornext movement.

TipsTipsTipsTipsGuard your face and body while ducking.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Technique explanation Kusshin duki http://kenseikai.world.coocan.jp/gihou/kusintu/engkusintu.htm

1 of 1 23/06/2009 10:39

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Maki nuki

This technique is used when youropponent seizes your right (left)wrist with his left (right) hand asshown in the right figure.

He seizes yourright wristwith his lefthand.

You deliverMeuchiMeuchiMeuchiMeuchi atonce.

Take KagiteKagiteKagiteKagitestyle and moveto Maki nukiMaki nukiMaki nukiMaki nukiat once.

Turn your rightpalm down andpush out yourright elbowhorizontally.

Push out yourelbow till yourwrist becomesfree.

Hit his facewith your handjust freed.

Tips:Tips:Tips:Tips:Try to move your hand to the position

shown in the left figure by sliding your palmaround his wrist. Then push out your elbowcounterclockwise. Do not move the pivot whilepushing out your elbow.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. Thesame Keijiro Hayashi maintained and improved this site during the years: 1998, 1999, 2000,2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all rights associated with thestructure of this site and the information available on this site.

Introduction to Maki nuki http://kenseikai.world.coocan.jp/gihou/makinuki/engmakinu.htm

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Ude maki

What it means

The first one character part of is pronounced "UdeUdeUdeUde", meaning "an arm", thelast one character part is pronounced "makimakimakimaki", meaning "wind or wrap". Thus thistechnique means "Use your arm as if wrap your opponent's hand with your arm and lockit.

Techniques

Ude makiUde makiUde makiUde maki can be applied when your opponent seizesyour lower lapel. Apply ErinukiErinukiErinukiErinuki technique to theearlier stage of this technique. And then useanother hand not to let your opponent's hand slipaway. Lock your opponent's hand in S charactershape.

Let your opponentseizes your lowerlapel.

Your opponentseizes yourlower lapel withhis left hand.

Deliver meuchimeuchimeuchimeuchiwith your lefthand and strikedown your rightelbow onto youropponent's leftwrist.

Use the sametechnique asErinukiErinukiErinukiErinuki to yourright hand.

Attach your lefthand onto theback of youropponent's lefthand. Turn yourarmcounterclockwise.Raise your rightelbow.

Make sure youropponent' arm isin S charactershape.

Pull your rightelbow down.

Use your bothhand to makeyour opponentimmobilized.

Ude maki http://kenseikai.world.coocan.jp/gihou/udemak/engudemak.htm

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Click here to seestop motionillustration.

TipsTipsTipsTipsTurn your arm so

that it goes by yourear and youropponent's gripbecomes ineffective.Make sure that youropponent's hand is inS character shape.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Ude maki http://kenseikai.world.coocan.jp/gihou/udemak/engudemak.htm

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Gyaku gote

What it means

The first one character part of is pronounced "gyakugyakugyakugyaku", meaning "reverse", and the last twocharacters part is pronounced "gotegotegotegote", meaning "wrist". Thus this technique means "lock your opponent'shand in reverse".

Techniques

You will learn Gyaku goteGyaku goteGyaku goteGyaku gote at early stage of learning Shorinji Kempo. This technique is most suitable forlearning how to use BoshikyuBoshikyuBoshikyuBoshikyu, because without using BoshikyuBoshikyuBoshikyuBoshikyu properly it will not work well.You can take your opponent down by Gyaku goteGyaku goteGyaku goteGyaku gote, moreover if you can do Nisoku tenkaiNisoku tenkaiNisoku tenkaiNisoku tenkai smoothly you canthrow him away.Practice this technique as many times as possible to master this most Shorinji Kempo like technique.

When your opponent seizes your right(left) wrist with his right (left) handlike the grip same as Kote nukiKote nukiKote nukiKote nuki, takehis wrist locked and throw him down.

His arm lookslike this in theleft figure whenyou can lock hiswrist and armsuccessfully.

He seizes yourwrist.

YoudeliverMeuchiMeuchiMeuchiMeuchiand takeKagiteKagiteKagiteKagite style.

Hook your lefthand to hishand and makeyour wristfree from hisgrip.

Use yourBoshikyuBoshikyuBoshikyuBoshikyu tolock his handas shown inthe tipsbellow.

Use NisokuNisokuNisokuNisokutenkaitenkaitenkaitenkai tothrow himdown.

immobilizehim byapplyingYubi gatame.

Tips:Unlike Kote nukiKote nukiKote nukiKote nuki, use your right arm in the direction thatyour arm push the base of his index finger to turn his wristbent.Use your left hand's BoshikyuBoshikyuBoshikyuBoshikyu to bend his wrist together withyour right arm.Push out your left elbow to make his right elbow come closeto you.To look at the stop motion illustration of the rightanimation, click here.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. The same KeijiroHayashi maintained and improved this site during the years: 1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005

Gyakugote http://kenseikai.world.coocan.jp/gihou/gyakugo/engyakugo.htm

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continues to do so, and reserves all rights associated with the structure of this site and the informationavailable on this site.

Gyakugote http://kenseikai.world.coocan.jp/gihou/gyakugo/engyakugo.htm

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Katamuna otoshi

Although this technique may relatively be easy to learn, it is very effective. The principle of thistechnique is very useful and it can be applied in various situations. Many JuhoJuhoJuhoJuho use this technique tolock a wrist.

Katamuna otoshiKatamuna otoshiKatamuna otoshiKatamuna otoshi is applicable when youropponent grabs your clothes at your chestas illustrated in the right figure andpush the hand toward you.

He grabs yourclothes at yourchest and pushforward.

You deliverMeuchi andattach yourright hand tohis left handfrom under hisfist.

Add left hand tograb his lefthand from overhis fist.

Make your botharms straight andturn themcounterclockwise.Turn his fist 180degree.

When your elbowcomes higherthan his, turnyour elbow overit and push downyour elbowwithout movingthe pivot.

Kick his body sothat he will notattack you anymore.

Tips:Tips:Tips:Tips: Catch his fist grabbing your clothes as shownbelow, from under and from top. After fastening yourgrip of both hands, turn them 180 degree of angle tomake the base of his little finger turns up. At thispoint, his arm and hand must be look like the rightmost figure below.You have to learn that this "S" figure is essential forsuccess of Katamuna otoshiKatamuna otoshiKatamuna otoshiKatamuna otoshi. After you make his handand arm "S" figure, turn his palm clockwise ( lookedfrom his palm side) in the vertical plane.Ask an instructor how to make his hand and arm "S"figure.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. The sameKeijiro Hayashi maintained and improved this site during the years: 1998, 1999, 2000, 2001, 2002, 2003,2004, 2005 continues to do so, and reserves all rights associated with the structure of this site andthe information available on this site.

Katamuna otoshi http://kenseikai.world.coocan.jp/gihou/munaotosi/engkatamu.htm

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Katate Okurigote

When your opponent has seized yourwrist as shown in the right Fig., usethis technique to lock his wrist.Thissequence to techniques is same asthat of Maki nukiMaki nukiMaki nukiMaki nuki to the stage atwhich you make his grip lose power.

Your opponenttry to seizeyour right handby his lefthand.

You throwMeuchiMeuchiMeuchiMeuchi at onceand turn yourright handcounterclockwiselike Maki nukiMaki nukiMaki nukiMaki nuki.

Put your lefthand on hisleft hand.

Push out yourright elbowfrom under andpress his leftthumb. Use yourleft BoshikyuBoshikyuBoshikyuBoshikyuto lock hiswrist.

Using your botharm, pull downhis left handto your leftknee.

Firmly lock hisleft wrist byyour both hand.You have tolearn from aninstructorabout the tips.

Kick and tryYubidoriYubidoriYubidoriYubidori toimmobilize him.

TIPS:TIPS:TIPS:TIPS:Use your left BoshikyuBoshikyuBoshikyuBoshikyu asshown in the right Fig. And useyour right arm to make his leftthumb lose its power.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. The same KeijiroHayashi maintained and improved this site during the years: 1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005continues to do so, and reserves all rights associated with the structure of this site and the informationavailable on this site.

Katate Okurigote http://kenseikai.world.coocan.jp/gihou/okurigo/engokurigo.htm

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Eri juji

What it means

The first character of sounds "EriEriEriEri" meaning the red part of .The last two characters sounds "JujiJujiJujiJuji" meaning a cross. This comes from the shapethat your arm and your opponent's arm makes in the stop motion illustration below,upper right most fig with green background color.

Comments

Although this technique may relatively be easy to learn, it is very effective. Theprinciple of this technique is very useful and it can be applied in varioussituations. Many JuhoJuhoJuhoJuho use this technique to lock a wrist.

Techniques

Eri juji Eri juji Eri juji Eri juji is applicable when youropponent grabs your clothes at yourchest as illustrated in the rightfigure and push the hand toward you.

He grabs yourclothes at yourchest and pushforward.

You deliverMeuchi and

attach your lefthand to his lefthand from overhis fist.

Hit his leftwrist with yourright hand fromunder his wrist,to bend it.

Turn your botharmscounterclockwise.When your elbowcomes higher thanhis,

turn your elbowover it and pushdown your elbowwithout movingthe pivot.

Keep his arm inS shape.(note 1)

Kick his body sothat he will notattack you anymore.

(note 1) You may grab his palm with your both hands, while in this figure you grabhis palm with one hand and use another hand to hold his elbow to make it sure thathis arm makes S shape.

Tips:Tips:Tips:Tips: Catch his fist grabbing your clothes as shownbelow, from over. After fastening your grip, turn

Eri juji http://kenseikai.world.coocan.jp/gihou/erijuji/engerijuji.htm

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them counterclockwise to make the base of his littlefinger turns up.You have to learn that this "S" figure is essentialfor success of Eri jujiEri jujiEri jujiEri juji. After you make his hand andarm "S" figure, turn his palm clockwise ( looked fromhis palm side) in the vertical plane.Ask an instructor how to make his hand and arm "S"figure.

Click here to see stop motion figures of thefolowing animation.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003 continues to do so, and reserves all rightsassociated with the structure of this site and the information available on thissite.

Eri juji http://kenseikai.world.coocan.jp/gihou/erijuji/engerijuji.htm

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Okuri maki tenbin

When you apply Okuri goteOkuri goteOkuri goteOkuri gote to youropponent and he tries to escape bytwisting his body, use Okuri makiOkuri makiOkuri makiOkuri makitenbintenbintenbintenbin.

Your opponentseizes yourright hand withhis left hand.

You throwMeuchiMeuchiMeuchiMeuchi at onceand turn yourright handcounterclockwiselike Maki nukiMaki nukiMaki nukiMaki nuki.

Put your lefthand on his lefthand and applyOkuri goteOkuri goteOkuri goteOkuri gote.

Your opponenttwists his bodyto escape fromOkuri goteOkuri goteOkuri goteOkuri gote, orto try todecrease itseffect,

You tightlyfasten his elbowin between yourright elbow andyour side body.

Press and lockhis elbowwithout givinghim any momentto escape.

Kick in hisbody.

Prepare for thenext movement.

TIPS:TIPS:TIPS:TIPS:Do not pause after fasetning his elbow, move as quick aspossible.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Okuri maki tenbin http://kenseikai.world.coocan.jp/gihou/okurimat/engokurimat.htm

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Harai uke geri

This technique is used, when youropponent kick your body with MawashiMawashiMawashiMawashigerigerigerigeri, to block it with Harai ukeHarai ukeHarai ukeHarai uke andkick back.

Let youropponent triesto kick yourbody by raisingyour rightguard..

Your opponenttries to kickyour body.

You guard hisMawashi geriMawashi geriMawashi geriMawashi geriwith UchiUchiUchiUchiharai ukeharai ukeharai ukeharai uke.

Counterattackwith a middlekick

Prepare for thenext movement.

<Tips><Tips><Tips><Tips>Speed is essential for this technique. Practice as many

times as you can to achieve smooth movement.Do not stretch your elbow when blocking his kick. There is achance to damage your arm if your elbow is hit when it isstraight.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

harai uke geri http://kenseikai.world.coocan.jp/gihou/harakri/engharaukri.htm

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Ude ju(u)ji gatame

Although you will learn Ude juji gatameUde juji gatameUde juji gatameUde juji gatame in early stage, it includes essence ofShorinji Kempo such as how to use BoshikyuBoshikyuBoshikyuBoshikyu. When this technique works well you canthrow a big man very easily.

Ude juji gatameUde juji gatameUde juji gatameUde juji gatame is an offensivetechnique. You seize your opponent'sright (left) hand with your right(left) hand and twist his handcounterclockwise to make his palmface you. Then lock his elbow withyour left (right) arm and throw himdown.

You seize hishand and twistit. DeliverMeuchiMeuchiMeuchiMeuchi to makehim unable tocounterattack.

Slide your armalong with hisarm twisted tillit comes to hiselbow.Twist his handto make his palmturn up.

Lock his elbowand push outyour right hand.

Put his waistonto your waistand throw himbackward.

Apply TachiTachiTachiTachigassho gatamegassho gatamegassho gatamegassho gatameto immobilizehim after hefalls down.

Tips:Tips:Tips:Tips:You must twist his hand using yourBoshikyuBoshikyuBoshikyuBoshikyu to make his palm turn upand even make it face to you. Thiswill make him difficult to punch youwith his free hand. Do not lift your hand up to throwhim back.

Introduction to Ude juji http://kenseikai.world.coocan.jp/gihou/udeju/engudeju.htm

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(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Introduction to Ude juji http://kenseikai.world.coocan.jp/gihou/udeju/engudeju.htm

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Furiten ni

This technique is used, when youropponent has thrown consecutivepunches to your face, tocounterattack them with your kick.

Your opponenttries to throwa punch, FuriFuriFuriFuridukidukidukiduki, to yourface.

You sway andguard it withSoto oshi ukeSoto oshi ukeSoto oshi ukeSoto oshi uke.

Your opponentthrows upperpunch, FuriFuriFuriFuridukidukidukiduki again. Youguard it withUchi otoshiUchi otoshiUchi otoshiUchi otoshiukeukeukeuke.

Counterattackwith a sidekick

Prepare for thenext movement.

<Tips><Tips><Tips><Tips>Speed is essential for this technique. The animation

above makes several stopping for better understanding.Practice as many times as you can to achieve smooth movement.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Furiten ni http://kenseikai.world.coocan.jp/gihou/furit2/engfurit2.htm

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Mae yubi gatame

Mae yubi gatameMae yubi gatameMae yubi gatameMae yubi gatame, or Front Finger lock, is atechnique to lock your opponent's finger asshown in the right Fig..This technique is useful after you take downyour opponent with Gyaku goteGyaku goteGyaku goteGyaku gote.

TipsTipsTipsTipsApply this technique after you throwdown your opponent with GyakugoteGyakugoteGyakugoteGyakugote.You must make your opponent's elbowstraight by pushing it with your kneeas in the left figure.Twist your opponent's right hand withyour BoshikyuBoshikyuBoshikyuBoshikyu counterclockwise, andmake your opponent's middle fingerbend by pushing it with your righthand's finger.

(A)Make your palm and fingersstraight.(B)Then, try to bend your palm withyour fingers straight. You can seethat the angle X is large.(C)Next, bend your fingers in such away that you make a fist. You willsee that this time the angle Y ismuch smaller than the angle X.

Maeyubi gatameMaeyubi gatameMaeyubi gatameMaeyubi gatame uses this fact.Holding your opponent's hand in (B)shape and then forcing its fingers in(C) shape while keeping the angle Xlarge will give your opponent severepain.

Right animation shows the aboveexplanation.Do not forget to keep the angle Xlarge.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in

Explore techniques "Mae yubi gatame" http://kenseikai.world.coocan.jp/gihou/maeyubg/engmaeyubg.htm

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1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Explore techniques "Mae yubi gatame" http://kenseikai.world.coocan.jp/gihou/maeyubg/engmaeyubg.htm

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Keriten san

This technique is used tocounterattack your opponent'ssequence of punches and kick withyour kick. The movement is essentialand useful in various situations.

Your opponenttrys to punchin your facewith his fronthand.

You sway backand guard yourface withUwaukeUwaukeUwaukeUwauke.

Your opponentthrows hispunch to yourbody. You guardit withShitaukeShitaukeShitaukeShitauke.

Your opponentkicks yourbody. You guardit withJujiukeJujiukeJujiukeJujiuke,blocking withboth handscrossed.

Youcounterattackwith kick atonce.

TipsTipsTipsTipsSpeed is essential. Illustrative animation stops at the

end of each movements for better understanding. Do not pauseat each end of the movements when you execute this technique.Try to counterattack almost at the same time you block youropponent's kick.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Technique explanation Keriten3 http://kenseikai.world.coocan.jp/gihou/kerit3/engkerit3.htm

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Tachi gassho(u) gatame

Tachi gassho gatameTachi gassho gatameTachi gassho gatameTachi gassho gatame isused to lock and hold youropponent after you haveececuted a throw, such asUde jujiUde jujiUde jujiUde juji.Your oponent will be lockedin the position shown in theright Fig. with his vellyfacing the ceiling.

<Tips><Tips><Tips><Tips>It is important to keep your opponent's armstraight while removing your opponent's control over

that arm by twisting it....

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Explore Techniques "Tachigassho gatame" http://kenseikai.world.coocan.jp/gihou/tachiga/engtachiga.htm

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Tukiten san

This technique is used, when youropponent has thrown consecutivepunches to your face and body, tocounterattack them with your kick.

Your opponenttries to throwa punch to yourface.

You sway andguard it withUwaukeUwaukeUwaukeUwauke.

Your opponentthrows middlepunch. Youguard it withShitaukeShitaukeShitaukeShitauke.Guard your faceat a same time.

Guarding thefollowing punchwith UwaukeUwaukeUwaukeUwauke,

counterattackwith a kick.

<Tips><Tips><Tips><Tips>Speed is essential for this technique. Practice as many

times as you can to achieve smooth movement.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Tukiten san http://kenseikai.world.coocan.jp/gihou/tukit3/engtukit3.htm

1 of 1 23/06/2009 10:43

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Uchi uke geri

When your opponent try to punch yourface,you guard your face with UchiUchiUchiUchiukeukeukeuke and counterattack with a sidekick.

Satrt. Your opponent tryto punch yourface.

Make sure thatyou guard yourface with UchiUchiUchiUchiukeukeukeuke.

Counterattackwith a side kick.

TIPS:TIPS:TIPS:TIPS:Try not to move widely because this technique is not

Tenshin geriTenshin geriTenshin geriTenshin geri which use foot work to make your opponent'spunch miss your face.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Uchiuke geri http://kenseikai.world.coocan.jp/gihou/utiugeri/engutiugeri.htm

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Mawashi geri sanbou uke namigaeshi

This technique is used to guard your low, middleand upper zone of the body at the same time fromyour opponent's kick. It consists of Uchi ukeUchi ukeUchi ukeUchi uke forupper, Juji ukeJuji ukeJuji ukeJuji uke for middle and Hiza ukeHiza ukeHiza ukeHiza uke for lowkick and your counterattack with kick. Sanbou uke Sanbou uke Sanbou uke Sanbou uke means defending three zones at the sametime.

First guardyour face withUchi ukeUchi ukeUchi ukeUchi ukefromthe opponent'spunch.

He continutesto offend withmiddle punch.You block itwith ShitaShitaShitaShitaukeukeukeuke.

He continues tooffend withupper kick. Youblock it withJuji ukeJuji ukeJuji ukeJuji uke andHiza ukeHiza ukeHiza ukeHiza uke.

Youcounterattackwith high kick.

Prepare for thenext movement.

Tips:Tips:Tips:Tips:When you guard with Hiza ukeHiza ukeHiza ukeHiza uke or knee

guard, try to prepare for the nextmovement, high kick, with the leg usedfor Hiza ukeHiza ukeHiza ukeHiza uke.Speed is the most important for thistechnique. Try to kick back as soon asyou block the kick with Hiza ukeHiza ukeHiza ukeHiza uke.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Sanbou uke namikaeshi http://kenseikai.world.coocan.jp/gihou/nami/engnamiuke.htm

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Tenshin geri

What it means

The first one character part of is pronounced "TenTenTenTen", meaning "roll, move orchange", the next one character part is pronounced "shinshinshinshin", meaning "body" and thelast one characters part is pronounced "gerigerigerigeri", meaning "a kick". Thus this techniquemeans "shift your your body to make your opponent's punch or kick miss you andcounterattack with a kick".

Techniques

This technique is a very fundamental one, practice as many time as possible so thatyour body moves automatically.

When your opponent try to hit yourface, dodge it by shifting your body,and counterattack with middle kick.Try as many variation as possible.

Your opponenttry to hit yourface with hisright hand.

You step aside, and shift yourbody so thathis punch missyour face.

Counterattackwith your rightkick.

TipsTipsTipsTips,There are many

variation to shiftyour body. Askinstructers to learnthem.

Click here to seestop motion figuresof the animationbelow.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available on

Tenshin geri http://kenseikai.world.coocan.jp/gihou/tensige/engtensige.htm

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this site.

Tenshin geri http://kenseikai.world.coocan.jp/gihou/tensige/engtensige.htm

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Katate Oshinuki

Katate OshinukiKatate OshinukiKatate OshinukiKatate Oshinuki is used to free yourright(left) hand from your opponentgripping it with his left(right) handfrom under your wrist.

Your opponentseizes yourright wrist byhis left hand.

Counterattackwith left ShutoShutoShutoShutoto prevent hisfurther attack.

Attach your lefthand to his leftelbow to make itstretched andturn yourforearmvertically.

Try to let yourright elbow hithis arm.

ThrowKumadedukiKumadedukiKumadedukiKumadeduki.

TipsTipsTipsTipsIf your

opponent's leftarm is notstraight,Oshinuki can notwork well. Try tostretch his armby attaching yourleft hand to hiselbow.Turn your forearmin vertical planeso that yourelbow hit hisarm.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Katate Oshinuki http://kenseikai.world.coocan.jp/gihou/kataosinu/engosinuk.htm

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Han tenshin geri

What it means

The first one character part of is pronounced "HanHanHanHan", meaning "half" andthe middle two characters part is pronounced "tenshintenshintenshintenshin", meaning "turning body ormoving the position". And the last one character part is pronounced "gerigerigerigeri", meaning"kick". Thus this technique means "counter attack with a kick using half turn defensetechnique".

Techniques

When your opponent tries to kick yourbody, turn your body using half turndefense techniques, or Han tenshinHan tenshinHan tenshinHan tenshin,and counterattack with middle kick.

Take left middleposition, letyour opponentthink of kickingyour body.

Stepping yourright leg backto your left legand make halfturn, HanHanHanHantenshintenshintenshintenshin.

By Han tenshinHan tenshinHan tenshinHan tenshinmake youropponent's kickmiss your body.Guarding yourface with SotoSotoSotoSotoukeukeukeuke and yourbody with UchiUchiUchiUchiotoshiotoshiotoshiotoshi.

Counterattackwith a middlekick.

Tips:It is important to make your opponent's kick miss your

body by Han tenshinHan tenshinHan tenshinHan tenshin body movement. Counterattack shall bedone almost at the same time with Han tenshinHan tenshinHan tenshinHan tenshin.

Click here tosee stop motionfigures of theleft animation.

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Han tenshin geri http://kenseikai.world.coocan.jp/gihou/hantenge/enghantenge.htm

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1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Han tenshin geri http://kenseikai.world.coocan.jp/gihou/hantenge/enghantenge.htm

2 of 2 23/06/2009 10:30

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Morote Ju(u)ji nuki

What it means

The first two characters part of is pronounced "Moro teMoro teMoro teMoro te", meaning "bothhands", the last three characters part is pronounced "JujinukiJujinukiJujinukiJujinuki", a name of ShorinjiKempo technique. Thus this technique means "Juuji nukiJuuji nukiJuuji nukiJuuji nuki applicable in case youropponent seizes your hand with his both hands.

Techniques

This technique is used when youropponent seizes your wrist with hisboth hands. The principle of escapingis same as Juji nukiJuji nukiJuji nukiJuji nuki.

Your opponentseizes yourwrist with hisboth hands andtry to push itforward.

You takeKagiteKagiteKagiteKagite guardposition and

deliverMeuchiMeuchiMeuchiMeuchi.

Lift up yourelbow and putit over hisarm.

Push down yourelbow near toyour body.

Hit his face toprevent hisfurther attack.

Middle punch.Prepare for thenext movement.

Morote Juji nuki http://kenseikai.world.coocan.jp/gihou/morojujnk/engmorojujnk.htm

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Click here tosee stop motionfigures of theanimation below.

Tips:Tips:Tips:Tips:First turn yourelbow up andafter your elbowbecomes higherthan his arm,then push outyour elbow overhis arm. Do nottry to pull yourwrist.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Morote Juji nuki http://kenseikai.world.coocan.jp/gihou/morojujnk/engmorojujnk.htm

2 of 2 23/06/2009 10:44

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Yoko tenshin geri

What it means

The first one character part of is pronounced "YokoYokoYokoYoko", meaning "side oraside", the next two characters part is pronounced "ten shinten shinten shinten shin", meaning "Change theposition of the body" and the last one character part is pronounced "gerigerigerigeri", meaning"a kick". Thus this technique means "shift your your body to make your opponent'spunch or kick miss you and counterattack with a kick".

Techniques

When your opponent try to kick yourbody, dodge it by shifting your body,and counterattack with a middle kick.

Your opponenttry to kickyour body withhis right kick.

He stepsforward, and

kick your bodywith his rightleg. You shiftyour body tothe right withyour right footstepping right.

Guard your bodywith left UchiUchiUchiUchiharai ukeharai ukeharai ukeharai uke andapply rightSoto ukeSoto ukeSoto ukeSoto uke atthe same time.

Counterattackwith your leftkick.

Pull back yourleft foot.

Prepare for thenext movement.

TipsTipsTipsTips,There are many

variation to shiftyour body. Askinstructers to learnthem.

Click here to seestop motion figuresof the animationbelow.

Yoko tenshin geri http://kenseikai.world.coocan.jp/gihou/yokotenge/engyokotenge.htm

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(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Yoko tenshin geri http://kenseikai.world.coocan.jp/gihou/yokotenge/engyokotenge.htm

2 of 2 23/06/2009 10:30

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Nidan nuki

What it means

The first two characters part of is pronounced "NidanNidanNidanNidan", meaning "two steps",the last one character part is pronounced "NukiNukiNukiNuki", meaning "escape or unlock". Thusthis technique means "First try Yori nukiYori nukiYori nukiYori nuki ( 1st step) and when your opponent twistyour hand not to apply Yori nukiYori nukiYori nukiYori nuki, then apply this technique as a second step."

Techniques

When you try to apply Yori nukiYori nukiYori nukiYori nuki andyour opponent twist your hand makingyou unable to apply YorinukiYorinukiYorinukiYorinuki, thenapply this technique as a secondstep.

Put your bothhands forward to

let youropponent seizeyour hands. Youtry to guard inKagiteKagiteKagiteKagiteposition.

Your opponenttwist your righthand and push itso that you cannot apply YoriYoriYoriYorinukinukinukinuki.

You flip yourpalm and

turn your elbowover your wristcutting youropponent's thumbwith yourforearm.

Turn your bodyand pull yourhand off.

Ura kenUra kenUra kenUra ken punch.Apply Yori nukiYori nukiYori nukiYori nukito another hand.

TipsTipsTipsTipsKeep your opponent's elbowtightly fixed at your sidebody.Apply this technique hardand quickly. Slow attack willlet your opponent have a chandeto escape.

Click here tosee stop motionfigures of theanimation below.

Nidan nuki http://kenseikai.world.coocan.jp/gihou/nidnk/engnidnk.htm

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Nidan nuki http://kenseikai.world.coocan.jp/gihou/nidnk/engnidnk.htm

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Ju(u)ji uke geri

This technique is used, when youropponent tries to kick your body withMawashi geriMawashi geriMawashi geriMawashi geri, to counterattack itwith your kick. Juuji ukeJuuji ukeJuuji ukeJuuji uke is a guardtechnique against Mawashi geriMawashi geriMawashi geriMawashi geri withUchi uchiotoshi ukeUchi uchiotoshi ukeUchi uchiotoshi ukeUchi uchiotoshi uke and UchiharaiUchiharaiUchiharaiUchiharaiukeukeukeuke at the same time.

Start. Your opponenttries to kickyour body withMawashi geriMawashi geriMawashi geriMawashi geri.

You guard itwith JuujiJuujiJuujiJuujiukeukeukeuke.

Counterattackwith a kick

Prepare for thenext movement.

<Tips><Tips><Tips><Tips>Speed is essential for this technique. The animation

above makes several stopping for better understanding.Practice as many times as you can to achieve smooth movement.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Juji uke geri http://kenseikai.world.coocan.jp/gihou/jujkeri/engjujkeri.htm

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Morote hiki nuki

What it means

The first two character part of is pronounced "Moro teMoro teMoro teMoro te", meaning "bothhands", the middle one character is pronounced "hikihikihikihiki", meaning "pull" and the lastone character is pronounced "nukinukinukinuki" meaning "escape" or "unlock". Thus this techniquemeans "Free your hand from your opponent's both hands by pulling out your hand".

Techniques

This technique is same to Kiri nukiKiri nukiKiri nukiKiri nukiin principle. The difference is thatMorote hiki nukiMorote hiki nukiMorote hiki nukiMorote hiki nuki is used in casethat your opponent seizes your handwith his both hands where Kiri nukiKiri nukiKiri nukiKiri nukiis applicable when your opponentseizes your hand with one hand.

Put your righthand forward to

let your opponentseize it with hisboth hands.

Guarding inKagiteKagiteKagiteKagite positiondeliver ShutoShutoShutoShuto tohis neck.

Attach your lefthand on to yourright hand and

Turn your right

hand in character shapewhile pullingdown your righthand.

Pull down and outyour right handcompletely.

Punch in hisface.

Prepare for thenext movement.

<Tips><Tips><Tips><Tips>Cut your opponent's thumb in a directionin which you will get minimum resistance,that is toward the fingertip of thethumb. If you try to move your hand in awrong direction you can not free yourhand, because your opponent seizes yourhand with his both hand. You can not win

Clickhere to seestop motionfigures oftheanimationbelow

morote hiki nuki http://kenseikai.world.coocan.jp/gihou/mhikink/engmhikink.htm

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unless you use the technique in two toone situation.

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morote hiki nuki http://kenseikai.world.coocan.jp/gihou/mhikink/engmhikink.htm

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Tsubame gaeshi

For this technique speed is essential. Practice as many time as you can to achieve maximum speed.

When your opponent try to hit yourface, You guard your face with UchiUchiUchiUchiukeukeukeuke and step in to counterattack hisneck by your hand just used for UchiUchiUchiUchiukeukeukeuke. Block and counterattack must goalmost at the same time.

Let your opponenttry to hit yourface by makingyour upper guardabsent.

Your opponenttrys to punchyour face. Youblock it withUchi ukeUchi ukeUchi ukeUchi uke.

Slide your armused for Uchi ukeUchi ukeUchi ukeUchi ukeat once to hithis neck.

Middle punchshall follow.

Punch in hisface.

Kick and stepback to preparefor the nextmovement.

Tips:Tips:Tips:Tips:Do not wait a moment after Uchi ukeUchi ukeUchi ukeUchi uke. Without speed

this technique works wrong giving your opponent achance to deliver a following punch.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. The same KeijiroHayashi maintained and improved this site during the years: 1998, 1999, 2000, 2001, 2002, 2003、 2004, 2005continues to do so, and reserves all rights associated with the structure of this site and the informationavailable on this site.

Tsubame gaeshi http://kenseikai.world.coocan.jp/gihou/tubamega/engtubame.htm

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Kinteki geri hizauke namigaeshi

What it means

The first two characters part of is pronounced "KintekiKintekiKintekiKinteki", a name ofcritical point, the next one character part is pronounced "gerigerigerigeri", meaning "a kick",the middle two characters part is pronounced "Hiza ukeHiza ukeHiza ukeHiza uke", meaning name of theShorinji Kempo technique using a knee as a guard against a kick, and the one beforethe last character is pronounced "naminaminaminami", meaning "wave", and the last one ispronounced "GaeshiGaeshiGaeshiGaeshi", meaning "a counterattack". Thus this technique means"counterattack like wave coming back and forth, defense and then offense, right afterHiza ukeHiza ukeHiza ukeHiza uke guard against kintekikintekikintekikinteki kick.

Techniques

This technique is used to guard your kinteki kinteki kinteki kintekicritical point from your opponent's kick. Youcounterattack with a kick into your opponent'skintekikintekikintekikinteki critical point.

Start. Your opponentoffend withKinteki geriKinteki geriKinteki geriKinteki geri.

You block it withHiza ukeHiza ukeHiza ukeHiza uke.

You counterattackwith your rightkick.

Click here to see a stop motion explanation

Tips;Tips;Tips;Tips;When you guard with Hiza ukeHiza ukeHiza ukeHiza uke or knee

guard, try to prepare for the next movementwith the leg used for Hiza ukeHiza ukeHiza ukeHiza uke.Speed is the most important for this technique.Try to kick back as soon as you block the kickwith Hiza ukeHiza ukeHiza ukeHiza uke.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Kintekigeri hizauke namikaeshi http://kenseikai.world.coocan.jp/gihou/kinnami/engkinnami.htm

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Chidori gaeshi

When your opponent try to hit your face, You guardyour face with Uchi ukeUchi ukeUchi ukeUchi uke and step forward in 45degree of angle to counterattack his face or eyesby your hand just used for Uchi ukeUchi ukeUchi ukeUchi uke. Block andcounterattack must go almost at the same time.

Let your opponenttry to hit yourface by makingyour upper guardabsent.

Your opponenttrys to punchyour face. Youblock it withUchi ukeUchi ukeUchi ukeUchi uke.

Use your arm usedfor Uchi ukeUchi ukeUchi ukeUchi uke atonce to hit hisface.

Middle punchshall follow.

Kick down hisrear leg by yourright SokutoSokutoSokutoSokutogerigerigerigeri, side kick.

Hit his neckbone.

Tips:Tips:Tips:Tips:Do not wait a moment after Uchi uke. Without

speed this technique works wrong giving your opponenta chance to deliver a following punch.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. The same KeijiroHayashi maintained and improved this site during the years: 1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005continues to do so, and reserves all rights associated with the structure of this site and the informationavailable on this site.

Explore the technique "Chidori gaeshi" http://kenseikai.world.coocan.jp/gihou/chidoriga/engchidoriga.htm

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Gyaku geri hiza uke namigaeshi

What it means

The first two characters part of is pronounced "Gyaku geriGyaku geriGyaku geriGyaku geri", a name ofthe Shorinji Kempo technique, the middle two characters part is pronounced "HizaHizaHizaHizaukeukeukeuke", meaning name of the Shorinji Kempo technique using a knee as a guard against akick, and the one before the last character is pronounced "naminaminaminami", meaning "wave",and the last one is pronounced "GaeshiGaeshiGaeshiGaeshi", meaning "a counter attack". Thus thistechnique means "counter attack like wave coming back and forth, defense and thenoffense, right after Hiza ukeHiza ukeHiza ukeHiza uke guard against Gyaku geriGyaku geriGyaku geriGyaku geri.

Techniques

This technique is used to guard your low, middlezone of the body at the same time from youropponent's kick, Gyaku geriGyaku geriGyaku geriGyaku geri. You counterattackwith a kick. Apply Juuji ukeJuuji ukeJuuji ukeJuuji uke at the same time.

Start. Your opponentoffend withGyaku geriGyaku geriGyaku geriGyaku geri. Youblock it withJuuji ukeJuuji ukeJuuji ukeJuuji uke andHiza ukeHiza ukeHiza ukeHiza uke.

You counterattackwith a kick.

Prepare for thenext movement.

Click here to see a stop motion explanation

Tips;Tips;Tips;Tips;When you guard with Hiza ukeHiza ukeHiza ukeHiza uke or knee

guard, try to prepare for the next movementwith the leg used for Hiza ukeHiza ukeHiza ukeHiza uke.Speed is the most important for thistechnique. Try to kick back as soon as youblock the kick with Hiza ukeHiza ukeHiza ukeHiza uke.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Gyakugeri hizauke namikaeshi http://kenseikai.world.coocan.jp/gihou/hizanami/enghizanami.htm

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Kiri nuki

Kiri nukiKiri nukiKiri nukiKiri nuki works well when anopponent seizes your right (left)wrist with his left (ritgt) hand asillustrated in the right figure. KiriKiriKiriKirinukinukinukinuki let your hand escape from hisgrip.

The opponentseizes yourwrist by hisleft hand.

Deliver MeuchiMeuchiMeuchiMeuchiright away.

Take the guardstyle KagiteKagiteKagiteKagiteand move toKiri nukiKiri nukiKiri nukiKiri nuki atonce.

Turn your wristcounterclockwise as ifyou cut histhumb by yourwrist.

When your wristis set free,counterattackwith that hand.

Caution:Caution:Caution:Caution:Do not try to pull

your wrist straightdown. Pulling itstraight down will endup in "force to forcecompetition".

Tips:Tips:Tips:Tips:Try to turn your

wrist slightly to makethe palm face you and useyour wrist and arm as ifyou cut his thumb. Afterhis grip is unlocked turnyour parm down and drawyour wrist to your body.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Introduction to "Kiri nuki" http://kenseikai.world.coocan.jp/gihou/kirinuki/engkirin.htm

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Maki gote

You will learn Maki goteMaki goteMaki goteMaki gote at early stage of learning Shorinji Kempo.Practice this technique as many times as possible to master this most Shorinji Kempolike technique.

When your opponent seizes your right(left) wrist with his both hands, takehis wrist locked and throw him down.It is also applicable when your opponentseizes your wrist with his left or righthand only.

AVI movie314KB

Your opponentseizes yourright wrist withhis both hands.

You take Kagiteposition andgrab his handwith your lefthand, and kick.

Putting downyour legforward, pushout your rightelbow and useyour leftBoshikyuBoshikyuBoshikyuBoshikyu tolock his rightwrist.

Using Two stepturn, throw youropponent down.

Kick in body toprevent furtherattack.

Prepare to thenext movement.

TipsTipsTipsTips:Use your left hand's BoshikyuBoshikyuBoshikyuBoshikyu to bend youropponent's right wrist together with yourright arm.Push out your right elbow and pull it down tomake his right wrist to be locked with thehelp of your left BoshikyuBoshikyuBoshikyuBoshikyu.

Maki gote http://kenseikai.world.coocan.jp/gihou/makigo/engmakigot.htm

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Maki gote http://kenseikai.world.coocan.jp/gihou/makigo/engmakigot.htm

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Ju(u)ji nuki

This technique is used when youropponent seizes your right (left)wrist with his left (right) hand asillustrated in the left figure. It isthe same grip as Kiri nukiKiri nukiKiri nukiKiri nuki, but JujiJujiJujiJujinukinukinukinuki is used when he trys to push thegrip toward you.

Your opponentseizes yourwrist and tryto push itforward.

You take guardstyle KagiteKagiteKagiteKagitewith MeuchiMeuchiMeuchiMeuchi....And move toJuni nukiJuni nukiJuni nukiJuni nuki.

Lift up yourelbow withoutmoving thepivot.

Put your elbowover his arm.

Push down yourelbow near toyour body.

Hit his face toprevent hisfurther attack.

Tips:Tips:Tips:Tips:First turn your elbowsideways and after yourelbow becomes higherthan his arm, then pushout your elbow over hisarm to the position infigure(3), now justpushing down your elbowwithout moving the pivotwill make your wristfree.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. Thesame Keijiro Hayashi maintained and improved this site during the years: 1998, 1999, 2000,2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all rights associated with thestructure of this site and the information available on this site.

Juji nuki http://kenseikai.world.coocan.jp/gihou/jujinuki/engjujin.htm

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Katate oshigote

This technique is a little bit complicated, but if you can follow your instructor, it can beeasily learned. The way your opponent's wrist is locked is same as Gyaku goteGyaku goteGyaku goteGyaku gote, it is differentin the use of your hands to lock his wrist.This technique also requires the skill to use your BoshikyuBoshikyuBoshikyuBoshikyu.

When your opponent seizes your right (left) wristwith his left (right) hand as illustrated in theright, lock his hand using your left hand'sBoshikyuBoshikyuBoshikyuBoshikyu and throw him down.

He seizes yourhand.

You deliver MeuchiMeuchiMeuchiMeuchiand take kagitekagitekagitekagitestyle.

Attach your lefthand to his lefthand from under and hook it to thebase of his thumb.

Throw him downusing your handsas illustratedbelow.

Immobilize himwith KanukiKanukiKanukiKanukikatamekatamekatamekatame.

Tips:Tips:Tips:Tips:First twist your right handclockwise as shown in the leftanimation and set his grip near toyou.Then attach your left hand to theback of his hand from under hishand.Turn your hands clockwise, with yourleft hand's help pushing the back ofhis left hand.After your right hand becomes free,put it on to your left hand and nowuse your both hands to lock hiswrist.Because you can use both hands in away that both hands can cooperateeasily, sometimes Oshi goteOshi goteOshi goteOshi gote iseasier than Gyaku goteGyaku goteGyaku goteGyaku gote for thebeginner.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. Thesame Keijiro Hayashi maintained and improved this site during the years: 1998, 1999, 2000, 2001,2002, 2003, 2004, 2005 continues to do so, and reserves all rights associated with the structureof this site and the information available on this site.

Katate oshi gote http://kenseikai.world.coocan.jp/gihou/osigote/engoshig.htm

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Gassho(u) nuki

What it means

The first two character part of is "GasshouGasshouGasshouGasshou", the last one character part ispronounced "nukinukinukinuki", meaning "escape". Thus this technique means "escape from youropponent's grip using GasshouGasshouGasshouGasshou type movement".

Techniques

This technique is basically same to Kiri nukiKiri nukiKiri nukiKiri nuki . It can be said that Kiri nuki Kiri nuki Kiri nuki Kiri nukiapplied to both hand is Gasshou nukiGasshou nukiGasshou nukiGasshou nuki.

This technique is used when youropponent seizes your both wrists withhis both hands.

Start, You must guardin KagiteKagiteKagiteKagiteposition.

Make your bothpalm slaptogether and

pull down yourhands quickly,turning yourpalm.

Punch.

Tips:Tips:Tips:Tips:Do not pull down your elbow while pulling downyour wrists. Try to use your hand as if cuttingyour opponent's thumb with it.

Click hereto see stopmotionfigures ofthe animationbelow.

Gasshou nuki http://kenseikai.world.coocan.jp/gihou/gashonuk/enggashonuk.htm

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Gasshou nuki http://kenseikai.world.coocan.jp/gihou/gashonuk/enggashonuk.htm

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Ryoute oshigote

What it means

The first two characters part of is pronounced "Ryou teRyou teRyou teRyou te", meaning "bothhands", and the latter three characters part is pronounced "oshi goteoshi goteoshi goteoshi gote", a name ofthe Shorinji Kempo technique. Thus this technique means "OshigoteOshigoteOshigoteOshigote" in case youropponent seizes your both hands.

Techniques

This technique is same to Oshi goteOshi goteOshi goteOshi gote. When your opponent seizes your both hands withhis both hands, apply this technique. You must fully understand Oshi goteOshi goteOshi goteOshi gote beforelearning Ryoute oshigoteRyoute oshigoteRyoute oshigoteRyoute oshigote.

When your opponent seizes your both wrists with his bothhands, apply the same technique as OshigoteOshigoteOshigoteOshigote and lock hishand using your left hand's BoshikyuBoshikyuBoshikyuBoshikyu and throw him down.

Your opponentseizes your bothhands.

Guard in kagitekagitekagitekagiteposition.

Attach your lefthand to his lefthand from under and hook it to thebase of his thumb.

Push your rightelbow out and lockhis left wrist.

Lock his wristcompletely.

Throw him downafter making aspace for him tofall down.

Immobilize himwith KanukiKanukiKanukiKanukikatamekatamekatamekatame.

Ryoute Oshigote http://kenseikai.world.coocan.jp/gihou/rtosigote/engrtosigote.htm

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Click here tosee stop motionfigures of theanimation below.

Tips:Tips:Tips:Tips:First twist yourright handclockwise asshown in the leftanimation and sethis grip near toyou.Then attach yourleft hand to theback of his handfrom under hishand.Turn your handsclockwise, withyour left hand'shelp pushing theback of his lefthand.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Ryoute Oshigote http://kenseikai.world.coocan.jp/gihou/rtosigote/engrtosigote.htm

2 of 2 23/06/2009 10:45

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Kirikaeshi nuki

What it means

The first two character part of is pronounced "kiri kaeshikiri kaeshikiri kaeshikiri kaeshi", meaning"counter" or "use your opponent's movement in your counterattack", the last onecharacters part is pronounced "nukinukinukinuki", meaning "escape". Thus this technique means"escape from your opponent's grip in the way that is most fitting to his offense".

Techniques

When your opponent grabs your wristwith his both hands and trys to twistit toward your back, applyKirikaeshi nukiKirikaeshi nukiKirikaeshi nukiKirikaeshi nuki.

Put your lefthand forward tolet youropponent seizeyour left hand.

When seized,deliver MeuchiMeuchiMeuchiMeuchiand put yourleft elbowaffixed to yousside body.

Turn your lefthandcounterclockwiseand make yourleft palm goover youropponent's leftwrist.

Push out yourleft elbow tofree your handseized.

TipsTipsTipsTipsMove your left hand

counterclockwise and make sureyour left palm go over youropponent's left wrist.

Click hereto see stopmotion figuresof theanimationbelow.

Sodemaki tembin http://kenseikai.world.coocan.jp/gihou/kirkaenk/engkirkaenk.htm

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Sodemaki tembin http://kenseikai.world.coocan.jp/gihou/kirkaenk/engkirkaenk.htm

2 of 2 23/06/2009 10:31

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Kotemaki gaeshi

What it means

The first two characters part of Kotemaki is pronounced "kotekotekotekote", meaning a wrist ora hand, the middle one character part is pronounced "makimakimakimaki", meaning wind or rotate,the last one character part is pronounced "gaeshigaeshigaeshigaeshi", meaning make-it-reverse or acounterattack. Thus this technique is a counterattack technique winding up youropponent's hand using your hand seized with your opponent's hand. Please find out thesimilarity of the technique to " Katate oshi goteKatate oshi goteKatate oshi goteKatate oshi gote" and "Sodemaki gaeshiSodemaki gaeshiSodemaki gaeshiSodemaki gaeshi".

Techniques

When your opponent seizes your right (left) wristwith his left (right) hand from under your wrist.Lock his hand using your left hand's BoshikyuBoshikyuBoshikyuBoshikyu andthrow him down.

Your opponentseizes your handfrom under yourwrist.

You deliver MeuchiMeuchiMeuchiMeuchiand take kagitekagitekagitekagitestyle.

Attach your lefthand to his lefthand from under and hook it to thebase of his thumb.

Throw him downusing your handsas illustratedbelow.

Continue.Pull his hand tomake him lay downwith his back up.

Immobilize himusing KannukiKannukiKannukiKannukigatamegatamegatamegatame.

Kotemaki gaeshi http://kenseikai.world.coocan.jp/gihou/kotemaga/engkotemaga.htm

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Click here to see stopmotion figures of theanimation below.

Tips:Tips:Tips:Tips:Attach your left hand to theback of his hand from underhis hand and pull his hand alittle and make a space underyour palm.Turn your hands clockwise,with your left hand's helppushing the back of his lefthand.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Kotemaki gaeshi http://kenseikai.world.coocan.jp/gihou/kotemaga/engkotemaga.htm

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Sankaku nuki

What it means

The first two characters part of is pronounced "SankakuSankakuSankakuSankaku", meaning "atriangle" and the last one character part is pronounced "nukinukinukinuki", meaning "escape orunlock". Thus this technique means "guard your arm with SankakuSankakuSankakuSankaku guard position andunlock his grip". SanakakuSanakakuSanakakuSanakaku guard position is named because your arm makes atriangle.

Techniques

When your opponent grips your handwith his both hands and try to twistyour arm to your back, use thistechnique. First guard your arm withSankakuSankakuSankakuSankaku guard position and thenapply this Sankaku nukiSankaku nukiSankaku nukiSankaku nuki.

Put your righthand forward to

let youropponent seizeit. When seized,take SankakuSankakuSankakuSankakuguard position.

Push out yourelbow and pushit down.

Deliver yourelbow to youropponent's body.

TipsTipsTipsTipsUse your arm as if

you cut your opponent'sthumb down.

Click here to seestop motion figuresof the animationbelow.

Sodemaki tembin http://kenseikai.world.coocan.jp/gihou/sanknk/engsanknk.htm

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Sodemaki tembin http://kenseikai.world.coocan.jp/gihou/sanknk/engsanknk.htm

2 of 2 23/06/2009 10:32

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Morote Ju(u)ji gote

What it means

The first two characters part of is pronounced "Moro teMoro teMoro teMoro te", meaning "bothhands", the last four characters part is pronounced "JujigoteJujigoteJujigoteJujigote", a name of ShorinjiKempo technique. Thus this technique means "Juuji goteJuuji goteJuuji goteJuuji gote applicable in case youropponent seizes your hand with his both hands.

Techniques

This technique is used when youropponent seizes your wrist with hisboth hands. The principle of escapingis same as Juji goteJuji goteJuji goteJuji gote.

Your opponentseizes yourwrist with hisboth hands andtry to push itforward.

You takeKagiteKagiteKagiteKagite guardposition anddeliverMeuchiMeuchiMeuchiMeuchi.

Attach yourleft hand toyour opponent'sleft hand.

Turn your handscounterclockwise.

Push down yourelbow near toyour body.

Use your bothhands to makeyour opponentimmobilized.

Morote Juji nuki http://kenseikai.world.coocan.jp/gihou/morojugot/engmorojugot.htm

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Click here tosee stop motionfigures of theanimation below.

Tips:Tips:Tips:Tips:First turn yourelbow up andafter your elbowbecomes higherthan his arm,then push outyour elbow overhis arm. Do nottry to pull yourwrist.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Morote Juji nuki http://kenseikai.world.coocan.jp/gihou/morojugot/engmorojugot.htm

2 of 2 23/06/2009 10:46

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Ryo(u)te Okuri gote

What it means

The first one character part of is pronounced "RyouRyouRyouRyou", meaning "both", thenext one characters part is pronounced "tetetete", meaning "a hand", and the last threecharacters part is pronounced "okurigoteokurigoteokurigoteokurigote", a name of one of the Shorinji Kempotechnique. Thus this technique means "OkurigoteOkurigoteOkurigoteOkurigote applied when your opponent seizesyour both hands ". This is a variation of "OkurigoteOkurigoteOkurigoteOkurigote".

Techniques

Ryoute Okuri goteRyoute Okuri goteRyoute Okuri goteRyoute Okuri gote is used when both your handsare seized with your opponent's both hands.Practice Katate Okuri goteKatate Okuri goteKatate Okuri goteKatate Okuri gote before you try thistechnique. Okuri goteOkuri goteOkuri goteOkuri gote is applicable when heseized your hand as shown in the right Fig.

Your opponentseizes your bothhand.

Guard in KagiteKagiteKagiteKagiteposition.

Apply YorinukiYorinukiYorinukiYorinukito your righthand.

Apply meuchimeuchimeuchimeuchiwith your righthand.

Apply OkuriOkuriOkuriOkurigotegotegotegote to yourleft hand.

Use your righthand in the sameway as KatateKatateKatateKatateOkuri goteOkuri goteOkuri goteOkuri gote.

Tightly holdyour opponent'shand with yourrightBoshikyuuBoshikyuuBoshikyuuBoshikyuu.

kick in hisbody.

<Tips><Tips><Tips><Tips>You may use Maki nukiMaki nukiMaki nukiMaki nuki to free your hand instead of Yori nukiYori nukiYori nukiYori nuki

depending on the situation. Do not pull your hand toward you whenyou try Yori nukiYori nukiYori nukiYori nuki.Keep your hands low and close your body when locking youropponent's hand with Okuri goteOkuri goteOkuri goteOkuri gote.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Ryoute Yorinuki http://kenseikai.world.coocan.jp/gihou/rtokurigo/engrtokurigo.htm

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Uchi age duki

(Uchi age zuki)

This technique is a very fundamental one, practice as many time as possible so thatyour body moves automatically.

When your opponent try to hit yourhead or face, guard it with UchiageUchiageUchiageUchiageukeukeukeuke, and counterattack with middlepunch.Try as many variation as possible.

Start in leftchuudanchuudanchuudanchuudan.

You guard yourface withUchiage ukeUchiage ukeUchiage ukeUchiage ukeagainst youropponent'supper punch.

Counterattackwith yourmiddle punch.

Right upperpunch.

TipsTipsTipsTipsUchiage ukeUchiage ukeUchiage ukeUchiage uke is one of the quickest

guard of Shorinji Kempo. Try as manytimes as possible with variations. Whenpracticing Uchiage ukeUchiage ukeUchiage ukeUchiage uke, try to raiseyour elbow first.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Uchiage geri http://kenseikai.world.coocan.jp/gihou/utiaged/engutiaged.htm

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Okuri yoko tenbin

(Okuri yoko tembin)

What it means

The first one character part of is pronounced "okuriokuriokuriokuri", meaning "deliver or

send". However, it is easier to understand that it takes a part of OkurigoteOkurigoteOkurigoteOkurigote , a Shorinji Kempo technique. The second one character part is pronounced "yokoyokoyokoyoko",meaning "side", and the last two characters part is pronounced "tembintembintembintembin", a name ofthe critical point at the arm joint. Thus this technique means "Apply tembin presstechnique , that is, push your opponent's arm sideways, actually downward, at thecritical spot "tembintembintembintembin" in case your OkurigoteOkurigoteOkurigoteOkurigote technique does not work well.

Techniques

When your OkurigoteOkurigoteOkurigoteOkurigote technique doesnot work well, use this technique tolock his arm and throw him down.

You (right) put yourright hand forward tolet your opponentseize it.

Your opponent (left)seizes your rightwrist.

You take KagiteKagiteKagiteKagiteguard position anddeliver MeuchiMeuchiMeuchiMeuchi.

Attach your lefthand to youropponent's left handand,

apply Okuri gote. Butassume youropponent's wrist istoo strong to belocked.

Strike youropponent's left armjoint down and pushup your left hand.

Turn your bodycounterclockwiseand throw him down.

Deliver your leftpunch to his face.

TIPS:TIPS:TIPS:TIPS:Use your left BoshikyuBoshikyuBoshikyuBoshikyu in thesame way as Katate okurigoteKatate okurigoteKatate okurigoteKatate okurigote andkeep your left arm in KagiteKagiteKagiteKagiteangle. And attach your right armat his left TembinTembinTembinTembin criticalpoint and push it downward tomake him down.

Okuri Yokotembin http://kenseikai.world.coocan.jp/gihou/oyokotmb/engoyokotmb.htm

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Okuri Yokotembin http://kenseikai.world.coocan.jp/gihou/oyokotmb/engoyokotmb.htm

2 of 2 23/06/2009 10:32

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Ju(u)ji gote

Juji goteJuji goteJuji goteJuji gote is used in the situationthat your opponent seizes your handfrom under your wrist. This techniqueuses "S character shape locking" sameas Katamuna otoshiKatamuna otoshiKatamuna otoshiKatamuna otoshi.

You put your righthands uprightposition so thatyour opponenteasily seizes yourhand.

You guard inKagiteKagiteKagiteKagite position sothat he can nottake any advantageand apply meuchimeuchimeuchimeuchi.

Turn your lefthand over hiswrist and attachyour left palm onto the back of hishand.

Turn your bothhandscounterclockwiseand put your rightelbow over hisleft elbow andbend his arm in"S" shape.

Pull down andcontrol him.

Hit sanmaisanmaisanmaisanmai toprevent hisfurther attack.

Prepare for thenext movement.

TipsTipsTipsTipsAttach your left hand so

that he may escape away. Turnyour right elbow to theposition over your opponent'sright elbow. Use your leftBoshikyuBoshikyuBoshikyuBoshikyu to suppress his lefthand.Try to make S character shapefigure with his right hand. Useyour right elbow to bend hisleft arm to make S charactershape.Juji goteJuji goteJuji goteJuji gote never works if hisarm is not bent in S charactershape.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available on

Jujigote http://kenseikai.world.coocan.jp/gihou/jujigo/engjujigo.htm

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this site.

Jujigote http://kenseikai.world.coocan.jp/gihou/jujigo/engjujigo.htm

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Uchiage geri

This technique is a very fundamental one, practice as many time as possible so thatyour body moves automatically.

When your opponent try to hit yourhead or face, guard it with UchiageUchiageUchiageUchiageukeukeukeuke, and counterattack with a kick.Try as many variation as possible.

Your opponentis going to hityour face withhis left hand.

You guard yourface withUchiage ukeUchiage ukeUchiage ukeUchiage ukeand

counterattackwith a rightkick.

Prepare for thenext movement.

TipsTipsTipsTipsUchiage ukeUchiage ukeUchiage ukeUchiage uke is one of the quickest

guard of Shorinji Kempo. Try as manytimes as possible with variations. Whenpracticing Uchiage ukeUchiage ukeUchiage ukeUchiage uke, try to raiseyour elbow first.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Uchiage geri http://kenseikai.world.coocan.jp/gihou/utiageg/engutiageg.htm

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Ryaku ju(u)ji gote

What it means

The first one character part of is pronounced "RyakuRyakuRyakuRyaku", meaning "simpleor not-in-the-strict-way", the next two characters part is pronounced "jujijujijujijuji",meaning "a cross" and the last two characters part is pronounced "gotegotegotegote", meaning"hand or wrist". Thus this technique means "lock your opponent's hand in the same wayas Juji goteJuji goteJuji goteJuji gote , but in much simpler way". This is a variation of "Juji goteJuji goteJuji goteJuji gote".

Techniques

Ryaku jujigoteRyaku jujigoteRyaku jujigoteRyaku jujigote is used when your left(right)hand is seized with your opponent's right(left)hand. Practice Juji goteJuji goteJuji goteJuji gote before you try thistechnique.

Start. Your opponentseizes your lefthand with hisright hand.

Attach yourright hand on tohis right hand'sback.

Push out yourleft elbow tobend his arm in"S" shape.

Push down yourleft elbow andlift up yourright elbow.

Kick to preventhis furtherattack.

Prepare for thenext movement.

TipsTipsTipsTipsPush out your right elbow to lock

his right hand.Click here to

see stop motionfigures of theanimation below.

Ryaku juji gote http://kenseikai.world.coocan.jp/gihou/rkjuji/engrkjuji.htm

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Your right handmust be kept inthe figure shownleft. This willhelp you to makehis arm bent in"S" shape.

If your right handis ratherstraight, thistechnique will notwork effectively.

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Ryaku juji gote http://kenseikai.world.coocan.jp/gihou/rkjuji/engrkjuji.htm

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Kannuki gatame

Kannuki gatameKannuki gatameKannuki gatameKannuki gatame is atechnique to lock anopponent's wrist asshown in the rightFig..

It is important to use your left BoshikyuBoshikyuBoshikyuBoshikyu.Ask your instructor for better understanding.

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Explore techniques "Kannuki gatame" http://kenseikai.world.coocan.jp/gihou/kanukiga/engkanukiga.htm

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Ryo(u)te Ju(u)ji gote

Ryoute Juuji goteRyoute Juuji goteRyoute Juuji goteRyoute Juuji gote is used in thesituation that your opponent seizesyour both hand from under your wrist.This technique uses "S charactershape locking" same as KatamunaKatamunaKatamunaKatamunaotoshiotoshiotoshiotoshi.You can apply this technique in caseyour wrist is seized by one hand.

You put your bothhands uprightposition so that youropponent easilyseizes your bothhands.

You guard in KagiteKagiteKagiteKagiteposition so that hecan not take anyadvantage.

Because your bothhands are not free,use a kick foratemiatemiatemiatemi.

Turn your right handcounterclockwiseattaching your lefthand on to his lefthand.

Put your right elbowover his left elbowand turn your lefthand in the directionof your right tumb ispointing.

Pull down andcontrol him.

Hit sanmaisanmaisanmaisanmai toprevent his furtherattack.

Prepare for the nextmovement.

TipsTipsTipsTipsTurn your right elbow to

the position over youropponent's right elbow. Attachyour left hand so that he mayescape away. Use your leftBoshikyuBoshikyuBoshikyuBoshikyu to suppress his lefthand.Try to make S character shapefigure with his right hand. Useyour right elbow to bend hisleft arm to make S charactershape.Juuji goteJuuji goteJuuji goteJuuji gote never works if hisarm is not bent in S charactershape.

Jujigote http://kenseikai.world.coocan.jp/gihou/rtjujigo/engjujigo.htm

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Jujigote http://kenseikai.world.coocan.jp/gihou/rtjujigo/engjujigo.htm

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Kiri gote

What it means

The first one character part of is pronounced "KiriKiriKiriKiri", meaning "cut" and thelast one character part is pronounced "gotegotegotegote" in this case, it is also pronounced"kotekotekotekote", meaning "wrist or back of a hand". Thus this technique means "lock youropponent's wrist in the way such as cutting it with your hand".

Techniques

This technique is used in case youropponent seizes your right (left)hand with his right (left) hand totwist your hand into your back. Guardin KagiteKagiteKagiteKagite position and lock his armin "S" shape.

Your opponentseizes yourright hand withhis right handto twist itinto your back.

You deliverMeuchMeuchMeuchMeuchiiii andturn your righthand clockwise.

And guard inKagiteKagiteKagiteKagiteposition.

Attach yourleft hand fromunder his righthand so that itmay not slipaway. Turn yourright handvertically tomake his arm"S" shape.

Lock his arm in"S" shape andkick to preventhis furtherattack..

<Tips><Tips><Tips><Tips>When you succeed to turn youropponent's hand in the positionshown in the middle of the leftupper Fig, attach your lefthand with its palm facing up tohis hand.You have to make "S" shape withhis hand and arm to effectivelyapply this technique.

Kirigote http://kenseikai.world.coocan.jp/gihou/kirigote/engkirigote.htm

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How to use your left hand.

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Kirigote http://kenseikai.world.coocan.jp/gihou/kirigote/engkirigote.htm

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Kaishin duki

What it means

The first two character part of is pronounced "KaishinKaishinKaishinKaishin", one of the ShorinjiKempo's moving technique, meaning "open space in front of your body" and the last onecharacter part is pronounced "zukizukizukizuki", meaning "a punch". Thus this technique means"counterattack with a punch while dodging your opponent's punch by shifting aside".

Techniques

This technique is base on the bodymaneuvering technique to make youropponent' punch miss your face orbody. Counterattack with a punch.Trymany variations.

Your opponenttries to throw apunch,

You step asidewidely to makehis punch missyour body.

Counterattackwith a rightupper punch

Follow with leftkumade dukikumade dukikumade dukikumade duki,palm punch.

<Tips><Tips><Tips><Tips>Make sure your

opponent's punch does nothit you even if you do notguard with your hand, thatis, step aside enough tomake such safe positioning.Try as many times as youcan to achieve smoothmovement.

Click hereto see stopmotion figuresof theanimationbelow.

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Kaishin duki http://kenseikai.world.coocan.jp/gihou/kaisindu/engkaisindu.htm

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Ura gatame

Ura gatameUra gatameUra gatameUra gatame is atechnique to lock anopponent's arm andshoulder as shown inthe right Fig..

Use your boshikyu boshikyu boshikyu boshikyu and yourabdomen to press and lock youropponent's arm. Try to stretch youropponent's arm so that this techniqueworks well.

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Hangetsu geri

What it means

The first two characters part of is pronounced "hangetsuhangetsuhangetsuhangetsu", meaning the halfmoon and , the last one character part is pronounced "gerigerigerigeri", meaning "a kick".hangetsuhangetsuhangetsuhangetsu comes from the shape of your hand used in the guard phase of HangetsuHangetsuHangetsuHangetsugerigerigerigeri. Thus this technique means "guard with your hand forming the half moon shapeand counterattack with a kick.

Techniques

When your opponent try to punch yourface,you guard your face withHangetsu ukeHangetsu ukeHangetsu ukeHangetsu uke and counterattack witha kick.Try left/right, open/close positionsas many variations as possible.

Satrt. Your opponent tryto punch yourface.

Make sure thatyou guard yourface withHangetsu ukeHangetsu ukeHangetsu ukeHangetsu uke.And pull downyour opponent'shand.

Counterattackwith a kick.

TIPS:TIPS:TIPS:TIPS:Make sure your right

hand used for guardhooked to your opponent'shand and force youropponent in unstableposition.

Click here tosee stop motionfigures of theanimation below.

Hangetsu geri http://kenseikai.world.coocan.jp/gihou/hangetge/enghangetge.htm

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Hangetsu geri http://kenseikai.world.coocan.jp/gihou/hangetge/enghangetge.htm

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Ju(u)ji gatame

What it means

The first two characters part of sounds "JuujiJuujiJuujiJuuji" which means that thistechnique is used in combination with such as "Eri juujiEri juujiEri juujiEri juuji" or "Juuji goteJuuji goteJuuji goteJuuji gote". The lastone character sounds "gatamegatamegatamegatame", meaning "Lock" or "make something unable to move".Thus, this technique is used right after Eri juujiEri juujiEri juujiEri juuji or Juuji goteJuuji goteJuuji goteJuuji gote and instead of letyour opponent go away but make him unable to move or run by locking his hand.

Techniques

Juuji gatameJuuji gatameJuuji gatameJuuji gatameis applicable rightafter Eri juujiEri juujiEri juujiEri juuji or Juuji goteJuuji goteJuuji goteJuuji gote. Thistechnique take your opponnet down asshown in the right animation.

Apply JuujiJuujiJuujiJuujigotegotegotegote or EriEriEriErijuujijuujijuujijuuji, and

take him downwith JuujiJuujiJuujiJuujigatamegatamegatamegatame.

(note 1) Make sure that his arm makes S shape.

Tips:Tips:Tips:Tips:You have to learn how to make "S" figure shown belowwhen learning Eri jujiEri jujiEri jujiEri juji or Juuji goteJuuji goteJuuji goteJuuji gote. After you makehis hand and arm "S" figure, turn his palmcounterclockwise as shown below.Use BoshikyuuBoshikyuuBoshikyuuBoshikyuu when turning his palm.

juuji gatame http://kenseikai.world.coocan.jp/gihou/jujiga/engjujiga.htm

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juuji gatame http://kenseikai.world.coocan.jp/gihou/jujiga/engjujiga.htm

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Gedan gaeshi

What it means

The first two characters part of is pronounced "gedangedangedangedan", meaning "low" and thelast one character part is pronounced "gaeshigaeshigaeshigaeshi", meaning "a counterattack or return".Thus this technique means "Counter attack against your opponent's lower kick(actually a middle kick) with a kick".

Techniques

This technique is used, when youropponent kick your body , to block itwith Harai ukeHarai ukeHarai ukeHarai uke and kick back.

The counter kick in the above animation is corrected from left middle kick (wrong) toright middle kick (correct). (03.02.08)

Let youropponent triesto kick yourbody.

Your opponenttries to kickyour body withSashikomiSashikomiSashikomiSashikomigerigerigerigeri..

You guard hiskick with UchiUchiUchiUchiharai ukeharai ukeharai ukeharai uke, andcounterattackwith your rightmiddle kick.

Prepare fornext movement.

<Tips><Tips><Tips><Tips>Speed is essential

for this technique.Practice as many timesas you can to achievesmooth movement.

Click here tosee stop motionfigures of theanimation below.

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Gedan gaeshi http://kenseikai.world.coocan.jp/gihou/gednga/enggednga.htm

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Gedan gaeshi http://kenseikai.world.coocan.jp/gihou/gednga/enggednga.htm

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Soto uke duki

(Soto uke zuki)

This technique is used, when youropponent has thrown upper punch toyour face, to counterattack them withyour punches and kick.

Your opponenttries to throwa punch to yourface.

You dodge andguard it withSoto ukeSoto ukeSoto ukeSoto uke.

Throw a middlepunch whileguarding yourface with SotoSotoSotoSotoukeukeukeuke.

Upper punch. And a kick,threeconsecutivecounterattack,san renkousan renkousan renkousan renkou.

<Tips><Tips><Tips><Tips>Speed is essential for this technique. The animation

above makes several stopping for better understanding.Practice as many times as you can to achieve smooth movement.

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Tukiten san http://kenseikai.world.coocan.jp/gihou/sotoudu/engsotoudu.htm

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Counterattack against middle kickwith kick. Speed is the key factorfor this technique.

You try to makeyour opponentkick your bodyby setting yourguard loose.

He trys to kickyour middle.

Preparing forthecounterattack,you guard yourbody with ShitaShitaShitaShitauke.uke.uke.uke.

At the sametime with ShitaShitaShitaShitaukeukeukeuke,counterattackwith your highkick, or middlekick.

Step back andprepare for thenext movement.

Tips:Tips:Tips:Tips:Prepare for the counterattack when you guard your body

with Shita ukeShita ukeShita ukeShita uke.

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Chudan gaeshi http://kenseikai.world.coocan.jp/gihou/chudaga/engchudang.htm

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Soto uke geri

This technique is used, when youropponent has thrown upper punch toyour face, to counterattack with akick.

Ready. Your opponenttries to throwa punch to yourface.

You guard yourface with SotoSotoSotoSotoukeukeukeuke.

Counterattackwith a kick.

<Tips><Tips><Tips><Tips>Speed is essential for this technique. The animation

above makes several stopping for better understanding.Practice as many times as you can to achieve smooth movement.Try left and right also. You may use Kumo ashi sagariKumo ashi sagariKumo ashi sagariKumo ashi sagari afterthe kick as shown below.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Sotouke geri http://kenseikai.world.coocan.jp/gihou/sotouge/engsotouge.htm

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Soto oshi uke duki

What it means

The first one character part of is pronounced "SotoSotoSotoSoto", meaning "out oroutside" and the next two characters part is pronounced "oshi ukeoshi ukeoshi ukeoshi uke", meaning "pushguard". And the last one character part is pronounced "zukizukizukizuki", meaning "a punch".Thus this technique means "counterattack with a punch while guarding with Soto oshiSoto oshiSoto oshiSoto oshiukeukeukeuke, or outside push guard.

Techniques

This technique is used, when youropponent has thrown furi dukifuri dukifuri dukifuri duki, or aswing punch to your face, tocounterattack it with a punch. SotoSotoSotoSotooshi ukeoshi ukeoshi ukeoshi uke is used to guard your faceagainst your opponent's furi dukifuri dukifuri dukifuri duki.

Your opponenttries to throw apunch, FuriFuriFuriFuridukidukidukiduki, to yourface.

You step forwardand guard itwith Soto oshiSoto oshiSoto oshiSoto oshiukeukeukeuke.

Counterattackwith a rightmiddle punch

Follow with leftkumade dukikumade dukikumade dukikumade duki,palm punch.

<Tips><Tips><Tips><Tips>Since furi dukifuri dukifuri dukifuri duki is a

powerful swing punch, youhave to use your bodymovement to prevent ithitting your face. Practiceas many times as you can toachieve smooth movement.

Click hereto see stopmotion figuresof theanimationbelow.

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Soto oshi uke duki http://kenseikai.world.coocan.jp/gihou/osiudu/engosiudu.htm

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Soto oshi uke duki http://kenseikai.world.coocan.jp/gihou/osiudu/engosiudu.htm

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Gyaku tenshin geri

What it means

The first one character part of is pronounced "gyakugyakugyakugyaku", meaning "reverse",and the middle two characters part is pronounced "tenshintenshintenshintenshin", meaning "shift a body"in Shorinji kempo, and "gyaku tenshingyaku tenshingyaku tenshingyaku tenshin" is a name of the Shorinji Kempo technique ofshifting your body to make your opponent's punch or kick miss your body, and the lastone character part is pronounced "gerigerigerigeri" meaning "a kick". Thus this technique means"Gurad your body with tenshintenshintenshintenshin shifting-body technique and counter attack with akick".

Techniques

Gyaku tenshin geriGyaku tenshin geriGyaku tenshin geriGyaku tenshin geri is used tocounterattack your opponent's punch.Use Gyaku tenshinGyaku tenshinGyaku tenshinGyaku tenshin to dodge the punchand counterattack with kick.

You stand withHassoHassoHassoHassogamaegamaegamaegamaeguard position.

Your opponentstep forwardand punch inyour body. Youdodge it withGyaku tenshin.Gyaku tenshin.Gyaku tenshin.Gyaku tenshin.

Guarding yourbody with ShitaShitaShitaShitaukeukeukeuke,counterattackwith MawashiMawashiMawashiMawashigerigerigerigeri.

Prepare for thenext movement.

<Tipps><Tipps><Tipps><Tipps>Be sure to dodge the punch with

Gyaku tenshinGyaku tenshinGyaku tenshinGyaku tenshin and prepare forcounterattack with kick at once.

Click here to seestop motion

illustration.

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Keriten ichi

This technique is used tocounterattack your opponent'ssequence of punch and kick, mawashimawashimawashimawashigerigerigerigeri, with your kick and throw himwith sukui nagesukui nagesukui nagesukui nage.

Ready.Your opponent trys topunch in your facewith gyaku dukigyaku dukigyaku dukigyaku duki.

You step forward tododge his punch and

guard your face withright hand soto ukesoto ukesoto ukesoto uke.

Guard your body withuchi harai ukeuchi harai ukeuchi harai ukeuchi harai ukeagainst youropponent's mawashimawashimawashimawashigerigerigerigeri and hold hisleg.

Counterattack with akick.

Stepping forward yourleg used to kick,

Throw him with sukuisukuisukuisukuinagenagenagenage.

Prepare for the nestmovement.

TipsTipsTipsTipsSpeed is essential. Illustrative animation stops at the

end of each movements for better understanding. Do not pauseat each end of the movements when you execute this technique.Try to counterattack almost at the same time you block youropponent's kick.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998.The same Keijiro Hayashi maintained and improved this site during the years: 1998, 1999,2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all rights associatedwith the structure of this site and the information available on this site.

Technique explanation Keriten1 http://kenseikai.world.coocan.jp/gihou/kerit1/engkerit1.htm

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Tsukiten ni

What it means

The first one character part of is pronounced "TsukiTsukiTsukiTsuki", meaning "punch" andthe middle one character part is pronounced "tentententen", meaning "sky, upper or heavn".And the last one character part is pronounced "nininini", meaning "two or second".In Shorinji Kempo, tsuki tentsuki tentsuki tentsuki ten is a name of the group technique of Tennou kenTennou kenTennou kenTennou ken,Thus this technique means "A second technique of Tsuki tenTsuki tenTsuki tenTsuki ten group technique".

Techniques

This technique is used, when youropponent has thrown consecutivepunches to your face, tocounterattack them with your kick.

Your opponenttries to throwhis left punchto your face.

You sway andguard it withUchiage ukeUchiage ukeUchiage ukeUchiage uke.

He throws apunch to yourface with hisright hand. Youguard it withUchi otoshiUchi otoshiUchi otoshiUchi otoshiukeukeukeuke.

Counterattackwith your rightkick.

<Tips><Tips><Tips><Tips>Speed is essential

for this technique.Practice as many timesas you can to achievesmooth movement.

Click here tosee stop motionfigures of theanimation below.

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Tsukiten ni http://kenseikai.world.coocan.jp/gihou/tukit2/engtukit2.htm

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rights associated with the structure of this site and the information available onthis site.

Tsukiten ni http://kenseikai.world.coocan.jp/gihou/tukit2/engtukit2.htm

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Hangetu gaeshi

What it means

The first two characters part of is pronounced "HangetuHangetuHangetuHangetu", meaning "halfmoon" and the last one character partis pronounced "gaeshigaeshigaeshigaeshi", meaning"counter" or "return". This techniqueis given the name because it uses"Hangetu ukeHangetu ukeHangetu ukeHangetu uke" as a defenc technique."Hangetu ukeHangetu ukeHangetu ukeHangetu uke" is named so because theshape of your palm in Hangetu ukeHangetu ukeHangetu ukeHangetu ukelooks like a half moon as shown in theleft figure.

Techniques

When your opponent try to hit your face, Youguard your face with Hangetu ukeHangetu ukeHangetu ukeHangetu uke andcounterattack his face with your hand justused for Hangetu ukeHangetu ukeHangetu ukeHangetu uke. Block his followingpunch by pressing your hand onto his hand atthe same time.

Let your opponenttry to hit yourface by makingyour upper guardabsent.You are supposedto be in MidareMidareMidareMidaregamaegamaegamaegamae.

Your opponent trysto punch yourface. You block itwith Hangetu ukeHangetu ukeHangetu ukeHangetu uke.

At the same time,use your left openhand to block youropponent's middlepunch.

Punch withkumadekumadekumadekumade.

Middle kick.Prepare for nextmovement.

Tips:Tips:Tips:Tips:Without speed this technique works wrong giving

your opponent a chance to deliver a following punch.Use your left hand, press it onto your opponent'sleft forearm, so that he will not be able to initiate

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his right punch.

Click here tosee stop motionfigures of theleft animation.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Explore the technique "Hangetu gaeshi" http://kenseikai.world.coocan.jp/gihou/hangetga/enghangetga.htm

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Harai uke danduki

What it means

The first two characters part of is pronounced "Harai ukeHarai ukeHarai ukeHarai uke", one of theShorinji Kempo's guard technique, meaning "sweep guard" and the last two characterspart is pronounced "dan zukidan zukidan zukidan zuki", meaning "a consequential punch".In Shorinji Kempo, dan dukidan dukidan dukidan duki is a technique using the same hand used just before,such as conseqtive punches using the same hand or "guard with one hand and punch withthe same hand",Thus this technique means "Use harai ukeharai ukeharai ukeharai uke against your opponent's kick, andcounterattack with a punch using the same hand just used for harai ukeharai ukeharai ukeharai uke".

Techniques

Apply harai uke against youropponent's kick and deliver urakenurakenurakenurakenwith the same hand used for harai harai harai haraiukeukeukeuke. Smooth and quick movement isessential.

You start fromIchiji gamaeIchiji gamaeIchiji gamaeIchiji gamae.

Your opponentsteps forwardand try mawashimawashimawashimawashigerigerigerigeri.

You guard yourbody with haraiharaiharaiharaiukeukeukeuke.

Step your rightfoot forwardandcounterattackwith righturakenurakenurakenuraken.

Follow withleft middlepunch.

Step forwardand deriverright punch.

Right sidekick.

Prepare fornext movement.

<Tips><Tips><Tips><Tips>Speed is essential

for this technique.Practice as many timesas you can to achievesmooth movement.

Click here tosee stop motionfigures of theanimation below.

Haraiuke danduki http://kenseikai.world.coocan.jp/gihou/haraudandu/engharaudandu.htm

1 of 2 23/06/2009 10:49

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(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004,2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Haraiuke danduki http://kenseikai.world.coocan.jp/gihou/haraudandu/engharaudandu.htm

2 of 2 23/06/2009 10:49

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Suigetsu gaeshi

What it means

The first two characters part of is pronounced "SuigetsuSuigetsuSuigetsuSuigetsu", a name of acritical point in a body, the last one character part is pronounced "gaeshigaeshigaeshigaeshi",meaning "counterattack". Thus this technique means "Counterattack into youropponent's body at SuigetsuSuigetsuSuigetsuSuigetsu critical point.

Techniques

When your opponent try to hit yourface, You guard your face with UchiUchiUchiUchiukeukeukeuke and step aside in front tocounterattack his body with yourhirakenhirakenhirakenhiraken. Block and counterattackmust go almost at the same time.

Let your opponenttry to hit yourface by makingyour upper guardabsent.

Your opponenttries to punchyour face.

You block it withUchi ukeUchi ukeUchi ukeUchi uke.

Strike his bodyat SuigetsuSuigetsuSuigetsuSuigetsucritical pointwith your righthirakenhirakenhirakenhiraken swingpunch.

Draw your righthand to youropponent's backand hit his neckwith it.

Push him downwith your bothhands.

Prepare for thenext movement.

Tips:Tips:Tips:Tips:Do not wait a moment after Uchi ukeUchi ukeUchi ukeUchi uke. Without

speed this technique works wrong giving your opponenta chance to deliver a following punch.

Click here to see a stopmotion illustration of

Suigetsu gaeshiSuigetsu gaeshiSuigetsu gaeshiSuigetsu gaeshi.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available on

Suigetsu gaeshi http://kenseikai.world.coocan.jp/gihou/suigetga/engsuigetga.htm

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this site.

Suigetsu gaeshi http://kenseikai.world.coocan.jp/gihou/suigetga/engsuigetga.htm

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Mikaduki gaeshi

(Mikazuki gaeshi)

What it means

The first three characters part of is pronounced "mikazukimikazukimikazukimikazuki", a name of thecritical point in your face, the last one character part is pronounced "gaeshigaeshigaeshigaeshi",meaning "a counterattack". Thus this technique means "counter attack at youropponent's MikadukiMikadukiMikadukiMikaduki critical point.

Techniques

When your opponent try to hit your face, You guardyour face with left (right) Uchi ukeUchi ukeUchi ukeUchi uke and stepforward in 45 degree of angle to counterattack hisface at MikadukiMikadukiMikadukiMikaduki critical point with your right(left) Hira kenHira kenHira kenHira kenswing punch. Block andcounterattack must go almost at the same time.

Let youropponent(right)try to hit yourface by makingyour upper guardabsent.

Your opponenttries to punchyour face withhis right hand.You block it withUchi ukeUchi ukeUchi ukeUchi uke.

Push down hisright hand withyour left hand (Kake te ukeKake te ukeKake te ukeKake te uke )

Hit his face atMikadukiMikadukiMikadukiMikaduki withyour right hirahirahirahirakenkenkenkenswing punch.

With your rightShutouShutouShutouShutou hit hisneck at KeichuuKeichuuKeichuuKeichuucritical point.

Kich with yourright foot.

Pull back withkumoashi sagarikumoashi sagarikumoashi sagarikumoashi sagari.

Prepare for thenext movement.

Tips:Tips:Tips:Tips:Do not wait a moment after Uchi

uke. Without speed this techniqueworks wrong giving your opponent achance to deliver a following punch.

Click hereto see stopmotionfigures.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all

Explore the technique "Mikaduki gaeshi" http://kenseikai.world.coocan.jp/gihou/mikadga/engmikadga.htm

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rights associated with the structure of this site and the information available onthis site.

Explore the technique "Mikaduki gaeshi" http://kenseikai.world.coocan.jp/gihou/mikadga/engmikadga.htm

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Jungeri chi ichi

Jungeri chi ichi(1)Jungeri chi ichi(1)Jungeri chi ichi(1)Jungeri chi ichi(1) is a techniqueused to counterattack your opponentby a kick when he has attacked youwith his low kick.

Start, Your opponentsteps forward anddraw yourattention to hishand.

You guard hiskick with KenKenKenKenukeukeukeuke, "fistguard".

Counterattackwith a kick.

Upper punch. Middle punch.Prepare fornext movement.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Jungeri chi ichi http://kenseikai.world.coocan.jp/gihou/junchi1/engjunchi1.htm

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Gyakugeri chi ichi

What it means

The first two characters part of is pronounced "gyaku gerigyaku gerigyaku gerigyaku geri", a name ofthe Shorinji Kempo technique, the middle one character part is pronounced "chichichichi",meaning "ground", and the last one character is pronounced "ichiichiichiichi", meaning "one orfirst". Thus this technique means "Guard against your opponent's gyaku gerigyaku gerigyaku gerigyaku geri low kickat your kintekikintekikintekikinteki critical point and counterattack with a kick".

Techniques

Gyakugeri chi ichi(1)Gyakugeri chi ichi(1)Gyakugeri chi ichi(1)Gyakugeri chi ichi(1) is a technique used tocounterattack your opponent by a kick when he attacksyou with his low kick at kintekikintekikintekikinteki critical point. Thediffernce with Jungeri chi ichiJungeri chi ichiJungeri chi ichiJungeri chi ichi is that youropponent's kick is gyaku gerigyaku gerigyaku gerigyaku geri in case of Gyakugeri chiGyakugeri chiGyakugeri chiGyakugeri chiichiichiichiichi while in case of Jungeri chi ichiJungeri chi ichiJungeri chi ichiJungeri chi ichi it is junjunjunjungerigerigerigeri.

You(right) standwith your rightfoot forward.

Your opponentsteps forward anddraw yourattention to hishand.

You guard hiskick with KenKenKenKenukeukeukeuke, "fistguard".

Counterattackwith a kick.

Upper punch. Middle punch.Prepare fornextmovement.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Gyakugeri chi ichi http://kenseikai.world.coocan.jp/gihou/gyakuti1/enggyakuti1.htm

1 of 1 23/06/2009 10:50

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Fukko chi ni

Fukko chi niFukko chi niFukko chi niFukko chi ni is used when you aresitting down and your opponent triesto kick and punch in your face.

You are sittingdown and youropponent standsupright.

He walks towardsyou and tries tokick your facewith mawashimawashimawashimawashigerigerigerigeri. Guard itwith your righthand.

Guard your facewith uchi ukeuchi ukeuchi ukeuchi ukeagainst thefollowing punchin your face.

Counterattackwith your righthand punch.

Stand up usingyour left hand tohook up his leftleg to throw himdown.

<Tipps><Tipps><Tipps><Tipps>Try to draw up your knee as soon as possible to keep your

freedom of your body movement.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years: 1998,1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all rightsassociated with the structure of this site and the information available on this site.

Explore techniques "Fukko chi 2" http://kenseikai.world.coocan.jp/gihou/fukochi/engfukochi.htm

1 of 1 23/06/2009 10:54

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Harai uke chi ni

What it means

The first two characters part of is pronounced "harai ukeharai ukeharai ukeharai uke", a name of theShorinji Kempo defense technique, the middle one character part is pronounced "chichichichi",meaning "ground" and the last one character is pronounced "nininini", meaning "two orsecond". Thus this technique means "Second classification of counterattack techniqueagainst your opponent' kick, guard with harai ukeharai ukeharai ukeharai uke".

Techniques

This is a technique used tocounterattack your opponent by apunch when he has attacked you withhis middle mawachi gerimawachi gerimawachi gerimawachi geri.

You (right) standin Kesshu gamaeKesshu gamaeKesshu gamaeKesshu gamae.

Your opponentcomes close toyou and try todeliver leftmawashi gerimawashi gerimawashi gerimawashi geri toyour body.

You step asidewith your leftfoot and guardyour body withuchi harai ukeuchi harai ukeuchi harai ukeuchi harai uke.

Your opponentstep forward withhis left foot,and deliversright upperpunch. You turnyour body alittle and guradyour face withuchi ukeuchi ukeuchi ukeuchi uke.

You strike youropponent's bodywith your rightmiddle ;unch.

Prepare for nextmovement.

Tips;Tips;Tips;Tips;Use your hip's turning power to guard

against your opponent's mawashi gerimawashi gerimawashi gerimawashi geri. Whenguarding with uchi harai ukeuchi harai ukeuchi harai ukeuchi harai uke, your arm mastbe bent a little to avoid possible injury atyour elbow joint.

Click here to seethe stop motion

illustration

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in

Haraiuke chi ni http://kenseikai.world.coocan.jp/gihou/haraiuti2/engharaiuti2.htm

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1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003,2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Haraiuke chi ni http://kenseikai.world.coocan.jp/gihou/haraiuti2/engharaiuti2.htm

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Jungeri chi san

Jungeri chi san(3)Jungeri chi san(3)Jungeri chi san(3)Jungeri chi san(3) is a techniqueused to counterattack your opponentby a kick when he has attacked youwith his kick followed by upper blowand middle punch.

Start, your opponentsteps forward tokick you.

You guard hiskick withUniharai uke,"wipe off guard".

Guard upper blowfollowing thekick withUwaukeUwaukeUwaukeUwauke.

Use ShitaukeShitaukeShitaukeShitauke toguard succeedingmiddle punch andcounterattackwith kick.

<Tips><Tips><Tips><Tips>Speed is essential. Exercise as many times as you can so

that you can perform the techniques automatically.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years: 1998,1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all rightsassociated with the structure of this site and the information available on this site.

Jungeri chi san http://kenseikai.world.coocan.jp/gihou/junchi3/engjunchi3.htm

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Sokutou geri hiki ashi nami gaeshi

What it means

The first three characters part of is pronounced "Sokutou geriSokutou geriSokutou geriSokutou geri", aside kick, the middle two characters part is pronounced "hiki ashihiki ashihiki ashihiki ashi", meaning"withdraw a foot", the next one character part is pronounced "naminaminaminami", meaning "wave".and the last one character part is pronounced "gaeshigaeshigaeshigaeshi", meaning "counterattack".Thus this technique means "Guard against SokutouSokutouSokutouSokutou kick by withdrawing your foot andcounterattack like wave coming back and forth.

Techniques

When your opponent tries to kick yournee with SokutouSokutouSokutouSokutou kick, guard yourfoot by withdrawing it andcounterattack with a kick.

Put your rightleg forward tolet your opponentkick your leg.

Your opponentkick at yourright knee withSokutouSokutouSokutouSokutou kick.

Withdraw yourright foot toescape from youropponent's kick,

and counterattackwith your rightkick at onece.

TipsTipsTipsTipsWhen withdrawing your foot, prepare

for the next counterattack.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003,2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Sokutou geri hikiashi nami kaeshi http://kenseikai.world.coocan.jp/gihou/sokutonami/engsokutonami.htm

1 of 1 23/06/2009 10:54

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Dangeri sanbouke dangerigaeshi

This technique is used to guard your low, middleand upper zone of the body at the same time fromyour opponent's DangeriDangeriDangeriDangeri kick.Sanbou uke Sanbou uke Sanbou uke Sanbou uke means defending three zones at the sametime.

Your opponentsteps in to

kick your lowerbody and youguard with HizaHizaHizaHizaukeukeukeuke, kneeguard.

He tries to kickin your face andyou guard yourupper body withSanbou ukeSanbou ukeSanbou ukeSanbou uke.

Without puttingdown your leg,counterattackwith your kick.

Middle kick.

Tips:Tips:Tips:Tips:When you guard with Sanbou ukeSanbou ukeSanbou ukeSanbou uke,

try to prepare for the next movement,DangeriDangeriDangeriDangeri.Speed is the most important for thistechnique.

DangeriDangeriDangeriDangeri is a technique kicking twiceusing the same leg without putting downthe leg used for the first kick.Because the second kick is startedwhile you are standing on one foot, youhave to use the momentum of pullingback your leg from the first kick andthe power generated by twisting yourwaist to start the second kick.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Dangeri sanbouke namikaeshi http://kenseikai.world.coocan.jp/gihou/dangenami/engdanami.htm

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Tsuki nuki

What it means

The first one character part of is pronounced "TsukiTsukiTsukiTsuki", meaning "push or punch",the last one character part is pronounced "nukinukinukinuki", meaning "escape or unlock". Thusthis technique means "unlock your opponent's grip by pushing down your hand".

Techniques

When your opponent push down yourhand after griping your wrist to putin a situation that you can not useYori nukiYori nukiYori nukiYori nuki, try this technique.

The animation above shows a case that your opponent grips your both hands. In thiscase, use Tsuki nukiTsuki nukiTsuki nukiTsuki nuki for your front hand and apply Yori nukiYori nukiYori nukiYori nuki for another hand.There are many variation such as your opponent grips your right hand with his righthand, or with his both hands. Try as many variations as possible.

Put your bothhands forward to

let youropponent seizeyour hands.

Twist your handand push outyour elbow andpush down yourhand.

Deliver yourelbow to youropponent's body.

TipsTipsTipsTipsMove your hand as if you

cut your opponent's thumbholding your wrist. Twistyour hand and push out yourelbow.

Click hereto see stopmotion figuresof theanimationbelow.

Tuki nuki http://kenseikai.world.coocan.jp/gihou/tukink/engtukink.htm

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Tuki nuki http://kenseikai.world.coocan.jp/gihou/tukink/engtukink.htm

2 of 2 23/06/2009 10:54

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Morote maki nuki

What it means

The first two characters part of is pronounced "Moro teMoro teMoro teMoro te", meaning "bothhands", the last two characters part is pronounced "maki nukimaki nukimaki nukimaki nuki", a name of theShorinji Kempo technique. Thus this technique means "a variation of Maki nukiMaki nukiMaki nukiMaki nuki incase your opponent seizes your hand with his both hands".

Techniques

A variation of Maki nukiMaki nukiMaki nukiMaki nuki, applicablewhen your opponent seizes your right(left) wrist with his both hands.

Your opponentseizes yourright wristwith his bothhands.

You turn yourright handcounterclockwiseand make yourright hand gooutside.

Take kagitekagitekagitekagiteguard positionand delivermeuchimeuchimeuchimeuchi.

Push our yourright elbow andturn your righthandcounterclockwise.

Deliver urakenurakenurakenurakenpunch into hisface.

Middle punch. Prepare for thenext movement.

Introduction to Morote maki nuki http://kenseikai.world.coocan.jp/gihou/moromakink/engmoromakink.htm

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Click here to see stopmotion figures of theanimation below.

Tips:Tips:Tips:Tips:Make sure that in

kagitekagitekagitekagite position, yourright hand is outside ofyour opponent. Then pushout your elbowcounterclockwise. Do notmove the pivot whilepushing out your elbow.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Introduction to Morote maki nuki http://kenseikai.world.coocan.jp/gihou/moromakink/engmoromakink.htm

2 of 2 23/06/2009 10:55

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Morote oshi nuki

What it means

The first two characters part of is pronounced "morotemorotemorotemorote", meaning "bothhands",and the last two characters part is pronounced "Oshi nukiOshi nukiOshi nukiOshi nuki", a name ofShorinji Kempo technique. Thus this technique means "Oshi nukiOshi nukiOshi nukiOshi nuki applicable in caseyour opponent seizes your hand with his both hands".

Techniques

This techniqe is a variation of Oshi nukiOshi nukiOshi nukiOshi nuki. Whenyour opponent seizes your right ( left ) handwith his both hands and try to twist your handclockwise ( counterclockwise ), apply thistechniqe.

Your opponent(right) seizesyour right handwith his bothhands.

You take kagitekagitekagitekagiteguard positionand delivermeuchimeuchimeuchimeuchi.

Attach your lefthand to yourright hand pushit out throughyour opponent'shands.

Turn your rightelbow forward sothat it hitsyour opponent'sarm.

With your rightarm

hit youropponent's neckat the criticalpoint.

Prepare for thenext movement.

Morote oshi nuki http://kenseikai.world.coocan.jp/gihou/moroosink/engmoroosink.htm

1 of 2 23/06/2009 10:56

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Click here to see stopmotion figures of theanimation below.

<TIPS><TIPS><TIPS><TIPS>Your opponent will try totwist your hand clockwiseto take Gyaku tembinGyaku tembinGyaku tembinGyaku tembin .Use his power to twistyour hand and turn yourright palm up and stepforward to take kagite kagite kagite kagiteguard position.Attach your left hand toyour right hand and pushit our through youropponent's hands. Andthen turn your right palmcounterclockwise 90degree of angle.Push out forward yourright elbow to free yourright wrist from youropponent's grip. Yourelbow shall draw verticalcircle and your wristmust not be moved whilepushing out your elbow.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Morote oshi nuki http://kenseikai.world.coocan.jp/gihou/moroosink/engmoroosink.htm

2 of 2 23/06/2009 10:56

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Morote wa nuki

What it means

The first two character part of is pronounced "MoroMoroMoroMorotetetete", meaning "both hands", the middle one character ispronounced "wawawawa", meaning "circle" and the last one characteris pronounced "nukinukinukinuki" meaning "escape" or "unlock". Thus thistechnique means "Free your hand from your opponent's bothhands forming a circle ". See the left Fig.

Techniques

This technique is same a combination of YoriYoriYoriYorinukinukinukinuki and Kote nukiKote nukiKote nukiKote nuki. This technique isapplicable when your opponent seizes your right( left ) hand with his both hand and tries totwist your hand to your back.

Let youropponent seizeyour right hand.

Your opponenttries to twistyour right handto your back.

Guard in KagiteKagiteKagiteKagiteposition anddeliver MeuchiMeuchiMeuchiMeuchi.

Attach your lefthand to yourright fingertop.

Push out yourright elbow.

Upper punch.Reced with ShitaShitaShitaShitaukeukeukeuke.

Prepare for thenext movemant.

morote wa nuki http://kenseikai.world.coocan.jp/gihou/morowa/engmorowa.htm

1 of 2 23/06/2009 10:56

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<Tips><Tips><Tips><Tips>Apply yori nuki to youropponent's left hand and kotenuki to the right handrespectivly, but at the sametime. When your right hand hasdifficulty to unlock youropponent' left grip, turn yourright palm to your chest alittle.Ask your instructer for thetips.

Click here to see stopmotion figures of the animationbelow

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

morote wa nuki http://kenseikai.world.coocan.jp/gihou/morowa/engmorowa.htm

2 of 2 23/06/2009 10:56

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Uchi nuki

What it means

The first one character part of is pronounced "UchiUchiUchiUchi", meaning "hit or strike",the last one character part is pronounced "nukinukinukinuki", meaning "escape or slip away".Thus this technique means "when sezeid your hand, hit his wrist and escape".

Techniques

When your opponent seizes your hand,hit the critical point on his wristwith your ChojiChojiChojiChoji in the other hand andescape from the grip.

Put your righthand forward to

let youropponent seizeyour rightwrist.

You deliverMeuchiMeuchiMeuchiMeuchi with theleft hand.

Make the ChojiChojiChojiChojiin your lefthand aim at youropponent'scritical pointin his leftwrist.

Strike it withyour ChojiChojiChojiChoji.

Hit youropponent's facewith your leftUrakenUrakenUrakenUraken.

TipsTipsTipsTipsAsk your

instructor aboutChojiChojiChojiChoji and thecritical pointin the wrist.

Click here to seestop motion figures ofthe animation below.

Sodemaki tembin http://kenseikai.world.coocan.jp/gihou/utinuki/engutinuki.htm

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Sodemaki tembin http://kenseikai.world.coocan.jp/gihou/utinuki/engutinuki.htm

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Morote gyaku gote

What it means

The first two characters part of is pronounced "Moro teMoro teMoro teMoro te", meaning "bothhands", the last three characters are pronounced "Gyaku goteGyaku goteGyaku goteGyaku gote", a name of ShorinjiKempo's technique. Thus this technique means "Gyaku goteGyaku goteGyaku goteGyaku gote applicable when youropponent seizes your hand with his both hands.

Techniques

When your opponent seizes your right(left) wrist with his right (left) handlike the grip same as Kote nukiKote nukiKote nukiKote nuki, take hiswrist locked and throw him down.

He seizes yourright wrist withhis both hands.

YoudeliverMeuchiMeuchiMeuchiMeuchiand take KagiteKagiteKagiteKagitestyle.

Hook your lefthand to hisright hand andmake your wristfree from hisgrip.

Use yourBoshikyuBoshikyuBoshikyuBoshikyu tolock his righthand.

Use NisokuNisokuNisokuNisokutenkaitenkaitenkaitenkai to throwhim down.

immobilize himby applying Yubigatame.

Tips:Because your opponent seizes your hand with his both hands,you have to apply this technique correctly. Unless you canapply morote wa nukimorote wa nukimorote wa nukimorote wa nuki properly, you will not be able tofree your hand nor apply morote gyaku gotemorote gyaku gotemorote gyaku gotemorote gyaku gote.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Morote Gyakugote http://kenseikai.world.coocan.jp/gihou/morogyakugo/engmorogyakugo.htm

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Gasshou gyaku gote

What it means

The first two character part of is pronounced "GasshouGasshouGasshouGasshou", meaning "putpalms together", the last three characters part is pronounced "GyakugoteGyakugoteGyakugoteGyakugote", a name ofthe Shorinji kempo juhojuhojuhojuho techniques. Thus this technique means "Throwing techniquesimilar to Gyaku goteGyaku goteGyaku goteGyaku gote, but you attach your palm onto your opponent's palm".

Techniques

This technique is similar to Gyaku gote Gyaku gote Gyaku gote Gyaku gote. However locking way is absolutely differenteach other. In Gyaku goteGyaku goteGyaku goteGyaku gote, your opponent's wrist is bend inside, however, inGasshou gyaku goteGasshou gyaku goteGasshou gyaku goteGasshou gyaku gote, your opponent's wrist is bend outside.Nisoku tenkaiNisoku tenkaiNisoku tenkaiNisoku tenkai technique used in Gasshou gyaku goteGasshou gyaku goteGasshou gyaku goteGasshou gyaku gote is same to that of Gyaku gotGyaku gotGyaku gotGyaku gote.

When your opponent seizes your right (left)wrist with his right (left) hand like thegrip same as Kote nukiKote nukiKote nukiKote nuki, take his wristlocked and throw him down.

He seizes yourwrist.

YoudeliverMeuchiMeuchiMeuchiMeuchiand take KagiteKagiteKagiteKagitestyle.

Hook your lefthand to his handand

Use yourBoshikyuBoshikyuBoshikyuBoshikyu tolock his hand asshown in thetips bellow.

Use NisokuNisokuNisokuNisokutenkaitenkaitenkaitenkai to throwhim down.

and

immobilize himby applyingTachi gasshouTachi gasshouTachi gasshouTachi gasshougatamegatamegatamegatame.

Tips;Tips;Tips;Tips;Attach your left hand as shownbelow. Push his boshikyuuboshikyuuboshikyuuboshikyuu with yourboshikyuuboshikyuuboshikyuuboshikyuu and turn his handcounterclockwise

Gasshou gyakugote http://kenseikai.world.coocan.jp/gihou/gashogya/enggashogya.htm

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Click here tosee stop motionfigures of theanimation below.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Gasshou gyakugote http://kenseikai.world.coocan.jp/gihou/gashogya/enggashogya.htm

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Gyaku gassho(u) nage

What it means

The first one character part of is pronounced "gyakugyakugyakugyaku", meaning "reverse",the middle two characters part is pronounced "gasshougasshougasshougasshou", meaning palm to palmgrapple, and the last one character part is pronounced "nagenagenagenage", meaning "throw". Thusthis technique means "Throwing technique similar to Gyaku goteGyaku goteGyaku goteGyaku gote, which shall beapplied when your hand is seized palm to palm position like arm wrestling".

Techniques

This technique is similar to Gyaku gote Gyaku gote Gyaku gote Gyaku gote. However it is applicable when your opponentseizes your hand in the same way as arm wrestling.Nisoku tenkaiNisoku tenkaiNisoku tenkaiNisoku tenkai technique used in Gyaku gasshou nageGyaku gasshou nageGyaku gasshou nageGyaku gasshou nage is same to that of Gyaku goteGyaku goteGyaku goteGyaku gote.

When your opponent seizes your right (left)hand with his right (left) hand like thegrip same as arm wrestling, take his handand lock it, and throw him down.

He seizes yourhand, as ifplaying armwrestling.

You deliverMeuchiMeuchiMeuchiMeuchiand take KagiteKagiteKagiteKagitestyle.

Hook your lefthand to his handand

Use yourBoshikyuBoshikyuBoshikyuBoshikyu to lockhis hand as shownin the tipsbellow.

Use NisokuNisokuNisokuNisokutenkaitenkaitenkaitenkai to throwhim down.

andimmobilize him byapplying TachiTachiTachiTachigasshou gatamegasshou gatamegasshou gatamegasshou gatame.

Tips;Tips;Tips;Tips;Attach your left hand as shown below. Push the back of his handwith your boshikyuuboshikyuuboshikyuuboshikyuu and turn his hand counterclockwise

Click here to seedetail figures.

Gyaku Gasshou nage http://kenseikai.world.coocan.jp/gihou/gyagashonag/enggyagashong.htm

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Gyaku Gasshou nage http://kenseikai.world.coocan.jp/gihou/gyagashonag/enggyagashong.htm

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Nigiri kaeshi

What it means

The first one character part of is pronounced "NigiriNigiriNigiriNigiri", meaning "grasp", thelast one characters part is pronounced "kaeshikaeshikaeshikaeshi", meaning "return" or

"counterattack", The first one character can make with the character meaning

"hand", this means "shake hands". Thus this technique means "lock youropponent's hand in the situation such as griping each other's hand in shaking handform".

Techniques

This technique is a kind of a variation of Gyaku goteGyaku goteGyaku goteGyaku gote. The differnce is startingposition, this technique is rather an offensive technique while Gyaku goteGyaku goteGyaku goteGyaku gote is adefensive technique. Basic principles are same to Gyaku goteGyaku goteGyaku goteGyaku gote, therefore you willfeel easy to master this technique if you have had good training in Gyaku goteGyaku goteGyaku goteGyaku gote.

Start in shaking hands position, take youropponent's wrist with your left hand and lockit in the same way as Gyaku goteGyaku goteGyaku goteGyaku gote.

Start inshaking handsposition.

YoudeliverMeuchiMeuchiMeuchiMeuchiand make youropponent's armstretched.

Hook your lefthand to hishand and

use yourBoshikyuBoshikyuBoshikyuBoshikyu tolock his handas shown in thetips bellow.

Use NisokuNisokuNisokuNisokutenkaitenkaitenkaitenkai to throwhim down.

immobilize himby applyingYubi gatameYubi gatameYubi gatameYubi gatame.

Tips:Use your left hand's BoshikyuBoshikyuBoshikyuBoshikyu to bend his wristtogether with the help of your right hand.

Nigiri kaeshi http://kenseikai.world.coocan.jp/gihou/nigirika/engnigirika.htm

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You must place the grip near to your body. Pushout your left elbow to make his right elbowcome close to you in the same way as Gyaku Gyaku Gyaku Gyakugotegotegotegote.

Click hereto see stopmotion figuresof theanimation onthe left.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Nigiri kaeshi http://kenseikai.world.coocan.jp/gihou/nigirika/engnigirika.htm

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Gyakute nage

What it means

The first one character of is pronounced "gyakugyakugyakugyaku", meaning "reverse" , themiddle one character is pronounced "tetetete", meaning "a hand" and the last one characteris pronounced "nagenagenagenage", meaning "a throw". Thus this technique means "lock youropponent's hand in reverse and throw him down.

Techniques

This technique is a variation of Gyaku goteGyaku goteGyaku goteGyaku gote.When you apply Gyaku goteGyaku goteGyaku goteGyaku gote to your opponent andit is very hard to take him down with GyakuGyakuGyakuGyakugotegotegotegote, apply this technique as soon as you feeldifficulty to take him down with Gyaku goteGyaku goteGyaku goteGyaku gote.

Your opponentseizes yourright wrist withhis right hand.

YoudeliverMeuchiMeuchiMeuchiMeuchiand take KagiteKagiteKagiteKagitestyle.

Apply GyakuGyakuGyakuGyakugotegotegotegote.

Apply GyakuGyakuGyakuGyakugotegotegotegote. (continue)As soon as youfind difficultyto take himdown,

Make your righthand go underhis right handand

hook it ontoyour opponent'sback of theright hand.

Lock his handwith your bothhands and turnyour body tomake a space totake him down.

Apply YubiYubiYubiYubigatamegatamegatamegatame.

Gyakute nage http://kenseikai.world.coocan.jp/gihou/gyaktenag/enggyaktenag.htm

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Click here to seestop motion figuresof the animationbelow.

Tips:Do not hesitate toapply this techniquewhenever you finddifficulty in takingdown your opponent.

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Gyakute nage http://kenseikai.world.coocan.jp/gihou/gyaktenag/enggyaktenag.htm

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Kote nage

What it means

The first two characters part of is pronounced "KoteKoteKoteKote", meaning " a wrist",the last one character part is pronounced "nagenagenagenage", meaning "a throw". Thus thistechnique means "lock your opponent's wrist and throw him down".

Techniques

When your opponent tries to hit your body, guard itwith Shita ukeShita ukeShita ukeShita uke and lock your opponent's hand andthen apply KotenageKotenageKotenageKotenage. However you can apply KotenageKotenageKotenageKotenagein more offensive situation. You can use thistechnique while your opponent is just standingstill.

Take HassoHassoHassoHassogamaegamaegamaegamae positionto let youropponent(left)initiate middlepunch.

You guard hisright middlepunch with leftShita ukeShita ukeShita ukeShita uke.

Attach your lefthand used forShita ukeShita ukeShita ukeShita uke tohis right hand.

And kick himwith your rightleg.

Pull up youropponent's handto make hispositionunstable.

Turn his righthand locking hiswrist.

Throw him downby moving hishand largely.

Apply kick,punch or lockingtechnique.

TipsTipsTipsTipsTurn your both hands very largely while twisting your

opponent's wrist as shown below. This technique uses swingingpower of your both hands with a help of the turning energy ofyour body.

Kote nage http://kenseikai.world.coocan.jp/gihou/kotenag/engkotenag.htm

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Kote nage http://kenseikai.world.coocan.jp/gihou/kotenag/engkotenag.htm

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Ryu(u) nage

What it means

The first one character of is pronounced "ryuuryuuryuuryuu", meaning "a dragon" , the lastone character is pronounced "nagenagenagenage", meaning "a throw".

Techniques

This technique is a variation of Gyaku goteGyaku goteGyaku goteGyaku gote.When you apply Gyaku goteGyaku goteGyaku goteGyaku gote to your opponent andit is very hard to take him down with GyakuGyakuGyakuGyakugotegotegotegote, apply this technique as soon as you feeldifficulty to take him down with Gyaku goteGyaku goteGyaku goteGyaku gote.

Your opponentseizes yourright wrist withhis right hand.

YoudeliverMeuchiMeuchiMeuchiMeuchiand take KagiteKagiteKagiteKagitestyle.

Apply GyakuGyakuGyakuGyakugotegotegotegote.

Apply GyakuGyakuGyakuGyakugotegotegotegote. (continue)As soon as youfind difficultyto take himdown,

Step forwardyour left foot alittle and turnyour right handclockwise andmake it go underhis right elbow,and

hook it to youropponent's upperarm.

Lock his handwith your bothhands and turnyour body tomake a space totake him down.

Apply YubiYubiYubiYubigatamegatamegatamegatame.

Ryuu nage http://kenseikai.world.coocan.jp/gihou/ryunag/engryunag.htm

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Click hereto see stopmotionfigures ofthe animationbelow.

Tips:Do nothesitate toapply thistechniquewhenever youfinddifficulty intaking downyouropponent.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Ryuu nage http://kenseikai.world.coocan.jp/gihou/ryunag/engryunag.htm

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Morote Okurigote nage

What it means

The first two characters part of is pronounced "morotemorotemorotemorote", meaning "bothhands", the middle three characters part is pronounced "okurigoteokurigoteokurigoteokurigote", a name of theShorinji Kempo technique, the last one character part is pronounced "nagenagenagenage", meaning"a throw". Thus this technique means "Throwing down technique, the essence of whichtechnique is same to OkurigoteOkurigoteOkurigoteOkurigote , applicable when your opponent seizes your hand withhis both hands".

Techniques

When your opponent seizes your wristwith his both hands, use thistechnique to lock his wrist and throwhim down.

Your opponent isgoing to seizeyour right wristwith his bothhands.

You take kagitekagitekagitekagiteguard position,and

deliver leftmiddle punch toprevent hisfurther movement.

Turn your righthandcounterclockwiselike Maki nukiMaki nukiMaki nukiMaki nukiand attach yourleft palm onto theback of his lefthand.

Apply OkurigoteOkurigoteOkurigoteOkurigotetechnique and

Make a big swingof your opponent'sshoulder to throwhim down.

Lock his wristwith your bothhands.

Kick his body toprevent hisfurther movement.

Katate Okurigote http://kenseikai.world.coocan.jp/gihou/morookurigo/engmorookurigo.htm

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Click here to seestop motion figures ofthe animation below.

Tips;Tips;Tips;Tips;This sequence totechniques is same asthat of Maki nukiMaki nukiMaki nukiMaki nuki tothe stage at which youmake his grip losepower. To throw him downmake the movement ofyour arms as large aspossible, that is, swinghis arm hard locking hiswrist with OkurigoteOkurigoteOkurigoteOkurigotetechnique.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Katate Okurigote http://kenseikai.world.coocan.jp/gihou/morookurigo/engmorookurigo.htm

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Okuri dori

What it means

The first one character part of is pronounced "okuriokuriokuriokuri", an abbreviation ofOkuri goteOkuri goteOkuri goteOkuri gote, a name of the Shorinji Kempo technique, the last one characters part ispronounced "doridoridoridori", meaning "fix or immobilize". Thus this technique means "lock youropponent's hand with the okurigoteokurigoteokurigoteokurigote technique".

Techniques

This is an offensive version of Okuri goteOkuri goteOkuri goteOkuri gote.Catch your opponent's right (left) hand withyour right (left) hand in a way you can applyOkuri goteOkuri goteOkuri goteOkuri gote. You can apply Okuri yubi doriOkuri yubi doriOkuri yubi doriOkuri yubi doritechnique in the last stage of this technique.

Catch youropponent's right(left) hand withyour right(left) hand in away you canapply Okuri Okuri Okuri Okurigotegotegotegote

Attach your left(right) handand,

turn his armwith a large andquick swing.

Lock his arm in Okuri gotestyle.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Techniques, Okuri dori http://kenseikai.world.coocan.jp/gihou/okurido/engokurido.htm

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Okuri gasshou

What it means

The first one character part of is pronounced "okuriokuriokuriokuri", an abbreviation ofOkuri goteOkuri goteOkuri goteOkuri gote, a name of the Shorinji Kempo technique, the last two characters part ispronounced "gasshogasshogasshogassho", meaning "setting two hands palm to palm". Thus this techniquemeans "When your palm and your opponent's palm is clasped palm to palm, apply"OkurigoteOkurigoteOkurigoteOkurigote" technique.

Techniques

When your right(left) hand and youropponent's left(right) hand are claspedplam to palm with the fingers pointing up,attach your left(right) hand to the back ofyour opponent's left hand, and applyOkurigoteOkurigoteOkurigoteOkurigote technique.

Let your opponent(left) clasp yourright hand in palm to palm style.

You bend yourright wrist toyour side.

Deliver MeuchiMeuchiMeuchiMeuchi.

Attach your lefthand on to theback of youropponenti's lefthand.

Use your leftBoshikyuuBoshikyuuBoshikyuuBoshikyuu likeOkurigoteOkurigoteOkurigoteOkurigote.

Lock youropponent's leftwrist.

TipsTipsTipsTipsUse your BoshikyuuBoshikyuuBoshikyuuBoshikyuu.

Clickhere tosee stopmotionfiguresof theanimationbelow.

Sodemaki tembin http://kenseikai.world.coocan.jp/gihou/okurigasho/engokurigasho.htm

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Sodemaki tembin http://kenseikai.world.coocan.jp/gihou/okurigasho/engokurigasho.htm

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Uwauke nage

When your opponent try to hit yourhead or face with Ura kenUra kenUra kenUra ken, guard itwith Uwa ukeUwa ukeUwa ukeUwa uke, and counterattack withUwauke nageUwauke nageUwauke nageUwauke nage.

The opponent (left ) tries tohit your face withura kenura kenura kenura ken.

You step forwardand guard yourface with UwaUwaUwaUwaukeukeukeuke.

You hit his bodywith right hand.

Seize his righthand with yourleft hand and holdhis elbow withyour right hand asshown in the tipsbelow.

Withdraw your leftleg and lock hisarm.

Throw him byturning quicklywhile locking hisarm.

Kick him so thathe can not easilyattack you again.

Prepare for thenext movement.

TipsTipsTipsTipsHold your opponent's

right elbow with your lefthand from under his arm. Useyour left hand to turn hisright arm counterclockwise tomake the back of his handface you.Withdraw your left leg andturn your body to throw him.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Uwauke duki http://kenseikai.world.coocan.jp/gihou/uwaunag/enguwaunag.htm

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Uwauke gyakute nage

What it means

The first two characters part of is pronounced "Uwa ukeUwa ukeUwa ukeUwa uke", a name ofthe Shorinji Kempo guarding technique, the middle one character part is pronounced"gyakugyakugyakugyaku", meaning "reverse", the next character is pronounded "tetetete", meaning "hand",and the last one character part is pronounced "nagenagenagenage", meaning "throw". Thus thistechnique means "lock your opponent's hand in reverse direction right after guardingwith Uwa ukeUwa ukeUwa ukeUwa uke".

Techniques

When your opponent try to hit yourhead or face with Ura kenUra kenUra kenUra ken, guard itwith Uwa ukeUwa ukeUwa ukeUwa uke, and counterattack withthis technique.

Your opponent (left ) tries tohit your face withura kenura kenura kenura ken.

You step forwardand guard yourface with UwaUwaUwaUwaukeukeukeuke.

You hit his bodywith right hand.

Seize his righthand with yourleft hand and makeyour right hand gounder his righthand to attach itto your left hand.

Use your rightelbow to lock hishand. Turn yourbody bywithdrawing yourleft foot.

Throw him down. Kick.Prepare for thenext movement.

Uwauke gyakute nage http://kenseikai.world.coocan.jp/gihou/uwagyatng/enguwagyatng.htm

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TipsTipsTipsTipsHold your opponent's right

hand with your both hands. Useyour right elbow to turn hisright hand.Withdraw your left leg andturn your body to throw him.

Click here to see stopmotion illustration

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

Uwauke gyakute nage http://kenseikai.world.coocan.jp/gihou/uwagyatng/enguwagyatng.htm

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Uwauke se nage

What it means

The first two characters part of is pronounced "Uwa ukeUwa ukeUwa ukeUwa uke", a name of theShorinji Kempo guarding technique, the middle one character part is pronounced "sesesese",meaning "back (of a body)", the last one character is pronounced "nagenagenagenage", meaning"throw". Thus this technique means "Guard with uwa ukeuwa ukeuwa ukeuwa uke and throw your opponent bysetting him on your back". Actuallly this name comes from Judo technique "SeoiSeoiSeoiSeoinagenagenagenage", that is, "apply Seoi nagSeoi nagSeoi nagSeoi nage after guarding with Uwa ukeUwa ukeUwa ukeUwa uke".

Techniques

When your opponent try to hit your face withhira kenhira kenhira kenhira ken, guard it with Uwa ukeUwa ukeUwa ukeUwa uke, andcounterattack with JudoJudoJudoJudo technique Seoi nagSeoi nagSeoi nagSeoi nage asshown right.

Start. Your opponent (left ) tries tohit your face withhira kenhira kenhira kenhira ken.

You step forwardand guard yourface with leftUwaUwaUwaUwaukeukeukeuke.

Hit his body withright fist.

Seize his righthand with yourboth hands.

Make your body gounder his body andmake it set onyour back.

Throw him downwith JudoJudoJudoJudotechnique SeoiSeoiSeoiSeoinagenagenagenage.

Apply anytechnique tocontrol him afterhe was thrown downon the floor.

Gurading technique against "Seoi nageSeoi nageSeoi nageSeoi nage"

The best guard against SeoinageSeoinageSeoinageSeoinage is "do not let youropponent grab your hand", but in case, unfortunately,you are set onto his back, try this technique shownright to avoid crashing down on to the floor.

Put your left handon to youropponent's back.

Let youropponent(right)throw you.

When your bodydecline enough,use your back

Twist your bodyfor safe landing.

Uwauke se nage http://kenseikai.world.coocan.jp/gihou/uwaseng/enguwaseng.htm

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muscle power tobend your back.

TIPSTIPSTIPSTIPS of guarding techniqueMake your chest attached to

your opponent's back. And make sureto use your back muscle to makeyour body turn.

Click here to see detailexplanation.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves allrights associated with the structure of this site and the information available onthis site.

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Katate nage

This technique is rather an aggressive oneto grasp the opponent's hand with yourboth hands and throw him by locking thehand.

Take theopponent's right(left) hand byyour both hands.

Lock his hand bytwisting itcounterclockwise(clockwise) sothat he cannotcounter attackyou.

Put your left (right) leg forwardand make your upper body as low asyou can make the locked hand goover your head. Use Nisoku tenkaiNisoku tenkaiNisoku tenkaiNisoku tenkai,two step full turn. Pull down hishand to throw him.

Keep locking hishand.

good job.Kick his body todisable hiscounter attack.

Prepare for thenext movement.

<Tips><Tips><Tips><Tips>When you go under youropponent's hand, you may be indanger of losing your balanceunless you make your body aslow as possible and move asquickly as possible.

This is the worst way.You almost lose your balance.

Lockthe opponent's right hand byyour both hands.

And twist itcounterclockwise.

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Gyaku katate nage

What it means

The first one character part of is pronounced "GyakuGyakuGyakuGyaku", meaning "reverse"or "opposite direction", the last three characters part is pronounced "Katate nageKatate nageKatate nageKatate nage",a name of Shorinji Kempo's technique. This case "GyakuGyakuGyakuGyaku" comes from "Gyaku goteGyaku goteGyaku goteGyaku gote",also a name of Shorinji Kempo's technique. Thus this technique means "Katate nageKatate nageKatate nageKatate nageapplied when your opponent seizes your hand in the same way as Gyaku goteGyaku goteGyaku goteGyaku gote".

Techniques

When your opponent seizes your right(left) hand with his right (left) hand,apply this technique. You can throw youropponet in the same way as Katate nageKatate nageKatate nageKatate nage.

Let your opponentseize your righthand.

Your opponentseizes your righthand with hisright hand.

Deliver MeuchiMeuchiMeuchiMeuchiwith your lefthand.

Attach your lefthand on to youropponent's righthand.

Twist out youropponent's righthand with yourboth hands.

Swing his handup, so that hecan notcounterattack.

Put your left legforward and makethe locked handgo over yourhead. Use NisokuNisokuNisokuNisokutenkaitenkaitenkaitenkai, two stepfull turn.

Kick his body todisable hiscounter attack.Prepare for thenext movement.

<Tips><Tips><Tips><Tips>When you go under youropponent's hand, you maybe in danger of losingyour balance unless youmake your body as low aspossible and move asquickly as possible.

This is the worst way.You almost lose your balance.

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Bukkotsu nage

What it means

The first two characters part of is pronounced "bukkotsubukkotsubukkotsubukkotsu", the name of acritical point at your throat, the last one character part is pronounced "nagenagenagenage",meaning "throw". Thus this technique means "Press into BukkotsuBukkotsuBukkotsuBukkotsu critical point tothrow your opponent down.

Techniques

Press bukkotsubukkotsubukkotsubukkotsu critical point tothrow your opponent down.

Click hereto see themovie

Let your opponentseizes your sleeveand lapel.

Your opponentseizes your sleeveand lapel.

You grab youropponent's leftsleeve and seizehis left collarwith your righthand. And pushinto his Bukkotsucritical point athis throat withyour right thumb.

Turncounterclockwiseto make space forhim to fall down,and pull down yourleft hand to throwhim down.

Kick into hisbody.

Bukkotsu nage http://kenseikai.world.coocan.jp/gihou/bukotng/engbukotng.htm

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TipsTipsTipsTipsHold your opponent's left collar

with your right hand and use yourright thumb as shown in the leftfigure.Withdraw your left leg and turn yourbody to throw him.

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Tachi ichiji gatame

Tachi ichiji gatameTachi ichiji gatameTachi ichiji gatameTachi ichiji gatame is a technique tolock your opponent's arm as shown inthe right Fig..You can make your opponent unable toescape while you are standing andlocking his arm with one hand.

This technique is applicable right after Uragaeshi nageUragaeshi nageUragaeshi nageUragaeshi nage. Your opponent shall belocked as shown below with his belly facing the floor.

TipsTipsTipsTipsIt is important to useyour BoshikyuBoshikyuBoshikyuBoshikyu.Do not let youropponent's arm bend,make it straight andtwist and push it downtoward his shoulder.

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Sekoshi ichiji gatame

What it means

The first one character part of is pronounced "sesesese", meaning "back", thenext one character part is pronounced "koshikoshikoshikoshi", meaning "over", and the next twocharacters part is pronounced "ichi ji ichi ji ichi ji ichi ji ", meaning "figure of one, or straight", andthe last one character is pronounced "gatamegatamegatamegatame", meaning "lock". Thus this techniquemeans "lock your opponent's arm making straight line with your hand over his back".

Techniques

Sekoshi ichiji gatameSekoshi ichiji gatameSekoshi ichiji gatameSekoshi ichiji gatame is a techniqueto lock your opponent's arm andshoulder over his back. Thistechnique is supposed to be used whenyou have to fight with another personwhile locking your opponent.

Start from UraUraUraUragatamegatamegatamegatame position.

Step your rightleg over youropponent's back.

Also step yourleft leg overhis back.

Push your lefthand down toimmobilize youropponent.

Use your boshikyu boshikyu boshikyu boshikyu to turn your opponent's hand,and push down his arm so that his shoulder be fixedonto the floor.

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Okuri yubi dori

This is an offensive version of OkuriOkuriOkuriOkurigotegotegotegote. Catch your opponent's right(left) hand with your right (left)hand in a way you can apply Okuri Okuri Okuri Okurigotegotegotegote. Lock his thumb after you lockhis arm in Okuri goteOkuri goteOkuri goteOkuri gote style.

Catch youropponent's right(left) hand withyour right(left) hand in away you canapply Okuri Okuri Okuri Okurigotegotegotegote

Attach your left(right) handand,

turn his arm ina large andquick swing.

Lock his arm inOkuri gotestyle.

Twist his thumbwith your left (right) hand.

TipsTipsTipsTipsTwist your

opponent's thumbas shown in theright figure.

Techniques, Okuri yubi dori http://kenseikai.world.coocan.jp/gihou/okuriy/engokuriy.htm

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Sodemaki gaeshi

When your opponent seized yourright(left) sleeve from under yourhand by his left(right) hand, useSodemaki gaeshiSodemaki gaeshiSodemaki gaeshiSodemaki gaeshi.

Let youropponent seizeyour rightsleeve.

When seized,take stableposition.

Deliver meuchi,and attach thesame hand fromunder youropponent's leftback.

Turn your righthand clockwiseand rock youropponent's wristsame asOshigoteOshigoteOshigoteOshigote.

Step forwardyour right legand turn yourright handcompletely.

Take down youropponent.

Before he trysto get up, takekannukikannukikannukikannukiposition.

Control him withkannukigatamekannukigatamekannukigatamekannukigatame.

TipsTipsTipsTipsFix your opponent's

hand in the angle yourright elbow makes. Rockit in the same way askatake oshigotekatake oshigotekatake oshigotekatake oshigote.

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Jo(u)haku nuki

Use Johaku nukiJohaku nukiJohaku nukiJohaku nuki when your opponentseizes your upper arm/arms with hishand/hands. The right animation showsthe movement of Johaku nukiJohaku nukiJohaku nukiJohaku nuki when heseizes your upper arms.

Your opponentseizes yourupper arms withhis hands.

Take KagiteKagiteKagiteKagiteguard positionso that you donot lose thecontrol.

Turn your rightarmcounterclockwiseand,

stretch it down. Hit youropponent's facewith urakenurakenurakenuraken.

Apply the samemovement to yourleft arm.

Stretch downyour left arm.

Hit youropponent's facewith urakenurakenurakenuraken.

Throw middlepunch.

You may applyJohaku nukiJohaku nukiJohaku nukiJohaku nuki toyour left armfirst and thento the rightarm, dependingon thecondition.

TipsTipsTipsTipsTurn your arm so

that it goes by yourear and youropponent's gripbecomes ineffective.

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Kusshin geri

This technique is used tocounterattack your opponent's hookpunch with your kick.

Your opponenttrys to punchin your face.

Duck guardingyour face.

Go under youropponent'shand.

Kick youropponent.

Prepare fornext movement.

TipsTipsTipsTipsGuard your face and body while ducking.

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Ryu(u)sui geri

What it means

The first two characters part of is pronounced "ryuu-suiryuu-suiryuu-suiryuu-sui", meaning "runningwater", and the last one character part is pronounced "gerigerigerigeri", meaning "kick". Thusthis technique means "Sway your body in ryuu-suiryuu-suiryuu-suiryuu-sui form and counterattack with akick". See the following explanation about ryuu-suiryuu-suiryuu-suiryuu-sui.

Techniques

You must tilt your body forward and your right shoulder and hip to right leg must bein smooths line along which water can run down very smoothly. Thus the name"ryuusuiryuusuiryuusuiryuusui" comes from this form.

When your opponent try to hit yourface with his hand, you bend down tomake his punch miss and counterattackwith your kick.

Forward dodge style;

The opponenttry to hit yourface with hisleft hand.

You stepforward at a 45degree angleand bend tomake his punchmiss you.

Guard your facewith Soto ukeSoto ukeSoto ukeSoto ukeand your bodywith Shita uke Shita uke Shita uke Shita ukepreparingagainst hiskick that mayfollow.

Counterattackwith middlekick.

Step back andprepare for thenext movement.

Backward dodge style;

The opponenttry to hit yourface with hisleft hand.

You move yourweight ontoyour rightfoot.

Twist you waistand upper bodyto right andmake youropponent'spunch miss yourface.

Counterattackwith your leftkick.

Put your leftleg back withJuuji ashiJuuji ashiJuuji ashiJuuji ashisagarisagarisagarisagari movingtechnique.Prepare for thenext

Ryuusui geri http://kenseikai.world.coocan.jp/gihou/ryusui/engryusui.htm

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movement.。

<これがコツ><これがコツ><これがコツ><これがコツ>Forward dodge style ;Do not afraid of being hit. Bend

down forward and aside to let his punch miss your face.It is better keep your back straight.Backward dodge style; Make sure that your left leg andyour left waist and shoulder make smooth line.

In case offorwarddodgingstyle, guardyour body wityour rightshita ukeshita ukeshita ukeshita uke andleft Niou ukeNiou ukeNiou ukeNiou ukeagainstpossibleconsecutive

attack.

To see a stop motionexplanation click

below.Forward dodge styleBackward dodge style

In case of backward dodgestyle, it is important totwist your waist andupper body to right. Donot step right largely.

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Byakurenken 1st

When your opponent tries to punch in your

face, block the punch with uchiuke and using

the hand used for the block to counterattack.

This technique is called Tubamegaeshi.

Byakurenken 1st is a hokei to practice the

consequential movement by oneself.

Take taikigamae

with your left leg

forward.

Move diagonally to

the left and block

upper punch with

uchiuke.

Hit the opponents

neck with your left

hand.

Right middle

punch.

Recede and

shitauke.

Kick with left leg

and put it down in

the same position.

Step your left leg in

45 degree of angle

in front of your

right leg and turn

your head back.

Uchiharai with

right arm, turning

back your body.

Repeat again.

Tips,

Speed is essential. Do not pause after uchiuke.

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Enbu-1

Enjoy Shorinji Kempo enbu, a sequence of techniques, in GIF animation.

Enbu starts with

gassho rei.

Uwauke against

junduki.

Shitauke against

middle punch.

Juniuke against

gyakugeri.

Counterattack with

kick.

Uwauke against

junduki

Shitauke against

middle punch. Hold

the brow with right

hand to initiate

Kotenage.

Middle kick to

weaken the opponent's

power.

Kotenage. Kick.

Gyakugedan kamae

to let the opponent

grab your sleeve.

Being held at your

sleeve.

Guard against leg

sweep.

Apply

Sodemakikaeshi.

Kick.

Uwauke against

junduki

Shitauke against

middle punch.

Sanbou uke against

upper Mawashi geri.

Counterattack with

kick.

Enbu ends with

Gassho rei.

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Tenchiken 1st

This consists of basic offending and defending

techniques.

In the illustration below, an opponent is added for better understanding of the each movement.

Stand in Kesshu form. Drawing back your

right leg, stand in left

Chudan gamae.

Step forward in 45

degree of angle, throw

left punch in the face.

Draw your right leg a

little forward. Throw

your right punch to the

body.

Guarding with right

Sotouke, punch into

the body with left

Kagiduki, or hook

punch.

Draw your left leg

wide, and guard your

face with right

Uwauke.

Guard your face with

Uchiuke and body

with Shitauke at the

same time.

Guard your body with

right Uchiharai uke,

apply left Soto uke at

the same time.

Counterattack with

right kick.

Guarding your body

with Shitauke,

prepare for the next

movement in left

Ichiji gamae.

<Tips>

Practice as many times as you can.

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Tenchiken 2nd

This consists of basic offending and defending

techniques. It includes rengeki, two punches,

kicks or mixed, punch and kick, in sequence

without no pause in between.

Stand in left ichiji

gamae.

Upper left furiduki

stepping diagonally

forward.

Right middle punch

right after the upper

furiduki.

Duck and guard your

face with uchiage

uke. Throw left

middle kagi duki at

the same time.

Stepping forward your

right leg, throw right

upper punch.

Throw left middle

punch right away.

Guard your face with

soto uke and uchi

uhiotoshi uke at the

same time, niou uke.

Right middle kick and

put your right leg

where it was.

Draw back your right

leg.

Prepare for the next

movement in left

ichiji gamae.

<Tips>

Practice as many times as you can. Do not lose a rhythm of rengeki.

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Tenchiken 3rd

This consists of basic offending and defending

techniques. Changing the direction of offense

is one of the feature of it.

Stand in left ichiji

gamae.

Upper left

furiduki stepping

diagonally

forward.

Right middle

punch in the

direction of 30

degree of angle to

the right.

Mawashi geri in

the direction of 60

degree of angle to

the right.

Stepping forward

your right leg in

the triangular

direction to the

right, throw right

shutou giri.

Throw left middle

punch right away.

Draw back your

left leg and shita

uke.

Right middle kick

and put your right

leg where it was.

Turn back, using

zentenkan.

Prepare for the

next movement in

left ichiji gamae.

Tips

Change the direction of offense as shown in

the left figure; furiduki(1), gyaku duki(2),

mawasi geri(3), shutou giri(4).

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Tenchi ken 4th

This consists of basic offending and defending

techniques. It includes four consecutive

offense, two with rengeki and two with tuki.

Stand in left ichiji

gamae.

Jump with your

left leg.

Right kick and, left kick

immediately.

Stepping forward

your left leg,

throw left shutou

giri.

Throw right middle

punch right away.

Draw back your

right leg and shita

uke.

Left middle kick

and put your left

leg where it was.

Turn right, using

hantenkan.

Prepare for the

next movement in

rightichiji gamae.

Tips

For tobi ren geri,

use your leg as shown in

the left figure. Second

kick may be mawashi

geri instead of choku

geri.

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Tenchiken 5th

This consists ofsequence ofUchiharai ukeUchiharai ukeUchiharai ukeUchiharai uke andconsecutive kicktechniques.

AVI movie335KB8 sec

Start with right Ichiji gamaeIchiji gamaeIchiji gamaeIchiji gamae so that you can practice Tenchiken 5thTenchiken 5thTenchiken 5thTenchiken 5th right afterTenchiken 4thTenchiken 4thTenchiken 4thTenchiken 4th.

Right IchijiIchijiIchijiIchijigamaegamaegamaegamae.

Step aside yourleft foot andUchiharai ukeUchiharai ukeUchiharai ukeUchiharai ukewith right hand.

Kick with rightleg and put iton the samespot.

Step forwardyour right legin KagiashiKagiashiKagiashiKagiashiposition andUchiharai ukeUchiharai ukeUchiharai ukeUchiharai ukewith left hand.

High kick withleft leg and putit in front ofyou.

Uchiharai ukeUchiharai ukeUchiharai ukeUchiharai ukewith right handand stepforward leftleg inKagiashiKagiashiKagiashiKagiashiposition.

Side kick toyour front withright leg.

Turn left usingthe momentum ofpulling backright leg andstand with yourleft foot.

Stepping forwardyour right foot,upper punch withyour right hand.

Soto ukeSoto ukeSoto ukeSoto uke withright hand andmiddle punchwith left hand.

Swaying backand UchiharaiUchiharaiUchiharaiUchiharaiukeukeukeuke with righthand.

Gedan gamaeGedan gamaeGedan gamaeGedan gamae, orlower handposition.

Stepping forwardyour right foot,

Uchiharai ukeUchiharai ukeUchiharai ukeUchiharai ukewith left handand Zen tenkanZen tenkanZen tenkanZen tenkan,or full turn.

Prepare to thenext movementwith leftIchiji gamaeIchiji gamaeIchiji gamaeIchiji gamae.

TipsTipsTipsTipsStand still in Kakuritu Kakuritu Kakuritu Kakuritu position, or single foot standing

position.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003 continues to do so, and reserves all rightsassociated with the structure of this site and the information available on this

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site.

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Tenchiken 6th

This consists of basicoffending and defendingtechniques. It includesuchi harai ukeuchi harai ukeuchi harai ukeuchi harai uke andsokuto gerisokuto gerisokuto gerisokuto geri and others.

AVI Movie315KBPerforming 8sec.

Stand in leftichiji gamaeichiji gamaeichiji gamaeichiji gamaeposition.TenchikenTenchikenTenchikenTenchiken 6this continuedfrom TenchikenTenchikenTenchikenTenchiken5th.

Pull forwardyour right leg,uchiharai ukeuchiharai ukeuchiharai ukeuchiharai ukewith your leftarm.

Sokuto geriSokuto geriSokuto geriSokuto geriwith your leftleg to yourright.

Put the leg infront of yourright foot.Uchiharai ukeUchiharai ukeUchiharai ukeUchiharai ukewith right armand soto ukesoto ukesoto ukesoto ukewith left hand.

Sokuto geriSokuto geriSokuto geriSokuto geri toyour right.

Tsuru ashiTsuru ashiTsuru ashiTsuru ashidachi.dachi.dachi.dachi.

Step forwarddiagonally toyour right andright upperpunch.

Left middlepunch.

Modori dukiModori dukiModori dukiModori dukiwith righthand..

Right kick.

Uchi harai ukeUchi harai ukeUchi harai ukeUchi harai ukewith left handand left hanhanhanhantenkantenkantenkantenkan.

Left ichijiichijiichijiichijigamaegamaegamaegamae, kesshukesshukesshukesshudachi dachi dachi dachi andgassho reigassho reigassho reigassho rei.

TipsTipsTipsTipsModori dukiModori dukiModori dukiModori duki is a punch used while you move

backward.In the above animation, each movement is stoppeda while for the better understanding. When youpractice, do not stop at each movement. You mustmove very smoothly and quickly.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003 continues to do so, and reserves all rights

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associated with the structure of this site and the information available on thissite.

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Giwa ken 1st

Giwa ken is made of basic movements for the

beginners. It is useful for training beginners

and also useful for senior people as an

exercise.

Prepare to start in

Kesshu gamae. Keep

your breath steady.

Draw your right leg

back and take Chudan

gamaeposition.

Stepping forward in 45

degree of angle to

dodge your opponent's

punch, throw your left

upper punch.

Draw your right leg a

little forward and

deliver your right

middle punch.

Draw your right leg

back, Soto uke with

your right hand and

Uchi uke with your

left hand, or Niou uke.

Take Ichiji gamae

position.

Kick with your left leg

and put the leg in the

previous position.

Step your left leg in

the position 45 degree

right of your right leg

and turn your head

back.

Turning your body

back, or Zentenkan,

try Uchiharai uke

with your right hand.

Take Gedan gamae

position.

Start the same

movements from right

hand.

<Tips>

Try as many time as you can so that you can do it fluently.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. The same

Keijiro Hayashi maintained and improved this site during the years: 1998, 1999, 2000, 2001, 2002, 2003

continues to do so, and reserves all rights associated with the structure of this site and the information

available on this site.

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Giwaken 2nd

Giwaken 2nd is usually practiced in

consequence with Giwaken 1st. This causes

Giwaken 2nd to start in hidari mae chuudan

gamae. Han tenkan, or half turn, is used in

Giwaken 2nd. However, you may apply Zen

tenkan, or full turn, arbitrary after you master

han tenkan.

Hidari mae

chuudan gamae

Step your left foot

diagonally forward,

and uchi uke.

Right middle

punch.

Right kick.

Put your right foot

in the previous

position, and

recede a little and

left shita uke.

Left kick, and put

the leg in the

previous position.

Turn your face

right, and step your

left leg forward,

turn right using han

tenkan technique.

Start again with

right uchi uke.

Tips

The animation on the top of this page is simplified, one han tenkan is

omitted. Giwaken 2nd shall be completed in the position after you apply

four right han tenkan.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. The same

Keijiro Hayashi maintained and improved this site during the years: 1998, 1999, 2000, 2001, 2002, 2003

continues to do so, and reserves all rights associated with the structure of this site and the information

available on this site.

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Ryuou ken 1st

Until 13 Sept. 2002, in this web page, it was explained that an upper punch should befollowed by a middle punch, however it was found to be incorrect according to thelatest honbuhonbuhonbuhonbu guide line. Therefore this page was revised to meet with latest honbuhonbuhonbuhonbuguide line.(Revised 14. Sept. 2002)

Ryuou ken 1stRyuou ken 1stRyuou ken 1stRyuou ken 1st is a pair basic standard formation. You can learnbasic movements of Kote nukiKote nukiKote nukiKote nuki and the following techniques. Thesame formation for single person is defined as Tan En HoukeiTan En HoukeiTan En HoukeiTan En Houkei,or single standard formation. The movement is not exactly sameto the right hand side person in the right animation. In caseyou are to have an examination, follow the movement as describedbelow.

Numbers Movement

1,2(1)Step forward your left foot and take kagitekagitekagitekagite guard position with yourright hand. Set your left hand at chuududanchuududanchuududanchuududanposition.(2)Deliver meuchimeuchimeuchimeuchi with your left hand and return it in chuudanchuudanchuudanchuudan position.

3,4

(3)Pull your right foot a little bit forward and apply kotenukikotenukikotenukikotenuki to yourright hand.(4)With your right hand which you are supposed to have freed from youropponent's grip deliver urakenurakenurakenurakento your opponent's face, put your left handin front of your chest.

5(5)Stepping aside to the right deliver middle punch with your left hand.Set your right hand in front your chest. ( revised 2005.10.3)

6,7

(6)Dodging to the left, upper punch with your right hand. Set your lefthand in front of your chest.(7)Take right ichiji gamaeichiji gamaeichiji gamaeichiji gamae position, and mawashigerimawashigerimawashigerimawashigeri with your right leg.Put your right foot where it was, after the kick.

8(8)Setp back your right foot guarding your body with your left shita ukeshita ukeshita ukeshita uke.Thus take left ichijiichijiichijiichiji gamae. Use happou mokuhappou mokuhappou mokuhappou moku and prepare for the nextmovement.

9(9)Pull your right foot forward to your left foot and stand in kesshu kesshu kesshu kesshuposition. ChousokuChousokuChousokuChousoku, happou mokuhappou mokuhappou mokuhappou moku and gasshou reigasshou reigasshou reigasshou rei.

Prepare to start inKesshu gamaeKesshu gamaeKesshu gamaeKesshu gamae. Keepyour breath steady.

Draw your right legback. Take ChudanChudanChudanChudangamaegamaegamaegamae.

Do not let him seizeyour hand for thefirst time. UseShita ukeShita ukeShita ukeShita uke to guardyour hand.

When he seized on thesecond time, takeKagiteKagiteKagiteKagite guardposition at once anddeliver MeuchiMeuchiMeuchiMeuchi withleft hand.

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Apply Kote nukiKote nukiKote nukiKote nuki.Push your rightelbow completely.

Throw UrakenUrakenUrakenUraken in hisface.

Stepping aside tothe right, punch hisbody with your lefthand.

Dodging to the left,throw your rightpunch in his face.

Kick his face orbody with MawashiMawashiMawashiMawashigeri.geri.geri.geri.

Put your right legin the formerposition and readyfor the nextmovement.

Guarding with leftShita ukeShita ukeShita ukeShita uke, drawyour right legbehind your leftleg.

Take Ichiji gamaeIchiji gamaeIchiji gamaeIchiji gamaeposition and preparefor the nextmovement.Gassho reiGassho reiGassho reiGassho rei.

Tan en houkei Tan en houkei Tan en houkei Tan en houkei ofRyuou kenRyuou kenRyuou kenRyuou ken 1st.

Click here to seethe stop motion

illustration

The following is the explanation before the revision.

Ryuou ken 1stRyuou ken 1stRyuou ken 1stRyuou ken 1st is a pair basicstandard formation. You can learnbasic movements of Kote nukiKote nukiKote nukiKote nuki and thefollowing techniques. The sameformation for single person isdefined as Tan En HoukeiTan En HoukeiTan En HoukeiTan En Houkei, or singlestandard formation. The movement isthe same of the right hand sideperson in the right animation.

Prepare to startin Kesshu gamaeKesshu gamaeKesshu gamaeKesshu gamae.Keep your breathsteady.

Draw your rightleg back. TakeChudan gamaeChudan gamaeChudan gamaeChudan gamae.

Do not let himseize your handfor the firsttime. Use ShitaShitaShitaShitaukeukeukeuke to guard your

When he seized onthe second time,take KagiteKagiteKagiteKagite guardposition at onceand deliver MeuchiMeuchiMeuchiMeuchi

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hand. with left hand.

Apply Kote nukiKote nukiKote nukiKote nuki.Push your rightelbow completely.

Throw UrakenUrakenUrakenUraken inhis face.

Stepping aside tothe right alittle, punch hisface with yourleft hand.

Dodging to theleft a little,throw your rightpunch in themiddle.

Kick his face orbody with MawashiMawashiMawashiMawashigeri.geri.geri.geri.

Put your right legin the formerposition and readyfor the nextmovement.

Guarding with leftShita ukeShita ukeShita ukeShita uke, drawyour right legbehind your leftleg.

Take Ichiji gamaeIchiji gamaeIchiji gamaeIchiji gamaeposition andprepare for thenext movement.Gassho reiGassho reiGassho reiGassho rei.

<Tips><Tips><Tips><Tips>Do not try to pull your hand when seized. Use his force

to pull to take KagiteKagiteKagiteKagite guard position.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in1998. The same Keijiro Hayashi maintained and improved this site during the years:1998, 1999, 2000, 2001, 2002, 2003 continues to do so, and reserves all rightsassociated with the structure of this site and the information available on thissite.

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