Guía de lentes Canon

Your Canon EF Lens Guide

2MTF charts might look confusing at first, but they provide vital information about lens performance.

An MTF (Modulation Transfer Function) chart indicates the resolution and contrast of a lens from the centre to the corner of an image both at the lens maximum aperture and at f/8.The graph is calculated from the lens ability to reproduce sets of extremely fine lines both parallel to the image diagonal (Sagittal) and perpendicular to the image diagonal (Meridional). One set of lines is spaced with 10 lines per millimetre (lpmm) and is used to indicate contrast. A second set, at 30 lines per millimetre, indicates resolution (sharpness).

A Canon MTF chart is made up of 8 graph lines in two colours. The 4 black lines represent the lens performance at maximum aperture while the 4 blue lines indicate performance at f/8. Thick lines show contrast (10 lpmm) and thin lines resolution (30 lpmm). The lines representing sagittal detail are shown as solid lines. The lines representing meridional detail are shown dashed.

For zoom lenses, charts are provided for both the minimum and maximum focal lengths.

The perfect lens would show both solid and dashed lines running horizontally across the top of the chart in other words, showing 100% accuracy throughout the frame. In practice no such lens exists, so you will see some amount of variance with even the very best lenses on the market.

How to read MTF charts

Contrast lines above 0.8 indicate superior contrast. Performance

Lenses that demonstrate good edge performance have almost horizontal lines.

Resolution lines above 0.6 indicate good sharpness.

The more the S and M curves are in line, the more natural the blurred image becomes

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10 lines/mm30 lines/mm

Maximum aperture f/8S M S M

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The closer the Sagittal and Meridional lines are together, the more natural the blurred parts of an image appear.

Distance from centre of frame

HOw TO ReAd MTF CHARTS

3Introduction 5

The EF Advantage 6

Choosing a Lens 7

Making Sense of Lens Names 11

EF-S Zoom Lenses 13

EF Fixed Length Lenses 21

EF Zoom Lenses 41

Macro Lenses 53

Tilt and Shift Lenses 57

Accessories 61

Specifications 65

Glossary 69

Contents

TAbLE oF CoNTENTS

? .....Glossary

31 .....Page link

.....Tip

i .....Info

Icons used In ThIs GuIde

4EF-S17-55mmf/2.8ISUSM1/60secf/2.8

5Where do you want to take your photography? Perhaps you are just starting out and exploring the possibilities. or maybe you have found your style and want the ideal lens to do it justice. This guide is for everyone who loves photography. If you are looking for some direction, be sure to read pages 6 to 11. If you are an experienced photographer, jump straight ahead to the lenses themselves.

The breadth of the EF lens range can be overwhelming, but its also what makes the EoS system so special. Whether you are amateur or professional, capturing panoramic vistas orstudioportraits,youllfindalensinthesepagestosuityourneeds.From14mmultrawide-angleto800mmsupertelephoto,eachofthe60+modelsintheEFlenscollectiongives a unique dimension to your photographic vision. When it comes to choice, no other manufacturer compares. And as youll see through the sample images in this guide, EF lens quality speaks for itself. Take a look at the options and start your journey today.

Get ready to explore

INTRoDUCTIoN

6What sets the EF lens range apart? Innovation. Canon has been pursuing the perfect lens for more than six decades. This pursuit has generated a raft of pioneering technologies, the very best of which are found in todays line-up.

Aspherical lensesCanonwasthefirstcompanytointroduceasphericalelements for SLR lenses to counteract the problem of spherical aberration ? . These special elements play an integral part in delivering the corner-to-corner sharpness and clarity of top performers in the EF range.

Image stabilizerPioneered by Canon in 1995, Image Stabilizer technology uses gyro sensors to detect and compensate for unwanted camera shake. Todays IS systems allow photographers to shoot up to 5 stops slower with no increase in blur. Since the Image is stabilised within the lens instead of the camera, the IS system can be optimised for each model. Whats more, the auto focus system has a steady image to work with and the photographer gets a steady image through the viewfinder.

Fluorite and ud lens elementsFluorite crystal and Ultra-low Dispersion (UD) glass elements combat chromatic aberration ? or fringing. by virtue of their special diffraction properties, these materials keep colours accurate and contrast high.

Lens coatingsLightreflectedofflenselementsandtheimagesensorcancauseghosting(secondaryimages)andflaretoappearin images. Canons Super Spectra coating absorbs light ratherthanreflectingit.ThenewSubwavelengthstructurecoating (SWC) goes one step further, effectively eliminating problematicreflectionstoensurecrisp,undistortedimages.

ultrasonic MotorThe Ultrasonic Motor (USM) was introduced with the Canon EF300mmf/2.8LUSMlensin1987.Silentandaccurate,USM technology powers the rapid auto focusing performance of almost every current EF lens.

? spherical aberration An optical phenomenon whereby light rays entering at the edges of spherical lens elements converge at slightly different focal points to light rays entering from the centre. This produces soft, low contrast images that look as if covered with a thin veil. Aspherical lenses are used to counteract this problem.

? chromatic aberration An optical phenomenon caused by different wavelengths of light bending at different angles when passing through the lens, resulting in colour distortion.

i Canons Sub Wavelength Structure(SWC)anti-reflectivecoating is what is known as a biomimetic technology mimicking a phenomenon found in nature. Working at the nano-scale, the SWC coating is inspired by features found within the eyes of moths.

The EF Advantage

EF LENS TEChNoLoGy

7The following pages provide a general guide to suitable lenses for different situations. Ultimately, the right lens is the one that matches your creative vision.

sports and WildlifeFor sports and wildlife photography, two factors are paramount: reach and speed. Whether youre shooting lions on the Serengeti or weekend football players in the park, you need a lens that gets up close yet allows you to keep your distance. Generally speaking, you should be lookingattelephotolensesbetweenthe100mm-300mmfocal length range. by speed, we mean lenses that focus quickly and transmit enough light to allow for very fast shutter speeds. A telephoto lens with a large maximum aperture ? will give you this capability, but at a price. here are two recommendations to suit different budgets.

Top lens: EF300mmf/2.8LISUSM35

Mid range: EF70-300mmf/4-5.6ISUSM46

PortraitThe best portraits are those that approximate our human interpretation of faces. In terms of focal length, that means anythingbetween50mmand100mm.Awide-anglelenswill accentuate extremities such as noses and ears. Telephoto lenseswillflattenthefaceintosomethingtwo-dimensionaland uninspiring. beyond focal length, a key consideration is maximum aperture. Wider apertures allow you to achieve finerdepth of field ? . Distracting background detail is blurred and the focal point of your photograph the subjects face remains in sharp focus.

Top lens:EF 85mm f/1.2L II USM 30

Great budget option:EF50mmf1.8II28

? Aperture The adjustable lens opening through which light passestotheimagesensororfilm.Aperture size is indicated by an F-stop the higher the value, the smaller the lens opening.

? Depth of field The zone of sharpness in front of and behind the subject on which the lens is focused. Determined by aperture size, focal length and focusing distance.

The effects of camera movement are more noticeable at higher focal lengths. Most telephoto lenses feature Image Stabilizer (IS) technology 6 to compensate for this. If you are shooting handheld without IS, follow the reciprocal rule: you need a shutter speed no slower than 1/focal length. So a focal length of 125mm would require a minimum shutter speed of 1/125.

When choosing a portrait lens, look for a circular aperture. The shape of the aperture appears in out of focus highlights and a circular aperture leads to more pleasing background blur.

Choosing a lens

ChooSING A LENS

8LandscapesA wide-angle lens will allow you to get more of the scene into your photo while also giving a greater sense of depth and distance. Aim for a focal length between 17mm and 24mm, taking into account the crop factor ? for your camera. Most landscapephotographyrequiresalargedepthoffieldtogetas much of the scene as possible into focus. This means that typically, you do not require a large maximum aperture. What you do require is high quality optics to capture tiny details in your scene.

Top lens: EF 24mm 1.4L II USM 24

Mid range: EF17-40mmf/4LUSM42

MacroMacro lenses allow you to capture tiny objects at life-size. The main factor to consider when choosing a macro lens isthefocallength.Shorterfocallengths(50mm-60mm)provideawiderfieldofview,whichmeansyouwilltypicallybe capturing more background detail in the image. Since you need to get right up close to your subject at these focal lengths, your working distance will be shorter. Medium or telephoto(90mm-180mm)macrolenseslimityourfieldofview so that the subject can take up the entire frame. you can shoot from a greater distance useful when photographing skittish insects.

Light and compact:EF-S60mmf/2.8MacroUSM54

shoot from a distance:EF180mmf/3.5LMacroUSM56

? crop Factor The APS-C sensor onEOSmodelssuchasthe1000D,450D,500D,40Dand50Dissmaller than a standard 36x24 millimetre frame. The smaller sensor size has the effect of cropping the available image area of a standard EF lens, resulting in a1.6xmagnificationofthelensfocal length. This extra reach is awelcomebenefitfortelephotoshooting but limits the potential of wide-angle lenses. EF-S lenses werespecificallydevelopedtogiveowners of these cameras more wide-angle options.

one way to increase magnificationwhenshootingmacro subjects is to add an extension tube between the camera and the lens 56. Extension tubes dont have any glass in them their purpose is to move the lens further away from the image sensor, thereby increasing magnificationandallowing for a closer working distance. The trade-off is that you lose the abilitytofocustoinfinity.

Choosing a lens

ChooSING A LENS

9ArchitecturePerspective distortion is a common problem when photographing buildings. The lines of a building tend to converge when photographed, resulting in a slightly skewed finalimage.ATiltandShiftlensisagoodsolution.Thisisaspecialist lens that allows you to shift the lens axis away from the centre of the frame. The vertical edges remain parallel, achieving the same effect as specialist view cameras. Anotherbenefitisthatthefieldofviewismuchwiderthanwould be possible using a normal lens of the same focal length.

The professionals choice: TS-E 17mm f/4L 58

InteriorsInteriors are notoriously tricky and require a deep understanding of lighting and exposure techniques. you willbeworkinginaconfinedspace,solookforawide-anglelensestofitasmuchoftheroomintoyourshotaspossible.Interior shots typically require long exposures to gather enough light. Large maximum apertures are not always suitableduetothereduceddepthoffield,soatripodisvital.

Top lens:EF 16-35mm f/2.8L II USM 43

Good choice for eF-s mount cameras:EF-S10-22mmf/3.5-4.5USM14

Ultra wide-angle lenses (such as the EF 14mm f/2.8L II USM) are unsuitable for interior photography since images at these focal lengths often show barrel distortion at the edges of the frame, with straight lines appearing curved. you can, however, correct much of this distortion through the lens aberration correction feature in Digital Photo Professional software.

When shooting interiors, use apolarizingfiltertoreduceglarefromreflectivesurfaces.

Choosing a lens

ChooSING A LENS

10

Zoom lenses offer several focal lengths within a single lens. Non-zoom or prime lenses provideasingle,fixedfocallength.Eachhasitsadvantages.

Zoom lensesThebigbenefitofazoomlensisconvenience.Youcanshoot wide or at longer focal lengths without having to change your lens mid-shoot. This is a factor to consider if you regularly shoot in time-sensitive situations. having several focal lengths in one package also reduces the amount of equipment youll need to carry.

Prime lensesPrime lenses generally offer a wider maximum aperture. you can shoot in lower light, or use faster shutter speeds when photographing action. If you like to shoot portraits, theshallowdepthoffieldofferedbyprimelensesshouldbe considered. because they generally use fewer pieces of glass, prime lenses are often sharper than their zoom counterparts at equivalent focal lengths. A prime lens is also agreatlearningtoolwhenyouarestartingout:thefixedfocallength forces you to think carefully about each composition, rather than simply zooming in on the subject.

i Recent developments in lens technology are making zoom lenses more portable than ever before.TheEF70-300mm f/4.5-5.6 Do IS USM, for example, packs a wide zoom range into a unitthatislessthan10cmlong.

i Super telephoto lenses are only available as prime lenses. The maximum focal length found inanEFzoomis400mm,whileprime lenses are available up to 800mm.

Zoom or Prime?

ZooM oR PRIME?

11

EachEFlensisidentifiedbyaseriesofcodeswhich provide important information about its characteristics.

Making Sense of Lens Names

MAkING SENSE oF LENS NAMES

eF 100-400mm f/4.5-5.6L Is usM

100-400mm The focal length of the lens. A range of focal lengthssuchas24-105mmindicatesazoomlens.

f/4.5-5.6 The maximum aperture of the lens, expressed as an F-stop. The smaller the F-stop, the wider the maximum aperture. A number range indicates the maximum apertures at each end of the zoom range.

L Indicates a professional L-series lens the ultimate in image quality, durability and performance.

Is Indicates that the lens uses an Image Stabilizer 6 to correct for unwanted camera shake. IS allows shooting at up to 5 stops slower than would otherwise be possible.

usM Refers to Ultra Sonic Motor. Found in many Canon lenses, the USM drives fast, silent and accurate auto-focusing.

do Uses Diffractive optical elements. 49

eF-s Designed for cameras with an EF-S lens mount. 13

MP-e or Macro Designed for Macro photography. 53

II or III Lens version. Lenses are sometimes replaced with improved models.

Ts-e A specialist Tilt and Shift lens. 57

oTher Lens codes

12EF24mmf/1.4LIIUSM13secf/6.3

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EF-S 17-55mm f/2.8 IS USM WIDE EF-S 17-55mm f/2.8 IS USM TELE1

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EF-S 17-55mm f/2.8 IS USM WIDE EF-S 17-55mm f/2.8 IS USM TELE

offering a constant f/2.8 aperture throughout the zoom range and a 3-stop Image Stabilizer, the EF-S 17-55mm f/2.8 IS USM provides outstandingperformanceandflexibilityinlowlight conditions.

With an effective focal length range of approximately 27-88mm (35 mm equivalent), the EF-S 17-55mm f/2.8 IS USM is a powerful lens that delivers remarkable image quality. The large f/2.8 aperture provides excellent results in low light conditions. The aperture remains constant through the full focal length range, allowing you to use the focal length you want without having to think about a change in exposure. Canons 3-stop Image Stabilizer (IS) allows you to hand hold the camera using shutter speeds of up to 3 stops slower, than usual with no perceptible increase in image blur, making the EF-S 17-55mm f/2.8 IS USM ideal for handheld work.

EF-S 17-55 f/2.8 IS USM

f/2.8 aperture throughout zoom range 3-stop Image Stabilizer Fast, quiet auto focus Super Spectra coating Circular aperture for pleasing background blur Passes distance information to E-TTL II

LandscapesInteriorsPortraitsTravelWeddings

Lens hood EW-83J

soft case LP1219

77mm circular Polarizer PL-C b

77mm close-up Lens 500D

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MTF chArT / Lens dIAGrAM

EF-S ZooM LENSES

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EF-S 17-85mm f/4-5.6 IS USM WIDE EF-S 17-85mm f/4-5.6 IS USM TELE1

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EF-S 17-85mm f/4-5.6 IS USM WIDE EF-S 17-85mm f/4-5.6 IS USM TELE

Real freedom of framing in a lightweight, compact and fast-focusing lens. The EF-S 17-85mm f/4-5.6 IS USM is an excellent all-purpose lens for EF-S mount EoS cameras.

EF-S 17-85mm f/4-5.6 IS USM

EF-S ZooM LENSES

Superb image qualityLightweight and compactImage Stabilizer - up to 3 stops compensationFast near-silent USM AFSuper Spectra coatingsCircular aperture

Lens hood EW-73b

soft case LP1116


EF-S18-55mmf3.5-5.6IS1/125secf/8

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EF-S 18-55mm f/3.5-5.6 IS WIDE EF-S 18-55mm f/3.5-5.6 IS TELE

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EF-S 18-55mm f/3.5-5.6 II WIDE EF-S 18-55mm f/3.5-5.6 II TELE1

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EF-S 18-55mm f/3.5-5.6 II WIDE EF-S 18-55mm f/3.5-5.6 II TELE

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Compact and affordable, the EF-S 18-55mm f/3.5-5.6 IS is the ideal general-purpose standard zoom. Its 4-stop Image Stabilizer provides great performance in low light conditions.

The EF-S 18-55mm f/3.5-5.6 II is a standard zoom lens specificallydesignedforEF-SmountdigitalSLRs.Itseffectivefocallengthisequivalentto29-88mmin35mmfilmformat.

EF-S 18-55mm f/3.5-5.6 IS

EF-S 18-55mm f/3.5-5.6 II

EF-S ZooM LENSES

Approx. 29-88mm equivalent focal length 4-stop Image Stabilizer Aspherical element Super Spectra coating reduces flareandghostingCircular aperture for good bokeh Fast auto focus with 25cm close focusing distance

Compact and lightweight high image quality at all focal lengths optimised lens coatings to minimiseghostingandflareFast AF speed Very close focusing distance Lead-free optics

33 Lens hood EW-60C33 soft case LP814

33 58mm close-up Lens 500D

33 58mm circular Polarizer PL-C b

Lens hood EW-60Csoft case LP814

58mm close-up Lens500D58mm circular Polarizer PL-C b

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MTF chArT

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EF-S 18-200mm f/3.5-5.6 IS WIDE EF-S 18-200mm f/3.5-5.6 IS TELE1

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EF-S ZooM LENSES

Compact proportions with a powerful zoom range of 11x make this an ideal general-purpose zoom for photographers on the go. Great low-light performance is assured by a 4-stop Image Stabilizer.

EF-S18-200mmf/3.5-5.6IS

11xzoomlens18-200mm4 stop Image Stabilizer Automatic panning and tripod detection Close focusing distance of 0.45mAspherical and UD lens elements Super Spectra lens coatings combatghostingandflareLens hood EW-78D

soft case LP1116



EF100-400mmf4.5-5.6LISUSM-1/500sec.f/5.6

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EF-S 55-250mm f/4-5.6 IS WIDE EF-S 55-250mm f/4-5.6 IS TELE1

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EF-S 55-250mm f/4-5.6 IS WIDE EF-S 55-250mm f/4-5.6 IS TELE

Withafocallengthequivalentof88-400mm(35mm equivalent) and a 4-stop Image Stabilizer,theEF-S55-250mmf/4-5.6ISisideal for photographers seeking an affordable, versatile lens for telephoto photography.

The large zoom range opens up new framing possibilities for owners of EF-S mount cameras shooting wildlife, sports and travel photography. Canons Image Stabilizer technology allows the use of shutter speeds up to 4 times slower with no perceptible increase in image blur dramatically expanding the potential for low-light, handheld shooting. Photographers normallyshootinghandheldat1/250seccanswitchonIS to obtain a similarly steady and blur-free result with a shutter speed of just 1/15 second. Automatic panning detection automatically turns off the Image Stabilizer in either the horizontal or vertical direction when following moving subjects. The lens incorporates a UD element to keep secondary chromatic aberrations to a minimum for crisp, high contrast results throughout the focal length range.

EF-S55-250mmf/4-5.6IS

EF-S ZooM LENSES

Affordable telephoto zoom lens 88-400mmequivalentfocallength 4-stop Image Stabilizer with automatic panning detection UD element Super Spectra coatings Circular diaphragm

Lens hood ET-60soft caseLP1019 58mm circular Polarizer PL-C b


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General usePortraitsTravelWildlifeSports

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20EF24mmf/1.4LIIUSM3secf/7.1

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EF 24mm f/2.8

highly popular wide-angle lens featuring a large aperture for strong isolation of the subject and good performance in low light. Floating rear focusing system corrects astigmatism and delivers high contrast with sharp delineation.

EF 24mm f/2.8

Lens construction: 10elementsin10groupsDiagonal angle of view: 84 Focus adjustment: Rear focusing system with AFD Closest focusing distance: 0.25m/0.8ftFilter size: 58mm

Lens hoodEW-60II soft case LP811

58mm close-up Lens 500D 58mm circular Polarizer PL-C b

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An ultra wide-angle lens that offers good contrast and faithfulcolourrendition.Easytoholdandcarryat405g, itemploysafloatingrearfocusingmechanismallowing for sharp images at all subject distances.

EF20mmf/2.8USM

Lens construction: 11 elements in 9 groups Diagonal angle of view: 94 Focus adjustment: Rear focusing system with USM Closest focusing distance: 0.25m/0.8ftUltra wide-angle lens for seri-ous applications. Easytoholdandcarryat405grams.

Lens hood EW-75II

soft case LP1214


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EF FIxED LENGTh LENSES

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EF 24mm f/1.4L II USM

L-series optics and construction are just the beginning of the EF 24mm f/1.4L II USM.

This wide-angle lens combines a 24mm focal length with a large f/1.4 aperture, making it fast enough to stay effective in a wide range of low-light situations from street reportage to landscapes and interiors. Popular with photojournalists for its wide-angle take on urban drama, it has also found favour with interior photographers who value its peripheral sharpness. The EF 24mm f/1.4L II USM incorporates several advancements to counteract the problems commonly associated with wide-angle lenses. Two GMo aspherical elementscontroldistortionandcurvatureoffield,andtwo Ultra-Low Dispersion (UD) lens elements minimise the problem of chromatic aberration. The lens introduces Canons Sub Wavelength Structure coating (SWC), a new type of lens coating that is particularly effective at eliminating ghostingandflareinwide-anglelenses.


Wide 24mm focal length Fast f/1.4 aperture Aspherical and UD lens elements Sub Wavelength Structure coating USM focus motor with full-time manual focus Weather and dust seals

Lens hood EW-83k

soft case LP1319


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EF 28mm f/2.8

highly portable wide-angle lens with a good price-to-performance ratio. The high-precision aspherical lens minimizes distortion and other aberrations for sharp images with high contrast.

EF 28mm f/2.8

Focal length and maximum aperture: 28 mm 1:2.8 Lens construction: 5 elements in 5 groups Diagonal angle of view: 75 Focus adjustment: overall linear extension system with AFD Closest focusing distance: 0.3m/1ftFilter size: 52mm

Lens hood EW-65II

soft case LP101152mm circular Polarizer PL-C b

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The EF 28mm f/1.8 USM maintains high sharpness from the centre to the corner of the frame, and includes an aspherical lens element to correct spherical aberrations. The large f/1.8 maximum aperture makes excellent background blur possible even with a fast shutter speed.

EF 28mm f/1.8 USM

Focal length and maximum aperture: 28 mm 1:1.8 Lens construction: 10elementsin9groupsDiagonal angle of view: 75 Focus adjustment: Rear focusing system with USM Closest focusing distance: 0.25m/0.8ftFilter size: 58mm

Lens hood EW-63II

soft case LP814


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EF 35mm f/2

This L-series professional f/1.4 wide-angle lens is highly regarded by photojournalists for its sharpness and contrast. Thefloatingsystemenableshighpicturequalitytobeobtained over the entire focusing range.

EF 35mm f/1.4L USM

72mm UV Protector filter 72mm circular Polarizer PL-C b

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A fast 35mm wide-angle lens with a minimum focusing distance of only 25cm. This means you can approach the subject closely and still obtain a more natural, wide-angle effect. The large aperture also makes it suitable for portrait work.

EF 35mm f/2

Focal length and maximum aperture: 35 mm 1:2 Lens construction: 7 elements in 5 groups Diagonal angle of view: 63 Focus adjustment: overall linear extension system with AFD Closest focusing distance: 0.25m/0.8ftFilter size: 52mm

Lens hood EW-65II


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Focal length and maximum aperture: 35 mm 1:1.4 Lens construction: 11 elements in 9 groups Diagonal angle of view: 63 Focus adjustment: Rear focusing system with USM Closest focusing distance: 0.3m/1ftFilter size: 72mm

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EF 50mm f/1.4 USM

Small and lightweight with remarkable optical performance,theEF50mmf/1.4USMisanexcellent mid-range prime for users of all EoS Digital cameras.

owners of full frame cameras such as the EoS 5D and 1Ds Mark III will appreciate the ability to achieve crisp images withminimalflareatanangleofviewthatcorrespondstohuman perspective. Mounted on a camera with an APS-C sensor(theEOS50Dor1000D,forexample),itprovidesaneffectivefocallengthof80mm,makingitidealasashorttelephoto portrait lens. Incorporating a Micro USM to drive fast auto-focusing without compromising on size, the EF 50mmf/1.4USMallowsfull-timemanualfocusforexactingsituations. A close focusing distance of just 45cm provides addedflexibility.

EF50mmf/1.4USM

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General usePortraits

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Focal length and maximum aperture:50mm1:1.4Lens construction: 7 elements in 6 groups Diagonal angle of view: 46 Focus adjustment: overall linear extension system with USM Closest focusing distance: 0.45m/1.5ftFilter size: 58mm

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EF 50mm f/1.2L USM

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EF 50mm f/1.8 II

Sharing the widest aperture of any lens in the range, the superfastEF50mmf/1.2LUSMisaconsummatelow-lightperformer;idealforcontrollingdepthoffieldandshootingindoorsflashfree.

EF50mmf/1.2LUSM

L-series construction and optics Large f/1.2 aperture Fast, quiet USM auto focus Super Spectra coatings Circular aperture for excellent background bokeh Soft case and lens hood


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Compact and high-performance, this standard lens is the lightestintheEFrangeatamere130g.ItsGaussianopticsprovide sharp delineation from near to far focusing distances. The colour balance is excellent for a standard lens.

EF50mmf/1.8II

Diagonal Angle of View: 46 Lens Construction (elements/groups): 6/5

No. of Diaphragm blades: 5 Minimum Aperture: 22 Closest Focusing Distance(m):0.45Filter size: 52mm

Lens hood ES-62 +supplied62adaptersoft case LP1014


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EF 85mm f/1.8 USM

Small, light and remarkable value, the EF 85mm f/1.8 USM provides superb performance that belies its wallet-friendly price tag.

Small in size and light in weight, the EF 85mm f/1.8 USM is a worthy addition to any portrait photographers kit bag. Shoot wide open at f/1.8 for strong isolation of your subject. With an 8-blade aperture diaphragm, the lens produces exceptionally smooth, beautiful background blur. The large maximum aperture will also appeal to wedding photographers,whowillvaluetheextralow-lightflexibilityit gives when shooting indoors or late into the evening. Auto focus is quick and quiet, powered by a USM which also allows for mechanical manual focus whenever necessary. For owners of EF-S mount cameras, the EF 85mm f/1.8 USM provides a focal length of approximately 135mm (35mm equivalent), making it a good medium-telephoto option for candid portraits.

EF 85mm f/1.8 USM

Lens hood ET-65 III



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Focal length and maximum aperture: 85 mm 1:1.8 Lens construction: 9 elements in 7 groups Diagonal angle of view: 28-30Focus adjustment: Rear focusing system with USM Closest focusing distance: 0.85m/2.8ftFilter size: 58mm

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PortraitsWeddings

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EF 100mm f/2 USM

The EF 85mm f/1.2L USM II is a fast lens that delivers superb optical performance. A maximum aperture of f/1.2 makes ittheprofessionalschoiceforshootingwithoutflashinlowlight conditions.


L-series construction and optics Large f/1.2 aperture Fast, quiet auto focus Super Spectra coatings Circular aperture for excellent background bokeh Soft case and lens hood



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With its large f/2 aperture, this lens produces great background blur for dramatic, dreamy portraits. Powered by a USM for rapid and quiet auto focus, it also excels in indoor situations such as sporting events.

EF100mmf/2USM

Focal length and maximum aperture:100mm1:2Lens construction: 8 elements in 6 groups Diagonal angle of view: 24 Focus adjustment: Rear focusing system with USM Closest focusing distance: 0.9m/3ftFilter size: 58mm

Lens hood ET-65 III



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EF 135mm f/2L USM

This fast, medium telephoto L-series lens is renowned for its uncompromising sharpness and great low-light performance.

The EF 135mm f/2L USM is ideal for a variety of applications where image quality is paramount. The large f/2 maximum aperture makes this lens perfect for indoor sports venues where light levels are low. Auto focusing stays fast and accurate in low light thanks to the ring-type USM, which also allows for full-time manual focusing. The 135mm focal length places more distance between the photographer and the subject, making the EF 135mm f/2L USM an equally good choice for candid portraiture. With less pressure on the model, natural expressions can be captured. The 8-blade aperture diaphragm keeps background blur smooth and appealing. A combination of two Ultra-low Dispersion (UD) glass elements correct secondary spectrum aberrations to maintain high colour accuracy with good contrast. The lens can be used with either the EF1.4xII or EF2xII extenders to providea189mmf/2.8or270mmf/4lens.

EF 135mm f/2L USM



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Focal length and maximum aperture: 135 mm 1:2 Lens construction: 10elementsin8groupsDiagonal angle of view: 18 Focus adjustment: Rear focusing system with USM Closest focusing distance: 0.9m/3ftFilter size: 72mm

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Candid portraitsIndoor sportsGeneral use

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EF 135mm f/2.8 (with Soft focus)

EF 135mm f/2.8 (with Soft focus)This telephoto lens offers two soft focus settings to allow you to add an unusual, creative dimension to your portraits. With soft focusing disabled, it produces sharp images as a standard 135mm lens.


Focal length and maximum aperture: 135 mm 1:2.8 Lens construction: 7 elements in 6 groups Diagonal angle of view: 18 Focus adjustment: Rear focusing system with AFD Closest focusing distance: 1.3m / 4.3ft Filter size: 52mmLens hood ET-65 III



EF-16-35mmf/2.8lIIUSM1/250secf/6.3

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EF 200mm f/2L IS USM

Ideal for indoor sports shooters, this lens incorporates an Image Stabilizer system that provides a groundbreaking 5-stops of compensation.

Combined with the large f/2 maximum aperture, you can shoot in low light and still achieve fast shutter speeds withouthavingtoresorttousingflash.Tohelpyoukeepupwith the action, a convenient focus preset switch allows you to preset a focus distance and move to it instantly no matter where you are in the focus range. The large maximum aperturealsooffersfinecontroloverdepth-of-fieldforcandid portrait photography, and with the circular aperture diaphragm, background blur is smooth and consistent. built tough to withstand the rigours of a professional use, the lens incorporates complete dust and moisture sealing to keep out the elements, whatever the weather.

EF200mmf/2LISUSM


L-series construction Large f/2 aperture 5-stop Image Stabilizer with tripod detection Super Spectra lens coatings Fluorite and UD lens elements Ring USM auto focus with full-time manual focus

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Indoor sports Candid portraits

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52mm drop-in circular Polarizing Filter PL-C 52

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Telephoto lens boasting high image quality and carrying ease. With two UD-glass elements and rear focusing to correct aberrations, image delineation is extremely sharp. background blur is also natural looking.

EF200mmf/2.8LIIUSM

Lens construction: 9 elements in 7 groups Diagonal angle of view: 12 Focus adjustment: Rear focusing system with USM Closest focusing distance: 1.5m / 4.9ft Filter size: 72mm72mm circular Polarizer

PL-C b

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ThisEF300mmf/4LISUSMischaracterizedbyoutstandingmobility thanks to the outstanding Image Stabilizer system. The optics include two UD glass elements to thoroughly eliminate secondary spectrum aberrations.

EF300mmf/4LISUSM

Focal length and maximum aperture:300mm1:4Lens construction: 15 elements in 11 groups Diagonal angle of view: 815 Focus adjustment: Rear focusing system with USM Closest focusing distance: 1.5m / 4.9ft Filter size: 77mm


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EF 300mm f/2.8L IS USM

Favoured by sports and wildlife photographers, theEF300mmf/2.8LISUSMisoneofthesharpest lenses in the EF lens range.

offering a useful telephoto length, wide maximum aperture, Image Stabilizer and the fastest auto focusing available, it isthetopchoiceofmanyprofessionalsinthefield.Colourand contrast are exceptionally good, thanks in part to the inclusionofafluoritelenselementandtwoUltra-lowDispersion (UD) glass elements, which almost eliminate chromatic aberrations. Specially designed for fast-moving subjects, the auto focus system on this lens is remarkably quick. A range of useful AF features include a focus preset switch, which allows an instant jump to a predetermined distance when your subject comes into the frame. The Image Stabilizer provides the equivalent of two stops compensation, making hand-holding possible in low-light conditions, such as indoor sports events or at dusk on safari. A magnesium alloy lens body keeps the weight down and with the weather-sealing provides a tough exterior for the optics to survive the rigoursofheavyuse.TheEF300mmf/2.8LISUSMcomessupplied with a removable tripod mount.

EF300mmf/2.8LISUSM


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Diagonal Angle of View: 8 15Lens Construction (elements/groups): 17/13Closest Focusing Distance (m): 2.5 m / 8.2 ft.Focus adjustment: Inner focusing system with USMFilter size: 52 mm Rear Drop-in

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Sports WildlifeCandid portraits

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An outstanding super telephoto L-series lens that provides the performance and operability demanded by the worlds top sports and nature photographers. A maximum aperture of f/2.8 allows for fast shutter speeds at indoor sporting events and other low-light situations.

EF400mmf/2.8LISUSM


Focal length and maximum aperture:400mm1:2.8Lens Construction (elements/groups): 17/13 DiagonalAngleofView:610Focus adjustment: Inner focusing system with USM Closest Focusing Distance (m): 3 Filter size: 52mm Rear Drop-in


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EF300mmf/2.8LISUSM1/2000secf/4

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EF 400mm f/5.6L USM

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EF 400mm f/4 DO IS USM


This high-performance lens was designed with portability and handling ease in mind. one super UD glass element and one UD glass element effectively control chromatic aberrations, delivering crisp results with good peripheral sharpness.

TheEF400mmf/4DOISUSMmaintainsexceptionalopticalperformance due to the inclusion of a multi-layer diffractive optics (Do) element. This groundbreaking technology virtually eliminates chromatic aberrations while allowing for asignificantlysmallerandlighterlens.

EF400mmf/5.6LUSM

EF400mmf/4DOISUSM

Focal length and maximum aperture:400mm1:5.6Lens construction: 7 elements in 6 groups Diagonal angle of view: 6-10Focus adjustment: Inner focusing system with USM Closest focusing distance: 3.5m / 11.5ft Filter size: 77mm

Theworldsfirstmulti-layerDo element for telephoto lens Small and light high image quality Image Stabilization for equivalent effect of a shutter speed of two stops faster highly resistant against dust and moisture


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The lens at the top of every wildlife photographerswishlist,theEF500mm f/4LISUSMlensfulfilstheneedsofmostwildlife shooters as well as those of many sports photographers.

The500mmfocallengthislongenoughtofilltheframewith the crisp, sharp details of small animals and birds, but still retains enough mobility to be comfortably carried over long distances. A two-mode Image Stabilizer allows for intentional panning effects. Fast, silent focusing is assured by virtue of the ring-type USM, enabling accurate tracking of birdsinflightoranimalsonthemove.TheadditionoftheAFstop buttons makes it easy to keep the focus on the subject by momentarily stopping the AF when an obstruction cuts betweenyouandthesubject.OnefluoriteelementandtwoUltra-low Dispersion (UD) lens elements ensure the highest image quality by effectively suppressing secondary spectrum and chromatic aberration. one of the jewels in the EF crown, this lens is renowned for its sharpness throughout the frame.

EF500mmf/4LISUSM


Diagonal Angle of View: 5 Lens Construction (elements/groups): 17/13 Closest Focusing Distance (m): 4.5 Focus adjustment: Inner focusing system with USM Filter size: 52mm Rear Drop-in


extender eF 1.4x II

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WildlifeSports

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ThemagnesiumalloyconstructionoftheEF800mmf/5.6LIS USM makes it a lightweight super-telephoto option. Superior Canon optics provide excellent image quality whilst minimising lens dimensions.

EF800mmf/5.6LISUSM

L-series construction 4-stop Image Stabilizer with tripod detection Fluorite, UD and super-UD lens elements 4.5 kg magnesium alloy build Super Spectra lens coatings Ring USM auto focus with full-time manual focus


extender eF 1.4x II

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Ideal for shooting sports and wildlife subjects from a distance,theEF600mmf/4LISUSMdeliverstheL-serieshallmarks of high resolution and superb contrast.

EF600mmf/4LISUSM

Diagonal Angle of View: 410Lens Construction (elements/groups): 17/13 Closest Focusing Distance (m): 5.5 m / 18 ft. Focus adjustment: Inner focusing system with USM Filter size: 52mm Rear Drop-in


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40EF100-400mmf/4.5-5.6LISUSM-1/400sec.f/8

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EF 16-35mm f/2.8L II USM WIDE EF 16-35mm f/2.8L II USM TELE

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EF 16-35mm f/2.8L II USM WIDE EF 16-35mm f/2.8L II USM TELE

Covering a focal length range from wide-angle to short telephoto,theEF24-70mmf/2.8LUSMcombinesversatilitywith professional image quality. A minimum focusing distance of 38cm allows you to get up close when needed.

EF24-70mmf/2.8LUSM

high-speed AF optimized lens coatings highly resistant to dust and water droplets Min. focusing distance of 0.38matallfocallengthsFront of lens does not rotate during focusing Manual focus is possible in AF mode


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A fast, ultra wide-angle zoom lens offering excellent peripheral performance throughout the zoom range. With a constant f/2.8 aperture, it is ideal for professionals shooting in low light conditions.

EF 16-35mm f/2.8L II USM

L-series construction and optics f/2.8 aperture throughout zoom range Fast, quiet auto focus Aspherical and UD lens elements Circular aperture for excellent bokeh Soft case and lens hood


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EF ZooM LENSES

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EF 24-105mm f/4L IS USM WIDE EF 24-105mm f/4L IS USM TELE

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EF 28-135mm f/3.5-5.6 IS USM WIDE EF 28-135mm f/3.5-5.6 IS USM TELE

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When manoeuvrability is important and lens quality crucial, theL-seriesEF24-105mmf/4LISUSMstandsaloneastheprofessionals lightweight standard zoom.

EF24-105mmf/4LISUSM

L-series optics Lightweight 4.3x zoom f/4 through zoom range 3-stop Image Stabilizer Super UD and aspheric lens elements Circular aperture provides pleasing background blur



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Delivering impressive sharpness from wide-angle to telephoto, the EF 28-135mm f/3.5-5.6 IS USM is an ideal walkabout lens. The Image Stabilizer adds extra shooting flexibilityindimconditions.

EF 28-135mm f/3.5-5.6 IS USM

Lens construction: 16 elements in 12 groups Diagonal angle of view: 75-18 Focus adjustment: Inner focusing system with USM Closest Focusing Distance:0.5m/1.6ftZoom system: Rotating type Filter size: 72mm Lens hood EW-63b

soft case LP1116

72mm uV Protector Filter


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EF ZooM LENSES

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EF 28-200mm f/3.5-5.6 USM /EF 28-200mm f/3.5-5.6 TELE

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EF 28-200mm f/3.5-5.6 USM /EF 28-200mm f/3.5-5.6 TELE

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EF 28-300mm f/3.5-5.6L IS USM WIDE EF 28-300mm f/3.5-5.6L IS USM TELE1

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EF 28-300mm f/3.5-5.6L IS USM WIDE EF 28-300mm f/3.5-5.6L IS USM TELE

From wide to telephoto - instantly. With an approximate 11xzoomrange,theEF28-300mmf/3.5-5.6LISUSMis ideal for those times when one lens needs to do it all. L-series construction and optics ensure that quality is never compromised.

EF28-300mmf/3.5-5.6LISUSM

11x zoom L-series quality Image Stabilizer Minimum focusing distance0.7mFull-time manual focus Dust-proof, drip-proof construction 77mm circular

Polarizer PL-C b 77m close up Lens 500D

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A convenient, compact zoom lens for easy subject selection whilst travelling. A minimum focusing distance of 45cm throughout the zoom ranges adds extra framing versatility.

EF28-200mmf/3.5-5.6USM

Diagonal Angle of View: 75 - 12 Lens Construction: 16 elements in 12 groups No. of Diaphragm blades: 6 Minimum Aperture: f/22 - 36 Closest Focusing Distance(m):0.45Filter size: 72mm

Lens hood EW-78D

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72mm close up Lens 500D

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EF ZooM LENSES

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EF 55-200mm f/4.5-5.6 II USM WIDE EF 55-200mm f/4.5-5.6 II USM TELE1

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EF 55-200mm f/4.5-5.6 II USM WIDE EF 55-200mm f/4.5-5.6 II USM TELE

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TheEF55-200f/4.5-5.6IIUSMisalightweighttelephotozoom lens, redesigned to give a better grip and improved electronic circuitry. An ideal addition to an EoS SLR photographers arsenal.

EF55-200mmf/4.5-5.6IIUSM

Compact and lightweight telephoto zoom lens high-speed auto focusoptimised lens coatings Lead-free glass optical system

Lens hood ET-54


52m close up Lens 500D

FeATures

AccessorIes

MTF chArT

The advanced 3-stop Image Stabilizer (IS) technology of theEF70-300mmf/4-5.6ISUSMlensmakesittheidealtelephoto zoom when shooting in lowlight and at slow shutter speeds.

EF70-300mmf/4-5.6ISUSM

Affordable and powerful 3-stop Image Stabilizer UD lens element improves image quality Super Spectra coatings suppressflareandghostingCircular aperture provides pleasing background blur Fast, quiet auto focus

Lens hood ET-65b

soft case LP1222


FeATures

AccessorIes

MTF chArT

EF ZooM LENSES

47

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EF70-200mm f/2.8L IS USM WIDE EF70-200mm f/2.8L IS USM TELE1

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EF70-200mm f/2.8L IS USM WIDE EF70-200mm f/2.8L IS USM TELE

one of the most popular zoom lenses in the professionalL-series,theEF70-200mmf/2.8L IS USM is a versatile performer that is suitable for a broad range of photo assignments.

A useful focal length range makes this lens an equally good choice for sports, wildlife, portrait and photojournalism work. With a wide aperture and 3-stop Image Stabilizer, it is also perfect for indoor sports photography. A ring-type USM powers ensures that auto focusing is fast, quiet and accurate throughout the zoom range. The f/2.8 aperture means that auto focus will still function when using the EF1.4x II or EF2.0xIIextender(fora98-280mmf/4or140-400mmf/5.6 lens). optical quality is superb, with four UD elements minimising aberrations to keep images sharp and contrast high. The lens is built to withstand the rigours of daily professional use, with dust and moisture seals to protect against the elements.

EF70-200mmf/2.8LISUSM

EF ZooM LENSES

77mm circular Polarizer PL-Cb


extender eF 1.4x II

extender eF 2x II

AccessorIes


Wildlife Sports TravelPortraitsNews

IdeAL For

L-series optics3-stop Image Stabilizer f/2.8 throughout zoom rangeFour UD lens elementsCircular aperture provides pleasing background blur Fast, quiet auto focus

For photographers who do not require the Image Stabilizerfunction,theEF70-200mmf/2.8LUSMisalsoavailable.

FeATures

48

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TheEF70-200mmf/4LISUSMcombinesportability with performance in a lightweight, compact package making it ideal for photographers who need to travel light.

The constant f/4 maximum aperture ensures full control over depth-of-fieldatallfocallengths.Inconjunctionwiththe4-stop Image Stabilizer, it allows you to continue shooting even in dim situations. The weight of the lens makes it easy to handle when you need to respond quickly to rapidly movingsubjects.WithonefluoritelenselementandtwoUltra-low Dispersion (UD) elements, the optical arrangement produces high resolution images with high contrast. As befittingaprofessionallens,itissealedagainstdustandmoisture to provide excellent reliability in inclement weather. The ring-type USM in the lens drives fast, silent auto focus to allow you to track moving subjects with ease.

EF70-200mmf/4LISUSM

EF ZooM LENSES

Light and compact 4-stop Image Stabilizer f/4 through zoom range Fluorite and UD lens elements Circular aperture for pleasing background blur Soft case and lens hood

For photographers who do not require the Image Stabilizer function, the EF 70-200mmf/4LUSMisalsoavailable.

Wildlife Sports Travel

IdeAL For

FeATures


extender eF 1.4x II

extender eF 2x II

Tripod Mount ring A II(W)

AccessorIes


49

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EF 70-300mm f/4.5-5.6 DO IS USM WIDE

EF 70-300mm f/4.5-5.6 DO IS USM TELE

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EF 70-300mm f/4.5-5.6 DO IS USM WIDE

EF 70-300mm f/4.5-5.6 DO IS USM TELE

TheworldsfirstcamerazoomlenswithaDo element: a triumph of precision optics delivering compact size, low weight and superior image quality.

TheEF70-300mmf/4.5-5.6DOISUSMistheworldsonlyinterchangeable zoom lens for SLRs to incorporate a Do element. The use of a new triple-layered Do element not only makes the lens more nimble, it delivers unrivalled imaging performance. The Do element is combined with normal refraction elements to compensate for colour aberration. This achieves levels of colour aberration correction that could previouslyonlybeachievedwiththeuseoffluoriteelementsor Ultra-low Dispersion (UD) lenses. The result: superb image quality in an exceptionally small package. The Image Stabilizer compensates for up to three stops, increasing the opportunities for handheld photography. Powered by a ring-type USM for fast and quiet auto focus, the drive pattern ofthelensistailoredtospecificallymatchthatofthelatestEOSrangeextractingmaximumbenefitfromthelensspeed advantage.

EF-S70-300mmf/4.5-5.6DOISUSM

3 layer Do element 9.99 cm in lengthImage Stabilizer Quiet, high speed AF with full time manual focusCircular diaphragm for pleasing background blur Zoom ring lock

Lens hood ET-65b

soft case LP1116


FeATures

AccessorIes


EF ZooM LENSES

Wildlife Sports TravelNews

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EF 75-300mm f/4-5.6 III USMEF 75-300mm f/4-5.6 III WIDE

EF 75-300mm f/4-5.6 III USMEF 75-300mm f/4-5.6 III TELE

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This lens has the same optical system, construction, and exteriordesignastheEF75-300mmf/4-5.6IIIUSMlensbutuses a micro motor in place of the USM to drive auto focus.

EF75-300mmf/4-5.6III

Lens hood ET-60soft case LP1019


AccessorIes

MTF chArT

ThecompactandlightweightEF75-300mmf/4-5.6IIIUSMis an ideal all-rounder that will appeal to photographers on a budget. A micro USM motor makes auto focusing quicker and quieter.

EF75-300mmf/4-5.6IIIUSM

Diagonal Angle of View: 32 11-8 15 Lens Construction (elements/groups): 13/9 No. of Diaphragm blades: 7 Minimum Aperture: 32-45 Closest Focusing Distance (m): 1.5 MaximumMagnification(x):0.25(at300mm)

Lens hood ET-60soft case LP1019


FeATures

AccessorIes

MTF chArT

EF ZooM LENSES

Diagonal Angle of View: 32 11-8 15 Lens Construction (elements/groups): 13/9 No. of Diaphragm blades: 7 Minimum Aperture: 32-45 Closest Focusing Distance (m): 1.5 MaximumMagnification(x):0.25(at300mm)

FeATures

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EF 100-300mm f/4.5-5.6 USM WIDE EF 100-300mm f/4.5-5.6 USM TELE

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EF 100-400mm f/4.5-5.6L IS USM WIDE EF 100-400mm f/4.5-5.6L IS USM TELE1

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EF 100-400mm f/4.5-5.6L IS USM WIDE EF 100-400mm f/4.5-5.6L IS USM TELE

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An L-series super telephoto zoom lens equipped with a two-mode Image Stabilizer to allow for intentional panning. Fluorite and Super UD glass elements suppress secondary spectrum,whilethefloatingsystemmaintainsimagequalityat all focal lengths.

EF100-400mmf/4.5-5.6LISUSM

Lens construction: 17 elements in 14 groups Diagonal angle of view: 24-6-10Focus adjustment: Rear focusing system with USM Closest focusing distance: 1.8m / 6ft Zoom system: Linear extension type Filter size: 77mm


extender eF 1.4x II

extender eF 2x II

FeATures

AccessorIes

MTF chArT

Practicalandportable,theEF100-300mmf/4.5-5.6USMoffers a generous zoom range in a lens that is only 121.5mm inlength.Therearfocusingmechanismensuresthatfiltereffects remain intact while focusing.

EF100-300mmf/4.5-5.6USM

Lens construction: 13elementsin10groupsDiagonal angle of view: 24-8-15 Focus adjustment: Rear focusing system with USM Closest Focusing Distance: 1.5m / 4.9ft Zoom system: Rotating type Filter size: 58mm

Lens hood ET-65III

soft case LP1019 58mm close-up Lens 500D 58mm circular Polarizer PL-C b

FeATures

AccessorIes

MTF chArT

EF ZooM LENSES

52EF-S60mmf/2.8MacroUSM1/60secf/11

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EF 50mm f/2.5 Compact Macro

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MP-E 65mm f/2.8 1-5x Macro Photo

MP-E 65mm f/2.8 1-5x Macro Photo Thefirstmacrophotolenstoachievemagnificationgreaterthan 1x without additional accessories, this lens is ideal for small subjects. UD elements suppress chromatic aberrations, whicharemoreapparentathighmagnifications.

EF50mmf/2.5CompactMacroAlightweightandcompactmacrolensformagnification upto0.5x,extendableto1xwiththeoptionalLife-sizeConverter EF. A large f/2.5 aperture allows for beautiful background blur.

Focal length and maximum aperture: 65 mm 1:2.8 Lens construction: 10elementsin8groupsDiagonal angle of view: 1814 Focus adjustment: Manual Closest Focusing Distance: 0.243m5XFilter size: 58mm

soft case LP1216


Macro ring Lite MR-14Ex

Macro Twin Lite MT-24Ex

FeATures

AccessorIes

MTF chArT

Focal length and maximum aperture:50mm1:2.5Lens construction: 9 elements in 8 groups Diagonal angle of view: 46 Focus adjustment: Front group linear extension system with AFD Closest Focusing Distance:0.23m/0.8ftFilter size: 52mm

soft case LP814

52mm close-up Lens 500D52mm close-up Lens 250D 52mm circular Polarizer PL-C b

Life-size converter EF



FeATures

AccessorIes

MTF chArT

MACRo LENSES

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EF 100mm f/2.8 Macro USM

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EF 180mm f/3.5L Macro USM

Medium telephoto lens with a macro feature for 1xmagnification.Fluctuationsinsphericalaberrationscaused by focusing are suppressed, allowing high-quality images to be obtained at all focusing distances.

Withafocallengthof180mm,thistelephotomacrolens allows you to shoot from further away perfect for photographing insects without disturbing them. The internal floatingsystemminimizesfluctuationsinaberrationscausedby changes in the focusing distance.

EF100mmf/2.8MacroUSM

EF180mmf/3.5LMacroUSM

MACRo LENSES

Diagonal Angle of View: 24 Lens Construction (elements/groups):10/9No. of Diaphragm blades: 8 Closest Focusing Distance(m):0.31AF Actuator: USM Filter size: 58mm

Lens construction: 14 elements in 12 groups Diagonal angle of view: 13- 46 Focus adjustment: Inner focusing system with USM Closest focusing distance: 0.48m/1.6ftFilter size: 72mm Lens hood and soft case

Lens hood ET-67

soft case LP1219


Tripod Mount ring b (b)




72mm uV Protector Filter

extender eF 1.4x II

extender eF 2x II



Macro Lite Adapter 72C

FeATures

FeATures

AccessorIes

AccessorIes

MTF chArT

MTF chArT

57

TILT

AN

d S

HIF

T

TILT And SHIFT LenSeS

Tilt and Shift LensesTake control of perspective.Canon TS-e lenses are capable of tilt and shift movements, which bring many of the advantages of technical view cameras to the eOS system. Tilt movements alter the angle of the plane of focus between the lens and image sensor, making broad depth of field possible even at large apertures. Shift movements slide the lens optical axis along the image sensor plane, enabling you to correct or alter perspective at almost any angle.

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TS-E 17mm f/4L

with the widest view angle of any tilt and shift lens currently available, this L-series lens is a superb choice for architectural, landscape and abstract photography.

Offering a 104 diagonal field of view combined with 6.5 of tilt, plus 12mm shift and 90 of rotation on both the tilt and the shift mechanisms, the TS-e 17mm f/4L is one of the most flexible lenses of its kind. Thanks to Canons TS rotation system, tilt and shift direction can be rotated independently of each other. This allows perspective and depth of field to be controlled separately. The TS-e 17mm f/4L also features locks on the tilt and shift mechanisms to ensure that unwanted movements are avoided. To achieve outstanding edge-to-edge resolution and low distortion, a large diameter moulded glass aspherical lens is used. Chromatic aberration common in wide-angle shooting is combated by four Ud elements. A lens cap and pouch are included in the package.

TS-e 17mm f/4L

TILT And SHIFT LenSeS

mTF CHART / LENS dIAgRAm

Ultra wide 17mm Tilt and Shift lens Low distortion and high resolution 6.5 Tilt and 12mm Shift Independent Tilt or Shift rotation Aspherical and Ud lens elements Sub wavelength structure and super spectra coatings

FEATURES

Architecture Landscapes Abstracts Products Miniature faking

IdEAL FoR

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TS-E 24mm f/3.5L II

TILT AND ShIFT LENSES

24mm Tilt and Shift lens Low distortion and high resolution 8.5 Tilt and 12mm Shift Independent Tilt or Shift rotation Aspherical and UD lens elements Sub wavelength structure and super spectra coatings

FeATures

TS-E24mmf/3.5LII20secf/11

TheTS-E24mmf/3.5LIIhasbeenrefinedtodeliversuperbimage quality to the edge of the image. Independent rotation of the tilt and shift mechanisms allows maximum creative freedom.

TS-E 24mm f/3.5L II


AccessorIes

MTF chArT

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TS-E 90mm f/2.8

This 45mm tilt and shift lens is ideal for obtaining a natural looking perspective when photographing buildings. Thefloatingsystemandrearfocusinggivesharpand stabledelineationfrom0.4mtoinfinity.

Renowned for its superb edge-to-edge resolution, the TS-E90mmf/2.8hasfoundfavouramongcommercialarchitecture and product photographers alike. With its ability to produce beautiful background blur, it is also suitable for portrait and nature photography.

TS-E 45mm f/2.8

TS-E90mmf/2.8

TILT AND ShIFT LENSES

Focal length and maximum aperture:90mm1:2.8Lens construction: 6 elements in 5 groups Diagonal angle of view: 51 Focus adjustment: Manual focus, overall linear extension system Closest Focusing Distance: 0.5m/1.6ftFilter size: 58mm

72mm close-up Lens 500D 72mm uV Protector Filter



FeATures

AccessorIes

AccessorIes

MTF chArT

MTF chArT

Focal length and maximum aperture: 45 mm 1:2.8 Lensconstruction:10ele-ments in 9 groups Diagonal angle of view: 51 Focus adjustment: Manual focus, rear focusing system Closest Focusing Distance: 0.4m/1.3ftFilter size: 72mm

FeATures

61

AC

CES

SoR

IES

ACCeSSORIeS

AccessoriesProducts to protect your eF lenses and expand their potential.Canon eF lens accessories are optimised for use with Canon eF lenses. The range includes items to keep your lens protected such as soft and hard cases as well as products that add extra capability, such as extenders and extension tubes.

62

extender is Canons name for a teleconverter. These high-performance accessories multiply the effective focal length of an attached lens by 1.4x or 2x. For example, a 200mm lens with extender 1.4x has an effective focal length of 280mm: with the extender 2x, this increases to 400mm. The price you pay for this extension is a reduction in aperture, since the light has to travel through an extra piece of glass before hitting the image sensor.

Extender EF 1.4x IIextends the focal length by 1.4x, with an effective 1-stop reduction in aperture.

Extender EF 2.0x IIdoubles the focal length of an attached lens, with an effective 2-stop reduction in aperture.

Extension TubesThe effect of using an extension tube is that the distance from the back of the lens to the image sensor is longer, allowing you to focus up closer to the subject. extension tubes are typically used for macro photography but can also be suitable for close-up portraits.

i extenders and extension tubes are not compatible with all lenses. Check the specifications chart 64 for compatibility with individual models.

extenders

ACCeSSORIeS

63

Canonprovidesseveraltypeoffilterstogiveyou added control over your image as you are shooting.

Polarising FilterCommonlyusedtoreduceglareandreflectionsfromwater,glass and shiny surfaces. Also great for enhancing contrast in cloudy skies and increasing colour saturation.

uV FilterReduces the effects of ultraviolet haze, which can affect contrastonsunnydays.UVfiltersaremostlytransparenttovisible light, so they are often left on the lens to protect the lens surface.

close-up FilterUsedprimarilyformacrophotography,thesefilterscontainlensesthatmagnifiestheimagewhilealsoallowingyoutoget closer to the subject.

CasesSoft cases are available for all Canon EF lenses. Customised hard cases are also available for some lenses in the range. Checkthespecificationschart64 tofindtheappropriatecasefor your lens.

hoodsExtremely helpful when telephoto shooting in bright sunlight, lens hoods blocks light rays from hitting the lens surface from the sides, which can reduce contrast and cause lens flare.

i Checkthespecificationschart64 for compatible accessories for each lens.

Filters

ACCESSoRIES

64

SpecificationsLens OpticaL Features/speciFicatiOns physicaL speciFicatiOns

APs-

c

form

at o

nly

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c ap

para

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foca

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(mm

)

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l len

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(mm

)

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e of

vie

w

(hor

zntl,

ver

tl,

diag

nl)

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cons

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tion

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ents

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no.

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diap

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m b

lade

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Min

imum

ape

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clos

est f

ocus

sing

di

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ce (m

)

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imum

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agni

ficat

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(x)

dis

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Info

rmat

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co

mm

unic

atio

n

Imag

e st

abili

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otor

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oist

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(mm

)

Max

. dia

met

er x

le

ngth

(mm

)

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ght (

g)

eF F

ixed

Len

gth

Len

ses

EF 15mm f/2.8 Fisheye - 24 20 -,-,180

8/7 5 22 0.2 0.14 - - AFD - Filter holder73 x 62.6 330

EF 14mm f/2.8L II USM - 22 18 104

, 81,114 14/11 6 22 0.2 0.15 Provided - Ring USM3 yesFilter

holder 80x94 645

EF20mm f/2.8 USM - 32 26 84

, 62, 94 11/9 5 22 .25 0.14 Provided - Ring USM3 - 7277.5 x 70.6 405

EF 24mm f/1.4L USM II - 38 31 74

, 53, 84 13/10 8 22 0.25 0.17 Provided - Ring USM3 yes 7793.5 x 86.9 650

EF 24mm f/2.8 - 38 31 74

, 53, 84 10/10 6 22 0.25 0.16 - - AFD - 58 67.5 x 48.5 270

EF 28mm f/1.8 USM - 45 36 65

, 46, 75 10/9 7 22 0.25 0.18 Provided - Ring USM3 - 5873.6 x 55.6 310

EF 28mm f/2.8 - 45 36 65

, 46, 75 5/5 5 22 0.3 0.13 - - AFD - 52 67.4 x 42.5 185

EF 35mm f/1.4L USM - 56 45 54

, 38, 63 11/9 8 22 0.3 0.18 Provided - Ring USM3 - 72 79 x 86 580

EF 35mm f/2 - 56 45 54

, 38, 63 7/5 5 22 0.25 0.23 - - AFD - 52 67.4 x 42.5 210

EF50mm f/1.2L USM - 80 65 40

, 27,46 8/6 8 16 0.45 0.15 Provided - Ring USM3 yes 7285.8 x 65.5 590

EF50mm f/1.4 USM - 80 65 40

, 27,46 7/6 8 22 0.45 0.15 - - Ring USM3 - 5873.8 x 50.5 290

EF50mm f/1.8 II - 80 65 40

, 27,46 6/5 5 22 0.45 0.15 - - Micro Motor - 5268.2 x 41 130

EF 85mmf/1.2L II USM - 136 111

24, 16, 2830' 8/7 8 16 0.95 0.11 yes -

Ring USM3 - 72

91.5 x 84.0 1025

EF 85mm f/1.8 USM - 136 111

24, 16, 2830' 9/7 8 22 0./85 0.13 yes -

Ring USM3 - 58

75 x 71.5 425

EF100mm f/2 USM - 160 130 20

, 14, 24 8/6 8 22 0.9 0.14 yes - Ring USM3 - 5875 x 73.5 460

EF 135mm f/2L USM - 216 175 15

,10, 18 10/8 8 32 0.9 0.19 yes - Ring USM3 - 7282.5 x 112 750

EF 135mm f.2.8 (Softfocus) - 216 175 15

,10, 18 7/6 6 32 1.3 0.12 - - AFD - 52 69.2 x 98.4 390

EF200mm f/2L IS USM - 320 260 10

, 7, 12 17/12 8 32 1.9m 0.12 Provided 5-stops Ring USM3 yes52

Drop in128 x 208 2520

EF200mm f/2.8L II USM - 320 260 10

, 7, 12 9/7 8 32 1.5 0.16 Provided - Ring USM3 - 7283.2 x 136.2 765

EF300mm f/2.8L IS USM - 480 390

650',435',815' 17/13 8 32 2.5 0.13 Provided 3-stops

Ring USM3 yes

52 Drop in

128 x 252 2550

EF300mm f/4L IS USM - 480 390

650',435',815' 15/11 8 32 1.5 0.24 Provided 3-stops

Ring USM3 - 77 90x221 1190

EF400mm f/2.8L IS USM - 640 520

510',330',610' 17/13 8 32 3 0.15 Provided 3-stops

Ring USM3 yes

52 Drop in

163 x 349 5370

EF400mm f/4 Do IS USM - 640 520

510',330',610' 17/13 8 32 3.5 0.12 Provided 3-stops

Ring USM3 yes

52 Drop in

128 x 232.7 1940

EF400mm f/5.6L USM - 640 520

510',330',610' 7/6 8 32 3.5 0.12 Provided -

Ring USM3 - 77

90x256.5 1250

EF500mm f/4L IS USM - 800 650 4

, 245',5 17/13 8 32 4.5 0.12 Provided 3-stops Ring USM3 yes52

Drop in146 x 387 3870

EF600mm f/4L IS USM - 960 780

330',220',410' 17/13 8 32 5.5 0.12 Provided 3-stops

Ring USM3 yes

52 Drop in

168 x 456 5360

EF800mm f/5.6L IS USM - 1280 1040

2 35, 140,3 5 18/14 8 32 6m 0.14 Provided 4-stops

Ring USM3 yes

52 Drop in

163 x 461 4500

Extender EF 1.4x II - - -,-,- 5/4 - - - - - - - yes - 72.8 x 27.2 220

Extender EF 2x II - - -,-,- 7/5 - - - - - - - yes - 71.8 x 57.9 265

Ma

crO

Len

ses

EF50mmf/2.5Compact Macro - 80 65 40

, 27, 46 9/8 6 32 0.23 0.5 - - AFD - 52 67.6 x 63 280

Life-size Converter EF - - -, -, - 4/3 - - 0.24 1 - - - - -

67.6 x 34.9 160

EF100mm f/2.8 Macro USM - 160 130 20

, 14, 24 12/8 8 32 0.31 1 Provided - Ring USM3 - 5878.6 x 118.6 580

EF180mmf/3.5LMacro USM - 288 234

1125',740',1340' 14/12 8 32 0.48 1 Provided -

Ring USM3 - 72

82.5 x 186.6 1090

MP-E 65mm f/2.8 1-5x Macro Photo - 104 85

1540',1035',1840' 10/8 6 16 0.24 5 Provided - - - 58 81 x 98 710

SPECIFICATIoNS1 Image Circle 67.2mm 2 Minimum aperture if using 1/3stop increments 3 Full time Manual focus 4Lenseswithdust/moistureresistancearefittedwitharubberringonthelensmountwhichmaycausesligthabrasionofthecameramount. This in no way effects either the lens or camera performance. 5 Not compatible at wide angles

65

SPEC

IFIC

ATI

oN

S

SpecificationsLens Accessories specificAtions with ef 1.4x ii specificAtions with ef 2x ii

Lens

Cap

Lens

hoo

d

Lens

case

/pou

ch

Mag

nific

atio

n w

ith

Exte

nsio

n Tu

be

EF12

II

Mag

nific

atio

n w

ith

Exte

nsio

n Tu

be E

F25

II

Exte

nder

Co

mpa

tiblit

y

Foca

l Len

gth

max

imum

Ape

rtur

e

max

imum

M

agni

ficat

ion

AF P

ossi

ble

IS Foca

l Len

gth

max

imum

Ape

rtur

e

max

imum

M

agni

ficat

ion

AF P

ossi

ble

IS

ef f

ixed

Len

gth

Len

ses

eF 15mm f/2.8 Fisheye exclusive Built-in LP814 - - nC - - - - - - - - - -

eF 14mm f/2.8L II USM

Lens Cap 14 Built-in LP1016 - - nC - - - - - - - - - -

eF 20mm f/2.8 USM e-72U ew-75II LP1214 0.72-0.60 - nC - - - - - - - - - -

eF 24mm f/1.4L USM II e-77U ew-83K LP1319 0.669-0.50 - nC - - - - - - - - - -

eF 24mm f/2.8 e-58 ew-60 II LP811 0.64-0.50

1.22-1.11 nC - - - - - - - - - -

eF 28mm f/1.8 USM e58-U ew-63 II LP814 0.61-0.43

1.13-0.96 nC - - - - - - - - - -

eF 28mm f/2.8 e-52 ew-65 II LP1011 0.56-0.43

1.09-0.95 nC - - - - - - - - - -

eF 35mm f/1.4L USM e-72U ew-78C LP1214 0.54-0.36

0.97-0.79 nC - - - - - - - - - -

eF 35mm f/2 e-52 ew-65 II LP1011 0.58-0.35

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Guía de lentes Canon

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