Cubism Presentation (for real this time)

22
CUBISM THE FIRST FORM OF ABSTRACT ART PICASSO AND BRAQUE WITH INFLUENCES FROM CÉZANNE

description

this is the CORRECT version of the cubism presentation, with all 22 of the slides. The last one was missing three of them for some reason.

Transcript of Cubism Presentation (for real this time)

Page 1: Cubism Presentation (for real this time)

CUBISM

THE FIRST FORM OF ABSTRACT ART PICASSO AND BRAQUE WITH INFLUENCES FROM CÉZANNE

Page 2: Cubism Presentation (for real this time)

INFLUENCES ON CUBISM

• Paul Cézanne changed styles and habits

• Variations of tone and color

• Geometric shapes: cylinder, sphere, cone

• Varied approach while revisiting subjects

• “My one and only master… Cézanne was like the father of us all”. -Pablo Picasso Large Bathers – Paul Cezanne – 1899-

1906

Page 3: Cubism Presentation (for real this time)

INFLUENCES ON CUBISM

• African art has influenced many art movements

• Motivated artists to create their own interpretations of what they saw

• Themes adapted from African art

• Distorted African masks influenced the earliest cubist paintings.

Les Demoiselles d’Avignon – Pablo Picasso – 1907

Fang Mask 56 – the Fang tribe

Page 4: Cubism Presentation (for real this time)

INTRODUCTION TO CUBISM

Cubism is a form of abstract art which emphasizes the two-dimensionality of the canvas.

Characteristics:• Objects are shown

from multiple perspectives at once.

• Everything is portrayed with geometric shapes.

• It portrayed a “new way of seeing,” which infused observations and memories into paintings.

The Guitar Player – Pablo Picasso – 1910

Page 5: Cubism Presentation (for real this time)

EARLY CUBISM

Les Demoiselles d’Avignon – Pablo Picasso – 1907

Viaduct at L'Estaque – Georges Braque – 1908

Page 6: Cubism Presentation (for real this time)

ANALYTICAL CUBISM(Or, that period of cubism where it’s really hard to tell what anything is, and who the artist is.)

Characteristics of Analytical Cubism:•Objects are “analyzed” from many perspectives.•Artist incorporates many (if not all) of these perspectives in the painting itself.•The painting, instead of directly showing the subject, “evokes a sense of the subject.”

Page 7: Cubism Presentation (for real this time)

Fruit Dish, Ace of Clubs

– Georges Braque -

1913

Page 8: Cubism Presentation (for real this time)

Still Life With a Violin – Georges Braque –

1912

Page 9: Cubism Presentation (for real this time)

The Guitar Player –

Pablo Picasso –

1910

Page 10: Cubism Presentation (for real this time)

Portrait of Daniel-Henry Kahnweiler – Pablo Picasso –

1910

Page 11: Cubism Presentation (for real this time)

GUESS THE ARTIST!

Page 12: Cubism Presentation (for real this time)

GUESS THE ARTIST!

Violin and Jug – Georges Braque – 1910Ma Jolie – Pablo Picasso – 1911

Page 13: Cubism Presentation (for real this time)

SYNTHETIC CUBISM(or, thank God, I can actually tell what I’m looking at in this painting!)

Characteristics of Synthetic Cubism:•Objects are still drawn from multiple perspectives, BUT…•They are more discernable,•And they are more colorful.

Page 14: Cubism Presentation (for real this time)

Black Fish – Georges Braque – 1942

Page 15: Cubism Presentation (for real this time)

Le Jour – Georges Braque – 1929

Page 16: Cubism Presentation (for real this time)

Three Musicians – Pablo Picasso – 1921

Page 17: Cubism Presentation (for real this time)

Still Life With Mandolin and Guitar – Pablo Picasso - 1924

Page 18: Cubism Presentation (for real this time)

OTHER NOTABLES

• Juan Gris is considered the “Third Musketeer” of Cubism

• Fernand Léger painted World War II inspired Cubist paintings, which created social commentary of the time he lived in

• Robert Delaunay spun off of Cubism with “orphism,” which is just cubism with more circles

• Marcel Duchamp didn’t always paint, but when he did, he painted cubism.

Page 19: Cubism Presentation (for real this time)

Guitar and Clarinet – Juan Gris – 1920

Page 20: Cubism Presentation (for real this time)

Soldiers Playing Cards – Fernand Léger – 1917

Page 21: Cubism Presentation (for real this time)

Homage to Bleriot – Robert Delaunay – 1914

Page 22: Cubism Presentation (for real this time)

Nude Descending a Staircase – Marcel Duchamp – 1912