Communiqué Summer 2013
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CAPMT California Association of Professional Music Teachers Affiliated with Music Teachers National Association In this Issue Communiqué Summer 2013 Volume 47 #2 From the President Dear CAPMT Members, I do hope that the summer of 2013 finds you well and able to enjoy a little rest and relaxation. Thank you to the many CAPMT members who have stepped up to leadership positions within CAPMT: on the Executive Board, as MTNA Chairs and Coordinators, CAPMT Chairs, Program Coordinators, District Coordinators, Chapter Presidents as well as local officers and thanks to all those who continue in their positions or new positions. The full list is updated at capmt.org. Many thanks to all those retiring from CAPMT positions especially Larry Ruiz who has stepped down as CAPMT Membership Secretary. The new CAPMT Membership Secretary is Ramona Saunders. CAPMT President-Elect is Jennifer Snow. At the Annual General Meeting at the State Conference in Glendale (April 2013) the following past CAPMT Presidents were honored with Certificates of Appreciation for their outstanding service to CAPMT, over several years: John Norman, NCTM, Frank McGinnis, NCTM, Kathryn B. Hull, NCTM, Sandra Bostrum, Louise Savage, NCTM, Janet M Davidson, NCTM and Sumy Takesue, NCTM. CAPMT Certificates of Appreciation were also awarded to the following long time CAPMT members: Betty Davis, John Davis (CAPMT Membership Secretary), Sherry Emata, Betty Lea Martocchio, NCTM and Marya Marcus. We were honored and delighted that Frank Mc Ginnis and Kathryn Hull were there in person to receive their awards. (There is a report from the AGM on the home page of the CAPMT website.) Congratulations to Edward Francis on the success of his longtime former student, Sean Chen who received third prize at the International Van Cliburn Competition! Lastly, CAPMT District Coordinators (of single districts with no chapters) and Chapter Presidents should be aware that applications for the 2013 CAPMT District or Chapter of the Year Competition are due (to me) by an October 1st postmark deadline. Instructions and the application form are on the website, under Districts and Chapters. Last year’s $500 prize was won by one of our smallest chapters, Temecula Valley MTA. The date of the fall meeting of the CAPMT Board of Governors is October 19th 2013, at a venue TBA, in the northern part of the state. Very Best Wishes to you all. CAPMT Convention 2014 Page 3 CAPMT Student Programs Pages 6-14 IMTF Page 2 MTNA Page 4 MTNA Student Programs Page 5 President’s Message Page 1
Transcript of Communiqué Summer 2013
CAPMT California Association of Professional Music Teachers Affil iated with Music Teachers National Association
In this Issue
CommuniquéSummer 2013Volume 47 #2
From the PresidentDear CAPMT Members,
I do hope that the summer of 2013 finds you well and able to enjoy a little rest and relaxation.
Thank you to the many CAPMT members who have stepped up to leadership positions within CAPMT: on the Executive Board, as MTNA Chairs and Coordinators, CAPMT Chairs, Program Coordinators, District Coordinators, Chapter Presidents as well as local officers and thanks to all those who continue in their positions or new positions. The full list is updated at capmt.org.
Many thanks to all those retiring from CAPMT positions especially Larry Ruiz who has stepped down as CAPMT Membership Secretary. The new CAPMT Membership Secretary is Ramona Saunders. CAPMT President-Elect is Jennifer Snow.
At the Annual General Meeting at the State Conference in Glendale (April 2013) the following past CAPMT Presidents were honored with Certificates of Appreciation for their outstanding service to CAPMT, over several years: John Norman, NCTM, Frank McGinnis, NCTM, Kathryn B. Hull, NCTM, Sandra Bostrum, Louise Savage, NCTM, Janet M Davidson, NCTM and Sumy Takesue, NCTM. CAPMT Certificates of Appreciation were also awarded to the following long time CAPMT members: Betty Davis, John Davis (CAPMT Membership Secretary), Sherry Emata, Betty Lea Martocchio, NCTM and Marya Marcus. We were honored and delighted that Frank Mc Ginnis and Kathryn Hull were there in person to receive their awards. (There is a report from the AGM on the home page of the CAPMT website.)
Congratulations to Edward Francis on the success of his longtime former student, Sean Chen who received third prize at the International Van Cliburn Competition!
Lastly, CAPMT District Coordinators (of single districts with no chapters) and Chapter Presidents should be aware that applications for the 2013 CAPMT District or Chapter of the Year Competition are due (to me) by an October 1st postmark deadline. Instructions and the application form are on the website, under Districts and Chapters. Last year’s $500 prize was won by one of our smallest chapters, Temecula Valley MTA. The date of the fall meeting of the CAPMT Board of Governors is October 19th 2013, at a venue TBA, in the northern part of the state.
Very Best Wishes to you all.
CAPMT Convention 2014
Page 3
CAPMT Student Programs
Pages 6-14
IMTF
Page 2
MTNA
Page 4
MTNA Student Programs
Page 5
President’s Message
Page 1
CAPMT CommuniquéPeter J. Green, Editor
• CAPMT Communiqué is the official bulletin of the California Association of Professional Music Teachers (CAPMT) which is a nonprofit organization affiliated with the Music Teachers National Association (MTNA).
• Communiqué is published tri-annually. Deadlines for submission are: November 10, March 10, and July 10.
• All material should be sent to the editor for consideration at the e-mail address listed below. The editor reserves the right to accept, edit, or reject submissions on the basis of quality, suitability, and space. Submissions will be returned if a S.A.S.E. is included.
PresidentSue Field2245 Brewster Ave.Redwood, CA 94062(650) 796-1829E-mail: [email protected]
Communiqué EditorPeter J. Green5027 Mt. Royal DriveLos Angeles, CA 90041(323) 259-8876E-mail: [email protected] AdvertisingAnn Louise Christensen(818) 241-5872 E-mail: [email protected]
Communiqué Production/ DesignSharri H. Jackson(317) 997-9459 E-mail: [email protected]
Visit MTNA and CAPMT online at:
www.mtna.org www.capmt.org
CAPMT Communiqué
WHY DO PIANOS GO OUT OF TUNE?
Pianos actually stay in tune much better than most stringed instruments! A guitar can go out of tune within an hour, and a violin might need tuning after only 15 or 20 minutes of playing, but a piano only needs to be tuned about once every three to six months. This is because a piano has heavy, steel wires held by an iron frame. The steel wires are under a lot of tension, which keeps them stable even when they are struck by the hammers - in other words, the piano will go out of tune whether you play it or not (It’s the weather!).
Both iron and steel expand and contract in response to changes in heat and cold, but very little. Wood does respond to changes in both temperature and relative humidity. Wooden objects in a room absorb some of the moisture from the air, causing them to expand. Although the frame of a piano is iron, the soundboard and bridge are made of wood. The strings are pushing downwards on a maple bridge. When a note is played, the bridge transfers their vibration to the soundboard, which amplifies it. When the relative humidity rises, the soundboard swells, pressing the bridge into the strings. This increases the tension in the strings, raising the pitch. When the relative humidity falls, the soundboard shrinks, lowering the tension in the strings and the pitch. As small changes in humidity cause the strings to raise and lower in pitch, they never settle back quite into the same place they were before. Slowly, they get more and more out of tune. Usually, the pitch will slowly drop as the piano gets more out of tune. The strings are all under different amounts of tension, which can cause them to go out of tune at different rates. When this happens, the piano goes out of tune with itself. That is what causes that sour, unpleasant sound that really out-of-tune pianos have. Here are three top reasons to keep up a regular tuning schedule: 1. Pianos that are in tune get played a lot more! 2. Someone in your family will probably want the piano in the future,
and you’ll save them hundreds or thousands of dollars by keeping the piano in great shape.
3. Pianos with records of regular maintenance are very rare, and have terrific resale value!
(Reprinted with permission of Ken Schoenwetter, www.greenemusic.com.)
Betty Lea Martocchio, NCTM, IMTF [email protected]
Independent Music Teachers’ Forum
CAPMT CONVENTION 2014INSPIRING THE 21ST CENTURY MUSICIAN
The annual CAPMT convention will be held in Northern California this year. It will be held at the Hyatt Hotel in Santa Clara on January 31- February 2 2014.
The highlights of the convention include a master class and recital by Dr. Peter Mack, professor of piano at Cornish College of the Arts in Seattle, Washington. Dr. Mack has performed throughout the United States and Europe, as well as in Australia and the former Soviet Union. He is the winner of the New Orleans, Young Keyboard Artists and Pacific International Piano Competitions. His prize in the Sherman–Clay competition included a Steinway grand piano. Mack is well known for his extensive repertoire, having performed twenty–five concertos with orchestras. He is equally in demand as a performer, clinician, convention artist, and teacher, and his pupils are frequent winners of local, national, and international competitions.
We will also be having our very own Hans Boepple give a lecture and masterclass. A Steinway International Artist with a career of over forty years, Hans Boepple has received numerous performance honors, including First Prize in the International J.S. Bach Competition (Washington, DC). the Kosciuszko Chopin (NYC), the MTNA national competitions and the Coleman Chamber Music Award (Los Angeles). National Public Radio and Voice of America have broadcast his live performances. He recorded the complete Beethoven Bagatelles for Orion Master Recordings and three CD’s for the Kjos Music Company. He is Professor of Music at Santa Clara University, and his students have earned more than 150 state, national, and international awards. He has received the Master Teacher Certificate from the Music Teachers National Association and the Lifetime Achievement Award from the California Association of Professional Music Teachers.
In addition we are holding an open call for proposals for the convention. Please submit a one page proposal to Carmina Glicklich at [email protected].
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MTNA FELLOW AWARD
CAPMT is planning to honor longtime member Kathryn B. Hull, NCTM by giving her the designation “MTNA Fellow” in recognition of her significant contributions to music and pedagogy. We would like to present this award to Kathryn in front of her friends and professional colleagues at the 2014 MTNA National Conference in Chicago.
To bestow this honor, we need to raise at least $1,000 in her name. All proceeds will be given to the MTNA Foundation Fund. These donations help the MTNA work for a more musical tomorrow through programs that nurture the creation, performance, study and teaching of music.
Here is how you can contribute:
By Check1. Write a check payable to “MTNA Foundation Fund” for any amount.2. Write “MTNA Fellow Kathryn B. Hull” in the check memo.3. Send to:
MTNA Foundation Fund441 Vine St., Ste. 505Cincinnati, OH 45202
Online/Credit Card1. Visit www.mtnafoundation.org and click Contribute Now.2. In the box titled Fellow type in ‘Kathryn B. Hull’.3. Fill in your name and payment information.
About MTNA Fellow ProgramThe Music Teachers National Association Foundation Fellow program offers a meaningful method for honoring deserving individuals while supporting the efforts of the MTNA FOUNDATION FUND through a donation to the FOUNDATION FUND in an individual’s name. Each year new MTNA Fellows are recognized at the MTNA National Conference. New Fellows are prominently recognized on the FOUNDATION FUND website and their names will appear on a plaque located at the MTNA National Headquarters. A press release will be sent to media outlets selected by the Fellow.
To learn more about the MTNA foundation, visit www.mtnafoundation.org/foundation-overview/
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MTNA
Save the Date!The next CAPMT Conference will be held at the Santa Clara Hyatt Hotel from Friday, January 30th to February 2nd, 2014. Guest artists will include CAPMT's own Hans Boepple and Dr. Peter Mack.
CAPMT Communiqué
MTNA Student Programs
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Advertise with Us!Do you know of a business, organization, or educational institution
that might be interested in placing an advertisement in the CAPMT Communiqué or Handbook?
Contact: Ann Louise Christensen(818) 241-5872
STUDENT PERFORMANCE COMPETITIONS
All applications must be entered online by September 11, 2013, 3:00 PM EST. Please go to www.mtna.org and click on “Competitions” for complete information. Online registration will be available in August.
The California State MTNA Competition will be held on Saturday, November 16, 2013 at the University of California Santa Barbara (UCSB) Department of Music in Santa Barbara, CA. Winners of the Performance Competitions will be asked to perform at the CAPMT State Conference in April 2014 in Northern California.
Please note that, in addition to the registration fee paid directly online to the MTNA national office, there is an additional teacher fee for the state of California. This helps us cover the high costs in California and enables us to continue to offer these wonderful opportunities for members and students. This fee per teacher is based on the number of students entered and offsets facility rental, judging costs (housing, meals, transportation), piano tuning, etc.
This additional teacher fee, payable to CAPMT, must be mailed separately to the Competitions Chair, Dr. Jacqueline Petitto, 1800 Golden Oak St., Thousand Oaks, CA 91320-5979. The deadline for submission of the teacher fee is October 1, 2013. The teacher fee schedule is as follows:
Junior Competitions: $20 per entrant Senior Competitions: $25 per entrant Young Artist Competitions: $30 per entrant Chamber Music Competitions (two categories - string and wind): $40 per ensemble
Please feel free to email Dr. Jacqueline Petitto with any questions.
Dr. Jacqueline Petitto, MTNA Competitions State Chair [email protected]
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CAPMT Student Programs
VOCAL ENSEMBLE AUDITIONS
This new program is open to 2 to 8 singers singing either unaccompanied or with accompaniment. Each singer will sing a separate vocal line. The teacher must be a CAPMT member and one member of the ensemble must be a student of that teacher. The pianist may be the teacher or other professional and will not be judged. (The rationale for this is that it allows teachers to choose repertoire without the concern of finding a student able to play challenging orchestral reductions). Selections may be vocal duets, trios, quartets etc, madrigals, excerpts from operas, part songs and the genre can include musical theater. Teachers will apply to their local Ensemble Auditions Chair and the auditions will take place at the district level at the same time as Ensemble Auditions. Those ensembles receiving a rating of 5 will be invited to perform at the Northern or Southern Festival. The Southern Festival date and location is TBA. The Northern Festival is combined with the 2014 State Conference. As with Ensemble Auditions the teacher will select the level of the ensemble. Full details and the application form will be on the website over the summer. For the date and the location of the auditions, please contact your district/chapter chair or District Coordinator/Chapter President.
Su-Shing Chiu, CAPMT Ensemble Auditions State [email protected]
FESTIVALS
Northern FestivalThe Northern Festival will be combined with 2014 State Conference.
Co-Coordinators:Laureen Herr (837) 438 - 3302
[email protected] Beth Lamb (925) 674 – 9251
Southern Festival2014 Southern Festival date and location is TBA
Coordinator:Diane Norcutt (760) 951 – 7589
PIANO AUDITIONS
The CAPMT Piano Auditions program is open to any student of any age and level. Summer is a good time to have students begins the pieces for these auditions, which take place in the fall. Pianists perform two solos (one chosen from the published repertory list and one of their choosing) and one accompanied piece from an updated list that is published online (www.capmt.org). The two solo pieces must be memorized. As in the past, CAPMT recommends that the teacher not perform the second part of the accompanied piece for these auditions. Students receiving a performance rating of 5 will be invited (but not required) to perform at the CAPMT Piano and Ensemble Festival, Northern or Southern Division. The Southern Festival date and location is TBA. The Northern Festival is combined with 2014 State Conference. The application guidelines will be available online at www.capmt.org (please select the Student Programs link and go to the Piano Auditions information). For the date and the location of the auditions, please contact your district/chapter chair or District Coordinator/Chapter President.
Su-Shing Chiu, CAPMT Piano Auditions State [email protected]
CAPMT Student Programs
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STUDENT EVALUATIONS
All CAPMT Districts with the exception of District 1 have held and completed Student Evaluations for 2013. Compared with last year, total numbers of students are up based on reporting Districts. Since one District has yet to submit a report, final numbers are not yet available.
To cover rising costs of expenses, fees for the 2014 Student Evaluations have been raised for Levels 5 – 10 from $30 to $40.
Next year’s fees will be: Preparatory A – Level 4 $30 Levels 5 – 10 $40
Several Districts have inquired about a pass/fail level for future Student Evaluations.
Presently, a numerical score is given for both the Performance and Music Literacy segments. However, no indication of a “pass” level is given. Students receive a certificate of participation only. A number of teachers feel that a “pass” level should be instituted (70% has been suggested).
Feedback from CAPMT teachers concerning such a major change is crucial. There are three possible choices:1. No change – leave things as they are.2. Add a pass level. The Certificate would state that the student had successfully completed requirements
(demonstrated competence, or similar wording) for a given Level. A possible refinement of this option would be to offer an “honors” certificate to students scoring above a certain level.
3. Give individual Districts or Chapters a choice of the above alternatives.
Please offer your personal opinion to the CAPMT Student Evaluations Chair.
Karen Rogers, [email protected]
ENSEMBLE AUDITIONS
The CAPMT Ensemble Auditions provide students an opportunity to perform in ensembles at the chapter/district level and is open to any combination of piano, instrumental, and vocal students of any level and age. The guidelines are designed to encourage students to explore the musical challenges inherent in the study and performance of ensemble music. All ensembles that receive a rating “5” at the district/chapter level will be invited (but not required) to perform at the CAPMT Piano and Ensemble Festival, Northern or Southern Division. The Northern Festival will take place with 2014 State Conference. The Southern Festival date and location is TBA. The application guidelines will be available online at www.capmt.org (please select the Student Programs link and go to the Ensemble Auditions information). For the date and the location of the auditions, please contact your district/chapter chair or District Coordinator/Chapter President.
Su-Shing Chiu, CAPMT Ensemble Auditions State [email protected]
HONORS AUDITION WINNERS FOR 2013
The Honors Audition state finals were held during the CAPMT Conference on April 27, 2013 at the First United Methodist Church of Glendale.
CATEGORY A (Age 7 and under)1st Place Sophia Jin Teacher: Carol Chaung (District V)2nd Place Kasper Yoder Teacher: Roza Yoder (District III)
CATEGORY B (Ages 8-9)1st Place Dominik Yoder Teacher: Roza Yoder (District III)2nd Place Nicole Lam Teacher: Yin Yin Huang (District IX)Honorable Mention Angela Gigi Tsang Teacher: Peyhwan Kuan (District II) CATEGORY C (Ages 10-11)1st Place Kristy Leung Teacher: Erna Gulabyan (District II)2nd Place Jessica Wong Teacher: Lynn Nakamura (District VI)Honorable Mention Benjamin Fitzpatrick Teacher: Rinna Livshin (District I)
CATEGORY D (Ages 12-13)1st Place Cami Akioka Teacher: Olya Katsman (District II)2nd Place Erin Lee Teacher: Hye-Won Cho/Kevin Loucks (District III)Honorable Mention Valerie Narumi Teacher: Tao Chang (District VIII)Honorable Mention Daniel Ha Teacher: Lynne Garrett (District VI)Honorable Mention Grace Moore Teacher: Nobuyo Nishizaka (District IX)
CATEGORY E (Ages 14-15)1st Place Christopher Son Richardson Teacher: Frederick Weldy (District II)2nd Place Samantha Fang Teacher: Gideon Rubin (District III)
CATEGORY F (Ages 16-18)1st Place Rachel Yu Chen Teacher: Roza Yoder (District III)2nd Place Vivian Wang Teacher: Olya Katsman (District II)Honorable Mention Eri Wong Teacher: Nobuyo Nishizaka (District IX)
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CATEGORY G (Two-year College)1st Place Jerome de los Santos Teacher: Lucy Nargizyan (District IX)
CATEGORY H (Four-year College)1st Place Arsen Jamkotchian Teacher: Grace Fong (District VIII)2nd Place Shotaro Matsumoto Teacher: Joel Clifft (District IX)
First-place winners received a trophy award and second-place winners received a ribbon. The first-place winners also received a monetary award and were showcased at the Conference Winners’ Concert the same day. Many thanks to Amy Sakabe for her many years of promoting and organizing the Honors Auditions.
The Honors Auditions is a statewide audition program for serious, competitive students of all instruments including voice. District winners will compete in the state final auditions at the CAPMT State Conference which will be held in the Northern part of California. Date/venue is TBA.
Participants will initially compete at the district level held in the fall as determined by the district chairperson. One district winner from each category will then advance to the state finals which will be held at the State Conference. The date and location will be announced later.
Competitors must perform three memorized solo pieces (no concertos allowed), representing three different musical style periods. One piece must be of the Baroque or Classical style period. One must be from the Romantic/Impressionistic style period or the Contemporary style period. The third piece must represent a different style period than either of the other two selections. Instrumentalists and singers may perform accompanied music, but must provide their own accompanist who may not be their teacher. Singers must include one selection in English and one in a language other than English.
An updated application form, guidelines and rules will be published on the CAPMT website. Please make sure to follow the requirements for the application process. All incomplete applications will not be accepted. The application form must be typewritten and mailed to:
Maria LeP.O. Box 4766
Cerritos, CA 90703
Maria Le, CAPMT Honors Audition [email protected]
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CAPMT Student Programs
CAPMT Communiqué
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CONTEMPORARY MUSIC FESTIVAL 2012-2013 The Contemporary Music Festival State Final took place at Glendale during the CAPMT Conference on April 27, 2013. State winners are:
Ages 7 and Under 1st Place Christopher Hong Student of Young Robbins, District I 2nd Place Madison Lee Student of Lynn Nakamura, District IX
Age 8 – 9 1st Place Taiga Sekizawa Student of Huei-Ping Chen Lin, District V 2nd Place Darren Shen Student of Helen Wong, District II Honorable Mention Jennifer Cai Student of Pamela Worcester, District VIII
Age 10 – 11 1st Place Ethan Yuen Student of Hans Boepple, District II 2nd Place Seungwoo Choi Student of Eunice Ahn, District I Honorable Mention Karis Yu Student of Pamela Lam, District IX
Age 12 – 13 1st Place Leyla Kabuli Student of Angelina Lim, District V 2nd Place Ryan Zhou Student of Rinna Livshin, District I Honorable Mentions Hanae Yoshida Student of Mami Higashi, District VIII
Age 14 – 15 1st Place Christopher Son Richardson Student of Frederick Weldy, District II 2nd Place Rintaroh Shima Student of Nobuyo Nishizaka, District II Honorable Mention Daniel Tan Student of Heidi Lee Kim, District VIII
Age 16 – 18 1st Place Stephen Ai Student of Anna Stalk, District I 2nd Places Eun young Park Student of Hans Boepple, District II Honorable Mention Arif Covalt Student of Deborah Aitken, District III
4 Years College 1st Place Evan Roth Student of Janice Park, District VIII
We appreciate Dr. Grace Hwang (Colburn School of Music) and Mr. Mark Richman giving their time to be the judges. Our congratulations to all the State finalists and the winners of the 2013 State Contemporary Music Festival. They all did a superb performance. 1st place winners received a plaque and prize money at the Winner’s Concert; 2nd place winners received a rosette ribbon and a certificate; and the Honorable Mentions received a certificate.
Many thanks to all participated students, parents, teachers and District Chairpersons: George Fee (I), Elizabeth Smolgovsky (II), Roza Yoder (III), Balazs Rozsa (V), Mary Stornetta (VI), Minji Noh (VIII), and Melody Kuo (IX) for their continued dedication and service in promoting the Contemporary Music Festival program. I specially wish to thank Yukiko Noble and Amy Sakabe for preparing the awards, Joletta Boghosian, Pamela Worcester, Janie Park and Maria Le for helping out as presiders. Without their generous presence, CMF would not have run smoothly and successfully.
The purpose of the Contemporary Music Festival is to encourage teachers to explore original solo pieces from 20th & 21st Century composers. Pieces from pedagogical methods, lesson books, technique or arrangements are not acceptable. The choices of music are:
1) One selection published after 1935 and 2) One selection published after 1900, with an optional 3rd selection, if it is within the time restriction of each age category.
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Detail information of Collections or Albums, published date, tonality if applicable, and Opus number of the piece must be included.
Again, I would like to invite and encourage more teachers and students to enroll in this program by planning early and practicing during the summer, so all can be ready for the Fall. Besides the list of Contemporary music provided by Dr. Betty Woo on the website, I have included here for your reference, the CMF repertoire list from 2010 to 2013:
I. Ages 7 and under (5’00)Ten Easy Pieces (1909) Béla Bartók No. 102, Harmonies from Mikrokosmos Vol. IV (1926-1939) Béla BartókNo. 124, Staccato from Mikrokosmos Vol. V (1926 – 1939) Béla BartókMikrokosmos Vol. I (1926 – 1939) Béla BartókVariation in A minor (1961) Issac BerkovichVillage Church & Russian Dancer from Lyric Pieces for the Young (1971) Norman Dello JoioThe Moth Alexander GoedickeMorning Promenade, Park Scene from A Summer Journal Op. 19 (1966) Robert MuczynskiTarantella Op.65 No.4 (1935-36) Sergei ProkofievHardy-Gurdy from Masterwork Classics 4, ed. Magrath Dmitri ShostakovichO Polichinelo from The Baby’s Family Vol.1, No.7 (1981) Heitor Villa Lobos II. Ages 8 – 9 (5’00)Bagatelles No.2 & 3 Op.6 (1908) Béla BartókBagpipers, Bear Dance and Finale from Sonatine (1915) Béla BartókDance “The Doves” from Mikrokosmos Vol. III (1926-1935) Béla BartókDance ‘till Dawn from Mikrokosmos Vol. I (1926-1935) Béla BartókEvening in the Country from Ten Easy Pieces (1909) Béla BartókJack-in-the-Box from Mikrokosmos Vol. V (1926-1935) Béla BartókNo. 75, 77, 82, 84 & 87 from Mikrokosmos Vol. III (1926-1935) Béla BartókRomanian Christmas Carols 1st Series No. 8, 9, 10 (1915) Béla BartókNo. 1 to 6 from Birds Book Volume I (1986) Seymour BernsteinBlack Fly from Eight Characteristic Studies for Piano, Book 2 (1988) Seymour BernsteinDanzas Argentinas No.1 (1939) Alberto GinasteraChanson Américaine (1940) Jean HubeauThe Leopard & the Seesaw – Ten Pieces for the Young Pianist (1971) Aram Khachaturian Two Gossiping Old Women (1959) Aram Khachaturian Ostinato from Album for the Young (1940) Lowell LiebermanMarch of the Grasshoppers from Music for Children, Op. 65 No. 7 Sergei ProkofievNo. 15 and 16 – Prelude Op. 34 (1956) Dmitri ShostakovichPrelude Op. 34, No. 5 (1932) Dmitri ShostakovichRomance from Puppet Dances (1952-62) Dmitri ShostakovichHungarian Folksong (1967) Rezső SugárVariation on a Baroque Theme (1977) Italo Taranta Bagatelle No.2 – Five Bagatelle (1994) Carl Vine III. Ages 10 – 11 (7’00)Allegro Barbaro (1911) Béla BartókTen Easy Piano Pieces (1908) Béla BartókNine Little Piano Pieces (1927) Béla BartókMikrokosmos Vol. I or II (1926-1935) Béla Bartók6 Dances in Bulgarian Rhythms from Mikrokosmos Vol. VI (1926-1935) Béla Bartók
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CAPMT Student Programs
Romanian Folk Dances (1915) Béla BartókSonatina (Complete or one movement) (1915) Béla BartókStamping Dance from Mikrokosmos Vol. V (1926-1935) Béla BartókThree Rondos #1 (1927) Béla BartókRhapsody from Mikrokosmos Vol. II (1946) Béla BartókNo. 69, 74, 79 from Mikrokosmos Vol. III (1926-1935) Béla Bartók Excursión Op.20 No.4 (1945) Samuel BarbarNo.1, 3, 4, 5 from Birds Book I, (1986) Seymour BernsteinMosquito from Insects Book I (1976) Seymour BernsteinToccatina from Life Cycle (1984) Howard BlakeThe Cat and the Mouse (1920) Aaron CoplandRondo` on Argentina Children Folk Tunes Op. 19 (1947) Alberto GinasteraLe Petit ane Blanc (1922) Jacques IbertEastern Dance – Ten Pieces for the Young (1971) Aram KhachaturianToccata – Children’s Album Book II (1959) Aram KhachaturianFlight of Mourning Dove (2009) Mary LeafPreludes #1 to #4 from Six Preludes Op.6 (1953) Robert MuczynskiDream Cycle Op. 44, No. 1 (1983) Robert MuzcynskiThree Toccatinas Op. 142 – II (1980) Vincent PersichettiSonata in D min. Op.14, No.2, IV: Vivace (1912) Sergei Prokofiev Tarantella – Music for Young People, Op. 65 No. 4 Sergei ProkofievNo. 10 & 11 from Vision Fugitives (1915-1917) Sergei Prokofiev Girl’s Roundelay (1963) Rodion ShchedrinThree Score Set (1940) William SchumanGavotte in C Major (Puppet Dances) (1952) Dmitri ShostakovichLyric Waltz from Dances of the Dolls (1952) Dmitri ShostakovichPrelude No. 17 from 24 Preludes (1934) Dmitri ShostakovichPrelude Op.34 No.2 (1932) Dmitri Shostakovich
IV. Ages 12 – 13 (7’00)14 Bagatelles Op.6, No.10 (1908) Béla Bartok Romanian Folk Dances Sz. 56 (1918) Béla Bartok Hesitation - Tango from Souvenirs Op.28 (1954) Béla Bartok Bagpipes and Bear Dance from Sonatine ((1915) Béla Bartok No. 3 Rondo from Three Rondos on Folk Tunes (1930) Béla Bartok No. 2, 4, 6 from Six Dances in Bulgarian Rhythm (1987) Béla Bartok Allegro Barbaro (1911) Béla Bartok No. 146 Ostinato – Microkosmos Volume VI (1940) Béla Bartok Sonata No. 2 from Four Short Sonatas (1986) George RochbergAllegro Giocoso from Sonatina (1959) Aram KhachaturianSnare Drum, Funeral March – 10 Pieces for Young Pianist (1968) Aram KhachaturianGargoyles, Op. 29 No. 3 (1989) Lowell LiebermannBallade Op. 46 (1977) Samuel Barber The Montagues & the Capulets - “Romeo and Juliet” Op. 75 (1937) Sergei ProkofievMarch & Scherzo - Love of Three Oranges, Op. 32 (For Piano 1921) Sergei ProkofievMoonlit Meadows from Music for Children, Op. 65 (1935) Sergei ProkofievPrelude in C Major, Op. 12, No. 7 (Op. 12 is a Pub. Domain: Sergei Prokofiev http://imslp.org/wiki/10_Pieces_for_Piano,_Op.12 Danza de la Moza Donosa & Danza del Viejo Boyero - Alberto Ginastera Danzas Argentina (1937) Rondo` on Argentine Children’s Folk Tune (1947) Alberto Ginastera
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CAPMT Communiqué 13
No. 3 Criolla from Tres Piezas (1940) Alberto GinasteraMusical Toys (1969) Sofia GubaidulinaNo. 2 – Reverie from Concert Etude Op. 40 (1984) Nicholai KapustinThree Pieces for the Young (1953) Witold LutoslawskiRicercare and Toccata: Toccata (1939) Gian Carlo MenottiPreludes No.1, 3 & 4 – Preludes Op.6 (1953-54) Robert Muczynski Villageoises No. 2, 3, 6 (1933) Francis PoulencSeventh Improvisation (1934) Francis PoulencNo. 2 and 3 from Suite of Preludes (1952) Kazimierz SerockiHumoresque (1957) Rodion ShchedrinTwo Polyphonic Pieces (1952-1961) Rodion ShchedrinNo.2 & 10 – 24 Preludes Op. 34 (1933) Dmitri ShostakovichEtude in C Minor Op. 7, No. 1 from Four Etudes (1908) Igor StravinskyBagatelles Op.5 (1918) Alexander TcherepninThe Juggler (1924) Ernest TochThe Clowns from The Circus, Op. 68 (1931) Joaquin Turina Prelude in Bb Minor (1967) Gaziza Zhubanova
V. Ages 14 – 15 (10’00)No. 7-15 from 15 Hungarian Peasant Song (1914-17) Béla Bartók Scherzo in E minor (1903) Béla Bartók No.2 & 6, No. 142 & 146 from Six Dances in Bulgarian Rhythm (1940) Béla BartókAllegro Barbaro (1911) Béla BartókNo. 1 Quarrel from Three Burlesques Op. 8c (1950) Béla BartókSuite, Op. 14 No.1, 2, 3 (1916) Béla BartókThe Chase from Out of Doors Suite Sz. 81, BB 89 (1926) Béla BartókRomania Folk Dances (Rev. 1993) Béla BartókRumanian Christmas Songs, Set II, Nos. 1, 2, 8, 9, 10 Béla BartókHarom Burleszk Op.8 (1908) Béla BartókMikrokosmos IV: Bulgarian Rhythm Béla BartókNo. 138 from Mikrokosmos V Béla BartókHésitation – Tango (Souvenirs, Op. 28) (1954) Samuel BarberExcursions Op.20 #4 (1945) Samuel BarberNocturne Op.33 (1959) Samuel Barber12 New Etudes for Piano (1977) William BolcomNo. 1, 2 & 3 from Danzsa Argentinas Op.2 (1937) Alberto GinasteraDanza del Gaucho Maestro (1939) Alberto GinasteraSonata Op.22 No.1 – Allegro Molto (1952) Alberto GinasteraRondo` on Argentine Children’s Folk Tunes (1947) Alberto GinasteraToccata (1959) Jack HawesCapriccio on an Interval of a Second (1969 Marks Msic Pub.) Norman Dello JoioSuite for Piano (1940) Norman Dello JoioNo. 1 & 16 from 24 Preludes Op. 38 (1943-1944) Dmitry KabalevskySonatina - Allegro Mosso (1959) Aram KhachaturianToccata Op.15 Robert MuczynskiDiabolic Suggestion Op.4 No.4 (1913) Sergei ProkofievSonata No.3, Op.28 (1917) Sergei ProkofievNo.2 & 4 – Four Short Sonatas for Piano Solo (1986) George RochbergTwo Parts Invention in F minor (1972) Rodion ShchedrinHumoresque (1957) Rodion ShchedrinNo. 5, No. 7, No. 19 from Preludes Op. 34 (1933) Dmitri ShostakovichFour Etudes Op. 7 No.2 (1908) Igor StravinskySketches in Color Grey (2010) Robert Starer
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CAPMT Student Programs
CAPMT Communiqué 14
Toccata (1989) Stella SungFour Waltz Op.68 (1976) Tomas Svoboda VI. Ages 16 – 18 (10’00)No. 1, 2 and 3 from Suite Op. 14 (1916) Béla BartókNo. 1, No. 2 & 4 from Out of Doors Suite (1926) Béla BartókRumanian Folk Dances (1915) Béla BartókNo. 1 to 6 from 15 Hungarian Peasant Songs (1914-1918) Béla BartókNo. 2, 149, 151 & No. 153 from Mikrokosmos Book VI Béla BartókVIII, XI and XII Bagatelles Béla BartókThe Serpent’s Kiss, Old Adam from Garden of Eden (1974) William Bolcom #7 from Nine New Bagatelles (2006) William Bolcom Quest 2nd movement (1935) John CageFirst Movement - Piano Sonata No. 3 (1947) Norman Dello JoioFirst Movement from Sonata #1 Op. 22 (1954) Alberto GinasteraRondo` on Argentine Children’s Folk Tunes (1951) Alberto GinasteraDanza Criolla & Para las Octavas from 12 Preludios Americanos (1946) Alberto GinasteraMovement III Alcotts from Concord Sonata (1920) Charles IvesConcert Etude No. 6 (1984) Nicolai KapustinMovement IV, Vivace from Sonata No. 2, Op. 14 in D Minor (1912) Sergei Prokofiev Diabolic Suggestions Op.4 No.4 Sergei ProkofievToccata in D minor Op.11 (1912) Sergei ProkofievNo. 3 and 7 from Suite of Preludes (1952) Kazimierz SerockiFantastic Dance, Op. 5, No. 1. (1922) Dmitri ShostakovichImpressoes Seresteriras (1941) Heitor Villa-LobosA Prole de bebe I: #1Branquicha; #2 Moreninha; #7 O Polichinelo (1920) Heitor Villa-Lobos Two Motions in One Movement (1996) Samuel Zyman
VIII. 4 Years College (12’00)Allegro Barbaro (1911) Béla BartokAndante from Three Rondos Béla BartokFourteen Bagatelles, Op. 6, Nos. 6, 3, 2 Béla BartokSuite Op. 14, No. 1 (1916) Béla BartókExcursión Op.20 No.4 (1945) Samuel Barbar First Movement –Sonata No.3 (1968) Norman Dello JoioAndante Con Moto – No. 1 Prelude – Five Preludes Op. 7 (1955) Lee Hoiby Etude No. 68 No. 1 (1992) Nicolai KapustinConcert Etude No. 40 No. 1, No. 6 (1984) Nicolai KapustinToccata Op. 15 Robert MuczynskiPreludes, Op. 6: Nos. 1, 2, 3, 4 Robert MuczynskiToccata in D minor Op.11 (1912) Sergei ProkofievPoem for Piano (1951) Otar Taktakisvilli
If you have any question, please contact me. I’m looking forward to seeing more students and teachers involved in the Contemporary Music Festival year 2013-2014.
Dr. Liliana Hsueh-Gutierrez, NCTM, Contemporary Music Festival State [email protected]
CAPMT Student Programs
California Association of Professional Music Teachers
c/o Ramona N. Saunders1759 Hummingbird LaneVista, CA92084-3612
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