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NeoclassisimRomanticismRealismImpressionismPost-Impressionism

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1780-1820Words associated with this period-virtue;patriotism;Tone : calm, rationalTechnique : stressed drawing with linesnot color, smooth surface and glossy, notrace of brushstrokesordered grids,

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Jacque Louis David1784

Louvre, Paris, France

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Dramatic, emotional, violent energy;Themes-liberty power of nature;compare/associations to Baroque history repeats itself

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Imaginative idealized creations Values: Intuition, Emotion, ImaginationInspiration : Medieval & Baroque eras,Middle and Far EastTone: Subjective, spontaneous,nonconformist

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Color: Unrestrained, deep rich shades of colorSubjects : Legends,exotica, nature,

violenceGenres : Narratives of heroic struggle,landscapes, wild animalsTechnique : Quick brushstrokes, stronglight-and-shade contrastsComposition : Use of diagonals

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Gericault (Raft of the Medusa, 1818) &Delacroix ( Liberty Leading the People,1830)

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Photo realism; tromp loeil-fool the eyeUltra realistic painting, American painterHarnett

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Unadulterated rendering; poor people ineveryday situations; landscapes

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Courbet, the father of the RealistmovementPortrayed drab figures at everyday tasksFirst one man show, when rejected by anart jury built a shed to show his painting

Interior of My Studio

Burial of Ornans,The Stone Breakers,

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CourbetCorotMillet, Barbazon School

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Winslow HomerEakins

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James McNeil Whistler Arrangement in Grey and Black No. 1,1872, Muse dOrsay, ParisNocturn in Black and Gold: the FallingRocket, 1875

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Often called the Father of Modern Art1832-1883Never exhibited with the ImpresionistsStriped away idealizing mythology toportray modern life candidlySketchy brushwork-images appear flat

and hard

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Painting offended on moral and aestheticgroundsIndecent because the nude was not

idealized(nudity was only acceptable if disguisedin Classical trappings)Based on historic art precedent,Giorgione, Titian,Brushstrokes, applied in broad strokes

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En plein air-Paint outsideConcerned with effects of light;Dabs of pure color painted side by side

Viewers eye blends the colorsShadows not black but blends of colorsCountry, City associated with

Impressionism-France, Paris

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Japanese prints and new tool influencedImpressionists; cropping-cutting off Camera/photography

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Grouped together because of waypainted and concern for lightPurpose; to portray immediate visual

sensations of a sceneImpressionists: Manet, Monet. Renior,Degas

Also: Pizzaro, Sisley, Marisot, Casatt1862-1886

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Grouped together because making art atthe same time- but not because of similar style1880-1905Post Impressionists: Seurat, Toulouse-Lautrec, Cezanne, Gauguin, van Gogh

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Small dots of pure color on canvas, SeuratPointillistsTextural paint, sick man

van GoghReduce to basic shapes: cone, cylinder,Cezanne

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Cezanne liberated art from reproducingreality by reducing reality to its basiccompositions

Cylinder, sphere, coneTo create illusions of depth placed coolcolors like blue, which seem to recede, atrear and warm colors like red, whichseem to advance, in front ( Mt. St. Victoire,1902)