Mark Rothko. Green on Blue.1956. Oil on canvas. 91-1/4" x 64-3/8".

Collection of the University of Arizona Museum of Art, Tucson,Gift of E. Gallagher, Jr. Acc. 64.1.1. [Fig. 15.1]

Duane Hanson. Supermarket Shopper.1970. Polyester resin and various media. Height: 65".

Neue Galerie – Sammlung Ludwig, Aachen, Germany. [Fig. 15.2]

Jackson Pollock. Number 27.1950. Oil on canvas. 4' 1" x 8' 10".

Collection, Whitney Museum of American Art, NY. Purchase. © 2011 The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York. [Fig.

15.3]

Willem de Kooning. Excavation.1950. Oil on canvas. 81" x 100-1/4" (unframed).

Mr. and Mrs. Frank G. Logan Purchase Prize Fund; restricted gifts of Edgar J. Kaufmann, Jr., and Mr. and Mrs. Noah Goldowsky, Jr., 1952.1

Reproduction, The Art Institute of Chicago. All rights reserved. © 2009 Artists Rights Society (ARS), New York. [Fig. 15.4]

Joan Mitchell. Piano mécanique.1958. Oil on canvas. 78" x 128".

Gift of Addie and Sidney Yates. Image © 2009 Board of Trustees, National Gallery of Art, Washington, D.C. [Fig. 15.5]

Helen Frankenthaler. The Bay.1963. Acrylic on canvas. 6' 8-3/4" x 6' 9-1/2".

The Detroit Institute of Arts, Founders Society Purchase, Dr. & Mrs. Hilbert H. DeLawter Fund/The Bridgeman Art Library. [Fig. 15.6]

Robert Rauschenberg. Bed.1955. Combine painting: oil and pencil on pillow, quilt, and sheet on wood

supports.6' 3-1/4" x 31-1/2" x 8".

Gift of Leo Castelli in honor of Alfred H. Barr, Jr. (79.1989). Digital Image © The Museum of Modern Art/Licensed by SCALA/Art Resource, New York.

© Robert Rauschenberg Foundation/VAGA. [Fig. 15.7]

Jasper Johns. Three Flags.1958. Encaustic on canvas. 30-7/8" x 45-1/2" x 5".

50th Anniversary Gift of the Gilman Foundation, Inc., The Lauder Foundation, A. Alfred Taubman, an anonymous donor, and purchase. 80.32. Collection of Whitney Museum of American Art, New York. Photo by Geoffrey

Clements. Art © Jasper Johns/Licensed by VAGA, NY. [Fig. 15.8]

Ludwig Mies van der Rohe. Farnsworth House, Fox River, Plano, Illinois.1951.

© 2008 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn. [Fig. 15.9]

Frank Lloyd Wright. The Solomon R. Guggenheim Museum, New York.1957-59.

Photo: David Heald/Courtesy of the Solomon R. Guggenheim Museum. FL W#7. © 2008 Artists Rights Society (ARS), New York. [Fig. 15.10]

Andy Warhol. Campbell’s Soup Cans. Installation at Ferus Gallery.1962. Installation view (photograph).

Founding Collection, The Andy Warhol Museum, Pittsburgh. [Fig. 15.11]

Tom Wesselmann. Still Life #20.1962. Mixed media. 41" x 48" x 5-1/2".

Albright-Knox Art Gallery, Buffalo, New York. Gift of Seymour H. Knox, Jr. Art © 2008 Estate of Tom Wesselmann/VAGA, NY. ™ 2002 Marilyn Monroe LLC under license authorized by CMG Worldwide Inc., Indianapolis, IN 46256

www.MarilynMonroe.com. [Fig. 15.12]

Andy Warhol. Gold Marilyn Monroe. 1962. Synthetic polymer paint, silkscreen, and oil on cavas. 6' 11-1/2" x

57".[Fig. 15.13]

Roy Lichtenstein. Oh, Jeff. . I Love You, Too. . But. .1964. Oil on magma on canvas. 4' x 4'.

© Estate of Roy Lichtenstein. [Fig. 15.14]

Roy Lichtenstein. Little Big Painting.1965. Oil on synthetic polymer on canvas. 70" x 82" x 2-1/4".

Purchase, with funds from the Friends of the Whitney Museum of America Art. 66.2. Collection of the Whitney Museum of American Art, New York. [Fig.

15.15]

Claes Oldenburg. Soft Toilet.1966. Vinyl, kapok, liquitex, wood. 55-1/2" x 28-1/4" x 30".Collection of Whitney Museum of American Art, NY. [Fig. 15.16]

One of the "Little Rock Nine," Elizabeth Eckford, braves a jeering crowd.1957, September 4. Photograph.

[Fig. 15.17]

Romare Bearden. The Dove.1964. Cut-and-pasted photoreproductions and papers, gouache, pencil and

colored pencil on cardboard. 13-3/8" x 18-3/4".Blanchette Rockefeller Fund. (377.1971). The Museum of Modern Art/Licensed by SCALA/Art Resource, New York. Art © Estate of Romare Bearden/Licensed by

VAGA, NY. [Fig. 15.18]

Ron Haeberle, Peter Brandt, and the Art Workers’ Coalition. Q. And Babies? A. And Babies.

1970. Offset lithograph. 24" x 38".The Museum of Modern Art, New York. Gift of the Benefit for the Attica

Defense Fund. [Fig. 15.19]

Jean-Michel Basquiat. Charles the First. Three panels.1982. Acrylic and oil paintstick on canvas. 78" x 62-1/4".

© The Estate of Jean-Michel Basquiat © 2009 Artists Rights Society (ARS), New York. [Fig. 15-CL.1]

Guerrilla Girls. Do women have to be naked to get into the Met. Museum? 1989, 1995. Poster.

[Fig. 15.20]

Frank Gehry and Vlado Milunić. The Rasin Building, also known as the Dancing House or “Ginger and Fred,” Prague, Czech Republic.

1992-96.[Fig. 15.21]

Yasumasa Morimura. Portrait (Twins). 1988. Color photograph, clear medium. 6'10 1/2" x 10'.

[Fig. 15.22]

Chris Ofili. The Holy Virgin Mary.1996. Paper collage, oil paint, glitter, polyester resin, map pins,

elephant dung on linen. 8' x 6'.The Saatchi Gallery, London. Photo: Diane Bondareff/AP World Wide Photos.

[Fig. 15.23]

Shahzia Sikander. Pleasure Pillars.2001. Watercolor, dry pigment, vegetable color, tea, and ink on wasli

paper. 12" x 10".Courtesy Sikkema Jenkins & Co., New York. [Fig. 15.24]

Olafur Eliason. The Weather Project. Installation view at the Tate Modern.2003. Monofrequency lights, projection foil, haze machine, mirror oil,

aluminum, and scaffolding.

Courtesy of the artist, Tanya Bonakdar Gallery, New York, and neugerriemschneider, Berlin. [Fig. 15.25]