Alexander Calder. Untitled. 1976. Aluminum and steel. overall: 29 ft. 11-3/8 in. × 75 ft. 11-5/8 in.; gross weight: 920 lb. Gift of the Collectors Committee.
Humanities 100 Sayre ch15 PowerPoint
Merjian_De Chirico Untimely Objects
Humanities Sayre ch14 PowerPoint
Cai Guo-Qiang. Footprints of History: Fireworks for the Opening Ceremonies of the 2008 Beijing Olympic Games. 2008. © Cai Studio. [Fig. 1-1]
Jan Vermeer. The Allegory of Painting (The Painter and His Model as Clio). 1665–66. Oil on canvas. 48 × 40 in. Erich Lessing/Art Resource, NY. [Fig. 9-1]
Eadweard Muybridge. Annie G, Cantering, Saddled. December 1887. Collotype print. sheet: 19 × 24 in., image: 7-1/2 × 16-1/8 in. The Philadelphia Museum.
Paul Cézanne. The Basket of Apples. c. 1895. Oil on canvas. 21-7/16 × 31-1/2 in. Helen Birch Bartlett Memorial Collection. 1926.252. The Art Institute.
Fauvism to Cubism
Post-Impressionism
Chapter 28 The Age of Anxiety, ca 1900–1940. This colored photograph of the German philosopher was taken in 1882, when he was at the height of his creative.
Dada, Surrealism, and Suprematism AKA Dada and some more Isms Rebekah Scoggins Art Appreciation April 9, 2013.
![Cai Guo-Qiang. Footprints of History: Fireworks for the Opening Ceremonies of the 2008 Beijing Olympic Games. 2008. © Cai Studio. [Fig. 1-1]](https://static.fdocuments.in/doc/330x215/56649c945503460f94950f86/cai-guo-qiang-footprints-of-history-fireworks-for-the-opening-ceremonies.jpg)
![Jan Vermeer. The Allegory of Painting (The Painter and His Model as Clio). 1665–66. Oil on canvas. 48 × 40 in. Erich Lessing/Art Resource, NY. [Fig. 9-1]](https://static.fdocuments.in/doc/330x215/56649cd55503460f9499c852/jan-vermeer-the-allegory-of-painting-the-painter-and-his-model-as-clio.jpg)
