Workshop How to Keep our Audiovisual Memories Safe?
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HET HUIS VAN ALIJN PROVIDING CONTEXTUAL INFORMATION: INTERVIEWING THE USER ABOUT THEIR USE: DOING ORAL HISTORY CENTRAL QUESTION: WHAT DO WE NEED TO UNDERSTAND / RECONSTRUCT THE HOME MODE USER? Workshop How to Keep our Audiovisual Memories Safe? Storing Home Movies, Home Video and Online Content May 2-3, Bonn, Institut für Landeskunde und Regionalgeschichte
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Presentation for the Workshop 'How to Keep our Audiovisual Memories Safe? Storing Home Movies, Home Video and Online Content'
Transcript of Workshop How to Keep our Audiovisual Memories Safe?
HET HUIS VAN ALIJN PROVIDING CONTEXTUAL INFORMATION: INTERVIEWING THE USER ABOUT THEIR USE:
DOING ORAL HISTORY
CENTRAL QUESTION: WHAT DO WE NEED TO UNDERSTAND / RECONSTRUCT THE HOME MODE USER?
Workshop How to Keep our Audiovisual Memories Safe?Storing Home Movies, Home Video and Online Content
May 2-3, Bonn, Institut für Landeskunde und Regionalgeschichte
MUSEUM PRACTICE / BEHIND THE SCENE①THE START OF A (DIGITAL) COLLECTION② VIEWING / SELECTING③ DIGITAL COPY / DIGITAL ARCHIVING④ INTERVIEW / ORAL HISTORY⑤ DESCRIBING / CATALOGUING
MUSEUM PRACTICE / ON STAGEUSE / RE-USE / OPEN TO THE PUBLIC
2006-2007 EXHIBITION ‘EVERYDAY LIFE IN MOVING IMAGES’ 2007-2008 EXHIBITION ‘GENT IN MOVING IMAGES’ 2010 EXHIBITION ‘HURRAY FOR THE HOLIDAYS’2012 EXHIBITION ‘THEIR MOST BEAUTIFUL DAY’
THE START OF A (DIGITAL) COLLECTION①
THE START OF A (DIGITAL) COLLECTION①
o 2004 : 0 home movies
o new museum presentation 50’s-60’s-70’s > The House of Alijn tells the story about everyday life in the 20th century in Flanders.
o call for bringing home movies to the museum
o # 2004-2013 : 3933 reels / by 369 PERSONS / 1505 digitized = 256h = 2,83TB
VIEWING / SELECTING②
VIEWING / SELECTING②
o every movie is viewed & numbered
o basic info (format, length, color, sound, condition, subject) is listed
o not every movie is usable > selection
o first contact with filmmaker / loaner > information about the use / goal by the museum
DIGITAL COPY/ DIGITAL ARCHIVING③
DIGITAL COPY/ DIGITAL ARCHIVING③
o selected movies are digitized (VCN, NL)
o digital copy on Digibeta, DVCam > harddisk > editing software FCPro for presentation in museum
o loaner receives copy on dvd
o original reel returns to owner or is donated to the museum o agreement about the use is signed
DIGITAL COPY/ DIGITAL ARCHIVING③
INTERVIEW / ORAL HISTORY④
④
o filmmaker / family / loaner > who can give more information about the movie?
o interview is audio-recordedo identification files about the filmmaker and/or loaner
questions about the profession, activity in filmclub, use at home or outside, … relation to the filmmaker (loaner)
o general questions about the use/making/viewing:questions about the production (how many movies?), at what occasion, the editing, the screening, who was present at the screening, when ? how often? What was the intention of the maker, …
o specific questions about the content (by using film stills)Who, where, when, …
o agreement about the use of the interview
o transcripition interview
INTERVIEW / ORAL HISTORY
DESCRIBING / CATALOGUING⑤
DESCRIBING / CATALOGUING⑤
o every film is described in the collection management system Adlib Museum
o transcription of the interview is linked (pdf)
o description is detailed (search on words rather than keywords)
o private information is not published
USE / RE-USE / OPEN TO THE PUBLIC⑥
USE / RE-USE / OPEN TO THE PUBLIC⑥
o main use by the museum: museum-presentation + exhibitions + publications
o recent development: lot of interest & demand for external use (by production houses, museums, VRT, cultural heritage organisations, schools, social projects, artistic use, etc. ) > how to deal with it? > Studio Alijn
o website / vimeo
EXHIBITION ‘EVERYDAY LIFE IN MOVING IMAGES’ 2006-2007
FROM CHRONICLES TO EXCERPTS
ALL THESE IMAGES WERE MADE FOR POSTERITY
IN ORDER TO KEEP BYGONE THINGS FOR FUTURE GENERATIONS
TODAY THEY ALLOW US TO TAKE A GLANCE AT THE PAST
THEY TELL OR SHOW A STORY BEFORE AND BEHIND THE CAMERA
CERTAIN ASPECTS OF BYGONE TIMES
BUT ALSO HOW AND WHEN THE CAMERA WAS USED
WHO WAS FILMING, HIDDEN AND EXPOSED IMAGES, ACCIDENTAL DISCOVERIES
RECORDED AND DIRECTED, PRIVATE AND PUBLIC
AN INEXHAUSTIBLE, FASCINATING SOURCE OF INFORMATION FOR THE STUDY
RECOGNIZABLE AND SUPRISING, AFFIRMING AND CONFRONTING
EXHIBITION ‘EVERYDAY LIFE IN MOVING IMAGES’
UNIQUE AND STEREOTYPICAL, PERSONAL AND UNIVERSAL
OF EVERYDAY LIFE
2006-2007
EXHIBITION ‘EVERYDAY LIFE IN MOVING IMAGES’ 2006-2007
EXHIBITION ‘EVERYDAY LIFE IN MOVING IMAGES’ 2006-2007
EXHIBITION ‘EVERYDAY LIFE IN MOVING IMAGES’ 2006-2007
EXHIBITION ‘GENT IN MOVING IMAGES’ 2007-2008
EXHIBITION ‘GENT IN MOVING IMAGES’ 2007-2008
EXHIBITION ‘GENT IN MOVING IMAGES’ 2007-2008
EXHIBITION ‘GENT IN MOVING IMAGES’ 2007-2008
EXHIBITION ‘HURRAY FOR THE HOLIDAYS!’ 2010
EXHIBITION ‘HURRAY FOR THE HOLIDAYS!’ 2010
EXHIBITION ‘HURRAY FOR THE HOLIDAYS!’ 2010
EXHIBITION ‘HURRAY FOR THE HOLIDAYS!’
Audio-comment bij film F1120 door Manja De Corte, 30 juni 2010
2010
EXHIBITION ‘HURRAY FOR THE HOLIDAYS!’
http://vimeo.com/huisvanalijn/mooi-wezen-in-knokke-1949
2010
EXHIBITION ‘THEIR MOST BEAUTIFUL DAY’ 2012
EXHIBITION ‘THEIR MOST BEAUTIFUL DAY’ 2012
EXHIBITION ‘THEIR MOST BEAUTIFUL DAY’ 2012
FFF6
EXHIBITION ‘THEIR MOST BEAUTIFUL DAY’ 2012
F03435-SUPER8
EXHIBITION ‘THEIR MOST BEAUTIFUL DAY’ 2012
F03435-SUPER8
EXHIBITION ‘THEIR MOST BEAUTIFUL DAY’ 2012
F03435-SUPER8
http://vimeo.com/huisvanalijn/huwelijk-marie-therese-en-eric-1969
