Web viewAl-Saji, A. (2004) The Memory of Another Past: Bergson, Deleuze and a New Theory of Time,...
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Bibliography [example] Ackrill, J.L. (1981) Aristotle the Philosopher. Oxford: Oxford University Press Al-Saji, A. (2004) The Memory of Another Past: Bergson, Deleuze and a New Theory of Time, Continental Philosophy Review, Issue 37. Springer. Pp. 203-239 Attlee, J. (2007) Towards Anarchitecture: Gordon Matta-Clark and Le Corbusier, Tate Papers, Issue 7, Spring 2007, London: Tate. [Online] Available: http://www.tate.org.uk/research/tateresearch/tatepapers/07spring/att lee.htm (Accessed: 12 September 2010) Auslander, P. (2003) Behind the Scenes: Gregor Schneider’s Totes Haus ur. A Journal of Performance and Art, 75, Vol 25. No 3 (Sept. Issue). Cambridge, Mass.: MIT Press. Pp. 86-90. Auster, P. (1999) City of Glass (New York Trilogy), London: Faber and Faber Ltd. Bal, M. (2000) Visual Narrativity. In: G. Coulter-Smith (ed.) The Visual-Narrative Matrix: Interdisciplinary Collisions and Collusions, Southampton: Southampton Institute, Fine Art Research Centre. Pp. 7-16. Barthes, R. (1982) Camera Lucida, London: Vintage. Batchen, G. (2004) Forget Me Not, New York: Princeton Architectural Press. Batchen, G. (1997/1999) Burning with Desire: The Conception of Photography, Massachusetts: MIT Press. Batchen, G. (n/d) Geoffrey Batchen. CUNY Graduate Center: New York. [Online] Available: http://web.gc.cuny.edu/arthistory/faculty/batchen.html (Accessed: 16 October 2009) Baudrillard, J. (1994) Simulacra and Simulation, Ann Arbor: The University of Michigan Press. Baugh, B. (2005) Experimentation. In: A. Parr (ed.) The Deleuze Dictionary, Edinburgh: Edinburgh University Press Ltd. 91-92.
Transcript of Web viewAl-Saji, A. (2004) The Memory of Another Past: Bergson, Deleuze and a New Theory of Time,...
Bibliography [example]
Ackrill, J.L. (1981) Aristotle the Philosopher. Oxford: Oxford University Press
Al-Saji, A. (2004) The Memory of Another Past: Bergson, Deleuze and a New Theory of Time, Continental Philosophy Review, Issue 37. Springer. Pp. 203-239
Attlee, J. (2007) Towards Anarchitecture: Gordon Matta-Clark and Le Corbusier, Tate Papers, Issue 7, Spring 2007, London: Tate. [Online] Available: http://www.tate.org.uk/research/tateresearch/tatepapers/07spring/attlee.htm (Accessed: 12 September 2010)
Auslander, P. (2003) Behind the Scenes: Gregor Schneider’s Totes Haus ur. A Journal of Performance and Art, 75, Vol 25. No 3 (Sept. Issue). Cambridge, Mass.: MIT Press. Pp. 86-90.
Auster, P. (1999) City of Glass (New York Trilogy), London: Faber and Faber Ltd.
Bal, M. (2000) Visual Narrativity. In: G. Coulter-Smith (ed.) The Visual-Narrative Matrix: Interdisciplinary Collisions and Collusions, Southampton: Southampton Institute, Fine Art Research Centre. Pp. 7-16.
Barthes, R. (1982) Camera Lucida, London: Vintage.
Batchen, G. (2004) Forget Me Not, New York: Princeton Architectural Press.
Batchen, G. (1997/1999) Burning with Desire: The Conception of Photography, Massachusetts: MIT Press.
Batchen, G. (n/d) Geoffrey Batchen. CUNY Graduate Center: New York. [Online] Available: http://web.gc.cuny.edu/arthistory/faculty/batchen.html (Accessed: 16 October 2009)
Baudrillard, J. (1994) Simulacra and Simulation, Ann Arbor: The University of Michigan Press.
Baugh, B. (2005) Experimentation. In: A. Parr (ed.) The Deleuze Dictionary, Edinburgh: Edinburgh University Press Ltd. 91-92.
Benjamin, W. (1963/2003) The origin of German tragic drama, London: Verso.
Bergson, H. (1988) Matter and Memory, New York: Zone Books.
Bifo, B.F. (2008) Alterity and Desire. In: S. O’Sullivan and S. Zepke (eds.) Deleuze, Guattari and the Production of the New, London: Continuum. Pp. 22-32.
Borges, J.L. (2000) Labyrinths: Selected Stories and Other Writings, London: Penguin Books.
Bourriaud, N. (2009) Altermodern, London: Tate Publishing. Also available online: http://www.scribd.com/doc/29398878/Bourriaud-Altermodern (Accessed: 27 March 2011)
Bourriaud, N. (2002) Postproduction - Culture as Screenplay: How Art Reprograms the World, New York: Lukas and Sternberg.
