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Republic of the Philippines

mepartment of Qfbucatton

DepEd MEMORANDUM No. 081 , s. 2019

25 JUN Z019

2019 NATIONAL MUSIC COMPETITIONS FOR YOUNG ARTISTS

TO Bureau Directors Regional. Directors Schools Division/City Superintendents Regional and Division Special Events Coordinator Public and Private Elementary and Secondary School Heads All Others Concerned

1. The National Music Competitions for Young Artists (NAMCYA} Foundation Inc., in cooperation with the Department of Education (DepEd}, · National Commission for Culture and the Arts (NCCA), Cultural Center of the Philippines (CCP), and the Commission on Higher Education (CHED), announces the launching of the 2019 National Music Competitions for Young Artists (NAMCYA), which culminates during the national Music Week with the theme Alab ng Musika from November 26 to December 1, 2019 at the CCP Complex, Roxas Boulevard, Pasay City. This is pursuantto Administrative Order No. 23, s. 2011 entitled Creating a Steering Committee on National Observances.

2. Pursuant to Presidential Proclamation No. 25, s. 1998, the last week of November of each year is designated as the National Music Week in which the NAMCYA Competitions a.re .L ~ the main focus of the celebration. r-3. The regional directors (RDs), assisted by their regional and schools division coordinators, are designated as heads of the NAMCYA Regional Committees to oversee the identification, selection and training of participants in their respective areas. The NAMCYA Secretariat shall undertake national coordination;

4. The concerned regional coordinators for cultures and the arts .. (RCA C) in the Regional Center Competitions are requested to identify and select more than 150 participants (students, teachers, SPED, ALS and NIS) public and private secondary schools requiring to participate in the various workshop on the first day· as well as the competitions, closing and awarding ceremonies including the concert of winners on the seeond day to be eligible for .the certificates of participation and appearance. Teachers in Music, Performing. Arts, and Social Sciences subjects, and Music, Arts and Physical Education and Health (MAPEH} supervisors, are expected to attend the Regional and National Final Competitions and the workshop on Traditional Music.

5. The amount of Seventy Thousand Pesos (P 70,000.00) for meals (breakfast, a.m .. snacks,·lunch and p.m. snacks), for the workshops participants and Ten Thousand Pesos (P 10,000.00) for contingency provided by the External Partnerships Service-Special Events Unit (EPS-SEU} will be downloaded directly to· the host division.

6. The travel allowances and per diem of .the DepEd National Secretariat members during the Regional and National Competitions shall be charg~d against Building Partnerships .& Linkages Program (BPLP) Fund, subject to its availability, and to the usual accounting and auditing rules and regulations;

RD's shall attend, monitor and oversee both the Regional and .the National Final Competitions.

8. Expenses to be incurred by the NAMCYA regional coordinators, supervisors, teachers and participants shall be charged to local funds, regional/schools div1sion;schoo1 Parent-Teacher-Community Association (PTCA), school board funds (SBF) and other sources and grants, subject to the availability of funds and the usual accounting and auditing rules and regulations. This includes the following activities:

a. Elimination round of the competition; b. Semi-Final round ofthe competition; c. Selected regional coordinators meeting (May 14, 2019)

(Region X-Division of Cagayan De Oro City, Region VIII - Division of Tacloban City, Region I - Division of La Union, Region IV-A - Division of Lucena City, National Capital Region (NCR) Division of Manila); and

d. National Final Competitions.

9, Enclosed in this Memorandum are the Mechanics of the Competition, Competition Guidelines, Timeline, Categories, 2019 Calendar of Activities, workshops and concerts details of which are indicated in the attachment.

10. Teachers shall receive appropriate service credits as stipulated in. DepEd Order (DO) No. 53, s. 2003 entitled Updated Guidelines on Grant of Vacation Service Creclits to Teachers, and DO 84, s. 2003 entitled Addendum to DepEd Order No. 53, s. 2003 (Updated Guidelines on Grant of Vacation Service Credits to Teachers), while nonteaching personnel should attend programs and activities on official time only.

11. For more information, all concerned may contact the NAMCYA Secretariat, Folk Arts Theater, CCP Complex, Roxas Boulevard, Pasay City at telephone nos. (02) 836-4928; (02) 836-4929. mobile phone no. 0949-993-2592 or through email address: namcya@gmaiJ.com or visit website address: http:/ fwww.namcya.com

12. Immediate and wide dissemination of this memorandum is desired.

~·!'' June 27, 2019 ~~fA" ~> To: Schools Division Superintendents

For information, dissemination and appropriate action.

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INIORir.~IION i>NJ (QMMtJr;i(AIION5 T lUINOlOGY UN II

ESTELA L. CA INO, EdD., CESO IV DirectorlV/R gional Director

(Enclosure to DepEd Memorandum No. 081, s. 2019)

National Music Competitions for Young Artists COMPETITION GUIDELINES

(rev. 2019}

I. ELIGIBILITY

A. The Competition is open to all Filipino citizens.

B. Age Brackets (except Traditional Music)

Standard Categories (formerly Adult/Senior categories) - at least 19 years old and not more than 30 years old during the National Finals Week

Youth/Junior Categories - (at least 13 years old)* not more than 18 years old during the National Finals Week *for group categories

Children's Categories -12 years old and below during the National Finals Week

II. CATEGORIES

SOLO CATEGORIES GROUP CATEGORIES • PIANO • RONDALlA (Youth and Children)

CHOIR (Choir, Youth and Children)

TRADITIONAL MUSIC ENSEMBLE

• STRINGS • *violin and lower strings (Viola, Cello, Double Bass) •

• VOICE

• GUITAR • WINDS •upper (Aute, Oboe, Clarinet) and Lower (Bassoon)

• BRASS *Upper (French Horn, Trumpet) and Lower (Trombone, Tuba)

• SOLO ROJIJDALlA INSTRUMENT (bandurla, laud, octavina, mandala)

Ill. APPLICATION, GENERAL REQUIREMENTS

• CHAMBER MUSIC ENSEMBLE (Special Competition)

A. Application must be submitted online via www.namcya.com. B. Forms, such as application and repertoirei as well as speCific competition timeline can be

accessed via www.namcya.com. C. By submitting the online form, the participants confirm agreement to the competition

guidelines. D. The following Requirements should be sent as an attachment in one .zip file, or uploaded in a

Google Drive or Dropbox link, sent via emailtoinfo@namcya.com:

1. Filled out online application form (www.namcya.com). 2. Audition Video

a. Submitted via Youtube unlisted link or Google Drive/Dropbox link indicated in the application form.

b. Required video format is mp4, one camera set-up. c. Video should be recorded within the year of the competition. d. Video should be without cutswithin each song, no editing/zooming/panning, and

no audio enhancements. 3. High-resolution Photo

a. Solo Categories- Passport s.ize photo (300 dpi). b. Group Categories - 4R group photo and Passport size photo (300 dpi} of each

group member including the conductor. c. Save each photo as an individual file in this for:mat:firstname.lastname.jpg

4. Scanned copy. of birth certificate of each competitor. 5. · Scanned copy of the deposit slip for the registration fee. 6. Repertoire form for each Category and Competition Level.

E. Clear hard copies of.the music sheets should be submitted via mail post or hand-carried to the NAMCYA Secretariat on the specified date indicated in the competition timeline. 1. Three (3) copies of the Elimination Repertoire 2. Three (3} copies of the Semi-finals Repertoire 3. Organized, stapled and labelled with name/group, region and specific level of competition

F. For Other Registration ·Information, Kindly check the website www.namcya.com • 0 •

. NATIONAL MUSIC COMPETtTlONS FOR YOUNG ARTISTS

G. The Secretariat will not entertain incomplete and late applications and may be grounds for disqualification

H. All inquiries and clarifications should ohly be coursed through the NAMCVA Secretariat. I. Any request for changes in the submitted list of members, repertoire, and performance

sequence will only be accommodated 2~weeks prior to the scheduled level of competition • and must be sent via email to the competition chairperson through the NAMCYA secretariat.

J. Unauthorized changes will be grounds for disqualification.

IV. COMPETITION RESULTS; PRIZES, AND AWARDS

A. First, Second, Third Prizes shall be awarded in each category upon the discretion of the jury. B. A maximum of six (6) groups for the Traditional Music Ensemble will be chosen and declared

as National Winners. C. A maximum of three {3) groups for the Chamber Music Ensemble Category will be chosen and

declared as National Winners.

::

.....

D. Cash Prizes are as follows

1st Prize

2nd Prize

3rd Prize

Special Prize

SOLO CATEGORIES Php 40,000.00 Php 30,000;00 Php 20;000.00 Php 20,000.00

E. Special Prizes may be given at the discretion of the jury. F. The decision of the Board of Judges is final.

GROUP CATEGORIES Php 60,000.00

Php 40,000.00 Php 30,000.00

Php 30,000.00

V. INTELLECTUAL PROPERTY RIGHTS

A. Contestants shall be responsible for obtaining performance rights and/or written permission/publisher-approved pieces from composers, arrangers, and/or music publishers at all levels of the Competition, unless the work is unpublished and obtained from IMSLP.

B. All NAMCVA-commissioned works and Contest Pieces are protected by copyright. ·C. All rights to audio and video recordings of the competition belong to the NAMCY A.

VI. LIABILITY

The NAMCYA assumes no liability to all forms of emergency during the course of the NAMCYA competitions and events.

VII. SUBSIDY

The NAMCYA shall provide partial subsidy for meals for all finalists from Metro Manila, while finalists from outside Metro Manila will receive partial subsidy for meals and accommodation, as well as inland transportation during the National Finals Week. Transportation going to Metro Manila and other expenses shall be borne by the contestants.

VIII. PERFORMANCE PARAMETERS

A. All competitors shall perform in appropriate and presentable. attire; B. All pieces must be performed memorized and without scores in all levels of competition

(Refer to category guide). For groups, the conductor may or conduct with or without the score.

C. Choreography and/or movements which forman integral part of the music will be permitted. D. Competitors must provide their own accompanist in all levels of the competition.

E. Only live music instruments may be employed as accompaniment. Use of any recorded accompaniment or "minus-one" is not allowed.

F. An accompanist may play for multiple competitors at any point in all levels of the competition except for parallel competitions.

:. i

ALAB NG MUSIKA 2019 NAMCY A COMPETITIONS

TIMELINE and CATEGORIES

January 30, 2019

June 30, 2019

August 5-9, 2019

Release of Guidelines (via www.namcya.com}

Deadline. of Applications

Video Eliminations

Semifinal Round: Group categories (Choir and Rondalla)·and Solo Rondalla Instrument Category *Schedules and venues may be subject to change

August31 (Saturday)

September 7 (Saturday)

September 14 {Saturday)

September 19 {Saturday)

September 28 (Saturday)

Semifinal Round: Solo Instruments {all events will be in Metro Manila}

November 12 -13, 2019

Mindanao Cluster: Cagayan De Oro City,. Misamis Oriental

Visayas Cluster: Tacloban City, leyte

Metro Manila Cluster: TBA

Northern Luzon Cluster: San Fernando, La Union

Southern luzon Cluster: Lucena City1 Quezon

University of Santo Tomas

NAMCYA Finals Week (November 20·25) (all Competition events at the Cultural Center ofthe Philippines, Pasay City}

November 26. (Tuesday)

November 27 (Wednesday)

November 28 (Thursday)

November 29 (Friday)

November 30 (Saturday)

December 1 (Sunday)

SOLO CATEGORIES PIANO STRINGS •violin and lower strings {Viola, Cello, Double Bass)

VOICE JUNIOR GUITAR WINDS •upper (Flute, Oboe, Clarinet) and Lower (Bassoon) CHILDREN'S SOLO RONDAU.A INSTRUMENT

Opening Ceremonies, Piano and Junior Guitar

Strings and Voice

Solo Rondalla Instrument, Rondalla Ensemble

Traditional Music Ensemble Concert, Choirs

Concert of Solo Winners

Concert of Group Winners, Closing Concert

GROUP CATEGORIES YOUTH RONDALLA CHOIR (Choir and Children) TRADITIONAL MUSIC ENSEMBlE CHAMBER MUSIC ENSEMBlE (Special Competition)

ALAB NG MUSIKA 2019 COMPETITION CATEGORIES

SOLO CATEGORIES PIANO

GROUP CATEGORIES YOUTH RONDALLA

STRINGS *violin and lower strings (Viola, Cello, Double Bass)

CHOIR (Choir and Children)

TRADITIONAL MUSIC ENSEMBLE CHAMBER MUSIC {Special Competition) VOICE

JUNIOR GUITAR WINDS *Upper {Flute, Oboe, Clarinet) and lower (Bassoon)

CHILDREN'S SOLO RONDALLA INSTRUMENT *Banduria, Laud;. Octavina, Mandala

·I. CATEGORY GUIDELINES AND REPERTOIRE REQUIREMENTS

PIANO CATEGORY

1. The competitor shall prepare· the following repertoire for each· specific level of competitions.

VIDEO ELIMINATIONS {Performance time should not exceed 20 minutes) a. One (l) Prelude and Fugue by Johann Sebastian Bach b. One (1) Virtuosic Etude c. Romantic or 2ot"/215t century work

SEMI~ FINALS (Performance time should be 50-60 minutes) a. Baroque Piece b. One {1) Complete Three~movement Sonata from the Classical period c. One {1) major work from the Romantic period d. One (1) 20th/215

t century work (not played inthe previous round)

NATIONAL FINALS a. Complete Concerto b. Obligatory Piece (Preferably Filipino)

2. A work already performed in previous levels of the competition may not be repeated on any of the subsequent levels.

; '

STRINGS CATEGORY (violin and lower strings- viola, violoncello, and contrabass)

1. There Sonatas and Concertos must be works of different composers. 2. The competitor shall prepare the following repertoire for each specific level of

competitions.

VIDEO ELIMINATIONS a. 1st movement of the concerto that will be played for the National Finals

SEMI- FINALS (Performance time shouldbe 50-60 minutes) a. 1st and 2"d movement from any work by Johann Sebastian Bach b. 2 contrasting movements form the Baroque or Classical period

NATIONAL FINALS c. Complete Concerto (played during the Video Eliminations) d. Obligatory Piece (Preferably filipino)

VOICE CATEGORY

1. There shall be no voice classification divisions (e.g. soprano, alto, tenor, bass), thus all competitors will compete for only one set of prizes.

2. The Competitor must prepare a list of songs, herein called the SUBMITIED REPERTOIRE including the following:

a. Two (2) Arias from Opera, Operetta, Oratorio and/or Cantata, in the original language and key, and in contrasting styles.

For operas translated and reworked by, or with the composer himself {as in some works of Rossini and Oonizetti), the competitor may choose in which language to perform. Arias must be· sung with recitative and/or cabaletta/cavatina, IF PRESENT. Filipino arias may be included.

b. Three (3) Art Songs in at least 2 different languages: Italian, French, Spanish, German, or English sung in original language. Transposition is allowed

c. Two (2) Songs by a Filipino composer Art Songs, including Kundiman, Kumintang, and the like; and/or Transcription of Folk Songs for Solo Voice and Piano At least One (1) song should be in a Filipino language. 2nd song may be in any language (Filipino or foreign) to which the music was set.

d. Obligatory piece

JUNIOR GUITAR CATEGORY

1. The competitor shall prepare the following repertoire for each specific level of competitions.

2. Programming will be a factor in the competition

VIDEO ELIMINATIONS a. Two (2) contrasting pieces (one slow, one fast) b. One {1) Etude

SEMI· FINALS a. One (1} Baroque b. One {1) Free Choice

NATIONAL FINALS a. Two (2) Period Music b. Two (2) Free Choice (may include choice piece from Semi-finals) c. Obligatory Piece (Preferably Filipino)

WOODWINDS CATEGORV(flute, clarinet, oboe, bassoon) •

1. The competitor shall prepare the following repertoire for each specific level of competitions.

VIDEO ELIMINATIONS a. 1st and 2rid movement of a· Concerto by .W.A. Mozart, with cadenza if applicable.

SEMI· FINALS a. One (1) Sonata from Romantic to Modern period

NATIONAL FINALS a. Concerto from Classical to Modern period b. Obligatory Piece (Preferably Filipino)

CHILDREN'S SOLO RONDALLA INSTRUMENT CATEGORY (banduria, laud, octavina)

1. The competitor must be accompanied by one (1) guitar player only. 2. Pieces must be arranged for two (2) parts- soloist and guitar accompaniment. 3. The competitor shall prepare the following repertoire for each specific level of

competitions.

VIDEO ELIMINATIONS a. One {11 piece chosen by the competitor

SEMI· FINALS (Performance time should not exceed 8 minutes) a. One {1) Filipino piece and One (1) Foreign piece

b. Both pieces must be different from the Video Eliminations

NATIONAL FINALS a. One (l)piece performed from the Semi-finals b. Obligatory Piece

4. The stage seat plan is fixed as shown below. Only minor adjustments (distance between seats) and only such as will be allowed by the Judges shall be permitted.

0 OGUITMUn YOUTH RONOALLA CATEGORY

1. The competition is open to all school, church, family or community randalia 2. Membership is limited to a minimum of ten (10) and maximum of twenty (20) performing

members, and one (1} conductor. 3~ Conductor and members shall perform with only one {1) group in all levels of competition. 4. All pieces must be arranged for at least four (4) parts 5. Transposition or any other version of the obligatory piece is not allowed. 6. The group shall prepare the following repertoire for each specific level of competitions.

VIDEO ELIMINATIONS a. One (1) piece· from the group's existing repertoire

SEMI- FINALS (Performance time should not exceed 10 minutes) a. One (1) Filipino piece and One (1) Foreign or Classical piece b. Both pieces must be different from the Video Eliminations and preferably in

tontrasting styles

NATIONAL FINALS a. One (1) piece performed from the Semi-finals b. Obligatory Piece

5. Only minor adjustments (distance between seats) and only such as will be allowed by the Judges shall be permitted.

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CHOIR CATEGORIES- (CHOIR AND CHILDREN'S).

1. The competition is open to all school, church, cultural, civic or community choirs whose members fulfil the citizenship and age requirements.

a. Mixed Voices: The choir: must include Soprano, Alto, Tenor, and Bass parts. The four parts may be sub~divided accordingto the dictates of the piece.

b. Equal Voices: The choir must either be an All-female or All-male choir.

2. Membership is limited to a minimum of sixteen(16) and a maximum oftwenty-four{24) singers, one {1) accompanist, and one (1) conductor. Additional instrumentalists required in any of the pieces must come from within the choir.

3. Conductor and members shall perform with only one (1) group in all levels of competition. 4. The group shall prepare the folfowing repertoire for each specific level of competitions.

VIDEO ELIMINATIONS a. Two (2). pieces from the group's existing repertoire in contrasting styles. b. At least one (1) should be sung in A capella -original intended for and written with

no accompaniment.

SEMI- FINALS (Performance time should not exceed 10 minutes) a. One (1) original composition or arrangement of a non-Filipino composer b. One (1) Philippine choral work in the original language, preferably from the choirs

region c. One (1) choice piece, which has not been performed during the video eliminations. d. At least two (2) should be sung in A capella -original intended for and written with

no accompaniment.

NAnONAL FINALS c. One {1) Original composition by a living non-Filipino composer that has not been

perforl"''led in· previous levels of the competition. d. One {1) Original work (composition of transcription) by a living Filipino composer

that has not been performed in previous levels of the competition. e. Obligatory Piece f. At least one (1) should be sung in A capella- original intended for and written with

no accompaniment.

TRADITIONAL MUSIC CATEGORY

Description

The Traditional Music Ensemble Concert Evaluation aims to identify performing groups that are adjudged as qualified to perform in the NAMCYA Traditional Music Concert. The Traditional Music Concert will feature live performances of traditional expressive forms from different local communities in the Philippines. Recognizing that traditional expressive forms in many non-western cultures involve various expressive modes, performances should include singing, speech, the use of instruments, body movement/s, and traditional attire. The concept of 'traditional' is based on the notion that these expressive forms are performed as part of everyday life and/or during special events in the community, and thus are part of the cultural heritage and identity of the community.

Keeping in mind the mission of NAMCYA to nurture and cultivate the knowledge of the youth about their own community's contributions to the country's cultural heritage, each performing group must feature one or more young member of the community (no more than 18 years old). ·

Performance

1) Given the limitations of time, each contingent must prepare a performance that does not exceed 15 minutes, including the entrance and exit from the stage.

The performance· mav take anv ONE of the following formats:

a) Ensemble performance (one or more pieces) b) Solo performance {one or more pieces) c) Mixed solo and ensemble performance (one or more pieces)

A. 2) Performers/performing groups must maintain the integrity of the performances, especially in light of the different venue and context of performance. Mastery of musical skill is the major criteria for selection. (Only movements which form an integral part ofthe music will be permitted.)

3) Each performance rnust be prepared under the guidance of a culture bearer (elder, master, teacher, expert, artist or leader) who will act as the main informant or consultant.

4) Please be reminded of the following:

a) The use of fire or live animals in the performance is strictly prohibited. b) Costumes, instruments and other materials that may be needed in the performance must be provided by the performing group.

,·.

Supplemental requirements

Please make sure that the following are submitted together with the compulsory requirements:

• Written DESCRIPTION of the performance with the following information:

a. Title of piece b. General description (no more than 150 words} c. Musical instruments used in the performance d. Relevant non-musical materials used in the performance (if applicable) e. Transcription of the text in the original language and accompanying translation of the text in Filipino or English, literally or verbatim. f. Brief biographical note (max. 250 words) of the culture bearer consulted for the performance. The note should include the name of the culture bearer, community of origin, training history, and other pertinent information relevant to his/her status as a culture bearer.

CHAMBER MUSIC CATEGORY

1. The competition is open to Instrumental ensembles with a minimum of 3 and a maximum of15 players, except piano ensembles.

2. Ensemble could range from any standard classical ensembles - Piano Trio, String/Wind/Brass/Percussion Ensemble, 'Chamber' Randalia, other mixed ensemble of up to 15 players.

3. The competition is divided into two Rounds: » Preliminary Round (video elimination) 30 minutes of Free Program » Final Round (live Performances} same program from the previous

round 4. Programming is a major criteria 5. The jury has the right to interrupt any performance that exceeds the 30-minute time limit 6. The jury will pick three {3) National Winners from the Final round. 7. The three (3) National Winners will perform their winning program during the National

Finals Week at the Cultural Center of the Philippines.

DepEd MEMORANDUM No. 038 , s. 2019

31\epnblic of tbe l9bilippine~

j]Bepartment of ~butation 26 MAR Z019

PHILIPPINE CULTtJR.M, EDUCATION PROGRAM: 2019 PROGRAM COMPONENTS

To: Regional Directors Schools Division Superintendents Public Elementary and Secondary School Heads All Others Concerned

1. The National Commission for Culture and the Arts (NCCA), in partnership with the Department of Education (DepEd), will conduct the following projects of the Philippine Cultural Education Program (PCEP) for 2019:

Project Description Proposed Date and Venue

The 24-unit graduate credit program follows a two-summer ladderized curriculum designed for public school teachers of any subject area in the elementary and high school levels. Each phase consists of 12 graduate-level academic credits. Level I scholars are

1. Graduate expected to continue to Level II. April-May 2019

Diploma in Successful graduates of this two-summer

Cultural program have the option to continue on The list of HEls

Education to the Master of Education, Major in is provided in

(GDCE) Cultural Education to be offered in Enclosure No. 1. higher education institutions (HEis) selected by NCCA.

The NCCA shall provide the scholarship grant consisting of full tuition and a PS,OOO stipend to subsidize meals, accommodations, and other sundry expenses. A two-summer 24-unit post-baccalaureate program divided into Levels I and II, which offers foundation and major courses to enhance the students' understanding of the basic theories, processes and applications of arts, culture, and heritage in the culture-

2. Graduate based teaching of the basic education April-May 20 19

Diploma in curriculum. The GDTA can apply

Teaching Arts classroom concepts in professional The Jist of HEis

(GDTA) settings through internships and is provided in independent studies at numerous arts Enclosure 1. organizations in their respective regions. The arts management program maintains academic and professional relationships with many national and regional institutions. Level I scholars are

The conference serves as a venue for stakeholders in cultural education-institutional leaders and policymakcrs, academics, artists, cultural workers,

6. Bantula: local government officials, culture International bearers and cultural advocates, October 25-27, Conference on students, community leaders, and 2019 Culture-Based organizers to present and discuss the Metro Manila Research rules and challenges of culture-based

education. All National Association of Cultural Educators and Scholars {NACES) Officers and members are encouraR:ed to participate.

2. All DepEd regional directors are requested to release a Regional Memorandum per program indicating the dates, venue, and program design in consultation with PCEP and regional coordinators. The PCEP Secretariat shall coordinate with the regional coordinators the details and requil"ements per program. The directory of regional coordinators is contained in Enclosure No.2.

3. All regional coordinators are required to attend the PCEP 2019 Pl"ogram Orientation and Evaluation. Individual letters with date, venue, and program will be sent through email.

4. The officers and members of the NACES are requested to participate in all PCEP 2019 Pl"ograms. The list of officers and members is contained in Enclosure No. 3.

5. For more information, contact the PeEP Secretariat, Philippine Cultural Education Program, National Commission for Culture and the Arts, at telephone no. (02) 527-2192 local 529, · or through email at pcep.secretariat@gmail.com, Facebook Page @pcepofficial, or website www. philippineculturaleducation.com. ph.

6. Immediate dissemination of this Memorandum is desired.

if::Y~

Ends.: As stated

Reference: DepEd Memorandum: No. 16, s. 2018

To be indicated in the Pemetual Index under the following subjects:

CULTURAL EDUCATION LEARNERS LEARNING AREA, ARTS OFFICIALS SCHOLARSHIP TEACHERS

O.lf" 11~1Utind&tl.uual t::ducalion progmm 2019 Pqmm CompgncntJ 0133 Mnrch5,2019/15

Secretary

The NCCA shall provide the scholarship grant consisting of full tuition and a PS,OOO stipend to subsidize meals, accommodations, and other sundry expenses.

3. Agora: April 5-7, 2019 Crossroads of Agora is a cultural education market fair

SMCebu Creativity, Culture, and

that aims to promote intangible heritage. April 12-,14, 2019 Ideas Mindanao

July 8-10,2019 Quirino State University

4. Pagsasanay July 15-17,2019

sa Edukasyong National Seminar on Culture-Based DepEd

Pangkultura Teaching Methodologies, Content Dumaguete

(PEP) Approaches and Management

July 22-24, 2019 Mindanao State University, General Santos City Campus

Balagtasan Workshop

Luzon: July 12-13, 2019 DepEd Pampanga RO III

Visayas: July 19-20, 2019 DepEd Dumaguete ROVII

The competition aims to introduce, Mindanao:

promote, and practice the 2000 cultural July 26-27, 20 19

icons gathered, compiled, and published DepEd Davao

5. Diwang: by the NCCA. The competition is ROXI

Sagisag composed of the following activities:

Kulturang a. Awiting Bayan Kundiman Island Clusters Filipinas Competition;

Competition b. Digital Kwiz; Mindanao: c. Balagtasan Competition and August 2, 2019

Workshop; Cagayan de Oro d. LarongLahi; and ROX e. Visual Art Competition.

Luzon: August9, 2019 National Capital Region

Visayas: August 16,2019 Cebu ROVII

(EnclpsureNo. 1 to DepEd Memorandum No. 038, s. 2019) . . Direciory oj Higher Education Institution Directors I Coordinators

Island- 2019 HEI Program I Level

Cluster

REGION lll- CENTRAL LUZON GRADUATE DIPLOMA IN CULTURAL

La Consolation University Philippines, Malolos EDUCATION (GDCE)- Levell

www.lcup.edu.ph

SR. IMELDA A. MORA, OSA, Ph.D GRADUATE DIPLOMA IN CULTURAL President- La Consolacion University Philippines EDUCA TION(GDCE)- Level II Catmon Rd, Capitol View Park Subdivision, Barangay Bulihan Malolos, Bulacan Telefax (044) 898-5590 GRADUATE DIPLOMA IN TEACHING Email: admin@lcup.cdu.ph THE ARTS (GDT A) - Level II

BARASOAIN KALINANGAN FOUNDATION, INC Ms. Consolation Gamboa Project Coordinator, GDCE Mobile: 0917-8428906 I 0922-9480659

Ms. Estelita G. DeJa Cruz Project Assistant, GDCE

Luzon Mobile: 0927-43 12370; 0932-19599042 Email: lilllgatmaitan@~ahoo.com

REGIONIV-A -CALABARZON GRADUATE DIPLOMA IN CULTURAL Colegio de San Juan de Letran, Calamba EDUCATION (GDCE)- Level II wwwJetran-calamba.edu.ph

REV; FR. ARTHUR B. DIN GEL O.P. Rector and President - Colegio de San Juan de Letran Calamba lpil-ipil Street Brgy. Bucal, Calamba City, 4027 Laguna Telefax (049) 545-5453 loc. 1100 Email: abdingel@letran-calamba.edu.ph

Dr. Simplicio P. Alba Dean, Graduate School Project Director, GDCE Mobile: (049) 5455453 Jocal2037 Email:

Ms. Maria Luisa M. Susa Project Coordinator, GDCE Mobile: 0926-6142518 Email: letrancalantba.gdce(ii)gmail.com

REGION IV-B • MIMAROPA GRADUATE DIPLOMA IN CULTURAL Marlnduque State College, Boac EDUCATION (GDCE) - Level II www .marinduquestatecollege.edu.ph

DR. MERIAN C. MAN I President - Marinduque State College Panfilo M. Manguera Sr. Rd., Tanza Boac, 4900 Marinduque Telefax (042) 332-2028 I 332-2778 Mobile: 0920-4388160 Email: msc presidentl'i'tlyahoo.com ; sucprcsitlent.msc((ilgmail.com

Dr. Rex Emmanuel L. Asuncion ~" <::f'"hnol or J::rlnl"~tinn

· Directory ofHigher Education fnstitu,ion Dft.ectors I Coordinators

REGION VII-CENTRAL VISA VAS GRADUATE DIPLOMA JN CULTURAL

Cebu Normal University, Cebu City EDUCATION (GDCE)- Levell

www.cnu.edu.ph

DR. FILOMENA T. DAY AGBIL President- Cebu Normal University Osmei'ia Blvd, Cebu City 6000 Cebu Province

Visayas Telefax (032) 253-9611 I 253-6211 Mobile: 0917-6281 068 Email: ftdayagbil@yahoo.com

Dr. Ethel L. Abao Dean College ofTeacher Education Project Director, GDCE Mobile: 0918-9352217 Email: etheldlabao@yahoo.com

Ms. Chrlstise C. Espera Project Coordinator, GDCE Mobile: 0919-9361181 Email: esperac@cnu.edu.ph

REGION VIII- EASTERN VISA VAS GRADUATE DIPLOMA IN CULTURAL Northwest Samar State University EDUCATION {GDCE)- Levell www.nwssu.edu.ph

DR. BENJAMIN L. PECA YO President Telefax: (055) 2093657; 5339857 Email: main@nwssu.edu.ph

Dr. Helen Cabral Project Director, GDCE Mobile: 0936~9111252 Email: cabralhelen621@gmail.com

Ms. Judith s. Calamayo Head, Guidance & Testing Center Project Coordinator, GDCE Mobile: 0935-1378635 Email: mjcalamayo(tqgmail.com

Mindanao REGION X-NORTHERN MINDANAO GRADUATE DIPLOMA IN CULTURAL La Salle University, Ozamiz EDUCATION (GDCE)- Levell www.lsu.edu.ph

BR. JAIME M. DALUMPINES, FSC GRADUATE DIPLOMA.IN TEACHING President- La Salle University, Ozamiz THE ARTS {GDTA) -Levell! TeleFax {088) 521-0342 Joe. 154; 521-1561; 521-1010 Email: president@lsu.edu.ph

BRYAN E. JIMENEZ Chairman - Teatro Guindegan -Culture & Arts Resources for Education. Inc.

Directory of Higher Education Institution Directors I Coordinators

Email: l~l!gdce@gmail.com

REGION X- NORTHERN MINDANAO GRADUATE DIPLOMA IN CULTURAL Xavier University-Ateneo de Cagayan, CDO EDUCATION (GDCE)- Levell www.xu.edu.ph

FR. ROBERTO C. YAP, SJ GRADUATE DIPLOMA IN TEACHING President - Xavier Universily Ateneo de Cagayan THE ARTS (GDT A) - Level II 73 Corrales Ave. Cagayan de Oro City 9000 Misamis Oriental Telefax (088) 853-9800 loc. 9888; Email: QP@xu edu.Bh

Mr. Hobart P. Savior Director, Xavier Center for Culture and the Arts Project Director, GDCE Mobile: 0917-4397000 Email: hsavior@xu.edu.ph

Ms. Margie A. Madrena Project Assistant, GOCE Mobile: 0912-2 107441 Email: mmiMlmoo@;s!Mld!.!.l:!h

(Enclosure No. 2 to DepEd Memorandum No. 038, s. 2019}

Directory ofDepEd Regional Coordinators

ISLAND- DepEd Regional Director CLUSTER

Luzon NATIONAL CAPITAL REGION OepEd NCR, Misamis St., Sago Bantay, Quezon City WILFREDO E. CABRAL, OIC Regional Director ____ ___,Asst. RD

Tel (02} 920-5824; 921-4274; 928-0104; 441-1287; 922-7323; 453-8374 Fax (02) 929-4212; 926-9256 Email: depedncrph@gmalf.com

CORDILLERA ADMINISTRATIVE REGION DepEd RO, Wangal, La Trinidad 2601 Benguet DR. MAY B. ECLAR, OIC Regional Director BETTINA D. AQUINO, Asst. RD Tel (074) 422·1318; 309·3013; 422-4074 Fax(074)422-1804 Email: car@deped.gov.ph; mbeclar@vahoo.com: may.eclar@deped.gov.ph

REGION 1-ILOCOS REGION DepEd RO, Flores Street Catbangen 2500 San Fernando, La Union MALCOLM S. GARMA, OIC Regional Director NICOLAS T. CAPULONG, OIC Asst. RD Tel (072) 607-8137; 607-8143 Fax {072) 607-8133 Email: region1@deped.gov.ph

REGION II- CAGAYAN VALLEY

OepEO RO Carig Tuguegarao, 3500 cagayan OR. ESTELA l. CARINO, OIC Regional Director ARNULFO M. BALANE, Asst. RO Tel (078} 304-3855; 304-1862; 304-1587; 304-0742 Fax(078)304-9623 Email: depedro2rd@gmail.com

NCCA·DepEd Coordinators

MS. MARITA D. AQUINO, Education Program

Supervisor Mobile: 0927-3832167 Email: maretadel@yahoo.com

MS.JEANIECLAIREV. PIGGANGAVi Education Program Supervisor Mobile: 0930-6233886; 0927-7375877 Email: jeaniedairep@vahoo.com: tlmd.depedcar@gmail.com

MR. JOSE RITCHIE B. PEREZ, Program Development Officer II I ESSD Mobile: 0918-9512441; 0977-0138877 Email: ioseritchie.perez@deped.gov.ph

MR. DENIS M. AGBAVANI, Education Program

Supervisor Mobile: 0935-5275883 Email: denis.agbayani@deped.gov.ph

REGION Ill- CENTRAL LUZON OR. ENGELBERT B. AGUNOAV, Education DepEd RO, Maimpis, San Fernando, Pampanga Program Supervisor DR. BEATRIZ G. TORNO, Regional Director Mobile: 0917-8524129 Tel (045) 961-7825; 455-2309 Email: engelbert.agundall@deQed.gov.Qh Fax(045)860-5212;455--2311;455-2312 Email: region3@deped.gov.ph ; ooalcolm.garma@de(!ed.gov.[!h

REGION IV- A - CALABARZON MR. LEO C. CARGULLO Education Program DepEd RO, Gate 2, Karangalan ES, Karangalan Supervisor Village, Cainta Rizal Mobile: 0998-9942134 DR. DJOSDADO M. SAN ANTONIO, Regional Email: leocargulloO;il0465@l!ahoo.com ; Director leonardo.~;argullQ@de(!ed.gov.[!h

CARLITO D. ROCAFORT, OIC ARD Tel (045) 961-7825;455-2309 Fax {02) 860-5212; 455-2311; 455-2312 Email: region4a@de[!gd.gov.[!h

REGION IV·B · MIMAROPA MS. ANNABELLE M. MARMOL, EPS, Regional DepEd RO, Meralco Ave., cor St. Paul Road, Pasig Culture and Arts Coordinator BENJAMIN D. PARAGAS, OIC Regional Director Mobile 0999-3808321

Asst. RD Emaillabskobheng.am@gmail.com; Fax (02) 637-3093 eed mimaropa@',!ahoo.com Email: cimd.depedro4b@gmail.com

REGION V- BICOL REGION MR. FRANCISCO B. BULALACAO JR., Education DepEd RO, Rawls 4500 Legaspi City Program Supervisor II, MAPEH DR. GILBERT T. SADSAD, Regional Director Mobile: 0950-6880707 DR. TOLENTINO G. AQUINO, OIC ARD Email: franciscobulalacao@l£ahoo.com Tel (052) 820-8404; 482-0373; 820-4045; 482-0523 Fax(OS2)482-0046 Email:.deQed.rov@deQed.gov.(!h; ramon.abcede@deQed.gov.!lh

Vlsayas REGION VI- WESTERN VISA VAS MR. MATEO E. BIMBAO, JR., Education Program OepEdDepEd RO; Duran St., 5000 Iloilo City Supervisor MS. MA. GEMMA M. LEDESMA, OIC Regional Mobile: Director Email: mateo.bimbao@deBed.gov.Qh nu \llrTno t: nc I::ADrtA tD n1r A on

REGION VII- CENTRAL VISA VAS DR.JUVELVN P.OTERO, Education Program DepEd RO, Ecotech, lahug, 6000 Cebu City Supervisor, MAPEH - CMD DR. JULIET A. JERUTA, OIC Regional Director Mobile: 0922-2789867 DR. SALUSTIANO T. JIMENEZ, OIC·ARD Email: juv~.otero@gde~d.gov.Qh Tel (032) Fax {032) 231-1309 Email: region7@de!!ed.gov.t;!h

REGION VIII- EASTERN VISA VAS DR. NOVA P. JORGE, Education Program DepEd RO, Govt. Center, Candahug Palo, levte Supervisor- CLMD DR. RAMIR 8. UYTJCO, OIC Regional Director Mobile: 0915-2674732 FIEL Y. ALMENDRA, OIC ARD Email: npjorge72@gmail.com; Tel (053) 323-7031; 524-9120; 323-6075 nova.jorge@de!!ed.gov.ph ; Fax (053) 323-3156 deQedclmd@gmail.com Email: region8@deQed.gov.Qh

Mindanao REGION IX- ZAMBOANGA PENINSULA MR. MARIO SHOJI N. ROMARATE, ES- CLMD DepEd RO, Tiguma Airport Road 7016 Pagadian Mobile 0977-8541303; 0917-1575589 City Email: shoji.romarate@deQed.gov.!lh DR.ISABELITA M. BORRES, Regional Director DR .• DANILO E. DESPI, OIS ARO Tel {062) 215-3753; 215-3751; 991-1907; 215-3789 Fax(062)215-3753 Email: region9@deQed.gov.t;!h

REGION X- NORTHERN MINDANAO DR. BIENVENIDO U. TAGOLIMOT JR., Education DepEd RO, Masterson Avenue Zone 1, Upper Program Supervisor - MAPEH Bulalang 9000 Cagayan de Oro City Mobile: ogn-8127679 DR. ARTURO B. BAVOCOT, Regional Director Email benztjr@gmail.com Am. SHIRLEY 0 CHATTO,OIC·ARD Tel Fax (08822) 726-574 Email: regionlO@deQed.gov.f2h

REGION XI- SOUTHERN MINDANAO MS.JESELVN B. DELACUESTA, Education OepEd RO, f. Torres St. 8000 Davao City Program Supervisor Am. ALBERTO T. ESCOBARTE, Regional Mobile: 0917-5543966 Director Email: jesell!n delacuesta@l!ahoo.com nD Trner•TA r- TA.aADA'-!A&I rur A Dr'\

REGION XII- CENTRAL MINDANAO MR. GERARDO 0. MAGNO, Education Program DepEd RO XII Carpenter Hill, Koronadal City Supe.visor DR. ALLAN G. FARNAZO, Regional Director Mobile: 0905-1755711 DR. EVELYN R. FETALVERO, OICARD Email: JlOgmagno@Jlahoo.com.Qh Tel (083) 228-8825; 520-D421; 228·9753 Fax {083) 228-8825 Email: deQedregionxii@Jlahoo.com ; region12@deQed.gov.Qh

CARAGA ADMINISTRATIVE REGION MR. BERNARD C. ABELLANA, Education Program DepEd RO, Butuan City Supe.vlsor I Regional SPA Coordinator DR. FRANCIS CESAR B. BRINGAS, OIC Regional Mobile: 0910.8072598 Director Email: boJletbadcom@Jlahoo.com FIDELA M. ROSAS, OIC ARO Tel (085) 342-6267; 342-0302; 342·5969; 342- MR. EMMANUEL T. CORDORA, Education 2198; 815-2021; 342-6267 Program Supervisor Fax(085)342·0302 Mobile: 0999-3654000; 0948-5711666 Email: caraga@deQed.gov.gh

ARMM MR. BERNARDO D. LIBETARIOJR., HRDD· DepEd, ARMM ORC Compd., 9600 Cotabato City Regional Program Coordinator ATTY. RASOL Y. MITMUG, JR, Regional Secretary Mobile: 0917-6240873 DR. MACALINOG I. SALIGOIN, Asst. Reg. Sec. Email: libetariobernard@l£ahoo.com Tel (064) 390.1465; 421-9682; 421·9687; 390-1458 Fax (064} 421-3838 Email:

(Enclosure No.3 to DepEd memorandum No. 038. s. 2019)

National Association q_(Cultural Educators & Scholars

S;Fltle;:: : < i!f . ;:g;~;~ . !<N~li:i .. Cc;}t.: · · ,;mvm"n:;; ·'•. :;£~;,; ·· ilMOJjlftHffl.Qu\:~ :;~iJri!Si.:::.~t: ~.~·::'·.:;,;::<,:Xi. President

VenerJ. Sorsogon City 9384172511 vener.jeresano@deped.gov.ph

Jeresano VPresident Gary_A. Sarno CaviteCity 9279581014 gillyachero@vahoo.com

Secretary lldwinP. GapanCity 9068728127 sta.cruznhs@gmail.com

Mactal

Treasurer AnnMarlzA. Cavity City 9951926221 annmariz_ada@yahoo.com

Ada Auditor Arvin R. Sese Masbate City 9462561193 sese.arvin@yahoo.com

PJO Franklyn D. Sorsogon City 9195920181 vargas.franklyn@yahoo.com Vargas

BOD Marvin Ferrer Gapan Citv 9750229574 jamilandrew_1983@yahoo.com

BOD Jayson GapanCity 9567342327 jamllandrew_1983@yahoo.com Magallanes

BOD NancyP. Gapan City 9274082803 nancymabalot@yahoo.com Mabalot

Antonio I Cavite City BOD Percedado A. 9260291000 percyantonlo2018@gmail.com Sa~aral Djalma

BOD Madelar Mandaluyong 9175052873 jaymenes@yahoo.com Menes

BOD Fe j. Cordero Masbate City 9509791384 fe.cordero@deped.gov.Jlh

BOD Michelle B. Masbate 9499295199 michiekorelova@gmail.com Rclova Province

BOD SophiaM. Masbate City 9475153705 aipnoicavlas@yahoo.com.ph Salvacion

BOD Yedda Mae Masbate 9568075510 yeddamaebinas@gmail.com Bifias Province

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President Jonathan T. CebuCity 9235526018 jonjimzOB@gmail.com Jimenez Jennith

VPresident Villa blanca Tadoban City 9213863660 jennith_sabela@yahoo.com Sabela II Annan

Secretary Ramirez TanjayCity 9177139367 arman_canolas@yahoo.com Cafiolas

Treasurer Christian S. Calbayog City 9178777556 cabral_christianl988@yahoo.com Cabral

Auditor GildoA. SANMIGUEL 9465197679 noromodlig@yahoo.com Moron LEYTE

PIO VercelleA Calbayog City 9353009079 vdocdoc@yahoo.com Docdoc

Jamirose BOT Abuzo Toledo 9959508524 marquitajamie@gmail.com

Marquita

BOT TirsoP. MANDAUE 9192239933; tirsoarcilla@yahoo.com Arc ilia CITY 9267078716

BOT }ennivieC. CEBUCJTY 9232401284 jenniviecodilla@yahoo.com Tariman

BOT JuhvyP. Tacloban City 9182479865 juhvycarter@yahoo.com Carter

BOT Michael B. ORMOCCITY 9154226247 my_kel2010@yahoo.com Ebcas

BOT JudithS. Calbayog City 9351578635 mjcalamayo@gmail.com Cal a mayo

VPresident 9478228262

Secretary 9173093933 mylenelove77@gmail.com

Treasurer 9354255323 amaliatorres423@gmail.com

Auditor 9063259819 Juzminda.bartolome001@deped.gov.ph

PIO 9466877318 rodel_gentapa@yahoo.com

BOD 9356121156 lorenavilla953@yahoo.com

BOD 9555876140 clvieespaol143@gmail.com

BOD 9982712533 vince9498@yahoo.com

BOD 9154510688 kharlaacosta@gmail.com

BOD Tampakan 9486053968 shakoracion@gmail.com

BOD MarawiCity 9177029998 sharonbulaclac@gmall.com