Portfolio Nina Sickenga
-
Upload
nina-sickenga -
Category
Documents
-
view
231 -
download
2
description
Transcript of Portfolio Nina Sickenga
2
ME!
Personal information
1. PROJECTS NATIONAL
2007 TU Interior - Shoeshop
2008 TU Public buidling - NL House
2009 TU Architectural Studies - Liner Museum
2009 TU Interior - Witte de With Museum
2010 TU Border Conditions - The invisible city
2. PROJECTS INTERNATIONAL
2009 TU Urban emergencies - Venezuela
2009 TU Architectural Body - Open Source House
2011 Design acts - Minami Sanriku Cho
3. GRADUATION PROJECT
2010/2011 STUDIO GHANA - The transformation of the urban structure of Kumasi
2010 Building in Ghana - Pure Home Water Factory
4. GRAPHIC DESIGN
2009 Graphic Design - Photography
2010 HEMA Graphic Design Competition
8
10
14
16
18
26
32
34
42
50
54
56
CONTENT
3
ME ANDOUL
2010 Ghana publication
2011 Graphic Design - Soulmates
2010 Webdesign
2011 Graphic Design Housestyle
2011 Graphic Design Housestyle
2012 Graphic Design - African atmosphere
2012 Graphic Design - Housestyle
5. SIDE PROJECTS
2006 Fashion - Earrings
2008 Creative Festival - WIJ + ZIJ
2008 Modelling - Lasercutting
2007/2008 Jeckyll & Hyde - DSTG
2011 Interior - Light
2011 The Selery - Postcards
58
60
62
64
66
68
70
74
76
78
80
82
84
Accelerating Clean Techn
������������� ������������������������ ����������������������������������������������������������������������� ����������������������������������������������� ��������� ������������ �����������������
4
After having graduated as an architect in the ���������� � � ������ ��������� ��������� ���� this actually means. During my last years of study and in recent engagements in intercultural projects I have ������ ����� ���� �� ����� ������ �� � ������ instead of an architect I can apply my skills better and more effectively.
During research projects in South America, Africa � ���� � ����� ���� ������� ��������� ���� ����� ����������� � ���������� � ��� ���� �� more creatively identify appropriate media for the ������� ���� � ������� � ��� ���� �� address. As a designer, architecture is not excluded, instead disciplinary constraints are suspended until the ����������� ������� � ���� �� ����
In some of my late projects I have been exploring graphic design as a means to clearly convey complex information. Information is increasingly saturating ��� ����� �!������� � ��� ���� ��� �!�� ������� "� ��� ���� ���� ������� ��� ���������� ������ internationally demanding cross cultural communication skills. In my personal experience graphic design has been a very important tool to communicate and engage in collaborative design processes across cultures � ��������� �� ��� ������ �������� ���� �#��� � disciplinarian approach.
At the same time I feel that my training as an architect has exposed me to many different media such as photography, 3d modeling, sketching, sculpting, digital art, collage and more. Ultimately, for me as a designer �� �� �������� �� ���� ����� � ���� ���������� ������ ���� ����� �������������� � ���� �������� ���� � ��� ��� ��������� �� ������ �������� �������� � beautiful.
$��� �� ����� ���� � ������� � �� ����� ���� � �� ���� � ������ ���������� �� ���� �����������!��� � challenging and innovative projects.
ME!
8
2007 - TU Interior Teacher: Leontine de Wit
Shoeshop for Marloes ten Bhömer.
Marloes ten Bhömer produces couture shoes that are ���� ���!�����!� � ������������ %�� ���� ����� artistic and technological experiment in order to ����!�� ����� ���� '������ �� (�)���*� ����� �� of a kind shoes tailored to individual clients. The idea ���� ���� ������� ��� �� ���� � ���� ����� ������� her designs as genuine pieces of art.
$���� ������ ��� ���� �� ��� �������� �� ������ the idea behind the shoes and the designers, their target ����� � ����� ������� �� ��� ������ �����
:�� ��!� ���� ��� ����� ����� �#������ � ������ � �������� ��!� �� � ��� �� ��������� ��� �� ���� this shoe-shop. By analyzing the formal logic behind � ������ �� ��� ����� � ���� �� ���� ���� ����� �� �� �������� � �������� ������� ����� �������� ������ � routed exhibition space, atelier and sittingplace.
INTERIOR SHOESHOP
Conceptual design, surfaces
Conceptual design, surfaces in shop
10
2008 - TU Public Building Teacher:
PUBLIC BUILDING NL - HOUSE
The Sculpture in the Polder
The project brief is to make an architectural icon in the Dutch polder that can serve as an international symbol for contemporary Dutch culture.
The site, in the polder, is the archetypical Dutch ������������ �������� :�� ����� �� ����� �����!�� and characterized by a vast matrix of large rectangular ���� � ����� ����� ����� ��� ���� ���� ������� � �����
Because of the small programmatic brief, I used a more sculptural landscape design method to frame the ������������ ����� ��� !��� ��������" ;<< ����� ��� ���� �� ������� � ������ ����� �������� ��� �������� �� ��� ������ ����� ��������� sealevel height at 4m. Besides the private program on ��� ���� =���� ��� ���� ������� �� � ���� �� � ������ ������ ������ ������
The concept of the design is to subtly reference the >���� ���������� ������ ������� ��#�������� ���� a more autonomous and abstract architecture. Resistent �� ����������� ������*�� ��� ���� ���� ��������� ���� strarkly stand out of the green surounding.
:�� ?���� �� � �������� ������� ������ �� ��� ��������� ���� ������������ ��� �� ������ �=���� on the social, cutlural and economic organization of the country.
Modern Polder Landscape in Holland
Conceptual drawing NL House
Part Floorplan NL House
Section NL House
14
ARCHITECTURAL STUDIES LINER MUSEUM
Repetition is overruling the world
“With scaly silvery skin, a long, low body and a great spiked crest, the Liner Museum in Appenzell, Switzerland, lies like a gentle dragon between railroad tracks and a curving road. The Liner museum is glimmer against the sloping farmlands and “the form is meant to have many different meanings and associations,@ ������ "���� Q��� �� "���� Q��� X Mike Guyer Architects.” The building is an abstraction of repetitions found in the surroundings of the museum. This repetition can be found in the small houses, the mountains, the forest and
Y�������� �� � �� ������ ����� ��� ��� used for many years, often by philosophers. “The philosophical discussion of repetition ranges from Plato’s understanding of repetition as reminiscence or recollection of an already existing knowledge. Deleuze discusses Nietzsche’s concept of the “eternal return” as “the power of beginning and beginning again” Deleuze counters Freud’s understanding of repetition as a compulsive reiteration of the past which psychoanalysis attempts to stop by representing it, with the understanding that repetition allows for reinvention”.
By analyzing the existing building a abstract model ������ :�� ��� ��� ������ ��� ����� ������ ����� to make the abstract model. Every hole, size, movement � ����� ��� ��=����� ��� [��� '����� >�����
Abstractification of the Liner Museum
2009 - TU Architectural studies Teacher: Jola Starzak
Abstract Maya model Liner Museum
Model Abstract model Liner Museum
16
Conceptual design of a museum
:�� $���� � $��� ��� ���������� � \]]< �� � ����� ��� ����������� ��� ���� ��� ������ �� ������� contemporary art and theory in the context of the city Y�������� �� ���� �� ��� ��������� �� � ������ The ���� ��� �� ������ ��� $���� � $��� '������ ������ on the Witte de Withstraat in the bohemian cultural district of Rotterdam. Using the same site as the old museum, the redesign uses .
(��� � ��� ��� �� ��������� ��� ������ ���� ��� exsiting city I used the old parcels dimension of the neighborhood to organize the massing of large bays for various exhibition spaces of the museum.
:�� contrasting masses are psitioned perpendicular to the bays emphasizing the public components of the building such as the foyer and the public roof garden.
:�� ���� �� ��� ������ ��� �������!� ��� !����� ������ ���� �� ��� $���� � $��� ������ ���� ��� ������� if the museum.
Developing a feeling for art
Conception drawing - section
Design Museum in it’s environment
INTERIOR WITTE de WITH MUSEUM2009 - TU InteriosTeacher: Nicolaas van de Keere & Carin ter Beek
18
The invisible city of RotterdamExperimental Architecture in Sociopolitical Contexts
:��� ������ �� � ����� ������� �������� �� ���� �� � ���� ��� � ��� ��� ��� :� ������ ��� ��� behind the Border Conditions department, here a small �#������� �� ����� :���� � '���� �� �������
L����� ������ ��� ^�������� � _������������� in Rotterdam, the site is characterized by the dynamic =��� ���� ����� Y������� _����� ���� !������ destinations in the city. This emphasis on movement at the representative entrance of Rotterdam lacks the ����������� �� � ������ �#�������� ����� ������ �� meet, interact, exchange thoughts, express themselves freely, and enjoy the city.
Paths Articulating the urban condition of the site as a mayor ������������� �� � ��� ��!������ �� Y�������*� diverse population, paths are designed to create an ��������� ����� �� ��� ���� ����� ����� ��� !������ �� Y�������*� ������� ���� ���� ������� :��� density recreates the currently lacking congestion essential for a public urban experience; the exposure of oneself to difference, to others - a density of different desires.
LocusThe meandering paths connect special locus that ���� ������ ������� ������������ �!��������� � ����!���� ���� ��� �������� ���� ����q��w Y�������*� ��������� :���� ����� ���������� ������ !����� ������������ ��������� � ���!� ���� ��� �� ������� ���� ����� ������ ������� ���������� ���������� ������� ���� :���� ������ ���� ������ as intermediate destinies, but also as podia for the passerby.
Movement + Interaction:�� ���� �������q�� ��� ������ ������ ��!���� (paths) and human interaction (locus). By spatially ���� ��� ����� � ����������� ������� ����� � ��� the human and built environment are stitched together as one cinematographic experience of Rotterdam.
Abstract Model (Soft Foam)
Pinhole photocamera
Abstract Model (Cork & Wood)Photo made with pinhole photocamera
BORDER CONDITIONS THE INVISIBLE CITY2010 - Border Conditions, Public buildingTeacher: Sang Lee
Research graphics
Abstract Model (Museumbord)
19
Crowded Spot
Public Space, How to feel isolated or meet people? Get an overview of the space Entrance of the city
Enormous Crossing Point,
Public Stream to centre
Enormous scale of the buildings, remember the spot
Viewpoint, Long axes of city
Entrance of the city
Public Stream, introducing the green Possibilities to be a kind of a boulevard
First sight on entering the square Viewpoint
School of art and music Students hanging out in front of their school, cultural
off aannnffhh f aannf afff
nh
a
Entrance to the open public space Viewpoint, directionpoint
Dwelling, Industrial, Shopping, Cultural borders.
Refer to History In history there was water on the square Paths are giving direction
Urban playground Introducing green, stop between
?
Entering Central space, hard border Feeling public, social, personal or intimate
public
Social
Personal
Intimate
Graphic explanation of the site
20
Final Drawing, Roof plan, Kruisplein / Schouwburgplein RotterdamAbstract Model (Steel wire frame)
Path catalogus
26
URBAN EMERGENCIES LANDSLIDES 1999 VENEZUELA
Venezuela - Vargas
Urban Emergencies is research group at the Delft University of Technology that looks into post -disaste redevelopment at the urban-regional scale.
In 2009 I parricipated in a global survey that lookd at the long term affects of redevelopment reponses after natural disaster in Venezuela, El Salvador, Ghana, Bangladesh, the Phillipines and Indonesia.
In the spring of 2009, I traveled to Venezuela to study the redevelopment after the 1999 landslides in Vargas, locally referred to as La Tragedia. In a period of 24 hours the average annual rainfall in the region came �� � ��� ������ �� ��� "!��� ������� ������ massive landslides that affected 90.000 people. Our study in Vargas, 10 years after the disaster, investigated the spatial implications of various redevelopment responses in the Vargas state.
Given the vast complexity of redeveloping an entire ������ �� ���� �� � ��� ������������ ������ ��� ���� made after the disasters and the contemporary spatiality �� }�����w $��� � �� ��� �#����� ��� ��� ��� ����� of Vargas that the government prioritized infrastructure � ������� ������~ ��� ���� ��� ��� ����������� �� ��� ���� ������ �����q����� � ��� ����������� ������ ��� �����������~
$� ��� � �������� �������� ��������� ����� �� ���� �� ���� � �������� !��� �� ��� !������ �������� ������� ���� ��� ���!������� �������� :� ������ ���� �� ������ ���� � ���������� ���� � ��� ����!����� �� ��������� �� ������� � ���������� � ������� ���� capital).
$��� ���� ������ �!��!��� �� ����� � ������� ���� ���� � '������ %���� �� �!�������� ������� observation, surveys, spatial analysis , and comparing ����!���� ���� ��� ������ � ��� ������ ��������� in Macuto.
:�� ���������� � ������ � �� ������� ���� '����� ���� ������� ������ � ������������ ���� ��� }��q���� RedCross, on other cities in Vargas. This gave us insight ��� ���!����� �������� � ��� ����� ������ � �����
2010 - Urban Emergencies, pilot studioTeacher: Alexander Vollebregt
1420 kmmk 017mk 0
CCS
Research Urban Emergencies Venezuela, local paper Vargas
Research location
Time line Venezuela
30
RESEARCHING POST DISASTER URBAN RESPONSES
Cover publication Urban Emergencies
General panels exhibition Urban Emergencies
Impression part of the exhibition
Publication, Exhibition and Symposium
At the completion of the Urban Emergencies research (pg. 26) I organized the conclusive exhibition and ��������� ����� ��� �������� ��� ������� � �������� '� ���� �!��!� ��������� �!���� ����� speakers, design-building the exhibition space and the ���� �� ������� ����� �������q� � �������q� ��� �������� �� � ������� ������ ��� ����� ���� ��� ���� ��� � ������
:�� �������� �� ��� �#������� ��� �� ���!�� � ����� � ���� �� ���� ��������� ����� ��� ������� research groups could appropriate and customize. This ��� ����������� �������� ������� �� ��� � ��� ���� �� ��� �������� ��������� �� ��� � ������������ redevelopment.
� ��� �#������� �� �������q� ��� ��� �� ������� types of media such as photography, graphic design, �������� ������� ��� �� ����� �������� ����!����� � ��� ��������� "����� �������� ��� �� ���� an exhibition that could be built up in a very short time � ��� �������������
� ����� ����� �� ��� ������� � ������������� ���� ������ ����� ���� ���� �� ���� � ����� ��� :���� ���������� ���� ������ �������� � ������� ��������� and meaning. :�� ��� ������ ��� ���� �����!� � ��� ��������� ��� � ����� �����
32
ARCHITECTURAL BODY LANDSLIDES 1999 VENEZUELA
Venezuela - Vargas
:��� ���� ������� ���� ��� �������!� �������� of the Urban Emergencies studio. As an architectural �������� ������ �� ��� ��� �������� ������� �� ����������� ���� a local innovation incubator ENVIU . The design demonstrated some conceptual proposals in relation to the 6 month research done for Urban Emergencies.
The OpenSourceHouse project by Enviu looked into the ����������� �� � ���������� ����� ����� ���� �� ���� � ���� ������������ ������� ����� ���� �� ����� and redistributed globally.
%���!��� because our research emphasized a thorough investigation of a particular location, ��� ��� �������� ��� ���� � �������� �� ��� �_�%���� �������� ����� of an attempt to implement the concept in Venezuela.
Each of our three proposal touched on a critical point ����� �� �� ��� � ������� �� ����� ���� �������� ���� to identify crucial aspects of the (in)formal building industry in Venezuela, through conceptual design. The ideas could be seen as creative indications to inspire, inform or give direction to further development of actual prototypes.
2010 - Architectural BodyTeacher: Arjen van Timmeren & Loriane Mina Icibaci
Impression part of the exhibition
Section design architectural body
Constructional concept Barrios
Geography Flexibility Small elements
TRADITION AND WORK
34
DESIGN ACTS MINAMI SANRIKU CHO2011 - Design ActsProfessor: Miho Mazereeuwhttp://designactsjapanese.wordpress.com/
Miyagi prefecture
Tohoku Region
Minami Sanriku Town
Sendai
Oshu
Tokio
Japan - Minami Sanriku Cho
� ���� ;<\\ � ���!��� ���� � ������� ��������������� team of Harvard graduate students to the disaster area Minami Sanriku Cho to do research into the redevelopment of this area in the next couple of years.
In March 2011 the site ‘the Minami Sanriku region �� ������� '����� ?��������� ��� ������ ������� ��������� :�� ���������� �� ������� ]�< � ������ ��!�� �� �!�� \� ������ ������� � ��� destruction of 95% of the buildings and thousands missing from an original population of 17,666. As a ������ �� ��� ������� �� ��� _��q����� _����� � � ����� above the tsunami inundation line, most of the children survived.
$� ����� � ������������ ���� ������ �� '�: � ������� ������ �� '����� ��!������ ����� ��� ��� ����������� ���� ��� ������ ������ ���������
After doing some site related research and many ����!���� �� ���� �� ���� �� ���� � ��� ����� �!����� ��� ���� �� ���� �� ��� ���� �� ��� ����� ������� "�� ��� ������� ����!���� ��!� �� � ���� !��� �� ��� �������� ������ � ��� �������� ����� ��� disaster.
(������ �� ��� ������ �� ����� ��� �� ���� ���� �� built a temporary community center of local materials. With the help of local volunteer carpenters, people ���� ��� �������� � ��� ������ �� ���� ���� �� ���� ���� ������ � � �����
The research location
Community participation
Design session
38
DA REBUILDING WITH MINAMI SANRIKU miyagi university designacts.orgkeio university design acts 4harvard university
海抜 - 0 (メートル)0 - 5 5 - 1010 - 15
住宅地道路・交通網学校関係施設産業集積地
神社・仏閣サステナビリティー観光防波
15 - 20 20 - 25 25 - 以上東日本大震災・津波浸水エリア
三陸沖 地震津波浸水エリア 1933チリ地震・津波浸水エリア 1960
既存建造物 2011年以前津波により被害を受けた建造物
0m10m
20m
0m10m
20m
0m10m
20m
海岸線
住居 農地
林業(農業)
教育スポーツ
住居公共施設町営住宅
高速道路 漁業
海岸線
海岸線
住居 公共施設
高速道路 バフッファーゾーン(緩衝地帯) 漁業教育
工業
水平方向へのつながり
高速道路農業エコタウン
住居 観光工業学校農園 観光
住居公共施設
教育スポーツ
農業林業工業スポーツ公園
インフラ 観光 漁業
未曾有の津波被害を受けた三陸沿岸の町は再建、復興にあたり、安心と安全についてより一層の熟慮が不可欠となる。津波被害に脆弱な地域、十分安全な地域を検討し、それぞれの地域に相応しい土地利用形態のあり方についてまとめた。
職や住といった生活の基盤を空間的に切り離すことなく、様々な土地利用・アクティビティが小さいスケールで相互に関連し合えるような町づくりのあり方を提案する。4
高速道路(計画案)
住居
観光
農業
津波浸水地域(2011)
経済
教育
エコタウン
安全対策震災以前の状況
国のプロポーザル
デザインアクツのプロポーザル
デザインアクツのプロポーザル
42
Kejetia InterventionsGiving public form to the Kumasi Central Market
“The market is not a place, a thing, or a collective entity. The market is a process, actuated by the interplay of the actions of the various individuals cooperating under the division of labor.“1
“The mere presence or the market has a transformative impact in myriad ways: increased economic activity, creating spaces of social exchange, bringing together diverse populations, and contribute to the organization of the city.”2
Inter-Cultural ExchangeDeveloping an architectural proposal in Ghana as a >���� ��������� �������� � ������������� � �������� position regarding the obvious socioeconomic ���������� ������ ��� ��� ��������� :� �����!� � appropriate architecture, patronizing tendencies of ������ ���� ����� �� �!��� ������ � ��������� perspective into the local building industry should be established. A sensible approach to the geography and climate are also essential. Ultimately, instead of ��������� �� ���� � ��������* Q����� ������ ��� ���� �������� �� �������q� ��� ��=���� �� $����� and African design culture.
Urban AcupunctureIn response to the plans to destroy and rebuild the market as a Western modeled shopping mall this design proposes an alternative solution for redevelopment. First � ������ �� ������� ������� � �������������� ���� �� Q����� ����� � "���'����� _���� ������ ���� �������� ������� � ������� ��� �������� �� ��� ������� ����������� �� ���� �� ���� ���������� ��������� �� ����� �������� (��� � ��� �������� � �������� �� ����� ����������* �� ������� �� ����� ��#���� ��� ���� ������ ����!���� � the market. This subtle intervention is crucial, because ������� � ������ ������� ��� �������� �� ��� ��!������� �� ����� ������ �� ���� �� ��� ������ ������ � ���������� ��������� ���� ��� ��� ������� ������������ ������ ������ ���!�!� � � ���� ����� ����� �� ������ ���!� ��� ��!��������� :��� ������ ���� opposes the dislocation of traders, prolonged disruption �� ��� ���� ������� �� ��� ��������� �������q���� 1 Mises, (1949 )2 Gantner (2009)
Final Image Public intervention in the Kumasi Central Market
STUDIO GHANA KEJETIA INTERVENTIONS
Market structure in Layers
Main Structure Products
Public facilities Actors
Main supply Intervention
Electricity Display
Drainage Sub Structure
Geography Fields
44
of this vivid and dynamic system, and rather seeks to implement a structure that can gradually be built ������� �������� ����� �������������
Public Amenities%���!��� ����� ������ ������!� ������ �� ��� ������ ������ ��� ������� ����� ��� ������� ��������� ���� ����� ��������� ��� ������ �� ���� �� ��������� �� ��� ������� (� ��������� �!��������� ������q��� and bad access, amongst other issues, are part of a daily ������ ���� �� ��� ���� ����� (��� � ����!����� � participation in a daily trading routine, certain problems ���� ������� � � ���� ����� ���������� :�� ��� ��������� ������ � ������ ����� ������ ��� ������ ��������� � ������ � ������� ������ � ������� ������ ���� ����� ���������� ����������� � ���� � �������� ����� �������� � � ����� ������� � ������ ����� $����� ��� ���� ���*� ������� �� ���!� ��� ������ Section final design Kumasi Central Market
Plan final design Kumasi Central Market
Facade final design Kumasi Central Market
45
� ���������� �� ����� ���� ��������!� ���� ������� ���������� �� ���������� �����!� ���� � ��� �������
Architectural Aesthetic"������� � !��� �������� �������� ��� ��� ��� ��� intervention, the proposal uses architecture as an organizational device to make the generic form of the market more legible. In order to create a strong architectural presence, the main structure is lifted ���!� ��� ���� =��� � ���� � ����� ������ ���� � ^��� ����� �� ������ � ��������� ��������� ���� the homogeneous roofscape of rusty corrugated steel ������ Q�!� ���� ��� ���� ���������� �#������ ������������ � ��������� � ����� ������ structure is implemented that has a formal resilience and ���� ����� � ������� �� � �������� ��� ��������� architecture on the Kejetia Market. Impression final design Kumasi Central Market
48
GRADUATION PROJECT THE TRANSFORMATION OF THE URBAN STRUCTURE OF KUMASI
KEJETIA INTERVENTIONSGIVING PUBLIC FORM TO THE KUMASI CENTRAL MARKET
BY NINA SICKENGA
Publication
Next to the publication of my personal �������� ���� � ��� ���� ���������� ��� ����������!� ���������� ��� ��� ����� ������ :��� ���������� ������ ��� results of our analysis, a mapping of the city Kumasi, ��!���� �������� �� ����� �������� � ��� �����*�� :�� �����*� ���� ���� �#������ �� ��� >���� ��!������ �� Technology. Q�!� ���� ��� ��� �������� ���� ����� �!��� �� ��� � challenge to combine them and still retain an clear and �������� !��� �� ��� �����
The cover is consists out of all the different titles of our projects superimposed on a photo of the Central Market �� ^�����w ��� ����� �� ��� ���� ����� ��� ��� �������� ���� �������
STUDIO GHANA PUBLICATIONS
Cover publication personal graduation work
Publication personal graduation work
Publication Studio Ghana group work
50
Rammed earth brick
��� �� �������� � !����� Q��� ��� ; ����� �� ����� � ����� ���� ���� ��� ��������� � ; ����� ����������� � ������� ��� ����� ������ � ������������ ���� students from MIT.
Q�!� ��� ����� ��� �����q� � ��� ���� ���� !����� � decided to stay longer to get a better feeling of the local ������� � ������ ���������� ����� � ���� �� ������� ��� ������ � ���������� ��������
:������ ������ ���� � ���� �� ������ � ��� �!��!� ���� � ������� � in the North of Ghana. "� ��� ���� ����� ��� ������ � ��� ����� �� ����� ��������� !�������� � investigated innovative methods of producing rammed ����� ������ ���� ����� ���� � � ������ �� �������� :�� ������ �� ������ ���� ���������� � ������� ��� ��� ���������� ������� ������ � ��� �������
:�� ����� �������� ��� �!����� �� � ���� �� �������q�@ ��� �������� �� ��� ^���� ������� ����� �� ?%$*� ��� �������!�� :�� ������� ������ ��� based on the idea that the high urbanization rate of :������ � ��� ��������� ��� � ���������� ���������� ���� ���� ����� �������� � ������ � ������ ��������� ����������
BUILDING IN GHANA PURE HOME WATER FACTORY
54
Graphic design CHANTAL
Graphic design - TESSA & CHANTAL
During my years as a student in architecture I noticed ���� � ��� �������� � ��� ��� ������� ����� �� ���� available. As an a architect I do think it is important �� � ��� ����� ���� �� ������ � �#���� ���� ideas. Every different client, person or project needs a different approach. This is also the reason I invested � �� ������ ����� ������������ ���������� ���� illustrator, painting and many others.
GRAPHIC DESIGN PHOTOGRAPHY
56
The competition for the new main ��������.
Hema (a dutch department store) organized a ���������� �� ���� ������� �������� ����� ������ the thought, concept and feeling of their store. The ����� ����� ���� �����q� � �!��� ����� �� ��� �� ��� ����� � "�������
Our idea behind the ones we submitted:Hema stands for everyday happenings. Everything is ment to be and the Hema stands for this. Hema is challeging and familiar at the same time. Hema keeps �� ����� ������ ��� ����� ������� � ����� ���q���� �� ��*� ������� ��� ������� �������� ����� ������ ��� ��� the imagination of the people play. There are coming many elements of the Hema back in both designs. From products, to marketing elements to all the amazing colours they use.
[�� ���� ������ ���� � ���� �� ���� �� ������
GRAPHIC DESIGN HEMA DESIGN COMPETITION
Winning proposal HEMA graphic design competition.
Other proposal HEMA graphic design competition.
58
Publication of the Transformation of the Urban Structure of Kumasi.
��� �� �������� ����� � ��� ���� �� ���� ��� ��� ���������� �� ��� ��� ��� �������� �� ��� ������ ��� ��� �� Q����
This integral studio did research on urban, housing, and ������������� �!������� � � ������ ������ �����
This publication is a collection of these integrated spatial � ������������� ����!����� ����� �� �� ��� �� pilot projects to improve the situation in Kumasi.
GRAPHIC DESIGN STUDIO PUBLICATION
Cover publication
Photograph
Personal pages
60
SOULMATES
During my years as a student in architecture I noticed ���� � ��� �������� � ��� ��� ������� ����� �� ���� available. As an a architect I do think it is important �� � ��� ����� ���� �� ������ � �#���� ���� ideas. Every different client, person or project needs a different approach. This is also the reason I invested � �� ������ ����� ������������ ���������� ���� illustrator, painting and many others.
GRAPHIC DESIGN SOULMATES
JUST ME ANMY SOUL
���������
���� ���
62
Website Wij Zijn Koel (WZK)
$�� ��� ̂ ��� �� � ������ ���� ������!� ��� ������ on solutions for sustainability.
The company has a large portfolio and an story going ���� ��� :� �������� ��� ����� �� ��� ������ �� �#���� ��� ��� ���� ���� ���� ������� ����������
GRAPHIC DESIGN - WEBDESIGN
Homepage
Portfolio
63
Website De Groene Bocht
:��� ������� �� ����� � ����� ��� ��������� ��!���� � ��!������ � ��� ��� �� ������������� � enterprise.
De Groene Bocht hosts sustainable businesses and initiatives to collectively undertake.
Homepage
Company pfrofile
64
Blue Generation
Blue generation is an initiative to built on a sustainable ������ ������� � (���Q� ����� �� ��� ����*� ���� �������� ����������� ����������� ��������� ���!���� �� �� �< ��� ��� ���������� ��������� :�� (��� Q������� �� � ���� �� ��� ������ ������ � ��� ���� ������� colors in the style,
GRAPHIC DESIGN - HOUSESTYLE
BlueGenerationVirtual PowerPlant
Energie centralegenereert elektriciteit
Transformator zet elektriciteit van lage
voltage om naar hoge voltage voor
efficiënter transport.
Transformator converteert
elektriciteit van hoog voltage naar laag voltage voor
distributie.
Huizen, kantoren en fabrieken gebruiken
elektriciteit voor licht, verwarming en
apparaten
BlueGen
Huidige situatie
Nieuwe situatieBioGas
BlueGen
BlueGen
CH4(Aardgas)
40%
60% +25%CH4(Biogas)
Balancering
Balancering
5% Netverlies
Geen NetverliesX
€
€
X
€
€
€
Au
ton
om
ie
Gee
n n
etve
rlie
s
Co
mp
lem
enta
ir
Effici
ënti
e /
Du
urz
aam
Folder
Folder
Explanation panel
66
Zestiq
Is a company accelerating clean technology. Besides (��� Q������� ����� �� ���� ��� ����������� _����� My Light. Al of them are using the same lettertype and ������� _���� ���� ��� ��!� ����� �� ������ � ������
GRAPHIC DESIGN - HOUSESTYLE
67
Accelerating Clean Technology
SWITCH MY LIGHT‘De Groene Bocht’ Keizersgracht 452
1016 GD AmsterdamThe Netherlands.+ 31 (0) 20 221 77 660www.switchmylight.com
EEN EENVOUDIGE EN BETAALBARE
SWITCH NAAR DE BESTELED VERLICHTING VAN A-MERKEN!
KwaliteitDe nieuwste en beste LED-lampen van A-merken
BetaalbaarDe nieuwste en beste LED-lampen van A-merken
EenvoudigSwitchen is simpel met de Switch My Light Scan service.
Effi ciëntMaximaal besparen.
- Een high quality LED oplossing voor alle direct vervangbare typen
lampen. Van halogeen tot TL vervanging.
- Alleen LED lampen die dezelfde kwaliteit licht geven als uw hui-
dige verlichting.- Switchmylight.com is 100% onafhankelijk. De keuze voor de
lampen die wij leveren is puur gebaseerd op kwaliteit.
- Switchmylight.com levert alleen A-merken. Ieder product select-
eren wij zelf en wordt geleverd met fabrieksgarantie.
Switchmylight.com vereenvoudigt, versnelt en automatiseert de
overstap naar LED verlichting. Hierdoor kunnen kosten besparen en
kunnen wij de laagste prijzen rekenen. Zo nóg meer besparen!
Kies de betaalwijze die bij u past:Simple: Betaal direct en ontvang €25,- korting.
Safe: U betaalt pas als u de goederen ontvangen heeft. (vanaf €1800,-).
Smart: Gespreide betaling: 0% rente.
Een switchmylight team-member doet bij u op locatie een complete
licht scan en demonstratie. Zo ziet U exact welke lampen u nodig
heeft, exact hoeveel u kunt besparen, exact welke investering daar-
voor nodig is en exact hoe snel u deze heeft terugverdiend.
Bespaar tot 80% op energiekosten en CO2 uitstoot met lampen die
een tot 25 x langere levensduur hebben.
Voor de meeste bedrijven geldt dat de investering binnen 2,5 jaar is
terugverdiend!
Bespaar
tot 80%
zonder in te leveren
op kwaliteit!
KwalDe nieuwste
BetaalbaDe nieuwste en beste L
- Eenenn n high qulampeeenn. Van h- Alleeenn n LED ladige vererlrlilichting- Switchmhmmmylighlampen didiee e wij l- Switchmyyyllight.eren wij zellf f f een w
Switchmylight.com veoverstap naar LED verlickunnen wij de laagste prKies d
De Groene Bocht’
Groenenee BocchhtKeizersgracht 452
izerssgr2
1016 GD Amsterdam
101Amsterd m
rlands.d
The NetherThe Neetherlan
1 (0) 20 221 77 6602
1 777 6660
+ 3+ 31 (0) 0www.switchmylight.com
witchmmy ht
w wEEN ENSWITC
LED VERLI
estering binnen 2,5 jaar is
SWI CHNS
ED VE1
4
2
5
3
6
IDEE!
SERVICES.
SCAN
INVESTEREN
OFFERTE
JOIN THE LIGHT REVOLUTION
NET ALS VELE ANDEREN!
BEL 020 221 7 7 660
0f ga naar www.switchmylight.com
U wilt besparen! Het is tijd om afscheid te nemen van hoge
energiekosten, onnodige CO2 uitstoot en het eindeloos lampen
vervangen. Neem contact op met switchmylight.com en laat de
scan doen! Het switchmylight team komt bij u langs en maakt een complete
inventarisatie van uw verlichting. Voor iedere lamp wordt
automatisch een LED alternatief gegeven. Zo ziet u direct wat uw
besparingen, investeringen en terugverdientijd zijn; nauwkeurig en
op maat.
- Binnen 1 week wordt uw bestelling geleverd met duidelijke
instructies.
- Voor de beste prijs heeft u perfect licht van vertrouwde merken met
een lange levensduur tot 15 jaar!
- U bespaart tot 80% op uw energiekosten en CO2 uitstoot door
verlichting.
- U verdient uw investering snel terug. Voor 80% van onze klanten
geldt dat de terugverdientijd minder dan 2,5 jaar is.
- 30% van onze klanten verdient de investering zelfs binnen 1 jaar
terug!
Enkele voorgaande klanten zijn: NEMO science center, the Brix
food ‘n’ drinx, Stetz, MK Jewelry, Wubbo Ockels, heldergroen en
velen meer.
uitsluitend professionele producten van A-merken voor
de beste prijs!
Switchmylight maakt het investeren in nieuwe LED verlichting
eenvoudig en bereikbaar. Van makkelijk betalen via iDeal tot gespreid
betalen zonder rente.
Switchmylight biedt u alle services om optimaal over te stappen.
- Switchmylightservice: U kunt heel makkelijk zelf uw lampen
vervangen, maar u kunt er ook voor kiezen om switchmylight dat te
laten doen.
- Recycle service: We verzorgen de recycling van uw oude lampen.
- Voorschot service: U kunt uw voorschot bedrag omlaag bijstellen.
We kunnen het bedrag van uw energie rekening verlagen waardoor u
direct profijt heeft van uw besparingen.
switch nu !
68
African Woman
"���� ���� � ������ ��� � �� �� � ��������� ��� �� � � ��!� �� ���� ���� ���� ��� "����� ���� ��� ����� � ��� �� � ����� ����� �� �� ��� �� � �#����� �� ��� �� ����� :���� �� ������ � ���� ��� ��� � ���� ��� ����� �����
GRAPHIC DESIGN - AFRICAN ATMOSPHERES
70
The Selery
:�� _����� �� � >���� >���� ��� � ��� ������� founded in Amsterdam by me and my friend.
In a saturates market you have to distinguish yourself, be different. This is an ambition, our drive.
$� ��� �� �� �������� �� � ��� �#�������
ASK ATTENTIONGET ATTENTIONGIVE ATTENTION
It is as you think it is!
THE SELERY - HOUSESTYLE
72
African Woman
"���� ���� � ������ ��� � �� �� � ��������� ��� �� � � ��!� �� ���� ���� ���� ��� "����� ���� ��� ����� � ��� �� � ����� ����� �� �� ��� �� � �#����� �� ��� �� ����� :���� �� ������ � ���� ��� ��� � ���� ��� ����� �����
GRAPHIC DESIGN - PLUS
76
GRAPHIC DESIGN - EARRINGSCreate an identity
_���������� ��� ����� ������ ����� ������� ������ for themselves. You should be careful by using them, especially in larger graphic illustrations but they can �#����� � ��� ���� � ������ ����� ������
T-SHIRT DESIGN - RUN FOR HUMAN RIGHTS WATCH
T-shirts sold on a party for a charity
� ;<\< ;� ������ ���� ���� ��� ��� ���� Marathon for the charity Human Rights Watch, an ���������� �Q� ��� ��� �������� � ���� ������� (����� ���� ��� '������ ����� ���� ���� ���� �������� ����� ���� � ����� ��� ����� ���� ���� �� ������� ���� ����� :� ������ � ����� ������ ���� different activities they asked me to design the menu for the dinner, the poster for the party and the T-shirts sold � ��� ������ :��� ��� ���� ��������� �� ��� �����* ����� �� ��� �� ���� � ��� ������ ���!��
FASHION EARRINGS
Earrings
Earrings
78
CREATIVE FESTIVAL - WIJ + ZIJ(People’s choice award)
:� ������ � �=���� ��� ������ �������
:��� �� ��� ��������� ��� � ����� ��� �������� �� ��� >���� ��!������ �� :�������� ����� ������ � ��!���!� ���� ��� ��� ���� �� � �� ������� �� Architecture in Delft. Contrary to the other teams, our team decided not to focus on the content of building or the program, but on the context - our daily life. $� ������� � ��������� �� ��� ������� ������ ��� beginning of the campus, instead of staying on the old location.
Architecture is a discipline that should be amongst the people, and close to them - in this case close to the city ����� �� >����� " ������ ��!���� ���� � ���� ���� both bring the architect once again in the central position � ������� �� ����!��� ����� � ��� ����� �� ���� ������ �� � ������� �� ����������� ������ ��� ����� students on campus, creating a mutual understanding of the importance of social context in architecture.
CREATIVE FESTIVAL - WIJ + ZIJ
������������� ������������������������ ����������������������������������������������������������������������� ����������������������������������������������� ��������� ������������ �����������������
2 of the 3 final posters for the Creative Festival
80
Making models and Art
:�� ���� ����� � �� ��!������ ��� �������� �� ����� ������ ��� ����� $� ���� ���� �� ���� �� ���� ���� ������� ��������� � ���������� ���� ����� ������ � ����� �� �� ���� ��!���!� ������ �� �� ��� � ��� ����� ���� ��� �!��������� � � ���� �� �� � ����� ��� of visualize ideas in both 2D as 3D.
MODELLING - LASERCUTTING
Wooden sculpture DAAN
82
Jeckyll & Hyde
:�� ������� � %�� ������� ��� ��� ������ �� �� ���� ������ ���� � ����� �� � ����� ������ � ��� �������� �� � ������� ����� $� �� ����� ���� �� ��� ��� ����� producer, conductor, sing-coach, location and building � ������ ������� ���� � ����� ����� ������
�� ��� � ���� �� ������ �� ���� ������� ����!���� people, trial and error, and a lot of effort. But this ��� ������� �� ����� ��� �� ��� � ����� ���� � performances, an enormous amount of spectators and a great decor both day and night.
JECKYLL & HYDE - DSTG
Cover programm book theater play
Decor theater play
Decor theater play
84
The Selery
:�� _����� �� � >���� >���� ��� � ��� ������� founded in Amsterdam by me and my friend.
:��� �� �� �� ��� �������� �� ����� � ���� ����� ��� �������� ��� ��� ���� ���� � ��� ��� ����� ���� ������� ������ :�� _����� �> �������� ��������� � standard 2D postcard into a tiny 3D present. Something to place in your surrounding and keep it there for a ������ �� �� ������� � ��������!���
THE SELERY - POSTCARDS
Postcards
Postcard - elements
86
Nina SickengaArchitect / Graphisch ontwerper
The Netherlands:Keizersgracht 644-41017 ES Amsterdam
+ 31 (0) 6 426 54 906