Pablo Picasso: Cubism—A Revolution of Spatial Presentation ... Pablo Picasso Cubism, the...
If you can't read please download the document
date post
21-Jun-2020Category
Documents
view
0download
0
Embed Size (px)
Transcript of Pablo Picasso: Cubism—A Revolution of Spatial Presentation ... Pablo Picasso Cubism, the...
eScholarship provides open access, scholarly publishing services to the University of California and delivers a dynamic research platform to scholars worldwide.
Title: Pablo Picasso, Cubism—A Revolution of Spatial Presentation in Artistic Expression (with parrallels in cartography), CSISS Classics
Author: Crosier, Scott, UC Santa Barbara
Publication Date: 2002
Series: CSISS Classics
Permalink: http://escholarship.org/uc/item/3wt7p9m2
Keywords: multiple perspectives, two-dimensional visualization, cartography
Abstract: Cubism, method of portraying multiple dimensions onto a two dimensional canvas, is not unlike the task of the map maker in representing the earth in two dimensions. Parallels between Cubism and cartography are identified in this essay.
Copyright Information: All rights reserved unless otherwise indicated. Contact the author or original publisher for any necessary permissions. eScholarship is not the copyright owner for deposited works. Learn more at http://www.escholarship.org/help_copyright.html#reuse
P a b
lo P
ic a s s o
: C
u b
is m
— A
R e v o
lu ti
o n
o f
S p
a ti
a l
P re
s e n
ta ti
o n
i n
A rt
is ti
c E
x p
re s s io
n (
w it
h p
a ra
ll e ls
i n
c a rt
o g
ra p
h y )
B y S
c o
tt C
ro s ie
r
B a
ck g
ro u
n d
"M y
m o th
e r
sa id
t o m
e ,
'If y
o u
b e co
m e a
s o ld
ie r
yo u'
ll b e a
g e ne
ra l;
if yo
u b e co
m e a
m o nk
y o u'
ll e nd
up a
s th
e p
o p e .'
In st
e a d ,
I b e ca
m e a
p a in
te r
a nd
w o un
d u
p a
s P
ic a ss
o ."
P a b lo
P ic
a ss
o
C ub
is m
, th
e a
rt is
tic e
xp re
ss io
n th
a t
fo re
fa th
e re
d a
ll a b st
ra ct
a rt
, w
a s
si m
p ly
a m
e th
o d o
f p o rt
ra yi
ng m
ul tip
le d
im e ns
io ns
o nt
o a
t w
o d
im e ns
io na
l c a nv
a s.
T hi
s is
n o t
un lik
e t
he t
a sk
o f
th e m
a p m
a ke
r in
re p re
se nt
in g t
he e
a rt
h in
t w
o d
im e ns
io ns
.
M a ny
p e o p le
, w
he n
co ns
id e ri ng
w ha
t m
a ke
s "a
g o o d p
a in
tin g ,"
c o ns
id e r
th e
a b ili
ty o
f a p
a in
tin g t
o d
e p ic
t a n
a ct
ua l o
r re
a lis
tic im
a g e o
f th
e p
e rs
o n,
o b je
ct o
r lo
ca tio
n th
a t
th e a
rt is
t is
p re
se nt
in g .
W e o
ft e n
th in
k o f
th e "
re a lis
t" a
rt is
ts ,
w ho
, th
ro ug
h th
e ir s
ki lls
in s
ha d in
g ,
co lo
r us
e ,
p e rs
p e ct
iv e ,
a nd
u nd
e rs
ta nd
in g ,
w e re
(a nd
a re
) a b le
t o d
ra w
o r
p a in
t a n
e a rl y
p ic
tu re
p e rf
e ct
d e p ic
tio n
o f
th e s
ub je
ct .
W e id
e a liz
e t
he a
rt is
t, w
ith h
is o
r he
r p a in
ts a
nd p
a le
tt e ,
w o rk
in g a
t a n
e a se
l, st
ud yi
ng t
he la
nd sc
a p e o
r th
e ir s
ub je
ct .
T he
a rt
is t
p ro
d uc
e s
a p
a in
tin g d
e p ic
tin g
th a t
o b je
ct f
ro m
t he
ir o
ne p
o in
t o f
re fe
re nc
e .
H o w
e ve
r, a
s w
e in
te ra
ct w
ith s
o m
e th
in g ,
w e r
a re
ly in
te ra
ct u
si ng
o nl
y o ne
p e rs
p e ct
iv e .
F o r
e xa
m p le
, a s
w e a
p p re
ci a te
n a tu
re ,
w e w
a lk
a ro
un d .
W e m
ig ht
se e a
t re
e o
ff in
t he
d is
ta nc
e ,
a nd
a s
w e a
p p ro
a ch
it ,
o ur
p e rs
p e ct
iv e o
f th
e t
re e
ch a ng
e s.
W e m
ig ht
e ve
n w
a lk
p a st
t he
t re
e ,
a nd
lo o k
b a ck
o n
it fr
o m
a co
m p le
te ly
d iff
e re
nt v
ie w
o r
se e a
n a re
a l v
ie w
o f
th e lo
ca tio
n a nd
a p p re
ci a te
it fr
o m
a d
iff e re
nt p
e rs
p e ct
iv e .
H o w
, th
e n,
c a n
a n
a rt
is t
d e p ic
t th
is c
ha ng
in g
in te
ra ct
io n
w ith
t he
s ub
je ct
, w
hi le
w o rk
in g o
n a f
la t
p ie
ce o
f ca
nv a s?
T hi
s q ue
st io
n is
w ha
t sp
ur re
d s
e ve
ra l a
rt is
tic in
no va
to rs
t o t
he p
io ne
e r
fo rm
o f
a ll
C S
IS S
C la
ss ic
s -
P ab
lo P
ic as
so :
C ub
is m
— A
R ev
o lu
ti o n
o f
S p
at ia
l P
re se
nt at
io n
in A
rt is
ti c
E xp
r. ..
1 o
f 4
6 /2
0 /2
0 1 5
1 1
:5 9 P
M
In n
o va
ti o
n
a b st
ra ct
a rt
c a lle
d C
ub is
m .
A lth
o ug
h in
sp ir e d b
y th
e la
te r
w o rk
o f
C e za
nn e ,
th e e
ra o
f C
ub is
m (1
9 0 7 – 1 9 2 0 s)
w a s
fir st
b e g un
b y
P a b lo
P ic
a ss
o a
nd G
e o rg
e s
B ra
q ue
. T
he
m a jo
r b e nc
hm a rk
o f
th is
w o rk
w a s
in P
ic a ss
o 's
p a in
tin g "
L e s
D e m
o is
e lle
s d 'A
vi g n o n ,
1 9 0 7 "
(M u s.
o f
M o d e rn
A rt
, N
e w
Y o rk
C ity
). I
n s
e e in
g t
h is
p a in
tin g ,
m a n y
m ig
h t
a sk
a m
o n g o
th e r
th in
g s,
" W
h a t
w a s
P ic
a ss
o t
ry in
g t
o d
o ? "
T he
C ub
is ts
( in
cl ud
in g P
ic a ss
o ,
B ra
q ue
, Je
a n M
e tz
in g e r,
G ri s,
D uc
ha m
p ,
a nd
L é g e r)
w e re
a tt
e m
p tin
g t
o d
e p ic
t th
e ir s
ub je
ct m
a tt
e r
no t
a s
th e e
ye ,
b ut
a s
th e
m
