K e v i n M. W a l c z y kkevelimusic.com/wp-content/uploads/2016/10/EloPerusalScore.pdf · and...
Transcript of K e v i n M. W a l c z y kkevelimusic.com/wp-content/uploads/2016/10/EloPerusalScore.pdf · and...
Eloi, Eloifor
W i n d E n s e m b l ecomposed by
K e v i n M. W a l c z y k
KevEli Music
Full Score
Flute 1 (2)
Alto Flute (2)
Flute 3 (2)
Oboe 1 (2)
F English Horn (2)
Eb Sopranino Clarinet (1)
Bb Clarinet 1 (3)
Bb Clarinet 2 (3)
Bb Clarinet 3 (3)
Bb Bass Clarinet (2)
Eb Contra-alto Clarinet (2)
Bassoon 1 (2)
Bassoon 2 (2)
Eb Alto Saxophone 1 (2)
Eb Alto Saxophone 2 (2)
Bb Tenor Saxophone (2)
Eb Baritone Saxophone (2)
F Horn 1 (2)
F Horn 2 (2)
F Horn 3 (2)
F Horn 4 (2)
Bb Cornet 1 (2)
Bb Cornet 2 (2)
Bb Cornet 3 (2)
Trombone 1 (2)
Trombone 2 (2)
Trombone 3 - bass (2)
Euphonium T.C. (2)
Euphonium B.C. (2)
Tuba (2)
Timpani (2)
Percussion 1 (2)vibraphone - bow & 2 soft mallets
Percussion 2 (2)medium tam-tam - 2 gong mallets
small triangle - triangle beater
Percussion 3 (2)large tam-tam - 2 gong mallets
medium triangle - triangle beater
Harp (1)
String Bass (1)
I N S T R U M E N T A T I O N & S U P P L I E D P A R T S
In remembrance of the victims of the Japanese earthquake and tsunami - March 11, 2011.Composed for Ray E. Cramer and the Musashino Academia Musicae Wind Ensemble.
KM
Program notes Eloi, Eloi was composed for conductor Ray E. Cramer and the Musashino Academia Musicae Wind Ensemble. The work's expression is not programmatic. It is intended as a simple prayer that pays tribute to and is in remembrance of the March 11, 2011 Japanese earthquake and tsunami victims. The title is drawn from Psalm 22:1, Matthew 27:46, and Mark 15:34 and states (in Arabic), �“Eloi, Eloi, lama sabachthani?�” and translates to, �“My God, My God, why have You forsaken Me?�” The work was later adapted as the opening movement to the composer's Cantata, �“Drifting Gently Through Endless Beauty�”. The work was premiered and recorded by the Musishino Academia Musicae Wind Ensemble, Ray E. Cramer, conductor, in July, 2015.
This work is always elegant, legato, and never in a hurry. Tempi, however, should never drop below the indicated markings.
The solo flute part (mm. 9, 13, and 50) and horn 1 part (ms. 47) contains tenuto markings that appear only in those two respective parts. These tenuto markings should be made known to the entire ensemble.
Tam-tam parts (percussion 2 and 3) should be played near the edge of the instrument, instead of the center, so as to obtain the intended sonic resonance and clarity.
The work's specific orchestrational colors require 3 B-flat Cornets that should not be replaced with either trumpets or flugel horns.
Accents contained inside of brackets - [>] - serve as agogic accents and are given approximately half the weighted stress allotted to their non-bracketed counterparts. As is typical with the performance practice of traditional agogic accents, these bracketed accents should be allowed to slightly stretch the duration of the notes to which they are attached.
Performance notes
KM
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4
4
4
4
4
4
Oboe
English Horn in F
E b Sopranino
B b 1
B b 2
B b 3
B b Bass
E b Contra-alto
1
2
1
2
Tenor
Baritone
1-3
2-4
Euphonium
Tuba
Timpani
1
2
3
Contrabass
CLARINETS
Bassoons
4 Horns in F
3 Trombones(3rd is bass)
PERCUSSION
Harp
2 Flutes & Alto Flute
3 Cornets in Bb
altoSAXOPHONES
b
.b Ó Œ b
b b
Ó Œ b
.b
Ó Œ
b°Ù
b o b o
1
solemn q = 48
ÍÎÍ¿ÍÎÎÍ
P
!
!
!
!
!
!
!
!
vibes bow
N p
Œ b b b
Œ
b
Œ
b
Œ b
b
Ó
o o b o b o
2
p
p
p
p
p
p
p
p2. al. .
mute1.
!
"
1, 2. st. mute
!3. st. mute
b b b
b b
.#
b b
.N
b
.#
b j ‰ Œ
b j ‰ Œ J ‰ Œ
J ‰ Œ
bÙ
b o
3
P
P
P
P
P
P
P
P
P
P N
P N
P N
N
b --
kk b 3
b n b .
b3
b
b b .
--
b 3 b n b .
b ..gggggggggbgggggggggg ..b
4
p
p P
P
P
p
p P
P
P
p P
P
p
P
b b b
b
b
.
b b
.
b
.
b
b
Ó .
Ó Œ bgggggggggÓ Œ b
5
P
P
p
P
P
p
P
p
"
"1. st. mute
"1.
mute
p
b> b> b
b> > b
3 b>
.b 3 > b #
3
b>
b N
b> >
3 b>
.b 3 > #
J ‰ Œ
b
b
b N
bggggggggg bb
6
F
P F
F
F
P
P F
F
F
P
F
P
P F
F !
F !
F !
F !
b> > b
b> >
b
n> b b
b
b> b b
> >
b
n> b
7
P p
F
P p
F
F
P pb b b
b
k b k k
b - b b-
b -
b
- b -
-
Ó æÓ æ
8
rit.
!
!
p !
p
!
!
p !
p
p !
p
!
N
2 gong beaterslarge tam-tam
(near edge)
N
2 gong beaters
(near edge)
med. tam-tam
Ó ‰ b b b b3 3
Œ bŒ b Œ b
b
Œ bŒ b
Œ b
‰ Jb
b #
b æ
æ
æ
Ób
bÓ b b
9
b $
P
ten.
9 tender q = 561. solo
! P N
1, 3. open
! P N
2, 4. open
! P N
! P
! P
1. open
! P
! Popen
! P
P
! P
! P
arco
!2 felt timp. sticks (soft)
bp "
bp "
‰ b b 3 3
Œ b b
b Œ b
b
Œ b b b
b Œ b
b b
‰ Jb b
‰ Jb
bb
æ
b bgggggggggggggggg
?bbb
10
b
P
! P
! P
! P
! P
! P
! P
! P
! P
! P
p
! P
! P
! P
3. open
bp
bp
b b b b 3 3
‰ j b b
b ‰ j b
Ó
Ó
b
b b ‰ J b b
b b
Ó n
n
ÓJ ‰ Œ
bbggggggggggggggggg
bgggggggggggggggggg
&
b
11
p
!
!
p
!
!
!
!
!
!
!
!
!
!
!
!
!
In remembrance of the victims of the Japanese earthquake and tsunami - March 11, 2011.Composed for Ray E. Cramer and the Musashino Academia Musicae Wind Ensemble.Transposed Score
Duration: 5'
Kevin M. Walczyk
© 2015 by KevEli Music1368 NW Zinfandel Ct. | McMinnville, Oregon 97128
All rights reserved | Printed entirely in the USA | Unauthorized duplication prohibitedfor inquiries contact: [email protected]
www.kevelimusic.com
Eloi, Eloi
KM
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ob.
en. hn.
sop.
1
2
3
bs.
ca.
1
2
1
2
ten.
bari
1-3
2-4
euph.
tuba
timp.
1
2
3
cb.
CLARINETS
bsn.
hn.
trb.
PERCUSSION
harp
3 fl.
CORNETS
altoSAXOPHONES
3
‰ �œ �œb �œb �œb �œ �œ �œ �œ �œ3
�œ �œ �œ �œ �œbk �œk
b Ó
b Ó
j�œ ‰ Œ Ó
�œ �œb �œ �œ �œb- �œ-
Œ �œb- b
b Œ ‰ J�œb-
Œ �œb �œ �œ �œk
b �œ- �œb-�œ �œb �œ �œ �œb- �œk. �œ-
�œ �œb �œ �œ �œb- �œ-
#J�œ ‰ Œ Ó
wwbbgggggggggg ww
12
J�œ ‰ Œ Ó
P
p p
p
p
a2
1, 2.
popen
p2.
p
p
p
p
open
p
p
‰ �œ �œb �œ �œb �œb �œ �œ �œ �œ �œ �œb3
Ó Œ3
‰ �œ �œb
Ó Œ3
‰ �œ �œb
.b �œ
Ó Œ 3‰ �œ �œb
Ó Œ ‰ �œ �œb3
Ó Œ ‰ �œ �œb3
Ó Œ ‰ �œ �œb3
�œb �œ �œ b
�œb �œ .�œ �œb .b
. �œ �œ
�œb �œ .�œb �œ �œ b.b �œ
�œb �œ �œ b
Óbb
gggggggggg Ó
13
F
ten.
F
F
F
F
F
F
3.
p
a2
1, 3. �œ �œ �œb �œ �œ �œb �œb �œb �œ �œ �œb �œ �œ3 3 3
�œ �œ �œb �œ �œ �œb �œ �œb �œb �œ �œ �œ �œb3 3 3
�œ �œ �œb �œ �œ �œb �œb �œb �œ �œ �œb �œ �œ3 3 3
3‰ �œ �œ �œ �œ �œb �œ �œb �œ �œ �œb �œ �œ3
3
�œ �œ �œ �œ �œ �œb �œ �œ �œ �œ �œb �œ �œ3 3
3
�œ �œ �œ �œ �œ �œb �œ �œb �œ �œ �œb �œ �œ3 3
3
�œ �œ �œ �œ �œ �œb �œ �œb �œ �œ �œb �œ �œ3 3
3
�œ �œ �œ �œ �œ �œb �œ �œb �œ �œ �œb �œ �œ3 3
3
b �œ �œ
b �œ �œ �œb
b �œ �œb
3‰ �œ �œ �œ �œ �œb �œ �œ �œ �œ �œb �œ �œ3
3
3‰ �œ �œ �œ �œ �œb �œ �œ �œ �œ �œb �œ �œ3
3
3
‰ �œ �œ �œ �œ �œb �œ �œb �œ �œ �œb �œ �œ3 3
b �œ �œ
�œ- .
�œ �œ �œb�œ- b �œ �œ
�œk .b
bb �œ�œ �œb�œ �œb
b �œ �œ �œb
b �œ �œb
14
F
F
F
F
F
F
F
F
F1o mute
F
F
F
F
F
F
F
�œ �œ �œb �œ �œb �œ �œ �œ �œ �œb �œ �œb �œ �œ3
3
�œ �œ �œb �œ �œb �œ �œb �œ �œ �œ �œ �œb �œ �œ3 3
�œ �œ �œb �œ �œb �œ �œ �œ �œ �œb �œ �œb �œ �œ3
3
�œ �œ �œb �œ �œb �œ �œ �œ �œ �œb �œ �œ �œ �œ3
3
�œ �œ �œ �œ �œb �œ �œ �œ �œ �œ �œ �œ �œ �œ3
3
�œ �œ �œb �œ �œb �œ �œ �œ �œ �œb �œ �œ �œ �œ3
3
�œ �œ �œb �œ �œb �œ �œ �œ �œ �œb �œ �œ �œ �œ3
3
�œ �œ �œb �œ �œb �œ �œ �œ �œ �œb �œ �œ �œ �œ3
3
�œb �œ �œb
�œb �œ �œb
�œb �œ �œb
�œ �œ �œ �œ �œb �œ �œ �œ �œ �œ �œ �œ �œ �œ3
3
�œ �œ �œ �œ �œb �œ �œ �œ �œ �œ �œ �œ �œ �œ3
3
�œ �œ �œb �œ �œb �œ �œ �œ �œ �œb �œ �œ �œ �œ3
3
�œb �œ �œ
�œb �œ
�œb �œ �œb
�œ �œ
�œb b �œ
�œ�œbb �œ�œ �œ�œbb
�œb �œ �œb
�œb �œ �œb
Ó �œb �œb �œÓ �œb
�œb�œ
15
F
�œ �œb �œ �œb �œb �œ �œ �œ �œ �œb �œ �œ �œ3 3 3�œb �œb �œ �œb �œb �œ �œb �œ �œb �œb �œ �œ �œ3
3 3
�œ �œb �œ �œb �œb �œ �œ �œ �œ �œb �œ �œ �œ3 3 3
�œ �œb �œ �œb �œb �œ �œ �œ �œ �œ �œ �œ �œ3
3 3
�œ �œ �œ �œb �œ �œ �œ �œ �œ �œ �œ �œ �œ3 3 3
�œ �œ �œ �œb �œb �œ �œ �œ �œ �œ �œ �œ �œ33 3
�œ �œ �œ �œb �œb �œ �œ �œ �œ �œ �œ �œ �œ33 3
�œ �œ �œ �œb �œb �œ �œ �œ �œ �œ �œ �œ �œ33 3
w
�œb �œ �œ b
wb
�œ �œ �œ �œb �œ �œ �œ �œ �œ �œ �œ �œ �œ3 3 3
�œ �œ �œ �œb �œ �œ �œ �œ �œ �œ �œ �œ �œ3 3 3
�œ �œ �œ �œb �œb �œ �œ �œ �œ �œ �œ �œ �œ3 3 3
w
�œb �œ
�œ �œ �œ b
. �œ �œ
�œb �œ�œb .b�œb �œ �œ bwb
�œb �œ �œ b
wb
Œ .bæ>
ggggggggggg
bb
16
F
�œ �œ �œb �œb �œb �œ �œ J�œ ‰ Œ3
�œ �œ �œb �œb �œb �œb �œ �œ �œ �œb �œ �œ �œ3
3 3
�œ �œ �œb �œb �œb �œ �œ �œ �œb �œ �œ �œb �œ3 3 3�œ �œ �œ �œb �œb �œ �œ �œ �œb �œ �œ �œ �œ3
3 3
�œ �œ �œ �œb �œ �œ �œ �œ �œ �œ �œ �œ �œ3
3
3
�œ �œ �œ �œb �œb �œ �œ �œ �œb �œ �œ �œ �œ3
3 3
�œ �œ �œ �œb �œb �œ �œ �œ �œb �œ �œ �œ �œ3
3 3
�œ �œ �œ �œb �œb �œ �œ �œ �œb �œ �œ �œ �œ3
3 3
w
w
w
�œ �œ �œ �œb �œ �œ �œ �œ �œ �œ �œ �œ �œ3 3
3
�œ �œ �œ �œb �œ �œ �œ �œ �œ �œ �œ �œ �œ3
3
3
�œ �œ �œ �œb �œb �œ �œ �œ �œb �œ �œ �œ �œ3
3 3
w
�œb �œ �œ �œ
w
wb�œb �œ �œ �œ
www
w
w
wæ
17
rit.
PP
PP
P
P
P
P
P
P
do not dampen
- 2 -Eloi, Eloi KM
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ob.
en. hn.
sop.
1
2
3
bs.
ca.
1
2
1
2
ten.
bari
1-3
2-4
euph.
tuba
timp.
1
2
3
cb.
CLARINETS
bsn.
hn.
trb.
PERCUSSION
harp
3 fl.
CORNETS
altoSAXOPHONES
wb
wb
Œ �œb �œ �œ �œ
Œ �œb �œb �œ �œb
wb
b°Ù ww
18
18 brighter q = 60
! N
1.
p
p
asmall tri. tri. beater
pa tri. beater
pmed. tri.
vibes bow
N P
p N
p
Œ ‰ �œ# �œ# �œ# �œ# �œ �œ# �œ �œ �œ# �œ �œ# �œ ® �œ �œ7
wb �œb �œ �œb
w
�œb �œ �œb
wb
w
Œ bbb �œ�œ�œ �œ
Œ bb
ggggggggggggggggg �œ�œ
�œ
& ?
19
P
solo1.
p
p
ÍÍÍ¿ÍÍÍÍ
p P
�œ �œ#> �œ#> �œ#ŸÈ>~ �œ#> �œ#> �œ % �œ# �œ# �œ# �œ# �œ# �œ �œ �œ �œ �œ �œ3 3
3
n �œn �œ �œn
n �œ# �œ �œb j�œ ‰ Œ
�œ �œb �œ �œb
b j�œ ‰ Œ
�œ �œb �œ �œn
n �œ# �œ �œ
w
wbwb
20
p
p
p
p
2.
�œ# ® �œ �œ �œ �œ# �œ# �œ#ŸÈ �œ# �œ �œ �œn �œ# �œ# �œŸI
3 3
�œ# �œ �œ �œ �œ
�œ# �œ# �œ �œ �œb �œb �œ �œb
�œb �œ �œb bb �œ �œ �œb
�œn �œ �œn #�œ# �œ# �œ �œ �œ
21
p
p
j�œ# ‰ Œ Ó3�œ �œ# �œ ‰ �œ �œ# ‰ �œ �œ �œ#
3 3
wb �œb �œ �œb
�œ .b �œb �œ �œb
‰ �œ �œb ‰ �œb �œb ‰ �œb �œb �œb3 3 3
wÓ b
�œ .#
w
3
‰ �œ �œb ‰ �œb �œ ‰ �œb �œb �œb3 3
3
‰ �œ �œb ‰ �œb �œ ‰ �œb �œb �œb3
3
‰ �œ �œb ‰ �œb �œb ‰ �œb �œb �œb33
3
‰ �œ �œb ‰ �œb �œ ‰ �œb �œb �œb3 3 3
Ó #
Ó #
Ó #
Ó
22
Ó $
F
p
p
p
p
!
!
p
p
!2, 4.
!
!
!
opentutti
‰ �œ# �œ �œ# �œ �œ �œ# �œ# �œ �œ �œ# �œ3
33 3
‰ �œ# �œ �œ# �œ �œ �œ# �œ �œ �œ �œ �œ3 3 3 3
‰ �œ# �œ �œ# �œ �œ �œ# �œ# �œ �œ �œ �œ3 3
3 3
�œbk b �œb-
‰ �œ �œb �œb �œb �œb �œ �œb �œ �œ �œb �œb3
3 33
‰ �œ �œb �œb �œb �œb �œb �œb �œ �œ �œ �œ3 3 3 3
‰ �œ �œb �œb �œb �œb �œb �œb �œ �œ �œ �œ3 3 3 3
‰ �œ �œb �œb �œb �œb �œb �œb �œ �œ �œb �œb3
3
3 3
�œ#k �œk�œk b �œk�œ- # �œ-
�œ#k �œk‰ �œ �œb �œb �œb �œb �œ �œb �œb �œ �œb �œb
3 3 33
‰ �œ �œb �œb �œb �œb �œ �œb �œ �œ �œb �œb3 3 3
3
‰ �œ �œb �œb �œb �œb �œb �œb �œ �œ �œb �œb3 3 3 3
�œk b �œk
�œ# �œ �œ#k�œ#k # �œ#k# �œ# �œ �œ#-
# �œ# �œ �œ#k�œ- # �œ#-
�œ�œ#k # �œ�œk�œ- # �œ-
�œ#k �œk
wæ
wæ
3
‰ �œb �œb �œb �œb
�œb3‰�œb �œb �œb �œb
�œb
23
�œ#- �œ-
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P1, 3.
P
P
P
P
P2.
1.
P F
P
P
3.
!
!
med. tam-tam
large tam-tam 2 gong beaters
2 gong beaters (near edge)
(near edge)
‰ �œ#> �œ# �œ �œ> �œ �œ �œ> �œ# �œ �œ> �œ#3 3 3 3
‰ �œ#> �œ �œ �œ> �œ �œ �œ> �œ# �œ �œ> �œ#3
3 3 3
‰ �œ#> �œ# �œ �œ> �œ �œ �œ> �œ# �œ �œ> �œ#3 3 3 3
�œb- .b
‰ �œ> �œb �œ �œ> �œb �œ �œ> �œ �œ �œ> �œb3 3 3 3
‰ �œb> �œb �œ �œ> �œb �œ �œ> �œ �œ �œ> �œb3 3 3 3
‰ �œb> �œb �œ �œ> �œb �œ �œ> �œ �œ �œ> �œb3 3 3 3
‰ �œb> �œb �œ �œ> �œb �œ �œ> �œ �œ �œ> �œb3 3 3 3
# #b
# #
‰ �œ> �œb �œ �œ> �œb �œ �œ> �œ �œ �œ> �œb3 3 3 3
‰ �œ> �œb �œ �œ> �œb �œ �œ> �œ �œ �œ> �œb3 3 3 3
‰ �œb> �œb �œ �œ> �œb �œ �œ> �œ �œ �œ> �œb3 3 3 3
b
�œ- �œ# �œ �œ �œ# �œ#�œ#- .�œ- �œ# �œ �œ �œ# �œ#
�œ- �œ# �œ �œ �œ# �œ#�œ#- .
##
# #
wwwbwb
24
# #
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
bFbF
- 3 - Eloi, EloiKM
&
&
&
&
&
&
&
&
&
&
?
?
&
&
&
&
&
&
&
&
?
?
?
?
?
&
÷
÷
&?
t
ob.
en. hn.
sop.
1
2
3
bs.
ca.
1
2
1
2
ten.
bari
1-3
2-4
euph.
tuba
timp.
1
2
3
cb.
CLARINETS
bsn.
hn.
trb.
PERCUSSION
harp
3 fl.
CORNETS
altoSAXOPHONES
~~~w
�œ# �œ# �œ �œ �œ �œ �œ
w
wb
�œb �œb �œ �œb �œ �œb �œ�œb �œ �œ �œb �œ �œb �œ
�œb �œ �œ �œb �œ �œb �œ
�œ �œ# �œ �œ# �œ �œ �œj�œbk ‰ Œ Ó
�œ# �œ# �œ �œ �œ �œ �œ
�œ �œ �œ �œ# �œ �œ �œ
�œb �œ �œ �œb �œ �œb �œ
�œb �œ �œ �œb �œ �œb �œ
�œb �œb �œ �œb �œ �œb �œ
w#
w#w#
w
�œ# �œ# �œ �œ �œ �œ �œ
�œ �œ �œ �œ# �œ �œ �œ
25
�œ �œ �œ �œ# �œ �œ �œ
J�œ ‰ �œ# �œ �œ �œ �œ �œ#
J�œ ‰ �œ# �œn �œ �œ �œ �œ
J�œ ‰ Œ Ój�œ ‰ Œ Ó
j�œ ‰ �œb �œb �œ �œn �œn �œ#j�œ ‰ Œ Ój�œ ‰ Œ Ó
j�œ ‰ Œ Ó
J�œ ‰ Œ Ó
J�œ ‰ Œ Ó
J�œ ‰ �œ �œb �œ �œb �œ
J�œ ‰ �œ# �œn �œ �œ# �œ �œ#
J�œ ‰ Œ Ó
j�œ ‰ Œ Ó
Œ �œ �œ# �œ �œ �œ �œ#
w
J�œ ‰ Œ Ó
w
J�œ ‰ Œ Ó
J�œ ‰ Œ Ó
26
J�œ ‰ Œ Ó
p
p P
p
p
p P
p
p
p P
p P
p
p
p
p
p
p
p
P2. mute
P
P
p
p
rit.
ww
�œn �œ# �œ �œ �œ#
ww
�œn �œ �œ �œ �œ
wn
w#
w
Ó
Ó
ww
Œ ..ggggggggggŒ ..
27
27 solemn, humble q = 52
p
p
p
p
ÎÎοÎÎÎÎ
p
p P
p
p P
p
asmall tri. tri. beater
pa tri. beater
pmed. tri.
% �œ �œ �œ �œ �œ �œ# �œ �œ �œ �œ .�œ �œ �œ �œ �œ �œn �œ �œ �œ �œ �œ3 5 3
37
�œ �œ �œ �œ �œ
�œ# �œ �œ �œ# �œ
n �œn �œ## �œ �œ �œ Ó
n �œn �œ
Ó ggggggggggÓ
28
Fsolo1.
p
1.
p
P
P
p
P
�œ#ŸÈ j�œ ‰ 6�œ �œ �œ �œ �œ �œ .�œ �œ �œ
�œ �œ �œ �œ
�œ �œ �œ# �œ
n �œ#k �œ �œ �œ �œ �œ �œ �œ �œ# �œ
#
�œ �œ �œ# �œ �œ #
�œ �œ �œ �œ
29
f
P
P
P
P
P
p
p
p
Pp
�œ �œ �œ- ‰ �œ �œ �œ �œ �œ �œ �œ �œ �œ �œ �œ �œ �œ �œ3
7
�œ �œ �œ �œ �œn �œ
#
w#�œ �œ �œ# .#
w
�œ �œ �œ �œ �œn �œ
Œ ...ggggggggggg�œ ...
30
F
P
p
p
p
P
P
p
�œ ® �œ �œ �œ �œ �œ �œ �œ. �œ. �œ �œ. �œ. ‰ �œ �œ �œ6
3
w
j�œk ‰ Œ Ó
j�œk‰ Œ Ó
j�œk‰ Œ Ó
j�œk ‰ Œ Ó
.# �œ
J�œ- ‰ Œ Ó
w
Œ ..
Œ �œ
�œ�œgggggggggg..gggggggg�œ�œ ..
31
p
1, 2. st. mute
p
p3. st. mute
p
p
p
�œ �œ �œ �œ �œ �œ �œ �œ �œ. �œ. �œ �œ. �œ. 5
6
j�œ ‰ Œ Ó
wÓ Œ �œ
j�œ ‰ Œ Ó
w
w
j�œ�œ ‰ Œ Ó
J�œ�œ ‰ Œ Ó
32
Ó Œ �œ
"
p
"
p
ppizz.
rit.
- 4 -Eloi, Eloi KM
&
&
&
&
&
&
&
&
&
&
?
?
&
&
&
&
&
&
&
&
?
?
?
?
?
&
÷
÷
&?
t
ob.
en. hn.
sop.
1
2
3
bs.
ca.
1
2
1
2
ten.
bari
1-3
2-4
euph.
tuba
timp.
1
2
3
cb.
CLARINETS
bsn.
hn.
trb.
PERCUSSION
harp
3 fl.
CORNETS
altoSAXOPHONES
�œ Œ Ó
�œ �œ �œ
w
w
�œ �œ �œ
�œ �œ �œ Ó
Ó
Œ �œn �œ �œ �œ
°Ù
www
33
Ó
33 tender q = 56
ÍÎÍ¿ÍÎÎÍ
p
P !
P N
P N
P !
!
!
1, 3.
!
!
P
vibes bow
N P
3.
�œb �œbb �œb �œb
wŒ .b
Œ �œb �œ �œ �œ
wŒ .b
�œ �œ
w
�œ �œb �œ �œ �œ
w
o �œb o �œb o
34
p1, 2.
p
p
p
2, 4.
p
p
p
p
p
p3.
open
b �œ �œ �œb �œb �œb �œ �œ �œb �œb �œ
�œ �œ �œ �œ
w
�œ .#
�œ �œ �œ �œ b
w
b �œ �œ �œ �œb �œ
�œ �œ �œ �œ
�œ .n
Ù
wb o
35
P
P
P
P
P
P
P
P
N
�œ �œ �œkk�œ b �œ �œ--
�œ �œ �œ �œb 3�œ �œ �œ�œ �œ �œ �œb �œ �œ
3�œn �œb �œ .
�œ �œ �œ �œb 3�œ �œ �œ
�œ �œ �œ �œb �œ �œb
�œ �œ �œkk�œ �œ �œ �œb 3�œ �œ �œ
3
�œb �œb �œ .
w
�œ�œb ..ggggggggg�œ�œbgggggggggg ..b
36
p
p P
P
p P
P
P
P
p P
p
P
p
P
�œ �œb b �œ �œb�œ �œb b �œ �œb
�œ �œ �œ �œ �œ �œ
�œ �œ �œ �œb
�œ .�œ �œ
w
w
w
Ó �œ .�œ �œ
�œ �œ �œ �œ �œ �œb
�œ �œ �œ �œb
�œ �œb �œ �œ
�œ �œ �œ �œ �œ �œ
�œ .�œ �œ
w
Ó Œ �œbgggggggggÓ Œ �œ�œb
37
P
P
P
p
"
"
"
p
P
p
P
�œb> �œ �œ �œb> �œb �œb> �œ �œ �œb> �œb
3�œ �œb> �œ �œ
.b3
�œ �œb> �œ
�œb �œ �œ b
w
J�œ ‰ Œ
wb�œ �œ �œ #
3�œ �œb> �œ �œ
.b 3�œ �œb> �œ
�œb> �œ �œ �œ> �œb
3�œ �œb> �œ �œ
�œb �œ �œ n
..bgggggggggŒ
..bb Œ
38
P F
F
F
F
P
F !
F !
F !
F !
F
P
F
P F
F
P F�œ �œb> �œ .�œ �œb> �œ .
�œ �œ �œb �œ �œ �œb
b 3�œ �œ �œ �œ
w
�œ �œ �œb �œb �œ �œb
b 3�œ �œ �œ �œ
�œ �œb> �œ .
�œ �œ �œb �œ �œ �œb
wb
Ó bÙ°
39
P
F
F
P
P
rit.
N
j�œk ‰ Œ ‰ �œb �œb �œb �œb3
J�œ- ‰ Œ Ó
j�œk ‰ Œ Ó
j�œk ‰ Œ Ó
w
j�œk ‰ Œ Ó
J�œb- ‰ Œ Œ �œ �œbj�œk ‰ Œ Ó
J�œ- ‰ Œ Ó
j�œk ‰ Œ b
Ó &b
J�œ- ‰ Œ Ó
w
wwbbwwbb
40
Psolo
40 a tempo (q = 56)
ÍÍÍ¿ÍÍÍÍ
p
!
!
!
!
!
!
!
!
!
1.
1, 2.open
!
p1.
!
!
P
�œ % �œb> �œb> �œb> �œb> �œ % �œ �œb �œb �œb �œ �œ �œ �œ �œb �œ �œb3
7
w
Ó b
Ó b
�œb �œb �œ b
w
ww
w
Ó bbbbgggggggggggggÓ bbb
41
F
"
"
F P
- 5 - Eloi, EloiKM
&
&
&
&
&
&
&
&
&
&
?
?
&
&
&
&
&
&
&
&
?
?
?
?
?
&
÷
÷
&?
t
ob.
en. hn.
sop.
1
2
3
bs.
ca.
1
2
1
2
ten.
bari
1-3
2-4
euph.
tuba
timp.
1
2
3
cb.
CLARINETS
bsn.
hn.
trb.
PERCUSSION
harp
3 fl.
CORNETS
altoSAXOPHONES
�œ ® �œb �œb �œ �œb �œb �œ �œ �œb �œb �œb �œb �œb .�œ �œ �œb3
3
w
b J�œ ‰ Œ
J�œ ‰ Œ
�œ �œ �œb
w
wwbb
‰j�œb
.b ?
‰J�œb
.b
42
f
a
bP
p
p
N
N
p
p
Ó
Œ �œ �œ# #
Œ �œb �œb b
‰ �œ �œb �œ. �œb �œ �œ. �œb �œ �œ �œb3 3 3
�œ �œ �œb �œ. �œb �œ �œ. �œb �œ �œ �œb3 3 3
‰ �œ �œb �œ. �œb �œ �œ. �œb �œ �œ �œb3 3 3
‰ �œ �œb �œ. �œb �œ �œ. �œb �œ �œ �œb3 3 3
‰ �œ �œb �œ. �œb �œ �œ. �œb �œ �œ �œb3 3 3
.b �œb
.b Œ
.b �œ
J�œ ‰ Œ Ó
J�œ�œ ‰ Œ Ó
‰ J�œb �œb �œb b
b
wb æ
‰ �œb° �œb �œ �œ �œb �œb �œ3 3
Ó æÓ æ
‰ �œb �œb �œ �œb �œb �œ �œb �œ �œ �œ3 3 3
‰ �œb �œb �œ �œb �œb �œ �œb �œ �œ �œ3 3 3
43
q = 48
p
N
p P
p P
p[>] [>] [>]
p[>] [>] [>]
p[>] [>] [>]
p [>][>] [>]
p[>] [>] [>]
! P1o
p P
!
!
N
P!2.
P!
2.
!
N
2 gong beaterslarge tam-tam
(near edge)
N
2 gong beaters
(near edge)
med. tam-tam
do not dampen
p
2 soft mallets
. j�œ ‰
. J�œ ‰
�œ. �œ �œb j�œ ‰ Ó3
�œ. �œ �œb j�œ ‰ Ó3
�œ. �œ �œb j�œ ‰ Ó3
�œ. �œ �œb j�œ ‰ Ó3
�œ. �œ �œ j�œ ‰ Ó3
�œb �œ �œb b
�œb �œ �œb b
. J�œ ‰
. j�œ ‰
wæ
�œ �œb �œb .3
æ
æ
�œ �œb �œb .3
�œ �œb �œb .3
44
"
"
[>]
[>]
[>]
[>][>]
"
"
bp "
bp "
‰ �œ �œb �œ. �œb �œ �œ.�œ �œb �œ. �œb3 33
‰ �œ �œb �œ. �œb �œ �œ. �œ �œb �œ. �œb3 33
‰ �œ �œb �œ. �œb �œ �œ.�œ �œb �œ. �œb3 33
‰ �œ �œb �œ. �œb �œ �œ.�œ �œb �œ. �œb3 33
‰ �œ �œb �œ. �œb �œ �œ.�œ �œb �œ. �œb3 33
J�œ ‰ �œb �œb b
‰ J�œb �œb �œb b
‰ j�œ �œb �œb b
Œ �œb �œb bj�œ ‰ �œb
‰ J�œb �œb �œb b
bb
wæ
‰ �œb �œb �œ �œ �œb �œb �œ �œb3 3
ww
‰ �œb �œb �œ �œb �œb �œ �œb �œb �œ �œb3 3
3
&
‰ �œb �œb �œ �œb �œb �œ �œb �œb �œ �œb3 33
45
b'
a tempo (q = 56)
[>][>] [>]
[>][>] [>]
! P
div.tutti
p P
p P
N p P
N p P
p P
p P
[>][>] [>]
[>][>] [>]
[>][>] [>]
! P
bp
bp
arco
�œ �œb �œ �œ �œ j�œ ‰
�œ �œb �œ �œ �œ j�œ ‰
�œ �œb �œ �œ �œ j�œ ‰
�œ �œb �œ �œ �œ j�œ ‰
�œ �œb �œ �œ �œ J�œ ‰
�œ �œb �œb b
w
w
�œ �œb �œb b
w
Œ �œb �œ J�œ- ‰
Ó Œ ‰ j�œ
w
ww
wæ
�œ �œb �œb �œ �œ �œ
�œ �œb �œb �œ �œ �œ�œ �œb �œb �œ �œ �œ
46
wb
rit.
"
"
"
"
p
P2.
1.
"
"
"
"
"
Œ ‰ �œb �œb �œ �œn �œb �œ �œ �œb �œ3 3
Œ �œn �œb �œ �œbŒ �œb
w
w
Ó b
Ó Œ �œb
Ó Œ �œb
47
psolo
47 broad q = 42
P
p
ten.1, 3.
!1.
!3.
!
1.
open
‰�œb �œn �œ �œb �œb �œ �œb �œ �œ �œ �œb �œb3
33
wbw
w
ww
w
w
wb #
&
�œb �œb �œb �œb �œb�œb �œb �œb �œn
�œb �œb �œb �œb3
&
48
ÍÎÍ¿ÍÍÎÍ
p
p
p
P
p
p
p
pdiv.
�œb �œn �œb �œb �œ �œb �œ , �œ �œ
ww
wwnnw
wwwn
w
w
wwb
�œb �œb .b?
49
N
N
N
! N
p
2, 4.
N
N
1, 2.
N
N
F p
! N
- 6 -Eloi, Eloi KM
&
&
&
&
&
&
&
&
&
&
?
?
&
&
&
&
&
&
&
&
?
?
?
?
?
&
÷
÷
&?
t
ob.
en. hn.
sop.
1
2
3
bs.
ca.
1
2
1
2
ten.
bari
1-3
2-4
euph.
tuba
timp.
1
2
3
cb.
CLARINETS
bsn.
hn.
trb.
PERCUSSION
harp
3 fl.
CORNETS
altoSAXOPHONES
�œ �œb �œb �œ �œ �œ �œ3
wwwnbbggggggggggggg wwwbbb
50
ten. wU
wU
wU
wbU
wU
wU
wU
51
!
!
!
!
!
!
- 7 - Eloi, EloiKM