Jarkko Hartikainen: Astragal
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Transcript of Jarkko Hartikainen: Astragal
Jarkko Hartikainen (1981)
Astragal 1.3
2007–08
Instrumentation 2 Flutes (both doubling piccolo) 2 Oboes 2 Clarinets (2nd doubling bass clarinet) 2 Bassoons (2nd doubling contrabassoon) 2 Horns 2 Trumpets in C 2 Trombones Tuba Percussion (2 players)
1. Vibraphone (+bow), snare (+brushes), 5 woodblocks, 2 bongos, Tam-Tam, 2 susp. cymbals, splash cymbal, Gran Cassa
2. Marimba, snare (+brushes), 4 toms, 1 susp. cymbal Harp Piano Strings 14–12–10–8–6, in the normal seating order, where the celli are on
stage left, on the right from the audience Work written under the auspices of 'Tactus – Young Composers’ Forum 2008 First performance (reduced “Viitasaari” version):
Jyväskylä Sinfonia, cond. Tapio Tuomela, Time of Music Festival, Viitasaari (Finland), July 5, 2008
First realisation of the complete version: Orchestre National de Lille, cond. Jonas Alber, ‘Tactus Forum 2008, Mons (Belgium), September 5, 2008
Duration: ca. 15’
The unique, spacey dreariness of Icelandic nature, the quick and local changes of the weather on this volcanic island and the visible gradations of erosion and geothermic phenomena on its soil felt surprisingly familiar when spending an unforgettable week at the time of writing the orchestra piece at hand. The panorama view from Reykjavík's Perlan – a seamless process from fields bathing in the sun to a thunderstorm on the sea – made me exclaim to the travelling companion and colleague of mine: "look, that's how my new piece is like!" Astragal (2007–08) is music of sonic surfaces. A surface heard at any given time is in the process of eroding and cleaving with the surrounding surfaces. I have long been thinking about writing a piece of constant transition: when one process has ended in one parameter, another one has already started in another parameter. In the DNA of this constantly mutating music there is also a curve (or a theme, if you will) that stays unchanging, manifestating itself in the parameters that are not taking part in the transitional processes (for example, spatial possibilities). The principle of constant gradual transition changes (quite gradually) into sharp blocks of music in the two-phase coda, where the previously introduced surfaces return, dim and brittle, then just as noises – like a concrete instrumental erosion. The larger form of the piece is thus like a space rocket leaving the strong surface of the earth (fortissimo of the beginning) and ending up in the ionosphere with almost no oxygen (pitches) left. In other words, ad astra – or til stjarnanna, like one would say in Icelandic. © 2008 Jarkko Hartikainen Islannin luonnon ainutlaatuinen, tilava jylhyys, tuon vulkaanisen saaren säätilan nopeat, paikalliset muutokset ja sen maaperän eroosion ja geotermisten ilmiöiden luomat näkyvät asteittaisuudet tuntuivat yllättävän tutuilta ja läheisiltä, kun vietin siellä ikimuistoisen viikon nyt kuultavan orkesteriteoksen sävellysprosessin keskellä. Reykjavíkin Perlanista avautunut panoraamanäkymä, jossa eteen levittäytyi saumaton prosessi auringossa kylpevistä pelloista ukkosmyrskyyn merellä – pilvien kiila paisteen ja veden akselilla – sai huudahtamaan mukana olleelle kollegalle: "Katso, juuri tuollainen on uusi orkesterikappaleeni!" Astragal (2007–08) on soivien pintojen musiikkia. Kullakin hetkellä kuultava pinta on jatkuvassa eroosio- ja liuskettumisprosessissa ympäröivien pintojen kanssa. Mielessäni on pitkään ollut idea kappaleesta, joka olisi jatkuvaa transitiota: kun yksi prosessi jossakin musiikin osatekijässä on tullut tiensä päähän, on toinen prosessi jo käynnistynyt toisaalla. Tällä tavalla jatkuvassa muutoksessa olevan musiikin dna:ssa on lisäksi tietty musiikkia ohjaava graafinen teema, joka toistuu läpi teoksen eri tavoin musiikin eri ominaisuuksissa, joihin myös tila tässä kappaleessa lukeutuu. Asteittain muuntuvuuden periaate vaihtuu (kieltämättä melko asteittain) teräviksi leikkauksiksi teoksen kaksivaiheisessa koodassa, jossa aiemmin esitellyt pinnat palaavat, himmennettyinä, haurastuen, erillään: eräänlainen konkreettinen instrumentaalinen eroosio. Koko teoksen jännevälistä käytinkin sävellystyön aikana mielikuvaa avaruusraketista, joka tekee suuren prosessin maan multaiselta ja juurevalta pinnalta aivan avaruuden kylmälle kynnykselle ionosfääriin, jossa happea (säveltasoja) ei juuri enää ole. Toisin sanoen: ad astra – tai til stjarnanna, kuten islanniksi sanottaisiin. © 2008 Jarkko Hartikainen
Flute 1
Fl. 2
Oboe 1
Oboe 2
Clarinet in B 1
Clarinet in B 2
Bassoon 1
Bassoon 2
Horn in F 1
Horn in F 2
Trumpet in C 1
Trumpet in C 2
Trombone 1
Trombone 2
Tuba
Perc. 1
Perc. 2
Harp
Piano
Vl 1
Vl II
Vla
Vc
Cb
maestoso, luminoso
maestoso, luminoso
PICCOLO
BASS CLARINET
TAM-TAM
MARIMBA
bow on the bridge ("wind", no pitch/squeaks!)
bow on the bridge ("wind", no pitch/squeaks!)
bow on the bridge ("wind", no pitch/squeaks!)
bow on the right side of the rim of the bridge("wind", no pitch/squeaks!)
bow on the right side of the rim of the bridge("wind", no pitch/squeaks!)
trem.
trem.
trem.
trem.
trem.
sempre
sempre5 3 3
sempre
3
3
3 6
6
6 6 6
5 5
6
6 5 5 5
5
6 6 5 5
5 5
6 5 5
Astragal (1.3) - version 091117 (transposing score)
© 2007–08 Jarkko Hartikainen
AstragalJarkko Hartikainen 2007–08
Full Score (transposing)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Bcl. (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
6
TAM-TAM
MARIMBA
6
5
3 3
5
3 3 3
3
blow air through the instrument
3 3 3
3 3 3
3 3
blow air through the instrument
3 blow air through the instrument
3 blow air through the instrument
muta in cymbals
3
3
blow air through the instrument
muta in snare
ORD
ORD
3
ORD
" "
" "
3
3
blow air through the instrument
EPadd bow pressure
EP
EP
bow on the right side of the rim of the bridge
trem.bow on the right side of the rim of the bridge
" "
" "
3
blow air through the instrument
2 SUSP. CYMBALS place the cymbals between the bristles of the brushes
SNARE DRUM (brushes)
noise
add bow pressurenoise
noiseadd bow pressure
trem. trem.
trem.
2 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Bcl. (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
" "
12
(brushes)
SNARE DRUM (brushes)
12bow on the bridge (wind-like, no squeaks!)
bow on the bridge (wind-like, no squeaks!)
bow on the bridge (wind-like, no squeaks!)
trem.
3
" "
2 SUSP. CYMBALS
rit. al
rit. al
rit. al
pesante
pesante ord.
ord.
ord.
ord.
ord.
ORD.
ORD.
ORD.
ORD.
3
ORD.
5
3 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Bcl. (B )
Bsn. 1
Bsn. 2
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
20
20
2 SUSP. CYMBALS
SNARE DRUM
WOODBLOCKS
MARIMBA
muta in cl.
medium (or hard) mallets
4 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Cl. 2 (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
25
WOODBLOCKS
25 con sord.
con sord.
con sord.
5con sord.
3
3
con delicatezza
con delicatezza
7 7 7 7
3 6 3 6
5 5 5 5
sul G
sul G
77
sul A
77
7
sul A
sul D(suoni reali)
sul E
7 7 7 7
3 6 3 6
5 5 5 5
77
77
77
77
5 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Cl. 2 (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
29
297 7 7 7
3 6 3 6
5 5 5 5
77
7
77
7
3
3
3
7 7 7 7
3 6 3 6
5 5 5 5
77
77
77
77
5 5
77
7
77
6 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Cl. 2 (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
32( )( )( )( )( )( )( )
( )( )( )( )( )( )( )
( )( )( )( )( )( )( )
3
( )( )( )( )( )( )( )
3
( )( )( )( )( )( )( ) ( )( )( )( )( )( )( )
( )( )( )( )( )( )( ) ( )( )( )( )( )( )( )
32
trem.
trem.
( )( )( )( )( )( )( ) ( )( )( )( )( )( )
( )( )( )( )( )( )( )
(suoni reali)
3
(suoni reali)
( )( )( )( )
( )( )( )( )( )( )( )
( )( )( )( )( )( )
( )( )( )( )( )( )
( )( )( )( )( )( )
( )( )( )( )( )( )
( )( )( )( )( )( )
5
3
( )( )( )( )
( )( )( )( )
( )( )( )( )
( )( )( )( )
3
( )( )( )( )
( )( )( )( )
( )( )( )( )
( )( )( )( )
3
3
( )( )( )
( )( )( )
( )( )( )
( )( )( )
( )( )( )
( )( )( )
Glissando Glissando Glissando Glissando Glissando Glissando Glissando Glissando
Glissando Glissando Glissando Glissando Glissando Glissando Glissando Glissando
7 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Cl. 2 (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
36 ( )( )( )( )( )( )( )
( )( )( )
( )( )( )( )( )( )( )
( )( )( )( )( )( )( )
muta in bcl.
36 senza sord.
senza sord.
GRAN CASSA (soft beaters)
FR
senza sord.
senza sord.
IVsolo
3
Gliss. Glissando
Glissando Glissando
8 / 50
Astragal (1.3) - version 091117 (transposing score)
IMPORTANT: Bars 36–48 are spatial. In order to acquire this properly, soli of the strings have been distributed to instruments according to their location on stage. Only players sitting on the front row are used. Desks are numbered from the closest one to conductor to the furtherst (F in case of 5 of more than five desks of first violins) one on either side. Since there are two players per desk, letters L and R are used to indicate (their) left and right, respectively. Thus, the concertmaster is (on Vl 1 stave) 1R, and the ultimate first violin player is FR (far left to audience), and so forth. Note that this follows the seatingorder, where cellos - not second violins! - are on stage left (right to the audience). (Order is thus, from left to right: Vl 1, Vl 2, Vla, Vc, Cb.)
Perc. 1
Perc. 2
Hp.
Vl 1
Vl II
Vla
Vc
Cb
IV
41 GRAN CASSA
MARIMBA
41
4R IVsolo
2R
3Rsolo
1R
3 3solo
solo
1R
1L
5 6solo
solo
solo
sul tasto
sul tasto
1R
1L III
3
solo
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
1L
2L
47 VIBRAPHONE motor off
MARIMBA
47
solo
solo
3L
4L5 5
solo
solo
1L
2L
6 3solo
solo
2R
2L
solo
solo (suoni reali)
1R
FRsolo
3
solo
bowed
TUTTI, div. in 2
TUTTI, div. in 2
TUTTI, div. in 2
9 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Bcl. (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
54
(bowed)VIBRAPHONE
MARIMBA
54
3
3
TUTTI, div. in 2
6
5
pizz.
pizz.
6 3
5 5 5 5
Gliss.
Gliss.
Gliss.
10 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Bcl. (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
60
TAM-TAM
MARIMBA
3 3
5 5
60
3 5
3
6
5
3
3
3 5
5 6
3
3
3
3
Gliss.Gliss. Gliss.
11 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Bcl. (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
64
6 5
5
3
3
5 WOODBLOCKS (on the lines)2 BONGOS (in the first and second space)TAM-TAM (below staff)
4 TOMS (in the spaces)SNARE (on the fourth line)
3
64
5
3 3 3
3 3
3 3
TAM-TAM
3
3 3
3 3
3 3
3WOODBLOCKS
4 TOMS SNARE
(in the spaces)
3
5
2 BONGOS
33
12 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Bcl. (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
68
3
3
3
5 WOODBLOCKS (on the lines)2 BONGOS (in the first and second space)TAM-TAM (below staff)
3
4 TOMS (in the spaces)SNARE (on the fourth line)
68
3
5
3
3
3
3
3
3
3
3
muta in Marimba
13 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Bcl. (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
72
3
3
3 33
5 WOODBLOCKS (on the lines)2 BONGOS (in the first and second space)
33
MARIMBA soft mallets
72
3 5
6 5
3
3
3 3
3 3
33
3
3
3
6
5
3
6 3
6
3
3
muta in Vibraphone
56
7
3 3
3 3
14 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Bcl. (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
76
3 5
6 5
3
3
5
6 7
VIBRAPHONE
6
56
MARIMBA
76
5
5
55
6
6
5
3
6
3
muta in cl.
muta in cfg.
3 6
6
5
5
15 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Cl. 2 (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
80
3
3 3
5
VIBRAPHONE
MARIMBA
3
3 3
80
3
3 5
3
3 5
3 3
3
3 3
5
6
( )
( )
35
arco
arco
3
3
3
3
5 6 6 5
5 5
trem.
( )
5 3
5
6
6
3 3
5
5 3
6 6 5 5
5 5
5
( )
3
3 3
16 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Cl. 2 (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
84
3
3 5
5
6 6 5 5
5 5
MARIMBA
84 ( )
5
6
3 3
5
3 3
6 6 5 5
5 5
6
6
3
5 3
5 3
( )
6
3
6
3
3
6 6 5 5
5 5
5
6
3
3
( )
( )
( )
17 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Cl. 2 (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
87
3 5
3
6 6 5 5
5 5
5
6
87
3
3
6
5 5
muta in picc.
6 6 5 5
5
6
5 5
18 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Cl. 2 (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
Gliss.
91
6 6
MARIMBA
91
6
3
3
3 3
33
3
3
3
5
3
6
6 6 6 6
6 6 6 6
5
5
5
5
5 5
5 5
circular glissandi
GlissandoGlissando
Gliss.
19 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Bcl. (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
Gliss.
Gliss.
Gliss.
Gliss.Glis
s.
Glis
s.
giocoso
giocoso
97
secco
secco
con sord. (harmon mute, without stem)secco
secco
VIBRAPHONE motor off
63
MARIMBA
3
97
3
3 3
con sord. (harmon mute, without stem)
3
3
3
3
3
3 5
3 3 3
33
3
5
5
3
6
5
5
Gliss.Gliss.
Gliss.Gliss.
Gliss.Gliss.Gliss.
Gliss. Gliss.Gliss.
Gliss.
Gliss.
20 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Cl. 2 (B )
Bcl. (B )
Bsn. 1
Bsn. 2
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
Gliss. Gliss.
102
3
3
VIBRAPHONE
3
3
102
muta in fg.!
3
3 3
3 3
3
3
3
3 3
staccato = secco poss., près de la table
3 3
3 3 3
3 3 3
con sord.
con sord.
con sord.
con sord.
muta in flute
FLAUTO
3
3
3
3
inquieto
con sord.
con sord.
con sord.
5 5
5
5
3 3
3 3
BASSOON
3
3
Gliss.Gliss.
Gliss.Gliss.
Gliss.Gliss.
Gliss.Gliss.
Gliss.
Gliss.
Gliss.Gliss.
Gliss.Gliss.
Gliss.
Gliss.
21 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Cl. 2 (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
107 5 55
5
3
3
VIBRAPHONE
107
5 5
5 5
3 3
3 3
3 3 3
3
3
3
senza sord.
senza sord.
5 5
55
3
3 3 3 3
5 5
5
5
muta in bcl.
3
3
3
senza sord.
senza sord.
senza sord.
senza sord.
5
5 5 5
5 5
3 3
22 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Bcl. (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
112
5 5 5
3 3 3
112
5 5 5 5
3 3 3 3
55
3
3 3
3 3
3 3 3 3
3 3 3
3 3
5
3
3
5
3 3 3
3 3 3 3
3
3 3
3
3
5
3
3 3 3
5 5 5 5
3
3 3 3 3
5 5
5 5
5
3 3 3 3
5 5 5 5
3 3
5
23 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Bcl. (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
Gliss.Gliss.
Gliss.
Gliss.
117
5 5 5
3 3
5 5 5 5
senza sord.
senza sord.
117
3 3 3 3
5 5 5 5
3 3
3 3 3 3
5 5 5 5
3
5 5 5
3 3
3
5
5
5
3 3
3
5 5
5
3 3
3
3
3 3
5 5 5
3 3 3
6
6
6
3
3muta in cl.
5 6
3
5 6
55
6
35
6
56
3
56
6
3
6
3
pizz. sempre
3
pizz. sempre
pizz. sempre
3 3pizz. sempre
3
3 3
come una macchina
come una macchina
5(pizz. sempre)
3 3(pizz. sempre)
(pizz. sempre)
3 3(pizz. sempre)
5
3 3
3 3
24 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Cl. 2 (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
123
WOODBLOCKS
3 3
4 TOMS
5
3 3
(match the harp's)
quasi pizzicato
123
3 3
3 3 3 3
3 3
3 3
3 3
3
3
3 3
3 3 3
25 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Cl. 2 (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
127
WOODBLOCKS
4 TOMS
127
3 3
3
arco
arco
arco
arco
57
5
6
extended bow pressure (noise)
poss.
extended bow pressure (noise)
poss.
extended bow pressure (noise)
poss.
extended bow pressure (noise)
poss.
3
3
3
detaché
detaché
detaché
detaché
detaché
Gliss. Gliss.
Gliss. Gliss. Gliss.
26 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Cl. 2 (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
detaché
detaché
detaché
detaché
detaché
131
131
27 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Cl. 2 (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
135
poco
poco
poco
135
135
poco
poco
poco
poco
poco
poco
poco
poco
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3
3
33
3
3
3 3
3 3
3
3
3
3
3
3
3
3
33
28 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Cl. 2 (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
140
3
3
140 35
3 5
3 5
3 5
3
5
3
5
più mosso
più mosso
GRAN CASSA
SUSP CYMBAL
added bow pressure (noise)
added bow pressure (noise)
simile
simile
5
scrape on the rim
simile, behind the bridge (on the clothing of the strings)
simile, behind the bridge (on the clothing of the strings)
pizz.
4 TOMS
29 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Cl. 2 (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
144
GRAN CASSA
4 TOMS
144
3
3
5
possible
5
5
5
Gliss. Gliss.
Gliss.
Gliss. Gliss. Gliss. Gliss.
Gliss. Gliss. Gliss. Gliss.Gliss.
Gliss. Gliss.
Gliss. Gliss. Gliss. Gliss.Gliss.
Gliss. Gliss.
Gliss. Gliss.
30 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Cl. 2 (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
1496
5
3 6 5
5
7
6 5
6
5
7 3
6
possible
GRAN CASSA
4 TOMS
3
6
3
3
3
3
3
3
3
3
3
3
arco
6
3
5
6 3
5 3
3
5 5
5 5
3
3 7
6 7
Gliss.Gliss.
Gliss.Gliss. Gliss. Gliss. G
liss.
Gliss. Gliss.
Gliss.Gliss.
Gliss.Gliss. Gliss. Gliss. Gliss.
Gliss. Gliss.
Gliss. Gliss.
Gliss. Gliss. Gliss.
Gliss.
31 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Cl. 2 (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
153
3 6 7 3
5 6
3 7
6 7 3
3 7
3 3 7 6
GRAN CASSA
4 TOMS
153
3 3
3 3
turn the mouthpiece overto form an ANGLE
4:3
5
con sord.
subito
blow air through the instrument
" "
" "
blow air through the instrumentturn the mouthpiece overto form an ANGLE
turn the mouthpiece overto form an ANGLE
turn the mouthpiece overto form an ANGLE
PICCOLO
3 3
5 5
5 5
" "
turn the mouthpiece overto form an ANGLE
3
3
3
3
3
3
3 5
3
3
blow air through the instrument
3
3SNARE DRUM
3
3
3
3
3
3
3
3
3
3
3
" "
" "
" "
" "
5
blow air through the instrument
3
blow air through the instrument
blow air through the instrument
scrape with brush
3 5soft mallets
MARIMBA
3
Gliss. Gliss. Gliss. Gliss. Gliss.
Gliss.
Gliss.
Gliss. Gliss. Gliss. Gliss. Gliss.
32 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Cl. 2 (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
" "
" "
turn the mouthpiece overto form an ANGLE
158
5
3 5
6
blow air through the instrument
3
blow air through the instrument
SNARE DRUM
MARIMBA
158
" "
" "
" "
" "
" "
3 5
blow air through the instrument
blow air through the instrument
blow air through the instrument
blow air through the instrument
blow air through the instrument
" "
rit. al
rit. al
3
blow air through the instrument
" "
" "
" "
muta in fg.
blow air through the instrument
blow air through the instrument
blow air through the instrument
" "
" "
blow air through the instrument
blow air through the instrument
blow air through the instrument
33 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Cl. 2 (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
con sord.
con sord.
con sord.
164
blow air through the instrument
MARIMBA
164
con sord.
con sord.
blow air through the instrument
blow air through the instrument
con sord.
come una macchina
come una macchina
3 3(quasi pizz.)
5
3 3
pizz. sempre
34 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Cl. 2 (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
170
2 SUSP. CYMBALS
SNARE DRUM
3 3
170
5
3 3
" "
" "
" "
" "
" "
blow air through the instrument
blow air through the instrument
blow air through the instrument
3blow air through the instrument
blow air through the instrument
blow air through the instrument
blow air through the instrument
place the cymbals between the bristles of the brushes
with brushes
trem. trem.(wind-like, no squeaks!)
trem. trem.
trem. (wind-like, no squeaks!)
" "
" "
" "
" "
" "
" "
" "
FLUTE
bow on the bridge (wind-like, no squeaks!)
bow on the bridge (wind-like, no squeaks!)
bow on the bridge (wind-like, no squeaks!)
bow on the bridge (wind-like, no squeaks!)
bow on the bridge (wind-like, no squeaks!)
trem.
inquieto
inquieto
5 5
5
5
5 55
35 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Cl. 2 (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
Gliss.
FR
1R
175
175
solo
3
solo
solo
bowedVIBRAPHONE
TUTTI, div. in 2
TUTTI, div. in 2
TUTTI, div. in 2
(bowed)
giocoso
giocoso
secco
secco
3 3
(match with flutes)
BASSOON
3
5 3 6
3
3 3(match with flutes)
3 3circulat glissandi
3
solo
solo
col legno batt.
col legno batt.
flautato2 solidiv. Gliss.
Gliss.
36 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Cl. 2 (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
Gliss.
Gliss.
1813
6 6 6
3
3
181
solo
solo
solo
con delicatezza
con delicatezza
7 7 7 7
con sord.
3 6 3 6
con sord.
5 5 5 5
con sord.
con sord.
sul G
sul G
77
sul A
77
7
sul A
sul D
TUTTI
sul E
senza sord.
senza sord.
senza sord.
senza sord.
7 7 7
3 6 3
5 5 5
77
77
7
3
3
3
3
trem.
5
6
6
Gliss.
Gliss.
Gliss.Gliss.
Gliss.Gliss.
37 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Cl. 2 (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
185
3 3
5
5 3
2 SUSP. CYMBALS
185
3 3
3
3
3
3 3
5
gli altri
3
6
3
3
60
60
( )( )( )( )( )( )( ) ( )( )( )( )( )( )( )
( )( )( )( )( )( )( ) ( )( )( )( )( )( )( )
3
3
on the bell
3
3 3
first desk, soli
( ) ( )
trem.
trem.
( )( )( )( )( )( )( )
( )
( )( )( )( )( )( )
( )( )( )( )( )( )
3
3
3
( )( )
( )( )( )( )
( )
Glissando Glissando Glissando
Glissando Glissando Glissando
38 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Cl. 2 (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
189
2 SUSP. CYMBALS
SNARE DRUM
189
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
muta in bcl.
3
3
3
3
3
3
3
3
" "
" "
" "
" "
" "
blow air through the instrument
blow air through the instrument
blow air through the instrument
3blow air through the instrument
blow air through the instrument
blow air through the instrument
blow air through the instrument
2 SUSP. CYMBALS place the cymbals between the bristles of the brushes
SNARE DRUM brushes
trem. trem.
trem. trem.
trem." "
" "
" "
" "
" "
" "
" "
" "
bow on the bridge (wind-like, no squeaks!)
bow on the bridge (wind-like, no squeaks!)
bow on the bridge (wind-like, no squeaks!)
bow on the bridge (wind-like, no squeaks!)
bow on the bridge (wind-like, no squeaks!)
bow on the bridge (wind-like, no squeaks!)
trem.
3
39 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Bcl. (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
inquieto
inquieto
198
5 5 5
3 3 3
198
5 5 5 5
3 3 3 3
55
3
3 3
3 3
5 5 5
3 3 3
5 5 5 5
3 3 3 3
55
3
3 3
3 3
5 5 5
3 3 3
40 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Bcl. (B )
Bsn. 1
Bsn. 2
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
203
PICCOLO
5 5 5 5
3 3 3 3
55
3
203
3 3
3 3
muta in cfg.!
con sord.
con sord.
solo
solo
CONTRABASSOON
1 non div.
2,3 divisi
41 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Bcl. (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
" "
" "
" "
" "
" "
" "
209
remove mouthpiece
blow air through the instrument
blow air through the instrument
blow air through the instrument
3 blow air through the instrument
blow air through the instrument
blow air through the instrument
blow air through the instrument
2 SUSP. CYMBALSplace the cymbals between the bristles of the brushes
SNARE DRUM brushes
209
trem. trem.
trem. trem.
trem.
trem." "
" "
" "
" "
" "
" "
" "
" "
bow on the bridge (wind-like, no squeaks!)
bow on the bridge (wind-like, no squeaks!)
bow on the bridge (wind-like, no squeaks!)
bow on the bridge (wind-like, no squeaks!)
bow on the bridge (wind-like, no squeaks!)
bow on the bridge (wind-like, no squeaks!)
trem.
trem.
3
come una macchina
" "
" "
" "
" "
come una macchina
blow through the instrument, finger the pitches
blow through the instrument, finger the pitches
blow through the instrument, finger the pitches (without mouthpiece)
blow through the instrument, finger the pitches (without mouthpiece)
5strike the mouthpiece with flat of the hand
3 3strike the mouthpiece with flat of the hand
3 3strike the mouthpiece with flat of the hand
col legno battuto (pitches approx.)
col legno battuto (pitches approx.)
col legno battuto (pitches approx.)
col legno battuto (pitches approx.)
5
3 3
3 3
" "
" "
" "
" "
" "
" "
blow air through the instrument
blow air through the instrument
blow air through the instrument
3blow air through the instrument
blow air through the instrument
blow air through the instrument
blow air through the instrument
place the cymbals between the bristles of the brushes
(brushes)
trem. trem.
trem. trem.
trem.
trem.
42 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Bcl. (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb " "
" "
" "
" "
" "
" "
215
additionalkeys to be hit:
215bow on the bridge (wind-like, no squeaks!)
bow on the bridge (wind-like, no squeaks!)
bow on the bridge (wind-like, no squeaks!)
bow on the bridge (wind-like, no squeaks!)
bow on the bridge (wind-like, no squeaks!)
trem.
trem.
inquieto
inquieto
5 5key clicks
5 5key clicks
5 5key clicks
+A +E +E
5 5
+E +E +Dadditionalkeys to be hit:
5 5key clickss, as loud as possible
5 5key clickss, as loud as possible
5 5key clickss, as loud as possible
5 5
key clickss, as loud as possible
blow air through the instrument
blow air through the instrument
blow air through the instrument
blow air through the instrument
r.h. dampen at the middle
l.h. play à la table
5 5 5
5 5 5
+D
5 5 5
5 5 5
soloairy sound, almost no pitch
3
soloairy sound, almost no pitch
dead strokeWOODBLOCKS
dead strokeMARIMBA
flautato (minimal pitch, maximal bowing sound)
flautato (minimal pitch, maximal bowing sound)
flautato (minimal pitch, maximal bowing sound)
flautato (minimal pitch, maximal bowing sound)
flautato (minimal pitch, maximal bowing sound)
flaut.
blow air through the instrument (mouthpiece off)
flautato (minimal pitch, maximal bowing sound)
EP
EP
EP
EP
EP
EP
43 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Bcl. (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
220
noise
blow air through the instrument (mouthpiece off)
220SP
SP
SP
SP
SP
SP
noise tone
tone
ORD
ORD
ORD
ORD
ORD
ORD
giocoso
giocoso
33
key clicks
poss.
3 3key clicks
poss.
slap tongue (without reed)
slap tongue (without reed)
3 3key clickss, as loud as possible
poss.
3 3key clickss, as loud as possible
poss.
slap tongue (without reed)
slap tongue (without reed)
blow air through the instrument
blow air through the instrument
[u]
blow air through the instrument
relative brightness (with mute):
con sord.
[u]
blow air through the instrument
relative brightness (with mute):
con sord.
col legno batt. (mute the strings: only random pitches caused by bow)
col legno batt. (mute the strings: only random pitches caused by bow)
col legno batt. (mute the strings: only random pitches caused by bow)
col legno batt. (mute the strings: only random pitches caused by bow)
col legno batt. (mute the strings: only random pitches caused by bow)
col legno batt. (mute the strings: only random pitches caused by bow)
col legno batt. (mute the strings: only random pitches caused by bow)
col legno batt. (mute the strings: only random pitches caused by bow)
5 3 6
5 3 6
5 3 6
5 3 6
blow air through the instrument
blow air through the instrument
[e]
[e]
3
3
3
3
6 6 6
6 6 6
6 6 6
6 6 6
[e] [u]
simile
[e] [u]
simile
3
3
3
3
44 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Bcl. (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
con delicatezza
con delicatezza
225 Whistle tones(libero assai)
Whistle tones(libero assai)
7
7
7
7blow air through the instrument (without mouthpiece)
3 6 3 6blow air through the instrument (without mouthpiece)
5 5 5 5blow air through the instrument (without mouthpiece)
blow air through the instrument (without mouthpiece)
[e]
blow air through the instrument
= relative brightness (with mute)
con sord.
[u]
blow air through the instrument
= relative brightness (with mute)
225
7
7
7
3 6 3
5 5 5
[u]
[e]
6
air tones "à la Sciarrino" (cover embouchure hole, sounding a major 7th lower)
(match oboes')
air tones "à la Sciarrino" (cover embouchure hole, sounding a major 7th lower)
(match oboes')
5
air tones (pitches denote fingerings only)
poss.
6air tones (inhaling, pitches denote fingerings only)
poss.
muta in cl.
3ST (sul D & A), overpressed
ST (sul D & A), overpressed
press bow on the wood of the back of the instrument, hair between the instrument and stick of the bow: roll (crackling sound, resembling wood breaking)
poss.press bow on the wood of the back of the instrument, hair between the instrument and stick of the bow: roll (crackling sound, resembling wood breaking)
poss.press bow on the wood of the back of the instrument, hair between the instrument and stick of the bow: roll (crackling sound, resembling wood breaking)
poss.press bow on the wood of the back of the instrument, hair between the instrument and stick of the bow: roll (crackling sound, resembling wood breaking)
poss.press bow on the wood of the side of the instrument, hair between the instrument and stick of the bow: roll (crackling sound, resembling wood breaking)
poss.press bow on the wood of the side of the instrument, hair between the instrument and stick of the bow: roll (grinding sound, resembling wood cracking)
poss.press bow on the wood of the side of the instrument, hair between the instrument and stick of the bow: roll (crackling sound, resembling wood breaking)
poss.
45 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Cl. 2 (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
228simile
33simile
3 3
SPLASH CYMBAL
SNARE
228
3 3
3
3
3
6
3
60
60
3
Jet Whistle Jet Whistle
3
Jet Whistle
teeth on reed
[s]
air through
[s]
air through
3
SPLASH CYMBAL
3
with brushes
Jet Whistle
Jet Whistle
3
3
air tones
muta in bcl.
air tones
air tones
blow air through the instrument
blow air through the instrument
blow air through the instrument, finger the pitches
blow air through the instrument, finger the pitches
blow air through the instrument
blow air through the instrument
ST (sul D & A), overpressed
ST (sul D & A), overpressed
46 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Bcl. (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
233
3
3
3
3
3
3
3
3
3
2 SUSP. CYMBALS
SNARE DRUM
233 3ST (sul D & A), overpressed
ST (sul D & A), overpressed
ST (sul D & A), overpressed
ST (sul D & A), overpressed
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
" "" "
" "
60
blow air through the instrument
blow air through the instrument
blow air through the instrument
3blow air through the instrument
blow air through the instrument
blow air through the instrument
blow air through the instrument
place the cymbals between the bristles of the brushes
wiith brushes
trem. trem.
trem.
" "
" "
" "
" "
" "
" "
bow on the bridge (wind-like, no squeaks!)
bow on the bridge (wind-like, no squeaks!)
bow on the bridge (wind-like, no squeaks!)
bow on the bridge (wind-like, no squeaks!)
bow on the bridge (wind-like, no squeaks!)
trem.
47 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Bcl. (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
240
3
240
blow air through the instrument
blow air through the instrument
5 3 5strike the mouthpiece with flat of the hand
3 5 3strike the mouthpiece with flat of the hand
TAM TAMtrem.
5 5 5 5blow air through the instrument
blow air through the instrument
blow air through the instrument
3 3 3 3
blow air through the instrument
blow air through the instrument
3 5 3
5 3 5
5 5 5 5
blow air through the instrument
blow air through the instrument
3 3 3 3
blow air through the instrument
blow air through the instrument
5 3 5
3 5 3
48 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Bcl. (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
246
5 5 5 5
blow air through the instrument
blow air through the instrument
3 3 3 3
blow air through the instrument
blow air through the instrument
246
" "
" "
" "
" "
" "
" "
as much air in the sound as possible
(match the others)as much air in the sound as possible
(match the others)
air sounds (inhaling)
air sounds (inhaling)
air sounds
blow air through the instrument
blow air through the instrument
blow air through the instrument
blow air through the instrument
blow air through the instrument
blow air through the instrument
blow air through the instrument
blow air through the instrument
blow air through the instrument
blow air through the instrument
bow on the bridge (wind-like, no squeaks!)
bow on the bridge (wind-like, no squeaks!)
bow on the bridge (wind-like, no squeaks!)
bow on the bridge (wind-like, no squeaks!)
bow on the bridge (wind-like, no squeaks!)
bow on the bridge (wind-like, no squeaks!)
poss.
bow on the side of the bridge (wind-like, no squeaks!)
poss.
bow on the side of the bridge (wind-like, no squeaks!)
poss.
bow on the side of the bridge (wind-like, no squeaks!)
Slap Tongue(no pitch)
Slap Tongue(no pitch)
Slap Tongue(no pitch)
Slap Tongue(no pitch)
strike the mouthpiece with flat of the hand
strike the mouthpiece with flat of the hand
blow air through the instrument
blow air through the instrument
strike the mouthpiece with flat of the hand
strike the mouthpiece with flat of the hand
strike the mouthpiece with flat of the hand
ST (sul D & A), overpressed
ST (sul D & A), overpressed
ST (sul D & A), overpressed
Bartók-pizz.(no pitch)
Slap Tongue(no pitch)
Slap Tongue(no pitch)
Slap Tongue(no pitch)
Slap Tongue(no pitch)
49 / 50
Astragal (1.3) - version 091117 (transposing score)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1 (B )
Bcl. (B )
Bsn. 1
Bsn. 2
Hn. 1 (F)
Hn. 2 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tbn. 1
Tbn. 2
Tuba
Perc. 1
Perc. 2
Hp.
Pno.
Vl 1
Vl II
Vla
Vc
Cb
Gliss.
Gliss.
251
Slap Tongue(no pitch)
Slap Tongue(no pitch)
Slap Tongue(no pitch)
Slap Tongue(no pitch)
2 SUSP. CYMBALS
SNARE DRUM
251
" "
" "
" "
" "
" "
blow air through the instrument
blow air through the instrument
blow air through the instrument
3blow air through the instrument
blow air through the instrumentcon sord:
blow air through the instrumentcon sord:
blow air through the instrument
place the cymbals between the bristles of the brushes
with brushes
trem. trem.
trem. trem.
" "
" "
" "
" "
" "
" "
blow air through the instrument(without mouthpiece)
blow air through the instrument(without mouthpiece)
blow air throughthe instrument
bow on the bridge (wind-like, no squeaks!)
bow on the bridge (wind-like, no squeaks!)
bow on the bridge (wind-like, no squeaks!)
bow on the bridge (wind-like, no squeaks!)
bow on the bridge (wind-like, no squeaks!)
bow on the bridge (wind-like, no squeaks!)
blow air through the instrument(without mouthpiece)
blow air through the instrument(without mouthpiece)
blow air throughthe instrument
[o]position of the mouth:
(support the "glissando" by using valves: shortening the tube)
sul A
col legno tratto ST
sul A
col legno tratto ST
STsul G
col legno tratto
3 3blow air through the instrument
3 3blow air through the instrument
blow air through the instrument(without mouthpiece)
blow air through the instrument(without mouthpiece)
[o]
(support the "glissando" by using valves: shortening the tube)
[y]blow air through the instrument, finger the pitches
blow air through the instrument, finger the pitches
près de la table(as "noisy" as possible)
on the strings
sul pont., flautato (minimize pitch-content!)
sul A D
sul pont., flautato (minimize pitch-content!)
sul A D
sul pont., flautato (minimize pitch-content!)
sul G C non divisi
sul pont., flautato (minimize pitch-content!)
sul G C
non divisi
EP
3
[y]
sul pont., flautato (minimize pitch-content!)
sul E
sul pont., flautato (minimize pitch-content!)
sul E
EP
EP
Helsinki 15.5.2008
Gliss.
Gliss.
Gliss.
Gliss.Gliss.
Gliss.
Gliss.
Gliss.
Gliss.
Gliss.Gliss.
Gliss.
Gliss.
50 / 50
Astragal (1.3) - version 091117 (transposing score)