In Edit Festival - Event Recap 2016 STEGI

INTERNATIONAL MUSIC DOCUMENTARY FILM FESTIVAL

EVENT RECAP

BOGOTA

SANTIAGO

BARCELONAMADRID

SAO PAULOMEXICO

BERLINBUENOS AIRES

ATHENS

about

SANTIAGO SAO PAULO BERLIN BUENOS AIRES MEXICO CITY THESSALONIKI BARCELONA BOGOTA PUERTO RICO BILBAO PAMBLONA RIO DE JANEIRO BAHIA MEDELLIN ATHENS

8 COUNTRIES 16 CITIES

# In Edit In The World

IN EDIT FESTIVALSIN EDIT DOCUMENTARIES

IN EDIT FESTIVAL EVENT RECAP # STEGI

IN-EDIT Festival, came in Greece in 2014, its first stop was Thessaloniki and the following year it was organized in two different editions; Athens edition, in February and Thessaloniki edition, in April. In 2016, while completing thirteen years of age, IN-EDIT set off its global journey from its hometown, Barcelona, and before traveling for t h e fi r s t t i m e t o I t a l y a n d Netherlands, it stops for a few days in Athens and Thessaloniki.

In 2003, a documentary film festival was held for the first time in Barcelona, screening documentaries about important musicians and music genres, bringing to light a neglected up to that moment film category; the music documentary film. Thirteen years later, IN-EDIT, is the most important music documentary film festival in the world. It has been organized in more than fifteen cities around the world, from Mexico City to Berlin and from Santiago de Chile to Madrid, while, at the same time, it is considered to be a “meeting point” for the friends of music and cinema.

In-Edit Festival is the backstage of the musical world. It chronicles with the same sincerity moments of glory and of immense tension, the missteps and the emotions that only music can create. I t chronicles the world character of music but also its changes depending on the country, the region or the language.


FILMS FROM THE

BACKSTAGE


VENUE

The Onassis Cultural Centre’s 18,000 sq. m. of internal floor space are spread over no fewer than sixteen levels, nine of which are underground. The Centre’s cutting-edge facilities include: Main Stage: An 880-seat amphitheatre. The multiplicity of potential stage and lighting configurations make it possible to use this impressive auditorium for a range of large-scale events, from theatrical and dance performances, concerts and cinema screenings to lectures and concerts. Upper stage: A 220-seat auditorium which can be used for smaller-scale theatrical, music and dance performances, presentations, lectures, cinema screenings (multimedia, virtual reality), seminars and conferences. Lecture & exhibition space: A room on the 5th floor which can seat up to sixty on free-standing chairs. It is ideal for lectures, educational programmes and round-table discussions. Exhibition hall: A 700 sq. m. space on the Centre’s underground level specially-designed for exhibitions and other activities. A number of open spaces spread over the Centre’s levels and ideal for smaller exhibitions or meetings.

ONASSIS CULTURAL CENTRE

IN EDIT FESTIVAL EVENT RECAP # STEGI PROGRAMME

PROGRAMME

Oasis. Supersonic Oasis was like a Ferrari," Liam notes in the film. "Great to look at. Great to drive. And it'll f***ing spin out of control every now and again.” Supersonic documents the band's meteoric rise to fame over a period of three years from the council estates of Manchester up to their career pinnacle, in one of the biggest concerts of all time in front of 125,000 people, at Knebworth.

Mistaken for Strangers The kid brother of Matt Berninger (The National) signs up as roadie on a tour with his big brother's band and films his pathetic journey until they kick him out. This is not a mockumentary, but a sad and comical peek at talent, fame, the (corrupt) relationship between siblings and between success/failure.

The Amazing Nina Simone Irate, alienated, pioneering and rebellious, nobody characterized the idea of brave, honest (and somewhat shaken) music better than the great Nina Simone. More than 50 interviews and a boatload of archive to illustrate one of the fundamental artists of black music and protest.

Fonko An ambitious voyage through Africa reveals the new music of a surviving continent: from cracked software in South Africa (with Afro-futurist goals), to Ghana’s “porn gospel”, predecessor to the crazy kuduro (“hard ass”) dance in the Angolan ghetto. All hot, freshly baked. And in each stanza: apartheid, colonization and war, but also hope and peace.

Dont Look Back Hailed “the best music documentary of all time”. On tour around England with Bob Dylan in 1965 when the folk legend ascended to the status of pop icon. Less antisocial than usual, radiant and cool, this is the closest to Dylan that anyone has ever been.

Danny Says Danny Says is a documentary on the life and times of Danny Fields. From Phi Beta Kappa whiz-kid to working for the Doors, Cream, Lou Reed, Nico, Judy Collins and managing groundbreaking artists like the Stooges, the MC5 and the Ramones. Danny Says is a story of marginal turning mainstream, avant garde turning prophetic, as Fields looks to the next generation

Leonard Cohen: Bird on a Wire A unique vision of the singer-songwriter in the midst of his jinxed 1972 world tour, grappling with groupies on heat, weathering hostility from promoters and contemplating the meaning of everything. And the songs: “Suzanne”, “Sisters of mercy”, “So long Marianne”... A sage of pop music captured at a crucial moment.

Blur: New World Towers This isn’t the story of Blur, but it is a story of Blur. With impeccable shots and a vast array of resources, Sam Wrench gets the band’s complete complicity to charter the recording of the unexpected album The Magic Whip. In five days. When Blur barely existed. The magic unfolds, but not the dirty laundry. Neat and elegant!

Janis: Little Girl Blue O n e o f t h e m o s t l o n g - a w a i t e d documentaries in history. Janis Joplin: from strange small-town Texan bird to global youth icon. The raspiest voice of the Sixties triumphed in rock, but her personal blues sentenced her to die young. Unique archive footage, dazzling interviews and Cat Power reading her letters.

The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble tells the extraordinary story of the renowned international musical collective created by legendary cellist Yo-Yo Ma. The feature-length documentary follows this group of diverse instrumentalists, vocalists, composers, arrangers, visual artists and storytellers as they explore the power of music to preserve tradition, shape cultural evolution and inspire hope.

The Possibilities Are Endless It was one of the four phrases Edwyn Collins said after his stroke in 2005. The others were “yes”, “no” and “Grace Maxwell”, his wife. A film about the power of love and affection that invites us to take a look at the inside of the artist’s injured brain. Grace is the pillar, the muse to Collins throughout the slow recuperation of his identity, voice and art. .

The Sad and Beautiful World of Sparklehorse The tragic tale of Mark Linkous, one of America’s most influential cult artists. His life was lived with intensity and beauty. He went by the name… Sparklehorse. A musician crippled by adversity. A man that struggled with his demons. All he wanted was to be a happy man


DOC ALIVE

Edwyn Collins Edwyn Collins is a Scottish musician, producer and record label owner. Born in 1959, Collins was during the '80s the lead singer for the post-punk band Orange Juice, which he co-founded. Following the group's split, Collins started a solo career and in 1994, his single "A Girl Like You" became a worldwide hit. In February 2005, Collins was hospitalized following two cerebral hemorrhages which resulted in aphasia, and he subsequently underwent a months-long rehabilitation period. Collins resumed his musical career in 2007, with his 6th personal work, Home Again. During his rehabilitation period, he was also throwing live concerts and a documentary film on his recovery, titled The Possibilities Are Endless, was released in 2014. Collins is the co-founder of the indie record labels Postcard Records and Analogue Enhanced Digital while he has also worked as an illustrator, television actor, television producer and record producer.

Sister Fa Sister Fa is considered to be among the most the most iconic representatives of Senegalese rap scene, not only thanks to her music but also due to her activist action against female genital mutilation. Born 1982 in Dakar, Senegal, she took her first steps in rap music in 2000, she has been awarded multiple times in Africa and in Europe and nowadays she is considered to be one of the most important contemporary African musicians. Sister Fa uses her growing popularity and her music to progress her engagement and to create consciousness in social and political themes – focussing on women’s situation in Senegal. In March 2006, she moved to Berlin, Germany, to live with her husband, an Austrian ethnologist and documentary filmmaker. In Berlin, she continues her social and political engagement. In Berlin, she formed a new band and since then, Sister Fa is constantly developing her repertoire and her style. Traditional Senegalese rhythms are joined by rap beats, soul, jazz and reggae elements. DOC ALIVE


DOC ALIVE EDWYN COLLINS


DOC ALIVE SISTER FA


OPENING ACTPEPPER 96.6

DJ SET


OPENING ACT PEPPER 96.6DJ SET

IN EDIT FESTIVAL EVENT RECAP # STEGI RADIO STATION

LIVE RADIO STATION

SIDEBAR

During the 4 days of the festival, 20-23.10 the Radio Station Pepper 96,6 was broadcasting live from Onassis Cultural Centre on a s p e c i a l l y d e s i g n e d b o o t h promoting the event and their collaboration


LIVE RADIO STATION

SIDEBAR


EVENT COMMUNICATION

IN EDIT FESTIVAL EVENT RECAP # STEGI OUTDOOR

EVENT COMMUNICATION

OUTDOOR

Fro m 1 6 t h t o 2 3 rd o f October In Edit Festival’s key visual was placed on the OCC Led Wall , on Syggrou Avenue, communicating the f e s t i v a l i n d o z e n s o f thousands of people and drivers.


EVENT COMMUNICATION

PRINT

2.000 festival’s posters were

placed in POI’s around Athens

PREMIUM PARTNER

DOC ALIVE

FONKO|Sister FaΠαρασκευή 21/10 22.00

The Possibilities are Endless|Edwyn CollinsΚυριακή 23/10 19.45

ΠΩΣ ΘΑ ΕΡΘΕΤΕ ΣΤΗ ΣΤΕΓΗ GETTING TO THE OCCΛΕΩΦΟΡΕΙΟ (Στάση Πάντειος) | BUS (Panteion Stop)

040, 106, 126, 134, 135, 136, 137, 450, 550, Α2, Β2, Ε2, Ε22, Ε90 ΤΡΟΛΕΪ (Στάση Πάντειος) | TROLLEY BUS (Panteion Stop)

1, 5, 15 Τραμ Tram (Στάση Κασομούλη | Kassomouli Stop)

Τ4, T5Μετρό Metro

Γραμμή 2: Ανθούπολη - Ελληνικό (Στάση Συγγρού-Φιξ)Line 2: Anthoupoli - Elliniko (Stop Syngrou-Fix)

Με ΙΧ By carΕντός του κτιρίου της Στέγης λειτουργούν υπόγειοι χώροι στάθμευσης χωρητικότητας περίπου 200 θέσεων. Είσοδος από την οδό Λεοντίου. The OCC has underground parking facilities for roughly 200 cars. Entrance on Leontiou street.

Με uberΧ By uberXΚατεβάστε την εφαρμογή UBER, και χρησιμοποιήστε τον κωδικό INEDITFESTIVAL και κερδίστε 20€ για την πρώτη σας διαδρομή με uberX. Download UBER app and by using the promo code INEDITFESTIVAL earn 20€ for your first ride with uberX.

*δεν ισχύει για uberTAXI και παλιούς χρήστες UBER not valid for uberTAXI or for current Uber users** ισχύει μέχρι τις 15/15/2016 valid until 15/12/2016

Το DOC ALIVE είναι μία ξεχωριστή ενότητα του προγράμματος του IN-EDIT. Ο πρωταγωνιστής του ντοκιμαντέρ “βγαίνει” από την μεγάλη οθόνη και παρουσιάζεται στη σκηνή, για να ερμηνεύσει την μουσική του, ζωντανά. Το live, ακολουθεί την προβολή και διαρκεί περίπου 30 λεπτά. DOC ALIVE is a special session in IN-EDIT’s screening schedule, where the protagonist of the documen-tary transcends the screen and performs live on stage. The live session follows the screening and lasts about 30 minutes.

Η Sister Fa θεωρείται από τις σημαντικότερες εκπροσώπους της σενεγαλέζικης ραπ σκηνής, όχι μόνο λόγω της μουσικής της αλλά και λόγω της ακτιβιστικής της δράσης κατά της κλειτοριδεκτομής. Γεννημένη το 1982, στο Ντακάρ της Σενεγάλης, έκανε τα πρώτα της μουσικά βήματα στη ραπ το 2000. Έχει βραβευτεί δεκάδες φορές σε Αφρική και Ευρώπη και θεωρείται

από τους πιο σημαντικούς εκπροσώπους της σύγχρονης αφρικανικής μουσικής. Η μουσική της εμπλέκει παραδοσιακούς σενεγαλέζικους ρυθμούς με ραπ τόνους και στοιχεία από σόουλ, τζαζ και ρέγκε μουσικές. Sister Fa is an iconic Senegalese rap-per not only due to her music but also her anti-female genital mutilation activism. Born in 1982 in Dakar, Senegal, she took her first steps in rap music in 2000. Having gained several awards for her music, she is now considered to be among the most important representatives of modern Afri-can music. Sister Fa is constantly developing her repertoire and her style joining traditional Se-negalese rhythms with rap beats, soul, jazz and reggae elements.

Ο Edwyn Collins είναι Σκωτσέζος μουσικός. Τη δεκαετία του ‘80, ήταν ο τραγουδιστής της post-punk μπάντας Orange Juice και μετά τη διάλυσή της, ξεκίνησε τη δική του σόλο καριέρα. Το Φεβρουάριο του 2005, ο Collins εισήχθη στο νοσοκομείο μετά από δύο εγκεφαλικά επεισόδια

που τον έφεραν σε κατάσταση αφασίας. Ακολούθησε περίοδος αποκατάστασης μέχρι την επάνοδό του, το 2007, οπότε και κυκλοφόρησε ο έκτος προσωπικός του δίσκος, Home Again. Κατά τη διάρκεια της αποκατάστασης, ο Collins συνέχισε τις ζωντανές του εμφανίσεις. Μαζί του εμφανίζεται ο μουσικός Carwyn Ellis. Edwyn Collins is a Scottish musician, producer and record label owner, lead singer for the 1980s post-punk band Orange Juice and star-ted a solo career, following the group’s split in 1985. In February 2005, Collins was hospitalized following two cerebral hemorr-hages which resulted in aphasia, and he subsequently underwent a months-long rehabilitation pe-riod. Collins resumed his musical career in 2007, by releasing his sixth solo album, entitled Home Again. While still recovering, Collins returned to singing live, together with guitarist Carwyn Ellis.

ΕΙΣΙΤΗΡΙΑ TICKETS

Απλό εισιτήριο / Single Ticket

Εισιτήριο DOC ALIVE / DOC ALIVE Ticket

Για τις προβολές / For the screeningsDont look back (22/10 16:00) The Music of Strangers. Yo-Yo Ma and the Silk Road Ensemble (23/10 17:45)

Για τις προβολές COMBO / COMBO screenings2 εισιτήρια για 2 διαφορετικές προβολές: 5€ ανά εισιτήριο2 tickets for two different screenings: 5€ per ticket 4 εισιτήρια για την ίδια προβολή: 6€ ανά εισιτήριο 4 tickets for the same screening: 6€ per ticket

7€

5€

Προμηθευτείτε τα εισιτήριά σας ηλεκτρονικά μέσω του Buy your tickets online www.sgt.gr

10€10.000 programs were

distributed in POI’s around Athens

PRINT

IN EDIT FESTIVAL EVENT RECAP # STEGI SOCIAL MEDIA

EVENT COMMUNICATION

SOCIAL MEDIA

PEOPLE REACHED

120.000

PEOPLE ENGAGED

PHOTOS200

VIDEOS30

avg. ENGAGEMENT RATE 8%

POSTS

80

24.000

FOLLOWERS

4.000

IN EDIT FESTIVAL EVENT RECAP # STEGI MULTIMEDIA

EVENT COMMUNICATION

MULTIMEDIA

In Edit Festival’s video spot was screened more than 300 time on OTETV channels (2 Times a day, Each OTETV Channel for 24 days)

In Edit Festival ’s radio spot was broadcasted more than 150 time in various Radio Stations Click on the images to watch and listen to

the spots

https://soundcloud.com/parenthesi/in-edit-festival-athens-2017
























https://vimeo.com/184642482




















































MEDIA EXPOSURE


MEDIA EXPOSURE PARTNERS



TV PRESS150’

TV AIRTIME

Click the image to watch the video

In Edit Festival’s video spot was screened more than 300 time on OTETV channels (2 Times a day, Each OTETV Channel for 24 days)




PRESS

Athens Voice cover on 20.10 was designed by Parenthesis announcing the In Edit Festival in Athens

PRESS

IN EDIT FESTIVAL EVENT RECAP # STEGI PRESS


A 2-page story in Athens Voice for In Edit Festival

PRESS

IN EDIT FESTIVAL EVENT RECAP # STEGI PRESS


In Edit Festival’s presence in LiFO ’s cover on 13.10

PRESS

A 2-page story in Lifo Free Press for In Edit Festival

IN EDIT FESTIVAL EVENT RECAP # STEGI WEB PRESS

MEDIA EXPOSURE

PRINT PRESS

Full Page story on Αθηνόραμα Full Page story on Βημαgazino

Full Page story on ΝΕΑ



WEB PRESSWEB PRESS


MEDIA EXPOSURE

WEB PRESSWEB PRESS



SOCIAL MEDIASOCIAL MEDIA


MEDIA EXPOSURE

SOCIAL MEDIASOCIAL MEDIA


PARTNERS

In Edit Festival - Event Recap 2016 STEGI

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Transcript of In Edit Festival - Event Recap 2016 STEGI