Haiku4
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Transcript of Haiku4
HAIKUby peter van der meulen
A haiku is a three line poem consisting of 5–7–5 syllables
for example:
the/ ca/the/dral/ bell (5)is sha/king/ a / few/ snow/flakes (7)from/ the/ mor/ning/ air (5)
-Virgilio
HISTORY
Haiku evolved from tanka (short poems) 31 syllable poems structured 5-7-5-7-7 developed by court poets in the Heian period (794-1185). These tanka were extended into renga (linked verses).
Renga were written in groups with a hokku (opening verse) of 17 syllables (5-7-5) which established a seasonal setting or mood around which the remainder of the poem was fashioned.
Four concepts intrinsic to a true haiku…
kigo
kireji
yugen
& kyo
kigo - a word suggesting a season
kireji - a cutting word such as ya… a moment to meditate
yugen - lies beneath the surface… touches the heart
kyo – become one with the object… do not impose yourself on it
-Bashõ
The original Japanese exhibits the 5-7-5 structure.
The translation most often does not.
furuike ya the old pond kawazu tobikomo a frog jumps mizo no oto splash! in the water
-Bashõ -Bashõ
.
hanamori yashiroki kashira otsukiawase
-Kyori
blossom guardstheir white headsfacing each other
-Kyori
There are four pre-eminent haiku poets…
Matsuo Bashõ
Yosa Buson
Kobayashi Issa
& Masaoka Shiki
MATSUO BASHÕ
1644-1694
Matsuo Bashõ 1644-1694
Airy spirituality
Related consciousness and nature
Objectively represented charged moments of real experience
how art beginsrice planting songsin the deep interior
-Bashõ
the winter stormhid in the bamboo groveand quieted away
-Bashõ
a clear waterfall into the ripple fall green pine needles -Bashõ
YOSA BUSON
1716-1783
Yosa Buson 1716-1783
By treating haiku images in a painterly style, highlighted imaginative expression
evening breeze — water is slapping against the legs of a white heron
-Buson
summer night ending so soon, on the river shallows still remains the moon in a sliver
-Buson
komu na yo gamata mo aro katsuki ni kari -Buson
will it come again…another night like this onewild geese and the moon
-Buson
KOBAYASHI ISSA
1763-1827
Kobayashi Issa 1763-1827
Childlike identification with nature and human behavior
Provided poetic experience accessible to common man.
“I make my appearance I. . . the toad emerge from my thicket.”
-Issa
the snail climbs Mount Fuji slowly. . .slowly
-Issa
the peonymade me measure itwith my fan
-Issa
MASAOKA SHIKI
1867-1902
Matsuoka Shiki 1867-1902
First modern haiku poet
Introduced witty tone and mental play
Popularized term haiku
write me down as one who loved poetryand persimmons
-Shiki
a school of trout swam bythe color of the water
-Shiki
going out of the house ten pacesand the vast autumn sea
-Shiki
on the sandy beachfootprints. . .long is the day of spring
-Shiki
Japan’s two main religions. . . Shintoism and Zen Buddhism. . . are both expressed through Haiku.
Shintoism worships kami – the spirits of nature.
oh butterfly. . .what are you dreaming fanning your wings
-Chiyo-ni
to pluck it a pityto leave it a pityah. . .this violet
-Naojo
Zen Buddhism which strives for nirvana through meditation.
the moon in the waterbroken and broken againstill it is there
-Choshu
snow has meltedon one shoulder of the great Buddha
-Shiki
from the noseof the colossal Buddha a swallow emerges
-Issa
Through haiku we are released into nearness.
As with all genuine art,
a true haiku is a clarification of
experience.
Roses. . . the flowers are easy to paint the leaves difficult
-Shiki
Class contemplating Japanese art in springtime… inspirational!
- ART 221-001 5/2009
Thank you, for your time. -peter