Friendly Warning Test # 2 follows completion of Chapter 4: DATE TBA next class covers Chapters 2, 3...

14
Friendly Warning Test # 2 follows completion of Chapter 4: DATE TBA next class covers Chapters 2, 3 & 4 Review Sheets for 2 & 3 now on Course Website Includes Listening Examples

Transcript of Friendly Warning Test # 2 follows completion of Chapter 4: DATE TBA next class covers Chapters 2, 3...

Page 1: Friendly Warning Test # 2 follows completion of Chapter 4: DATE TBA next class covers Chapters 2, 3 & 4 Review Sheets for 2 & 3 now on Course Website Includes.

Friendly Warning

Test # 2 follows completion of Chapter 4:

DATE TBA next class

covers Chapters 2, 3 & 4

Review Sheets for 2 & 3 now on Course Website

Includes Listening Examples

Page 2: Friendly Warning Test # 2 follows completion of Chapter 4: DATE TBA next class covers Chapters 2, 3 & 4 Review Sheets for 2 & 3 now on Course Website Includes.

CHAPTER 3

“Social Dance and Jazz”

Page 3: Friendly Warning Test # 2 follows completion of Chapter 4: DATE TBA next class covers Chapters 2, 3 & 4 Review Sheets for 2 & 3 now on Course Website Includes.

Chapter 3 (outline)

• Technology and the Music Business

• “Freak Dances”

• James Reese Europe and the Castles

• (Early) Jazz as Popular Music

• Dance Music in the Jazz Age

• Latin Dance Music

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Latin Influences• Bands w/ Latin-American Musicians in US (late 1920s-30s)

• Don Azpiazú and his Havana Casino Orchestra (NYC, 1930)

• “El Manisero” (“The Peanut Vendor”) [textbook, p. 101-03]- “Son” tradition mixed w/ “pregón” (street cries)

• Begins “Rumba” (& other Latin) dance craze

• “Clave” : ||: 1, (2) &, (3), 4 | (1), 2, 3, (4) :|| [repeat]

Ex. Don Azpiazu & His Havana Casino Orchestra - El Manisero (The Peanut Vendor) - YouTube

Page 5: Friendly Warning Test # 2 follows completion of Chapter 4: DATE TBA next class covers Chapters 2, 3 & 4 Review Sheets for 2 & 3 now on Course Website Includes.

CHAPTER 4

“I Got Rhythm” :The Golden Age of Tin Pan Alley

Song, 1920s and 1930s

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Chapter 4 (outline)

• Tin Pan Alley Song Form

• What Were Tin Pan Alley Songs About?

• What Makes a Song a “Standard”?

• Tin Pan Alley and Broadway

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Tin Pan Alley

• The Popular Music Business – 1920s-30s

• Influence of Ragtime & Syncopated Dance

• Jewish Immigrants (performers & composers)- influence of European classical & art music- Cantors & Music from the Synagogue

• Standard Forms (but variety within)

• Pure Capitalism – Music as “Commodity”

• Synergy with Broadway and (later) Hollywood

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JewishPerformers

Sophie Tucker"Last of the Red Hot Mamas"

Al Jolson“The World’s Greatest Entertainer”

JackBenny“cheap”

Milton Berle“Uncle Miltie”

George Burns

“Say goodnight Gracie”

George Jessel“Hello Mama”

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A Few TPA Composers

Irving Berlin (1888-1989)

Richard Rodgers (1902-1979)

George Gershwin

(1898-1937)

Cole Porter (1891-1964)

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Walter Donaldson (1893-1947)

• “Carolina in the Morning”• “How Ya Gonna Keep ‘em Down on th

e Farm”• “Makin’ Whoopie”• “My Blue Heaven” (5 million copies!)• “My Buddy”• “My Mammy” • “Yes Sir That’s My Baby”

• Born Brooklyn, NY• Mother taught piano (and Walter)• TPA song plugger• 1st songs sold 1915• Donaldson, Douglas & Gumble (publ.)• Broadway & Hollywood successes• Walter Donaldson - The Official Website

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Tin Pan Alley Song Form• Ex. Gene Austin - My Blue Heaven (1927)

(Textbook, p. 110-12)• Introduction – “hook”• Verse (usually 2) – sets the scene• Refrain – the “tune” remembered• Song Form (used in the REFRAIN)

- A- A(‘)- B – “bridge” or “release” (contrasts)- A (“)

• Can vary: AABC, ABCA, ABCD, etc.,but 4 equal phrases the norm

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Lyrics• Anything possible, but…..

- “Romance” is biggest…- …especially for the individual (“I” or “me”)

• “spoken” in the vernacular (everyday speech)- emphasized by “crooning” (intimate voice)

• Topical References (occasionally)• “Brother Can You Spare a Dime?” (1931)• Exs. of Lyrics:

- Brother, Can You Spare A Dime? – YouTube- "Life is Just a Bowl of Cherries" (Rudy Vallee, 1931) – YouTube

- Gold Diggers of 1933 - "We're in the Money" - YouTube

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Irving Berlin (1888-1989)• Russian (Jewish) immigrant

- father was a cantor- family to NYC in 1893

• Saloon singer, song plugger• “Alexander’s Ragtime Band” (1911)• Watch Your Step (1914)

- “syncopated musical” w/ the Castles

• Publisher, Producer, Theater Owner• Untutored in music or lyric writing

- “does not believe in inspiration” (it’s a job)- plays “by ear” (uses copyist/arranger)- “If I don’t know the rules, I don’t have to follow them”

• Aims for the “average American”• 1,500 songs (!)

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Irving Berlin – Music Examples• “Alexander’s Ragtime Band” (1911)

- Alexander's Ragtime Band Columbia A1032 - YouTube

• “Blue Skies” (1926)- Blue Skies - Al Jolson – YouTube (from The Jazz Singer)- Willie Nelson-Blue Skies (with Lyrics) (1978)

• “Puttin’ On the Ritz” (1930)- Fred Astaire. Put it on the Ritz. (1930?)- Gene Wilder - Young Frankenstein (1974) - Puttin' on the Ritz (1974)

• “God Bless America” (1938)- God Bless America, First Radio performance, Armistice Day November 10, 1938, Kate Smith - YouTube

• “White Christmas” (1942)- Bing Crosby & Marjorie Reynolds White Christmas Holiday Inn 1942

• “Irving Berlin is the greatest songwriter who has ever lived.”- George Gershwin

• “Irving Berlin has no place in American music—he is American music.” - Jerome Kern