[Framing the Artist] Sushil Soni: The Pied Piper of Pichwai
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Transcript of [Framing the Artist] Sushil Soni: The Pied Piper of Pichwai
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Deeply spiritual and very passionate about art, Sushil Soni comes from a family involved in the Pichwai tradition of painting. As someone who is a
master of Pichwai, Sushil Soni has made a name for himself by experimenting with various medium and techniques and giving it his unique
stamp.
In our latest Framing the Artist series, Artflute's Sridevi Padmanabhan talks to Sushil Soni about all things art.
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Calendar Image
I Began By Copying
Calendars
I began by drawing copies of
Shreenathji and Ganesha as I saw
them on calendars and wedding cards.
I didn’t know anything about art
as a career but I was fascinated by these
mythological figures and had a deep
reverence for them.
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...Then Came My Training
By the time I was about 15 years old, I was keenly following my curiosity. I wanted to know everything there was to know about miniature painting. From the intricacies to the rich detailing and the use of colours, I soaked it all in. And it only made me hungry to learn more.
Detailing in the works
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I Wanted To Go Deeper & Deeper
Ghanshyam Das Nimbark’s works
I then did a degree in drawing and painting but I
knew I was looking for something else. Mastering
different miniature techniques and gaining
more experience became my next goal. I approached
the National Award winning artist, Ghanshyam Das Nimbark in Jaipur and
he took me under his wing.
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Though miniature is part of my family tradition, I began absorbing various other styles from him. From the styles of Mughal miniature to other techniques, I enjoyed
working with him.
Sushil Soni in his wotk space
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It was at that time that he had been commissioned to
work on The Oberoi Amarvilas in Agra which was in the process of being
built. I stayed with him in
Agra and we created a gold background for the ceiling with colourful Mughal-
style flowers on it.
Sawan Jhoola painting by Sushil Soni
Living in Agra and Travelling As An
Artist
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Living in Agra for over a year, it was a big project that I worked on. We travelled to various places and created artworks.
In one of his workshops
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It Was Not An Easy Path
I struggled quite a lot to get my art noticed. I did not have any connections in the art world and it was through word-of-mouth and sheer grit and hard work that I got to where I am today. I still remember how happy I was when I got my first commission. I was paid to create a painting depicting the various seasons through the year. The industrialist who commissioned it was extremely happy with it.
Ideating in a Workshop
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Where I Am Today
From a boy who began by copying photos of
deities from calendars, it is almost
unbelievable for me to see the transformation
in my art today. I had never even conceived
of a career as an artist, leave alone being able
to support my family as an artist.
Sharad Purnima Utsav
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Experimenting with subjects and techniques is something I really enjoy now. I break down traditional subjects into smaller vignettes and turn them into contemporary paintings. The two artists who continue to inspire me are Ghanshyam Das Nimbark and Shrilalji Joshi.
Shrinathji Praktya Leela
Goupyaar