Forma catalogue - SPRING 2015
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Transcript of Forma catalogue - SPRING 2015
Spring 2015
formaedizioni.it
FORMA EDIZIONIwww.formaedizioni.it
Forma is a publishing initiative aimed at the diffusion of knowledge of trends and experiences in the fields of art, architecture and photography and, more in general, at the promotion of the most interesting researches on productive and technological aspects related to the transformation of the territory, contemporary lifestyles and homes.The intention of the publishing house is to give a “form” to the expressive undercurrents which run through and animate the current cultural debate and to explore both specific areas of knowledge that are known to the public, and to give greater visibility to those currently marginal intellectual and artistic expressions that are considered, for various reasons, to open new vistas on reality. To achieve this, Forma avails itself, without any distinction of priority, of all means of communication, both digital by making its publications available on the internet or by means of e-books, and traditional ones, by printing volumes on paper, such as monographs and catalogues of exhibitions and events. Every initiative is characterized by the high quality of the overall product (including images and printing). The publications are distributed in places (specialized bookstores, museum bookshops and exhibition venues) which, in addition to being available on the internet, assure the necessary and indispensable presence in the “sites” where opinions and critic valuations are formed.
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Architecture
◊ Contemporary Architects◊ Contemporary Works◊ ONE series ◊ Critical Readings◊ Urban Planning ◊ Typologies
The new Antinori winery project is located in the extraordinary hilly landscape covered with vineyards of Chianti, halfway between Florence and Siena. The customer wanted a building which enhanced the surrounding landscape and territory and bore witness to the cultural and social relevance of the places where wine is made. The conceptual theme of the project has taken the form of a shell that is totally underground, without roofs, walls, streets and parking spaces, following a design which dares to reconcile (a difficult but necessary challenge) the natural and the artificial. It is precisely the story of this constant research, of the indispensable connection between architecture and landscape, which represents the fulcrum on which the whole volume pivots.
ANTINORI WINERYDiary of building a new landscape
by Laura Andreini; texts by P. Antinori, M. Casamontiintroduction by M. Fuksas; presentation by C. Clini
33,5x28 cm; 438 pagesbound hardback with cloth coverbook + dvd
Book (Italian version)2012; ISBN 978-88-96780-33-6 (ita) € 69,00
Book + slipcase2012; Isbn 978-88-96780-37-4 (ita) € 89,00
Book (English version)2012; Isbn 978-88-96780-40-4 (eng) € 79,00
Book + slipcase2012; Isbn 978-88-96780-39-8 (eng) € 99,00
Portuguese texts2012; Isbn 978-88-96780-49-7 (por) € 20,00
Spanish texts2012; Isbn 978-88-96780-47-3 (esp) € 20,00
German texts2012; Isbn 978-88-96780-48-0 (de) € 20,00
Hundreds of photographs by Pietro Savorelli have immortalized years of work on the building site, telling the story of all the phases that have made it possible to realize this extraordinary project. The images, along with numerous technical drawings on every scale, critical and descriptive texts, illustrate the design process which has led to the construction of a new landscape.
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lliARCHITECTURE Contemporary Works
ARCHEA CHINA 20with an introduction by Z. Fang
The volume records the experience of Archea Associati in China through 20 illustrated projects of recent years.The collection includes competitions, projects under construction and complete works. It gives an overview on the design and research activity of Archea, ranging from masterplans for entire cities to housing and industrial complexes, to the interior design of single buildings. Charlie Xia’s images, the technical drawings and some text descriptions represent a fundamental instrument for the interpretation andthe comprehension of the selected projects. A critical text by Zhenning Fang gives the opportunity to reflect on the peculiarities of contemporary Chinese architecture and on its possible future evolutions.
21x24 cm; 320 pages; eng/itapaper binding with flaps
2013; Isbn 978-88-96780-55-8€ 45,00
9 788896 780558
ISBN 978-88-96780-55-8
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tianjin land 7 office buildingtango discoparkour - beijingtianjin smic masterplanubpa b3-2 pavilion world expo 2010shangri-la winerygel - green energy laboratoryhelmchen islandconsulting for sino-singapore nanjing eco hi-tech island conceptual planningrenovation of beijing fushin logistic centerordos 20+10 p12ordos 20+10 t06guizhou zhen wineryli ling world ceramic art citymoove - chang li winerymadam dai centre - theatre and art gallery of changshayanqing wine industry urban planningtasly hotellvbo core cluster areabeijing jun zhuang international winery culture centre
La definizione del progetto attraverso la composizione di quattro volumi regolari, ai quali vengono sottratti ampi blocchi basamentali, permette all’opera di mettere in relazione pieni e vuoti, regolarità e irregolarità. I volumi costruiti con tecnologie eco-sostenibili e contenenti uffici e spazi di incontro dialogano con quattro ampie piazze pubbliche coperte, unite tra loro da due corridoi centrali a cielo aperto che si incrociano centralmente rendendo fruibile e attraversabile l’area e favorendone l’integrazione con lo spazio naturale esterno.La definizione del progetto attraverso la composizione di quattro volumi regolari, ai quali vengono sottratti ampi blocchi basamentali, permette all’opera di mettere in relazione pieni e vuoti, regolarità e irregolarità. I volumi costruiti con tecnologie eco-sostenibili e contenenti uffici e spazi di incontro dialogano con quattro ampie piazze pubbliche coperte, unite tra loro da due corridoi centrali a cielo aperto che si incrociano centralmente rendendo fruibile e attraversabile l’area e favorendone l’integrazione con lo spazio naturale esterno.
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7ARCHITECTURE Contemporary Architects
24,5x32,5 cm; 240 pages por/eng; bound hardback
2012; Isbn 978-88-96780-27-5€ 30,00
HABITAR A COMUNIDADEby M. Casamonti, M. Giberti
Rio de Janeiro is currently the centre of the world’s attention due to the events the city and the Brazilian government have succeeded in attracting to the former capital. This is the result of a specific political strategy aimed at consolidating the image of a country undergoing a rapid expansion, which is becoming increasingly irreconcilable with the conspicuous presence of an informal urban fabric in the form of favelas. The volume “Habitar a comunidade / Abitare la comunità” has been created within the context of an attempt to identify new strategies of intervention in the “informal city” that rather than try to impose external models, aims to define some simple operational principles that may be implemented both by individuals and by administrations through shared and participative projects. The underlying concept is that the communities can only be upgraded through a direct involvement of their own members.
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8 Urban Planning ARCHITECTURE
22,5x28 cm; 304 pages; itabound hardback with folded dust jacket
2013; Isbn 978-88-96780-38-1 € 40,00
In the past twenty years, nearly all of Europe’s major ex hibition centres have been expanded, rebuilt, or constructed in new locations to replace antiquated and inadequate facilities. Significant amounts have been invested in developments that have often brought radical change to entire city districts. This volume offers a selection of the most interesting European exhibition complexes, distinguishing the new centres (as for example the fairs in Milan, Rome and Stuttgart), from those which have been renovated or expanded (such as Vienna, Berlin, Padua and Turin). Each project is described through an illustrative text, completed by images and technical drawings. In the last pages, a practical manual summarizes all the information and the requirements for the correct design of a trade fair.
POLI FIERISTICIedited by C. F. Kuschwith a contribution by V. Marg
Fiera di Rimini
Con l’assegnazione del primo premio al concorso per la realizzazio-ne della nuova fiera di Rimini, si offre allo studio von Gerkan, Marg und Partner, immediatamente dopo il completamento della Nuo-va Fiera di Lipsia, un’altra occasione di costruire un polo fieristico completamente ex-novo. Nella patria dell’architettura classica gli architetti attingono al vocabolario della tradizione con un’imposta-zione generale di tipo assiale e nella definizione dei singoli elementi tipologici di cui è formato il complesso fieristico: padiglioni con vol-te a botte, cupole, portici, cortili e aule colonnate richiamano le for-me archetipiche dell’architettura pur rimanendo sempre il risultato di soluzioni funzionali e costruttive contemporanee.
Quattro esili torri d’acciaio e vetro, illuminate di notte con luce blu, sono il simbolo della fiera: ben visibili da lontano fanno rife-rimento alle torri gentilizie, tipiche delle città medievali dell’Italia centrale. Posizionate davanti all’ingresso principale, accolgono il visitatore, dopo il passaggio sotto la linea ferroviaria, su un vasto piazzale dal quale si accede alla fiera, agli uffici amministrativi nelle due ali laterali e all’anello di accesso carrabile ai padiglioni, nonché alla fermata ferroviaria, realizzata appositamente per la fiera.
Il complesso ha una chiara impostazione simmetrica, organizza-ta secondo lo schema “a doppio pettine”, risultato il più funzionale per l’organizzazione degli spazi espositivi. Dall’ingresso principale, situato sull’asse centrale, si accede ad una sala colonnata e da que-sta, sui due lati, ai padiglioni espositivi nonché alla cupola centrale, alle sale conferenza, ai ristoranti e agli altri servizi. Due ulteriori in-gressi, sui due lati est ed ovest, collegati con vaste aree parcheggio, permettono un’ottimale flessibilità e gestione degli eventi fieristici.
Dopo l’ampliamento, con due padiglioni doppi attestati sugli in-gressi laterali, sedici ambienti espositivi offrono circa 110.000 mq di superficie per fiere ed eventi che possono svolgersi anche contem-poraneamente, grazie ai tre ingressi di accesso separati. I padiglioni
sono illuminati da luce naturale attraverso le facciate laterali vetra-te e da lucernari in copertura, ma possono essere oscurate comple-tamente se necessario. Piccoli padiglioni di raccordo e il colonnato assicurano al visitatore un passaggio coperto e continuo attraverso tutta la fiera.
I padiglioni, disposti sui due lati dei lunghi colonnati che circon-dano i vasti specchi d’acqua, sono monoplanari e hanno coperture voltate a botte in legno lamellare. Le volte a losanghe sono un rife-rimento alle costruzioni degli anni ’20 dell’ingegnere tedesco Frie-drich Zollinger e dell’ingegnere italiano Pier Luigi Nervi. Le travi, alte solo 80 cm, hanno tutte le stesse dimensioni formando una rete omogenea di losanghe, che copre il padiglione senza sostegni intermedi per una superficie di 60×100 m. Per la costruzione della cupola, il cuore della fiera, la tecnica costruttiva utilizzata per i pa-diglioni, è stata ulteriormente affinata. Lo spazio circolare, con un diametro di 30 m alla base, contornato da una doppia fila di colon-ne, è coperto con una cupola lignea composta da elementi di varie dimensioni che formano una rete a losanghe che si stringe verso il lucernario centrale. Il pavimento in grès è abbassato di alcuni gra-dini rispetto al livello circostante e riporta, intarsiato, il michelan-giolesco motivo della piazza del Campidoglio.
Architetti: von Gerkan, Marg und Partner, Amburgo
Progetto strutturale: Favero e Milan Ingegneria, Mirano-Venezia Schlaich, Bergmann und Partner, Stoccarda
Coordinamento locale: Clemens F. Kusch, Venezia
Committente: Ente Autonoma Fiera di Rimini
Concorso: 1997, 1° premio
Realizzazione: 1999-2001
Superficie lorda: 130.134 mq
Numero di padiglioni: 12
Superficie espositiva: 82.000 mq
Costo: ca. 93 milioni Euro
Ampliamento: due padiglioni doppi, 2001-2003
Foto: Klaus Frahm, Heiner Leiska
70 71
9ARCHITECTURE Typologies
NEMBRO PUBLIC LIBRARYedited by L. Andreiniwith texts by F. Bollack, L. Molinari
PERFETTI VAN MELLE FACTORY RENOVATION edited by L. Andreiniwith texts by P. Meuser, M. Giberti
The library of Nembro designed by the Archea firm between 2002 and 2007 could be defined as a perfect and coherent work, a child of the Italian architectural culture of the postwar years with all the wealth of meanings, complexity and subtle contradiction that this definition entails. The new building appears as a box of glass and steel, shielded from the sun by a curious system of sunscreens in red earthenware, fastened to iron rods.
In 2004 Perfetti van Melle, an important Italian corporation and one of the world’s leading chewing gum and candy manufacturers, decided to expand its first historical plant in Lainate, a few kilometres north of Milan. The idea has been to build a new central warehouse for the stocking of all products made in this section, as well as to organize the management offices by concentrating them in a new office building.
21x16,5 cm; 160 pages; ita/eng bound hardback
2012; Isbn 978-88-96780-25-1€ 30,00
24,5x32,5 cm; 160 pages; ita/eng; bound hardback
2012; Isbn 978-88-96780-20-6€ 30,00
Lecture: Nembro, 27/09/2012 @ Nembro Public Library
10 Contemporary Works ARCHITECTURE
9 788896 780565
ISBN 978-88-96780-56-5
24,5x32,5 cm; 136 pages; ita/eng; bound hardback
2015; Isbn 978-88-96780-56-5€ 30,00
The project arises from a collaboration between the Jiao Tong university and the Italian Ministry of Environment and Protection of Land and Sea for the realization of a low environmental impact building. GEL Green Energy Laboratory is a simple and compact body endowed with a central courtyard covered by a skylight. Every space enjoys the benefits derived from
GEL GREEN ENERGY LABORATORYedited by L. Andreinitexts by V. P. Mosco; with an introduction by Z. Fang
the maximization of ventilation and natural lighting through an external skin made by a steel and cotto panels manifactured in Italy. This facade guarantees the control and the screening of sun rays on the glazed internal surface.
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COMINGSOON
11ARCHITECTURE Contemporary Works
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UNDER 50 OVER 5000edited by L. Andreini with an essay by L. Vinca Masini and an introduction by M. Casamonti
NEW
“Under 50 over 5000” presents a completely new selection of designs made for the fashion sector, analysed and described with the precious contribution of their creator, Antonio Barbieri, an architect but above all a craftsman who has worked with interior design, exhibition areas and commercial spaces for many years. The volume unites and describes, through texts, technical drawings and images by Pietro Savorelli, a selection of works, comprising
numerous projects ranging from furniture to lighting design, from concepts for international brands to window displays, to temporary stores. The main theme of the story about architecture is the outstanding versatility of this design, which is especially evident from an essential trait that characterizes all the projects included in the publications, namely their markedly “crafted” and “customised” nature.The skilful use of the materials and their
24x30 cm; 160 pages; ita/eng; bound hardback with plexiglass cover
2014; Isbn 978-88-96780-72-5 € 55,00
Book Launch: Florence, 19/12/2014@ Spazio A
9 788896 780725
ISBN 978-88-96780-72-5
adaptation to forms and placements, which is often very original, allow Barbieri to create spaces that not only succeed in meeting the commercial requirements, but that also adjust to the all-important present-day restriction, that of the “cost per square meter”. In fact, the choice of projects presented herein comprises both projects of luxurious interiors where nothing has been spared and others where a remarkable result has been achieved in spite of a limited budget.
13ARCHITECTURE Contemporary Works
IVANO GIANOLALAC LUGANO ARTE CULTURA edited by C. Frisonewith an essay by M. Casamontiphotographs by A. Chemollo
The LAC (Lugano Arte Cultura) is aspiring to become the most important centre for cultural development in Lugano and Italian Switzerland. Forma Edizioni is dedicating an important volume to this project; the book has been realised with the collaboration of the Ticinese architect, Ivano Gianola, winner of the project’s international competition. The functional layout of this imposing structure which will be inaugurated in September 2015, is composed of a multi-functional space for a new theatre and concert hall with seating for 1000, a museum, restaurant area, office space and housing. The urban image has a very strong impact, an aspect that had to be considered by the architect. The volume describes the complete history of this work in great detail, through critical and descriptive texts, drawings, sketches, and numerous photographs that make up the highly accurate documentation of this significant construction site.
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ARCHEASUSTAINABLE LANDMARKSedited by L. Andreini with an introduction by F. Burkhardt
9 788896 780008
ISBN 978-88-96780-00-8
21x21 cm; 912 pages; ing/ita; bound hardback with cloth cover
2009; Isbn 978-88-96780-00-8€ 55,00
The volume, part of the Contemporary Authors series, provides an opportunity to reflect upon over twenty years of Studio Achea’s activity. After the introduction by François Burkhardt, more than 50 works by the studio are shown, placed in different thematic sections such as landscape, architecture, interiors and furnishing. The broad selection of architecture and projects published is proof of the continual research and experimentation of ever-evolving themes. Nevertheless, in spite of unceasing interest in variation, specific characteristics of the cultural circles involved in the project emerge,along with the differences.Going beyond the heterogeneity of the submitted proposals, we can catch a glimpse of a clear guideline, which sets Studio Archea in a well-defined position within the landscape of contemporary architecture.
14x14 cm; 96 pages; por/eng bound hardback
2011; Isbn 978-88-96780-12-1€ 11,00 euro
ARCHEASUSTAINABLE LANDMARKS
with an introduction by L. Molinari
Book Launch: Sâo Paulo, 06/05/2011@ MuBE Museu Brasileiro da Escultura
16 Contemporary Architects ARCHITECTURE
ARCHITECTURE EDITORIALSby M. Casamonti
€ 12,90
Abbiamo bisogno di riflettere con attenzione sul significato contemporaneo di edificio, su come lo interpretiamo oggi, sul ruolo che svolge nel territorio e nella città contemporanea, sul modo come si perviene alla sua costruzione, sulle condizioni economiche, sociali, politiche, culturali e, infine, sulle generali condizioni produttive e normative. Nello stesso tempo, è necessario capire il ruolo che il progetto di architettura assume nel restituire questa nuova realtà dell’edificio, della città, del territorio, in un rapporto nuovo con le tecniche costruttive e, dunque, con la tecnologia. Un ruolo che oggi può diventare succedaneo, incapace di accettare le sfide dell’innovazione rispetto a uno sviluppo sostenibile. Costretto a essere, solo e soltanto, superficie, trucco, abbellimento, una sorta di utilizzatore finale di tecniche, prodotti e componenti. È invece necessario riscoprire un ruolo che sicuramente appartiene al progetto di architettura, quello di essere l’arte della tecnica: riuscire a coniugare i due principi che stanno alla base, il principio di realtà e il principio ideale. Riassumere su di sé il ruolo culturale egemone, depositario di un sapere e di un saper fare, che è l’essenza del governo di quello che chiamiamo processo edilizio.
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Carlo Terpolilli
Progettando EdificiConsiderazioni sul progetto di architettura come arte della tecnica
Carlo TerpolilliCarlo Terpolilli è architetto e docente presso la Facoltà di architettura dell’Università di Firenze, dove insegna Tecnologia dell’Architettura. Visiting professor presso lo IUAV di Venezia, nei workshop estivi dal 2004 al 2006. Socio fondatore di Ipostudio architetti, a Firenze dal 1983. La sua attività ha come campo di indagine le relazioni tra la progettazione architettonica e quella tecnologica, in particolare nel settore dell’innovazione del processo di progettazione e costruzione della progettazione architettonica. Ha curato il volume Emergenza del progetto – progetto dell’Emergenza, architetture con-temporaneità edito da Federico Motta Editore nel 2005. Le sue opere hanno ottenuto riconoscimenti in diversi concorsi di progettazione a livello nazionale e internazionale, sono state più volte pubblicate in Italia e all’estero ed esposte in mostre, tra le quali la Biennale di Venezia e la Triennale di Milano. Tra i riconoscimenti, è stato finalista al premio Medaglia d’oro all’architettura italiana del 2006 e segnalato al XIX Compasso d’oro ADI 2001. I suoi lavori sono raccolti nel volume Ipostudio, la concretezza della modernità di Marco Mulazzani, pubblicato da Electa nel 2008 nella collana Documenti di architettura.
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no Laura Andreininasce a Firenze nel 1964.È architetto, Dottore di Ricerca, Ricercatore Universitario presso il Dipartimento di Architettura - Disegno, Storia, Progetto dell’Università degli Studi di Firenze.Nell’Ateneo fiorentino si occupa attualmente del corso di Interni e Allestimento a Disegno Industriale e del Laboratorio di Progettazione dell’Architettura II per il corso di Laurea in Scienze dell’Architettura.Nel corso degli anni la sua attività didattica si affianca a quella di ricerca, supporto, a sua volta, dell’attività professionale nel campo della progettazione architettonica, avviata nel 1988 con la fondazione, insieme agli architetti Marco Casamonti e Giovanni Polazzi, dello studio Archea. Dal 2003 rivste il ruolo di vice-direttore della rivista “area” edita dal Sole 24 Ore spa.
La proporzione come principio immutabile, a cinquecento anni dalle formulazioni albertiane, costituisce il riferimento primo del comporre in architettura, regola d’insegnamento, fattore di ispirazione e controllo del progetto. Quelle stesse proporzioni, che per Viollet-le-Duc dipendono dalle “regole della geometria”, costituiscono forse l’elemento che manifesta in modo più evidente la “continuità del classico” e la permanenza di quel sistema di valori che sotterraneamente, come più volte viene evidenziato nel corso di questo studio, convivono con l’adesione al moderno e la ricerca di razionalità che caratterizza le esperienze degli anni Venti e Trenta in Italia.
€ 12,90
Laura Andreini
La permanenza del concetto di proporzione dal Rinascimento al Moderno
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LA PERMANENZA DEL CONCETTO DI PROPORZIONE DAL RINASCIMENTO AL MODERNOby L. Andreini
16,3x24 cm; 176 pages; itapaper binding with flaps
2012; Isbn 978-88-96780-35-0€ 12,90
16,3x24 cm; 288 pages; ita/eng;paper binding with flaps
2012; Isbn 978-88-96780-29-9€ 12,90 euro
PROGETTANDO EDIFICI
by C. Terpolilli
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Carlo Terpolilli
3 città (im)possibili
€ 19,90
Carlo Terpolilli è architetto e docente presso la Facoltà di architettura dell’Univer-sità di Firenze, dove insegna Tecnologia dell’Architettura. Visiting professor presso lo IUAV di Venezia, nei workshop estivi dal 2004 al 2006. Socio fondatore di Ipostudio architetti, a Firenze dal 1983.La sua attività ha come campo di indagine le relazioni tra la progettazione architet-tonica e quella tecnologica, in particolare nel settore dell’innovazione del processo di progettazione e costruzione della progettazione architettonica.Ha curato il volume “Emergenza del progetto – progetto dell’Emergenza, architet-ture con-temporaneità” edito da Federico Motta Editore nel 2005. Le sue opere han-no ottenuto riconoscimenti in diversi concorsi di progettazione a livello nazionale e internazionale, sono state più volte pubblicate in Italia e all’estero ed esposte in mostre, tra le quali la Biennale di Venezia e la Triennale di Milano.Tra i riconoscimenti, è stato finalista al premio Medaglia d’oro all’architettura italia-na del 2006 e segnalato al XIX Compasso d’oro ADI 2001. I suoi lavori sono raccolti nel volume “Ipostudio, la concretezza della modernità” di Marco Mulazzani, pubbli-cato da Electa nel 2008 nella collana “Documenti di architettura”.
Carlo Terpolilli is architect and professor at the University of Florence, where he teaches Technology of Architecture. From 2004 to 2006 he was visiting Professor at IUAV summer workshops in Venice. He is founder partner of Ipostudio Architects, in Florence since 1983.Carlo Terpolilli’s activity expecially enquires into the connections between architec-tural design and technology, focusing on the field of design process and construction innovation.He edited the book “Emergenza del progetto – progetto dell’Emergenza, architetture con-temporaneità” published by Federico Motta Editore in 2005. His works have won awards in various national and international design competitions and were published in Italy and abroad. A wide selection of these works is collected in the book “Ipostudio, la concretezza della modernità” by Marco Mulazzani, published by Electa in 2008 in the series “Documenti di architettura”.Among the awards, he was finalist at the Medaglia d’oro all’architettura italiana Award (2006) and was selected for the international design award XIX Compasso d’Oro ADI (2001), Milan. His works have been exposed in many exhibitions, including the Venice Biennale and the Milan Triennale.
21x24 cm; 112 pages; ita/eng;paper binding with flaps
2012; Isbn 978-88-96780-34-3€ 19,90 euro
3 CITTÀ (IM)POSSIBILI
by C. Terpolilli
Marco Casamonti, director of Area, the international magazine of architecture, art and design, has collected all his editorials in this single volume. The texts offer a rather unusual panorama of the evolution of architecture over the last twenty years.
In fact, every issue of the magazine is monographic and always deals with a different topic each time, researching subjects of public interest, presenting a carefully chosen selection of projects, prefaced by authoritative critical essays.
COMINGSOON
17ARCHITECTURE Critical Lectures
LA SERIE E IL PARADIGMAFRANCO PURINI E L'ARTE DEL DISEGNO PRESSO I MODERNI
“I do not think it is possible to do anything that truly represents ourselves without a certain level of obsession. I have also always been convinced that the architect cannot resolve the contradictions that reality constantly reveals to us using drawings, projects and construction, but I agree with the theory of Manfredo Tafuri, that architects should represent these contradictions. I also feel that there is not much point in exercising a profession such as that of an architect without having a fundamental theme to focus on throughout one’s life. My personal theme is the contrast between constrictive, almost imprisoning, spatiality and the aspiration to total freedom. A theme that finds a reflection in the coexistence within myself of the light and dark sides of reason. And all with a certain preference for hermeticism. Lastly, drawing is the crucible in which the ensemble of these motivations is brought to that melting temperature which unifies them in a substance that is at the same time corporeal and intangible.” (F. Purini)
18 Critical Lectures ARCHITECTURE
21x24 cm; 112 pages; ita; paper binding with flaps
2014; Isbn 978-88-96780-74-9 € 20,00
Book Launch: Milan, 16/01/2015@ La Triennale di Milano
Book Launch: Rome, 30/03/2015@ Casa dell'Architettura
9 788896 780749
ISBN 978-88-96780-74-9
NEW
19ARCHITECTURE Critical Lectures
RESIDENZA DEL FORTE CARLO FELICE with an introduction by L. Molinari
CSPE. CENTRO ONCOLOGICO FIORENTINOby C. Donati, G. Felli
FIORENZO VALBONESI.TRE CANTINEedited by L. Andreini
9 788896 780015
ISBN 978-88-96780-01-5
23x28 cm; 194 pages; ita/eng bound hardback with folded dust jacket
2009; Isbn 978-88-96780-01-5€ 39,00 euro
23x28 cm; 160 pages; ita/engbound hardback with folded dust jacket
2011; Isbn 978-88-96780-19-0€ 30,00 euro
23x28 cm; 184 pages; ita/engbound hardback
2010; Isbn 978-88-96780-05-3€ 40,00
CENTRO ONCOLOGICO FIORENTINO
CSPE
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Questo libro racconta la trasformazione di un’antica Villa in un Centro ad alta specia-lizzazione oncologica. Il dialogo tra storia e contemporaneità è il leitmotiv del progetto: una realtà unica, come unico è stato il percorso realizzativo all’insegna di un approccio innovativo e sperimentale. Costruire un Ospedale oggi, implica scommettere sul suo futuro. Lo scenario odierno è infatti caratterizzato da una rifondazione disciplinare che affronta la rilettura critica dei parametri culturali, architettonici e tecnologici dei luoghi di cura del XX secolo per rispondere alle rinnovate esigenze della ricerca clinica e di un sistema sanitario in forte evoluzione. Così, in un contesto complesso e multidisciplinare, la storia del nuovo Centro Oncologico Fiorentino offre spunti per un duplice approfondimento: il primo è quello di soffermarsi a riflettere sul valore delle strutture storiche nei progetti di recupero ospe-dalieri; il secondo riguarda il ruolo della committenza e le visioni culturali che hanno dato senso agli obbiettivi ed agli interrogativi durante i lunghi tempi della progettazione.In che direzione si muove quindi l’Ospedale e le politiche sanitarie contemporanee? Quali sono i nuovi orizzonti dell’oncologia? Come si coniugano le esigenze della cura, della formazione e della ricerca in un unico Centro ad alta specializzazione? Esiste un’architet-tura per l’oncologia? Queste ed altre domande trovano spunti di indagine in un libro che non vuole limitarsi a presentare l’esito architettonico, ma intende condividere pensieri e aspettative con la comunità di tutti coloro disposti ad interrogarsi su di una cultura dell’assistenza in attesa del suo prossimo salto epocale.
This book recounts the conversion of a historic villa into a highly specialized cancer center. The design’s guiding theme is a dialogue between history and the present day. The situation is as unique as the process of designing the center, which took an innovative, experimental approach. Building a hospital today means taking on the future. The current situation is marked by the pursuit of new foundations for a discipline that addresses a critical rethinking of the cultur-al, architectural and technological criteria of 20th-century healthcare places to respond to the new demands of clinical research and a changing healthcare system. Within this com-plex, quickly-changing context, the story of the new Centro Oncologico Fiorentino cancer center offers inspiration for two lines of further thought. The first of these is reflection on the role of historic buildings in hospital conversion projects. The second is the role of clients and the cultural perspective that gave meaning to the goals and questions that are part of the lengthy design process. In what direction are hospitals and contemporary healthcare policies moving? What is the future of oncology? How can we merge the demands of treat-ment, education and research in a single, highly specialized center? Is there architecture for oncology? These and other questions are springboards for thought presented in this book, which seeks to go beyond just presenting the results of an architectural project. Its intent is to share ideas and hopes with the community of all those who are interested in exploring a healthcare culture waiting to take its next great leap forward.
CRISTINA DONATI GIULIO FELLI
STORIA DI UNA TRASFORMAZIONE VERSO MODELLI FUTURI STORY OF AN ADAPTIVE REUSE FOR NEW MODELS OF CARE
CRISTINA DONATI Studia architettura a Firenze dove con-segue un Dottorato di Ricerca in storia dell’architettura contemporanea. Dopo la laurea si trasferisce a Oxford (UK) dove collabora con studi professionali, si occupa di editoria e cura mostre per l’Accademia Italiana di Londra. Ha svolto attività didattica per la Kent State University (USA) con il corso di Theories of Architetcure. Scrive per numerose riviste internazionali di settore. Dal 2005 si occupa della comunicazione editoriale delle principa-li realizzazioni del CSPE. È autore di saggi e monogra-fie tra cui: Michael Hopkins, Skira, 2006; L’Innovazione Tecnologica dalla Ricerca alla Realizzazione, Electa, 2008.
GIULIO FELLI Direttore dello studio CSPE dove si occupa della progettazione e del coordinamento dei principali concorsi e progetti ospedalieri. All’attività professiona-le affianca la ricerca sui modelli sanitari anglosassoni e l’attività accademica che svolge presso la Facoltà di Architettura dell’Università degli Studi di Ferrara.
CRISTINA DONATI studied architecture at Florence University where she gained a Ph.D in contemporary architecture. After her degree, she moved to Oxford (UK) to work with architectural practices and cultural associa-tions in London. She has taught the course of Theories of Architetcure for the Kent State University (USA). She writes articles and essays for international architectur-al magazines. Since 2005 she is in charge of the edito-rial communication at CSPE. Among recent publications: Michael Hopkins, Skira, 2006; L’Innovazione Tecnologica dalla Ricerca alla Realizzazione, Electa, 2008.
GIULIO FELLI is Director of the CSPE firm, where he is in charge of design and coordinating major competitions and hospital designs. He pairs his work as an architect with research on innovative healthcare models and teaching at the Faculty of Architecture of the University of Ferrara.
20 Contemporary Works ARCHITECTURE
URBAN BEST PRACTICE AREA B3-2 PAVILIONedited by L. Andreini
23x28 cm; 120 pages; ita/engbound hardback soft touch
2010; Isbn 978-88-96780-04-6€ 25,00 euro
16,5x21 cm; 156 pages; ita/engpaper binding with flaps
2011; Isbn 978-88-96780-07-7€ 20,00
AND STUDIO
21ARCHITECTURE Contemporary Works
ADOLFO NATALINI CONVERSATIONS (ARCHITECTURAL AUTOBIOGRAPHY)
Founder of Superstudio, initiator of the so-called “Radical Architecture” movement (one of the most important avant-garde movements of the sixties and seventies), Adolfo Natalini describes years of designed and constructed architectural projects through his preferential medium: drawings and sketches.
This book contains work from several of his large collection of notebooks retracing almost fifty years of professional career. The order in which the notebooks are published, interspaced and coordinated by means of a long interview, demonstrate the evolution of the initial idea, interpretation and
vision of the architectural oeuvre of one of the leaders in Italian architecture.
Adolfo Natalini was born in Pistoia in 1941. After his experience as a painter, he graduated in architecture at Florence University in 1966 and founded Superstudio, (with Cristiano
22 Contemporary Works ARCHITECTURE
Toraldo di Francia, Gian Piero Frassinelli, Roberto and Alessandro Magris). Superstudio’s designs have appeared in publications and exhibitions all over the world and it’s works now form part of collections such as the MoMA in New York, the Israel Museum in Jerusalem, the Deutsche Architekturmuseum in
Frankfurt am Main and the Centre Pompidou in Paris. From 1979 onwards Natalini started working on his own and concentrating on his designs for historical towns in Italy and other countries in Europe, looking for the traces left by time on objects and places and proposing a
reconciliation between collective and personal memory. He is a full professor at the faculty of architecture of Florence University and an honorary member of the BDA, (Bund Deutscher Architekten), of the Accademia delle Arti del Disegno in Florence and of the Accademia di San Luca.
COMINGSOON
23ARCHITECTURE Contemporary Works
ONEseries edited by L. Andreini and A. Mannocci
ONE is the editorial initiative by Forma Edizioni about a series dedicated to Italian contemporary architecture, edited by Laura Andreini and Andrea Mannocci. The central ‘characters’ of the volumes of this series are projects, one for each, of the selected offices among architects working in Italy and abroad. The monographs, in a bilingual Italian/English edition and collected in a special slipcase, will constitute a document of the Italian architectural reality in its most innovative and cutting-edge thrust. Each volume consists of an introductory essay, a presentation of the project and of the office, through a biography, a brief list of works and a bibliography of publications.
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21x16,5 cm; 64 pages; ita/engpaper binding with flaps
2012; Isbn 978-88-96780-21-3€ 10,00
-SCAPE VILLINO LIBERTY with an introduction by G. Sanguigni
The project deals with the restoration of a building located on the outer edge of the old city centre of Rome and the redesign, in a contemporary key, of the two upper floors of the building, which have been turned into a large private dwelling. The monograph, in a bilingual Italian/English edition, presents a complete description of the work, through technical specifications and an explicative text that, together with photographs and technical drawings, allow an in-depth reading of the project.
Book Launch: Rome, 24/04/2013@ Auditorium Parco della Musica
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25ARCHITECTURE ONE Series
PAOLO BELARDI – HOF LABCENTRO ARTIGIANALEwith an introduction by D. Barbarelli
MASSARENTE ARCHITETTURA CASA MUSEO GIACOMO MATTEOTTIwith an introduction by A. De Poli
Images, texts and drawings narrate the restoration project of an industrial zone and its conversion to create a centre for handcrafting activities. The desire of the client, who wished to maintain the original productive vocation of the area, established the criteria for the project, leading the designer to ignore contemporary trends and style to focus on a reading of the local area and its history.
The project for the restoration and promotion of the Giacomo Matteotti Home Museum was achieved through a series of complementary interventions directed at preserving, and at the same time, transmitting a period of history, and in some way, providing the symbolic restitution of a place which had been lost for some time.
21x16,5 cm; 64 pages; ita/engpaper binding with flaps
2014; Isbn 978-88-96780-70-1€ 10,00
21x16,5 cm; 64 pages; ita/engpaper binding with flaps
2014; Isbn 978-88-96780-71-8€ 10,00
9 788896 780701
ISBN 978-88-96780-70-1
9 788896 780718
ISBN 978-88-96780-71-8
Book Launch: Rovigo, 31/01/2015@ Accademia dei Concordi
26 ONE Series ARCHITECTURE
LUCA GAZZANIGA ARCHITETTI PIV CASA A PRISTINAwith an introduction by K. Frampton
The concept was to connect a sequence of semi-autonomous elements positioned in various ways. Five volumes, all different in terms of size and shape, frame ample views of the surrounding landscape. Their irregular positioning creates secluded outdoor areas between them that are closely related to the internal spaces.
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COMINGSOON
21x16,5 cm; 64 pages; ita/eng or fra/eng paper binding with flaps
2013; Isbn 978-88-96780-51-0 (ita/eng) € 10,00
2013; Isbn 978-88-96780-50-3 (fra/eng) € 18,00
...It is precisely the pursuit of a restrained monumentality that represents the common denominator of the early works of LAN. On one side, that enables them to offset the kitschy and mannerist new wing of the Town Hall, or the picturesque style of the Gothic façade of the wholly reinvented church, and on the other to hold the reins on technology and resist – not always successfully – the current rampant ecologist rhetoric which drives especially public clients towards an ideological and thus wholly uncritical acceptance of energy production technologies. After about ten years of cooperation and physiological formal experimentation, Benoit Jallon and Umberto Napolitano do appear determined to continue along the path they have staked out for themselves, towards the difficult art of “city-making” which has always been a peculiarity and at the same time an obstinate ambition of the Italian architectonic tradition.
M. Orazi
LAN ARCHITECTURE GYMNASIUM AND TOWN HALL ESPLANADE with an introduction by M. Orazi
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DEP STUDIO CASA N/Swith an introduction by D. Rota
VECCIARCHITETTI CASA Cwith an introduction by N. Flora
The new volume presents the two-family residence CASA N/S, built near Bergamo by dep studio. The volume is enriched by an introductory essay by Davide Rota and a presentation about the activities of the office, through bio-bibliographycal notes.
The project, which is located in the northern area of Naples, has consisted of the landscaping of the garden and the planning and decoration of the interiors of an apartment on the ground floor of a three floor residential building.
21x16,5 cm; 64 pages; ita/engpaper binding with flaps
2011; Isbn 978-88-96780-18-3€ 10,00
21x16,5 cm; 64 pages; ita/engpaper binding with flaps
2012; Isbn 978-88-96780-24-4€ 10,00
Book Launch: Naples, 14/06/2012@ Ubik Bookstore
Book Launch: Bergamo, 26/03/2012@ la Feltrinelli Libri e Musica
29ARCHITECTURE ONE Series
DIVERSERI-GHESTUDIOCASALOGICAwith an introduction by L. Molinari
NEOSTUDIO PIAZZA GARIBALDI with an introduction by F. Prati
ARIU+VALLINO ARCHITETTISUMMER HOUSESwith an introduction by C. Piva
Casalogica, a residential project realized in the Po Valley in the Province of Bologna, is positioned in an empty lot in an urban fabric characterized by the presence of two compact buildings from the early Fifties, which were recovered as part of a unitary project.
Encircled by a still intact belt of Medieval walls, enclosed within an urban plan whose empty spaces still prevail within the densely built sorroundings. Piazza Garibaldi represents an important episode in the redevelopment of the historical centre of Lastra a Signa.
The volume concerns the new summer houses built in an area in front of the pine wood which defines the skyline of Spotorno. The project is articulated in a number of simple terraced volumes that follow the morphologic development of the surroundings.
21x16,5 cm; 64 pages; ita/engpaper binding with flaps
2012; Isbn 978-88-96780-30-5€ 10,00
21x16,5 cm; 64 pages; ita/engpaper binding with flaps
2012; Isbn 978-88-96780-28-2€ 10,00
21x16,5 cm; 64 pages; ita/eng paper binding with flaps
2012; Isbn 978-88-96780-32-9€ 10,00
Book Launch: Bologna, 14/02/2013@ CorrainiMAMbo artbookshop
Book Launch: Genova, 03/04/2013@ la Feltrinelli Libri e Musica
Book Launch: Genova, 03/04/2013@ la Feltrinelli Libri e Musica
ONE Series ARCHITECTURE
TRAVERSO-VIGHY CASA CESCHIwith an introduction by L. Molinari
Giovanni Traverso and Paola Vighy develop along a coherent trajectory that leads to the creation of light buildings based on experimentation, prefabrication and a sparing use of resources; they cooperate with local craftsmen and try to find an equilibrium between traditional knowledge and technological optimization.
21x16,5 cm; 64 pages; ita/engpaper binding with flaps
2011; Isbn 978-88-96780-15-2€ 10,00
HOF CITTADELLA DELL’EDILIZIAwith an introduction by M. Marandola
LAPO RUFFI EDIFICIO TCRwith an introduction by V. P. Mosco
The elegant construction of the Cittadella dell’Edilizia combines urban identity and architectural quality with innovative requirements in terms of energy efficiency and reduced costs, becoming an example and manifesto for architects and builders.
This project is about an old building from the Fifties, which has undergone radical renovations to become a sport center devoted to tennis. The activities of Lapo Ruffi focus on a continuous research on the meanings of way of living, places and materials.
21x16,5 cm; 64 pages; ita/engpaper binding with flaps
2013; Isbn 978-88-96780-59-6€ 10,00
9 788896 780596
ISBN 978-88-96780-59-6
21x16,5 cm; 64 pages; ita/engpaper binding with flaps
2011; Isbn 978-88-96780-17-6€ 10,00
Book Launch: Perugia, 06/03/2014@ CESF Centro Edile per la Sicurezza e la Formazione
Book Launch: Florence, 06/12/2011@ Nardini Bookstore
Book Launch: Vicenza, 18/01/2012@ Galla Bookstore
31ARCHITECTURE ONE Series
ON THE ROADseries edited by L. Andreini
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availableon the
App store
ON THE ROAD, the series dedicated to cities all over the world, in addition to the classical paper format is also available as an App for Ipad. Every volume tells the story of a place, explored through its masterpieces of art and architecture. Critical and descriptive texts serve as essential complement to the section with in-depth studies of the selected places of interest. An introductory essay examines the development of the city in urbanistic and territorial terms, providing a historical overview which prepares us for an attentive tour of the city, while the second essay explores its contemporary reality. Each guide is accompanied by a practical map which is folded so as to serve as a removable dust jacket for the book. All the works described inside the book are featured on the back of the map, organized in itineraries. The volume also contains useful information and advice which will make it simpler to visit the city, reducing the time necessary to get around and making it possible to grasp the essence of the place also in a short visit. In addition to all the contents found in the paper volume, the App boasts additional images and is a useful tool for finding one’s way, thanks to the interactive satellite map.
33ARCHITECTURE ON THE ROAD Series
ON THE ROAD Series ARCHITECTURE
MILANedited by M. Moscatelli
11,5 x16 cm; 224 pages; ita or engpaper binding with dust jacket
2015; Isbn 978-88-96780-81-7(ita) € 15,00
2015; Isbn 978-88-96780-80-0 (eng) € 15,00
Milan is the first Italian city to be included in the ON THE ROAD travel guide collection. The guide will be published in 2015 to coincide with the World’s Trade Fair in Milan. In recent years, Milan has become a metropolis involved in transformations that are well worthy of interest for the architectural and urbanistic experiments that have been carried out. The complex dialectics between innovation and respect for the existing urban form is the distinctive characteristic of Milan: recovery of downgraded neighbourhoods, redevelopment of decommissioned industrial zones, technological experimentation, and vertical development are the aspects that mark Milan as a strongly contemporary city. This guide is being launched in answer to a moment of great focus on Milan. As it guides the reader through the wide range of
contemporary architectural projects, it emphasises the unique nature of its complex character. The transformations are still underway and for this reason, it is difficult to foresee how a city of such size will manage to redefine its personal equilibrium: but this too is part of the contemporary nature of Milan.
Teatro della Scala
Piccolo Teatro Strehler
Piccolo TeatroStudio Melato
Teatro Nazionale
Auditoriumdi Milano
Teatro Franco Parenti
Piccolo Teatro Grassi
Galleriad’Arte Moderna
Gallerie d’Italia
Museo Nazionale della Scienza e della Tecnologia
Museo del Novecento
Palazzo Reale
Pinacoteca di Brera
Spazio FMG
Studio MuseoAchille
Triennale di Milano
Villa Necchi Campiglio
Museo Civicodi Storia Naturale
Biblioteca PinacotecaAccademia Ambrosiana
Arena Civica Gianni Brera
La Brisa
Cracco
Al Pont de Ferr
Al Fresco
Dry
Ceresio 7
Aromando Bistrot
Ratanà
Armani Hotel Milano
Enterprise Hotel
Hotel Boscolo Milano
Hotel dei Cavalieri
Hotel Excelsior Gallia
Hotel Palazzo Segreti
Nhow
UNA Hotel Tocq
Hotel Straf
Studio LibeskindAntonio Citterio Patricia Viel and Partners
Stefano BoeriArchitetti
Scandurra Studio
Piuarch
Quattroassociati
Gregotti AssociatiInternational
David Chipperfield Architects
Archea Associati
Cino ZucchiArchitetti
Studio ValleArchitetti Associati
MAB Arquitectura
Arassociati
Studio Albori
aMDL
LAND MilanoFsRepubblica
FsMilano P.ta Garibaldi
Fs Milano Centrale
FsMilano Cadorna
Fs Milano NordDomodossola
Duomo
San Babila
Cordusio
Missori
Montenapoleone
Cairoli
Lanza
Turati
P.ta Venezia
Palestro
Moscova
Buonarroti
Wagner
Pagano
Conciliazione
Cadorna F.n.
S. Ambrogio
S. Agostino
P.ta Genova F.s.
Isola
GioiaCentrale F.s.
Garibaldi F.s.
Crocetta
P.ta Romana
De Angeli
Amendola Fiera
Repubblica
PalazzoMarino
Duomodi Milano
CastelloSforzesco
Basilica SanLorenzo Maggiore
Colonne diSan Lorenzo
Basilica di SanSimpliciano
Basilica di Sant’Ambrogio
Santa Maria delleGrazie al Naviglio
TorreBranca
Porta Garibaldi
Via F
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Sfor
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Via F
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Sfor
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Corso Giacomo Matteotti
Cors
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Via Ce
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Via FalconeVia To
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Via Sant’Orsola
Via S. Maurilio
Via Ales
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Via Monte NapoleoneVia Bigli
PiazzaAffari
PiazzaSant’Alessandro
Via Armorari
Via Dante
Piazzadel Liberty
Via Torino
Foro
Bon
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Via dell’Orso
Via Monte di Pietà
Via Gesù
Via Cusani
Via Mercato
Via Brera
Via Broletto
Via S. Maria Fulcorina
Via Meravigli
Via
Bris
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Via S
. Giov
anni
sul M
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Via Mozart
Via Cappuccini
PiazzaElsa Morante
Via
Dani
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Via Palestro
Via Montebello
Via Borgonuovo
Corso Garibaldi
Cors
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Via Statuto
Via Elvezia
Viale Gadio
Via Agostino Berta
ni
Via Mario
Pagano
Via Mario
Pagano
Corso Sempione
Corso Sempione
Corso Sempione
Via Francesco Melzi D’Eril
Viale della Liberazione
Via Marco Polo
Via Joe Colombo
Via Melc
hiorre
Gioia
Via Melc
hiorre
Gioia
Via Co
pern
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Viale Sondrio
Viale
Fra
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co R
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Via Melc
hiorre
Gioia
Via Melc
hiorre
Gioia
Via Carlo de Cristoforis
Via Pastrengo
Viale Luigi Sturzo
Viale Pasubio
Via Luigi Galvani
Via Vitruvio
Via Ruggero Boscovich
Via Pola
Via Federico Confalonieri
Via Sebenico
Via Gaetano de Castillia
Via Fratelli Castiglioni
Via Pietro Maroncelli
Via Ceresio
Viale Volta
Viale Volta
Viale Varese
Cors
o Gar
ibaldi
Via della Moscova
Via della Moscova
Via Goito
Via Fiori Oscuri
Via Palermo
Via Pontaccio
Via Fatebenefratelli
Via Senato
Via S. Damiano
Via
Solfe
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ocraM .S aiV
Via P
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edeo
Via F
ilippo
Tura
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Bastioni di Porta Venezia
Via Ca
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Via M
auro
Mac
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Via V
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io Pi
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Via V
ittor
io Pi
sani
Via San Gregorio
Via Napo Torriani
Via Felice Casati
Via Felice Casati
Corso Monforte
Via Pietro Mascagni
Via Cesare Battisti
Via Filippo Corridoni
Via Conservatorio
Via F
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del P
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Via
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’Ant
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Via S. Clemente
Cors
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Cors
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Cors
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Via Savona
Via Savona
Via Tortona
Via Giambellino
Via Vespri Siciliani
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Via Bergognone
Via Bergognone
Via Privata Gaspare Bugatti
Via Bergognone Via Andrea Solari
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Via Vincenzo Foppa
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Via Stendhal
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ON THE ROAD city
ON TH
E ROAD city
€ 15.00
stazione metropolitana
stazione ferroviaria
museo
studio di architettura
teatro
hotel
ristorante
punto di interesse
Itinerari
Centro Città
Garibaldi-Repubblica-Porta Venezia
Città consolidata
Grande Milano-Nord Est
Grande Milano
ISBN 978-88-96780-81-7
Milano
Milano
9 788896 780800
ISBN 978-88-96780-80-0
9 788896 780817
ISBN 978-88-96780-81-7
NEW
MOSCOWedited by A. De Magistris and U. Zanetti
The last fifteen years of Russian history have profoundly altered Moscow, bringing dramatic changes to the Communist city it was in the eighties. These alterations have increasingly highlighted Moscow’s many contrasts and multiple facets. The guide seeks to do more than just recount and illustrate the city’s architectural history. It strives to be a tool to study the building trends that have shaped it. After a short introduction and the essential information needed to plan a visit, the book includes several essays that give the city’s historical context and then critically consider its possible future developments. The itineraries include about
a hundred architectural works, both historical and contemporary, which are fully illustrated with images, drawings and descriptions, and are marked on the front of the map with a reference number corresponding to the section in the book and the icon on the back of the map. The guide also provides information about museums, libraries, institutions, movie theaters, restaurants and gathering places. The app includes all the information in the printed version, plus additional images and information. You can also customize your itineraries, choosing places to visit and using a satellite interactive map to find out immediately how to get to them, on foot or by public transport.
ON THE ROAD Series ARCHITECTURE
11,5 x16 cm; 224 pages; ita or engpaper binding with dust jacket
2015; Isbn 978-88-96780-97-8(ita)
2015; Isbn 978-88-96780-96-1 (eng)
9 788896 780978
9 788896 780961
COMINGSOON
HAMBURGedited by L. Andreini
11,5x16 cm; 192 pages; ita or engpaper binding with dust jacket
2014; Isbn 978-88-96780-58-9 (ita) € 18,00
2014; Isbn 978-88-96780-57-2 (eng) € 18,00
Hamburg is the first “destination” presented by ON THE ROAD, the series of architecture guides available in a classical paper format or as Ipad App.An introduction featuring three critical treatises outlines the historic and urbanistic profile of the city, allowing the reader to reflect on the evolution of the city and at the same time relate it to the contemporary image of the places.The selection of 75 projects, organized in 5 itineraries, provides a full-immersion in architecture, allowing the reader to dwell on the functional, typological and compositive aspects of the buildings, which are rendered even more legible by images and technical
drawings that supplement the descriptions.The volume also contains useful information and advice which will make it easier and quicker to get around the city, making it possible to capture the essence of the place even in a short visit.This is more than simply an architecture guide: it is also and above all an invitation to travel.In addition to featuring all the contents of the paper format, the App vaunts additional images and information; thanks to the interactive satellite map it is also a valuable aid to finding one’s way.
BERLIN by C. Fuchs
LONDON by A. Nastri
ROTTERDAM by U. Zanetti
AMSTERDAM by A. Nastri
Hayns Park
Stadtpark
Heilwigpark
Eichenpark
Alsterpark
Moorweide
Gustav-Mahler-Park
Planten unBlomen/Alter
Botanischer Garten
AlterElbpark
Sandtopark
August-Lütgens-Park
Ehem. FriedhofNorderrreihe
Bertha-v.-Suttner- Park
Schanzenpark
Innocentiapark
Eimsbütteler ParkMansteinpark
Kaifu Freibadund Hallenbad
Platz der Republik
Altonaer Balkon
Schauermanns Park
Walter-MöllerPark
Kellinghusens Park
Eppendorfer Park
Schulgarten
Freibad Stadtparksee
Bartholomäusbad
Seelemannpark
Gurlitt-Insel
Carl-Legien-Platz
Jürgen-W.-Scheutzow-Park
Licentiatenberg
Bolivarpark
Hansastraße Hansastraße
Hallerstraße
Rutschbahn
Rappstraße
Hartungstraße
Werderstraße
Mittelweg
Alsterchausse
Böhmersweg
Milchstraße
Sophienterrasse
HarvestehudeOberstraße
Innocentiastraße
Jungfrauenthal
Abteis
traße
Alsterkamp
ParkalleeParkallee
Brahmsallee
Klosterallee
HochalleeHochallee
Parkallee
Brahmsallee
Bornstraße
Dillstraße
Heimweg
Johnsallee
Badestraße
Fontenay
Magdalenenstraße
Alte Rabenstraße
Alst
arut
er
Moorweidenstraße
Mollerstraße
Mitt
elw
eg
Mittelw
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Alsterglacls
Alsterterrasse
Esplanade
Feldbrunnenstraße
Heim
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aße
Kalkh
of
DrehbahnDammtorwall
Fuhlentwiete
Wexstraße
Kohlhöfen
Poststraße
Neuer Wall
RaboisenAlstertor
Rosenstraße
Glockengießerwall
Ballindamm
Holzdamm
Koppe
l
Gurlittstraße Lang
e Reih
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Steindamm
Stiftstraße
SteindammBrennerstraße
Kirchenweg
Steintorbrücke
MünzstraßeNorderstraße
Sonninstraße
Albertstraße
Wandalenweg
Anckelmannsplatz
Sachsenstraße
FriesenstraßeGrüner Deich
Philipstr
aße
Ekhofstraße
Güntherstraße
Barcastra
ße
UhlandstraßeArmgartstraße
Hohenfelder Allee
Steinhauerdamm
Hartwicusstraße
Erlenkamp
Uhlenhorster Weg
Averhoffstraße
Birkenau
Humboldtstraße
Bachstraße
KanalstraßeKanalstraße
Richterstraße
Hofweg
Heinrich-Hertz-Straße
WinterhuderW
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Beethovenstraße
Beethovenstraße
Ftowstraße
Imstedt
ImstedtBachstraße
Schumannstraße
Grillparzerstra
ße
Osterbekstraße
Weidestraße
Weidestraße
Jarrestraße
Glindweg
Novalisweg
Hanssensweg
Semperstraße
Semperstraße
MeuronstiegGroßheidestraße
Hölderlinsallee
GeibelstraßeForsmannstraße
Schinkelstraße
Preystraße
Goldbekufer
Poßmoorweg
Heidberg
Krohnskamp
Gottschedstraße
Opitzstraße
Zese
nstra
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Dorotheenstraße
Andreasstraße
Gellerstraße
Gertigstraße
Mühlenkam
pM
arlenterrasse
Karlstraße
Schöne Aussicht
Schwan
enwik
An der Alster
Adenauerallee
Nagelswag
Högerdamm
Lippeltstraße
Stadtdeich
PumpenFisc
hert
wie
te
Schauenburgerstraße
Dovenleet
Brooktorkai
Am Lohsepark
Shanghaiallee
Stockmeyerstaße
Hongkongstraße
Osakaallee
Großer Grasbrook
Hübenerstraße
Überseeallee
Versmannstraße
Amsinckstraße
Amsinckstraße
Amsinckstraße
NordkanalstraßeSpaldingstraße
Kurt-Schumacher-Allee
Borgfelder Straße
Versmannstraße
Kirchenpauerstraße
Hühnerposten
Willy-Brandt-Straße
Steinstraße
Jungfernstieg
Große Bleichen
Gänsemarkt
FehlandtstraßeGorch
-Fork-Wall
Holstenglacis
Jungliusstraße
Rent
zelst
raße
Durchsch
nitt
Grindelweg
Grindelallee
Mittelw
eg
Mittelw
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Mitt
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Harvestehuder Weg
Schla
nkrey
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Hohe Weid
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Schlan
kreye
Bogenstraße
Grindelberg
Grin
dela
llee
Grindelallee
Reinfeldstraße
Bundesstraße
Laufgraben
Schröderstiftstraße
Isestr
aße
Isestr
aßeHegestraße
Lehm
weg
Falkenried
Lowenstraße
Hegestraße
Haynstraße
Loogestieg
Loeh
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Bellevue
Scheffelstraße
Bellevue
Bellevue
BlumenstraßeAgnesstraße
Mövenstraße
Leinpfad
Rond
eel
Rondeel
Maria-Louisen-Straße
Jean-Paul-Weg
Harvestehuder Weg
Tiergartenstraße
St. Petersburger Straße
Lagerstraße
Lagerstraße
Ster
nsta
rße
Sternstarße
Laei
szst
raße
Ölmühle
Marktsraße
Rothenbaumchaussee
Pilat
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Holst
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Glac
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Sievekingplatz
Budapester Straße
Annenstraße
Seilerstraße
Zirku
sweg
Taubenstraße
Reeperbahn
Erichstraße
Balduinstraße
Lincolnstr
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Pepe
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Königstraße
Nobistor
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Dose
stra
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Talstraße
Bleic
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Otzenstraße
Thadenstraße
Lerc
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Scha
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stra
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Schulterblatt
Juliusstraße
Eifflerstra
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Dusch
weg
Oelkers
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Nagels
Alle
e
Heinrichstraße
Lindenallee
Vereinsstraße
Fettstraße
Schäferkampsallee
Fruchtallee
Marthastraße
Wareloostraße
Belleealliancestraße
Eimsbütteler Straße
Margaretenstraße
Amandastraße
Scha
nzen
stra
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Weldenallee
Beim Schlump
KoopstraßeKippingstra
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Bundesstraße
Bism
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stra
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Door
man
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Door
man
nswe
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Im G
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Tres
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Bismarckstra
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Heymannstraße
Scheideweg
Unnastraße
RoonstraßeW
rangelstraßeM
oltkestraße
Eppe
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fer W
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Am Kaiserkai
Am Sandorkai
Am SandorkaiPickhuben
BrookM
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Grimm
Steckelhörn
Domstraße
Bei den MührenHohe Brücke
Kajen
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Steinhöft
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Willy-Brandt-Straße
Neß Große Reichenstraße
Böhmkenstraße
Venusberg
Eichholz
Teilfeld
Kehrwieder
Ludwig-Erhard-Straße
Düst
erns
traße
Stadthausbrücke
Kaiser-Wilhelm-Straße
Michaelisstraße
Hamburger Berg
Am B
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Bern
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Gilbertstraße
HolstenstraßeBlücherstraße
Virchowstraße
Eschelsweg
Kirchenstraße
Amundsenstraße
Breite StraßePalmaille
Olbersweg
Große Elbstraße
Königstraße
Königstraße
Große ElbstraßeElbberg
Kaistraße
NeumühlenGroße Elbstraße
Kirchentwiete
Elbchaussee
Arnoldstraße
Am F
elde
Ehrenbergstraße
Mörkenstraße
JessenstraßeLawaetzweg
Große Bergstraße
Schomburgstraße
Lessere Passage
Buttstraße
Fischmarkt
Große Elbstraße
St. Pauli Hafenstraße
JohannisbollwerkVorsetzen
Billrothstraße
Hosp
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Schillerstraße
Esmarchstraße Thed
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Thedenstraße
Max-Brauer-A
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Max
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Alle
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Julius-Leber-Straße
Löffle
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Wafther-Kunze-Straße
Zeiseweg
Max-Brauer-A
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Stresemannstraße
Stresemannstraße
Hark
orts
traße
Hark
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traße
Gerichtsraße
Haubachstraße
Holstenplatz
Mum
senstraße
Dohrnweg
Holstenstraße
Gerritstraße
Sche
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stra
ßeHolstenstraße
Lamp’lw
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Eulenstraße
Ottenser Hauptstraße
Hohenesch
Zeißstraße
Nernstweg
GaußstraßeBarnerstraße
Düppetstraße
Alse
nstra
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Müssundestraße
GefionstraßeKoldingstraße
Augustenburger Straße
Schulterblatt
Woh
lwill
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Gustav-Falke-Straße
Ellenbogen
Kielortallee
Bogenallee
Hellerstraße
Grindelberg
Oberstraße
Lehm
weg
Hoheluftchaussee
Hoheluftchaussee
Troplowitzstraße
Troplowitzstraße
Wiesingerw
erg
Quickbornstraße
Kaiser-Friedrich
-Ufer
Eppendorfer W
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Eppendorfer W
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Hecks
chers
traßeChristia
n-Föster-Stra
ße
Gärtn
erst
raße
Mansteinstraße
Gneisenaustraße
Heider Straße
Meldorfer Straße
Husumer Straße
Neumünstersche Straße
Stra
ßenba
hnrin
g
Breiten
felder
Straße
Eichenstraße
Itzehoer Weg
Eppendorfer Baum
Nonnenstieg
Isekai
Isestraße
Lein
pfad
Will
istr
aße
Elebeken
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Auguststraße
Schöne Aussicht
Am Feenteich
Zimmerstraße
Winterhuder Weg
Eckernförder Straße
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Paullnenallee
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Sand
wegPinneberger Weg
Övelgönner Straße
Sterwort
Haferweg
Isebekstraße
Piöner StraßeLeverkusenstraße
Bess
emen
weg
Kohlentwiete
Kühn
ehöf
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Ruhrstraße
Nölti
ngst
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Bergiusstraße
Völckersstraße
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Leunastraße
Am Diebsteich
Groß
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Robe
rt-Ko
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Goernestraße
Trummersweg
Heilwigstraße
Heilw
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Geffckenstraße
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LichtwarkstraßeKunhardtst
raße
Leinpfad
Kelli
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Sierichstraße Barmbeker Straße
Grasweg
Grasweg
Lachnerstraße
Kaemmererufer
Geißlertwiete
Goldbekweg
Wiesendamm
Südring
Südring
Südring
Wiesendamm
Hindenburgstraße
Fernsicht Gellertstraße
Poelchaukamp
Poßmoorweg
Dorotheensireße
Mar
ia-Lo
uisen
-Stra
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Heldberg
Bebelallee Ulmenstraße
Linn
erin
g
Lattenkamp
Rehmstraße
Himmelstraße
Flemingstraße
Ludolfstraße
Schottm
üllerst
raße
Martinistraße
Martinistra
ße
Frickestraße
Schedestraße
Kegelhofstraße
Im Tale
Geschwister-Scholl-Straße
Wendloher Weg
Nissenstraße
Süderleldstraße
Buchenallee
Butenfeld
Platanenallee
Behrkampsweg
Brunsberg
Siebenschön
Sottorfallee
Grandweg
Grandweg
Grandweg
Veilchenweg
Veilchenstleg
Lian
enw
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Stre
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anna
llee
Henning-Wulf-W
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Bei der Lutherbuche
Höxt
erst
raße
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stra
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Lott
estr
aße
Corv
eyst
raße
Wid
ukin
dstr
aße Osterfeldstraße
Lokstedter Weg
Tarp
enbe
kstr
aße
Lokstedter Steindamm
Lokstedter Steindamm
Emilienstraße
Fruchtallee
Kieler Straße
Holstenkamp
Holstenkampbrücke
Diebsteichweg
Barnerstraße
Borselstraße
Bahr
enfe
lder
Str
aße
Lenh
anlz
stra
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Eppe
ndor
fer La
ndst
raße
St. Benedictstraße
Klostergarten
Frau
enth
al
Harvestehuder Weg
Borgweg
Herbert-Weichm
ann-Straße
Schwanenw
ik
Papenhuder Straße
Mundsburge
r Dam
m
Ulmen
au
Lerchenfeld
Kiel
er S
traß
e
Ericusspitze
Am Sandtorpark
Adolphsplatz
Burchardstraße
Oberbaumbrücke
Moorka
mp
Außenalser
Binnenalster
Niederhafen
Baakenhafen
Norderelbe
Sandotorhafen
Grasbrookhafen
Oberhafen
Encusgraben
Binnenhafen
KehrwiederfleetBrooksfleet
Brooktorhafen
Nikolaifleet
Werfthafen
Billhafen
Bille
Kuhmühlenteich
MundsburgerKanal
Feenteich
Stadtpanksee
Rondeelteich
Goldbeckkanal
Langer Zug
Wallgraber
Fähk
anal
Alst
erfle
et
Mönkedammfleet
Sonninkanal
Schleusenkanal
DeichsierBrand
BillhornerKanal
Uhlenhorster
Kanal
Hofw
egkanal
Osterbekkanal
Rondeelkanal
Leinpfadkanal
Isebek
kanal
Alte Alster
Planschbecken
Teich
Herre
ngra
benf
leet
Siel
MagdeburgerHafen
Wandrahmsfleet
Zoollkanal
Hollandischbrookfleet
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S Hamburg-Altona(S)
S Hamburg Stadthausbrücke
S HamburgDammtor
S HamburgHbf (S-Bahn)
S HamburgBerliner Tor
S HamburgHammerbrook
S Diebsteich
S Langenfelde
Hamburg-Sternschanze
S Holstenstraße
S Hamburg Königstraße
S HamburgReeperbahn
S
S Hamburg Jungfernstieg
Hallestraße
Stephansplatz
Gänsemarkt
St. Pauli
Feldstraße(Heiligengeistfeld)
Sternschanze
Schlump
Christuskirche
Emilienstraße
Osterstraße
Lutterothstraße
Hoheluftbrücke
Klosterstern
EppendorferBaum
Kellinghusenstraße
Sierichstraße
Hudtwalckerstraße
Messehallen
Borgweg
Mundsburg
Uhlandstraße
LübeckerStraße
Lohmühlenstraße
Berliner Tor
HauptbahnhofNord
HauptbahnhofSud
Steinstraße
Meßberg
Mönckebergstraße
Rathaus
Rödingsmarkt
Baumwall
Überseequartier
S LandungsbrückenDeichtorhallen Hamburg
Internationales Maritimes Museum Hamburg
Museum für Kunst und Gewerbe Hamburg
Hamburger Kunsthalle
Bucerius Kunst Forum
HamburgMuseum
Afrika House
Cap San Diego
Altonaer Museum
Speicherstadtmuseum
Santé
Gloria Cafébar
Café Leonar
Brodersen
Curry Queen
Fillet of Soul
Mövenpick Hotel
Schlaflounge
Das kleine Schwarze
Schlafschön
Hadley’s Bed and Breakfast
Deichgraf
25hours Hotel Hafencity
East
SIDE Hotel
Henri
Deutsches Schauspielhaus
Hamburgische Staatsoper
Restaurant NIL
Riverside Cafè/Hotel
My Place
Superbude St. Pauli
Fischereihafen Restaurant
CARLS an der Elbphilharmonie
Glass Pavilion RestaurantAndré Poitiers
Ernst Deutsch Theater
Allee TheaterHamburger Kammeroper
Das Schiff
St. Pauli Theater
Elbphilharmonie
MPP Meding Plan Projekt
Carsten Roth Architekt
Blauraum ArchitektenBOF architekten
SML Architekten
Bothe, Richter, Teherani
Schenk+Waiblinger ArchitektenSpengler · Wiescholek Architects and city planners
KBNK Architekten
Breimann & Bruun
Störmer Murphy and PartnersKleffel Papay Warncke Architekten
Andreas Heller
Winking · Froh Architekten BDA
A B C D E F
C D E F
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2
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4
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Rubberstraße
Drat
elns
traß
e
Drateln
straß
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Neuenfelder Straße
Mengestraße
Jaffe
stra
ße
Geor
g-W
ilhel
m-S
traß
e
Geor
g-W
ilhel
m-S
traß
e
Pete
r-Be
enck
-Str
aße
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eler
stie
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Zieg
eler
stra
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Schl
öper
stie
g
Wilh
elm
sbur
ger R
eich
sstr
aße
Vogelhüttendeich
Busher Weg
Mittelhövel
Brackhövel
Zeid
lers
traß
e
Rote
nhäu
ser D
amm
Wei
mar
er S
traß
e
Grot
estr
aße
Manesallee
EishövelLangenhövel
Rahmwerder Straße
Buschweide
Hövelw
eg
Hövelbrook
Buschhövel
Niedergeorgsw
erder Deich
Neuhöfer Straße
Schlenzigstraße
Georgswerder Bogen
Packersweide
Am Zollhafen
KurdammSiedenfelder Weg
Dorfan
ger
Krieterstraße
Wilh
elm
-Str
auß-
Weg
Witt
estr
aße
Korallusstraße
Am In
selp
ark
Im Sc
höne
nfeld
e
Im Sc
höne
nfeld
e
Rethweg
Wülkenweg
Koppelstieg
Koppelstieg
Auf der Höhe
Bei der Windmühle
Bei der Windmühle
Roseliusweg
Rote
nhäu
ser E
nd
Rotenhäuser Straße
Rotenhäuser Straße
Fitgerweg
Schönenfelder Straße
Buschweide
Schö
nenf
elde
r Stra
ße
Krie
ters
traß
e
Am Bahngraben
Am Inselpark
Rathaus-Teich
Teich
Wilhelmsburger Dove-Elbe
Jaffe
-Dav
ids-
Kana
l
MüggenburgerZollhafen
Ernst-August-Kanal
Hövelwettern
Brackwettern
Spielplatz
WilhelmsburgerRathauspark
63
64
66
72
65
6867
7071
74
69
73S Wilhelmsburg
S Veddel
8
9
10
DC E
ON THE ROAD city
ON TH
E ROAD city
Hamburg
Hamburg
ISBN 978-88-96780-57-2
€ 18.00
9 788896 780572
City Center
Routes
HafenCity
St. Pauli/Altona
Center-North
IBA
metropolitan station
railroad station
museum
architectural studio
theater
hotel
restaurant0 m 200 m 500 m
COMINGSOON
38 ON THE ROAD Series ARCHITECTURE
Design◊ TOP TEN series◊ Contemporary Designers
TOP TENseries edited by C. Vannicola
TOP TEN is a publishing initiative dedicated to contemporary design. Each book in this series examines the production of a designer, analysing his or her career through a selection of some objects created by him or her. A presentation and a critical essay by Carlo Vannicola, editor of the series, along with an essay written by famous critics and personalities introduce the work of the designers as well as its TOP TEN, the 10 key themes that inspired the projects and the most emblematic and most successful products.
GIOVANNI LEVANTI texts by G. Bosoni
PROSPERO RASULOtexts by C. Vannicola
MASSIMO IOSA GHINI texts by R. Antonucci
COMINGSOON
41DESIGN TOP TEN Series
16,6x24 cm; 96 pages; ita/engpaper binding
2013; Isbn 978-88-96780-44-2€ 18,00
/IBRIDAZIONI E COMMUTAZIONI - HYBRIDIZING AND COMMUTATION Il design di Sandra Laube e Biagio Cisotti è il frutto d’ibridazioni, contemporaneamente attente, ricercate e innovative, mirabilmente sposate a commutazioni, contestualmente sapienti, consapevoli e creative. The design of Sandra Laube and Biagio Cisotti is hybridized; it is attentive to contemporariness, studied and innovative, admirably combined with commutations, and at the same time wise, conscious and creative. euro 18,00
CISO
TTI +
LA
UB
E
CI
SOTT
I+
LAUB
E
CISOTTI + LAUBEIBRIDAZIONI E COMMUTAZIONItexts by L. Chimenz with essays by C. Vannicola
Book launch: Florence, 10/04/2014 @ artour-o - Salone del Mobile
16,6x24 cm; 96 pages; ita/engpaper binding
2013; Isbn 978-88-96780-41-1€ 18,00
DONEGANI & LAUDA LA CASA FREDDA texts by C. Vannicola with an introduction by A. Branzi
Book launch: Milan, 23/05/2013 @ Veneta Cucine Showroom
Book launch: Milan, 12/04/2013 @ I Saloni - Euroluce
42 TOP TEN Series DESIGN
MARTA LAUDANI E MARCO ROMANELLIPER UN MODERNO CONTINUOtexts by V. Cristallo with essays by C. Vannicola, B. Finessi
5.5 DESIGNERS 10 DATES texts by J. S. Blanc with an introduction by L. Andreini
16,6x24 cm; 96 pages; ita/eng or fra/engpaper binding
2013; Isbn 978-88-96780-45-9 (ita/eng) € 18,00
2013; Isbn 978-88-96780-46-6 (fra/eng) € 25,00
5.5
DES
IGN
ERS
/ 10
DAT
ES
9788896
780459
ISBN 978-88-96780-45-9
/LE 10 “PRIME VOLTE” DEI 5.5 - THE 10 FIRST TIMES OF 5.5 Nel giro di dieci anni, i 5.5 hanno saputo creare un universo con il loro originale approccio al design. Questo volume, pensato come una linea del tempo, propone di soffermarsi non sugli oggetti rappresentativi del loro lavoro, ma su dieci date che hanno scandito il loro percorso e hanno plasmato il loro modo d’essere. In a decade, 5.5 succeeded in creating a universe with a unique approach to design. This work, conceived as a chronologic frieze, proposes a review, not of the emblematic objects of their work, but of 10 dates which have marked their career and built their state of mind. euro 18,00
16,6x24 cm; 96 pages; ita/engpaper binding
2014; Isbn 978-88-96780-63-3€ 18,00
/per un moderno continuo - For an ongoing modernity “Nel quadro di questo racconto non si ostenta mai nulla, si presenta semmai, con quella modestia di chi sa, di chi ha esperienza, ma non deve proclamarla ogni volta”.“In the context of this story, nothing is ever flaunted. Rather it is presented with the modesty of those who know, those who have experience and don’t need to proclaim it every day.” euro 18,00
9 788896 780633
ISBN 978-88-96780-63-3
ma
rta
La
UD
aN
I E m
ar
co r
om
aN
ELLI
m
arta
La
UDaN
I E
mar
coro
maN
ELLI
Vinc
enzo
cri
stal
lo
Book launch: Milan, 10/04/2014 @ I Saloni - Salone del Mobile
Book launch: Paris, 19/09/2013 @ 5.5 Design Studio
43DESIGN TOP TEN Series
KARIM RASHIDby L. Andreini, M. Casamonti
“Karim Rashid is more than a designer, with unbounded popularity expressing the personality of a complete artist. His global creativity, interpretation of a form of sensual, minimalist design that has conquered the market with more than 3000 designs currently in production, is multi-faceted and eccentric, with a more than ordinary ability to perceive the reactions and sensations generated by space and everything that occupies it. Karim Rashid has a dream: using design to change the world”.
(M. Casamonti)
© M
ario
Sch
mol
ka
21x26 cm; 256 pages; ita or engpaper binding
2014; Isbn 978-88-96780-60-2 (ita) € 59,00 euro
2014; Isbn 978-88-96780-61-9 (eng) € 59,00 euro
9 788896 780602
ISBN 978-88-96780-60-2
9 788896 780619
ISBN 978-88-96780-61-9
Book launch: Milan, 08/04/2014 @ Magna Pars Suites Milano
Book launch: New York, 19/05/2013 @ Artemide Showroom
DESIGN Contemporary Designers
DO UT DOwith an introduction by A. Colonetti
The Do ut do 2014 Design catalogue is part of a project supporting the Hospice Seràgnoli Onlus Foundation, a non-profit active since 2002 in assistance, training, research, and disseminating knowledge about palliative care. Driving the Do ut do project are designers, architects, artists and manufacturers taking on the challenge of creating objects whose importance is in their use. They include: Emilio Ambasz, Archea, Claudio Bellini, Mario Botta, Michel Boucquillon, Sandro Chia, Michele De Lucchi, Odile Decq, Doriana e Massimiliano Fuksas, Stefano Giovannoni, Massimo Iosa Ghini, Daniel Libeskind, Antonio Marras, Richard Meier, Alessandro
Mendini, Jean Nouvel, Luigi Ontani, Mimmo Paladino, Ettore Sottsass, Philippe Starck, Axel Vervoordt, and other more. The catalogue includes all the pieces designed by the designers and made by the companies, illustrating them with images and descriptions, including brief designer bios. The designers showed their support by donating their pieces, which, through a lottery will be given away to those who have supported the Foundation's work.
24x30 cm; 218 pages; ita/engbound hardback
2014; Isbn 978-88-96780-65-7€ 40,00
9 788896 780657
ISBN 978-88-96780-65-7
Book launch: Naples, 22/05/2014 @ Museo Madre
Book launch: Rome, 16/05/2014 @ Museo MAXXI
Book launch: Bologne, 22/09/2014 @ Museo MAMbo
46 Contemporary Designers DESIGN
Art◊ Exhibition Catalogue◊ Art Today Series
ALBERTO BIASIwith an essay by S. Lemoine
Alberto Biasi is one of the major figures in Italian post-war art history. He is one of the most coherent and authoritative experts in the world in the field of Programmed Art or Kinetic Art, also referred to as Optical Art. Forma Edizioni presents the catalogue of the exhibition on the occasion of the monographic exhibition at the Tornabuoni Art Gallery in Paris in collaboration with the artist himself and curated by Serge Lemoine (Professor emeritus at the Sorbonne and previously director of the Musée d’Orsay in Paris). The publication presents a detailed history of Alberto Biasi’s life and work, comprehensively portrayed through the critical text by Lemoine, describing the Maestro’s life, the most important places and fundamental stages of his career, as well as his artistic evolution. The text is enriched with images from historic archives, to introduce the complete collection of the works on show, with the addition of certain “iconic pieces” which have been milestones in the artist’s career.
A large section is dedicated to his career (biography, bibliography, solo and collective exhibitions): it enriches the book, providing in-depth analysis useful in understanding the artist and his specific artistic expression.
24x30 cm; 176 pages; fra/engbound hardback
2015; Isbn 978-88-96780-77-0 (fr/eng) € 39,00
9 788896 780770
ISBN 978-88-96780-77-0
NEW
49ART Exhibition Catalogue
ALBERTO BIASIwith an essay by S. Lemoine
“Alberto Biasi created a simple, direct and approachable art, structured by a positivist goal, based on the use of programmed, controlled techniques, relying on experimentation, opened to society, carrying surprise and beauty. A beautiful ideal indeed.”
S. Lemoine
© P
ietr
o Sa
vore
lli
HUMAN is the catalogue curated by Arabella Natalini and Sergio Risaliti, of the exhibition by one of the world’s most recognised and appreciated contemporary artists, Antony Gormley.Once again the exceptional architecture of the Forte di Belvedere in Florence forms the background to a remarkable exhibition that should not be missed. Over a hundred iron sculptures are arranged in the grounds and building of the Medici fortress and will form an integral part of the monument for several months. The amazing exhibition is described and narrated in this richly illustrated catalogue containing important art critiques by
HUMAN ANTONY GORMLEYedited by A. Natalini and S. Risalitiwith an essay by A. Benjamin
24x31 cm; 224 pages; ita or eng bound hardback
2015; Isbn 978-88-96780-99-2(ita) € 40,00
2015; Isbn 978-88-96780-98-5(eng) € 40,00
9 788896 780985
9 788896 780992
COMINGSOON
Andrew Benjamin, Marco Casamonti, Mario Codognato and Sergio Risaliti.A long conversation between Antony Gormley and Arabella Natalini offers an insight into the personality of the artist, his intentions, the way he visually perceives and captures the acoustics of the spaces in which he positions his anthropomorphic figures. The catalogue also offers the possibility of looking behind the scenes at some of Gormley’s design projects: digital rendering computer graphics of completed projects that provide a fascinating counterpoint to the texts.
53ART Exhibition Catalogue
GIUSEPPE PENONEedited by A. Natalini and S. Risaliti
“The garden begins when a man steps onto the ground and walks into the space of the vegetal, the mineral... Walking around the garden always means embarking on a self-discovery journey, experiencing a revelation... ”
G. Penone
ART Exhibition Catalogue
GIUSEPPE PENONEedited by A. Natalini and S. Risaliti
Published on occasion of the exhibition of Giuseppe Penone's works in Florence, hosted at Boboli Gardens and Forte di Belvedere, this volume profiles one of the world's most prominent and internationally esteemed contemporary artists. It is more than just an exhibition catalogue, was it contains, in addition to detailed illustrations of all of the works installed for the exhibition at these two extraordinary Florentine locations, important documents and additional information useful for understanding the artist and his work.The text is structured around a long conversation between Giuseppe Penone and Arabella Natalini, accompanied by drawings from the artist's sketchbook. Numerous contributions by internationally renowned critics present many points of reflection on the body of work of one of the most important exponents of the Arte Povera movement. Among the others, texts
by Sergio Risaliti, Arabella Natalini, Matteo Ceriana, Alfred Pacquement, Michael Brenson, Laurent Busine and Daniela Lancioni.A section devoted to biographical and bibliographical matter and a summary of the exhibited works, together with a large collection of images from the Archivio Penone, offers an important overview of the artist's prolific career.
24x31 cm; 192 pages; ita or eng bound hardback
2014; Isbn 978-88-96780-68-8(ita) € 35,00
2014; Isbn 978-88-96780-67-1(eng) € 35,00
9 788896 780671
ISBN 978-88-96780-67-1
9 788896 780688
ISBN 978-88-96780-68-8
56 Exhibition Catalogue ART
This volume, edited by Sergio Risaliti and realized with the precious collaboration of the artist himself, illustrates, with images by leading photographers as Scianna and Amendola, the three artistic experiences Mimmo Paladino has shared with the city of Florence.The first in order of time is the exhibition hosted at the Forte Belvedere in 1993, where about a hundred works created in the previous five years were united. Horsemen, helmets, “warrior” sculptures interacted with the extraordinary Florentine scenery from the terrace of the fortress, while the manor house hosted numerous paintings. Ferdinando Scianna has immortalized those days in many images that witness and tell the story about that “incursion” in the placid view of the city. Aurelio Amendola’s images, on the contrary, document the two other occasions in which the city has interacted with the art
27x32,5 cm; 192 pages; ita/engbound hardback with slipcase
of Mimmo Paladino, in 2009 with Zenith, the imposing bronze horse that guards the ancient space of the Men’s Court of the Istituto degli Innocenti, and subsequently with Florens 2012, in Piazza Santa Croce. A gigantic cross measuring 80×50 meters has been formed by placing more than 50 blocks of Carrara marble in front of the Franciscan basilica.The pages with critical contributions and descriptions of the works are enriched by the artist’s personal testimonial. The final part features biographic and bibliographic appendixes, the index of the exhibitions and all information necessary to trace the profile of Mimmo Paladino.This editorial project also envisages the creation of a limited edition of 100 copies contained in a refined wooden casket which will act as a support base for a signed and numbered work in marble by maestro Mimmo Paladino.
MIMMO PALADINO A FIRENZEedited by S. Risalitiphotographs by A. Amendola and F. Scianna
COMINGSOON
LA COLLEZIONE NAPOLETANA DI CARLA E FRANCESCO VALERIOtexts by N. Spinosa
The Neapolitan school of painting assumed its personal artistic identity from the 17th century onwards through the work of several important artists influenced by the teachings of Caravaggio who lived in Naples between 1607 and 1610. Over one hundred paintings representing three centuries of history and belonging to the “Neapolitan Collection” of Carla and Francesco Valerio are featured in this volume; the paintings are described and illustrated in great detail by Nicola Spinosa.Spinosa has written many books on the topic and is considered a leading expert in Neapolitan painting. His detailed introductions precede the descriptions of the individual works, containing stories both sacred and profane. The book contains a series of portraits of saints and
24,3x28,5 cm; 328 pages; ita or engbound hardback with cloth cover and dust jacket
2015; Isbn 978-88-96780-78-7 (ita) € 45,00
2015; Isbn 978-88-96780-84-8 (eng) € 45,00
9 788896 780787
ISBN 978-88-96780-78-7
9 788896 780848
ISBN 978-88-96780-84-8
La c
olle
zion
e na
pole
tana
di C
arla
e F
ranc
esco
Val
erio
La collezione napoletanadi Carla e Francesco Valerio
La c
olle
zion
e na
pole
tana
di C
arla
e F
ranc
esco
Val
erio
COMINGSOON
stories of devotion, adoration of the shepherds and magi, each brushstroke creating scenes exuding spirituality, emotion, personality and strength. Faith and paganism weave together with stories of heroes and gods and new takes on classical myths. We also see plenty of reality here, “real life” in all its hard work, depicted in gestures, poses, food and flower compositions, and pretty views. A few of the many artists included in this impressive publication are: Giovan Filippo Criscuolo, Francesco Guarino, Bernardo Cavallino, Antonio De Bellis, Salvator Rosa, Luca Giordano, Giovan Battista Ruoppolo, Abraham Brueghel, Guglielmo Courtois, Juan Ruiz, Tomás Ruiz, Pierre-Jacques Volaire, and Charles-François Grenier De La Croix.
59ART Exhibition Catalogue
DADAMAINOtexts by B. Blistène, F. Gualdoni
D A D A M A I N O H A S U P E R A T O L A “ P R O B L E M A T I C A P I T T O R I C A ” : A L T R E M I S U R E I N F O R M A N O L A S U A O P E R A : I S U O I Q U A D R I S O N O B A N D I E R E D I U N N U O V O M O N D O , S O N O U N N U O V O S I G N I F I C A T O : N O N S I A C C O N T E N T A N O D I “ D I R E D I V E R S A M E N T E ” : D I C O N O N U O V E C O S E .
D A D A M A I N O H A S G O N E B E Y O N D T H E “ I S S U E O F P A I N T I N G ” : T H E R E A R E O T H E R D I M E N S I O N S T H A T I N S P I R E H E R W O R K : H E R P A I N T I N G S F L Y T H E F L A G O F A N E W W O R L D , T H E Y I N T R O D U C E A N E W S I G N I F I C A N C E : T H E Y A R E N O T S A T I S F I E D W I T H “ S A Y I N G T H I N G S I N A N O T H E R W A Y ” : T H E Y S A Y N E W T H I N G S .
Piero Manzoni
24x30 cm; 176 pages; ita/eng or fra/engbound hardback with PVC dust jacket
2013; Isbn 978-88-96780-53-4 (ita/eng) € 49,00
2013; Isbn 978-88-96780-52-7 (fra/eng) € 49,00
24x30 cm; 176 pages; ita/engbound hardback with PVC dust jacket
2014; Isbn 978-88-96780-64-0 (ita/eng) € 49,009 788896 780640
ISBN 978-88-96780-64-0
No matter how one approaches Dadamaino’s work, it resists any attempt at classification. It shirks from it. One thought she was Informal in the 1950’s, then almost Kinetic in the following years. One saw her as Minimalist and Serialist in the 1970’s. One related her to Arte Povera and even Conceptual Art in-between. What is she, exactly, and why does she get our attention today, with increasing acuity and curiosity?Between categories and reason, it is possible that Dadamaino confronts us to the difficulty of judging, and this might even be one of the most important aspects of her work. There is no submission to a given order. No ties to a movement. No belonging. Something, in fact, that is in perfect sync with that woman as we know her. Revolted and engaged, militant and free. If wouldn’t be the least merit of this work to be equal to the woman who made it. Dadamaino is no more an offspring of Spatialism than she is an epigone of kinetic art; no more a follower of European minimalist art than she is a representative of some forms of process-oriented art with which she has too often been associated. She is all of that at once, keen on drawing specific convergence lines, different objectives and unique perspectives. A common point ties her works together, however: Dadamaino has a taste for experience, as well as for patience. For her, patience and experience even seem to be the two foundations for any kind of attentive work – if not a philosophy of creation.
B. Blistène
60 Exhibition Catalogue ART
BIANCO ITALIA edited by D. Stella
“...The white line, which seemed to mark the passage toward the second half of the twentieth century, introduced a creative vibration and announced socio-political and artistic transformations. It was in itself a symbol of a universal questioning.A generation was born, which was able to confront reality, and invented an art so powerful that it added a new dimension to creation – which, in the post-war years, was yearning for an artistic and spiritual renovation, engaged in an attempt to redefine modernity. In Manzoni’s words, a ‘new artistic conception’, a spirit of resistance, was opposed to the triumphant materialism of the emerging consumer society. It seemed as though European idealism wished to counter-balance the cynicism of artists such as Warhol; it responded to the American Pop movement with a ‘Zen’ attitude that the color white spectacularly embodied.” (D. Stella)
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24x30 cm; 184 pages; ita/eng or fra/engbound hardback with PVC dust jacket
2013; Isbn 978-88-96780-43-5 (ita/eng) € 35,00
2013; Isbn 978-88-96780-42-8 (fra/eng) € 35,00
61ART Exhibition Catalogue
21x24 cm; 120 pages; fra/ita/engpaper binding with flaps
2010; Isbn 978-88-96780-03-9€ 20,00
NAKIS PANAYOTIDISIVRESSE RÊVÉEedited by B. Corà
LUCIANA RATTAZZI edited by E. Burlando
21x24 cm; 104 pages; ita/engpaper binding with flaps
2012; Isbn 978-88-96780-36-7€ 15,00
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luciana rattazziUna preziosa consigliera. Così la giudicò in cuor suo all’ennesimo foglio strappato con
delicatezza dall’album da disegno. Era una carta vegetale color avorio dalla grana fila-
mentosa e disomogenea che quando ci stendevi sopra la polvere nera disegnava già da
sola quello che voleva, assorbendo in maniera diversa luci e ombre e lasciando, lungo
la traccia, delle improvvise zone immacolate, restie ad essere trattate, e altrettante
zone oscure che sembravano assorbire tutto il nero del mondo, tanto da non poterne
più accettare.
Una buona consigliera, certo.
Da quella carta lei si lasciava suggerire, seguendo le tracce della visione che sem-
brava comparire ogni qualvolta stendeva la prima passata di carboncino; quello che
lei aveva in testa di disegnare doveva prima fare i conti con quella sindone benevola
che appariva ogni volta, anticipando ogni sua intenzione, per affermare la sua par-
tecipazione ideale al progetto, svelandole, ancora una volta, l’ineffabile intelligenza
delle cose materiali.
Così disegnava senza pensare troppo a quello che sarebbe apparso sul foglio, piutto-
sto incuriosita da quello che insieme avrebbero saputo fare.
A volte era un piacere, a volte una battaglia.
A precious advisor. That is how her heart judged the last of many sheets carefully torn
from the sketchbook. It was a piece of ivory vegetal paper with an uneven fibrous grain
that when she spread the black powder on it drew already by itself what it wanted,
absorbing the powder with different shadings of light and shadow leaving, along the
way, sudden bare spots that refused it, and others so dark they seemed to absorb all
the blackness of the world to the point that they could take no more.
A good advisor, certainly.
She allowed herself to receive suggestions from that paper, following the traces of the
vision that seemed to appear every time she laid the first coat of charcoal; what she
had in mind to draw had to deal first with that benevolent syndrome that appeared
every time, forever anticipating her intentions, to declare its own ideal participation
in the project, revealing, once again, the mysterious intelligence of material things.
And so she drew without thinking too much about what would appear on the page but,
indeed, rather curious about what together they would succeed in doing.
Sometimes it was a pleasure, but many times it was a battle.
Luciana Rattazzi
Exhibition Catalogue ART
NOVECENTO. TENSIONI E FIGURA edited by F. Migliorati
GIOACCHINO PONTRELLI texts by C. L. Pisano, R. Gavarro
SOLY CISSÉCALORE D’ESTATE with an essay by D. Stella
LEE SUNG-KUEN. HUMAN+LOVE+NATURE+LIGHT essays by J. Kwang-Suk, F. Migliorati
MAIORANO
texts by A. Jones, M. Cavallarini
9 788896 780732
ISBN 978-88-96780-73-2
9 788896 780794
ISBN 978-88-96780-79-4
24x30 cm; 96 pages; ita paper binding with flaps
2012; Isbn 978-88-96780-22-0€ 25,00
24x30 cm; 80 pages; ita/eng paper binding with flaps
2014; Isbn 978-88-96780-73-2€ 15,00
24x30 cm; 128 pages; ita/engpaper binding with flaps
2010; Isbn 978-88-96780-02-2€ 25,00
24x30 cm; 96 pages; ita/engpaper binding with flaps
2015; Isbn 978-88-96780-79-4€ 15,00
Art
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MAIORANO
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24x30 cm; 128 pages; ita/engpaper binding with flaps
2011; Isbn 978-88-96780-14-5€ 25,00
ART
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63ART Art Today Series
GIUSEPPE CHIARItexts by F. Migliorati with an introduction by E. Crispolti
This volume is dedicated to the work of Giuseppe Chiari (1926-2010), an eclectic and experimental artist and composer from Florence, Italian promoter of the historical avant-garde of the research art. His work is here documented by a large volume published in the Art section of Forma Edizioni. This book represents an important overview of the artist’s work comprising about 900 works of half a century of production. The volume is enhanced by the critical essays of Fabio Migliorati in collaboration with Mario Chiari, the artist’s son.
24x30 cm; 448 pages; ita/engbound hardback with folded dust jacket
2012; Isbn 978-88-96780-10-7Prezzo Price: 49,00 euro
“The work of Giuseppe Chiari is based on a discourse on the freedom to act (to make art), ritualized in experience, as reference to human constancy, closely linked to the social and political dimension of things, all through the performance of the work, the action of the object, in the movement which is accomplished from the musical intervention to the visual one. The artistic principle is an allegory of the pursuit of a free action, which means creativity and which is both inspired by and leading to it.” (F. Migliorati)
64 Exhibition Catalogue ART
On the occasion of the exhibition “Mimmo Rotella” which opened on March 29, 2012 at Tornabuoni Art gallery in Paris, Forma edizioni presents a catalogue with all the works in the exhibition as well as some other pieces that are essential to understand the artist. The images are introduced by a critical essay by Bruno Corà. “Fifty years separate this festive and meaningful réntrée of the art of Mimmo Rotella in Paris from his first individual exhibition at Jeanette Goldschmidt’s Galerie J, which featured a selection of monothematic décollages dedicated to the Cinecittà series (1962). And it is unlikely that Rotella would have failed to stress such an anniversary...” (B. Corà)
24x30 cm; 184 pages; fra/ita/engbound hardback with dust jacket
2012; Isbn 978-88-96780-23-7€ 39,00
MIMMO ROTELLAwith an essay by B. Corà
MIM
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RO
TELL
A MIMMO ROTELLA
16, avenue Matignon 75008 Paris - Francetél +33 (0) 1 53 53 51 51 - www.tornabuoniart.fr € 39,00
Le vécu de Rotella révèle une relation souterraine avec son décollage, puisque l’action de soustraction des affiches, qu’il réélabore ensuite dans son atelier, aux murs de la ville fait éclore à ses yeux, avant même ceux des autres, la complexité du réel, la superposition fortuite et indéterminable de récits, de messages, de signes et de couleurs différents, une densité phénoménologique […] déréalisée, affabulatrice, simulatrice, intrinsèque à la sphère de la publicité, du monde des produits et des biens, du spectacle et de la fiction. L’artiste découvre que si l’affiche est simulacre de la réalité, dans une société consumériste et du spectacle, il peut parvenir à rendre, avec cette irréalité, sa propre vie quotidienne dialectique, en interprétant avec ironie bien des rôles distinctifs et autant de personnages, en mettant un terme au cliché de la rigueur et du pathos attribué habituellement à la figure de l’artiste.
Il vissuto di Rotella rivela una relazione sotterranea con il suo décollage, poiché l’azione sottrattiva dai muri della città dei manifesti che successivamente egli elabora nel suo studio dischiudono, prima che agli altri, ai suoi stessi occhi, la complessità del reale, la sovrapposizione casuale e indeterminabile di narrazioni, messaggi, segni e colori diversi, una densità fenomenologica […] derealizzata, affabulatoria, simulatrice, congenita alla sfera della pubblicità, del mondo dei prodotti e delle merci, dello spettacolo e della finzione. L’artista scopre che se il manifesto è un simulacro della realtà, in una società consumista e spettacolare, egli può arrivare a rendere dialettica, con quella irrealtà, la sua stessa vita quotidiana, interpretando ironicamente molti ruoli distintivi e altrettanti personaggi, interrompendo un cliché di rigore e pathos attribuito di solito alla figura dell’artista.
Rotella’s experience reveals a secret relationship with his décollage, as the action of removing posters from the walls of the city to then work on them in his atelier, discloses – first of all to himself – the complexity of reality, the casual and indeterminable superimposition of different stories, messages, signs and colours, a phenomenological density […] unreal, fantastic, fake, characteristic of the advertising sector, of the world of products and goods, of entertainment and fiction. The artist discovers that if the poster is a simulacrum of reality, in a society oriented towards consumerism and entertainment, he may succeed in establishing a dialogue between that unreality and his own everyday life, ironically interpreting many distinctive roles and as many personalities, revolting against the cliché of rigour and pathos that is usually associated with the figure of the artist.
Bruno Corà
ARNALDO POMODOROessays by B. Corà, J. Risset
24x30 cm; 170 pages; fra/ita/eng bound hardback with dust jacket
2011; Isbn 978-88-96780-09-1€ 39,00
65ART Exhibition Catalogue
24x30 cm; 184 pages; fra/ita/engbound hardback with lenticular cover
2012; Isbn 978-88-96780-31-2€ 39,00
TOUT FEU TOUT FLAMMEedited by D. Abadie
On the occasion of the exhibition “Tout feu tout flamme” at Tornabuoni Art in Paris, Forma edizioni presents a catalogue with all the works in the exhibition as well as some other unedited images that show the artists at work and are essential to understand them. A critical essay by Daniel Abadie, curator of the catalogue and of the exhibition introduces the different sections, dedicated to the biography and the works of each artist.Tornabuoni Art and Daniel Abadie bring together for the first time 40 of the most outstanding works of the greatest artists who used fire for their artworks. Rather than the representation of fire it is its involvement with the artists who reveal it as a fundamental element of their creative process. This exhibition shows the different ways in which artists perceive fire, a phenomenon that has always been a fascination. The living aspect of flames, the moving play of light and shadow and the range of colours they produce, make them into cultural tools, considered a real source of inspiration for artists. Fire is shapeless, perpetually
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changes, and it allows great freedom of interpretation: from Yves Klein’s “Paintings of Fire” to Alberto Burri’s “Combustions”, Arman’s “Accumulations” and Bernard Aubertin’s “Paths of Fire”; from Jannis Kounellis’ artifice of the “flower of fire” and Christian Boltanski’s “eschatological shadows” to Pier Paolo Calzolari’s “icy burns” or Chen Zhen’s “ashes”.
TURI SIMETIwith an essay by B. Corà
For many years, Turi Simeti has been one of the principal figures on the contemporary artistic and exhibition scene. Over fifty works taken from his long career are collected in this publication that Forma Edizioni has dedicated to his oeuvre on the occasion of the monographic exhibition that will be held at the Tornabuoni Art gallery in Paris from October 10, 2014. A critique by Bruno Corà acts as an introduction to a selection of Turi Simeti’s works, retracing the progressive stages of his artistic development; the artist gradually detached himself from the flat surface of his canvas, and using recurring elements or contrasting harmony of form, he developed new compositions strong in intensity and movement. A section written in collaboration with the Simeti archives closes the publication providing biographical and bibliographical details on personal and collective exhibitions necessary for a deeper understanding of the artist and his work.
24x30 cm; 160 pages; fra/engbound hardback
2014; Isbn 978-88-96780-69-5 (fr/eng) € 45,00
28 29
JOSEPH BEUYS DEVANT LA SCULPTURE POUR GIBELLINA, 1981. PHOTO DE MIMMO JODICE / JOSEPH BEUYS IN FRONT OF SCULPTURE FOR GIBELLINA, 1981.PHOTO BY MIMMO JODICE
64 65
UN OVALE ROSSO, 1967
ACRYLIQUE SUR TOILE EXTROFLEXE / ACRYLIC ON SHAPED CANVAS 70×130 CM / IN 27.6×51.2
67ART Exhibition Catalogue
ENRICO CASTELLANIwith an essay by B. Blistène
“Enrico Castellani” is a monograph and a catalogue of the exhibition of the artist, hosted in Tonabuoni Art gallery in Paris. The exhibition has shown off about forty of his most significant works, illustrated and accompanied in the volume by texts of Bernard Blistène. Enrico Castellani, who was born in 1930, is one of the leading figures of the artistic and cultural movement “Zero”, which aims to renew the language of image and form in the 50s and 60s. Thanks to the collaboration of the Castellani Archive, the volume, in a trilingual French/Italian/English edition, decribes the creative and artistic contribution of this protagonist of XXth century art. A large critical section is devoted to the bio-bibliography and to the list of exhibitions in which Castellani has participated.
24x30 cm; 200 pages; fra/ita/engbound hardback with dust jacket
2011; Isbn 978-88-96780-13-8€ 39,00
FONTANA E PARIGItexts by E. Crispolti with an introduction by F. Migliorati
The volume explores, through a selection of approximately seventy works, including sculptures and paintings, the Master’s artistic activity from the 50s onwards. The critical essays by Enrico Crispolti enrich the text by providing some important insights into the life of Lucio Fontana, on his visits to Paris and Milan, during which he continued to hold a dense network of exchanges and relations with artists, architects and intellectuals of his time. Vintage photographs, direct quotations from the artist and a thorough biography contextualize the art of Fontana in the specific cultural climate in which he lived and help to better understand the evolutionary spirit of this personality who, until his death, has been driven by a constant creative tension.
24x30 cm; 144 pages; ita/engbound hardback with dust jacket
2012; Isbn 978-88-96780-08-4€ 39,00
68 Exhibition Catalogue ART
© U
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PAOLO SCHEGGIwith an essay by L. M. Barbero
COMINGSOON
ART Exhibition Catalogue
FORMA EDIZIONI SRLVia della fornace, 1850125 FIRENZE ITALIA
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