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    PVR Cinema services

    History

    The Company was incorporated on April 26, 1995 under the Companies Act as "Priya Village

    oadshow !imited" and otained a certi#icate o# commencement o# usiness on $ecemer %,

    1995& 'n (une 2), 2**2 the name o# our Company was changed #rom "Priya Village oadshow

    !imited" to "PV !imited" conse+uent to the eit o# Village oadshow !imited #rom our 

    Company& -e also changed our registered o##ice within the same state #rom 5*, -est egal

    .uilding, Connaught Place, /ew $elhi 11* **1 to 61, .asant !o0, Vasant Vihar, /ew $elhi 11*

    *5& The change in registered o##ice has een approed y resolution o# our .oard on August 5,

    2**5&

    PVR Cinemas  is one o# the cinema chains in 3ndia& The Company, which egan as a 4oint

    enture agreement etween Priya hiitors Priate !imited and Village oad show !imited in

    1995 with 6*%* ratio egan its commercial operations in (une 199&

    The company has its origin as Priya !oe Vi0as Cinema in Vasant Vihar in 7outh $elhi, which

    was ought y current owner A4ay .i4li8s #ather in 19), who also owned truc0ing usiness,

    Amritsar Transport Co& 3n 19)), .i4li too0 oer the running o# the cinema hall, which was

    reamped in 199*, and its success lead to the #ounding PV Cinemas&

    The .i4li #amily, a distriutor o# ollywood #ilms on 3ndia started the multiple usiness in 199

    in association with Village oadshow pictures, an Australian media company, with the launch o# PV Anupam in 7a0et, city8s #irst multiple& 3n 2**:, 3C3C3 Ventures inested s %* crore in

    PV when Village oadshow decided to pull out o# the partnership& 'n 29 /oemer 2*12,

    PV Cinemas ought 69&2; o# the shares o# Cinechain in 3ndia&

    PV has %21 screens in 9 locations across %1 3ndian Cities& 3t plans to reach 5** screens y

    2*15&

    http://en.wikipedia.org/wiki/Indiahttp://en.wikipedia.org/wiki/Village_Roadshowhttp://en.wikipedia.org/wiki/Village_Roadshowhttp://en.wikipedia.org/wiki/India

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    State/Territory City Theater NameTheater

    Locality

    Number

    of Screens

     /ational Capital

    egion ?3ndia@

    $elhi

    PV Priya Vasant Vihar *1

    PV ioliCannaught

    Palace*1

    PV Prashant Vihar ohini *:

    PV 7elect Citywal0 7a0et *6

    PV Vi0aspuri Vi0aspuri *:

    PV /araina /araina *%

    PV un City Prashant Vihar *:

    PV Anupam 7a0et *%

    PV 7electcitywal0 7a0et *5

    PV PlaBa CannaughtPalace

    *1

    PV $irector8s Cut Vasant un4 *%

    aridaad PV Crown PlaBa 7ector 15 *2

    http://en.wikipedia.org/wiki/National_Capital_Region_(India)http://en.wikipedia.org/wiki/National_Capital_Region_(India)http://en.wikipedia.org/wiki/Delhihttp://en.wikipedia.org/wiki/Faridabadhttp://en.wikipedia.org/wiki/National_Capital_Region_(India)http://en.wikipedia.org/wiki/National_Capital_Region_(India)http://en.wikipedia.org/wiki/Delhihttp://en.wikipedia.org/wiki/Faridabad

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    DhaBiaad

    PV ast $elhi aushami *:

    PV 'pulent Dandhi /agar *:

    PV

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    PV Phoeni Gnited *6

    -est .engal ol0ata

    PV Aani *%

    PV $iamond PlaBa *5

    a4asthan Gdaipur  PV Celeration *%

    arnata0a

    .angalore

    PV orum oramangala 11

    PV 'rion a4a4inagar 11

    PV

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    PV Comple .an4ara ills *:

    PV 3norit

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    PV Phoeni

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    ollywood& i#th section coers the gender images in ollywood cinema, while the sith

    discusses the in#luence o# ollywood cinema on the youth consumption ehaiors o# arious

    li#estyle products& The #inal section #ocuses on the studies that dealt with the in#luence o# 

    ollywood cinema on youth acts o# deiance and li#estyle allied ris0 ehaiors li0e 7eualityK

    !oo0ismK Violence, Aggression and Pro#anityK 7mo0ingK and Alcoholism&

    A study y Cuypers et al&, ?2*11@ concludes that participation in receptie and creatie cultural

    actiities li0e watching good cinema, attending music concerts etc&,was signi#icantly associated

    with good health, good satis#action with li#e lowering aniety and depression scores in oth

    genders&

     7carmeas et al&, ?2**1@ says they may help to stay mentally sharp& oweer, Von 'tter ?2**)@ in

    an empirical inestigation osered that children, who pre#er watching cinema as a leisure

    actiity more than any other artistic hoy, tend to hae a higher prealence o# mental disorder 

    diagnoses than adults&Cinema plays an important social inclusion role, reaching out to otherwise under>sered elements

    o# the local population ?udoc0, 199:K The .ritish ilm 3nstitute and the G ilm Council

    eport, 2**5@&

    Dariel ?199)@ states that #ilms can create interest, stimulate discussion and encourage en+uiry

    when they are used e##ectiely& They can create a signi#icant impact on some peoples political‟

    iews, speci#ically and perhaps een generally in terms o# political orientations ?7adow,

    2**%@&An eploratory analysis on use o# cinema in usiness pedagogy demonstrates that there is

    receptiity y students to learn usiness concepts with the use o# moies as a tool?Diunta, 2**@&

    Payne et al&?199)@ applied IPleasure, Arousal and $ominance?PA$@Jmood theory to eamine the

    relationship etween moie iewing and mood and #ound that two opposing moods can eist

    simultaneously&

     7isto and Lanola, ?2**%@ hae tried to proe the addictie demand #or cinema& A study on multi

    counties ?Australia, Canada, 3taly and 7witBerland@ #ound that consumers seems to associate

    artistic and cultural products with speci#ic countries and G7 was #ound to e perceied #aoraly

    with respect to popular art such as action moies and (aBB ?d Astous et al&,2**5@& 3n the process‟

    o# analyBing the competition as a crucial determinant to eplain cinema demand in 1: uropeancountries ?Austria, .elgium, $enmar0, inland, rance, Dermany, 3taly, !uemourg, /orway,

     /etherlands 7pain, 7weden, and G@,hae noticed that oth the production and distriution side

    o# uropean cinema mar0et are controlled y ollywood ma4ors&

     !iponen et al& ?2**:@ study on notion o# cinema>going in urope with concept o# M7ocial Actor ‟

    reealed that the cinema>goers hae their own interaction rituals, linguistic cultures and cultural

    others, where teenagers and young adults usually practice the low cinema language norms&

    Addictieness among orean consumers, notaly youth, is stronger #or imported moies than #or 

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    domestic moies ?im and Par0, 2**%@& This study osered an undesirale in#luence o# 

    gratuitous se or iolence o# ollywood moies on young and impressionale moiegoers thus

     ecoming a contriuting #actor #or cultural nationalism and protectionism&

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    PVR cinema blue!rint

     Line of interaction

     Refreshment

    stand Actual

    refreshment Employee

    Money

     Line

    holders

    Employee

    Money

    Actual

    ticket 

    sign with

    titles and

    star line

    Parking lot

    Exterior or

    actual building

    et

    in

    line

    Rece

    iveticke

    Arrive

    attheate

    !ecide on

    what moveto see and

     

    Arrive

    attheate

    et

    refreshment

    and use rest

     

    Employee

    greets you#

    give you

    ticket andtake your

    Employee

    takes mon

    and gives y

    refreshmen 

      g  e

     

      nLine of

    $nline ticket

    sales

     

      g  e

    Line of internal

      s

    Preparation

    of

    refreshment

    Computer

    processing

    'nterior of

    theater &teps# seats#

    lights and

    &ign to movie

    !oor to

    theater

    Lights dim

    Movie

    begin

    Lights

    brighten

    Credits roll

    Parking

    Exterio

    buildin

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     Line of interaction

     Line of visibility

    !ine o# internal interaction

    R'C($$'N)AT*(NS + ACT*(N PLAN

    Staff Groomin, At Tic-et Counter.

    The sta## memer has to e more responsie and polite to the customers, #or that it is needed that they should e

    more etroert and communicatie to the isitors&

    ()atc

    h

    movie*

    +ind a

    seat

    Put ,aket

    on and

    exit

    Leave

    buildi

    g and

    +ind

    the

    right

    -sers and

    other movie"

    goers

     

      g  e

     

      n

    Employee

    dims the light

    and starts

    movie

    Employee

    brightens light

    Employe

    cleans th

    theate

     

      g  e

    Pro,ection

    system

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    Attractive Choice (f $enu An Taste.

    The authority can as0 the endors in the campus to come up with certain new munchies and can also allot the

    acant space in the campus to new caterers &And cost should e within limit that #etches pro#it #or the endor and is

    also ale to attract customers&

    Cleanliness (f ash Room.

    7pecial attention should e gien on cleanliness o# the wash room area to proide the customers a hygienic

    enironment&

    (verall 'atin, '0!erience V/S (verall '0!erience At 1i, Cinema.

    rom the core relation etween these two it is clearly isile that oerall eating eperience is a##ecting oerall l

    eperience at PV Cinema and at the tic0et counter customers are not satis#ied& 7o the #ocus should e at snac0s

    counter to increase the oerall satis#action leel&

    Customer Relationshi! $ana,ement.Customer relationship management is a critical #actor to increase mar0et share &or that PV Cinema has to

    collect the data ase o# the customer and it can e done at the tic0et counter while oo0ing tic0et customer can e

    as0ed some asic in#ormation and this in#ormation can e used #or moile mar0eting&

    Attractive Gift Tic-et.

    To increase customerNs isiting #re+uency some attracting gi#ts tic0et can arranged such as giing the 5thtic0et #ree

    a#ter %thisit, ut #or the 5thisit administrator has to set s speci#ic time during which the isit o# customer is

    currently ery less&

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    Par-in,.

    *nterior )esi,n.

    Tic-et ino&

    *nsie Theater. Seatin, an Screen

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    2uestioner

    )ear res!onent3

    -e are students o# 55 E F Aoe 55

    ?2@ -hat is your 'ccupationO E F 7tudent E F .usiness E F (o -or0er E F etired

    ?:@ ow much youNre monthly 3ncomeO

    E F !ess than 1*,*** E F 1*,***>2*,*** E F 2*,***>%*,*** E F

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    No )isa,ree A,ree

    9" 7erice proider gies you a prompt serice& 1 2 : % 5

    99 7erice proiders are always willing to helpyou&

    1 2 : % 5

    9: 7erice proiders are neer too usy torespond to your re+uest&

    1 2 : % 5

    Statements in 'm!athy )imension.

    Sr4

    No

    Statements Stron,ly

    )isa,ree

    )isa,ree Neutral A,ree Stron,ly

    A,ree

    9; 7erice proiders are consistently courteouswith you&

    1 2 : % 5

    9% The serice managers hae the 0nowledge

    to answer your +uestions&

    1 2 : % 5

    Statements in Res!onsiveness )imension.

    Sr4

    No

    Statements Stron,ly

    )isa,ree

    )isa,ree Neutral A,ree Stron,ly

    A,ree

    95 PV serice gies you indiidual attention& 1 2 : % 5

    9# PV Cinema has employees who gie you

    indiidual attention&

    1 2 : % 5

    96 The serice manager and employees

    understand your speci#ic needs&

    1 2 : % 5

    Statements in Tan,ibles )imension.

    Sr4

    No

    Statements Stron,ly

    )isa,ree

    )isa,ree Neutral A,ree Stron,ly

    A,ree

    97 Their serice #acilities are isuallyappealing&

    1 2 : % 5

    98 They proide conenient serice #acilities& 1 2 : % 5

    :" PV serice o# cinema has coneniento##ice hours&

    1 2 : % 5

    :94 'erall satis#action toward PV cinema&

    E F ighly $isagree E F $isagree E F /eutral E F Agree E F ighly Agree

    ::4 -ill you isit again the PV CinemaO E F es E F /o

    Than-