British Academy Television Craft Awards in 2014 - Downton Abbey variant cover
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Transcript of British Academy Television Craft Awards in 2014 - Downton Abbey variant cover
2O14
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CONTENTS
WELCOME
3 A message from the Academy Chairman
THE NOMINATIONS
7 Breakthrough Talent Costume Design
9 Digital Creativity Director: Factual
11 Director: Fiction Director: Multi-camera
13 Editing: Factual Editing: Fiction
15 Entertainment Craft Team Make Up & Hair Design
THE SPECIAL AWARD
16 A decade of the tango and foxtrot is celebrated as Strictly Come Dancing receives this year’s prestigious award.
THE NOMINATIONS (cont.)
21 Original Music Photography: Factual
23 Photography & Lighting: Fiction Production Design
25 Sound: Factual
26 Sound: Fiction Special, Visual & Graphic Effects
27 Writer: Comedy Writer: Drama
28 JURIES
30 MEET THE SPONSORS
32 THANKS
@EdinburghTVfest ThisIsEdinburghTVFestival Edinburgh TV Fest
From Kevin Spacey to Google’s Eric Schmidt, global heavyweights set the industry agenda. PLUS more than 50 panel discussions, commissioning sessions and masterclasses.
Unique access to the biggest names at official receptions, events and parties.
Extend your business horizons among delegates from 22 countries and 60 international broadcasters and channels.
Keith Lemon reveals what goes on behind channel controllers’ doors while a panel tries to guess ‘who habitates in a house like this’.
What progress has been made in producer/commissioner relationships since last year’s most talked-about session? A new survey will reveal all.
Join 2000+ senior level professionals for the UK’s leading television festival.
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very warm welcome to the British Academy Television Craft Awards.
This evening is a celebration of the very best behind-the-scenes talent in British television. Judging by the quality of the nominations alone, it has been another outstanding year for television craft.
Chief among the honours is the Special Award, which will be conferred not to any one individual but a whole team of talented practitioners. We salute the outstanding behind-the-scenes crew of one of the nation’s most popular entertainment shows: Strictly Come Dancing.
Particularly in the television industry, teamwork is a prerequisite for success. It does not come about through happy coincidence or without strong leadership. Strictly embraces the team ethic entirely; with a surfeit of brilliant individuals, it is a team that delivers quality, and consistently – 10 years on our screens and counting, Strictly has stood the test of time.
Many individuals are recognised for their outstanding work this evening too, whose
crafts can take a lifetime to master. It is their dedication to creativity, innovation and excellence that shines through every one of their nominations. Congratulations and good luck to you.
I’m delighted that our magnificent host Stephen Mangan has returned to guide us through the ceremony. My thanks to all our partners, supporters and category sponsors of the event – CARAT*, The Farm Group, HotCam, G-Technology, The London Studios, M·A·C Cosmetics and Sara Putt Associates – who are behind BAFTA’s success as a charity. And thank you also to BAFTA’s Television Committee, scrupulously chaired by Andrew Newman, and all our juries; and to Kelly Smith, Siobhan Pridgeon, Clare Brown and everyone at BAFTA whose dedication remains unsurpassed.
Have an enjoyable evening.
JOHN WILLISChairman of the Academy
Welcome message
@EdinburghTVfest ThisIsEdinburghTVFestival Edinburgh TV Fest
From Kevin Spacey to Google’s Eric Schmidt, global heavyweights set the industry agenda. PLUS more than 50 panel discussions, commissioning sessions and masterclasses.
Unique access to the biggest names at official receptions, events and parties.
Extend your business horizons among delegates from 22 countries and 60 international broadcasters and channels.
Keith Lemon reveals what goes on behind channel controllers’ doors while a panel tries to guess ‘who habitates in a house like this’.
What progress has been made in producer/commissioner relationships since last year’s most talked-about session? A new survey will reveal all.
Join 2000+ senior level professionals for the UK’s leading television festival.
4 British academy television craft aWards
5the nominations
saraputtassocia tes
As the leading independent UK agency for many of the most talented Film & TV professionals, we are proud to sponsor the Breakthrough Talent category in 2014.
Sara Putt Associatesnurturing today’s talentfor tomorrow.
www.saraputt.co.uk
PRODUCERSDIRECTORSWRITERSSCRIPT EXECUTIVESVISUAL EFFECTS PRODUCERSVISUAL EFFECTS SUPERVISORSLINE PRODUCERSDIRECTORS OF PHOTOGRAPHYPRODUCTION DESIGNERSEDITORS
SOUND RECORDISTSCOSTUME DESIGNERSHAIRDRESSERSMAKE UP ARTISTSSTUNT COORDINATORS1st ASSISTANT DIRECTORSCAMERA/STEADICAM OPERATORSSTEREOGRAPHERSASSISTANTSTRAINEES
‘‘
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BREAKTHROUGH TALENT
SPONSORED BY
DANIEL FA JEMISIN-DUNCAN, MARLON SMITH
Writers, RunAcme Films/Channel 4
NANCY HARRISWriter, Dates
Balloon Entertainment/Channel 4
SAM LEIFER, TEDDY LEIFERWriter/Director, Producer, PLEBS
Rise Films/ITV2
DAN SMITHDirector, David Attenborough’s Natural
History Museum Alive 3DColossus Productions/Sky 3D
COSTUME DESIGN
SPONSORED BY
AN ADVENTURE IN SPACE AND TIME
Suzanne CaveBBC Cymru Wales/BBC America/
BBC Two
DA VINCI'S DEMONSAnnie Symons
Adjacent/Phantom Four Films/FOX
DOWNTON ABBEYCaroline McCall
Carnival Film & Television/ITV
THE SUSPICIONS OF MR WHICHER: THE MURDER
IN ANGEL LANELucinda Wright
Hat Trick Productions/ITV
the nominations
Sargent-Disc congratulates the nominees of the British Academy Television Craft Awards in 2014.
Sargent-Disc is committed to service excellence. Find out more at www.sargent-disc.com
Payroll &Residuals
CorporatePayroll
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SD Online Production Card
Production Services
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Movie MagicBudgeting
Training AcademicPartnerships
Academy Partner
195 PiccadillyPrestigious headquarters of the British academy of film and television arts
lead your guests up the red carpet into this glamorous and unique venue with versatile entertaining spaces and state-of-the-art screening facilities.
for events and reservations: [email protected] 020 7292 5860
www.bafta.org/venue-hire
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DIRECTOR: FACTUAL
EDUCATING YORKSHIREDavid Brindley, Grace Reynolds
TwoFour/Channel 4
HER MAJESTY'S PRISON AYLESBURYLee Phillips
Wild Pictures/ITV
THE MURDER TRIALNick Holt
Windfall Films/Channel 4
THE UNSPEAKABLE CRIME: RAPE
Sara Hardy, Blue RyanGold Star Productions/BBC One
DIGITAL CREATIVITY
CBEEBIES PLAYTIMEJon Howard, Leanne Dougan,
Lizzie Leadbeater, Richard WilsonCBeebies In-house/CBeebies
D-DAY: AS IT HAPPENSProduction Team
Windfall Films, Digit London/Channel 4
THIS MORNING: TAKE OVER THE MAKEOVER
Production TeamITV Studios/ITV Commercial
& Online/Metail/ITV
UTOPIATH_NK
Kudos/Channel 4
the nominations
Multi-Camera Directors are unusual people.It takes uncommon vision to reach the top as a Multi-Camera Director. We’re delighted to sponsor tonight’s Director: Multi-Camera award and see that talent recognised and celebrated.
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Multi-Camera Directors are unusual people.It takes uncommon vision to reach the top as a Multi-Camera Director. We’re delighted to sponsor tonight’s Director: Multi-Camera award and see that talent recognised and celebrated.
DIRECTOR: FICTION
BROADCHURCH (EPISODE ONE)
James StrongKudos/Imaginary Friends/ITV
PEAKY BLINDERSOtto Bathurst
Caryn Mandabach Productions/ Tiger Aspect Productions/BBC Two
TOP OF THE LAKEJane Campion, Garth Davis
See-Saw Films/BBC Two
UTOPIAMarc Munden
Kudos/Channel 4
DIRECTOR: MULTI-CAMERA
SPONSORED BY
THE FUNERAL OF BARONESS THATCHER
Bridget CaldwellBBC Events Production/BBC One
THE GRAHAM NORTON SHOWSteve Smith
So Television Ltd/BBC One
STRICTLY COME DANCING Nikki Parsons
BBC Entertainment Production/ BBC One
THE X FACTOR Phil Heyes
Thames (part of FremantleMedia UK)/ Syco Entertainment/ITV
the nominations
THE PROFESSIONAL CHOICE.
“I’VE HAD SO MANY DRIVES FAIL ON ME IN THE PAST. G-TECHNOLOGY IS THE ONLY BRAND WHICH HASN’T.”– Philip Bloom, DP - Director - Filmmaker
It’s no secret that creative workflows have become more fluid – but
until now, the way you capture, transfer and share your work has
been frozen in time. That’s why we designed the Evolution Series
– a swappable, expandable dual-bay storage platform that gives
creative pros the speed and flexibility they need today.
The hub of the system is the G-DOCK ev™ with Thunderbolt™, plus
two go-to portable drives that each move up to 2TB seamlessly
from shoot to edit to post. Take the stand-alone drives out on
location. Hand them off to your partners. Then back at your
workstation, swap the drives into the dock to transfer your work
with its ultra-fast Thunderbolt interface. And the whole solution is
RAID 0 and 1 configurable.
Swap in. Swap out. The evolution starts now at g-technology.eu
Thunderbolt and the Thunderbolt logo are trademarks of Intel Corporation in the U.S. and/or other countries.Design by G-Technology in California. G-DRIVE and G-Technology are registered trademarks of HGST, Inc. and its affiliates in the U.S. and other countries.
G-DOCK ev is a filed trademark of HGST, Inc. and its affiliates in the U.S. and other countries. ©2014 G-Technology, a division of HGST, Inc. All rights reserved.
g-technology.eu
G-Technology is proud to sponsor the Editing Fiction category in tonight’s awards
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THE PROFESSIONAL CHOICE.
“I’VE HAD SO MANY DRIVES FAIL ON ME IN THE PAST. G-TECHNOLOGY IS THE ONLY BRAND WHICH HASN’T.”– Philip Bloom, DP - Director - Filmmaker
It’s no secret that creative workflows have become more fluid – but
until now, the way you capture, transfer and share your work has
been frozen in time. That’s why we designed the Evolution Series
– a swappable, expandable dual-bay storage platform that gives
creative pros the speed and flexibility they need today.
The hub of the system is the G-DOCK ev™ with Thunderbolt™, plus
two go-to portable drives that each move up to 2TB seamlessly
from shoot to edit to post. Take the stand-alone drives out on
location. Hand them off to your partners. Then back at your
workstation, swap the drives into the dock to transfer your work
with its ultra-fast Thunderbolt interface. And the whole solution is
RAID 0 and 1 configurable.
Swap in. Swap out. The evolution starts now at g-technology.eu
Thunderbolt and the Thunderbolt logo are trademarks of Intel Corporation in the U.S. and/or other countries.Design by G-Technology in California. G-DRIVE and G-Technology are registered trademarks of HGST, Inc. and its affiliates in the U.S. and other countries.
G-DOCK ev is a filed trademark of HGST, Inc. and its affiliates in the U.S. and other countries. ©2014 G-Technology, a division of HGST, Inc. All rights reserved.
g-technology.eu
G-Technology is proud to sponsor the Editing Fiction category in tonight’s awards
EDITING: FICTION
SPONSORED BY
AN ADVENTURE IN SPACE AND TIME
Philip KlossBBC Cymru Wales/BBC America/
BBC Two
BROADCHURCH (EPISODE EIGHT)
Mike JonesKudos/Imaginary Friends/ITV
THE FALLSteve Singleton
Artists Studio/Fables Ltd/BBC Two
TOP OF THE LAKE (EPISODE SIX)
Alexandre de FranceschiSee-Saw Films/BBC Two
EDITING: FACTUAL
ARENA: THE NATIONAL THEATRE
(PART ONE Ð THE DREAM)Joanna Crickmay
BBC Arena/Lone Star Co-Production/BBC Four
DAVID BOWIE Ð FIVE YEARSGed Murphy
BBC Events Production/BBC Two
EDUCATING YORKSHIRE (EPISODE ONE)
Mark TownsTwoFour/Channel 4
TOP GEARCraig Harbour, James Hart, Dan James
BBC Entertainment Production/ BBC Two
the nominations
t h e O f f i c i a l M a k e u p S p O n S O r t O t h e B r i t i S h a c a d e M y t e l e v i S i O n c r a f t aw a r d S i n 2 0 1 4
S a l u t e S a l l t h i S y e a r ’ S n O M i n e e S O f t h e M a k e u p a n d h a i r d e S i g n c at e g O r y
BAFTA_CRAFT_2014_2.indd 1 3/28/14 1:30 PM
15t h e O f f i c i a l M a k e u p S p O n S O r t O t h e B r i t i S h a c a d e M y t e l e v i S i O n c r a f t aw a r d S i n 2 0 1 4
S a l u t e S a l l t h i S y e a r ’ S n O M i n e e S O f t h e M a k e u p a n d h a i r d e S i g n c at e g O r y
BAFTA_CRAFT_2014_2.indd 1 3/28/14 1:30 PM
ENTERTAINMENT CRAFT TEAM
SPONSORED BY
ANT & DEC'S SATURDAY NIGHT TAKEAWAY
Patrick Doherty, Kevin Duff, Kim Gavin, Andrew Milligan
ITV Studios Ltd/Mitre Television Ltd/ITV
DOCTOR WHO AT THE PROMS 2O13Bernie Davis, Eryl Ellis,
Huw Thomas, Keith WareBBC Cymru Wales/BBC One
DYNAMO: MAGICIAN IMPOSSIBLEAlex Hartman, Saul Gittens,
Dan Evans, Amer IqbalPhil McIntyre Entertainment Ltd/
Inner Circle Films/Red Rocket/Watch
TOP GEARJames Hart, Dan James, Andy Hodges
BBC Entertainment Production/BBC Two
MAKE UP & HAIR DESIGN
SPONSORED BY
AN ADVENTURE IN SPACE AND TIME
Vickie LangBBC Cymru Wales/BBC America/
BBC Two
BURTON AND TAYLORLucy Cain
BBC Drama Production London/ BBC America/BBC Four
DA VINCI'S DEMONSJacqueline Fowler
Adjacent/Phantom Four Films/FOX
DEATH COMES TO PEMBERLEYLoz Schiavo
Origin Pictures Ltd/BBC One
the nominations
In may 2004, breakfast television presenter Natasha Kaplinsky sashayed onto the dance floor and Strictly Come Dancing took its first tentative steps into the world. Over the following decade the BBC One show – which pairs celebrities and professional
ballroom dancers in a contest to out tango, waltz and cha-cha-cha each other – has come of age.
It has become a much-loved Saturday night fixture, mixing drama, emotion and, when the less capable celebrities take to the floor, hilarity. Audiences have topped 14 million and the format has been sold to more than 40 countries.
Now, in the year it celebrates its 10th birthday, Strictly Come Dancing receives a well-deserved British Academy Special Award in recognition of its outstanding creative and technical achievements.
The perfectly honed light entertainment show that appears on screen hides the amount of sheer hard work that the off-screen talent puts into making live television. “There is a huge amount of pressure,” says Strictly Come Dancing’s director Nikki Parsons, nominated herself this year in the Director:
With 10 years and more than 240 shows under its sequined belt, tonight’s recipient of the Academy’s Special Award, Strictly Come Dancing, has proved it’s a cha-cha-champion of light entertainment.Words By mattheW Bell
Multi-camera category. “Behind the scenes, it’s sometimes chaotic but that chaos never makes it on air, which is a testament to the abilities of the team. Making the show is a huge team effort. Everyone pulls together while working in the most stressful situations – and produces brilliant results.”
Although the show is very much a team effort, Parsons does single out a few names for special mention: “Lighting director Mark Kenyon and production designer Patrick Doherty are key to how the show looks – they’ve been on Strictly since the very beginning.”
As a veteran of more than 150 shows, Parsons is well qualified to comment on Strictly Come Dancing’s success. “It’s family entertainment – there’s something for everybody in it, from kids to grandparents. Strictly’s a happy show, which is not out to humiliate people.”
She also mentions the show’s “warmth and intimacy”, which surely emanates from the hosts, BAFTA Fellow Sir Bruce Forsyth (who recently announced his retirement from the show) and Tess Daly. Unlike other talent shows, the judges are almost always pleasant on Strictly, including pantomime villain
THE SPECIAL AWARD
16 British academy television craft aWards
Craig Revel Horwood. “Even ‘Evil Craig’ is nice,” laughs Parsons.
It is the comedic moments that stand out from Parsons’ years working on the show: “John Sergeant pulling Kristina (Rihanoff ) across the floor, Ann Widdecombe flashing her knickers, Russell Grant being fired out of a cannon and, last year, hairy biker Dave Myers – everything he did was memorable.”
She has also enjoyed watching the celebrities knuckle down and learn to do something alien to them. “In the early years we had quite a few sportsmen, such as Matt Dawson and Mark
Ramprakash, who couldn’t dance for toffee when they started. But by the end of it they were amazing.
“I’ve absolutely loved working on Strictly,” says Parsons, who is again onboard for this year’s run. “At the end of every series, you think, ‘I can’t do that again – it half killed me,’ but that’s soon forgotten and then I’m looking forward to working with a great team of people again.”
She adds: “Speaking on behalf of the team, we all love working on Strictly and are so proud of what we’ve achieved. We’re producing a series with high production values, which people really enjoy watching.”
MAKING THE SHOW IS A HUGE TEAM EFFORT.
EVERYONE PULLS TOGETHER... WITH BRILLIANT RESULTS.
the special aWard 17
Clockwise from left: Former Coronation Street star Natalie Gumede dances with Artem Chingvintsev in 2013; Strictly Come Dancing’s director Nikki Parsons; hosts Sir Bruce Forsyth and Tess Daly
Tiger Aspect advert 08/04/14 3:20 PM
IntroducingÓlafur Arnalds
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The incredible composer of Broadchurch brings you his
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O U T N O W
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PHOTOGRAPHY: FACTUAL
AFRICA (CONGO)Camera Team
BBC Natural History Production/Discovery Channel/CCTV9/ France Television/BBC One
MECHANICAL MARVELS: CLOCKWORK DREAMS
Andy JacksonFurnace TV/BBC Four
REBUILDING THE WORLD TRADE CENTER
Marcus RobinsonLion Television/Marcus Robinson/
Channel 4
SYRIA: ACROSS THE LINESOlly Lambert
Quicksilver Media/Channel 4
ORIGINAL MUSIC
BROADCHURCHÓlafur Arnalds
Kudos/Imaginary Friends/ITV
LUTHERPaul Englishby
BBC Drama Production London/BBC One
PEAKY BLINDERSMartin Phipps
Caryn Mandabach Productions/ Tiger Aspect Productions/BBC Two
TOP OF THE LAKEMark Bradshaw
See-Saw Films/BBC Two
the nominations
Alpha Grip introduces the new “Spanish Arm” - a different concept of Camera Car.
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Fitted with the very latest Scorpio Arm and Scorpio Stabilised Head, you can perform a full 360 degree camera rotation to a maximum camera reach of 17ft 8” (5.4m). With 36v battery operation, allowing 2 days of continuous use before charging is required, it is perfect for use in remote locations. Delivered in a custom built support truck it’s ready for immediate use, no build time or rigging required.
The Scorpio Stabilised Remote Arm is versatile and powerful, yet stable and safe. All this, together with its digital Control which allows pre-recorded positions, set limits and movements, makes it the most technologically advanced Remote Camera Arm of its kind.
It’s not a Crane, it’s not a Camera Car and it’s not a Stabilised Head
ALPHA GRIPSTABILISED REMOTE SYSTEMS | MOTION CONTROL | SPECIALIST VEHICLES
TELESCOPIC CAMERA CRANES | CAMERA SUPPORT SYSTEMS
| +44 (0)1932 593505 | www.alphagrip.co.uk | [email protected]
M Stage, Shepperton Studios, Studios Road, Shepperton, Middlesex TW17 0QD
21
Alpha Grip introduces the new “Spanish Arm” - a different concept of Camera Car.
With a complete rotation in less than 5.5 seconds and all controlled from within a powerful 400bhp V10 VW Touareg. Your images will be more stable and more dynamic, whilst your crew will be in complete safety and comfort thanks to a full race spec roll cage, 3 point safety harnesses and bucket racing seats. An on board solid state recording system allows instant playback, viewed through four high resolution HD/SDI monitors.
Fitted with the very latest Scorpio Arm and Scorpio Stabilised Head, you can perform a full 360 degree camera rotation to a maximum camera reach of 17ft 8” (5.4m). With 36v battery operation, allowing 2 days of continuous use before charging is required, it is perfect for use in remote locations. Delivered in a custom built support truck it’s ready for immediate use, no build time or rigging required.
The Scorpio Stabilised Remote Arm is versatile and powerful, yet stable and safe. All this, together with its digital Control which allows pre-recorded positions, set limits and movements, makes it the most technologically advanced Remote Camera Arm of its kind.
It’s not a Crane, it’s not a Camera Car and it’s not a Stabilised Head
ALPHA GRIPSTABILISED REMOTE SYSTEMS | MOTION CONTROL | SPECIALIST VEHICLES
TELESCOPIC CAMERA CRANES | CAMERA SUPPORT SYSTEMS
| +44 (0)1932 593505 | www.alphagrip.co.uk | [email protected]
M Stage, Shepperton Studios, Studios Road, Shepperton, Middlesex TW17 0QD
PHOTOGRAPHY & LIGHTING:
FICTION
DANCING ON THE EDGEAshley Rowe
Ruby Films/BBC Two
LUTHERJohn Conroy
BBC Drama Production London/BBC One
PEAKY BLINDERSGeorge Steel
Caryn Mandabach Productions/ Tiger Aspect Productions/BBC Two
UTOPIAOle Birkeland
Kudos/Channel 4
PRODUCTION DESIGN
BROADCHURCHCatrin Meredydd
Kudos/Imaginary Friends/ITV
BURTON AND TAYLORJohn Stevenson
BBC Drama Production London/BBC America/BBC Four
PEAKY BLINDERSGrant Montgomery
Caryn Mandabach Productions/ Tiger Aspect Productions/BBC Two
RIPPER STREETMark Geraghty
Tiger Aspect Productions/ Lookout Point Limited/BBC One
the nominations
It stopsand startswith you;you’ve justgot to wantto do it.ZAWE ASHTONACTOR, FRESH MEAT
Watch, Listen,Read, Explore.Get insights, advice and moreat BAFTA Guru.
www.bafta.org/guru
23
It stopsand startswith you;you’ve justgot to wantto do it.ZAWE ASHTONACTOR, FRESH MEAT
Watch, Listen,Read, Explore.Get insights, advice and moreat BAFTA Guru.
www.bafta.org/guru
SOUND: FACTUAL
AFRICA (KALAHARI)Kate Hopkins, Tim Owens,
Graham WildBBC Natural History Production/
Discovery Channel/CCTV9/ France Television/BBC One
BRITTEN'S ENDGAMEPatrick Boland, Mike Hatch,
Rowan Jennings, Paul ParagonCrux Productions Limited/BBC Four
DAVID ATTENBOROUGH'S NATURAL HISTORY MUSEUM ALIVE 3D
Freddie Claire, Graham Kirkman, John Rogerson, Richard Addis
Colossus Productions/Sky 3D
DAVID BOWIE Ð FIVE YEARSRowan Jennings, Karl Mainzer,
Adam ScourfieldBBC Events Production/BBC Two
HEBRIDES Ð ISLANDS ON THE EDGE
Ben Peace, Kate Hopkins, Tim Owens
Maramedia/Otter Films for BBC Scotland/BBC One
the nominations
B A F T AT H E l E A D I N G I N D Ep EN D EN T u k cH A R I T Y S u p p O R T I N G, DEvElOpING AND pROmOT ING THE ART FOR mS OF THE mOvING ImAGE ¥ THE lEADING INDEpENDENT uk cHARITY SuppORTING, DEvElOpING AND pROmOTING THE ART FORmS OF THE mOvING Im AGE ¥ THE lEAD ING INDEpENDENT uk cHARIT Y SuppORT ING, DEvElOpING AND pROmOTING THE A R T F O R m S O F T H E m O v I N G I m A G E ¥ T H E l E A D I N G INDEpENDENT uk cHARITY SuppORTING, DEvElOpING AND pROmOTING THE ART FORmS OF THE mOvING ImAGE ¥ THE lEADING INDEpENDENT uk cHARITY SuppORTING, DEvElOpING AND pROmOTING THE ART FORmS OF THE mOvING ImAGE ¥ T H E l E A D I N G I N D Ep EN D EN T u k cH A R I T Y S u p p O R T I N G, DEvElOpING AND pROmOT ING THE ART FOR mS OF THE mOvING ImAGE ¥ THE lEADING INDEpENDENT uk cHARITY SuppORTING, DEvElOpING AND pROmOTING THE ART FORmS OF THE mOvING Im AGE ¥ THE lEAD ING INDEpENDENT uk cHARIT Y SuppORT ING, DEvElOpING AND pROmOTING THE A R T F O R m S O F T H E m O v I N G I m A G E ¥ T H E l E A D I N G INDEpENDENT uk cHARITY SuppORTING, DEvElOpING AND pROmOTING THE ART FORmS OF THE mOvING ImAGE ¥ THE lEADING INDEpENDENT uk cHARITY SuppORTING, DEvElOpING AND pROmOTING THE ART FORmS OF THE mOvING ImAGE ¥ T H E l E A D I N G I N D Ep EN D EN T u k cH A R I T Y S u p p O R T I N G, DEvElOpING AND pROmOT ING THE ART FOR mS OF THE mOvING ImAGE ¥ THE lEADING INDEpENDENT uk cHARITY SuppORTING, DEvElOpING AND pROmOTING THE ART FORmS OF THE mOvING Im AGE ¥ THE lEAD ING INDEpENDENT uk cHARIT Y SuppORT ING, DEvElOpING AND pROmOTING THE A R T F O R m S O F T H E m O v I N G I m A G E ¥ T H E l E A D I N G INDEpENDENT uk cHARITY SuppORTING, DEvElOpING AND pROmOTING THE ART FORmS OF THE mOvING ImAGE ¥ THE lEADING INDEpENDENT uk cHARITY SuppORTING, DEvElOpING AND pROmOTING THE ART FORmS OF THE mOvING ImAGE ¥
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B A F T AT H E l E A D I N G I N D Ep EN D EN T u k cH A R I T Y S u p p O R T I N G, DEvElOpING AND pROmOT ING THE ART FOR mS OF THE mOvING ImAGE ¥ THE lEADING INDEpENDENT uk cHARITY SuppORTING, DEvElOpING AND pROmOTING THE ART FORmS OF THE mOvING Im AGE ¥ THE lEAD ING INDEpENDENT uk cHARIT Y SuppORT ING, DEvElOpING AND pROmOTING THE A R T F O R m S O F T H E m O v I N G I m A G E ¥ T H E l E A D I N G INDEpENDENT uk cHARITY SuppORTING, DEvElOpING AND pROmOTING THE ART FORmS OF THE mOvING ImAGE ¥ THE lEADING INDEpENDENT uk cHARITY SuppORTING, DEvElOpING AND pROmOTING THE ART FORmS OF THE mOvING ImAGE ¥ T H E l E A D I N G I N D Ep EN D EN T u k cH A R I T Y S u p p O R T I N G, DEvElOpING AND pROmOT ING THE ART FOR mS OF THE mOvING ImAGE ¥ THE lEADING INDEpENDENT uk cHARITY SuppORTING, DEvElOpING AND pROmOTING THE ART FORmS OF THE mOvING Im AGE ¥ THE lEAD ING INDEpENDENT uk cHARIT Y SuppORT ING, DEvElOpING AND pROmOTING THE A R T F O R m S O F T H E m O v I N G I m A G E ¥ T H E l E A D I N G INDEpENDENT uk cHARITY SuppORTING, DEvElOpING AND pROmOTING THE ART FORmS OF THE mOvING ImAGE ¥ THE lEADING INDEpENDENT uk cHARITY SuppORTING, DEvElOpING AND pROmOTING THE ART FORmS OF THE mOvING ImAGE ¥ T H E l E A D I N G I N D Ep EN D EN T u k cH A R I T Y S u p p O R T I N G, DEvElOpING AND pROmOT ING THE ART FOR mS OF THE mOvING ImAGE ¥ THE lEADING INDEpENDENT uk cHARITY SuppORTING, DEvElOpING AND pROmOTING THE ART FORmS OF THE mOvING Im AGE ¥ THE lEAD ING INDEpENDENT uk cHARIT Y SuppORT ING, DEvElOpING AND pROmOTING THE A R T F O R m S O F T H E m O v I N G I m A G E ¥ T H E l E A D I N G INDEpENDENT uk cHARITY SuppORTING, DEvElOpING AND pROmOTING THE ART FORmS OF THE mOvING ImAGE ¥ THE lEADING INDEpENDENT uk cHARITY SuppORTING, DEvElOpING AND pROmOTING THE ART FORmS OF THE mOvING ImAGE ¥
SOUND: FICTION
DANCING ON THE EDGEAdrian Bell, Lee Crichlow, Robert Farr, Ian Wilkinson
Ruby Films/BBC Two
THE ESCAPE ARTISTChris Ashworth, Graham Headicar,
Stuart Hilliker, Duncan PriceEndor Productions Ltd/BBC One
LUTHERHoward Bargroff, Russell Jeffery,
Mike Grimes, Emma PegramBBC Drama Production London/
BBC One
PEAKY BLINDERSStuart Hilliker, Brian Milliken, Matthew Skelding, Lee Walpole
Caryn Mandabach Productions/ Tiger Aspect Productions/BBC Two
SPECIAL, VISUAL & GRAPHIC EFFECTS
DAVID ATTENBOROUGH'S NATURAL HISTORY MUSEUM ALIVE 3DZOO, Fido, Colossus
Colossus Productions/Sky 3D
DOCTOR WHO: THE DAY OF THE DOCTOR
Milk VFX, Real SFX, The Model UnitBBC Cymru Wales/BBC One
MICRO MONSTERS WITH DAVID ATTENBOROUGH: PREDATOR
Hollingworth Photography, British Technical Films, Colossus
Colossus Productions/Sky 3D
PEAKY BLINDERSBlueBolt (VFX), Rushes (Colourist)
Caryn Mandabach Productions/ Tiger Aspect Productions/BBC Two
the nominations
27
WRITER: DRAMA
BROADCHURCHChris Chibnall
Kudos/Imaginary Friends/ITV
IN THE FLESHDominic Mitchell
BBC Drama Production Salford/ BBC America/BBC Three
LAST TANGO IN HALIFAXSally Wainwright
Red Production Company/BBC One
UTOPIADennis Kelly
Kudos/Channel 4
WRITER: COMEDY
SPONSORED BY
COUNT ARTHUR STRONGSteve Delaney, Graham Linehan
Retort/Komedia/Delightful Industries/BBC Two
FRESH MEATSam Bain, Jesse Armstrong,
Tom BasdenObjective Productions/Channel 4
THE I T CROWDGraham Linehan
Retort (part of FremantleMedia UK)/Channel 4
THE WRONG MANSJames Corden, Mathew BayntonBBC Comedy Production London/
Hulu/BBC Two
the nominations
28
BREAKTHROUGH TALENT Jane Lush CHAIR
Lynn AllewayGary HunterDanielle Lux
Paul MortimerSiobhan Mulholland
Priya SinghJo Street
Fenia Vardanis
COSTUME DESIGNSimon Spencer CHAIR
Sarah ArthurJoey AttawiaJuliet Aubrey
Wendy DagworthyMichelle MacMillan
Spencer KitchenTom MullensJill RobertsonEmma Scott
Charlotte Walter
DIGITAL CREATIVITYJane Hudson CHAIR
Joss AgnewRosie Allimonos
Katie BlakeCarl DraperIan ForresterAnna Higgs
Tom O’BrienFaraz Osman
Juliette Otterburn-HallSimon TomkinsShane Walter
DIRECTOR: FACTUALAde Rawcliffe CHAIR
Katie BailiffPaul Blake
Jaimie D’CruzAlex GardinerNick HornbyAysha RafealeSimon RaikesSanjay SinghalJonathan Smith
Helen Veale
DIRECTOR: FICTIONKate Phillips CHAIR
John AlexanderFi Cotter CraigBirger LarsenBarry Lynch
Joe MaceKate MilesPaul Seed
Julia StannardHannah Wyatt
DIRECTOR: MULTI -CAMERA
Sarah Whitehead CHAIR
David ClewsBen KellettIan Lorimer
Fergal McGrathStephen Stewart
Celia TaylorKathryn Wolfe
British academy television craft aWards
29
ENTERTAINMENT CRAFT TEAM
Anne Morrison CHAIR
Katie BoydJazz GowansDavid Kester
Simon KimmelJason Wells
Emma WestcottBen Weston
MAKE UP & HAIR DESIGN
Andrew Newman CHAIR
Jan ArchibaldNicola Buck
Christine CantJudy CounihanPaul Edmonds
Lesley Lamont-FisherCatherine Scoble
Elizabeth Tagg WoosterVanessa White
ORIGINAL MUSICOlivia Lichtenstein CHAIR
Barrie BignoldRichard Blair-Oliphant
Peter CobbinRobert Del Maestro
Nina HumphreysPete Kirtley
Michael PriceSamantha Richards
Peter SalemNitin Sawhney
PHOTOGRAPHY: FACTUAL
Richard Boden CHAIR
David HickmanMichael Houldey
Martin KempBen Lawrie
Richard MelmanNick Poyntz
Elizabeth StopfordKate TauntonMark Wild
PHOTOGRAPHY & LIGHTING: FICTION
James Dean CHAIR
Sue de BeauvoirNina KellgrenTim LeandroStuart NapierZac NicholsonBarney Reisz
Stephen RobinsonOli Russell
PRODUCTION DESIGNGraham Stuart CHAIR
Simon BeresfordDarryl HammerElliot Hegarty
Bernard KrichefskiCath Pater-Lancucki
Hannah PescodLeon WilsonAsif Zubairy
WRITER: COMEDY Brian Woods CHAIR
Simon BlackwellHugh Bonneville
Jason HazeleyEmma Kennedy
Joel MorrisCaroline Norris
Jill OffmanAdil Ray
Rachel SpringettKarl Warner
WRITER: DRAMA Krishnendu Majumdar CHAIR
Joe AhearneAmanda CoeTally Garner
Coky GiedroycAnnie GriffinTony GrisoniPeter HarnessAmanda Jenks
Catherine JohnsonRobert Jones
Julie RutterfordMat Whitecross
The Editing, Sound and Special, Visual & Graphic Effects categories are voted for by chapters. Chapters are made up of Academy members with expertise and experience in the specialised field relating to the category. Members of
each chapter vote in all three rounds to determine the shortlist, nominations
and winner in their category.
the Juries
30
SARA PUTT ASSOCIATES
CATEGORY SPONSOR FOR BREAKTHROUGH TALENT
What’s been the biggest advancement in your business this past year?
The biggest advancement in our business this year has been the Trainee Scheme. Now in its second year and with backing from Creative Skillset, the Sara Putt Associates Trainee Scheme is growing to be a key part of our business.
We offer up to 25 young freelancers across camera, sound, art department, editing and production a six-month programme of masterclasses, workshops, mentoring, career guidance and access to all our information about forthcoming productions. It is a programme based on developing their ‘soft skills’ – networking, branding, marketing, business acumen and so on – that will enable them to fulfil their potential in a freelance environment.
Securing the backing from Skillset has made a huge difference to the scope and scale of what we can offer to our trainees.
Visit: www.saraputt.co.uk
CARAT*
CATEGORY SPONSOR FOR COSTUME DESIGN
What is it about British television that inspires you to be involved with these Awards?
CARAT* is now available at more than 150 points of sale in the UK and a significant amount of growth came in 2013. We are continuing our commitment to support the arts, not only through our existing partnership with BAFTA, but also expanding this year to further support the incredible work of the behind-the-scenes people who form such an integral part of the British television experience.
We’re inspired by the opportunity to show the crafts community our own creativity and the potential to be involved in production. As with most retailers, our biggest challenge is being able to stay relevant in the fast-moving world of contemporary and fashion jewellery.
Visit: www.carat.co
THE LONDON STUDIOS
CATEGORY SPONSOR FOR DIRECTOR: MULTI -CAMERA
What is it about British television that inspires you to be involved with these Awards?
At The London Studios, we specialise in producing award-winning entertainment shows. It’s a genre that has always been a British strength.
Ant & Dec’s Saturday Night Takeaway demonstrates the huge team effort involved with making these shows. Typically a production team of 50 people research and prepare for the show every week. Their ideas mean that the show goes way beyond the studio: we can be asked to cover anywhere from the outside of the tower to 22 floors of lift shaft. The crew can run to 100 people across all crafts – from cameras, scenic and lighting to engineering – and every one of them has a skilled and crucial role to play in producing more than an hour of superlative, live Saturday night entertainment.
Visit: www.londonstudios.co.uk
With thanks to…
British academy television craft aWards
31
G-TECHNOLOGY
CATEGORY SPONSOR FOR EDITING: FICTION
What’s been the biggest advancement in your business this past year?
The Evolution Series of storage solutions, which speed up the production workflow. With the rise of 2K and 4K high-resolution filming, there has been a demand for high capacity, high-speed, reliable storage solutions, which can be used on location and in the editing suite. That’s what we’re delivering with the G-DOCK ev with Thunderbolt and the G-DRIVE ev portable drives, which slot seamlessly into the G-DOCK ev bay.
At G-Technology, we work closely with professional content creators to deliver the products they need. Technology shouldn’t be a barrier to creativity or slow it down. Our range of storage solutions employs enterprise-class hard drives and leverages Thunderbolt connectivity to meet the most visionary and inspirational content creators’ demands.
Visit: www.g-technology.eu
HOTCAM
CATEGORY SPONSOR FOR ENTERTAINMENT CRAFT TEAM
What’s been the biggest advancement in your business this past year?
Finally, every television show can look like James Bond. The last year has seen the continued rise of the cine influence in the television sector. Cameras such as the Sony F55 and Canon C300 have opened up cost-effective solutions to producers who do not always have the budget for the highly desirable Arri Alexa or Red cameras. Combined with lenses such as the Zeiss CP2 and Cooke miniS4, achieving a high-end cinematic look on a budget is becoming a more achievable target.
HotCam has been working hard with directors of photography and producers on shows such as Britain’s Got Talent to provide solutions that are budget friendly, and open up new avenues of creativity.
Visit: www.hotcam.co.uk
MáAáC COSMETICS
CATEGORY SPONSOR FOR MAKE UP & HAIR DESIGN
What is it about British television that inspires you to be involved with these Awards?
British television is a hub of creativity and excellence and the perfect platform to showcase the craft of the make up and hair designer. It is difficult to imagine television’s most iconic characters
without make up and hair bringing them to life. The transformation of a character through these mediums is pure genius.
M·A·C supports many talented make up designers working on a plethora of British television projects and what better way to continue that support and pay homage to their work than by sponsoring this industry accolade?
Visit: www.maccosmetics.co.uk
THE FARM GROUP
CATEGORY SPONSOR FOR WRITER: COMEDY
What’s been the biggest advancement in your business this past year?
The biggest advancement in business at The Farm Group has been the number of productions that have made good use of our ability to work in various and/or multiple locations. Over the past 12 months, we have had teams in places as diverse as Sochi, Austria, the Olympic Park in Stratford and, of course, Soho and Hollywood.
Likewise, in the main facility hubs, the vast majority of work produced will be seen by an international audience. Recent successes of British dramas in the US have been considerable and high profile, and have put UK post-production houses at the centre of this international sector.
Visit: www.farmgroup.tv
the sponsors
32
The Academy chooses Regency, supporting excellence in print. Brochure printed on Regency
Satin 270g/m² (cover) and 150g/m² (text). The carbon
impact of this paper has been measured and balanced through
the World Land Trust, an ecological charity. Regency is available exclusively from
PaperlinX, www.paperlinx.com
All nominations correct at time of going to press;
imagery used with kind permission from
the nominees, production companies and broadcasters.
British Academy of Film and Television Arts
195 Piccadilly London W1J 9lnt: 020 7734 0022f: 020 7292 5869www.bafta.org
ChairmanJohn Willis
Chief ExecutiveAmanda Berry oBe
Chief Operating OfficerKevin Price
FOR BAFTA
Director of ProductionClare Brown
Head of Television and GamesKelly Smith
Senior Awards OfficerSiobhan Pridgeon
Awards Event ProducerHelen Kierney
Production CoordinatorSophie Klein
Production ManagerCassandra Hybel
Talent BookerEmma Baehr
Awards TeamBradley DownDavid LortalRob Jones
Additional Content ProducerRyan Doherty
Production AssistantGeorgina Cunningham
EditingDaniel Dalton
Awards and Production InternNicola Wedgwood
Digital Communications ManagerPippa Irvine
Digital Marketing and Content ManagerGenevieve Smith
Head of PartnershipsLouise Robertson
Senior Partner ManagerNatalie Moss
Partner ManagerAmy Elton
Partnerships ExecutivePhil Eacott
Brochure EditorToby Weidmann
Graphic DesignerAdam Tuck
OFFICIAL PARTNERS
88 Rue Du RhoneAudi
BadoitBottle Green
British AirwaysChampagne Taittinger
DeloitteEvian
Fortnum & MasonGrolsch
Hotel ChocolatPaperlinX
PortapromptQuixel
Republic Of PhotographySargent-DiscVilla Maria
CATEGORY SPONSORS
CARAT*The Farm GroupG-Technology
HotCamThe London Studios
M·A·CSara Putt Associates
TELEVISION COMMITTEE
Andrew Newman CHA IR
Jane Lush DEPUTY CHA IR
Richard BodenJames DeanNeil Grant
Jane HudsonPatrick Keegan
Olivia LichtensteinKrishnendu Majumdar
Steven MoffatKate Philips
Ade RawcliffeSimon SpencerGraham StuartEmma WestcottSarah Whitehead
Brian Woods
WITH THANKS TO
HostStephen Mangan
ScriptIvor Baddiel
DirectorToby Baker
Vision MixerMark Foster
VoiceoverZoë Ball
BAFTA Content HostJenni Falconer
Production DesignAlison Humphries
Screen GraphicsFormat.LDN
Lighting DirectorMark Ninnim
Floor ManagerMark Harrison
SoundPlus4Audio
Screens and ProjectionGuy Mapley and XL Video
Post Production PartnerThe Farm
Prompting FacilitiesPortaprompt
Technical FacilitiesHotCam
Brochure and Ticket PrintingEmtone Print
PhotographersRichard Kendal
Alexandra Thompson
PRfreuds
BRITISH ACADEMY TELEVISION CRAFT AWARDSSunday 27 April 2014, The Brewery, Chiswell Street, London ec1
For highlights and additional interviews from tonight’s ceremony, visit
www.bafta.organd follow @BAFTA
on Twitter with #TVCraft
British academy television craft aWards