Bali68 Neka Art Museum10
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YOU CAN WATCH THIS PRESENTATION IN MUSIC HERE: http://www.authorstream.com/Presentation/michaelasanda-2317612-bali68/ Thank you! Balinese painting has deep local roots and has followed its own distinctive trajectory, yet has been heavily influenced by outsiders. Indian artistic and religious traditions were introduced to Bali over a thousand years ago through the prism of ancient Javanese culture. Beyond the world of Indonesian art, Balinese artists and craftsmen have also interacted with other Asian artists, particularly those of China, and later Western artists. From these sources, an aesthetic tradition developed that depicts stories from the ancient Indian epics as well as themes from Javanese mythology and the religious and communal life of the Balinese themselves http://www.slideshare.net/michaelasanda/bali67-neka-art-museum9 http://www.slideshare.net/michaelasanda/bali66-neka-art-museum8 http://www.slideshare.net/michaelasanda/bali65-neka-art-museum7-41163023 http://www.slideshare.net/michaelasanda/bali64-neka-art-museum6-41120597 http://www.slideshare.net/michaelasanda/bali63-neka-art-museum5
Transcript of Bali68 Neka Art Museum10
http://www.authorstream.com/Presentation/michaelasanda-2317612-bali68/
6868
The Neka Art Museum collection is displayed in several buildings patterned after Balinese architecture. By July of 1997 Neka Art Museum covered an area of 9150 square metres
Srih
ad
i So
ed
ars
on
o
Po
rtra
it o
f S
ute
ja N
eka
an
d h
is w
ife G
ust
i Ma
de
Srim
in
Jelhan Sukmantoro (1938) Portrait of Srimin Suteja; Suteja Neka on a cold morning, 1997
Ab
du
l Azi
z (1
92
8-2
00
2)
Wa
itin
g T
o D
an
ce,
19
83
Ab
du
l Azi
z (1
92
8-2
00
2)
Wa
ter
Jar,
19
72
Ab
du
l Azi
z (1
92
8-2
00
2)
Ab
du
l Azi
z (1
92
8-2
00
2)
Abdul Aziz (1928-2002) Market below the
Banyantree, 1973
Abdul Aziz (1928-2002) Nude Girl
Abdul Aziz (1928-2002)
Nude woman
Ab
du
l Azi
z (1
92
8-2
00
2)
Ab
du
l Azi
z (1
92
8-2
00
2)
Vill
ag
e M
aid
en
Abdul Aziz (1928-2002)
Abdul Aziz (1928-2002)
Ab
du
l Azi
z (1
92
8-2
00
2)
Pe
rjan
jian
Ra
ma
Ke
pa
da
Sita
(R
am
as
Pro
mis
e t
o S
ita)
Abdul Aziz (1928-2002) Preparing offerings
Abdul Aziz (1928-2002)Mutual atraction
Abdul Aziz (1928-2002)Mother & Baby
Abdul Aziz (1928-2002)
My Dear Little One
Alimin (1932-2004)Reclining girl 1979
Alimin (1932 – 2004) Rejang Dance from Bungaya, 1974
Alimin (1932 – 2004) Rejang Dance from Bungaya, 1974
“The rejang is a ceremonial dance performed by young women in honor of the visiting deities. Most villages have their own versions which are not formally learned but imitated since the movements tend to be fairly simple and repetitive. The costume tends to be rather uniform but quite elaborate and shows of the beauty of the dancers. In the mountain village of Bungaya in Karangasen, East Bali, unmarried girls hold each other’s yellow sashes to form a huge open circle. Their elaborate circular hairdressers and other body cloths are similar, but their inner skirts are of different colors and patterns.”
Alimin (1932 – 2004) Rejang Dance from
Bungaya, 1974
Alimin (1932 – 2004)
Heading for a
Beach Ceremony
For, to the Balinese, it is only through the cremation of the body that the soul can be released from this temporary vessel to reach the afterlife. And, in order to do so, the correct rites and rituals must be followed, especially when it concerns those of royal lineage. For, at death, the body must be consumed by fire for the soul to return to its five constituent elements known as the panca maha bhita (earth, wind, fire, water and ether) in order to speed it to the afterlife. In the final ceremony, called the nyagara-gunung ceremony, the family expresses thanks to the gods of the oceans and the mountain temples, and the deified soul is enshrined in the temple, awaiting its next reincarnation or release from the cycle of rebirth.
I Nyoman Leun Life in Bali, 1988
Du
llah
(1
91
9 -
19
96
) B
alin
ese
Girl
, 1
97
3
Du
llah
(1
91
9 -
19
96
)
Du
llah
(1
91
9 -
19
96
)
Du
llah
(1
91
9 -
19
96
) M
iss
Sa
sih
,19
77
Dullah (1919 - 1996) Miss Sasih,1977Detail
Du
llah
(1
91
9 -
19
96
) G
ran
dfa
the
r
Du
llah
(1
91
9 -
19
96
)
Du
llah
(1
91
9 -
19
96
)
Du
llah
(1
91
9 -
19
96
) L
eg
on
g D
an
cer
Du
llah
(1
91
9 -
19
96
) L
eg
on
g D
an
cer
(De
tail)
Affandi (1907 – 1990) Balinese Fishing Boats, 1975 Bird of Paradise Flower
Affandi (1907 – 1990) Balinese Fishing Boats,
1975
Au
ke S
on
ne
ga
(1
96
3-1
91
0)
Yo
un
g B
alin
ese
bo
y
Ha
n S
ne
l (1
92
5-1
99
9)
Wo
me
n c
arr
ing
off
erin
gs,
19
76
Ha
n S
ne
l (1
92
5-1
99
8)
Po
rtra
it o
f M
ad
i Siti
, th
e w
ife o
f th
e a
rtis
t
Ha
n S
ne
l (1
92
5-1
99
8)
Tw
o B
alin
ese
Wo
me
n
Wijn
an
d O
tto
Ja
n N
ieu
we
nka
mp
(1
87
4-1
95
0)
Po
rtra
it o
f I
Gu
sti L
an
an
g O
ka
Rudolf Bonnet (1895-1978)
The Girls Ni Nyoman and Ni Ketut, 1976
Rudolf Bonnet (1895-1978) The Temptation Of Arjuna, 1953 Ru
do
lf B
on
ne
t (1
89
5-1
97
8)
Ru
do
lf B
on
ne
t (1
89
5 -
19
78
) F
lute
Pla
yer,
19
76
Will
em
Ge
rard
Ho
fke
r (1
90
2–
19
80
) P
ort
rait
of
Ni K
en
yun
g,
19
42
Willem Gerard Hofker
(1902–1980) Miss Dablig
Weaving, 1939
Willem Gerard Hofker (1902–1980) Portrait of Ni Gusti Made Tuwi, 1943
Will
em
Ge
rard
Ho
fke
r (1
90
2–
19
80
) N
i Ke
njo
en
, B
ali,
19
45
Will
em
Ge
rard
Ho
fke
r (1
90
2–
19
80
)
Will
em
G H
ofk
er,
Po
rtra
it o
f m
iss
Gu
sti N
yom
an
, 1
94
3
Will
em
Ge
rard
Ho
fke
r (1
90
2–
19
80
) P
ort
rait
of
mis
s G
ust
i Ma
de
Tu
wu
, 1
94
3
Theo Meier (1908-1982) Rejang Dance
Text: Internet
Pictures: Sanda Foişoreanu & Internet
Copyright: All the images belong to their authors
Presentation: Sanda Foişoreanu
www.slideshare.net/michaelasanda
Sound: Gamelan Bamboo & Flute - Tetangisan
