Bali69 Neka Art Museum11

59
http://www.authorstream.com/Presentation/michaelasanda-2318 290-bali69/

description

YOU CAN WATCH THIS PRESENTATION IN MUSIC HERE: http://www.authorstream.com/Presentation/michaelasanda-2318290-bali69/ Thank you! Balinese painting has deep local roots and has followed its own distinctive trajectory, yet has been heavily influenced by outsiders. Indian artistic and religious traditions were introduced to Bali over a thousand years ago through the prism of ancient Javanese culture. Beyond the world of Indonesian art, Balinese artists and craftsmen have also interacted with other Asian artists, particularly those of China, and later Western artists. From these sources, an aesthetic tradition developed that depicts stories from the ancient Indian epics as well as themes from Javanese mythology and the religious and communal life of the Balinese themselves. http://www.slideshare.net/michaelasanda/bali68-neka-art-museum10 http://www.slideshare.net/michaelasanda/bali67-neka-art-museum9 http://www.slideshare.net/michaelasanda/bali66-neka-art-museum8 http://www.slideshare.net/michaelasanda/bali65-neka-art-museum7-41163023 http://www.slideshare.net/michaelasanda/bali64-neka-art-museum6-41120597 http://www.slideshare.net/michaelasanda/bali63-neka-art-museum5

Transcript of Bali69 Neka Art Museum11

Page 1: Bali69 Neka Art Museum11

http://www.authorstream.com/Presentation/michaelasanda-2318290-bali69/

Page 2: Bali69 Neka Art Museum11

6969

Page 3: Bali69 Neka Art Museum11
Page 4: Bali69 Neka Art Museum11

Neka Gallery was built in 1966 by Mr. Suteja Neka, an art connoisseur and his wife, Mrs. Srimin Suteja in culture village, Ubud. As a pioneer and an old hand fine art gallery , it is not merely boasting its integrity.This gallery has selected paintings from all art works by Balinese artists,

Indonesian artists, Asian artists as well as European born artists such as Arie Smit. Their paintings was inspired by natural beauty, people and culture of Bali.

Portrait of Suteja Neka Portrait of Suteja Neka

Page 5: Bali69 Neka Art Museum11

Portrait of Suteja Neka Portrait of Srimin Suteja, the wife of Suteja Neka

Page 6: Bali69 Neka Art Museum11

Antonio Mario Blanco (1926-1999) studied at the National Academy of Art in New York City, U.S.A. He has lived in Bali since 1952. His spontaneous style works feature voluptuous nude women, often in rather erotic or suggestive poses, with unusual frames designed by the artist himself. Awards: National College or Windsor honorary doctorate (Canada, 1948), Chevalier du Sahametri Scroll Decoration and silver medal (Cambodia, 1950), title of "Don" (Spain, 1992), Dharma Kusuma (Bali, 1995)

Page 7: Bali69 Neka Art Museum11

Antonio Mario Blanco (1926-1999)

Page 8: Bali69 Neka Art Museum11

Antonio Mario Blanco (1926-1999)

Page 9: Bali69 Neka Art Museum11
Page 10: Bali69 Neka Art Museum11

Han Snel (1925-1998)

Arie Smit (1916) Shrines Beneath The Banyan 1972

Page 11: Bali69 Neka Art Museum11

Arie Smit (1916) Detail

Page 12: Bali69 Neka Art Museum11

Affandi (1907-1990) was a self-taught artist. From 1951-1956 he travelled throughout India, the United Kingdom, Holland Belgium, France, and Italy, he taught painting sculpture at the Akademi Seni Rupa Indonesia (ASRI, Indonesian Academy of Fine Arts) in Yogyakarta, Central Java.International Peace Prize (Florence, Italy, 1997)

Page 13: Bali69 Neka Art Museum11

Affandi (1907-1990) Barong And Rangda Dance1973

Page 14: Bali69 Neka Art Museum11
Page 15: Bali69 Neka Art Museum11
Page 16: Bali69 Neka Art Museum11
Page 17: Bali69 Neka Art Museum11
Page 18: Bali69 Neka Art Museum11

Chang Fee Ming (self-taught artist, 1959)

Offering 1993

Chang Fee Ming (1959) Entering a Trance (Kerasukan), 1992

Page 19: Bali69 Neka Art Museum11

Ch

an

g F

ee

Min

g (

19

59

) E

nte

ring

a T

ran

ce (

Ke

rasu

kan

), 1

99

2

I K

etu

t B

ud

ian

a (

19

50

) S

up

ern

atu

ral T

ran

sfo

rma

tion

s, 1

98

6

Page 20: Bali69 Neka Art Museum11

I Gusti Nyoman Lempad

(1862-1978) Protection Of The Barong,

1939

Bali's most well-known

artist, I Gusti Nyoman

Lempad, was a master artisan,

carver, and architect.

Collection: Tropenmuseum (Amsterdam), Rijksmuseum

voor Volkenkunde

(Leiden), Museum fur Volkenkunde

(Basel).

Page 21: Bali69 Neka Art Museum11

Balinese Wood Carving Singha lion (Winged Lion)

Page 22: Bali69 Neka Art Museum11
Page 23: Bali69 Neka Art Museum11

Roger San Miguel (1941) A Midsummers Night Dream In Bali,1996

Page 24: Bali69 Neka Art Museum11

Ro

ge

r S

an

Mig

ue

l (1

94

1)

A M

idsu

mm

ers

Nig

ht

Dre

am

In

Ba

li (f

rag

me

nt)

Page 25: Bali69 Neka Art Museum11

Roger San Miguel (1941)

Life of the artist, 1993

Page 26: Bali69 Neka Art Museum11

Ro

ge

r S

an

Mig

ue

l (1

94

1)

Ttw

o d

an

cers

Page 27: Bali69 Neka Art Museum11
Page 28: Bali69 Neka Art Museum11

Jere

mia

h E

liza

lde

Na

varr

o (

19

24

-19

99

) G

ab

or-

Pe

nd

et

Da

nce

, 1

99

1

Jere

mia

h E

liza

lde

Na

varr

o (

19

24

-19

99

) G

op

ala

da

nce

Page 29: Bali69 Neka Art Museum11

Teng Nee-Cheong (1951)

East of Java, 1990

Page 30: Bali69 Neka Art Museum11

Lo

uis

e G

arr

ett

Ko

ke (

18

97

-19

93

) G

ett

ing

Dre

sse

d,

19

40

Page 31: Bali69 Neka Art Museum11
Page 32: Bali69 Neka Art Museum11
Page 33: Bali69 Neka Art Museum11
Page 34: Bali69 Neka Art Museum11

Sambodja (1934) Miss Komang (Luh Komang), 1997

Srihadi Soedarsono (1931) Black Sand Beach, 1975Balinese jukung (double outrigger canoes) with crocodile-like faces. Balinese fishermen believe that the eyes on their canoes help the vessels to see at night and avoid dangers, in addition to helping them find fish and other marine animals to catch. The eyes also frighten away harmful forces white at sea. The frontal view of one canoe looks light a horned buffalo head, and his separated from the others as a result.

Page 35: Bali69 Neka Art Museum11

Table

Page 36: Bali69 Neka Art Museum11

Do

or

de

tail

Th

eo

Me

ier

(19

08

-19

82

) T

wo

wo

me

n in

a g

ard

en

Page 37: Bali69 Neka Art Museum11
Page 38: Bali69 Neka Art Museum11
Page 39: Bali69 Neka Art Museum11
Page 40: Bali69 Neka Art Museum11

Suteja Neka began collecting paintings of high quality due to his close friendship with Dutch artists Rudolf Bonnet (1895 - 1978) and Arie Smith (born 1916).

Page 41: Bali69 Neka Art Museum11

In 1975 Neka and Bonnet traveled to Europe to view museums and galleries. Neka's aim to establish a fine arts museum in Bali was reinforced by this journey. After years of planning, the Neka Art Museum officially was opened by then Indonesian Minister of Education and Culture, Dr Daoed Joesoef, on the 7th of July in 1982.

Page 42: Bali69 Neka Art Museum11
Page 43: Bali69 Neka Art Museum11

In 1992 the province of Bali presented Suteja Neka with the Dharma Kusuma art award and gold medal on behalf of his devotion and efforts to raise the quality of and preserve Balinese art culture. In 1993 Neka was awarded the Piagam Hadiah Seni art award, the highest distinction in the arts from the Republic of Indonesia.

Page 44: Bali69 Neka Art Museum11
Page 45: Bali69 Neka Art Museum11

The Neka Art Museum, previously known as the Neka Museum, is unique because its collection of foreign artworks by Balinese, other Indonesian, and foreign artists all were inspired by the natural beauty, life, and culture of Bali.

Page 46: Bali69 Neka Art Museum11
Page 47: Bali69 Neka Art Museum11
Page 48: Bali69 Neka Art Museum11
Page 49: Bali69 Neka Art Museum11

Whether created by human hands or of supernatural origin, keris , the traditional Indonesian dagger, are believed to be physical manifestations of invisible forces. Forged in fire but symbolic of water, a keris represents a powerful union of cosmic complementary forces. The keris is an important family possession and considered to be an ancestral deity, as weapons often play critical roles in the rise and fall of families and fortunes in history. In Bali, an heirloom keris and other such metal objects are presented offerings every 210 days on the day called Tumpek Landep, which means ‘sharp’. They are cleaned, displayed in temple shrines, and presented with incense, holy water, and red-colored food and flowers to honor Hindu god of fire Brahma. This is followed by prayers for a sharp mind to Sanghyang Pasupati, the deity who empowers sacred objects and defeats ignorance. The exhibition Keris in Culture: Traditional Daggers in the Arts is a permanent part of the Neka Art Museum. Paintings with keris in them will also be displayed along with photographs of keris in Balinese rituals, dances and costumes. The keris is housed in a new two-storey room at the Neka Art Museum to complement the artworks on display.

Page 50: Bali69 Neka Art Museum11
Page 51: Bali69 Neka Art Museum11
Page 52: Bali69 Neka Art Museum11

In November 2005 the United Nations Educational, Scientific and Cultural Organization (UNESCO) declared Indonesian keris as a great cultural achievement of world humanity.

Page 53: Bali69 Neka Art Museum11
Page 54: Bali69 Neka Art Museum11
Page 55: Bali69 Neka Art Museum11
Page 56: Bali69 Neka Art Museum11
Page 57: Bali69 Neka Art Museum11
Page 58: Bali69 Neka Art Museum11

SOUVENIR SHOPMerchandise  and a large selection of Indonesian souvenir gift items

Page 59: Bali69 Neka Art Museum11

Text: Internet

Pictures: Sanda Foişoreanu & Internet

Copyright: All the images belong to their authors

Presentation: Sanda Foişoreanu

www.slideshare.net/michaelasanda

Sound: Gamelan Bamboo & Flute - Sekar Ginotan