Antiques & Collectables - Home | Catherine Southon ... mount oxidised and with lattice detail and...

Antiques & CollectablesWednesday 1st November at 10.30amTO BE HELD AT FARLEIGH COURT, SURREY CR6 9PE

Antiques & Collectables

Wednesday 1st November

at 10.30amVIEWING

Tuesday 31st October9.30am - 8.00pm

Wednesday 1st November9.00am - 10.30am

A U C T I O N A N D V I E W I N G TO B E H E L D AT FA RLEIGH COURT GOLF CLUB, OLD FA RLEIGH ROAD, NR SEL SDON, SURRE Y CR6 9 PE

Ripley Arts Centre, 24 Sundridge Avenue, Bromley, BR1 2PX

Valuation days held here every Tuesday, Wednesday and Thursday between 10am and 2pm

We are delighted to welcome BBC Bargain Hunt to Catherine Southon Auctioneers & Valuers on Wednesday 1st November.

Welcome to Catherine Southon Auctioneers & ValuersSpecialist: Catherine Southon MAConsultants: Barbara Dixon

Neassa Quinn Mark StaceySale Administrator: Nicola MinneyAuction Enquiries and Information: 07596 332978 07808 737694 Email: [email protected]

Auction Venue: Farleigh Court Golf Club, Old Farleigh Road, Nr Selsdon, Surrey CR6 9PE

Office: Ripley Arts Centre, 24 Sundridge Avenue, Bromley, BR1 2PX Tel: 0208 313 3655 (not week of auction)

IMPORTA NT NOTICE S Please note that purchased items of furniture must be collected from the auction venue before 4pm on Friday 3rd November otherwise buyers will incur storage charges. All other purchases can also be collected during this time. Please note that the condition of items are not noted in the catalogue. Condition reports can be viewed on www.the-saleroom.com

COLLECT IONS All lots should be collected on the day of the auction, or on Thursday 2nd or Friday 3rd November until 4pm. After this time all items of furniture will be shipped to the warehouse where an appointment has to be made for collection. All other items will be available for collection at our office address at Ripley Arts Centre 9.30 - 3pm, Monday - Friday for two weeks after the sale.

SHIPPING

AUCT IONS We hold regular Antiques and Collectables Auctions, with colour catalogues, on-line catalogues and Live bidding. These auctions take place regularly at Farleigh Court Golf Club, Old Farleigh Road, Nr Selsdon, Surrey CR6 9PE.

This venue has plently of free parking and is a short taxi ride from East Croydon Station with directly links to London. The Company trades as Catherine Southon Auctioneers & Valuers Ltd. The Company’s registered office is: Lygon House, 50 London Road, Bromley, BR1 3RA. Company Registration Number 08020183. Registered in England and Wales.

www.the-saleroom.com

L IVE INTERNE T BIDDING - Bid Here Without Being Here All you need is your computer and an internet connection and you can make real-time bids in real-world auctions at the-saleroom.com. You don’t have to be a computer whizz. All you have to do is visit www.the-saleroom.com and register to bid - it’s just like being in the auction room. A live audio feed means you hear the auctioneer at exactly the same time as other bidders. You see the lots on your computer screen as they appear in the auction room, and the auctioneer is aware of your bids the moment you make them. Just register and click to bid!

Mail Boxes Etc.Tel: +44(0)208 649 9777Email: [email protected]

Pack & SendTel: +44(0)203 818 1980Email: [email protected]

Overseas Shipping: AMSTel: +44 (0) 1689 800 688 email: [email protected]

We are happy to ship non-breakable items, please call 07808 737694 for a quote

A N T I Q U E S & C O L L E C T A B L E S

4Lo ts marked ‡ w i l l be sub jec t to an add i t i ona l fee - p l ease see page 9 6 .

1. An Eichholtz ashtray of a fighter jet of streamlined design with chrome finish, the jet in flight on moveable mount to alter the direction, length 23cm, height 19cm £30-£50

2. An attractive contemporary silver cuff bracelet and two silver bracelets the wide cuff bangle with central pierced and gilded scroll decoration and with textured finish, stamped.925 to the reverse, together with a Mexican silver bangle signed TU-57 and a silver ‘double’ cuff bracelet of twist design, stamped.925 (3), wide cuff approx. 57mm in width, approx. total weight approx. 107.3gm £40-£60

4. A tin glazed Delft plate probably 18th century, the centre hand painted with hatched fence and chrysanthemums

in bloom with border painted

with flower sprays, diameter 23cm

£50-£80

This year we are delighted and honoured to welcome BBC Bargain Hunt to our auction, helping to raise money for Children in Need. Lots 1-30 will be offered to raise money for the charity and will not be subject to the usual charges of Buyers Premium. Subsequent lots are subject to the usual charges. Please enjoy the auction and help to raise money for this wonderful cause.Thank you

5. A Victorian silver hinged bangle hallmarked to the interior, having foliate engraved panel to front and applied edge bead detail a.f. £10-£20

6. A contemporary Bottega Veneta Italian silver faceted spinning bead ring, the mount oxidised and with lattice detail and fitted with a black facetted glass spinning bead, marked.925 and with B & V mark, size H/I £50-£80

3. A 1930s wind up Decca Salon 10 portable gramophone in black portable case with carrying handle to the side, with sleeve to the interior lid storing five 78 RPM records £40-£60



7. An Art Deco Sheffield silver plated teaset each stylised streamlined piece with gadrooned border, stamped on the reverse G. C. S., the teapot with ebonised finial and handle, height of teapot 17cm £50-£70

11. A pair of Bargain Hunt fleeces no wardrobe is complete without them, a pair of legendary Bargain Hunt fleeces signed by the celebrity contestants and a whole host of your favourite Bargain Hunt presenters and experts.

12. A large Pudsey teddy bear, signed by Natasha Raskin Sharp and our celebrity contestants: Colin Murray, Nihal Arthanayake, Edith Bowman and Amplify Dot. We’ll also throw in some BBC Children in Need T-shirts and a Bargain Hunt goodie bag!

13. A football game with Tim Weeks Bargain Hunt expert Tim Weeks is a football fan in his spare time, and happens to be an Arsenal fan! He’d love to take the winning bidder of this sporty lot to an Arsenal home game, hey, he might even treat you to a pie! (You must be 18 or over. This experience is for one person-travel, food and accommodation costs are not included, and the winning bidder would need to make their own way to the Emirates Stadium on a mutually convenient date which would be co-ordinated through the Bargain Hunt production office.)

9. A 19th century style three tier chandelier the bottom tier with five candle lights, with glass swags and droplets, with central ceiling support, height 70cm £60-£80

10. Behind the scenes Bargain Hunt experience calling all Bargain Hunt fans! A chance for you and a friend to go on location with the Bargain Hunt team during an antique fair shoot. Watch the fair of your choice being filmed, meet the presenter and experts, have lunch with the team in the ‘greenroom’, see how the programme is made and what happens behind the scenes. You can choose from a selection of dates and locations. (you must be 18 or over. This is for two people only and you will have to make your own way to and from the fair. Travel and accommodation costs are not included-arrangements will be made through the Bargain Hunt Production office)

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8. A late 19th century Continental twin handled porcelain urn hand painted with hunting scenes surrounded by foliage and heightened with gilt decoration, the base with relief wreath design upon a restored square base, height 26cm £20-£30



15. Original Bargain Hunt themed glass blown plate by Charlotte Hughes-Martin, resident glass artist at the Red House Glass Cone in Stourbridge, which has been associated with glass since the 17th Century. While filming there in the summer of 2017, Charlotte kindly created this wonderful plate to be auctioned off especially for BBC Children in Need, diameter approx 24cm

16. Philip Raskin signed artwork renowned Scottish artist Philip Raskin specialises in painting landscapes and seascapes and his works have been the subject of many exhibitions and sold throughout the world. He is also father to our very own Natasha Raskin Sharp! Natasha and her Dad have donated an original Philip Raskin painting, a unique and special piece of artwork for the lucky bidder to treasure forever, 30 x 30cm

17. No lot

18. Join John Cameron in Portsmouth on a trip around the HMS Victory. Enjoy John’s company as you explore Nelson’s flagship, best known for her role in the Battle of Trafalgar. The tour includes HMS Victory which is part of the National Museums of The Royal Navy, this includes a maritime museum, HMS Warrior and more, all within the Royal Naval Dockyard, Portsmouth. You must be 18 or over. This experience is for one person-travel, food and accommodation costs are not included, and the winning bidder would need to make their own way to the venue in Portsmouth on a mutually convenient date which will be co-ordinated through the Bargain Hunt production office

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14. David Harper original artwork David is not only an antiques expert, but also a very talented artist. David has donated an original painting on an antique Staffordshire side plate (1891-1918). This is a new and unique technique he has been developing, using old pottery and porcelain and reinventing them to bring them back to life! This work of art is called “People Watching’-it would look amazing in any room of the house!, diameter: 17.6cm



19. Shop till you drop with Caroline Hawley your very own Bargain Hunt experience with Caroline Hawley. Visit a Yorkshire antiques fair with Caroline, have a good rummage around the stalls and see what bargains you might spot. You’ll be thirsty afterwards, so time for a tea break while you relax after all that bargain hunting. You must be 18 or over. This experience is for up to two people-travel, food and accommodation costs are not included, and the winning bidder would need to make their own way to the venues in Yorkshire on a mutually convenient date which will be arranged through the Bargain Hunt production office

23. Join Bargain Hunt expert Kate Bliss on a behind the scenes look at a live Radio 2 broadcast, with Jeremy Vine. Jeremy presents his Radio 2 lunch time phone-in show from 12-2 on weekdays. Enjoy the buzz of a live radio studio and find out more about how a show is put together. You must be 18 or over. This experience is for up to 2 people-travel, food and accommodation costs are not included, and the winning bidder would need to make their own way to Radio 2 studios in central London on a mutually convenient date which will be co-ordinated through the Bargain Hunt production office and Jeremy Vine production team

22. The Bargain Hunt mystery box our experts have been busy sending in special objects from their own collections for this Bargain Hunt bonanza, you never know what might be in there! Objects from experts including Catherine Southon, Colin Young, Caroline Hawley, Jonathan Pratt, Charles Hanson and Kate Bliss

20. Join Bargain Hunt expert Phillip Serrell on a Tour of the Royal Museum of Worcester Phil certainly knows his Worcester, so there’s no one better to explore this fascinating experience with. You must be 18 years or over. This experience is for up to 2 people-travel, food and accommodation costs are not included and the winning bidder would need to their own way to the Museum of Royal Worcester on a mutually convenient date in the later part of 2018 which will be co-ordinated through the Bargain Hunt production office

21. Anita Manning’s necklace a colourful necklace worn by Bargain Hunt presenter Anita Manning. Anita is renowned for her elegant sense of style and in particular her striking jewellery-here’s your chance to own one of her favourites, total length 47.5cm

24. Join Bargain Hunt presenter Charlie Ross on a trip around the Casualty set! Filmed at BBC Roath Lock in Cardiff Bay, you will get an exclusive behind the scene glimpse of the popular BBC programme (You must be 18 or over. This experience is for up to 2 people-travel, food and accommodation costs are not included, and the winning bidder would need to make their own way to the Casualty studios in Cardiff on a mutually convenient date which will be co-ordinated through the Bargain Hunt production office and Casualty team



29. Calling all Football fans! Crystal Palace Vs Man Utd, full hospitality, tour of the dressing room and stadium behind the scenes plus signed Crystal Palace and Manchester United Shirts. the game is scheduled for 3rd March 2018 at 3pm but may be subject to change depending on TV listings. (You must be 18 years or over. The experience is for 2 people-travel and accommodation costs are not included, and the winning bissing would have to make their own way to Selhurst Park in Croydon on Saturday 3rd March 2018 for the match

30. Have I Got News For You experience with Bargain Hunt expert Raj Bisram A chance to bid for this exclusive behind the scenes experience of the BBC 1 programme, Have I Got News For You. Our expert Raj Bisram will be your companion as you enjoy the taping of the show, you’ll also get to meet the cast, guests and crew and enjoy refreshments in the green room. You must be 18 or over. This experience is for up to 2 people-travel, food and accommodation costs are not included, and the winning bidder would need to make it to the London studios on a mutually convenient date which will be co-ordinated through the Bargain Hunt production office, Raj Bisram and the HIGNFY team

31. No lot

25. Tickets for Countryfile Live 17 a Family ticket for BBC Countryfile Live in August 2018 at Blenheim Palace in Oxfordshire. Tickets are valid for either Thursday 2nd, Friday 3rd, Saturday 4th or Sunday 5th August 2018, and include entry for two adults and two children. (Travel, food and accommodation costs are not included, and the winning bidder would need to make their own way to Blenheim Palace on their preferred date which would be co-ordinated through the Bargain Hunt production office)

26. Bargain Hunt expert Gary Pe’s teddy Teddy Pe is a charity shop rescue who fancies himself as an antiques expert, he looks the part and he’s even brought along his case filled with surprise antiques! This cute bear would be a welcome addition to any household

27. Golf club experience at Foxhills, Surrey A four ball tee time voucher for Foxhills. This voucher entitles the bearer to an 18 hole round of golf for four people within Foxhills 400 acre Surrey estate. Your Foxhills Club and Resort experience includes: 18 holes of Championship Golf on either the Bernard Hunt or Longcross course, valid for play Friday through Sunday, and Bank Holidays. Tee time must be booked in advance by calling the Pro Shop on 01932 704465 and can be booked 15 days or fewer before play. Course and tee times are subject to availability. You must be 18 or over. This experience is for 4 people-travel and accommodation costs are not included, and the winning bidder would need to make their own way to and from either Farleigh Golf Club or Foxhill Golf Club on a mutually convenient date which will be co-ordinated through the Bargain Hunt production office and the selected Golf Club

28. Golf club experience at Farleigh Golf Club, Surrey A four ball tee time voucher for Farleigh Court Golf Club. 18 holes of golf for 4 people at Farleigh Court Golf Club set on 350 acres in the North Surrey Downs. You must be 18 or over. This experience is for 4 people-travel and accommodation costs are not included, and the winning bidder would need to make their own way to and from either Farleigh Golf Club or Foxhill Golf Club on a mutually convenient date which will be co-ordinated through the Bargain Hunt production office and the selected Golf Club


9B P * - Buye r’s Premium o f 21.6% inc lus i ve o f VAT @ 20%. Lo ts marked ‡ w i l l be sub jec t to an add i t i ona l fee - p l ease see page 9 6 .

35. A Victorian ebonised and walnut fold over card table the fold over top with gilt linear carving, the interior with red baize lining, raised upon four turned spindles with rounded supports united by a turned stretcher, height: 74cm, width: 91cm, depth: 45cm, total depth: 91cm £400-£600

36. A Victorian ebonised circular side table with burr maple inset border, raised upon three turned and fluted supports with convex stretcher and three splayed supports, a/f, height: 68cm, diameter: 53cm £40-£60

37. A nest of four Chinese hardwood graduated side tables, early 20th century each of rectangular form with carved frieze, upon square section supports united by stretchers, total height: 71.5cm, largest: 71.5 x 50.5 x 36cm £500-£800

32. A Victorian mahogany footstool with upholstered upper section above foliate carved apron raised upon scrolled squat supports, height 18 x 110 x 27cm £50-£80

33. An Italian style giltwood overmantel mirror, 19th century the shaped rectangular form with scrolled acanthus and shell sectioned plate, height: 108cm, width: 130cm £300-£500

34. A George III style giltwood wall mirror, 19th century the shaped rectangular partially bevelled plate within a frame of pierced and carved scrolling acanthus leaves with flower heads with a caryatid at the base, length: 120cm, width: 70cm £300-£500


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40. A mahogany and string inlaid bowfront chest of drawers, 20th century of four long graduated drawers with brass swing handles upon splayed supports, each drawer and frieze with an inlaid medallion, the top two drawers sectioned, height: 94cm, width: 100cm, depth: 61cm £300-£500

38. A pair of Regency mahogany carvers, circa 1820 the reeded top rail with brass line insert, above an acanthus carved and pierced mid rail, with reeded arms upon turned front supports, with yellow button pad upholstered seats (2), height: 83cm, seat front to back 45.5cm £300-£500

39. A suite of ten Victorian mahogany balloon back dining chairs the curved mid-rails carved with acanthus details and upholstered over stuffed seats upon turned tapering front supports with splayed back supports, comprising four gentleman’s chairs and six ladies chairs (10), height of gents chairs 57cm, 44cm depth height of ladies chairs 55cm, 43cm depth £250-£350

42. A George III and later mahogany extending dining table the d-ends upon four tapering turned supports, with central section upon a baluster turned pedestal support, with two further leaves and eight brass clasps (5), total length: 306cm, width: 98cm, height: 73cm £500-£800

41. A pair of Victorian mahogany hall chairs the rounded shaped backs with central roundel above shaped seats upon tapering square section front supports, a/f (2), height: 95cm, seat depth: 35.5cm £60-£80

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47. Two cold painted bronze quails, 20th century possibly Austrian, realistically modelled and painted, both in crouching positions, unmarked (2), height: 8.5cm & 6.5cm £200-£300

48. A cold painted bronze of an owl, 20th century possibly Austrian, realistically modelled in a standing pose, unmarked, height: 8cm £140-£180

49. A bronze bust of the politician David Lloyd George (1863-1945) raised upon a turned cylindrical plinth with cork base, height: 29.5cm £60-£100

50. A Victorian papier mâché writing box, of shaped form with mother of pearl inlay and gilt acanthus painted sides, the interior velvet lined letter holder and painted base, a/f, 13.5 x 29.5 x 21.5cm £80-£120

43. A table top writing bureau the domed hinged top revealing papered interior, the hinged writing slope front revealing two drawers, the inset leather and purple velvet writing slope front pulling out to reveal compartments, a/f, height: 38cm width: 31.2cm depth: 23cm £100-£200

44. A Persian rug the cream, red and green ground with eight central medallions surrounded by four leaf borders, length: 199cm, width: 95cm £40-£60

45. A Japanese polished bronze figure of a rat, Meiji period, realistically modelled, the crouching rat clutching a chestnut in his paws, impressed with character marks to base, height: 9cm, length: 17.5cm £80-£120

46. Franz Xaver Bergmann (Austrian 1861-1936) a cold painted bronze wren, with impressed marks to base, height: 7cm £300-£400



52. A pair of Art Deco Limousin chrome plated spelter nude figures, each holding a floral basket above their heads, raised upon quartz square section bases, with impressed signatures, a/f (2), height: 36cm £100-£200

53. A Spelter bust of the Prince Frederick, Duke of York and Albany raised upon a cylindrical column with square base upon bun supports, unmarked, height: 28.5cm £60-£80

54. A large contemporary cold painted bronze figure of elephant and rider after Bergman the elephant with gilt trappings and gilded howdah fitted upon his back, approx. 20cm tall £200-£300

55. A framed Victorian sampler by Mary Tho’s age 14 1871, worked in coloured threads, depicting Adam and Eve with architectural buildings, flora and fauna and poetry, in oak frame, 65.2 x 64.7cm £80-£120

56. A pair of unusual felt pictures, English, early 20th Century, depicting portraits of Queen Victoria and Prince Albert, framed, together with another similar depicting Mr Middleton of Loughborough (3), total frame: 29.5 x 25.3cm £50-£60

57. A late 19th century barograph by James Hicks with brass fittings including a 10cm brass drum, vacuum, and ink bottle, contained within a mahogany case with bevelled glass and a drawer below with additional graph paper, with makers plaque to case interior, width 38.5cm £200-£300

51. A pair of bronze figures of Mercury & Fortune, after Jean de Bologne both patinated bronze sculptures standing, Mercury holding a purse in one hand and a broken caduceus in the other, Fortune carrying grains in one hand and a sceptre in the other, both raised upon stepped circular bases, bearing de Bologne stamp to neck of infant, a/f (2), height: 48cm approx £400-£600

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59. An oval four glass gilt metal repeater carriage clock, late 19th century the white enamel dial with black roman numerals and spade hands with subsidiary seconds dial surrounded by a foliate engraved gilt metal plate, the body with bevelled glass side and top flanked by foliate engraved borders upon a similarly engraved oval base, with key, height: 13.3cm, width: 11.4cm £700-£900

58. A late 19th century French gilt metal figural clock by Brunfaut the drum dial with a classical figure holding a wheat sheaf seated above, the blue and white porcelain dial with roman numerals flanked by similarly decorated porcelain panels, within a gilt metal rectangular mount with scrolling berry acanthus leaves supports, upon a oval ebonised base, with key and pendulum, bears impressed Brunfaut mark to verso, 51129 painted in red on reverse of one plaque, J.J.S impressed on reverse of mechanism, height: 41cm, width: 44cm, depth: 24.5cm £200-£300

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60. A collection of 1930s fashion sketches by Joan Edwards comprising thirty-six individual drawings of evening gowns, beach, cruise and day wear, some signed in pencil Joan Edwards or in ink Edwards and dated 1933, ink with watercolour on artists paper, a/f (3 framed and 33 loose), 38 x 28cm, 43.8 x 33.8cm in frame £200-£300

61. Frank Archer (British 1912-1992) ‘Poutz Grazia Florence’, ink on paper, signed lower right, dated 1948, framed, Abbott & Holder label verso, 55.1 x 65.5cm £100-£150



63. Eugene Baboulene (French 1905-1994) ‘Le Port De Toulon’ oil on canvas, signed lower right, framed, brass plaque engraved ‘Le Port De Toulon Baboulene 1960’, ‘Toulon 1960 8p E. Babolene’ on canvas verso, paper label from The Waddington Galleries Inc, 33.1 x 46cm, 50.6 x 63.4cm in frame £400-£600

62. Albertus Verhoesen (Dutch 1806-1881) ‘Cockerels and Hens’ farmyard scenes, two oil on boards, signed lower left and dated, ornate gilt frames, one bears part label verso (2), total frames: 38.5 x 44.7cm, board-22.7 x 29cm approx £800-£1,200

64. Philip Naviasky (British 1894-1983) Portrait of a girl, oil on canvas on board, signed lower right P Naviasky, signed verso, framed, 62.2 x 52.2cm £300-£500

65. 19th Century British school Hampstead Heath, extensive view with distant figures, in the manner of Constable, oil on artists board, unsigned, ornate gilt and gesso frame, 59 x 90cm £100-£150

66. School of Constable, 19th Century large oil on board Farmhouse, pond with ducks and horses and figures in the distance, unsigned, ornate gilt gesso frame, 48 x 82cm £80-£100

67. British School early 19th Century watercolour and other, the former tree lined river bank with rushing river over rocks, together with late 19th century watercolour, peaceful country river scene with hay cart and horses in the distance, signed Dean lower left gilt frame (2), 43 x 66cm, 41 x 52.5cm £40-£50



70. A Continental river scene, late 19th/early 20th century of boats moored to the river bank with sails being hoisted and a bridge and monuments in the background, oil on canvas, unsigned, in a gilt foliate frame, canvas: 32 x 44.8cm, total frame: 47 x 59.3cm £100-£150

71. A pair of European woodland winter scenes, 20th century the first depicting buildings amongst silver birch and the other with a river running through a woodland, each bearing monogram AB lower right, oil on board, each in silvered wooden frames (2), 54 x 35.3cm, total frame: 41.2 x 56.5cm £50-£80

68. Jan Marie Constantin Van Beers (Belgian 1852-1927) ‘Une elegante’, oil on canvas, signed lower centre, mounted in a gilt hatch acanthus pierced frame, 55.2 x 38.2cm, total frame: 74.6 x 57cm £1,200-£1,800

69. Joseph Farquharson RA (Scottish 1846-1935) ‘A river in Spate’ depicting a red roofed cottage on the bank of a fast flowing river, oil on canvas, signed lower right, mounted in a gilt frame, bear paper label verso ‘Ernest T.H. Bennett Fine Art Dealer Frame Maker and Gilder’, total frame: 37.6 x 45.2cm, canvas: 26.5 x 34cm £3,000-£5,000

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75. Armand Coussens (French 1881-1935) ‘Musiciens Ambulants’ etching, limited edition 19 of 25, signed Coussens lower left, framed, 34.7 x 40.2cm in frame £80-£120

76. Continental School, 20th century ‘Crotchet and Quavers’ oil on board, signed lower left Irmins ‘56, framed, together with ‘Black and Brown’ silk screen print, signed in pencil on lower right border Verow? ‘67, framed, signed verso (2), crotchet & quavers: 42 x 42.5cm, black & brown: 39.7 x 49.7cm £100-£200

72. John Westall (British fl.1873-1893) ‘Two landscapes by a river’, oil on canvas, both signed J. Westall, both bearing Haynes Fine Art of Broadway Lapada labels verso (2), total frame: 50.9 X 45.7cm £500-£700

73. A framed photograph of Princess Augusta of Hesse Kassel (1797-1889) and a framed photograph of Mary Princess Royal and Countess of Harewood (1897-1965), signed May and dated 1913 (2), augusta in frame: 41.4 x 33.2cm; mary in frame: 41.7 x 36cm £100-£150

74. Attributed to Roland Batchelor (British 1889-1990) ‘Early morning Billingsgate’, etching, framed, unsigned, 34.9 x 38.3cm £80-£120

77. ‡ Mackenzie Thorpe (British b.1956) ‘Cat and pigin’, pastel, with monogram to lower right, framed and mounted, 91.5 x 114.5cm £1,500-£2,500



78. ‡ Mackenzie Thorpe (British b.1956) ‘Warm rains of spring’ pastel, with monogram to lower right, framed and mounted, with Halcyon Gallery label verso numbered 32240, total frame: 72.2 x 92.3cm £1,500-£2,500

79. Manuel Mendive (Cuban b.1944) two limited edition prints of a rooster, each signed in pencil and dated 2002, with impressed blind stamps, limited edition 39 of 100 and 25 of 100, each in a bronzed frame, Juan Vicente Rodriguez Bonachea (Cuban b.1957) a limited edition print of a cockerel, signed in pencil and dated 02 with impressed blind stamps, limited edition 4 of 60, in a bronzed frame (3), mendive in frame: 30.8 x 25.8cm; bonachea in frame: 29.7 x 29.7cm £150-£250

80. ‡ Laurence Stephen Lowry (British 1887-1976) ‘Market scene in a Northern Town’ signed in pencil lower right, print, with impressed blind stamp PSP Patrick Seale Prints dated 1973 lower left, mounted in a metal frame, unglazed, total frame: 61.6 x 76.8cm £2,000-£3,000

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81. ‡ Laurence Stephen Lowry (British 1887-1976) ‘Football Match’ signed in pencil lower right, limited edition print 500 of 850, with impressed blind stamp lower left of publisher, mounted in a metal frame, total frame: 45.4 x 55.9cm £2,000-£3,000

82. Jake Sutton (British b.1947) a golfer in full swing, print, signed lower right limited edition 28 of 100, framed, label verso, 69.5 x 50.7cm £100-£150

83. A selection of advertising ephemera posters and napkins a ‘Lewisham Hippodrome’ framed poster; an ‘Opening of the Tower Bridge by Prince & Princess of Wales’ framed napkin; a ‘Souvenir in Commemoration of the Unveiling of the Beckenham War Memorial July 24th 1921’ framed; an ‘Official Programme and Souvenir of King Edward VII and Queen Alexandra’s Royal visit to the City and South London on Saturday October 25th 1902’ framed napkin; a ‘Jubilee of Queen Victoria’ framed handkerchief and a framed print of 19th century Prime Ministers, a/f (6) £100-£150

84. Pictures of Life & Characters by John Leech from the Collection of Mr Punch, second and fourth series books, together with a Punch Christmas Number November 29 1978 magazine and a Punch paper leaflet dated for the week ending July 1841, a/f (4) £100-£200

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Lots 85-171 The Smilby Collection

of original cartoon artwork


20B P * - Buye r’s Premium o f 21.6% inc lus i ve o f VAT @ 20%.

Lo ts marked ‡ w i l l be sub jec t to an add i t i ona l fee - p l ease see page 9 6 .

Smilby, Francis Wilford-Smith (1927-2009), was one of the most successful cartoonists and advertising artists of his day, with a career that spanned nearly half a century. Smilby (a combination of his and his wife’s surnames) was best known for his contribution to Punch and his extensive colour work for Playboy magazine from 1960 producing more than 350 full-page colour cartoons.

After the war, he attended Camberwell School of Art in London and shortly after finishing his degree he was awarded a £100 Punch scholarship in 1951 and his career as a cartoonist began. The collection includes cartoons from the 1950s to the late 1990s. Among them works which appeared in Playboy as well as Punch, Men Only, Housewife, Lilliput, Sketch, New Yorker and Diners Club, including many international editions. He often sent the same design to different magazines and sometimes they seem to have been used more than once.

Smilby was one of a kind-a commercial artist who was friends with many fellow artists and married to one. He collected some of their works, dust jacket designs and books by fellow artists, among them works by Vargas (signed by the artist to ‘Smithy’ as Smilby was known among his friends).

He was, however, also a collector of art, books and cars (and racing the latter in his past time); a huge Sherlock fan; a keen gardener and home renovator, but also a leading authority on blues and gospel music who owned one of the world’s most important collections of early 78 rpm recorded piano blues, and who was twice nominated for Sony Awards.

His cartoons have been exhibited in galleries around the world and we are delighted to be selling a small part of his private collection of original artwork in this sale.



90. ‡ Louis Brachet (French 1877-1968) architectural drawing of ‘Kiosque a Milan’ dated 1928, mounted in a metal frame, total frame: 47.5 x 43cm £100-£200

85. ‡ Leslie Illingworth (Welsh 1902-1979) ‘United Fruit Company’ ink with watercolour drawing of the Statue of Liberty, on artists drawing board, signed in ink lower right, 44.1 x 35cm £100-£200

86. ‡ Leslie Illingworth (Welsh 1902-1979) ‘The Wind From The West’ ink with watercolour, on artists drawing board, signed in ink lower right, 43.5 x 37.9cm £100-£200

87. ‡ Leslie Illingworth (Welsh 1902-1979) Man walking on a water wheel, ink with watercolour drawing on artists drawing board, signed in ink lower right, 43.7 x 37.9cm £100-£200

88. ‡ Leslie Illingworth (Welsh 1902-1979) a sketch book with rough pencil sketches, the inside front cover written ‘L.G Illingworth 6 Rue Gevert Paris Animals in the Jardin Des Plantes’ in pencil, together with ‘Illingworth’s War in Cartoons’ by Mark Bryant, autographed by the author, dated 2009 and ‘Illingworth On Target’ by Draper Hill, autographed by the author, dated 1972 (3) £100-£200

89. Hutton original artwork for the dustwrapper of ‘The beautiful is vanished’, published by Collins circa 1950, framed, label verso, total frame: 52.6 x 47.9cm £100-£200

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91. ‡ A.E.Batchelor (British fl. 1920s) original artwork for the dustwrapper of ‘Aloysius let loose’ by Klaxon (John Graham, Barbara Bower), published by Collins circa 1950, framed, total frame: 43 x 36.6cm £100-£200

92. ‡ Leslie Wood (British 1920-1994) original artwork for the dustwrapper of ‘Unbroken Thread’ by Viscount Templewood, published by Collins circa 1949, signed lower right, framed, label verso, total frame: 46.5 x 38.3cm £100-£200

93. ‡ Leslie Wood (British 1920-1994) original artwork for the dustwrapper of ‘The wonder of all the gay world’ a novel about the life and loves of Robert Burns by James Barke, published by Collins circa 1949, framed, label verso, total frame: 46.6 x 38.4cm £100-£200

94. ‡ W. Francis Williams (British, mid 20th century) original artwork for the dustwrapper of ‘The Wind of the Morning’ by Reginald Kirby, published by Collins circa 1950, framed, label verso, total frame: 46.4 x 39.5cm £100-£200

95. Charles Eames American 1907-1978 ‘The Colouring Toy’ circa 1955, manufactured by Tigrett Enterprises, in original unused condition with card stock, colouring crayons and butterfly clips in original box, box measures: 53.6 x 19.4 x 2.8cm £100-£200

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96. A Richter’s Anchor Box of No.9 building stones with instruction manuals and three trays of building stones within a pine box with sliding lid, 11.7 x 32 x 22.5cm £50-£80

97. ‡ Smilby Francis Wilford-Smith (British 1927-2009) ‘Black & Tan Fantasy’ circa 1996, pen and ink with watercolour, on artists paper, signed lower right in pencil, Copyright Smilby (Francis Wilford-Smith) 1996-No reproduction without permission “Black & Tan Fantasy” painting no.9601 inscribed in ink on verso, with mount and dust sheet, 518mm x 564mm £100-£200

98. ‡ Smilby Francis Wilford-Smith (British 1927-2009) ‘The Red Chair’ circa 1996, pen and ink with watercolour, on artists paper, signed lower right in ink, 9612 “The Red Chair” Copyright 1996 Francis Wilford-Smith (Smilby)-No reproduction without permission inscribed in ink on verso, with mount and dust sheet, 656mm x 556mm £100-£200

99. ‡ Smilby Francis Wilford-Smith (British 1927-2009) ‘Blue Mist’ (Lay Misty for Me) circa 1996, pen and ink with watercolour, on Arches artists paper, signed lower right in ink, 9610 “Blue Mist” (Lay Misty for Me)-Copyright 1996 Francis Wilford-Smith-No reproduction without permission inscribed in ink on verso, with mount, 647mm x 544mm £100-£200

100. ‡ Smilby Francis Wilford-Smith (British 1927-2009) ‘Blue Moon’ circa 1996, pen and ink with watercolour, on Arches artists paper, signed lower right in pencil, Copyright 1996-Painting Catalogue no. 9605 No reproduction without permission “Blue Moon” Copyright 1996 Smilby (F. Wilford-Smith) inscribed in ink on verso, with mount and dust sheet, 765mm x 543mm £100-£200

101. ‡ Smilby Francis Wilford-Smith (British 1927-2009) ‘Moon Over Manhattan’ circa 1996, pen and ink with watercolour, on Arches artists paper, signed lower right in ink, 9607 “Moon Over Manhattan” Copyright 1996 Francis Wilford-Smith (“Smilby”) No reproduction without permission inscribed in ink on verso, with mount and dust sheet, 755mm x 561mm £100-£200

102. ‡ Smilby Francis Wilford-Smith (British 1927-2009) ‘Golden Shoes’ circa 1994, pen and ink with watercolour, on Daler artists paper, signed lower right in ink, Copyright F. Wilford-Smith 1994-Reproduction Forbidden Without Permission No.4413 inscribed in ink on verso, with mount and dust sheet, 373mm x 544mm £100-£200

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106. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “The toughest part will be disposing of the body” Unpublished cartoon artwork for Playboy, drawn: May 1987, pen and ink with watercolour, on Daler board, signed lower left, caption below, No Playboy copyright stamps, Smilby yellow dot verso, with dust cover sheet, total board: 420 x 320mm £100-£200

107. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “That was a chastity belt-play around while I’m gone and you’ll get another” Unpublished artwork for Playboy, drawn: Jul. 1977, pen and ink with watercolour, on Arne Water Colour board, signed lower right, caption below, artist notes in pencil, No Playboy copyright Stamps, Smilby yellow dot verso, with dust cover sheet, total board: 424 x 324mm £100-£200

108. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “Well yes, as a matter of fact I have had sex in an elevator before-but never between floors twenty-seven and forty-three” Unpublished cartoon artwork for Playboy, drawn: Nov. 1991, pen and ink with watercolour, on Daler board, signed lower left, caption below, artist’s note ‘To give a little variety to your layout I’ve made this drawing a little squarer than normal. Please print standard width’, No Playboy copyright stamps, Smilby yellow dot verso, with dust cover sheet, total board: 421 x 322mm £100-£200

103. ‡ Smilby Francis Wilford-Smith (British 1927-2009) ‘Black Patent Shoes’ circa 1994, pen and ink with watercolour, on Arne artists paper, signed lower right in ink, Copyright F. Wilford-Smith: Reproduction Forbidden Without Permission 1994 No.4413 inscribed in ink on verso, with mount, 376mm x 533mm £100-£200

104. ‡ Smilby Francis Wilford-Smith (British 1927-2009) ‘High Heels’ circa 1996, pen and ink with watercolour, on artists paper, signed lower right in ink, 9611 “High Heels” Copyright 1996 Francis Wilford-Smith (“Smilby”) No reproduction without permission inscribed in ink on verso, with mount and dust sheet, together with tracing paper drawn rough (2), 768mm x 550mm £100-£200

105. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “Jeez-I never met anyone before who managed seven times round the park” Unpublished cartoon artwork for Playboy & Playboy Germany, pen and ink with watercolour, on Daler board, signed lower right, caption below, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps on lower margin, Smilby yellow dot verso, with dust cover sheet, total board: 420 x 321mm £100-£200

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113. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “And in any case, you must remember that the whole statue is considerably over life-size” cartoon artwork for Playboy publ. Nov. 1971 p.192, drawn: Apr. 1971, pen and ink with watercolour, on Daler board, signed lower right, caption below, artists notes lower margin, Copyright Playboy All Rights Reserved stamp right margin, Smilby yellow dot verso, with dust cover sheet and cellophane sheet, total board: 405 x 310mm £100-£200

109. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “We’re still at the amoeba-splitting stage of our sex education, Randolph. I think discussion of the problems... cartoon artwork for Playboy publ. Feb 1975 p.189, drawn: Sep 1973 pen and ink with watercolour, on Daler board, signed lower right, caption below, artists notes bottom margin, Copyright Playboy Publications All Rights Reserved & Not For Reproduction & Playboy stamps top margin, Smilby yellow dot verso, with dust cover sheet £100-£200

110. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “When you look up into that velvety darkness, Melanie, and see those countless shimmering stars a zillion light years away-doesn’t it make taking off your bra seem a very small and insignificant event?” cartoon artwork for Playboy, publ. June 1991 p.143, drawn: Dec. 1989, pen and ink with watercolour, on Daler board, signed lower right, caption below, artists notes in margin, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps upper margin, Smilby yellow dot verso, with cellophane cover, together with the artist’s paper rough workup for this artwork with the artists notes in the margins, signed lower right (2), total board: 420 x 322mm, paper rough: 381 x 279mm £100-£200

111. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “Don’t forget a Christmas Box for young Peterson there” cartoon artwork for Playboy, pub. Dec. 1988 p.220, drawn: Aug. 1988, pen and ink with watercolour, on artists paper on Daler board, signed lower right, caption below, artists notes lower margin, No Playboy copyright stamps, Smilby yellow dot verso, with dust cover sheet, total board: 422 x 320mm £100-£200

112. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “I’m looking for something new-good fun, yet light heartedly intellectual-that gets girls out of their clothes fast” cartoon artwork for Playboy pub. Jan 1990 p.141, drawn: Aug. 1989, pen and ink with watercolour, on artist paper stuck to Daler board, signed lower right, caption below, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps upper margin, Smilby yellow dot verso, with dust cover sheet, together with the artist’s paper rough workup for this artwork with the artists notes in the margins, unsigned (2), total board: 414 x 315mm, paper rough: 381 x 279mm £100-£200



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118. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “And she’s marvellous with the children, too” cartoon artwork for Playboy, publ. December 1989 p.164, drawn: Apr. 1976, pen and ink with watercolour, on Arne water colour board, signed lower right, caption below, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps upper margin, Smilby yellow dot verso, with dust cover sheet, total board: 425 x 322mm £100-£200

119. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “Not today, Professor Macklin, I’ve got the curse” cartoon artwork for Playboy, pub: Nov. 1994 p.129, drawn: Dec. 1976, pen and ink with watercolour, on Arne water colour board, signed right side, caption below, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps upper margin, Smilby yellow dot verso, with dust cover sheet, total board: 418 x 318mm £100-£200

120. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “Is there no limit to the man’s invention?” cartoon artwork for Playboy July 1996 pg.77, drawn: Oct. 1992, pen and ink with watercolour, on Daler board, signed lower right, caption below, artists notes lower margin, ‘Good-HmH’ in maker on lower margin possibly by Hugh Hefner, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc. Reproduction Prohibited Without Permission lower margin, Smilby yellow dot verso, with dust cover sheet and cellophane wrapper, together with the artist’s paper rough workup for this artwork with the artists notes in the margins, signed lower right (2), total board: 421 x 319mm, paper rough: 380 x 278mm £100-£200

121. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “It’s no good-all I can tell you is that he was plumpish, had a long white beard, and was very very physical for his age.” Unpublished cartoon artwork, pen and ink with watercolour, on Daler board, signed lower left, caption below, Smilby yellow dot verso, with dust cover sheet, total board: 423 x 323mm £100-£200

114. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “Equal Status Now, Women’s Lib, Women Unite” cartoon artwork for Playboy Sept. 1971 pg.224, drawn: Mar 1971, pen and ink with watercolour, on The Milburn Wash & Line board, 415mm x 305mm, signed lower right, uncaptioned, artists notes lower margin, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc. Reproduction Prohibited Without Permission lower margin & verso, Smilby yellow dot verso, with dust cover sheet and cellophane sheet, total board: 415 x 305mm £100-£200

115. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “Confound it, Muriel, you’re calling just as I’ve tabled a proposition” Unpublished cartoon artwork for Playboy, drawn: May 1976, pen and ink with watercolour, on Daler board, 425mm x 323mm, signed lower left, caption below, No Playboy copyright stamps, Smilby yellow dot verso, with dust cover sheet, total board: 425 x 323mm £100-£200

116. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “And here is what we golfers call the 19th hole” Unpublished cartoon artwork for Playboy, drawn: Mar 1990, pen and ink with watercolour, on Daler board, signed lower right, caption below, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps on lower margin, Smilby yellow dot verso, with dust cover sheet, total board: 420 x 320mm £100-£200

117. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “Collateral? Well now, how’s about Friday nights for six months?” Unpublished cartoon artwork for Playboy, drawn: Aug. 1994, pen and ink with watercolour, on Daler board, signed lower right, caption below, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps on lower margin, Smilby yellow dot verso, with dust cover sheet, together with the artist’s paper rough workup for this artwork with the artists notes in the margin, signed lower right and ‘Ok Color-HmH’ on lower margin in crayon possibly by Hugh Hefner (2), total board: 420 x 320mm, paper rough: 380 x 278mm £100-£200



126. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “Wow, Irvin-you really think this is me?” cartoon artwork for Playboy Oct. 1996 pg. 97, drawn: Aug. 1995, pen and ink with watercolour, on artists board, signed lower right, caption below, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc. Reproduction Prohibited Without Permission margin & verso, mounted in metal frame, total frame: 493 x 411mm £100-£200

127. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “I knew parties were the talk of Savannah, Lady Vandiver, but until now I never knew why” cartoon artwork for Playboy July 1995 pg. 109, drawn: Oct. 1994, pen and ink with watercolour, on artists board, signed lower right, caption below, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc. Reproduction Prohibited Without Permission margin & verso, mounted in metal frame, together with the artist’s paper rough workup for this artwork with the artists notes in the margins, signed lower right and ‘Ok Color-HmH’ on lower margin in crayon possibly by Hugh Hefner (2), total frame: 494 x 411mm, paper rough: 380 x 278mm £100-£200

128. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “Sir Galahad, you’re a bastard” cartoon artwork for Playboy Jan 1979 pg. 211, drawn: Feb. 1978, pen and ink with watercolour, on artists board, signed lower right, caption below, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc. Reproduction Prohibited Without Permission margin & verso, mounted in metal frame, total frame: 494 x 411mm £100-£200

129. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “Oooh look, Adam, the snake’s got me I’m helpless Adam, oooh Adam, look Adam …” cartoon artwork for Playboy Aug. 1995 pg. 95, drawn: June 1993, pen and ink with watercolour, on artists board, signed lower right, caption below, artists notes on lower margin, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc. Reproduction Prohibited Without Permission margin & verso, mounted in metal frame, together with the artist’s paper rough workup for this artwork with the artists notes in the margins, signed lower right (2), total frame: 493 x 412mm, paper rough: 380 x 279mm £100-£200

130. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “It obviously wasn’t his hair you should have cut off” cartoon artwork for Playboy Jun. 1977 pg. 145, drawn: Apr. 1976, pen and ink with watercolour, on artists board, signed lower left, caption below, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc. Reproduction Prohibited Without Permission bottom margin & verso, mounted in metal frame, total frame: 494 x 411mm £100-£200

122. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “Great Scott, Holmes-you are a master of disguise” cartoon artwork for Playboy Jan 1981 pg. 301, drawn: Feb. 1980, pen and ink with watercolour, on Arne board, signed lower right, caption below, artists notes lower margin, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc. Reproduction Prohibited Without Permission verso, Smilby yellow dot verso, within cellophane wrapper, together with the artist’s paper rough workup for this artwork with the artists notes in the margins, signed lower right, caption reads ‘Gad Holmes-you are a Master of Disguise’ (2), total board: 424 x 320mm, paper rough: 380 x 279mm £100-£200

123. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “Genghis can’t” cartoon artwork for Playboy Cartoon Paperback book “Sex and other late night” 1990, drawn: Mar 1978, pen and ink with watercolour, on Arne board, signed lower right, caption below, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc. Reproduction Prohibited Without Permission upper margin, Smilby yellow dot verso, with dust cover sheet, together with the artist’s paper rough workup for a similar artwork, captioned ‘And this is Mrs Genghis-we’re a team’, signed lower right (2), total board: 422 x 324mm, paper rough: 380 x 278mm £100-£200

124. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “Be careful, someone will see”-that’s all you ever say-“be careful, someone will see” cartoon artwork for Playboy March 1994 pg. 141, drawn: Nov. 1991, pen and ink with watercolour, on artists board, signed lower left, caption below, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc. Reproduction Prohibited Without Permission margin & verso, mounted in metal frame, total frame: 494 x 411mm £100-£200

125. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “Hey Mac-you know you got a flat?” cartoon artwork for Playboy Oct. 1984 pg. 211, drawn: May 1983, pen and ink with watercolour, on artists board, signed lower right, caption below, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc. Reproduction Prohibited Without Permission margin & verso, mounted in metal frame, together with the artist’s paper rough workup for this artwork with the artists notes in the margins, signed lower right and ‘Ok Color-H’ on lower margin in crayon possibly by Hugh Hefner (2), total frame: 494 x 411mm, paper rough: 380 x 278mm £100-£200



131. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “Gee honey, I’m sorry, but you did say to talk dirty” cartoon artwork for Playboy Apr. 1992 pg. 125, drawn: Nov. 1988, pen and ink with watercolour, on artists board, signed lower right, caption below, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc. Reproduction Prohibited Without Permission margin & verso, mounted in metal frame, total frame: 493 x 411mm £100-£200

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132. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “Quick – throw it the sandwiches” cartoon artwork for Playboy pub. Sep 1991 p.158, drawn: Dec 1989, pen and ink with watercolour, on Daler board, signed lower right, caption below, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps top margin, Smilby yellow dot verso, with dust cover sheet, total board: 420 x 321mm £100-£200

133. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “He’s some rider-I couldn’t get him off me last night either” cartoon artwork for Playboy Cartoon Paperback 1990 pg. 66, drawn: Jun. 1981, pen and ink with watercolour, on artists board, signed lower right, caption below, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc. Reproduction Prohibited Without Permission margin & verso, mounted in metal frame, together with the artist’s paper rough workup for this artwork with the artists notes in the margins, signed lower right and ‘Ok W/C Color H’ on right side margin in crayon possibly by Hugh Hefner (2), total frame: 493 x 410mm, paper rough: 384 x 278mm £100-£200

134. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “Right-forget about the apple, wet your lips, lower your eyes, put your hands on your hips, arch your back, push your tits out and smile as if you mean it” cartoon artwork for Playboy June 1994 pg. 145, drawn: Nov. 1992, pen and ink with watercolour, on artists board, signed lower right, caption below, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc. Reproduction Prohibited Without Permission margin & verso, mounted in metal frame, together with the artist’s paper rough workup for this artwork with the artists notes in the margins, signed lower right (2), total frame: 493 x 411mm, paper rough: 380 x 278mm £100-£200

135. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “I’m a romantic old traditionalist when it comes to Christmas, Miss Bishop-holly, mistletoe, a roasting log fire, a black garterbelt …” cartoon artwork for Playboy Dec. 1987 pg. 199, drawn: July 1987, pen and ink with watercolour, on artists board, signed lower right, caption below, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc. Reproduction Prohibited Without Permission margin & verso, mounted in metal frame, together with the artist’s paper rough workup for this artwork with the artists notes in the margins, signed lower right and another artist’s paper rough workup similar to this artwork, captioned ‘My-that’s some yule log’ signed Smilby lower right (3), total frame: 494 x 410mm, paper rough: 380 x 278mm £100-£200

136. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “Well if you really want to know Louis, you’re the fifteenth” cartoon artwork for Playboy Cartoon Paperback 1990 pg. 73, drawn: Mar 1977, pen and ink with watercolour, on Arne board, signed lower right, caption below, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc. Reproduction Prohibited Without Permission top margin, mounted in metal frame, total frame 495 x 412mm, £100-£200

137. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “California, I love you-topless carol singers” unpublished cartoon artwork, pen and ink with watercolour, on Daler board, signed lower right, caption below, Smilby yellow dot verso, with dust cover sheet, together with the artist’s paper rough workup for this artwork with the artists notes in the margins, signed lower right and another artist’s paper rough workup for a similar artwork, captioned ‘Only in California could you find topless Carol Singers’ with the artists notes in the margins, signed lower right (3), total board: 435 x 316mm, paper rough: 383 x 280mm £100-£200

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142. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “It’s a Christmas card from our bank, with a note deducting $15 from our checking account to cover the cost of sending it” cartoon artwork for Playboy Jan 1997 pg. 191, drawn: Aug. 1996, pen and ink with watercolour, on Daler board, signed lower right, caption below, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc. Reproduction Prohibited Without Permission lower margin, Smilby yellow dot verso, within cellophane wrapper, together with the artist’s paper rough workup for this artwork with the artists notes in the margins, signed lower right and ‘Ok Color-H’ on lower margin in crayon possibly by Hugh Hefner (2), total board: 422 x 322mm, paper rough: 380 x 279mm £100-£200

143. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “Now there’s a man with a fine sense of tradition” unpublished cartoon artwork, drawn: Nov. 1983, pen and ink with watercolour, on Daler board, signed lower left, caption below, with dust cover sheet, total board: 424 x 320mm £100-£200

144. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “Hi-I’m Melanie, your Neighbourhood Lingerie Party consultant. Can I interest you …” cartoon artwork for Playboy June 1995 pg. 167, drawn: Oct. 1994, pen and ink with watercolour, on Daler board, signed lower right, caption below, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc. Reproduction Prohibited Without Permission verso, Smilby yellow dot verso, with dust cover sheets, total board: 420 x 320mm £100-£200

145. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “Lady, you’re the thirty-ninth naughty girl I’ve met tonight, and I no longer even care” Unpublished cartoon artwork for Playboy & Playboy Germany, pen and ink with watercolour, on Daler board, signed lower right, caption below, ‘Ok Color H’ in red crayon on lower margin possibly by Hugh Hefner, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps on lower margin, Smilby yellow dot verso, with dust cover sheet, total board: 421 x 323mm £100-£200

138. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “A computer-matched date will set you back $75. On the other hand if that’s too expensive, it just happens that I’m not dating anything tonight” cartoon artwork for Playboy Cartoon paperback book 1990, drawn: Apr. 1983, pen and ink with watercolour, on Frome board, signed lower right, caption below, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc. Reproduction Prohibited Without Permission upper margin, Smilby yellow dot verso, with cellophane sheet, together with the artist’s paper rough workup for this artwork with the artists notes in the margins, signed lower right and ‘Ok W/C Color-H’ on right side margin in crayon possibly by Hugh Hefner (2), total frame: 421 x 325mm, paper rough: 381 x 278mm £100-£200

139. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “All my life, baby I’ve been looking for a girl like you” cartoon artwork for Playboy July 1992 pg. 121, drawn: May 1991, pen and ink with watercolour, on Daler, signed lower right, caption below, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc. Reproduction Prohibited Without Permission upper margin & verso, Smilby yellow dot verso, with dust cover sheet and cellophane wrapper, total board: 421 x 318mm £100-£200

140. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “Santa on windowsill/cuckold” cartoon artwork for Playboy Jan 1987 pg. 192, drawn: Aug. 1986, pen and ink with watercolour, on Daler board, signed lower right, uncaptioned, artists notes bottom margin, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc. Reproduction Prohibited Without Permission top margin & verso, Smilby yellow dot verso, with dust cover sheet, total board: 422 x 319mm £100-£200

141. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “Oh you poor things-why don’t you come in for a moment, have a drink, and slip out of those wet clothes” cartoon artwork for Playboy Dec. 1996 pg. 165, drawn: Aug. 1996, pen and ink with watercolour, on Daler board, signed lower right, caption below, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc. Reproduction Prohibited Without Permission lower margin & verso, Smilby yellow dot verso, with dust cover sheet, together with the artist’s paper rough workup for this artwork with the artists notes in the lower, signed lower right and ‘Ok Color-H’ on lower margin in crayon possibly by Hugh Hefner (2), total board: 423 x 321mm, paper rough: 380 x 280mm £100-£200



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150. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “No-he’s here for the rowing, I’m here for the screwing” cartoon artwork for Playboy Aug. 1992 pg. 111, drawn: April 1992, pen and ink with watercolour, on Daler board, signed lower right, caption below, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc. Reproduction Prohibited Without Permission upper margin, Smilby yellow dot verso, with dust cover sheet, total board: 422 x 320mm £100-£200

151. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “I hope it doesn’t make you nervous if I watch” cartoon artwork for Playboy Aug. 1993 pg. 121, drawn: Nov. 1992, pen and ink with watercolour, on Daler board, signed lower right, caption below, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc. Reproduction Prohibited Without Permission upper margin, Smilby yellow dot verso, with dust cover sheet, total board: 420 x 321mm £100-£200

152. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “In about four seconds-the ultimate experience” cartoon artwork for Playboy Sept. 1986 pg. 170, drawn: Oct. 1985, pen and ink with watercolour, on Daler board, signed lower right, caption below, artists notes lower margin, Smilby yellow dot verso, with dust cover sheet, together with two artist’s paper rough workups for this artwork with the artists notes in the margins, one signed lower right and ‘Ok Color ‘ on lower margin in crayon (3), total board: 424 x 320mm, paper roughs: 380 x 278mm £100-£200

153. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “It’s funny, but when I was a little girl I thought you were a really old man” cartoon artwork for Playboy Dec. 1990 pg. 169, drawn: July 1990, pen and ink with watercolour, on Daler board, signed lower left, caption below, artists notes lower margin, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc. Reproduction Prohibited Without Permission upper margin & verso, Smilby yellow dot verso, with dust cover sheet and cellophane wrapper, total board: 424 x 322mm £100-£200

146. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “Pardon me folks, but this is merely a singles bar. Any commitments of a more personal nature should be concluded elsewhere” cartoon artwork for Playboy Nov. 1988 pg. 147, drawn: Oct. 1986, pen and ink with watercolour, on Daler board, signed lower right, caption below, artists notes lower margin, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc. Reproduction Prohibited Without Permission upper margin & verso, Smilby yellow dot verso, together with the artist’s paper rough workup for this artwork with the artists notes in the margins, signed lower right (2), total board: 424 x 320mm, paper rough: 383 x 280mm £100-£200

147. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “Stay close to me, Louise, and if you have any trouble with bottom-pinchers, just let me know” cartoon artwork for Playboy July 1973 pg. 215, drawn: Feb. 1973, pen and ink with watercolour, on Arne board, 420mm x 328mm, signed lower right, caption below, artists notes bottom margin, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc. Reproduction Prohibited Without Permission upper & lower margins & verso, Smilby yellow dot verso, with dust cover sheet, total board: 420 x 328mm £100-£200

148. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “It’s for position 82” cartoon artwork for Playboy April 1994 pg. 97, drawn: Aug. 1992, pen and ink with watercolour, on Daler board, signed lower right, caption below, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc. Reproduction Prohibited Without Permission upper margin & verso, Smilby yellow dot verso, with dust cover sheet, total board: 424 x 320mm £100-£200

149. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “Remember the golden rule, Mr Wallace-keep your eye firmly on the ball-at all times firmly on the ball.” unpublished cartoon artwork, drawn: 1985, pen and ink with watercolour, on Daler board, signed lower right, caption below, with dust cover sheet, together with the artist’s paper rough workup for this artwork with the artists notes in the margins, signed lower right (2), total board: 424 x 321mm, paper rough: 383 x 280mm £100-£200



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158. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “The white hat? I got it when I shot the good guy who was wearing it” Unpublished cartoon artwork, drawn: Apr. 1996, pen and ink with watercolour, on Arne board, signed lower right, caption below, artists notes lower margin, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc. Reproduction Prohibited Without Permission lower margin & verso, Smilby yellow dot verso, with dust cover sheet, together with the artist’s paper rough workup for this artwork with the artists notes in the margins, signed lower right and ‘Ok W/C H Color’ on lower margin in crayon possibly by Hugh Hefner (2), total board: 420 x 320mm, paper rough: 380 x 279mm £100-£200

159. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “Great heavens, dale, surely you knew WHY we always call him ‘Flash’ Gordon?” cartoon artwork for Playboy Mar 2000 pg. 115, drawn: July 1998, pen and ink with watercolour, on Daler board, signed lower right, caption below, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc. Reproduction Prohibited Without Permission upper margin & verso, Smilby yellow dot verso, with dust cover sheet, together with the artist’s paper rough workup for this artwork with the artists notes in the margins, signed lower right and ‘Redo as noted-HmH’ on lower margin in crayon possibly by Hugh Hefner (2), total board: 422 x 322mm, paper rough: 379 x 276mm £100-£200

154. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “This is my wife, Cartwright-she’s a protected species” cartoon artwork for Playboy, pub. Sept. 1995 pg. 133, drawn: Feb. 1995, pen and ink with watercolour, on Daler board, signed lower right, caption below, No Playboy Copyright Stamps, Smilby yellow dot verso, artists note on outer sleeve ‘Art Director-My intention here, to get a slightly different look to the page, is that you reduce the main body of the artwork to the normal width, & allow the projecting branches of the tree to extend into margins’, with dust cover sheet, together with the artist’s paper rough workup for this artwork with the artists notes in the margins, signed lower right and ‘Ok Color-HmH’ on lower margin in crayon possibly by Hugh Hefner (2), total board: 420 x 320mm, paper rough: 382 x 278mm £100-£200

155. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “What have you done with my dinosaurs?” cartoon artwork for Playboy April 1993 pg. 143, drawn: April 1992, pen and ink with watercolour, on Daler board, signed lower right, caption below, artists notes lower margin, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc. Reproduction Prohibited Without Permission upper margin & verso, Smilby yellow dot verso, with dust cover sheet and cellophane wrapper, total board: 420 x 321mm £100-£200

156. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “Dasher, Prancer-we’ve got fifty zillion calls to make-get horny some other night” unpublished cartoon artwork, pen and ink with watercolour, on Daler board, signed lower right, caption below, No Playboy Copyright Stamps, Smilby yellow dot verso, with dust cover sheet, together with the artist’s paper rough workup for this artwork on conqueror paper, signed lower right (2), total board: 420 x 321mm, paper rough: 295 x 210mm £100-£200

157. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “There’s water for a month, food for three weeks, but another week of you and I’m done for” cartoon artwork for Playboy June 1983 pg. 242, drawn: Apr. 1982, pen and ink with watercolour, on Arne board, signed lower right, caption below, artists notes lower margin, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc. Reproduction Prohibited Without Permission lower margin & verso, Smilby yellow dot verso, with dust cover sheet, total board: 423 x 321mm £100-£200



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160. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “Enjoy it while you can-they’ve just invented drawers” cartoon artwork for Playboy July 2000 pg. 119, pen and ink with watercolour, on Daler board, signed lower right, caption below, artists notes crossing out ‘drawers’ in pencil and inserting ‘bloomers’, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc. Reproduction Prohibited Without Permission lower margin, Smilby yellow dot verso, with dust cover sheets, total board: 432 x 320mm £100-£200

161. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “Hiccups may not sound very serious to you, Doctor, but.” cartoon artwork for Playboy May 1964 pg. 95, drawn: Apr. 1963, pen and ink with watercolour, on Whatman board, signed lower right, caption below, artists notes on board, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc. Reproduction Prohibited Without Permission upper & lower margin & verso, Smilby yellow dot verso, with dust cover sheet, total board: 446 x 324mm £100-£200

162. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “Damnit woman, can’t you ever think of anything else?” unpublished cartoon artwork, pen and ink with watercolour, on Daler board, signed lower left, caption below, No Playboy Copyright Stamp, with dust cover sheet, total board: 422 x 320mm £100-£200

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166. ‡ Smilby Francis Wilford-Smith (British 1927-2009) a collection of ten pen and ink drawings on artists paper by Smilby for Punch magazine, two gentlemen observing an untidy garden ‘Of course they’re never at their best at this time of year’ ‘they’re’ with a line drawn through it and written above ‘gardens are’ signed lower left; a man winding up fish from the waterwell, coloured in blue crayon signed lower left; a gentleman smoking a pipe whilst watering the window box flowers from the living room signed lower left; a woman wearing an apron looking into a TV signed lower left; two gentleman seated reading and chatting ‘I said, have you ever noticed how, years ago, the jokes used to have extremely long captions which scarcely needed a drawing, whereas the modern trend is for drawings which don’t need a caption at all’ signed lower left; a woman seated knitting the lamp cable to run the light signed upper right; a gentleman reading seats in a wingback chair signed lower right; a lady observing her kitchen cabinets signed lower right; a lady telling her husband ‘If you must grow plants indoors, you’ll have to put up with the fertiliser’ coloured in blue watercolour signed lower right; a drawing of a kennel ‘Beware of the dog’ coloured in blue watercolour unsigned, a/f (10) £100-£200

163. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “All in all, then I think we’re agreed. We leave liquor alone and go for tea. After all, who’s going to object to a few pennies taxation on tea?” cartoon artwork for Playboy July 1976, pg. 199, drawn: Apr. 1975, pen and ink with watercolour, on Arne board, signed lower right, caption below, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc. Reproduction Prohibited Without Permission verso, Smilby yellow dot verso, framed in mount board, with dust sheet, total board: 425 x 324mm £100-£200

164. ‡ Smilby Francis Wilford-Smith (British 1927-2009) “I’ve forgotten everything now except her tits” cartoon artwork for Playboy July 1975 pg. 199, drawn: Nov. 1974, pen and ink with watercolour, on Arne board, signed lower right, caption below, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc. Reproduction Prohibited Without Permission upper margin & verso, Smilby yellow dot verso, framed in mount board, total board: 425 x 300mm £100-£200

165. ‡ Smilby Francis Wilford-Smith (British 1927-2009) a collection of ten pen and ink drawings on artists paper by Smilby for Punch magazine; a gentleman planting a tree to hang his hammock signed lower left; two gentlemen chatting under a reference sign in a shop signed lower left, blue watercolour colouring; an artist painting flying duck signed lower left; an elderly gentleman standing on a weighing scale listening to his weight signed lower left, a lady hovering a dustbin signed lower left; a gentleman brushing his jacket hanging on a ceiling mobile signed lower right; a gentleman wearing a wine glass on his head after drinking a bottle of wine signed lower right; an elderly gentleman listening to his budgie sing with his hearing horn signed lower right; a nude person greeting Santa at the front door ‘What the hell do you want’ unsigned, blue watercolour colouring; a gentleman wearing a black cap with a light candle on top, a/f (10) £100-£200

167. ‡ Smilby Francis Wilford-Smith (British 1927-2009) a collection of ten pen and ink drawings on artists paper by Smilby for Punch magazine; a pair of County Police Officers taking part in a three legged race wear handcuffs instead of a scarf signed lower left; a gentleman chatting to the AA man about his petrol lawnmower ‘Fuel starvation I think’ coloured in watercolour blue signed lower left; a scout master demonstrating knots to his scouts in the Egyptian desert signed lower left; a postie opening a post-box and a mouse pops out signed lower left; a jailbird sleep in his cell with a sock hanging at the end of his bunk signed loer left; a nude gentleman with a learners ‘L’ badge ‘Sunny Vale Camp’ signed lower left; a fireman up a very long ladder speaking to a elderly lady with a hearing horn, coloured in blue watercolour signed upper right artists notes in pencil; a gentleman in a phone box with flames coming from the bottom of the box ‘999-Fire Service Please’ signed lower right; a police office looking at a street lamp with a lead running on the ground towards the police van signed lower right coloured in blue watercolour; an army cadet wearing a cross chatting to a man in the pub ‘As a matter of fact it’s an old brooch of my mother’s’ signed lower right; man hiding in a bass case in the Customs Hall ‘What have you done with my bass?’ enquiries the custom officials signed lower right, a/f (10) £100-£200

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171. ‡ Alberto Vargas (Peruvian 1896-1982) a Vargas pin-up girl on a black ground, watercolour, signed right, mounted and framed with dedication in margin ‘To my friend Smithy – all the best Vargas’; a WWII printed poster of a Vargas pin-up girl, framed; a Vargas pin-up girl printed calendar, framed and a loose printed poster of a Vargas girl 1978 calendar, each with dedications to Smithy by which Smilby (Francis Wilford-Smith) was referred to by his friend and colleague Alberto Vargas, (4) £500-£800

168. ‡ Smilby Francis Wilford-Smith (British 1927-2009) a collection of ten pen and ink drawings on artists paper by Smilby for Punch magazine; the ice cream man with his cycle cart and children buying ice cream ‘Two Strawberries & a vanilla’ signed lower left; a man toasting bread with an electrical satellite dish coloured with blue crayon signed lower left; a gentleman pushing his dirty cutlery tray on a trolley signed lower left; an artist in a fishmongers shop signed upper right; a man wearing an a-board ‘The Smart Man shop’s at Kramer’s bespoke tailors’ signed lower right coloured in blue watercolour; a guy getting a tattoo of a ship on his back ‘Sam Price 1955’ signed lower right; a gentleman seated smoking a pipe watching a screen signed lower right; a boiler many fixing a boiler with the lady of the house ‘And tell me, where is the hole for notes?’ signed lower right; kitchen hand peeling potatoes whilst the chefs cooks ‘Join the Army’ the poster’s said, ‘Learn a Trade’-so I… signed lower right; an artist painting a portrait of a boy signed on left side, a/f (10) £100-£200

169. ‡ Smilby Francis Wilford-Smith (British 1927-2009) a collection of ten pen and ink drawings on artists paper by Smilby for Punch magazine; a gentleman seated on the street holding an umbrella with a sign ‘All my own work’ with a cap collecting coins signed lower right; a gentleman reading the newspaper whilst getting his shoes shined signed lower right; a man seated on the street with a cap collecting coins for his drawings signed right; a boy seated upon suitcases beside a cruise ship signed lower right coloured with blue watercolour; a man wearing an a-board ‘Watch this space’ signed lower right; a shop keeper unwinding the shop awning with a boy sunbathing signed lower right coloured in blue watercolour; an elderly man seated on a street with his drawings and a cap collecting money signed lower right; a man seated on the street selling his drawings signed left; two men wearing a-boards ‘Eat at Gordon’s’ signed lower left; a baker carrying pies on his head going under a low bridge signed lower left, a/f (10) £100-£200

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170. ‡ Alberto Vargas (Peruvian 1896-1982) three books about the artist illustrator of pin-up girls, ‘Vargas’ by Alberto Vargas and Reid Austin with foreword by Hugh Hefner circa 1978, with a note written on the title page to Smithy signed by Alberto, with a hand written letter to Smilby from Reid Stewart Austin, ‘Varga’ The Esquire Years a catalogue raisonne circa 1987, ‘Alberto Vargas’ by Reid Stewart Austin with foreword by Hugh Hefner circa 2006, Playboy’s Vargas Girls and Vargas 20s-50s by Taschen (5) £100-£200



175. A Royal Doulton ‘Love locked in’ figure group, HN1475 modelled as a lady holding a bonnet seated beside a winged child with it’s feet locked in a wooden stocks, bears green printed factory mark to base with painted title, Rd No. 766710, height:13cm £400-£600

176. A large 17th/18th century Italian berrettino ground faience storage jar, probably Italian the ovoid blue glazed body with double central scroll bands and with large pale blue acorn leaves above and below having dark blue glaze detail, approx. height 31cm £300-£500

177. A late 19th/early 20th century Impasto decorated vase the ovoid form with flared rim painted with a design of ripening fruit realistically painted, on a green olive coloured ground, stamped on the underside 664B and initialled MAD, height 28cm £60-£100

172. Two Sevres porcelain military figurines, modelled as naval officers in uniform, one holding his sword and truncheon wearing a hat and the other carrying a truncheon, both on fluted canted square bases, blue crossed swords with ‘S’, painted marks to base, a/f (2), height: 29cm £80-£120

173. A Sitzendorf porcelain cherub basket, early 20th century the ovoid pierced basket with applied leaf and rose bud decoration, raised by four standing winged cherubs, the interior of the basket painted with floral sprays, bears impressed mark 314 and blue hatched mark, height: 15cm, width: 32cm, depth: 26.5cm £100-£200

174. A Doulton Lambeth biscuit barrel by Hannah Barlow, of circular form with central sgraffito decorated panel depicting a shepherdess amongst her sheep within geometric borders and with Mappin Brothers silver plated mounted swing handle and lid, impressed factory and artists marks to base, height: 18cm £200-£300



182. A Royal Worcester suite of six teacups with saucers and six silver teaspoons, circa 1923 the suite decorated in a navy blue ground with cartouches enclosing colourful birds with gilt highlights, each with pink factory mark to base, together with six silver teaspoons, London 1922, in a fitted box, a/f (18) £200-£300

183. A First Period Worcester blue and white fluted tea bowl and matching saucer, painted with the Hollow Rock pattern, crescent mark to base. (2), Saucer approx. 12cm diameter £60-£80

178. A Carter, Stabler and Adams Poole pottery vase, 1930s, the celadon glazed vase of baluster form with narrow neck and circular foot ring, impressed mark to base, height: 25cm £40-£60

179. Ernst Wahliss, an art nouveau vase Vienna, early 20th century the cylindrical bulbous form in pale green body decorated the trailing flowers with gilt highlighting, bears marks and no. 5655 to base, height: 34.5cm, diameter of neck: 11.7cm £200-£300

180. Four Royal Crown Derby the Four Seasons figurines, 20th century, each figurine modelled as a female or male depicting Spring, Summer, Autumn and Winter, each standing on a pierced scrolled shell base, factory to bases (4), tallest: 23cm £150-£250

181. Three Royal Worcester figurines ‘Peter Pan’ modelled by F Gertner, no. 3011, bearing puce mark to underside; ‘October’ modelled by F.G Doughty, no. 3417, bearing black mark to underside; ‘Friday’s child loving and giving’, bearing black mark to underside (3), height: Peter Pan-20cm, October-18.5cm, Friday’s child-17cm £150-£250



186. A Modern Royal Crown Derby old Imari figure of a ‘Bengal Tiger’ decorated in typical colours of red and blue and heavily embellished in gilt decoration, bearing red factory mark and silvered button to underside, height: 13cm £40-£60

187. A Modern Royal Crown Derby figure of a ‘Donkey’ decorated in typical colourways heavily embellished in gilt decoration, bearing red factory mark and gilt button to underside, height: 11.5cm £40-£60

188. A contemporary Moorcroft pottery triangular shaped promotional stand by Sian Leeper, design date 2001 with tube lined pattern on one side and either end, and Moorcroft Pottery on the other side, bears painted and impressed marks to base, with original box, height: 5.5cm, length: 18.5cm, depth: 6.2cm £80-£120

184. A Royal Doulton porcelain figure of Winston Churchill, circa 1992 modelled standing with cane, limited edition 1807 of 5000, green factory mark to base, height: 30.5cm £300-£400

185. A Michael Sutty bust of Winston Churchill 1874-1965 modelled in his military dress, limited edition 32 of 250, factory marks to base, height: 22cm £150-£250



189. A pair of contemporary Moorcroft pottery ‘Saadian’ jars with cover by Shirley Hayes, design date 2001 each tube lined squat jars with knopped covers, bearing painted and impressed marks to bases, one with painted signature Kerri, both with original boxes (2), height: 11cm £150-£200

190. A contemporary Moorcroft pottery ‘The Wanderers’ Sky’ vase by Emma Bossons, design date 2002 the tube lined baluster vase bears painted and impressed marks to base, with original box, height: 31.2cm £200-£300

191. A contemporary Moorcroft pottery ‘Siberian Iris’ vase by Sian Lepper, design date 2003 the baluster tube lined vase signed by designer Sian Leeper and bears impressed and printed marks to base, limited edition 26 of 250, with original box, height: 22cm £140-£180

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192. A contemporary Moorcroft pottery ‘Isis’ vase by Emma Bossons, design date 2003 the bulbous tapering vase tube lined, with designers signature E Bossons 20.03.04 in gilt and bears painted and impressed marks to base, with original box, height: 13.5cm £100-£200

193. A Moorcroft S Smith ‘Zebra Finch’ enamel vase and a Moorcroft Peter Graves ‘Badgers Moon’ enamel box with cover, both limited editions, Zebra Finch 64 of 100, Badgers Moon 30 of 50, both printed marks to bases and with certificates, with original boxes (2), height: Zebra Finch-6cm, Badgers Moon-3.3cm £100-£200

194. A large contemporary Moorcroft vase by Sian Leeper ‘Secret Garden’ circa 2004 the large flared baluster vase tube lined decorated with roses and leaves, limited edition 5 of 15, bears impressed and painted marks to base, artists signature in gold dated 6:3:04, height: 46cm £600-£700

195. A large contemporary Moorcroft vase by Emma Bossons ‘Queens Choice’ circa 2000 the large baluster vase tube lined decorated with apricots, figs and grapes, bears impressed and painted marks to base, artists signature 11th November 2002, height: 42.5cm £600-£700

196. A contemporary Moorcroft Emma Bossons ‘Shearwater Moon’ vase, circa 2005, the baluster vase tube lined with carp, a frog and a heron amongst bull rushes, limited edition 4 of 150, bears impressed and painted marks to base with artists signature, with original box, height: 26cm £200-£300

197. A contemporary Moorcroft Philip Gibson ‘Flanders Moss’ vase, circa 2002, the baluster vase tube lined with hare’s leaping through the woodland, limited edition 131 of 250, bears impressed and painted marks to base with artists signature, with original box, height: 21cm £200-£300

198. A contemporary Moorcroft Emma Bossons ‘Symphony’ twin handled bonbonniere with cover, circa 2003 bears impressed and printed marks to base, E Bossons signature, M.C.C. mark, with original box, height: 22cm £200-£300

199. A contemporary Moorcroft Nicola Slaney ‘Minuet’ bonbonniere with cover, circa 2004 bears impressed and painted marks to base, with original box, height: 22cm £200-£300

200. A William Moorcroft for James MacIntyre lidded jar ‘18th century pattern’, delicately painted with roses, bows and bluebells on a cream ground, height 5cm, diameter 5.2cm £60-£80

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201. A pair of late 19th century Japanese Satsuma vases of slender neck baluster form, each decorated with front and back panels painted with Samurai and attendants, and having smaller floral panels between, the necks gilt decorated with Japanese mons and scrolls, the tops with shaped detail (2), approx. 40cm in height £400-£600

202. A late 19th Japanese Satsuma wine ewer of organic form, Meji period, the ewer painted with courtly scenes and scholars reading scrolls, the spout and handle formed as sprouting branches, a.f. £80-£200

203. An early 20th century Japanese Satsuma charger having raised decoration of a figure riding on wave scrolls on a cream ground, approx. 30cm diameter £50-£80

204. A Chinese late 19th century blue and white crackle glazed vase the baluster form well painted with acrobats, dancers, magicians and players and a dog, underglazed blue four character mark to base, approx. 29cm in height £100-£200

205. A late 19th century Chinese blue and white vase the figures waving banners galloping on horseback, impressed brown glazed seal mark to base, approx. 26cm in height £100-£200

206. A mid 20th century Chinese famille rose pottery charger, painted with central figures reading a scroll amid a mountainous landscape and with blue ground floral border, impressed seal mark to reverse, approx. 32cm in diameter £30-£50

207. A pair of Chinese 18th century famille rose tea bowls and saucers each well painted with blossoms and leaves and with hatch and scroll edge detail and cafe au lait glaze rim, saucers approx. 13cm diameter, tea bowls approx. 5cm in height and 8cm diameter £250-£350

208. A small Chinese ‘Kangxi’ blue and white porcelain vase, probably 18th century and of shaped square section form, the front and back decorated with Taoist objects and blossoms, the sides with prunus blossoms, approx. 14cm tall £60-£80

209. A Chinese 20th century Yixing Zisha pottery teapot of domed squat form and with shaped lid, both front and back decorated with incised Chinese characters, Measures approx. 8.5 x 20cm £40-£60207

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210. An early 20th century Loetz glass vase of globular ‘pinched’ form, the iridescent vase with green stripes throughout, height 15cm £80-£120

211. A Victorian pierced silver salt with pink glass liner, hallmarked Birmingham 1899 of rectangular form with a pierced basket weave band above a plain silver band upon four ball supports, by G.E. Walton & Co. Ltd, height: 3.4cm, width: 3cm, weight: 0.38 ozt approx £40-£60

212. A George III silver pedestal swing handled bon bon basket, hallmarked London 1798 of navette pedestal form with oval foot ring and swing handle, two engraved cartouches with initials ‘GBB’, with ribbed border and handle, together with William VI a silver cream jug, hallmarked London 1835, with ribbed handle, engraved sunburst cartouches with initials ‘GBB’ (2), weight:9ozt approx, height of jug: 10.7cm, height of basket: 16.5cm £100-£150

213. An Egyptian three piece niello decoration cruet suite, the hinged lid mustard with scroll handle with blue glass liner, circular salt on three supports and pedestal pepperette, bears no marks (3), weight: 2 ozt approx, height: pepperette-2.3cm, mustard-3.5cm, salt-2.6cm £80-£120

214. A collection of George V silver flatware, hallmarked Sheffield 1923 comprising six table forks, six dessert forks, two sauce ladles, six dessert spoons and six serving spoons, handles engraved crest of Punch, William Hutton & Sons (qty), weight: 51 ozt approx £500-£600

215. L. Hujer: A large Austrian silver 1908 Jubilee medallion, commemorating the 60th Jubilee of Franz Joseph, 2 Dec. 1848-2nd Dec. 1908, without presentation box, approx. 8.5cm diameter, approx. weight 236.9gm £200-£300

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216. A George V silver Streatham Hill Tennis Club pedestal trophy cup, hallmarked Sheffield 1926 the goblet form with tapering circular foot ring, by Atkin Brothers, the body engraved with ‘Streatham Hill Tennis Club Challenge Cup Presented by The Rev. Cannon E. Brooke-Jackson M.A MENS Singles Championship, won by W Henry 1927, height: 18cm, weight: 18 ozt approx £200-£300

217. A Mappin & Webb silver cigarette box and silver ashtray the rectangular engine turned cigarette box, hallmarked Birmingham 1967, together with a canted rectangular engine turned ashtray, hallmarked Birmingham 1932 by Charles S Green & Co. Ltd (2), ashtray weight: 0.71ozt approx, 8 x 5.5cm; box: 2.8 x 11.2 x 9cm £80-£120



223. A Victorian three piece silver tea service, hallmarked Chester 1899 comprising a teapot, cream jug and twin handled sugar basin, each with partial fluted body, by George Nathan & Ridley Hayes (3), weight: 12ozt approx £150-£200

224. A contemporary small silver posy pedestal holder, hallmarked Birmingham 1969 the internal mesh holder in a circular bowl with lion head swing handles, by T & S, weight: 2.5ozt approx, height: 6.7cm, diameter: 7.8cm £40-£60

225. A Viennese Art Deco silver bowl, 1920s of square form with polished and bark effect exterior above circular foot ring with applied circle and line design, bears marks W for Vienna, 800 and toucan emblem and JxW for maker, height: 9.2cm, diameter: 13.4cm, weight: 6 ozt approx £120-£180

226. A Viennese Art Deco silver bowl, 1920s of oval form, with hammered decorated interior, the pitted decorated exterior upon oval foot ring with applied s scroll decoration, bears marks Wiener Silber Schmiede Handgeschlagen, hoopoe head 1 and 925, height: 7.5cm, diameter: 15.3cm, weight: 8 ozt approx £120-£180

218. A George III silver vinaigrette pendent, hallmarked Birmingham 1799 of oval form with initials ‘LF’, the hinged lid opens to reveal a silver gilt pierced grille, pendent loop at one end, makers stamp IT, possibly for John Turner, weight: 0.46 ozt approx, height: 12cm, width without loop: 34cm, depth: 24cm £80-£120

219. A George V silver cigarette case, hallmarked London 1923 of rectangular form with engine turned decoration, by Goldsmiths & Silversmiths Company, together with an Edwardian silver cigar cutter, with loop, hallmarked Birmingham 1908 by Thomas Henry Vale (2), weight: 4.6 ozt approx £100-£150

220. A Victorian silver card case, hallmarked Chester 1887 the shape case engraved with prunus blossom with birds singing on branches, makers mark B.H. in a blue velvet lined Alliance Stores 23 The Hill Wimbledon box, together with a silver cigarette case, hallmarked Birmingham 1923, with foliate engraved outer case by Robert Pringles & Sons (2), weight: 3.3ozt approx £80-£120

221. A George VI Elkington & Co. silver salver, hallmarked Birmingham 1937 of square form with flared stepped border and shaped corners raised upon four scrolled supports, bears impressed no. 37677, diameter: 30.5cm, height: 3.5cm, weight: 32ozt approx £300-£400

222. A contemporary silver waiter, hallmarked Sheffield 1966 with pie crust edge raised upon four scroll supports, by W Bros, diameter: 20.5cm, weight: 10ozt approx £100-£200



230. An Art Deco suite of silver teaspoons and sugar nips, hallmarked Sheffield 1935 each handle with ribbed terminal, by Cooper Brothers & Sons Ltd, in original fitted case (13), weight: 5ozt approx £80-£120

231. A collection of cased and loose silver spoons, a cased suite of six spoons and sugar tongs, hallmarked Sheffield 1896 by Lee Wigfull and a collection of silver teaspoons with button hooks, sugar tongs, filigree knife and a silver oval pill box (qty), weight: 13 ozt approx £100-£140

232. A collection of cased silver cutlery and napkin rings a suite of six teaspoons with sugar nips hallmarked Sheffield 1915 by Mappin & Webb; four teaspoons hallmarked Sheffield 1915 by Harrison Brother & Howson, a silver cigarette case hallmarked Birmingham 1936, a sugar nips hallmarked Sheffield 1921, three silver napkin rings and an EPNS napkin ring (qty), weight: 8 ozt approx £80-£120

227. A Victorian silver punch bowl, hallmarked London 1889, the circular bowl with partial fluted body and husk swags with ribbon bows, raised upon a circular foot ring, by Walter & John Barnard, diameter: 26.7cm, height: 16.3cm, weight: 27ozt approx £300-£500

228. An Italian 20th century silver centrepiece of oval form with scroll acanthus leaf side handles, with chased and applied scrolling acanthus leaves decoration to body, raised upon a shaped foot, bears 800 & 374m hallmarks to base, weight: 71 ozt approx, height: 21.3cm, width: 52cm, depth: 24cm £800-£1,200

229. A George V silver pedestal bowl, hallmarked Sheffield 1910 of circular form with ribbed and foliate embossed body upon a pedestal foot, by George Wish Ltd, together with a silver collared cut glass bowl, hallmarked London 1922 (2), silver pedestal bowl: weight-11 ozt approx, height-11.5cm, diameter-13.8cm; glass bowl: height-10cm, diameter-19cm £60-£80



234. An extensive suite of silver kings pattern flatware, hallmarked Sheffield 1968 & 1970 comprising twelve table forks and knives, twelve dessert forks and knives, twelve dessert spoon, twelve soup spoons, twelve teaspoons, six serving spoons, two sauce ladles, makers hallmark MDQ, together with a set of six Mappin & Webb kings pattern silver fish forks and knives, Sheffield 1972 (qty), silver weight: 136ozt approx, loaded silver weight: 63ozt approx £1,800-£2,000

233. A collection of five cases of silver flat wear including teaspoons and christening sets the twelve Victorian silver gilt teaspoons with sugar nips hallmarked London 1898 in a fitted red velvet case; a Victorian christening spoon and fork hallmarked London 1881 in a fitted purple velvet case; a Victorian christening fork and spoon with thistle decoration hallmarked London 1873 in a blue velvet fitted case; a Victorian mother of pearl handled knife and fork hallmarked Birmingham 1884 in a blue velvet fitted cased and an EPNS spoon fork and knife set in a fitted case (5 sets), silver weight: 9ozt £150-£250



239. A Victorian silver tea caddy, hallmarked Birmingham 1899 of oval form with hinged lid, the lid embossed with putti surrounded by garlands of leaves, the body embossed with maidens, raised upon four splayed supports, by Tomas Hayes, height: 10cm, weight: 10 ozt approx £300-£400

240. A Mappin & Webb silver cigarette box, hallmarked Birmingham 1961 of rectangular form with engine turned decorated hinged lid, raised upon shaped supports, height: 5cm, width:17cm, depth: 9.5cm £80-£120

241. A pair of contemporary silver wine coasters, hallmarked London 1967, the cushion moulded band of circular form with central turned wooden base, with green felt bases, makers hallmark rubbed (2), diameter: 13.3cm, height: 4.5cm, total weight: 8ozt approx £50-£80

235. A collection of silverware silver card holder, medal, pendents a Mappin & Webb silver card holder, hallmarked London 1985, rectangular with engine turned decorated back with central cartouche with initials FLS; a silver medallion engraved ‘Oval School Top Boy 1911’ Birmingham by William Walter Cashmore; a silver scoop with thistle handle and engraving Birmingham 1922 by Joseph Cook & Son and two silver figural pendents, Birmingham 1927 (5), weight: 2.3ozt approx, card holder: 10.5 x 7.4cm, scoop length: 8cm £30-£50

236. A Contemporary Mappin and Webb ‘The Greenwich Meridian Clock’ timepiece the silvered and gilt globe hinged to reveal the movement, engraved ‘Mappin & Webb Ltd London’ and Serial No. 072, raised upon a circular onyx base, bearing oval plaque engraved ‘On the occasion of your retirement 1946-1985 from the Directors of Mappin & Webb’, in original fitted box with limited certificate, height: 26.5cm £200-£300

237. A pair of Continental cast silver and silver gilt fighting cocks, London import mark for 1973 the two birds naturalistically posed to fight, the bodies and feathers of each hand chased, with white and gilt metal tails, bears London import mark, .925 stamp and makers mark for Israel Freeman & Son Ltd (2), weight: 8 ozt approx £300-£400

238. A Mappin and Webb silver container, hallmarked Sheffield 1952 of cylindrical form with twisted cover, bears Mappin & Webb engraved to base, height: 8.5cm, weight: 4 ozt approx £50-£70

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243. A Mappin & Webb three piece condiment suite, hallmarked Sheffield 1935 comprising a blue glass lined salt raised upon paw supports with spoon, a hinged lid mustard with blue glass liner and spoon raised upon paw supports and a pepperette upon paw supports (4), weight: 5ozt approx £60-£80

244. A Mappin & Webb silver waiter, hallmarked Sheffield 1929 with a wavy gadrooned stepped border, bears mark ‘Mappin & Webb Ltd Sheffield & London’ to reverse, diameter: 16cm, weight: 7 ozt approx £80-£120

242. A contemporary silver sugar sifter, hallmarked London 1969 of typical form with pierced dome knopped lid, the waisted baluster body upon circular foot ring, by Edward Barnard & Sons Ltd, height: 17cm, weight: 7 ozt approx £80-£100

245. Two impressive George III silver and silver gilt goblets hallmarked London 1800 & 1802 each goblet chased with a leaf decorated border, above an engraved cartouche ‘A token of friendship’ on one and ‘Thomas Stead Carter’ on the other, silver gilt interior, both raised upon tapered circular foot ring with ribbed border, one with the mark of John Emes and the other with the mark for John Fountain, height: 17cm, diameter: 9cm, weight: 18 ozt approx £1,200-£1,800

246. A George II silver taper stick, hallmarked London 1746-1753 the knopped stem upon square section base with shell motifs with detachable drip tray and engraved armorial to bottom of stem, possibly by Simon Jouet, hallmarks worn, height: 14cm, weight: 6 ozt approx £600-£800



249. A Chinese export Wang Hing & Co. silver pedestal tazza, late 19th/early 20th century the circular pierced upper section with peony flower head chased external border, upon a faceted knopped stem with circular base, bears marks 90, WH and character stamp, height: 13cm, diameter: 19cm, weight: 11 ozt approx £300-£500

250. A set of six Chinese export silver coffee cups and saucers, circa 1910, Luen Hing the cups having ‘bamboo’ design handles and decorated with chased prunus blossom bands and with gilt interiors, the saucers with matching prunus blossom decoration, the teaspoon handles modelled as bamboo canes, lot comprises six tea cups, six saucers and six teaspoons, each with hallmark LH for Luen Hing, 90 and character mark (18), weight: 24ozt approx, height of cup: 5.2cm, diameter of saucer: 10.8cm, length of teaspoon: 9.3cm £300-£500

247. A William VI silver snuff box, hallmarked Edinburgh 1837 of rectangular form, the hinged lid with foliate acanthus leaf shaped border, the sides and base with engine turned decoration, the interior silver gilt, by Daniel Duff, makers mark DUFF, weight: 4 ozt approx £200-£300

248. A Chinese early 20th century export silver circular box and cover, finely embossed with bamboo leaves and with four Chinese characters, Chinese and European marks to the base, maker M.K. ?, approx. weight 7ozt, measures approx. 9cm diameter, approx 7cm in height £180-£220

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256. A collection silver napkin rings and decanter labels a pair of napkin rings with strapwork and bead borders, hallmarked Birmingham 1968 by Elkington & Co. Ltd; two further napkin rings with flower head borders, hallmarked Birmingham 1964 by Elkington & Co. Ltd; another napkin ring of oval form, hallmarked Sheffield 1937 possibly by Lee & Wigfull and two Silver Jubilee shaped decanter labels, one by Roberts & Belk dated Sheffield 1977 numbered 1613/2500 marked Whisky and the other Mappin & Webb dated Sheffield 1977 (7), weight: 9ozt

approx £80-£120

257. A prototype silver plated ‘Investiture of HRH The Prince of Wales Caernarfon

1st July 1969’ dish of circular form with central inset

medallion with side profile of the Prince of Wales, diameter: 12cm £80-£120

258. A contemporary silver waiter, hallmarked Sheffield 1968 of circular form with bead and husk border decoration, raised upon three ball and claw supports, by James

Dixon & Sons Ltd, diameter: 15.5cm, weight: 7 ozt approx £80-£120

251. Two contemporary Thomas Bradbury & Sons silver plated salvers, 20th century both of square shaped form upon four stepped pad supports, both numbered 9198 and makers hallmarks (2), largest: diameter-36.2cm, height-3.5cm, smallest: diameter-25cm, height-3cm £100-£200

252. A contemporary silver chamber stick, hallmarked London 1973 with gadrooned candle sconce above a dished octagonal gadroon decorated tray with acanthus scroll handle, with candle snuffer, by A Chick & Sons Ltd, height: 8.5cm, weight: 9ozt approx £80-£120

253. Three Mappin & Webb silver and silver gilt sherry schooners, hallmarked Birmingham 1973, the flared waisted cylindrical body upon a knopped stem with circular foot ring (3), height: 10.7cm, weight: 7ozt approx £80-£100

254. A Mappin & Webb three sconce silver candelabra, hallmarked Sheffield 1971 the central cylindrical candle sconce with circular pan above a tapered stem with two scrolled arms with two sconces, inset in a knopped tapered stem upon a canted square stepped base, with three flared drip trays, height: 38.5cm, width: 33.5cm, total weight (loaded): 46ozt approx £200-£300

255. A George V silver photograph frame, hallmarked Birmingham 1921, the dome topped rectangular frame with oak easel backboard, by Baldwin & Marriott, height: 22cm, width: 16.1cm, silver weight: 1ozt approx £40-£60

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261. A Mappin & Webb Royal Wedding silver quaich, hallmarked Sheffield 1980 the circular dish with silver and silver gilt twin handles in the form of the Prince of Wales feathers, raised upon a circular foot ring, in the original fitted box marked in gilt ‘Royal Wedding 29th July 1981’ with the family emblems, height: 4.2cm, diameter: 13cm, weight: 9 ozt approx £100-£200

262. A contemporary silver quaich, hallmarked London 1978 of typical circular form with Prince of Wales feathers as the handle, by C J Vander Ltd, diameter: 8.2cm, height: 2.3cm, weight: 3.6 ozt approx £70-£100

263. A contemporary Mappin & Webb silver tankard, hallmarked Sheffield 1975 of tapering cylindrical form with c scroll handle upon waisted circular foot ring, bears Mappin & Webb Sheffield & London and no. 24474 to base, height: 10cm, weight: 6 ozt approx £60-£80

264. An Edwardian pierced silver sweet meat basket with blue glass liner, hallmarked London 1901 the rope twist swing handle above a pierced basket with gardooned decorated border, ribbons with swags of acanthus leaves and flower heads, by William Comyns & Sons, weight: 2.8 ozt approx, height: 11cm £60-£100

259. A set of contemporary four silver and silver gilt seal top apostle spoons, hallmarked London 1972 each spoon with silver gilt seal top apostle terminal with square section handle and shaped ovoid silver gilt bowls, by C J Vander Ltd, each spoon bears no. 741, in a navy velvet lined presentation fitted case titled ‘Treasures of Goldsmiths’ Hall’ in gilt script, the exterior of the whitish case has the crest of ‘The Goldsmiths’ Company (4), length: 8.7cm, weight: 8ozt approx £200-£300

260. A contemporary Mappin & Webb silver jubilee silver and silver gilt condiment suite, hallmarked London 1977 the salt and pepper with silver gilt castellated top and cylindrical bodies, each engraved ‘ER II The Queen’s Silver Jubilee 1952-1977’, and a mustard with blue glass liner and silver gilt castellated and silver body, with spoon, in original fitted box (4), weight: 8 ozt approx, height of salt & pepper: 8.5cm, height of mustard: 3cm £200-£300



268. A pair of George V silver photograph frames, hallmarked London 1918 the undecorated arched rectangular form possibly by Frederick William Hentsch and a third modern silver photograph frame with bead border, hallmarked Sheffield 1995 by Carr’s of Sheffield Ltd (3), pair of frames: 19.1 x 12.6cm, single frame: 12 x 9.2cm £100-£150

269. An Edwardian silver scallop shell butter dish, hallmarked Birmingham 1902 raised upon three ball supports, by Levi & Salaman, together with a EPNS hinged scallop shell dish, with frosted glass liner (2), silver weight:1.4ozt approx £80-£120

270. A collection of small silverware comprising a tapered column candlestick, hallmarked Birmingham 1975 by Bishton’s Ltd; a pierced pedestal dish, hallmarked London 1962 by Roberts & Dore Ltd; a pierced heart shaped dish, hallmarked London 1893 by John Millward Banks; a saucer, hallmarked Birmingham 1897; a miniature chamberstick, hallmarked Chester; a circular bowl with chased foliate decoration, hallmarked London 1888; a trinket tray and a trinket dish, hallmarked London 1965 (8), weight: 8ozt approx, height: candlestick-15cm, pierced basket-4.3cm, bowl-4.5cm £100-£200

265. An Edwardian silver cased glass perfume bottle, hallmarked Birmingham 1889 of bottle shape, the hinged lid and body both with foliate gadrooned embossed casing, around the neck is engraved ‘From Lady Sarah Wilson. August 1902’, total weight: 6 ozt approx, height: 8.2cm

Lady Sarah Wilson (1865-1929), was born Lady Sarah Isabella Augusta Spencer-Churchill became the first woman war correspondent in 1899 when she covered the Siege of Mafeking during the 2nd Boer War for the Daily Mail £80-£120

266. A George V silver christening cup, hallmarked Birmingham 1910 of cylindrical form with acanthus scroll handle, the body partially embossed with shell and leaf decoration, upon a circular foot ring, by Williams Ltd, height: 9.5cm, weight: 4 ozt approx £50-£60

267. A collection of novelty silver, roller skate pin cushion, fruit knife, prayer book holder, compact, retracting pencil the Edwardian silver prayer book case, hallmarked Birmingham 1902, of scalloped rectangular form with link finger holder, possibly by Sydney & Co. with associated prayer book; a George V silver roller skate pin cushion, hallmarked Birmingham 1910, of typical form by Crisford & Norris Ltd; a mother of pearl handled silver bladed fruit knife, hallmarked Sheffield 1925; a French silver circular compact with stars and swags of garlands design, bears marks and a stainless steel with facet amethyst top pencil (5), weight of skate, prayer book case and compact: 2.8 ozt approx £100-£150

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271. A collection of silver, cigarette cases, pill box, medals, a engine turned cigarette case hallmarked London 1932; a small Edwardian cigarette case hallmarked Birmingham 1904; a silver engine turned comb holder hallmarked Chester 1856; a German silver pill box hallmarked 925; two silver medals; a brass miniature chamberstick; a Scottish brooch together with miscellaneous silver and silver plated broken jewellery (qty), silver weight: 8ozt approx £50-£80

272. An Edwardian Art Nouveau silver pin tray, hallmarked 1905, of rectangular shaped form with end handles and trailing foliage decoration, by Hilliard & Thomason; a silver cigarette case, hallmarked Birmingham 1926, with engine turned decoration, by Frederick Field; a Victorian silver vesta case, hallmarked Birmingham 1899 with chased decoration by Rolason Brothers; an Edwardian silver matchstick holder/striker, hallmarked London 1905 by Edward Barnard & Sons Ltd; two sterling silver napkin rings; a silver plated napkin ring and a silver plated novelty pig measuring tape (8), weight: 5.5 ozt approx, pin tray-width 10cm, cig box measures 8.4 x 8.2cm, matchstick holder height-7cm £80-£120

273. An Edwardian silver and green leather ladies purse, hallmarked Birmingham 1902 of narrow proportions with silver foliate tendril mount and clasp, makers mark F.W, with sectioned interior in tan leather, together with a silver foliate embossed blue velvet miniature frame, hallmarked Sheffield 1987 (2), purse: width-10.5cm, depth-1.5cm, height-5cm; frame: height-8.5cm, width-6.5cm £80-£120

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274. An Edwardian silver evening purse, hallmarked Chester 1908 with link strap and finger loop, the hinged foliate embossed body opening to reveal a leather sectioned interior, makers mark rubbed; a silver miniature hand mirror, hallmarked Birmingham 1909 by Crisford & Norris Ltd and an Edwardian silver with red velvet brogue shoe shaped pin cushion, hallmarked Chester 1909 (3), weight: 4.2 ozt approx purse and mirror, height: purse with chain-20cm mirror-7cm boot-4.5cm £100-£150

275. An early 20th century silver ladies open faced fob watch, hallmarked Swiss 935, the white enamel dial with red roman hours, spade hands, subsidiary seconds dial, the case with foliate engraving, with watch key, bears bear stamp to interior of case; a silver double rope albertina chain, stamped Real Silver and a silver mesh link bag, stamped 800 to closing (3), height: bag with link strap-48cm, length: albertina-26cm, diameter of silver watch case-38mm £60-£100



281. A collection of silver, napkin rings, cigarette case, bud vase, glass inkwell and jug a silver engine turned cigarette case, hallmarked Birmingham 1934 engraved internally ‘T from J 27-1-38’; two Gorham sterling circular napkin rings; two silver napkin rings, marks rubbed; a silver sifter spoon hallmarked London 1897; a silver mounted oil jug hallmarked London 1913 with a silver whisky label hallmarked London 1913; a bud vase hallmarked Birmingham 1972 and a silver capped glass inkwell hallmarked Sheffield 1900 with a silver plated pen tray, a/f (10), silver weight: 7ozt approx £80-£120

282. A contemporary faux marble table lamp stand with shade the Corinthian column with stepped squared base, and gilt metal detail and fittings, height 49cm without shade £30-£50

283. An Edwardian silver mounted leather purse, hallmarked Birmingham 1903, with sectioned interior and acanthus foliate pierced silver outer mount, together with a two piece dressing table suite hallmarked Birmingham 1899; a silver hand mirror hallmarked Birmingham 1899; a small silver mounted mirror hallmarked Birmingham 1900; a silver capped perfume bottle hallmarked 1902; a silver handled button hook hallmarked 1901 and a broken silver handle, a/f (8) £60-£80

276. A collection of silver cruets, cigarette cases, christening spoons with forks, an Art Deco style cased cruet suite, hallmarked Birmingham 1947 by Roberts & Dore; two cigarette cases hallmarked Birmingham 1945; two sets of christening spoons and forks hallmarked Sheffield 1917 and 1954 respectively; a sugar nips hallmarked Birmingham 1933; a butter knife hallmarked Birmingham 1917; a napkin ring hallmarked Sheffield 1918; a fruit knife; a glovers stretcher and a continental quaich (qty), silver weight: 11ozt approx £60-£80

277. A modern polished amber and silk multi strand necklace the polished amber pieces threaded on black silk knotted thread, each strand shading outward from dark to light amber, the strands joined together and worked into a twisted silk braid with amber fastening £30-£40

278. A 19th century ship builders tool with mahogany turned handle and tapering metal blade, length: 80.5cm £40-£60

279. A pair of vintage gilt and enamel equestrian cufflinks and matching tie stud the cufflinks with horse and rider in silhouette set within a circular frame, associated G. J. Heppworth box, diameter approx. 29mm £20-£30

280. A collection of silver salt napkins rings, thimbles and medals a silver circular salt with foliate decoration upon three pad supports, hallmarked London 1911; a silver foliate engraved napkin ring hallmarked Birmingham 1920; a silver napkin ring engine turned hallmarked Birmingham 1926; five silver thimbles, two silver medals and a silver plated thimble (11), weight: 4.8 ozt approx, salt: height-3.5cm, diameter-5.5cm £40-£60



290. A modern clock with silver frame the white dial with roman numerals contained within a hammered silver frame stamped 925, with simulated wooden easel back and battery mechanism, height 18cm £20-£40

291. Six Chinese export mother of pearl and gilt decorated counters three of the circular counters decorated on the obverse and the reverse with applied gilt decoration depicting a singing bird perched on a tree and floral decoration to the reverse, two of the rectangular counters of a similar design and another counter made into a brooch, finely engraved with a seated figure beside a temple surrounded by a border of geometric design, diameter of the circular 3.4cm, rectangular 6.2cm £50-£80

292. Two Chinese hand painted and lacquer decorated fans the first with lacquer guard sticks decorated with figures and floral design, the paper fan hand painted mainly in green blue and red hues depicting figures with applied ivory heads to the figures, the second fan with black lacquer guard sticks similarly decorated and paper fan with painted birds and butterflies on the front and reverse (2), length of the former 28cm £100-£200

293. A carved late 19th century Chinese ivory fan finely carved on the guard sticks with figures and prunus, the sticks similarly carved with temples, figures etc., laced together with ribbon, length 19cm £200-£300

294. A Victorian ebonised doll’s chair, the upper back and side rails with gilt highlighting above spindle turned back over an upholstered tapestry seat with turned tapering front supports and splayed back supports, height: 37.2cm, seat depth: 23cm £30-£50

284. A Scandinavian modernist Albert Scharning yellow enamel silver brooch together with a modernist silver ring, maker MBC, a small carved circular jade pendant in silver gilt mount later suspended from a row of fresh water pearl (5), approx. 5.5cm, total weight 46.8gm £100-£200

285. A cased set of six mother of pearl handle silver plated fish knives and forks, each with chased floral decoration, in an oak box, together with a cased silver plated fish serving fork and knife, each with pierced chased decoration and ivorine handles and a cased silver plated bread knife with mother of pearl handle (3 cases), length: breadknife-24.5cm £100-£200

286. A pair of Wilson & Gill silver plated candlesticks, the foliate embossed removable drip tray, above tapered columnar stem upon a foliate embossed base, both bearing engraved ‘Wilson & Gill 139 Regent St London W (2), height: 25.5cm £80-£120

287. A Mappin and Webb silver plate pierced embossed dish, together with an oval silver plated door handle with an embossed Art Nouveau trailing tendrils door plate (2), dish: height-9.6cm diameter-23.5cm; door plate: height-13cm width-17.3cm; handle: length-14.5cm £30-£40

288. A vintage silk Hermes scarf with trotting horses on a checked brown and red ground, 76 x 77cm £60-£80

289. A brass vesta in the form of a horse shoe with a strike to the edge, length 4.2cm £15-£20



297. An early 20th century Chinese silk embroidered piano cover the black silk embroidered in coloured silk floss with four central outward facing phoenix and further heavily embroidered overall with small figural scenes including figures on bridges, geishas taking tea, musicians, carnival lions, dogs and processions, with a further two outer panels of continual busy figural and architectural scenes, with deep black silk border and fringe, approx. 110cm square excluding edge and fringe £200-£300

298. A pair of Chinese silk embroidered civil rank badges, Buzi, late Qing each embroidered with golden pheasants in coloured floss silks and couched in gold and silver wrapped threads each facing the sun, both front and back and back panels, framed and under glass (2), approx. 23 x 26cm (inner frame measurement) £200-£400

295. An antique Chinese white/grey and russet jade carving of a cat the animal lying with curled tail behind a leafy branch, fitted carved hardwood stand, measures approx. 50 x 32 x 20mm, approx. weight 37.9gm £200-£300

296. A small early 20th century red cinnabar lacquer vase of baluster form with deeply carved central panel depicting a continuous rocky mountainous landscape and walking scholars, the top and bottom carved with bands of cloud scrolls, flowering prunus and banana leaves, approx. height 14cm £200-£300 1 of 2



301. A pair of Chinese silk embroidered civil rank badges, late Qing of a wild goose ?, finely worked in coloured floss silks amongst cloud scrolls and bats, the goose facing the sun, matching back and front panels, framed and under glass (2), approx. 25.5 x 27cm, inner frame measurement £300-£400

302. A Japanese early 20th century antimony card case decorated in relief with diamond, heart, spade and club vignettes enclosing figures, junk ship, cat and bird in-flight, the base with raised stamp to base, height 10.5cm £40-£60

299. A Chinese silk embroidered rank badge of a silver pheasant, Buzi, late Qing worked in many coloured floss silks and gold and silver wrapped threads the bird over rainbow scrolls and facing the sun, framed and under glass, approx. 26 x 27cm inner frame measurement £100-£200

300. A Chinese silk embroidered civil rank badge, Buzi, late Qing, of a mandarin duck embroidered in coloured silk floss and couched with gold and silver wrapped threads, amongst cloud scrolls and facing the sun, framed and under glass, approx. 29.5 x 28 inner frame measurement £100-£200

303. An interesting Japanese Meji period bronze vase of ovoid form with relief image of a bear watching a crab crawling across a rock, incised characters to base, height 20cm £80-£120

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308. A good quality Japanese Meji period bronze figure of the God Ebisu, Ebisu balanced upon one leg and riding the waves on the back of a carp holding a bamboo pole, height 14cm £100-£150

309. A Japanese Shibayama card case, Meiji period the ivory case of rectangular form decorated to one side with two geishas in a garden under a blossoming cherry tree, and to the other with carved mother of pearl blossoms, inlaid with hard stone leaves and carved coral buds and coral ladybird, painted scrolls to sides, a/f, 11.5 x 7.3 x 8.5cm £300-£500

310. A French bedside cabinet, early 20th century of square form with inset white veined red marble top above single drawer and commode door upon scrolled supports, 83.5 x 40 x 37.5cm £40-£60

311. A tortoiseshell and silver card case, 19th century of rectangular form with hinged lid inset with gold plaque, the body inset with silver linear bands and pin dot gold leaf design, button push opening revealing ivory bands and red felt interior, height: 13cm, width: 8.1cm, depth: 1.4cm £200-£300

312. A pair of Victorian fancy shaped ladies lorgnettes

the outside yellow metal casing scroll engraved and tests gold clad on silver, having spring action opening and with pendant hanging loop, measuring approx. 9cm including hanging loop,

weight approx. 23.2gm £100-£150

304. A pair of vintage 1970s pine table lamp stands of rectangular sectioned design, with olive green rectangular silk shades (2), height 45cm with shade £50-£70

305. A reproduction Chinese red lacquer bead necklace, the beads with impressed Chinese characters and having black glass bead spacers, approx. 46.5cm in length £10-£20

306. A modern hardwood jewellery box the hinged case lined with purple velvet compartmental interior, the exterior carved in high relief with dragons, width 30cm, height 11cm £10-£20

307. A late 19th century Meji period Japanese bronze figure the man carrying a monkey in a sack, and a hat by his side, approx. height 14cm £100-£150

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317. An early 19th century French portrait miniature on ivory of a young lady circa 1800, the young lady with curled hair wearing a pale blue dress and matching ribbon to hair, enclosed within a rose coloured metal frame with ribbon detail (tests for gold), the reverse of the frame with glazed locket back, overall height with gold ribbon mount 8.2cm, width 5.2cm £250-£350

318. A Continental miniature portrait on porcelain of a military figure, circa 1840 the figure looking to the right wearing a red coat and epaulettes, contained within a rectangular gilt metal frame, overall 7.5 x 6cm £200-£300

313. Two cased glass scent/cologne bottles each bottle of squared squat form with original stoppers and silver plated screw lids, contained within a leather covered case, width of case 14cm, height of bottle 10cm £50-£80

314. A pair of painted oval ivory miniatures, early 20th century each mounted in a gilt metal frame, the first of a lady in a grey white speckled jacket with pink blouse and gold cross on a black lace necklace and the second of a gentleman in a grey polka dot waistcoat and jacket, each bearing a red label on the reverse of the frames Charles King or Ring, indistinctive, together with an oval ivory miniature of a young boy, in a gilt metal frame, each in an individual leather twin opening case (3), measurements out of frames: lady-5.4 x 4.2cm; gentleman-5.5 x 4.2cm; boy-5.4 x 4.3cm £150-£200

315. An early 19th century miniature portrait of a gentleman the gentleman wearing a navy blue coat, contained within an oval rose coloured metal frame (tests gold), with glazed reverse enclosing plaited hair, overall height 8.5cm, width 6.5cm £250-£350

316. A late 18th/early 19th century portrait miniature of a

gentleman on ivory the gentleman wearing

a wig and gown contained within a rose coloured metal frame (tests gold) with plaited hair surround, the reverse glazed to reveal a lock of hair with seed pearl detail, overall

height 7cm, width 5.5cm

£300-£400



323. A 19th century portrait miniature on ivory of a military figure, circa 1800 finely painted depicting a gentleman facing right, contained within a rose coloured metal frame with glazed reverse enclosing an R, overall 7.8 x 6.5cm

With label to reverse reading Major Francis Riners authenticated by A.A.Mantell M.D. Surgeon Major Bengal Armby circa 1800, By E. W. J. Thompson £200-£300

324. A set of six plastic knife rests in the form of dachshunds realistically modelled, all clear plastic and identical in form (6), length 11.5cm £10-£20

325. A mid 20th century silver ‘strap’ bangle marked for London 1947, having zig zag detail bands to edges, makers mark W.H, width approx. 2cm, approx. weight 36.5gm £20-£40

319. A 19th century portrait miniature on ivory of a military figure the young gentleman wearing ceremonial dress, contained within a rose coloured metal (tests gold) frame, with glazed reverse enclosing plaited hair, overall height 8cm, width 6.5cm £200-£300

320. A 19th century portrait on ivory of a lady with curled hair finely painted depicting a lady in a seated position with black dress, fur stole and wearing and holding a cross on a chain, in gilt frame, without frame 12.5 x 9.5cm, with frame 16 x 13.5cm £200-£300

321. Two 19th century miniature watercolour portraits of gentlemen each contained within gold coloured metal mounted frames, the largest 9 x 7cm £250-£350

322. A 19th century portrait miniature of a gentleman the figure depicted wearing a red coat with epaulettes, the reverse with ink description possibly of the sitter(?) William Moir, contained within a rectangular frame, overall height with frame 14 x 12.5cm £300-£400

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329. A large Roman period flask, 3rd/4th century AD with funnel mouth, rolled rim. The neck is long and cylindrically straight, the body is low and wide, rounded towards the flat base, upon a turned ebonised circular base, height: 14.5cm, height with stand: 16cm, diameter of rim: 5.2cm £200-£300

330. A sculptural stone head of a male figure, 3rd/4th century AD heavily bearded with raised eyebrows and central crown is shaven, raised upon a square section plinth, total height: 19cm, height of head: 10cm approx £100-£150

331. A John Purcer & Sons, ‘Princess’ ladies silver fob watch on Albertina, the white enamel dial with Roman numerals and enamelled with coloured flowers with gilt detail, movement marked ‘The Plan Watch’ and having scroll engraved case and suspended from a silver Albertina chain, together with an early 20th century, mechanical wind silver cased wristwatch on leather strap (2) £60-£80

332. A 1950s Mettoy Supertype tinplate toy typewriter the lime green coloured typewriter with central letter dial and pretend keyboard, with moveable carriage return, length: 28cm £15-£20

333. A 9ct gold open face pocket watch the white dial with roman hours, subsidiary seconds and spade hands, with Zenith movement no. 2264977, case marked 375, no. 229231 F, together with a gold plated full hunter pocket watch, with white dial, roman hours and subsidiary seconds (2), 9ct watch diameter: dial-41mm, case-48mm £100-£200

326. A Contemporary mirror in the form of a heart made up of numerous square tiles of differing sizes each with bevelled edges, height 100cm £50-£70

327. A small 19th century Russian papier mâché snuff box the hinged lid decorated with a single horse sleigh and rider in a snowy landscape, red lacquered interior, approx. 29 x 40 x 20mm £80-£120

328. A small Roman flask, 3rd/4th century AD with funnel mouth and rolled rim, the neck has near vertical straight sides, with a construction at the junction with the shoulder. The body has a triangular profile, which is rounded towards the flat base, height: 8cm, diameter of rim: 2.7cm £80-£120



337. A ladies 18ct gold fob watch hallmarked London 1859 the gilt dial with Roman numerals and engraved with central foliate design, the reverse of the case similarly engraved with foliate design, the movement with cover numbered 15810 and inside back case stamped with makers initials JG and numbered 15810, contained within a Sir John Bennett Ltd ‘Makers to the admiralty’ green felt lined case, with two watch keys one with hardstone and garnet, together with a yellow metal, tests for gold, longuard chain (a.f.) weighing approximately 15.6gm, diameter of dial 30mm, and width of case 35cm, total weight 44.4gm £250-£350

338. A Cartier oval Santos ladies wristwatch the white dial with roman hours, 18ct gold oval case with brushed bezel, bears “Cartier Paris’ to reverse of case, No. 960580506 and 750 mark, on a red Condor lizard strap, total length: 21cm, diameter of case: 24mm £600-£700

339. Two Regency style silver plated candelabra twin branch candelabra each with three sconces (2), height: 28cm £40-£60

340. A Tiffany style table lamp, 21st century the colourful domed shade with dragonflies and flowerheads upon a gilt coloured baluster flower head base, height: 62cm £40-£60

334. A collection of silver cased open faced pocket watches, The Lancaster Watch Company Manchester no. 16650 in a silver case hallmarked Chester 1879 with white enamel dial black roman numerals subsidiary seconds; H Samuel Manchester no. 117214 in a silver case hallmarked Birmingham 1911 with white enamel dial black roman numerals subsidiary seconds, four further silver pocket watch cases three of which have movements and three further gilt metal/silver plated pocket watches, a/f (9), total silver pocket watch weight: 18ozt approx £80-£120

335. A 14k gold open faced pocket watch, the gilt dial with roman hours, subsidiary seconds dial, together with a 9ct rose gold curb link watch Albert chain, each link bearing hallmark, and a 1889 Queen Victoria half sovereign, weight of chain & sovereign: 45gm approx, diameter of watch case: 45mm, length of chain: 38cm £500-£600

336. A Victorian silver open faced pocket watch, hallmarked London 1867 a white enamel dial with black roman numerals with subsidiary seconds, gilt space hands, movement marked P Hill Newcastle no. 8393, with watch key and silver curb link watch chain, each link hallmarked, together with a Kiengle stainless steel open faced pocket watch; a Smith’s Empire stainless steel open faced pocket watch and a gold plated full hunter pocket watch with a gold plated chain, a/f (4), total weight of silver watch & chain: 5ozt approx, diameter of dial: 43mm, silver chain length: 38cm approx £140-£180



344. A silver arts and craft style trinket dish hallmarked Birmingham 1941, with makers initials EHR, the shallow dish of circular form with hammered design and circular pressed design to the rim, with small finger carrying ring to either side, total weight 2ozt, diameter 9cm £40-£60

345. An attractive Georgian graduated agate collet necklace, circa 1820 the agates varied and good examples including dendrite, moss, and banded agates, each oval agate in a delicate yellow metal setting, tests for gold, and graduating in size to the curved push clasp which is set with a pale coloured moss dendrite agate oval £200-£400

341. A contemporary

hard stone and paste set fashion necklace,

having large mixed gem and glass cabochons

including lapis lazuli and labradorite and set in white

metal mount and suspended on white metal chain, depth of necklace 7cm £20-£30

342. An attractive Art Deco sapphire and diamond set cocktail watch the dial set within a sapphire and diamond set geometric mount and with adjustable 18K white gold fine mesh bracelet strap, associated W. Benson Ltd. fitted box, approx. total weight 15.5gm, dial measures approx. 15 x 11mm £300-£500

343. A 9ct gold mid 20th century bracelet watch with oval face with baton numerals and articulated strap with textured finish, overall weight 26gm £100-£150

342



352. An elegant Continental 20th century diamond set collar necklace and matching earrings the collar of 18ct yellow gold woven or plaited construction and with satin finish and set with five diamond set white gold mounted bands, the push clasp fastening with single collet mounted diamond detail, sold together with the similar woven design ear studs, total weight for collar and earrings approx. 84.7gm £1,800-£2,200

353. A 9ct gold belcher chain necklace some of the links and bolt ring marked 375, 46gm, length 61cm £400-£500

346. A good Victorian Scottish agate gold mounted bracelet, circa 1860, with good and varied agate specimens, having square section ‘column’ links inter-spaced with square step cut agates, each agate mounted in substantial scroll engraved yellow metal mounts, test for gold, and with invisible agate set push clasp, Measures approx. 19cm, approx. weight 28gm £200-£300

347. A Continental 18ct gold fancy link necklace of alternate polished gold fancy ‘double’ links and large textured ring links, marks stamped to end rings, Approx. weight 17.4gm, length approx. 46.5cm £250-£350

348. A contemporary Mexican turquoise and silver collar necklace by ‘Sanel’ the fully articulated collar set with lozenge shaped turquoise, each piece marked.925 and signed ‘Sanel’, together with the matching earrings, total weight approx. 94.6gm £150-£200

349. A treacle coloured young amber bead necklace and ear drops the necklace formed of large polished irregular clear beads with dark flora inclusions, Continental.750, 18ct gold fastening, together with the matching drop earrings, fittings test for gold (2), necklace weight 105.2gm, earrings approx. weight 10.9gm £100-£200

350. A stylish Art Deco diamond set pendant necklace and matching eardrops the necklace on fine white metal chain with single stone diamond pendant drop set in a concentric circle mount suspended by a line drop from a smaller diamond in similar mount, together with the matching earrings, earrings white metal throughout and marked 18ct, the pendant yellow and white gold metal and marked 15ct, the fastening clasp to the chain is marked 9ct, pendant diamond approx. 0.20ct and 0.05ct, earrings approx. 0.10ct each, earring weight approx. 4.8gm, necklace weight approx. 5.2gm £400-£600

351. A delicate Edwardian pink dyed chalcedony pendant drop necklace the necklace formed of silver mounted cabochon stones suspended on delicate gilt chains £50-£70

350

352



358. A delightful olive green velvet handbag and compact or minadiere Continental, circa 1910 with applied marcasite decoration to the rim of the bag, one side opening to reveal a mirror, Continental French opera glasses, matching compact, lipstick holder (marked 900) and comb all with scrolled decoration, the other side opening to reveal silk lined compartment, with carrying hook handle to the reverse, together with an associated silvered metal tie pin of a ridding crop and fox, diameter of bag 19cm £80-£120

359. A contemporary 9ct gold curb link identity bracelet, the central nameplate engraved with name ‘Dorothy”, approx. weight 25.2gm £180-£220

360. A late Victorian/early Edwardian delicate diamond set scroll bangle the hinged bangle with central diamond set between two rose diamond set trefoils and further foliate scroll design, tests for gold and silver and with safety chain, approx. weight 7.5gm £200-£300

354. An attractive five row red coral bead necklace choker each row graduating very slightly to either end and each row of slightly different sized beads, the beads of pleasing colour and the rows of good length, possibly later gilt fittings and unmatched fastening, the length approx. 56cm, weight approx. 82gm £250-£350

355. A Continental single row large cultured pearl necklace with diamond set clasp the pearls lightly graduated to either end and of creamy silver hue, the largest measuring approximately 10mm, having small white gold ‘ball’ fastening with diamond set band detail, length approx. 46cm, weight of necklace approx.43gm £180-£220

356. A retro glass bottle vase the turquoise glass with black speckled design, with flared rim, height 30cm £20-£40

357. Three assorted vintage suitcases of varying sizes and designs, the first grey suitcase with tan edging by Rev Robe in two sections opening to reveal sectional hanging bars and checkered interior, another by Red Rev Robe of similar style and colourways together with a leather suitcase, all with Cunard labels (3), the largest 45 x 76cm £70-£100



365. A delicate Continental small pearl and sapphire set circle brooch set with alternate blue sapphires and small white ‘button’ pearls, marked 14K, approx. outer diameter 2cm, approx. weight 3gm £50-£80

366. A contemporary silver mounted amber set twin leaf brooch together with a large white metal mounted amethyst paste set lozenge shaped brooch (2), former approx. 6.5cm, latter approx. 6cm £40-£60

367. A collection of five Victorian brooches, to include a 9ct gold opal set heart brooch, Etruscan style diamond set brooch, 9ct, two 9ct gold ‘horseshoe brooches and a gilt ‘lilly of the valley’ brooch (5), approx. weight for 9ct old brooches 8.1gm £100-£150

368. A George V fine gold half sovereign in gold brooch mount, the half sovereign dated 1914 and the scroll brooch mount marked for 9ct gold, brooch measures 5.5cm across, approx. weight 7.4gm £80-£120

369. An unusual yellow and cinnamon fancy diamond rectangular brooch having a pair of central cinnamon coloured diamonds, each approx. 0.50ct, set within a rectangular border of small fancy yellow collet mounted diamonds, white metal mount, approx. size 20 x 11mm, approx. weight 3.3gm £800-£1,200

361. Two Victorian Etruscan style hinged hollow gold bangles the first 15ct gold and with floral and scroll thread work decoration, marked for Birmingham 1892 and with makers mark H.W., in original fitted box from H. White and Co. of Cheapside, the other bangle also with thread and bead work decoration, stamped 15 on the push fastening, tests for gold, also in associated fitted bangle box (2), the former approx. 9.3gm, the latter approx. 7.4gm £300-£500

362. A 9ct gold fancy link gate bracelet with heart shaped padlock fastening, 13gm approx £120-£200

363. A silver chain mail bag hallmarked London 1926 with snap fastener, length 16cm £30-£50

364. A Continental Art Deco filigree and rose quartz set panel bracelet the white metal pierced panels marked.830 and set with marcasite, test for silver and each spaced with polished and bevelled rose quartz rectangular panels, measures approx. 19 x 3cm £60-£80



373. A delicate diamond set ribbon scroll brooch, circa 1900 the brooch with diamond set diagonal between three graduating diamonds to either side and with diamond set scrolls to either end, yellow and white metal mount, tests for gold and silver, possibly French, together with associated box, approx. length 45mm, approx. weight 4.6gm £200-£300

374. An attractive Victorian style sapphire and diamond set brooch/pendant the fancy 18ct white gold filigree mount set with four central sapphires within a diamond set and diamond shaped border having diamond set ‘hearts’ to either side with central sapphire trefoil, the piece with provision to be fitted and worn as a pendant necklace, marked 18ct to reverse and with K within a circle, measures approx. 45 x 22mm, weight approx. 9.9gm £500-£700

375. A Victorian style amethyst and pearl, 9ct gold scroll brooch together with a delicate coral and pearl circular brooch, 9ct mount, an Edwardian 9ct amethyst and seed pearl scroll bar brooch and a pearl and paste set bar brooch, in gilt metal mount (4), amethyst brooch measures approx. 38 x 29mm, approx. weight 6.7gm, coral brooch approx. 22mm diameter, approx. weight 2.2gm £100-£200

370. A Victorian 15ct gold and demantoid green garnet lizard bar brooch, the lizard naturalistically modelled straddling the bar coiling his tail around it, his back set with a row of graduated demantoid green garnets, in associated box, measures approx. 42mm, approx. 3.1gm £100-£200

371. A Continental emerald and diamond set cocktail spray brooch having textured gold leaves with central graduated emerald and diamond set fronds, marked 14K to reverse and stamped P.W.G, approx. weight 17.9gm, approx measurements 65 x 45mm £200-£300

372. An impressive precious opal and diamond set floral cocktail brooch the 18ct gold textured petals curling inwards, each studded with diamonds and surrounding a large central oval light precious opal, the opal with good colour display including orange, green and red, the reverse stamped 18K, Hand Made, P.W.G, diamonds approx. 0.10ct each, opal measures approx. 21 x 17mm, brooch measures approx. 42mm across, approx. weight 29gm £500-£600



380. A Charles Horner silver scroll thistle brooch, together with a small silver gilt bright orange guilloche enamel Scandinavian butterfly brooch and two small Victorian silver and enamel bird brooches (4), Chrles Horner approx. 27mm across, butterfly approx. 27mm across £60-£100

381. A good quality diamond and gem set enamel crown brooch having central red enamel ‘velvet’ overlaid with rose diamond set arches and set with emeralds and rubies, the yellow and white metal mount tests gold and silver, circa 1890, with associated box, approx. 22 x 20mm, approx. weight 8.5gm £200-£300

376. A George III enamelled silver brooch and earrings of crown design decorated with St George and the dragon, in original fitted case, together with a large Scottish silver circular plaid brooch with engraved thistle decoration and having large ‘citrine’ paste to centre, marked for Edinburgh (2), brooch and earrings approx. weight 13.3gm, plaid brooch approx. weight 50.7gm, approx. diameter 68mm £50-£80

377. Three Scandinavian signed silver gilt and enamel brooches, comprising a silver and yellow guilloche enamel leaf brooch and a green enamel leaf brooch both by Willy Winaess for David Anderson, together with a pale lemon enamel and silver floral brooch by Karl Rasmussen (3), respectively 70 x 20mm, 65 x 30mm, 55 x 25mm £100-£150

378. A diamond and gem pierced floral cocktail brooch, circa 1950 the centre set with a diamond surrounded by sapphires, emeralds and rubies in a random cluster within an open work and curved floral shaped mount trimmed with rope twist detail, rose coloured mount, tests for gold, approx. 4 x 4cm, approx. weight 11.5gm £120-£180

379. A George V fine gold half sovereign dated 1914, converted into a brooch with scroll detail to either end, with safety chain, total weight approx. 6.2gm £100-£150


387. A large and heavy gold ‘Coptic’ cross pendant on chain the yellow metal cross, tests for high carat gold, hinged and pierced in the traditional manner, suspended from a long Continental fancy link chain, tests for gold (2), cross approx. 7.5cm, approx. weight 19.2gm, chain approx. 80cm, approx. weight 12.5gm £500-£600

388. A miniature Georgian hinged oval locket and a miniature swivel seal fob the locket, tests for gold, engraved and opening to reveal provision for picture and on associated 9ct gold chain, the gilt swivel seal set with carved hard stone intaglios, one side carved with a thistle, the other side with a rose, suspended from later chain, tests for gold (2), locket measures approx. 23 x 15mm, fob measures approx. 17 x 15mm, total weight of items 12.5gm £80-£120

389. An unusual gold framed, gem set portrait pendant brooch the rectangular 18ct gold filigree frame with central oval portrait of an 18th century French beauty with low cut robe and plumed hat, her neck set with diamonds and a ruby forming a drop pendant necklace and also with diamond earrings, reverse marked for 18ct gold and maker T & B, approx. weight 7.4gm, measures approx. 35 x 30mm £200-£300

390. A contemporary green jadeite carved pendant suspended on yellow metal chain, tests for gold, pendant measures 4cm £60-£80

391. A large contemporary oval blue gem set pendant on chain the 14ct gold mount with hinged clip opening for hanging loop, the pendant suspended from a 9ct gold flat curb link neck chain, Pendant measures approx. 30 x 24mm, gem stone measures approx. 20 x 12mm, approx. pendant weight 8.7gm, approx. weight of chain 7.3gm £200-£300

382. An unusual Continental gold mounted baroque pearl and coloured gem floral brooch the central oval yellow gem stone set within freshwater cultured baroque pearls of pinkish hue forming the petals and stem which are further set with multi coloured gems, the yellow metal mount 14K, circa 1960, measures approx. 52 x 40mm, approx. weight 17.8gm central gem measures appprox. 20 x 15mm £250-£350

383. A pair of elegant contemporary triangular cut diamond set earrings the yellow and white 18ct gold mounts of twisted ribbon design, each set with a triangular diamond below, marked to reverse, post fittings £200-£300

384. A pair of Art Deco style emerald and diamond set oval earrings, having a central line of square cut emeralds set within an oval diamond set panel, scroll detail to 18ct gold mount, post fittings, measure approx. 15 x 10mm, approx. weight 3gm £200-£300

385. A pair of Victorian Bohemian cut garnet set cluster earrings, the earrings set overall with garnets and of floral form having a further raised circular garnet cluster to the centre, later converted to post fittings, yellow metal backs and setting, test for gold, approx. size 25 x 20mm, approx. total weight 9.2gm £60-£80

386. A Continental 9K gold flat link chain and bead pendant the ball shaped bead set overall with clear stones and threaded through the chain, bead tests gold, weight approx. 10.3gm £30-£50

387 391


395. A large contemporary gold and diamond cameo style portrait pendant mounted on rose quartz the 9ct gold profile portrait of a young woman facing dexter and with diamonds set in her hair, the whole mounted on a polished rose quartz oval within a fancy scroll gold frame, suspended on yellow metal chain, tests for gold, pendant including hanging loop approx. 6.5 x 4cm, pendant only approx. weight 37.4gm, chain approx. 7.6gm £300-£400

396. A delicate antique five row seed pearl necklace choker the rows of even length and having later sapphire and diamond 18ct gold white gold clasp, approx. 37cm in length £500-£700

392. A charming Victorian diamond and lapis lazuli heart pendant locket the deep blue lapis cabochon heart within a border of small diamonds and suspended from a diamond set hanging loop, the reverse with heart shaped glass locket back, mount tests for gold and silver, suspended on white metal chain, total weight approx. 6.2gm, pendant measures approx. 26 x 12mm including hanging loop £600-£800

393. A pair of attractive Art Deco style diamond and lapis lazuli drop earrings the tear shaped lapis drops of good colour and suspended below a line of graduated collet set diamonds, the largest diamond approx. 0.20ct, white metal mounts tests for gold, the largest diamond approx. 0.20ct, total drop approx. 45mm £600-£800

394. An 1899 Russian gold five ruble coin together with a French 1867 gold five francs coin, both in removable fitted pendant mounts, mounts test for gold (2), 5 rubles approx. weight 4.6gm, french 5 francs approx. 3.3gm (both including fittings £280-£320



397. A delicate three stone diamond ring the mount marked 18ct and in fitted ivorine ring box, Centre stone approx. 0.10ct, ring size O £100-£150

398. A three stone diamond set ring the centre stone approximately 0.20ct set between two slightly smaller diamonds, the mount marked for 22ct gold, size Q/R, weight approx. 3.1gm £200-£300

399. A baguette sapphire and diamond set fancy cluster ring having central rectangular cut sapphire between a pair of baguette cut sapphires and within a fancy shaped brilliant cut diamond set border, 18ct gold mount, Size S £200-£300

400. A large pear shaped diamond set fancy cocktail cluster ring the central pear shaped diamond approximately 1.00ct, set between graduated baguette cut diamond set ribbons and navette cut diamond cluster spray, white 18ct gold mount, approx. weight 7.7gm £2,000-£3,000

401. A gold mounted Bohemian garnet set daisy cluster ring, the mount marked for gold and silver and having associated Victorian heart shaped ring box, together with a 9ct gold garnet set oval cluster ring (2), Size O/P, size R/S £100-£200

402. A Victorian pearl set floral spray brooch formed as a branch with four raised, half pearl set floral clusters amid half pearl set leaves and pearl set buds, yellow metal mount tests for gold, in associated fitted box, approx. 7cm in length, approx. weight 9.9gm £150-£200

402

401

400399

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409. A contemporary 9ct gold and sapphire set bombe ring of random woven cluster swirl form and with textured finish and set overall with small sapphires, size J, approx. weight 10.3gm £100-£150

410. A three stone diamond set ring the central stone approximately 0.20ct and with two smaller diamonds set to either side, platinum and 18ct gold mount, together with ring size clip and in associated box, size H/I, approx. weight 2.3gm £200-£300

411. A Continental three stone ruby and diamond set cocktail cluster ring, having three central oval rubies set within a foliate mount with diamond point detail, the white metal mount marked 18K and numbered 2291, size P/Q, approx. weight 4.6gm £300-£400

412. A gentleman’s 18ct gold mounted three stone diamond set ring, the central stone spreading approximately 1.00ct and flanked by two smaller diamonds, mount marked for 18ct gold and with maker’s initials A.R., ring size Q/R, approx. weight 7.4gm £600-£800

413. An attractive large 18ct gold mounted rectangular gem set cocktail ring the yellow/green stone lightly fluorescent, marks to outside shank of ring indistinct, size M, total weight approx. 8.4gm, stone measures approx. 16 x 13mm £200-£300

414. A single stone diamond set fancy ring, the diamond approx. 0.50ct and of pale yellow colour claw set in an 18ct gold mount with scroll detail to edge, size N, approx. weight 5.1gm £300-£400

415. An attractive Continental ruby and diamond oval fancy cluster ring the central oval ruby within an oval diamond cluster and having a pair of navette cut diamonds to either shoulder, marked for 14ct gold, makers mark K.F., size N £400-£600

416. A good quality ruby and diamond set platinum half eternity ring set with four rectangular cut rubies, each spaced with a pair of small brilliant cut diamonds, mount marked for platinum, Size N, approx. weight 6.5gm £400-£600

403. A square ruby set full eternity ring and a garnet set eternity ring the ruby ring with bright cut decoration set all around with square cut rubies in yellow and white gold mount, marked for 9ct gold, the garnet full eternity ring in high set fancy 9ct gold mount (2), Respectively M, approx weight 4.8gm, size P, approx. weight 3.2gm £200-£300

404. A gentleman’s 18ct gold engraved signet ring with central diamond shaped panel, in associated Kendall & Dent ring box, approx. weight 7.7gm, size S/T £120-£180

405. Two gold wedding bands one 22ct gold the other 18ct, both fully hallmarked and together with an associated Victorian red leather ring box, 22ct ring M, approx. weight 5.2gm, 18ct band L/M, approx. weight 4.2gm £150-£250

406. An early Victorian green ‘emerald’ paste and pearl set ring together with a Victorian turquoise set ring and another later turquoise set ring, both test for gold (3), size S, turquoise three stone size L/M, turquoise cluster, approx. total weight 6gm £100-£150

407. A very large pale lemon rectangular gem set dress ring, circa 1970 the stone in fancy high scroll clawed mount, mount marked for 9ct gold and with makers mark J.B. Co, approx. size 27 x 22mm, Size R/S £200-£300

408. An unusual modernist design emerald and diamond set cocktail ring, formed as an irregular random cluster, set with ‘sunken’ emeralds and ‘raised’ diamonds, marked 18K, remaining marks rubbed, size J, approx. weight 12.3gm £300-£500



421. An attractive Art Deco twin diamond set ring having a pair of diamonds each of approximately 1.00ct, set side by side within a baguette diamond set and stepped mount, mount marked for platinum, size R/S £3,000-£5,000

422. A three stone sapphire and diamond set ring having a central, slightly oval sapphire mounted between two diamonds each of approx. 0.50ct, yellow and white metal mount, tests for gold and platinum, size G, however with sizing spheres to inside of shank £800-£1,200

423. A 22ct gold wedding band together with a two stone diamond ring, the diamond ring of crossover design and illusion set with two small diamonds, mount tests for gold (2), size band J, size diamond ring M, approx. weight band 4.4gm, approx. weight of ring 2.6gm £150-£200

417. A Continental brilliant and baguette diamond set fancy ring the central stone approximately 0.65ct between double row baguette diamond set shoulders and three further graduated, channel set brilliants, 18ct gold mount, size M, weight of ring 5.6gm £600-£800

418. A large Art Deco diamond set ring, the round centre stone approximately 2.00ct and in square setting with a smaller single diamond set above and below, diamond set shouldered 18ct gold and platinum mount, size L £3,000-£4,000

419. A ruby and diamond set seven stone half eternity ring, 18ct gold mount, Size Q/R £100-£200

420. A sapphire and diamond cluster ring the oval sapphire set within a border of small diamonds, mount marked 18ct, Size Q/R £100-£200

422421418

415413411



424. An attractive Edwardian three stone diamond set ‘clover leaf ‘ring the diamonds arranged in a trefoil with larger stone, approx. 0.50ct, above two smaller diamonds each approx. 0.25ct with gold clover leaf stalk to one side, 18ct gold & platinum mount, makers mark B.B. within a shield shaped cartouche, approx. size Q, approx. weight 4gm £1,200-£1,500

425. Two 22ct gold wedding bands, the wider band marked for Birmingham 1921, the narrower for Birmingham 1918 (2), Wider size R, weight approx. 6.7gm, narrower size P/Q, approx. 3.1gm £200-£250

426. A delicate five stone diamond set ring and three other diamond rings, the five stone ring having 18ct gold mount, two other small 18ct gold mounted illusion set diamond rings, together with a 9ct gold small diamond set band (4), five stone R, band L/M, approx. weight for 18ct mounted rings (3) 7.7gm, 9ct ring approx. 3gm £150-£250

427. An attractive large amethyst and diamond set cocktail ring having small diamond set centre within a navette cut amethyst and diamond detail cluster, 18ct gold mount, cluster diameter approx. 2cm size N, weight approx. 7gm £200-£300

428. A delicate five stone diamond ring together with two other rings the five stone diamond in 18ct gold and platinum mount, a 9ct gold signet ring a.f. and an 18ct gold gem set ring a.f.(3), diamond ring approx. M/N £100-£150

429. A Victorian four stone emerald and diamond point ring the rectangular shaped emeralds spaced with twin diamond points and in scroll engraved yellow metal mount, tests for gold, together with an 18ct gold half pearl set ring and a banded agate set signet ring, tests for gold each with associated Victorian leather ring box (3), emerald ring size O, approx. weight 3.4gm, pearl ring approx. weight 3.5gm, signet ring approx. weight 2.9gm £150-£250

430. A large circular coral and diamond set cluster cocktail ring, the central salmon pink ‘domed’ coral cabochon set within a single even row diamond border, the yellow and white heavy mount tests for gold, size P, weight approx. 16.7gm, coral diameter approx. 16mm, cluster diameter approx. 20mm £400-£600

431. A striking red coral and pave diamond set panel cocktail ring, the ring of sectioned construction with central ‘dipped’ oval pave diamond set panel within red coral sections mounted in yellow and white metal mount, tests for gold, size N, oval diamond set panel approx. 15 x 10mm, approx. weight 13.9gm £400-£600

433432

431

430

427

424



439. A Victorian three stone sapphire set gypsy ring, having 18ct gold mount, a contemporary oval moonstone and sapphire set cluster ring, 9ct gold mount, together with a single stone 9ct gold gypsy ring a.f. (3), three stone ring size P, cluster ring P/Q £100-£200

440. A sapphire and diamond cluster ring and a ruby and diamond ring, the sapphire ring of spray cluster form with central circular sapphire set within a navette cut sapphire and small diamond set stepped 18ct gold mount, together with a ruby and diamond set dress ring in 18ct gold mount (2), sapphire ring size O/P, ruby ring R £200-£300

441. An Art Deco style diamond set panel ring having central white gold collet mounted diamond raised within a cut cornered square diamond panel, mount marked for 9ct gold, size M, approx. weight 4.6gm £100-£200

442. A contemporary sapphire and diamond shaped fancy cluster ring with central cluster set within a marquis shaped sapphire and diamond cluster, marked for 9ct gold, size M, weight approx. 4.0gm £150-£250

443. A large silver mounted smokey quartz dress ring, together with a gold mounted amethyst dress ring and several various Art Deco dress clips and brooches (q) £70-£100

432. The matching red coral and pave diamond set earrings the mounts yellow and white 18ct gold, stamped.750, total weight approx. 11.3gm £200-£300

433. A pair of attractive red coral and diamond Continental circular ear drops, the circular corals domed and each applied with a small raised pave diamond set circle, yellow and white 18ct gold mounts and fittings, having circular gold plaque to reverse marked FENTIN, approx. weight 11.8gm £200-£300

434. An attractive Art Deco style sapphire and diamond panel ring, having central collet set diamond within four sectioned and shaped diamond set panels framed by small square cut blue sapphires, the white metal mount marked 18ct, size M,. total diamond weight approx. 0.36ct, weight approx. 4.3gm £300-£400

435. A contemporary single stone diamond set ring, approximately 1.60ct, the diamond claw set in an 18ct white gold twist mount, size N £1,500-£2,000

436. An attractive emerald cut diamond set ring the diamond approximately 1.00ct and set between four channel set rectangular diamonds to either side, white gold mount marked 18K, size K £1,500-£2,000

437. Two matching delicate diamond set full eternity or ‘keeper’ rings one in yellow metal and one in white, both test for gold (2), both size J, approx. weight for both 2.6gm £200-£300

438. A Continental five stone diamond set half eternity ring the diamonds channel set in a platinum mount, total diamond weight approximately 0.50ct, total diamond weight approx. 0.50ct, ring size L, approx. weight 7.0gm £300-£400

434 441436435



445. Two R.A.f. sweetheart brooches and a ‘Victory’ wings brooch both R.A.f. brooches silver, one enamelled, the ‘V’ victory wings brooch yellow/pink 9ct gold (3) £50-£80

446. An Edwardian 9ct rose gold floral engraved wedding band and other items, the band by Kinsey Brothers & Patrick of B’ham, together with a pair of rose gold Edwardian cufflinks engraved with the letters C B, a rose gold engraved 9ct ‘Maltese Cross’ fob pendant, together with a rose gold signet ring (a.f.), and a rose gold wedding band (5), band weighs 4.9gm, size Q/R, cufflinks approx. 6.1gm, cross fob approx. 9gm, two remaining rings approx. 6.6gm. total lot weight approx. 25.9gm £200-£250

447. A delicate five stone diamond set ring and a pair of gold ‘Ciro’ cultured pearl earrings, the diamond ring having 18ct gold mount, the earrings set with twin even size cultured pearls in 9ct white gold mounts, screw back fittings, marked Ciro (2), ring size P £100-£150

448. A 9ct gold mounted oval moss agate brooch and a collection of related items, including a silver mounted opal ring, a five stone diamond ring, a.f., a gold mounted carved shell portrait cameo brooch, a 9ct gold bar brooch and four pairs of 9ct gold mounted cultured pearl earrings (9), Agate brooch approx. 40 x 30mm, opal ring size L/M £200-£300

449. Two 22ct gold wedding bands and several other items, including a 9ct gold hinged oval picture locket on yellow metal chain, tests for gold and a 9ct gold signet ring, a.f. (4), 22ct bands size T & M, approx. weight for both 6.7gm, picture locket measures approx. 35 x 25mm, chain approx. length 50cm, approx. weight for both 14.2gm, signet ring approx. 3gm £200-£300

444. A small collection of Georgian and later jewellery, including an amethyst and half pearl Georgian cluster, mount tests gold, inscribed and dated 1818, a gilt bar brooch and a gilt cloak pin, a yellow metal stick pin, thistle pin, a pearl (untested) yellow metal mounted stick pin, tests gold, an Art Deco gilt and paste necklace and a yellow metal filigree barrel clasp, tests for gold £200-£300



450. A four section gold puzzle ring, tests for gold, marks rubbed, a 9ct rose and yellow gold twist ring and an engraved 12K rolled gold floral engraved hinged bangle (3), puzzle ring approx. weight 5gm, size P/Q, twist ring approx. weight 3.6gm N/O £100-£150

451. A good collection of Victorian gold earrings and other related jewellery, to include a diamond set Etruscan style stick pin, boxed, a pair of small Etruscan style Victorian ‘hoop’ earrings, fan drop earrings, a pair of pique earrings and others, test for gold, various other gold and gilt earrings, an amethyst set ring, tests gold, later Edwardian paste drop earrings, test gold, a filigree gilt necklace, 9ct medallion fob, 9ct gold chain a.f. and other items (q), total weight of items approx. 76.3gm £200-£300

452. An Edwardian pale blue, rose decorated, guilloche enamel silver ball fob watch, suspended from the matching fob brooch, together with a circular silver and pale blue guilloche enamel hinged picture locket suspended from a rose coloured curb link chain, tests for gold (3), Chain weight approx. 15.8gm £200-£300

453. A contemporary diamond silhouette heart pendant set with small even size diamonds in 18ct gold mount, sold together with a Continental white gold and ruby set spray cocktail brooch, marked.585 for 14ct gold in associated Asprey & Co. Ltd. red leather box (2), diamond pendant approx. weight 2.1gm, approx. 20 x 19mm, brooch approx. weight 8.3gm, measures approx. 40 x 50mm £200-£300

454. A Victorian gold, ladies long guard chain, the chain marked 10ct and with 10ct gold end clip with attached yellow metal Maltese cross pendant, tests for gold, together with a Victorian scroll engraved yellow metal ring with shield monogram, tests for gold, chain approx. weight 29.4gm, ring approx. 3.6, size M £280-£350

455. A large, heavy Victorian silver gentleman’s watch Albert chain and fob of graduated curb link form, each link with lion stamp, possibly Birmingham 1887, the end with carnelian and bloodstone set oval, swivel fob, approx. weight 72.1gm £80-£120

456. A double row graduated cultured pearl necklace, having a silver and marcasite set clasp, together with a 9ct gold mounted rectangular cut gem set dress ring and two other gold mounted dress rings (4), Size of rectangular gem ring K £80-£150

453

452

457. A small collection of contemporary lapis lazuli jewellery to include an opera length necklace of even size lapis beads, a bead bracelet and other lapis set items (Q) £150-£250



460. A Victorian garnet and rose diamond set ring together with related items, the ring of marquis form and marked for Birmingham 9ct gold, a 9ct rose diamond and ruby cluster floral bar brooch, two other gold brooches and a small Arts & Crafts green gem set pendant (5), ring size P/Q, approx. weight 2.3gm, total weight of items approx. 9.5gm £100-£200

461. A 9ct gold hinged bangle together with two 18ct gold signet rings and an 18ct gold wedding band (4) a.f., bangle approx. weight 12.6gm, rings approx. weight 8.3gm £200-£300

462. A Victorian fine gold half sovereign dated 1897, together with an 18ct gold sapphire and illusion set diamond cluster ring, circa 1970 and a small 9ct gold hard stone set signet ring (3), total weight of items approx. 11.7gm £100-£150

463. A contemporary 9ct gold diamond set leaf brooch together with a small diamond set cluster ring, a 9ct gold diamond set fancy ring and a small two stone emerald set pendant on 9ct gold chain (4), brooch measures approx. 52mm, approx. weight 3.7gm, cluster ring M, fancy ring P £150-£200

464. A small collection of Victorian and later mixed jewellery, to include a Continental .900 silver gilt paste set half sun burst brooch, a 9ct gold trefoil gem set bar brooch, an amethyst and seed pearl pierced scroll brooch, pin absent, a gilt pink paste ‘bug’ ba brooch, a green paste brooch and a paste necklet, sold together with various associated boxes (6), star brooch aprox. 58mm across, £60-£100

465. A Georgian pink paste canetille work brooch and similar drop earrings, the brooch set with central circular foil backed pink paste between two tear shaped pastes, tests for gold, a similar pair of Georgian drop earrings, test for gold, together with a Victorian 15ct gold Etruscan style brooch with fine applied foliate and bead decoration, in associated box, and a small Georgian blue enamelled memorial brooch with plaited hair central locket, surrounded by the words ‘Forget Me Not’ (4), Geo. brooch approx. 5 x 1.5cm, weight for brooch and earrings approx. 9.1gm, Etruscan brooch approx. 48mm, approx. weight 5.6gm £200-£300

466. A George V fine gold sovereign with 18ct gold mount and chain the sovereign dated 1925 and with soldered pendant mount and suspended from a fancy link 18ct gold chain, Total weight 24.8gm £400-£600

464

459

458. A small collection of contemporary diamond set jewellery to include a 9ct gold mounted random diamond cluster pendant on chain, an 18ct gold mounted circular diamond set pendant on chain, another diamond cluster pendant, hanging loop a.f., together with two pairs of gold mounted cluster earrings (5), random cluster pendant diamonds approx. 0.01 & 0.02ct, circular cluster largest stone approx. 0.03ct, total weight of items 11.8gm £200-£300

459. A Georgian enamelled memorial ring and four other memorial items, the black enamel marquis shaped ring marked for 18ct gold, Birmingham 1800, set with three half pearls, the reverse with plaited hair locket, a Victorian gold and silver inlaid pique tortoiseshell cross, a small circular Georgian hair locket with engraved and scroll edge detail, a Victorian 9ct and onyx lozenge shaped pearl set brooch and a small miniature Georgian seal (5), Geo. ring size U, approx. weight 4.5gm, pique cross 57 x 32mm, £100-£200



473. An unusual set of eight brass turned bells on horseshoe backboard with two beaters, with two beaters, height: 48cm, width: 37cm £50-£80

474. A blue bound album of postcards, christmas cards, comical cards and birthday cards, dated from the 1920s £50-£80

475. Ivor Novello memorabilia dating from the 1920’ to 1940s two framed prints of Ivor Novello signed by the conductor, together with music sheet entitled ‘Bless You!’ (3) £60-£80

476. Milne A.A. Now We Are Six, printed by Methuen & Co. Ltd 1927 red cloth binding and gilt detail, sold together with The Sleeping Beauty, illustrated by Arthur Rackam, printed by William Hinemann, 1920 (2) £30-£50

477. Lawrence of Arabia, books and related literature Seven pillars of Wisdom, 1935, Johnathon Cape; T.E. Lawrence, In Arabia and After, published May 1935; Orientations, Sir Ronald Storrs, Ivor Nicholson & Watson 1937, together with a typed copy of Laurence-The Man-A tribute by Sir Ronald Storrs, signed by Sir Ronald Storrs, together with a postcard from Ronald Storrs, signed, regarding Damascus Gate (Q) £100-£200

467. A 9ct gold narrow bar ingot hallmarked London 1977, approx. 29gm £280-£320

468. A set of Art Deco hexagonal onyx and diamond set cufflinks and matching dress studs the 18ct gold white mounts of hexagonal form set with black onyx and each with single central diamond, the boxed set comprising of cufflinks, a pair of studs and four dress buttons, original fitted case, each piece marked ‘18 Ct.’, total weight excluding ‘button fitting rings’ approx. 16.2gm £200-£300

469. A George V 1914 fine gold sovereign ring the sovereign set in a large 9ct gold gentleman’s ring mount of ‘ribbed’ design, approx. 20.6gm total weight £300-£400

470. A collection of Butler & Wilson costume jewellery in original boxes comprising one lilac coloured crystal flower necklace, one silver coloured crystal flower necklace, two identical crystal necklaces with circular centre, one red crystal necklace with gold coloured chain, one crystal red, white and blue Union Jack style brooch, another Union Jack style brooch of circular design with crown on top, one crystal key ring in the form of a dog (still in wrapping), another key ring with four charms, including crown, lion, Union Jack oval and a Butler & Wilson ‘40’ logo and a large crystal Butler and Wilson hair clip together with a gold coloured lizard brooch (not marked Butler & Wilson) (11) £150-£250

471. A collection of gold and silver retracting pencils comprising a yellow gold W.S. Hicks New York retracting pencil with rope twist decorated body and loop ring, a Birmingham 1895 silver retracting pencil with engraved body and loop ring, a Lady Yard o Lette rolled gold retracting pencil and a Lief-long stainless steel retracting pencil (4), length: hicks-9.1cm, silver-7.7cm, rolled gold-10.5cm, other-11cm; £80-£120

472. A set of 39 Whyte’s Classification System ‘Types of Steam Locomotives’ cards for distinguishing locomotive types by their wheel arrangements was devised in 1900 by Frederic M Whyte, a New York Central official, each card is numbered and description on the reverse, No.10 is missing from the set of 40 (39), 8.9 x 14.5cm £30-£50

465

470



479. Five albums of ‘The King George VI Stamp Collection’ each stamp in hawid mounts bound in green albums with each having a hard cover, containing an interesting range from the following countries: St Lucia-Trinidad & Tobago-Turks & Caicos Islands-Western Samoa-Australia-New Zealand-Bechuanaland-British Guiana-Virgin Islands-Somalia-British Solomon Islands-Northern Rhodesia-Cook Islands-Newfoundland-Canada-Bahawalpur-Papua Pitcairn Islands-Fiji-Falkland Islands-Cyprus-Burma-Hong Kong-Grenada-Eire-Leeward Islands-India-Malaya-Malta which includes 1948 Silver Weddings sets and 1949 Universal Postal Union sets, there are many complete definitive sets to the highest face values (5 albums) £7,000-£10,000

478. A Louis Wain postcard and written note the postcard depicting two cats one being served by a cat dressed as a waiter and the other seated at the table, with the caption ‘Bring me a canary on toast’, the written note written in black ink ‘Thou written feelings wonderous kind, Can love written feelings ever kind’ signed Louis Wain, mounted and framed, written note 9 x 11cm

In his latter years Louis Wain was a patient at local Bethlem Hospital, Beckenham £80-£150



486. A Britain’s 155mm Gun, no. 2064, die cast model, in original red box with yellow label, containing five shells with one case, missing one trail spades; a Britain’s Clockwork Sets Beetle Lorry with trailer and 25 pounder gun howitzer, with key, no. 2048, die cast model in original red box with yellow label and a Dinky Toys Pullmore Car Transporter no. 582, in original box (3) £100-£150

487. A collection of Dinky Toy vehicles 991 AEC Monarch Shell Chemicals Limited Tanker; 917 Spratts Guy Van; 533 Ferrocrete Leyland Cement Wagon; 531 Leyland Comet Lorry; 532 Leyland Comet Wagon with hinged tailboard; 561 Blaw Knox Bulldozer and 571 Coles Mobile Crane, each in their respective boxes (7) £300-£500

480. Deutfche Kulturbilder Deutches Leben in 5 Jahrhunderten, 1934 album of copies of cigarette cards dating from 1400 to 1900 £50-£60

481. An Irish bog oak shillelagh the tapering form carved with trailing shamrocks, Irish harp and wolf hound amongst a hatch body, length: 46.5cm £60-£80

482. A Gunn & Moore Ltd Nottingham child’s autographed cricket bat bearing autograph from the 1st Test Nottingham June 1988 Australia vs England, players and umpires autographs, child’s size 5 bat, length: 80cm £60-£80

483. ‘Cricket’ W.G. Grace, Bristol 1891 limited edition 490/652 original green covers £80-£120

484. A collection of sixteen acid etched copper plates of steam locomotives, of varying sizes, a/f (16), largest plate: 22.9 x 15cm smallest plate: 11.5 x 8.8cm £80-£150

485. Britain’s Boy Scouts and Scout Master Figure Group painted in green with either red or green or yellow scarves, 23 examples to include 1 scout master, 1 scout signaller, 2 scouts walking with pennants on pole, 3 scouts kneeling with axes, 4 scouts standing with axes, 6 scouts walking with poles, 4 scouts, 2 scouts with trek cart, with 4 trees 10 fences and 1 gate, bearing Britain’s marks, a/f (39) £300-£400

485



490. A collection of Apple paperwork comprising a John and Yoko calendar, various pages from the Apple Catalogue 1973 (all printed on one large sheet of paper), Three copies of The Beatles from Apple photos and biographies, a VAT invoice sheet, an Apple films sticker, four Apple promotional leaflets and an Apple record label from the second trial sent to EMI 30/04/73 (plus two Cosmic Wheels record labels)

All items printed by Templering Ltd, Mitcham, Surrey and belonged to the owner. These are being offered by a direct descendant £200-£300

491. An original late 1960s Apple Records promotional dartboard, these were distributed to various music industry insiders and friends of the Beatles to promote the newly formed Apple Records, 45cm diameter £80-£100

492. A bound album of Military photographs, dated from 1940s images from India and South Africa and a ‘SEAC Souvenir’ newspaper £30-£50

493. PTE. R.W Harvey and SPR. V.E Wright military medals ‘Victory The Great War for Civilisation 1914-1919’ medal T4-061630 PTE. R.W Harvey A.S.C with ribbon ‘British War 1914-1919’ medal T4-061630 PTE. R.W Harvey A.S.C with ribbon ‘He died for freedom and honour death plaque’ Richard Walter Harvey ‘Victory The Great War for Civilisation 1914-1919’ medal 471583 SPR. V Wright R.E with ribbon ‘British War 1914-1919’ medal 471583 SPR. V.E Wright R.E with ribbon, together with a collection of brass tunic buttons, a/f (qty) £80-£150

488. A Witney ‘Beatles’ blanket, illustrated with images of the four Beatles, with red wool needle work edging, 140 x 194cm £40-£60

489. A small collection of Beatles Apple ephemera comprising Apple watch, black mirror with central apple motif, lucite box and brushed steel money clip all with apple motif (4), watch diameter 4cm, mirror 29cm x 36cm, box 10cm x 10cm, money clip 4.5cm x 6.5cm approx.

Old England produced the Apple watch for the Apple employees and other affiliates. This watch and the other Apple ephemera offered here was given by Apple records to the current owners father who printed Apple Labels and other printed material for the Apple group. £100-£200

493

491 489



495. SAPR. J.H. Wheatley R.E. Military medals ‘Victory The Great War for Civilisation 1914-1919’ medal 27198 SPR. J.H. Wheatley R.E. with ribbon ‘British War 1914-1919’ medal 27198 SPR. J.H. Wheatley R.E. with ribbon ‘1914 Mons Star’ medal 27198 SAPR. J.H. Wheatley R.E. with ribbon, with ribbon clasp, ‘The Burma Star 1941-1945 with ribbon ‘War Medal 1939-1945’ with ribbon ‘1939-45 Star’ medal with ribbon, with smaller ribbons and ribbon clasp, the WWII medals un-engraved, with a framed photograph of SPR J.H. Wheatley of further loose photographs, with his soldier’s Service Pay Book and National Registration Identity Card and Inventory of Kit booklet and a SFP arm badge for Borough of Bexley Voluntary Fire Fighting Party for Joyce Williams, a/f (qty) £100-£200

496. Cecil Stanley Smoothy and B.G Smith Fire Brigade and Military medals ‘The Society for the Protection of Life from Fire Duty and Honor’ medal with ribbon dated 16-12-27 Twickenham ‘National Fire Brigade Association Long Service’ medal with ribbon dated 31st May 1928 presented by the Mayor of Twickenham Alderman J Mitchell M.A on a clasp; ‘Victory The Great War for Civilisation 1914-1919’ WWI medal with SE 25175 PTE. C Smoothy A.V.G with ribbon ‘British War 1914-1918’ WWI medal with SE 25175 PTE. C Smoothy A.V.G with ribbon ‘South Africa Cape Colony’ medal with 3787 Pte. B.G Smith 6/Drgns with ribbon, on a Spink & Son clasp (qty) £150-£200

497. Two George V fine gold sovereigns one dated 1911 the other 1914 (2) £300-£400

494. C.Q.M. SJT. W. Farquharson and PTE. A. Farquharson military medals ‘Victory The Great War for Civilisation 1914-1919’ medal 3655 C. SJT. W. Farquharson.Glouc.R with ribbon ‘British War 1914-1919’ medal 3655 C. SJT. W. Farquharson.Glouc.R with ribbon ‘For Meritorious Service’ medal 266113 C.Q.M. SJT. W. Farquharson.2/6 Glouc.R with ribbon, with three small replica medals and a Birmingham hallmarked silver cigarette case engraved ‘To W Farquharson from a few of his friends on his leaving Stirling 3.Feb.12’ ‘He died for freedom and honour death plaque’ Alexander Farquharson ‘Victory The Great War for Civilisation 1914-1919’ medal 22544 PTE. A. Farquharson. SCO. RIF. with ribbon ‘British War 1914-1919’ medal 22544 PTE. A. Farquharson. SCO. RIF. with ribbon with a scroll for PTE Alexander Farquharson and a framed photograph of one of the gentlemen and a small brass cross, a/f (qty) £200-£300



501. A collection of UK coinage Queen Elizabeth II proof coin sets dating from 1989 to 1992 by the Royal mint, each mounted in red leather cases; a cased 1974 Isle of Man Rt Hon Sir Winston Churchill Centenary proof crown; a cased set of Commemorative pewter crown medals for the 50th Anniversary of the Railway Act 1921; a cased set of pewter crown medals for the History of The Railways 1825-47; a cased 1914 Vauxhall Prince Henry Medal 1911-1915; a cased set of 1971 Rugby Football Union Centenary 1871-1971 (12 cases) £100-£150

502. A Royal Mint 1981 proof sovereign in plastic capsule in holder case with certificate, diameter: 22mm, weight: 7gm approx £200-£300

503. A collection of fourteen Royal Mint coinage sets 1970 coinage of Great Britain and Northern Ireland 1971 coinage The first decimal coinage of The Gambia 1971 Central Bank of Ceylon 1972 coinage of Great Britain and Northern Ireland 1973 coinage of Great Britain and Northern Ireland 1974 the first coinage of the Kingdom of Swaziland 1974 coinage of Great Britain and Northern Ireland 1974 coinage of Central Bank of Yeman 1975 coinage of Great Britain and Northern Ireland 1976 the first coinage of Tuvalu 1976 the first coinage of the Republic of Botswana 1976 coinage of Great Britain and Northern Ireland 1977 coinage of Great Britain and Northern Ireland 1982 Falkland Islands Liberation proof set Two Royal Wedding commemorative crown July 29th 1981 1972 Queen Elizabeth and Prince Philip commemorative crown 1889 Queen Victorian crown (18) £80-£120

498. A collection of UK coinage four Festival of Britain 1951 boxed five shillings; 19th and 20th century crowns, half crowns, one shilling, six pence, one florin, two shilling and further miscellaneous coinage (qty) £100-£200

499. A George V fine gold sovereign, together with two gold half sovereigns, the full sovereign dated 1912, one half sovereign Gorge V dated 1926, the other half sovereign Edward VII and dated 1910 (3), total weight approx. 16.1gm £400-£500

500. A collection of UK, French and USA coinage six half dollars 18k gold plated in plastic cases; six £1 Malta coins in plastic cases; three British first decimal coins cases, together with a collection of 20th century crowns, florins, half pennies, one shilling and miscellaneous coinage (qty) £150-£200

501



506. A collection of UK and French coinage 7 x 1973 50p coin; 6 x National Westminster Bank Silver Jubilee Crown 1952-1977; 24 x 1953 five shillings, 5 x Queen Elizabeth II & Prince Philip 25th Wedding Anniversary 1947-1972 crown; 1 x Queen Mother Centenary crown 1900-2000 in presentation slip case; 1 x 1996 70th birthday of Queen Elizabeth II crown; 1 x 1967 Coinage of Great Britain six coins; 1 x 1965 half crown; Two cased sets of Fleurs de Coins; Monnaie De Paris 1974 and collection of loose French coinage 19th and 20th century, comprising of 6 x 50 1952 and 1953 Franc; a 1952 20 Franc; a 1953 and 1957 10 Franc; a 1873 5 Franc Republique Francaise; a 1970 and 1971 5 Franc; four 1 Franc 1960, 1964, 1968; six 1⁄2 Franc 1968, 1970, 1971; two 20 centimes 1968, 1969; three 10 centimes 1967, 1969, 1970; two 5 centimes 1921 and 1968; 1 centimes 1968; two 1 Franc Bon Pour Chambres De Commerce De France 1921, 1928; one Un Decime L’An 8 G; one Napoleon Empereur Cinq Centime 1856; one Un Centime L’An A and eight miscellaneous coins (qty) £60-£80

507. Four cased 1977 silver crown proof coins commemorating the Queen’s Silver Jubilee, each case containing eight coins with certificates, together with five cased Royal Mint 1977 Falkland Island fifty pence crowns, a 1977 Bermuda twenty five dollars commemorating the Silver Jubilee and fifteen stamp card (qty), weight 1091gms approx. £300-£400

504. A collection of cased Royal Mint silver coinage a cased set of three 1971 Rugby Football Union Centenary 1871-1971 silver gilt proof crown size medallions by Slade Hampton & Son Limited; a cased 1909 Rolls-Royce silver Ghost medallion by Investamedal Ltd; two cased sets of two 1992 Queen Elizabeth II silver proof 10p coins by Royal Mint; a cased 1995 Queen Elizabeth II 2nd WW silver proof £2 coin by Royal Mint; a cased 1994 Queen Elizabeth II silver proof piedfort £2 coin by Royal Mint; a cased 1975 Queen Elizabeth II Isle of Man Manx Cat proof coin by Pobjoy Mint; a cased 1994 Queen Elizabeth II silver proof £2 coin commemorating the Tercentenary of the Bank of England by Royal Mint; a cased 1944-1994 Queen Elizabeth II silver proof D-day 50p commemorative coin by Royal Mint; a cased 1989 Queen Elizabeth II £2 silver proof two coin set commemorating Tercentenary of the Claim of Rights & Tercentenary of the Bill of Rights by Royal Mint; a cased 1992 Queen Elizabeth II silver proof 10p two coin set by Royal Mint; a cased Tristan da cunha The 100th anniversary of the House of Windsor silver proof £1 coin by Jubilee Mint; a cased George VI 1937 silver Coronation crown by Jubilee Mint (12 cased sets), weight: 300gm approx £100-£200

505. A collection of cased Foreign Coinage a cased 1976 Coinage of Belize by Franklin Mint; a cased 1975 The Coinage of Republic of Panama by Franklin Mint; a cased 1972 XX Olympic Games Munchen; a cased 1973 Queen Elizabeth II Cook Islands 20th Anniversary of The Commonwealth June 2nd 1953-1973 $2 dollars; a cased July 1969 Man first sets foot on the Moon medallion by Investamedal Ltd; a cased 1973 Republic of Panama 20 Balboas proof coin by Franklin Mint; a cased 1974 Republic of Panama 20 Balboas proof coin by Franklin Mint; a cased 1975 Republic of Panama 20 Balboas proof coin by Franklin Mint; three cased sets of 1973 Monnaire De Paris Fleurs de Coins; a cased 1971 Commonwealth of The Bahama Islands proof set by Franklin Mint; a cased 1973 Commonwealth of The Bahama Islands proof set by Franklin Mint; a boxed January 1st 1973 1st day of membership EEC medallic crown size stamps by John Pinches Ltd; a cased 1972 Bailiwick of Jersey Royal Wedding Anniversary tender coins and a cased 1972 Inauguration of the Isle of Man P.O. Authority (16 sets) £100-£200

Next auction at Farleigh:

Wednesday 6th December

T E R M S & C O N D I T I O N S

IMPORTANT INFORMATION FOR BIDDERS AND BUYERS

Each auction is prepared in advance and is on public view at the saleroom for one day before the sale, and the morning of the sale. No passes or appointments are requiredCONDITIONS OF BUSINESS

All lots are offered subject to Catherine Southon Auctioneers & Valuers Ltd’s Conditions of Business

ESTIMATES AND RESERVES

Estimates are published as a guide only and are subject to review. The actual hammer price of a lot may be higher or lower than the range of figures given and there are no predetermined starting prices. Estimates may be subject to revision. Published estimates are exclusive of buyer’s premium and VAT

All lots are subject to reserves. The reserve price is never higher than the low pre-sale estimate

BUYER’S PREMIUM AND VAT

A buyer’s premium of 21.6% is applicable to all the lots in this sale.

The buyer’s premium is inclusive of VAT at the current standard rate (20%). Lots are normally offered for sale under the auctioneers margin scheme and VAT is payable on the buyer’s premium by all buyers

Lots marked with a dagger † will be offered under normal UK VAT rules and VAT will be charged on both the hammer price and the buyer’s premium

PRE-SALE EXHIBITION

All auctions are on public view the day before the sale and on the morning of the sale

CONDITION REPORTS

All prospective bidders are encouraged to attend the pre-sale exhibition and view the lots in person. If this is not possible, we will be pleased to provide a brief condition report where practical. All condition reports are provided in good faith. Buyers are reminded that it is their responsibility to satisfy themselves of the condition of lots. All weights and measurements are approximate only. Please refer to Conditions of Business for further information

BIDDING IN PERSON

To bid with us you must register to obtain a bidding number. You will be asked to provide proof of identity. All lots sold will be invoiced in the name and address in which the paddle has been registered and will not and cannot be transferred to other names or addresses. If you instruct an agent to bid on your behalf, you will need to provide a letter of authority to this effect.

ABSENTEE & TELEPHONE BIDDING

Catherine Southon Auctioneers & Valuers Ltd is pleased to execute bids on behalf of clients unable to attend the sale in person. All bids should be submitted in writing and in good time, no later than 4.00pm on the day prior to the sale. No absentee or telephone bidding requests will be accepted without a landline telephone number. Lots will be purchased as cheaply as possible (subject to other bids received, reserves and competition in the saleroom). It will be possible to arrange auction room telephone bidding, but subject always to the availability of lines and staffing. These services are offered free of charge and are subject to our Conditions of Business

PAYMENT

Payment is due in sterling immediately after the sale and before purchases can be released. Payment in person can be made in the saleroom on the day of the auction. After this, payments must be made by post, card transactions by telephone or electronic transfer to our bank. Catherine Southon Auctioneers & Valuers Ltd welcomes the following methods of payment:

CREDIT/DEBIT CARD

We are pleased to accept major Credit Cards, for which a surcharge will be made of 3% of the transaction total. This is to cover the charge made to us by the bank. (Unfortunately we are unable to accept American Express). There is no charge for payments by Debit Card

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Cash payments will not be accepted above the amount of £6,000

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Wire transfers can be made directly to our bank:

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West Wickham

Kent

BR4 0WH

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PLEASE NOTE THAT THE FULL AMOUNT OWED MUST BE TRANS-FERRED. CATHERINE SOUTON AUCTIONEERS & VALUERS LTD WILL NOT ACCEPT TRANSFER CHARGES. ALL BANK TRANSFER/COMMISSION CHARGES MUST BE PAID BY THE BUYER


DEFINITIONS“Seller” is the owner of the Property, their agent, executors or the person in possession of the Property (as appropriate)

“The Company” means Catherine Southon Auctioneers & Valuers Ltd, Lygon House, 50 London Road, Bromley, BR1 3RA, Company registration number

“Seller’s Commission” is the commission The Company charges Sellers of Property.

“Expenses” are The Company’s expenses, fees and charges relating to the Property, including legal expenses, insurance charges, illustration fees, administration fees, customs duties, shipping and packing costs and any other expenses and VAT on these amounts

“Buyer’s Premium” is the commission The Company charges Buyers of Property

“Hammer Price” is the highest bid for the Property accepted by the auctioneer

“Reserve Price” is the minimum Hammer Price at which the Property may be sold, as agreed between the Seller and The Company

“Net Sale Proceeds” are the proceeds of sale actually received by The Company, less Seller’s Commission, Buyer’s Premium and Expenses.

“Property” means any item or items of any kind accepted by The Company with a view to its or their sale at auction

“Buyer” means the bidder (including a commission bidder) whom The Company has accepted by the fall of the auctioneer’s hammer

“Deliberate Forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description.

The Seller’s Commission, Hammer Price, Buyer’s Premium and all Expenses are subject to VAT, where applicable

1. SELLER’S WARRANTIES(a) The Seller warrants to The Company and the Buyer that:-

(i) the Seller is the owner of the Property or is properly authorised to sell it;

(ii) the Seller shall transfer possession and good title in the Property to the Buyer, free from any third party claims;

(iii) the Seller has provided all relevant information about the ownership, condition, authenticity, attribution, provenance and import/export history of the Property;

(iv) there are no copyright or other restrictions on The Company’s rights to produce and publish images of the Property.

(b) The Seller will indemnify The Company, its directors, employees, officers and Buyers of the Property against all losses and damages resulting from a breach of any of these warranties or other Conditions of Business. The Company may cancel, rescind or postpone sales of Property where it reasonably believes that there has been or may be a breach of these warranties or any other Conditions of Business by the Seller

2. SALE PREPARATION(a) The Company shall have sole discretion as to how Property is described, illustrated and marketed, and the date, venue and conduct of the sale.

(b) All oral or written estimates, appraisals and reports are statements of opinion only, and may not be relied upon as a prediction of the sale price and may be revised from time to time by The Company. The Company is not responsible for error of description (made either orally or in any catalogue) or for the genuineness or authenticity of any lot

(c) The Company may, without obligation, consult with third party experts and carry out such other research for the Property as it deems necessary. The Company may transfer possession of the Property to such third parties and shall not be responsible for the acts and omissions of such third parties

(d) The Company shall have the absolute right to produce and publish images of any Property consigned for sale and will retain copyright in any such images it produces

(e) The Company will charge a Buyer’s Premium on the sale of the Property at The

Company’s standard rates. The Company reserves the right to pay out of its commissions a fee to any third party introducing Sellers or Property to it

(f) Sellers are prohibited from bidding on their own Property.

3. WITHDRAWAL OF PROPERTY(a) If the Seller withdraws any Property from sale after their written agreement to sell it, The Company may charge the Seller 50% of the Seller’s Commission and Buyer’s Premium that The Company would have received had the Property sold at its mid estimate, plus all Expenses (the “Withdrawal Fee”).

(b) The Company may withdraw any Property from sale without liability for any of the following reasons:- if (i) it reasonably believes that the authenticity or attribution is questionable; (ii) it reasonably believes that the Seller’s Warranties or other Conditions of Business have been breached; (iii) there is a competing ownership claim or lien over the Property; (iv) the Property does not have all licences and permits required by law, including those required under the Convention on the International Trade in Endangered Species (CITES); (v) the condition of the Property has deteriorated since consignment; (vi) the auction has been postponed for any reason.

(c) If the Property is withdrawn for any of reasons 3(b)(ii), or (iii) the Seller shall pay the Withdrawal Fee, as per Condition 3(a). If withdrawn for any other reason, the Property shall be returned to the Seller at the Seller’s expense.

4. EXCLUSION OF LIABILITY (a) The Company shall not be liable for any errors or omissions in any written or oral information provided to Sellers or for acts or omissions relating to the conduct of the auction or any other matter relating to the sale of Property, whether negligent or otherwise, subject always to Condition 4(c).

(b) Without prejudice to Condition 4(a), any claim against The Company shall be limited to the Net Sale Proceeds for the relevant Property. The Company shall not in any circumstances be liable for any indirect or consequential losses

(c) The Company’s liability to the Seller in respect of death or personal injury caused by The Company’s negligent acts or omissions shall not be excluded or limited

5. LOSS OR DAMAGE TO PROPERTY(a) Unless otherwise agreed in writing, The Company will assume the risk of loss or damage to Property received from the Seller until:-

(i) risk passes to the Buyer; or

(ii) if unsold, 30 days after the sale or when released to the Seller (whichever is earlier); or

(iii) 6 months after receipt of the Property by The Company, if not consigned for sale

(b) If damage or loss occurs whilst the Property is at the risk of The Company, the maximum amount of The Company’s liability shall be:

(i) the Hammer Price of the Property, if sold;

(ii) the Reserve Price of the Property or as otherwise stated on the Property Receipt, if unsold; or

(iii) the mid estimate, if not offered for sale (or The Company’s reasonable estimate of auction value where there are no pre-sale estimates);

less Seller’s Commission and Expenses

(c) The Company will not be liable for any loss or damage caused by:- (i) normal wear and tear, gradual deterioration or inherent vice or defect; (ii) errors in processing; (iii) war or radioactive contamination

6. VATIf any Property is an asset of the Seller’s business, the Seller must notify The Company on delivery of the Property to The Company, whether or not he is registered for VAT purposes and if so, his registered number and whether or not he intends to operate the VAT Used Goods Scheme covering amongst other goods, works of art and antiques

CONDITIONS OF BUSINESS FOR SELLERS

The Conditions of Business for Sellers govern all aspects of the consignment, report, holding and sale of Property by Catherine Southon Auctioneers & Valuers Ltd and the Conditions of Business for Buyers, as printed in sale catalogues and available from Catherine Southon Auctioneers & Valuers Ltd upon request. Catherine Southon Auctioneers & Valuers Ltd act as agent for Sellers.

Conditions of Business for Buyers and/or Sellers may be amended by additional terms printed in the sale catalogue and/or by notices posted up in the saleroom or announced by the auctioneer.


7. POST AUCTION SALES If any Property fails to sell at auction, The Company shall be entitled for a period of 35 days after the auction to sell the Property privately for no less than the Reserve Price (unless otherwise agreed with the Seller) and on the terms of these Conditions of Business.

8. PAYMENT OF NET SALE PROCEEDS(a) Subject in all cases to prior receipt of cleared funds by The Company and subject to rescission of the sale under Condition 10, 35 days after the sale date or 5 working days after receipt of cleared funds from the Buyer (whichever is later), The Company shall send the Seller the Net Sale Proceeds in pounds sterling, less any other amounts owed by the Seller to The Company.

(b) The Company shall not be obliged to check the ability of Buyers to pay for Property and shall have absolute discretion whether to use any of the rights and remedies against defaulting Buyers contained in the Conditions of Business for Buyers.

9. UNSOLD/ UNCOLLECTED PROPERTY(a) The Company will advise Sellers whether or not their Property has sold. Unsold Property may either:-

(i) be reconsigned for sale; or

(ii) be collected by the Seller, in which case a Reduced Commission of 50% of the Seller’s Commission may be payable calculated as if the Property sold for its Reserve Price (where applicable), plus relevant Expenses.

(b) If the Seller does not reconsign or collect the Property within 60 days of the auction as per Condition 8(a) (i) or (ii) above, The Company shall be released from any duty of bailment and may in its sole discretion be entitled to:-

(i) transfer the Property to independent storage at the Seller’s expense; or

(ii) re-offer the Property at auction for no less than 50% of the original Reserve Price agreed with the Seller (where applicable), and subject to the Seller’s Commission on the

re-sale plus all relevant Expenses

(c) If the Seller deposits the Property with The Company for more than 1 year and neither collects or consigns it for sale, The Company shall be entitled to sell such Property at a future sale conducted by The Company or elsewhere, with estimates and reserves at The Company’s discretion, after giving the Seller 60 days written notice sent to the Seller’s last known address

10. RESCISSION OF SALESThe Company may rescind the sale where it reasonably believes that the Property is a Deliberate Forgery, in which case The Company shall send the Seller a notice of such rescission. The Seller agrees to return to The Company the Net Sale Proceeds received from the sale of such Property together with any additional Expenses incurred by The Company. The Company will return the Property to the Seller upon receipt of the Net Sale Proceeds and Expenses, unless prevented from doing so for reasons beyond The Company’s control

11. DATA PROTECTION (a) The Company will use information supplied by Sellers or otherwise obtained lawfully by The Company for the provision of auction related services, client administration, marketing and as otherwise required by law.

(b) By agreeing to these Conditions of Business, the Seller agrees to the processing of their personal information and to the disclosure of such information to third parties world-wide for the purposes outlined in Condition 11(a).

12. MISCELLANEOUS (a) If any part of these Conditions of Business be held unenforceable, the remaining parts shall remain in full force and effect

b) These Conditions of Business shall be interpreted in accordance with English Law under the exclusive jurisdiction of the English Courts, in favour of The Company.

CONDITIONS OF BUSINESS FOR BUYERS

1. INTRODUCTION(a) The contractual relationship of Catherine Southon Auctioneers & Valuers Ltd and Sellers with prospective Buyers is governed by:

(i) these Conditions of Business for Buyers;

(ii) the Conditions of Business for Sellers displayed in the saleroom and available from Catherine Southon Auctioneers & Valuers Ltd;

(iii) any additional notices and terms printed in the sale catalogue, in each case as amended by any saleroom notice or auctioneer’s announcement

(b) As auctioneer, Catherine Southon Auctioneers & Valuers Ltd acts as agent for the Seller. Occasionally, Catherine Southon Auctioneers & Valuers Ltd may own or have a financial interest in a lot

2. DEFINITIONS “Bidder” is any person making, attempting or considering making a bid, including Buyers;

“Buyer” is the person who makes the highest bid or offer accepted by the auctioneer, including a Buyer’s principal when bidding as agent;

“Seller” is the person offering a lot for sale, including their agent, or executors;

“THE COMPANY” means Catherine Southon Auctioneers & Valuers Ltd, registered office: Lygon House, 50 London Road, Bromley BR1 3RA. Company Registration number: 08020183;

“Buyer’s Expenses” are any costs or expenses due to Catherine Southon Auctioneers & Valuers Ltd from the Buyer;

“Buyer’s Premium” is the commission payable by the Buyer on the Hammer Price at the current rate of 21.6% (inc VAT);

“Hammer Price” is the highest bid for the Property accepted by the auctioneer at the auction or the post auction sale price;

“Purchase Price” is the Hammer Price plus applicable Buyer’s Premium and Buyer’s Expenses;

“Reserve Price” (where applicable) is the minimum Hammer Price at which the Seller has agreed to sell a lot

The Buyer’s Premium, Buyer’s Expenses and Hammer Price are subject to VAT, where applicable

3. EXAMINATION OF LOTS (a) THE COMPANYs knowledge of lots is partly dependent on information provided by the Seller and THE COMPANY is unable to exercise exhaustive due diligence on each lot. Each lot is available for examination before sale. Bidders are responsible for carrying out examinations and research before sale to satisfy themselves over the condition of lots and accuracy of descriptions

(b) All oral and/or written information provided to Bidders relating to lots, including descriptions in the catalogue, condition reports or elsewhere are statements of THE COMPANY’s opinion and not representations of fact. Each lot is sold by the Seller with any and all errors of description, faults and imperfections. All weights and measurements are approximate and should not be relied upon as fact. Estimates may not be relied on as a prediction of the selling price or value of the lot and may be revised from time to time at THE COMPANY’s absolute discretion

4. EXCLUSIONS AND LIMITATIONS OF LIABILITY TO BUYERS(a) THE COMPANY shall refund the Purchase Price to the Buyer in circumstances where it deems that the lot is a Counterfeit

(b) Subject to Condition 4(a), neither THE COMPANY nor the Seller: (i) is liable for any errors or omissions in any oral or written information provided to Bidders by THE COMPANY, whether negligent or otherwise; (ii) gives any guarantee or warranty to Bidders and any implied warranties and conditions are excluded (save in so far as such obligations cannot be excluded by English law), other than the express warranties given by the Seller to the Buyer (for which the Seller is solely responsible) under the Conditions of Business for Sellers; (iii) accepts responsibility to Bidders for acts or omissions (whether negligent or otherwise) by THE COMPANY in connection with the conduct of auctions or for any matter relating to the sale of any lot

(c) Without prejudice to Condition 4(b), any claim against THE COMPANY and/ or the Seller by a Bidder is limited to the Purchase Price for the relevant lot. Neither THE COMPANY nor the Seller shall be liable for any indirect or consequential losses

(d) Nothing in Condition 4 shall exclude or limit the liability of THE COMPANY or the Seller for death or personal injury caused by the negligent acts or omissions of THE COMPANY or the Seller

con t i nued ove r page

5. BIDDING AT AUCTION(a) THE COMPANY has absolute discretion to refuse admission to the auction. Before sale, Bidders must complete a Registration Form and supply such information and references as THE COMPANY requires. Bidders are personally liable for their bid and are jointly and severally liable with their principal, if bidding as agent (in which case THE COMPANY’s prior and express consent must be obtained)

(b) THE COMPANY advises Bidders to attend the auction, but THE COMPANY will endeavour to execute absentee written bids provided that they are, in THE COMPANY’s opinion, received in sufficient time and in legible form

(c) When available, written and telephone bidding is offered as a free service at the Bidder’s risk and subject to THE COMPANY’s other commitments; THE COMPANY is therefore not liable for failure to execute such bids. Telephone bidding may be recorded

6. IMPORT, EXPORT AND COPYRIGHT RESTRICTIONSTHE COMPANY and the Seller make no representations or warranties as to whether any lot is subject to import, export or copyright restrictions. It is the Buyer’s sole responsibility to obtain any copyright clearance or any necessary import, export or other licence required by law, including licenses required by law under the International Trade in Endangered Species (CITES)

7. CONDUCT OF THE AUCTION(a) The auctioneer has discretion to refuse bids, withdraw or re-offer lots for sale (including after the fall of the hammer) if (s)he believes that there may be an error or dispute, and may also take such other action as (s)he reasonably deems necessary.(b) The auctioneer will commence and advance the bidding in such increments as (s)he considers appropriate and is entitled to place bids on the Seller’s behalf up to the Reserve Price for the lot, where applicable

(c) Subject to Condition 7(a), the contract between the Buyer and the Seller is concluded on the striking of the auctioneer’s hammer

(d) Any post-auction sale of lots shall incorporate these Conditions of Business

8. PAYMENT AND COLLECTION(a) Unless otherwise agreed in advance, payment of the Purchase Price is due in pounds sterling immediately after the auction (the “Payment Date”)

(b) Title in a lot will not pass to the Buyer until THE COMPANY has received the Purchase Price in cleared funds. THE COMPANY will generally not release a lot to a Buyer before payment. Earlier release shall not affect passing of title or the Buyer’s obligation to pay the Purchase Price, as above

(c) The refusal of any licence or permit required by law, as outlined in Condition 6, shall not affect the Buyer’s obligation to pay for the lot, as per Condition 8(a)

(d) The Buyer must arrange collection of lots immediately after the sale on the day of the auction, or until 12noon on the day after the auction; failing this, only on prior agreement, a mutually convenient day agreed by The Company and the Buyer. Purchased lots are at the Buyer’s risk from the earlier of (i) collection or release to a nominated carrier (ii) 5 working days after the auction. Until risk passes, THE COMPANY will compensate the Buyer for any loss or damage to the lot up to a maximum of the Purchase Price actually paid by the Buyer. THE COMPANY’s assumption of risk is subject to the exclusions detailed in Condition 5(d) of the Conditions of Business for Sellers.

(e) All packing and handling of lots is at the Buyer’s risk. THE COMPANY will not be liable for any acts or omissions of third party packers or shippers

9. REMEDIES FOR NON-PAYMENTWithout prejudice to any rights that the Seller may have, if the Buyer without prior agreement fails to make payment for the lot within 5 working days of the auction, THE COMPANY may in its sole discretion exercise 1 or more of the following remedies:-

(a) store the lot at its premises or elsewhere at the Buyer’s sole risk and expense;

(b) cancel the sale of the lot;

(c) set off any amounts owed to the Buyer by THE COMPANY against any amounts owed to THE COMPANY by the Buyer for the lot;

(d) reject future bids from the Buyer;

(e) charge interest at 4% per annum above NatWest Bank Base Rate from the Payment Date to the date that the Purchase Price is received in cleared funds;

(f) re-sell the lot by auction or privately, with estimates and reserves at THE COMPANY’s discretion, in which case the Buyer will be liable for any shortfall between the original Purchase Price and the amount achieved on re-sale, including all costs incurred in such

re-sale;

(g) Exercise a lien over any Buyer’s Property in THE COMPANY’s possession, applying the sale proceeds to any amounts owed by the Buyer to THE COMPANY. THE COMPANY shall give the Buyer 14 days written notice before exercising such lien;

(h) commence legal proceedings to recover the Purchase Price for the lot, plus interest and legal costs;

(i) disclose the Buyer’s details to the Seller to enable the Seller to commence legal proceedings

10. FAILURE TO COLLECT PURCHASES(a) If the Buyer pays the Purchase Price but does not collect the lot within 10 working days of the auction, the lot will be stored at the Buyer’s expense and risk at THE COMPANY’s premises or in independent storage

(b) If a lot is paid for but uncollected within 1 month of the auction, following 60 days written notice to the Buyer, THE COMPANY will re-sell the lot by auction or privately, with estimates and reserves at THE COMPANY’s discretion. The sale proceeds, less all THE COMPANY’s costs, will be forfeited unless collected by the Buyer within 2 years of the original auction

11. DATA PROTECTION(a) THE COMPANY will use information supplied by Bidders or otherwise obtained lawfully by THE COMPANY for the provision of auction related services, client administration, marketing and as otherwise required by law

(b) By agreeing to these Conditions of Business, the Bidder agrees to the processing of their personal information and to the disclosure of such information to third parties world-wide for the purposes outlined in Condition 11(a) and to Sellers as per Condition 9(i)

12. MISCELLANEOUS(a) All images of lots, catalogue descriptions and all other materials produced by THE COMPANY are the copyright of THE COMPANY

(b) These Conditions of Business are not assignable by any Buyer without THE COMPANY’s prior written consent, but are binding on Bidders’ successors, assigns and representatives

(c) The materials listed in Condition 1(a) set out the entire agreement between the parties

(d) If any part of these Conditions of Business be held unenforceable, the remaining parts shall remain in full force and effect

(e) These Conditions of Business shall be interpreted in accordance with English Law, under the exclusive jurisdiction of the English Courts, in favour of THE COMPANY.

13. ARTISTS’ RESALE RIGHTSFrom 14th February 2006 all UK art market professionals (which includes, but is not limited to; auctioneers, dealers, galleries, agents and other intermediaries) are required to collect a royalty payment for all works of art that have been produced by living artists. This payment is only calculated on qualifying works of art which are sold for a hammer price more than the UK sterling equivalent of EURO 1,000 – the UK sterling equivalent will fluctuate in line with prevailing exchange rates, for an estimate of the current UK sterling equivalent, please refer to the front of this catalogue.

It is entirely the responsibility of the buyer to acquaint himself with the actual EURO to UK Sterling exchange rate on the day of the sale in this regard. The actual qualifying threshold will be calculated by the Artist’s Resale Right Service Hub based on the European Central Bank reference rate published at 2.15pm on the day of the sale, and can be found on www.dacs.org.uk.

All items in this catalogue that are marked with ‡ are potentially qualifying items, and the royalty charge will be applied if the hammer price achieved is more than the UK sterling equivalent of EURO 1,000. The royalty charge will be added to all relevant invoices, and must be paid before items can be cleared. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’), no handling costs or additional fees with respect to these charges will be retained by the auctioneer.

The royalty charge that will be applied to qualifying items which achieve a hammer price of more than the UK sterling equivalent of EURO 1,000, but less than the UK sterling equivalent of EURO 50,000 is 4% payable by the buyer. For qualifying items that sell for more than the UK sterling equivalent of EURO 50,000 a sliding scale of royalty charges will apply – for a complete list of the royalty charges and threshold levels, please see www.dacs.org.uk. There is no VAT payable on this royalty charge.

For all questions relating the regulations regarding Droit de Suite royalty charges, please see www.dacs.org.uk, telephone +44 (0) 845 410 3410, or email [email protected].


Ripley Arts Centre, 24 Sundridge Avenue,

Bromley BR1 2PX Tel: 0208 313 3655

07596 332 978www.catherinesouthon.co.uk

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