“IDENTITY”

THE AMENDED SCRIPT- EXTRA SCENES

By

Allure Animations

Directed By

Ellie Morphew

Chloe Hammond

Olivia Gascoine

2

THE HUSBAND (RYAN)

THE INVESTIGATOR (ALEX)

SHOT (1) - SHOT TYPE- OVER THE SHOULDER SHOT

OF ALEX REVEALING RYAN

SUB SHOT OF RYAN LOOKING WORRIED TAPPING FINGERS, SIGHING

ETC

Dialogue- I woke up and she was gone. Just

gone. You’ve got to find my wife…You need to

find out where she’s gone, track her down do

what you ever you have to do just find her,

please.

SHOT (2) - SHOT TYPE- VOICEOVER SHOT, ALEX

Dialogue- On the night prior to youdiscoveringyour wife was

missing was she acting strangely or out of character at

all. Think back Mr. Miller about the events of that day and

how your wife was behaving.

SHOT (3) - SHOT TYPE- SHOT REVERSE SHOT

Dialogue- No, no nothing! She was fine and I thought we

were happy. I don’t know would she do this to me?

SHOT (4) - SHOT TYPE- EXTREME CLOSE UP OF ALEX’S

LIPS. THEN MID SHOT OF ALEX

Dialogue- I need you to be entirely honest and open for me

to be able to carry out my standard investigation protocols

and to increase the chances of me being able to track down

your wife and ensure she is safe. (SHORT PAUSE) How long

have you and Mrs Miller been married?

SHOT (5) - SHOT TYPE-SHOT REVERSE SHOT TO RYAN

Dialogue- 4 years. 4 happily married years.

I’ve known Mia since we were teens, we did

everything together we were happy. Although…

SHOT (6) - SHOT TYPE- SHOT REVERSE SHOT BACK TO

ALEX

Dialogue- Although what?

3

SHOT (7) - SHOT TYPE-CLOSE UP FOCUS ON RYANS HANDS

Dialogue- She has seemed distant lately

SHOT(8) - SHOT TYPE- CALM UP OF ALEX’S CALM HANDS

Dialogue- Distant how exactly?

SHOT (9) - SHOT TYPE- SIGHS BEGINS TO GET ANGRY-

WIDE SHOT SHOWING ALEX’S SILHOUETTE RYAN WALKING

AROUND. THEN CUT TO EXTREME CLOSE UP OF HIS FACE

Dialogue- I don’t know. Uh, she’s just not

been herself recently, coming home from work

slightly later than usual, not always eating

dinner with me and I’ve caught her a few

times making phone calls discretely but I’ve

always just shrugged it off. Look, I didn’t

think it was anything to worry about.

(PAUSE) Until now.

SHOT (10) - SHOT TYPE- CLOSE UP OF ALEX FACE

Dialogue- Okay. (SHORT PAUSE) (SHOT SHOWS

HIM THINKING TAKING IN THE EVIDENCE) So did

you ever argue or disagree on anything in

the last few weeks of your wife being at

home. I need you to think back, think back

to the last few days, weeks or even months

with your wife.

SHOT (11) - SHOT TYPE-LOW ANGLE SHOT OF TABLE AND

BOYS

Dialogue- we did have one argument. I was

just so angry at her… (Continue with script

between poppy and Ryan)

SHOT (12) - SHOT TYPE- LOW ANGLE SHOT OF TABLE AND

BOYS

Dialogue- Mr. Miller I have collected

together the documents I have been able to

access including some bank statements,

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places she has been seen in and other

documents suggesting her whereabouts.

SHOT (13) - SHOT TYPE- MID SHOT. CLOSE UP OF

DOCUMENTS OUT OF MAC CASE. ALEX PLACES DOCS ON

TABLE. AERIAL ANGLE. (BOOM SOUND EFFECT) PLACES

EXHIBIT ON THE TABLE CLOSE UP STRIAGHT SHOT.

CLOSE UP OF ALEX’S EYES AND TALKING FIRST SENTENCE

Dialogue- fromexhibit one I was able to find

some significant evidence in locating Mrs

Miller.

SHOT (13) - SHOT REVERSE SHOT OVER RYAN’S SHOULDER

She was caught on several CCTV footage

series in Central London on the 11th of

January. (READS OUT TO RYAN) First bank

statement; 11 hundred hours transaction for

one single room to The Mayfair hotel on

Stratton Street.

SHOT (13) - CLOSE UP OF ALEX’S FINGERS RUNNING DOWN

BANK STATEMENT

13th January 17 hundred hours £275 payment to

Selfridges located on Oxford Street. (STATE VARYING

PAYMENTS TO HOTELS AND SHOPS THEN MUMOUR IN EDITING

CUTTING TO SHOT OF RYAN AND PAN SHOT ROUND HIS

HEAD)

SHOT (13) - AERIAL ANGLE

Exhibit 2

SHOT (13) - OVER THE SHOULDER SHOT OF RYAN

This last detail may be quite shocking for you.

Your wife transacted £10,000 through to an

individual’s account. The receiver of the money was

initially an unidentifiable identity however we

have discovered the payment went into an

individual’s name under the name of Ms Mia Bramley.

5

SHOT (14) - SHOT TYPE- SHOT REVERSE SHOT OVER THE

SHOULDER

Dialogue- (INTERUPTS) Bramely? Mia

Bramley. Who is this woman? Why has

she taken my money?

SHOT (15) - SHOT TYPE- CLOSE UP OF ALEX’S HAND

Dialogue- Wait. Let me finish.

SHOT (15) - SHOT TYPE- AERIAL ANGLE OF EXHBIT 4

Exhibit 4

SHOT (15) - SHOT TYPE- MID SHOT OF ALEX

on the 23rd January 13 hundred hours a further

£13,000 pounds was taken from your bank account and

transacted directly to Ms Mia Bramleys account.

These funds were then almost immediately drawn out

at an ATM machine on Bond Street in West London. I

know this is a lot to take in but I’ve managed to

retrieve some CCTV footage of Ms. Bramely drawing

out the money. However I am yet to identify her

record on our databases. It seems her identity is

somewhat being concealed. Look at this image, do

you recognize this woman?

SHOT (16) - SHOT TYPE- SHOT OF ALEX OPENING MAC

SCREEN. SHOT REVERSE SHOT OF A MAC SCREEN OPENING

FROM BEHIND AND FRONT. RYANS VOICEOVER

Dialogue- I don’t know any of

Blake’s friends, or distant

relatives. I won’t be able to tell

you who it is or if it’s a complete

stranger. I won’t be able to... WAIT

that’s Blake? That’s my wife I know

it is.

6

SHOT (17) - SHOT TYPE- POINT OF VIEW OF POWERPOINT

SCREEN.

Dialogue- What this exhibit shows is that your wife

in question Mrs. Miller seems to be impersonating a

false identity and has fraudulently assumed by the

name of Ms Bramley thuscarrying out identity theft.

Mr. Miller, this is a very serious crime and could

account to your wife being prosecuted and sent to

jail.

SHOT (18) - SHOT TYPE- CLOSE UP OF RYANS FACE.

CAMERA PANS TO SHOW HIM WALKING OUT

Dialogue- Fraudulent? Identity? What

Why. And my money… all of my money

(hands into head) She’s betrayed me.

(RYAN STORM OUT)