Al Mann - The Marks of Saint Germain

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Mentalism

Transcript of Al Mann - The Marks of Saint Germain

  • Tel. 304-947-7730 P.O. Box 155 Great Cacapon, WV 25422

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    'IlIE AME

    MAJOR ARCliliA

    SERIES

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  • Tel. 304-947-7730 P.O. Box 155

    THE AHE ESTA'tE AT

    RIVER RIDGE, W.VA.

    Great Cacapon, WV 25422

    8/1/94

    Three of sough tat the the Count de much gold and

    THE MARKS OF SAINT GERMAIN Copyright by AME 1994

    the fourteen thousand seven hundred arcane secrets

    Temple of Mystery of the Count de Saint Germain by

    Cagliostro and other seekers was the aquisition of

    how to make it, immortality and 'signs.'

    Saint-Germain, the 2000 year old wizard who would never die,

    who knew everything and could write with both hands at the same

    time, was rumored to be the Wandering Jew. Others said he was John

    the Baptist. He was master of the art of stigmata. It is said

    that a flaming rod of fire wrote on the flesh of his arm and

    produced blood red letters and messages.

    He was blessed by 'touches.' The sign of the cross appeared

    on the palm of his hand in a holy white color!

    One can only wonder what was written in the books that were

    burned by Saint Paul at Ephesus some two thousand years ago. The

    magicians burned their books but their memory was not erased.

    They surely did not forget their pet tricks for which they were

    known.

    We can Germain was Babylonia.

    safely say that what contemporary with

    we know about the the Writting On

    Marks of St. The Wall at

    The art has survived and was known

    It appears that this amazing and bizzare

    has been sadly overlooked and all but

    Miracle Workers.

    by 19th century mediums. display of psychic energy forgotten by present day

    We, the modern day illuminatti duplicate the feats of

    Saint-Germain thusly:

    The reader already knows about skin writing, called

    dermography. You dampen your left forearm and then sprinkle it

    with salt. Dry off the skin and write letters on your forearm

    with your thumb nail pressing down hard. After a few minutes you

    rub your forearm with your right hand and the letters appear blood

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  • red. This works best with light skin persons.

    "SIGNS!" What the sitter sees: The Mystery man cleans his

    hands dry and then places a clean and examined slate over his left

    palm. He then picks up a piece of chalk with his right hand and

    places a chalk mark on the top surface of the slate in full view

    of the sitter. The Mystery Man then invokes the good spirits to

    show him a sign. Upon removal of the slate, the same white mark is

    seen on the skin of the left palm!

    The test may be repeated and two and three marks can be used.

    White marks can be made to appear on the back of the hand and even

    on the palm of the sitter! And as a final test the sign of the

    Cross appears on the Psychic's left palm.

    PREPARE: By having your wife or girl friend (or both) give

    you a manicure. The finger nails must be trimmed to a medium

    length. Not too short and not too long. Squared rather than

    pointed. Have the ladies treat the under nails with whiting, so

    that your hands look decent and well groomed.

    From the drug store get a tube of zinc oxide ointment. From

    your stationery get some soft chalk and some sticks of white

    correction chalk.

    You will also need a slate or a slate flap, or a black book.

    These should cover your hand, about 7 by 9 inches. Any cover will

    do but since you are using chalk, you should use a slate.

    BEFORE THE SHOW: Fill correction chalk the spaces Clean off any excess with look the same as before. to see the best method to tr ick also.

    up with zinc oxide ointment or white

    under your fingernails of both hands.

    a paper napkin and your fingers will

    The reader should experiment in private

    use. Some very soft chalk will do the

    NOW THE ULTRA SECRET: If you curl up the ring finger of your

    left hand (or right hand if you are left handed) and dig it into

    your left palm and then remove the finger, there will be a white

    mark left on your palm about 3/4 inch long! See Fig. I and 2.

    Fig. I Fig. 2

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  • NOTE: The mediums used soft chalk insteasd of the zinc oxide. Soft chalk works also except that the zinc oxide ointment never fails and makes a solid mark. The reader should try using soft chalk and use what suits him best.

    You should only pepare as many finger as needed. For making the marks one to three, for example, prepare only the fingers of your left hand or the right handed if you are lefthanded.

    A little practice will teach you just how much zinc oxide ointment to use and just how much to press your nail into the palm. Sometimes a light pressure is best as it will leave a solid white mark.

    THE TEST: Speak to the sitter about stigmata and how the saints bled from mysterious wounds in the hands and feet. You may show the sitter some blood writing. Offer to try something strange and proceed to do te Marks of Saint Germain.

    First make only one mark appear on your left palm, Fig. 2. If you intend to repeat the effect use first the little finger to make the first mark appear.

    NOTE: THE PREPARED FINGER TIPS CAN ONLY BE USED ONCE.

    Repeat by making three marks appear using the index, middle and ring fingers, Fig. 3.

    Fig. 3

    TO MAKE THE MARKS APPEAR ON THE SITTER'S HAND: Prepare the left thumb with soft chalk. (Do not use zinc oxide as the sitter may discover your secret.) Take the sitter's right hand with your left hand BUT keep the thumb tip hidden behind her hand. Do not flash the thumb nail. Do a bit of palm reading and then take the sitter's right hand and hold it pressing your left thumb into her palm and cover her hand right away with the slate. The mark is left on the sitter's palm and the deed is done.

    TO MAKE THE MARK APPEAR ON THE BACK OF YOUR LEFT HAND. Use the right middle finger to place the mark on the back of your left hand in the act of covering the hand with the slate. You and the sitter expect the mark to appear in your palm BUT to your surprise the psyhvic forces propelled it to the back of your hand!

    NOTE: When you show the mark on the back of your hand, curl your fingers into a fist so that the finger tips are not seen. Never give the sitters a chance to solve the mysteries.

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  • THE CROSS: The cross is made to appear on the palm of your

    left hand by the use of two fingers. The ring finger of the left

    hand and the first finger of the right hand.

    For making the croos it is better to use the white correction

    chalk or a good soft chalk.

    Under cover of the slate, after you have shown the palm clean, curl your left ring finger into the left palm at the place between the head line and the life line. This is shown in Fig. 2. That will make

    one line of the cross. Note that the line forms an "A" with the line of the head and the line of life. Then while holding the slate, you extend the first finger of your right hand as shown in Fig. 4 and dig it into the left palm to complete the cross. Fig. 4 shows the unseen side of the slate.

    The above moves are covered by the

    slate. Hold the slate almost vertical in

    front of the sitters line of sight and

    state that the sitter has already

    examined the slate and found it to be

    clean. This action hides the making of

    the first mark and allows you to make the

    cross with the extended finger of the

    right hand behind the slate.

    Fig. 4

    Since the slate is held in an almost vertiacl position, you

    will be able to see behind it and see that the cross is formed

    correctly. After you have practiced making the cross a few times

    you will be able to do it without looking at your palm.

    NOTE: The reader may find something better to use than the

    zinc oxide ointment. It is well to experiment. At present I am

    using zinc oxide and the soft chalk.

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  • Tel. 304-947-7730 P.O. Box 155 Great Cacapon, WV 25422

    '7oacne.&, I'V ste~~ SItfA.(//

    7/16/94

    Steve Shaw of Houston Texas, is well known worldwide as one of the stars in Randi's Alpha Project Sting. Steve is in the big league when it comes to metal bending. In fact he is the best.

    Steve and family visited the AME Estate and confided in me that he is bringing in mega bucks doing seance work. Steve is a Medium that excels in dramatising his magic in the seance room in a most impressive manner. He performs "touches" in all his shows.

    Thirteen shut-eye seekers sit around the seance table. Steve preforms all manner of weird tests especially the Land D test done in a trance with tears and sobs, trembling, fainting, etc.

    Among the tests, he performs ntouches. n One person is chosen and is told to close his or her eyes and to keep them closed until the test is over. (Let's call this person #1). Steve makes passes over the person and also hypnotic suggestions. Passes are made over the head, shoulders arms and hands, the back and the front of the body. Steve sort of dances around the person jumping from left to right and back again, prancing dramatically to the morbid delight of the rest of the sitters. Then he runs to the opposite side of the table. Touches the person there twice on the shoulder so that all the sitters can see.

    Next he makes most dramatic gestures with his arms and hands and body, of throwing his psychic energies at person #1 across the table. He then asks the #1 person in a loud voice. "Did you feel anything. nYes!n says No.1 person. nI felt two taps on my shoulder."

    Weird? Of course! What the sitters did not see was that Steve, while making passes around the #1 sitter manages to touch him or her twice on the shoulder without anyone else being aware of it

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