149223510 Echoes and Silence Patience and Grace Book Foo Fighters

7/21/2019 149223510 Echoes and Silence Patience and Grace Book Foo Fighters

1/95

Intro

Fast Rock q= 175 Half-time feel

The PretenderWords and Music by Dave Grohl, Taylor Hawkins, Christopher Shiflett and Nate Mendel

from Foo Fighters -Greatest Hits

Copyright 2007 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC,I LOVE THE PUNK ROCK MUSIC and FLYING EARFORM MUSIC

All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.

All Rights for FLYING EARFORM MUSIC Administered by BUG MUSICAll Rights Reserved Used by Permission

Gtr. 1 (clean)

mf

Riff A

let ring throughout

*Am('9)

11

A5

Asus2/B Am/C Am D9/F#

*Chord symbols reflect implied harmony.

F,7 End Riff A

1/2

Keep

VerseGtr. 1: w/ Riff A (1 1/2 times)

1.

Am('9)

you in the dark. You

Asus2/B

know

Am/C

they

Am

all

D9/F#

pre tend.

F,7

-

Keep

Am('9)

you in the dark, and

Asus2/B

so

Am/C

it

Am

all

D9/F#

be gan.

F,7

-

End half-time feel

Gtr. 1

Fill 1 End Fill 1

1/2

010

910

710

910

07

0

910

8

0

910

0

0

910

9

910

910

9 9 9 810

910

010

910

910

910

9 9 9 810

9

010

Digital Conversion 2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o

1


2/95

InterludeGtr. 1 tacet

A5

Gtr. 2: w/ Riff B (16 times)

Verse

Am

Send2. in your skel e- tons.- Sing as their bones

*Gtr. 2 (dist.)

Riff B

mf

End Riff B Rhy. Fig. 1

**Gtr. 3 (dist.)

mf

*Doubled throughout **Doubled throughout

come march ing- in

D/F#

a gain.-

F Fsus2

End Rhy. Fig. 1

Gtr. 3: w/ Rhy. Fig. 1

Am

The need you bur ied- deep, the se crets- that you keep are

at

D/F#

the read y.- Are

F

you read

Fsus2

y?

-

G5

Gtr. 3

Rhy. Fig. 2 End Rhy. Fig. 2


Am

Im fin ished- mak ing- sense, done plead ing- ig no- rance,- that old

50

50

52

50

53

50

55

50

50

50

52

50

53

50

55

02210

02210

02210

02210

02210

02210

02210

02210

02210

02210

02210

02210

20023

20023

20023

20023

20023

20023

13321

13321

13321

13321

1330

1330

20023

20023

20023

20023

20023

20023

13321

13321

13321

13321

1330

1330

1330

0 355

0

Digital Conversion 2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.

2


3/95


D/F#

de fense.-

F Fsus2

G5

Gtr. 4 (dist.)

Riff C

mfsteady gliss.


Am

Spin ning- in fin- i- ty,- but

the wheel is spin ning- me. Its

P.M.

nev


D/F#

er- end- ing,- nev

F

er- end

Fsus2

- ing.-

G5

P.M.

Same

D5

old

Dsus2

sto

D

ry.

Dsus4

- What

Chorus

Am

if I

Am('9)

say

Am

Im not

Am('9)

like the oth

Am

ers?-

Am('9)

Gtr. 4

End Riff C

*Gtr. 5 (dist.)

Rhy. Fig. 3A

*Doubled throughout

Gtr. 3

Fill 2 End Fill 2 Rhy. Fig. 3

Gtrs. 3 & 4

15

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 1 1 1 1 1 1 1 1 1 1 1 1 1 0 3 0

000

000

000

000

0109

010

0109

010

0109107

0109107

0109

010

0109

010

0109

010

0109

107

0109107

0109107

0109107

0109

107

0109

010

0109

010

0109107

0109107

507

507

507

507

07

907

907

907

909

1109

1109

1109

11010

12010

120

10

120

10

12

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7


3


4/95

1To Coda

2To Coda

What if I

Am/B

say Im

Am/C

not just

Am

an oth- er- one

D9/F#

of your plays?

Youre the pre tend- er.-

What

F,7

if I say I will

nev er- sur

ren- der?-

What

1st time, Gtr. 3: w/ Rhy. Fig. 3 (1st 6 meas.)1st & 2nd times, Gtrs. 4 & 5: w/ Rhy. Figs. 3 & 3A2nd time, Gtr. 3: w/ Rhy. Fig. 33rd time, Gtr. 3: w/ Rhy. Fig. 3 (3 times)3rd time, Gtr. 4: w/ Rhy. Fig. 3 (2 7/8 times)3rd time, Gtr. 5: w/ Rhy. Fig. 3A (3 times)

Am

if I

Am('9)

say

Am

Im not

Am('9)

like the oth

Am

ers?-

Am('9)

End Rhy. Fig. 3A

End Rhy. Fig. 3

What if I

Am/B

say Im

Am/C

not just

Am

an oth- er- one

D9/F#

of your plays?


What

F,7

if I say I will

nev er- sur

ren- der?-

A5

Gtr. 3

w/ slight dist.

0109

010

0109

010

7X109

010

7X109

010

7X109

010

7X109

010

8X109

010

8X109

010

8X109

010

8X109

010

0109

010

0109

010

0109

010

0109

010

9109

010

9109

010

9109

010

9109

010

9109

010

9109

010

9109

010

9109

010

9109

010

9109

010

9109

010

9109

010

9109

010

9109

010

9109

010

9109

010

9109

010

9109

010

5X7

5X7

7X9

7X9

7X9

7X9

8X10

8X10

8X10

8X10

5X7

5X7

5X7

5X7

25

25

25

25

25

25

25

25

25

25

25

25

25

25

25

25

25

25

8109

010

8109

010

8109

010

8109

010

8109

010

8109

010

8109

010

8109

010

8109

010

8109

010

8109

010

8109

010

8109

010

8109

010

8109

010

8109

010

133

133

133

133

133

133

133

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133

133

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133

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133

02

02

04

0 05

0 07

02

02

04

0 05

0 07


4


5/95

D.S. al Coda 1

1Coda

Gtr. 2: w/ Riff B (8 times)Gtr. 3: w/ Rhy. Fig. 1

Verse

Am

In3. time, or so Im told, Im just an oth- er- soul for sale.


D/F#

Oh, well.

F

Fsus2Gtr. 4: w/ Riff C

G5

Am

The page is out of print. We are not per ma- nent,- were

Gtr. 3

tem

D/F#

po- rar- y,- tem

F

po- -

rar

Fsus2

y.-

G5

Same

D5

old

Dsus2

sto

D

ry.

Dsus4

-

nev er- sur

ren- der?-

Gtr. 3: w/ Fill 2

D5 Dsus2 D

Dsus4

0221

0

0221

0

0221

0

0221

0

0221

0

0221

0

0221

0

0221

0

0221

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0221

0

0221

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0221

0

0221

0

0221

0

0221

0

0221

0

0221

0

0221

0

0221

0

0221

0

0221

0

0221

0

0221

0

0221

0

0221

0

0221

0

0221

0

0221

0

0221

0

0221

0

0221

0

0221

0

20023

20023

20023

20023

20023

20023

20023

20023

20023

20023

20023

20023

20023

20023

20023

20023

13321

13321

13321

13321

13321

13321

13321

13321

1330

1330

1330

1330

1330

0 355

0507

507

507

507

07

907

907

907

909

1109

1109

1109

11010

12010

120

10

120

10

12


5


6/95

Interlude

A5

Im

Gtr. 3

Riff D

w/ slight dist.

P.M.

P.M.

P.M.

P.M.

End Riff D

Gtr. 4

Rhy. Fig. 4

P.M. P.M. P.M. P.M. P.M. P.M.

End Rhy. Fig. 4

BridgeGtr. 3: w/ Riff DGtr. 4: w/ Rhy. Fig. 4 (2 times)

A5

the voice in side- your head (that) you re fuse- to hear.

Im

Gtr. 5

w/ flanger

the face that you have to face, mir rored- in your stare. Im

Gtr. 3

P.M.

P.M.

P.M.

P.M.

Gtr. 5

02

0 04

0 05

0 07

02

02

04

0 05

0 07

02

0 04

0 05

0 07

02

02

04

0 05

0 07

02

02

02

02

02

02

02

022

022

022

022

022

022

022

02

02

02

02

02

02

02

022

022

022

022

022

022

022

02

02

02

0 04

0 05

0 07

02

02

04

0 05

0 07

02

0 04

0 05

0 07

02

02

04

0 05

0 07

07

02

02


6


7/95

A5

whats left. Im whats right. Im the en e- my.- Im

Gtr. 3

let ring let ring let ring let ring

Gtr. 4

P.M. P.M. P.M. P.M. (cont. in slashes)

Gtr. 5

Gtr. 4

P.M. P.M. P.M. P.M.

A5

the hand that will take you down,

bring you to your knees.

So who

Gtr. 3

let ring let ring let ring let ring

Gtr. 5

010

010

09

0 07 5

0 010

010

09

0 07 5

0 010

010

09

0 07 5

0 010

010

09

0 07 5

0 012

022

022

022

022

022

022

022

022

022

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022

022

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022

022

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022

022

022

022

022

022

02

02

02

012

012

010

0 09 10

0 012

012

010

0 09 10

0 012

012

010

0 09 10

0 012

012

010

0 09 10

0 014

02

02

02


7


8/95

D.S. al Coda 2

End half-time fee


w/ dist

are you? Yeah, who are you? Yeah, who

w/ dist

*Gtr. 4: w/ Rhy. Fig. 5

are you?

Yeah, who are you?

*w/ dist. & delay (set for quarter-note regeneration w/ multiple decaying repeats).

Keep4.

Verse

Half-time feelGtr. 1: w/ Riff A (1st 6 meas.)

Gtrs. 3 & 5 tacet

Am('9)

you in the dark. You

Asus2/B

know

Am/C

they

Am

all

D9/F#

pre tend.

F,7

-

Gtr. 1: w/ Fill 1

014

014

12014

012

012

014

014

12014

012

012

014

014

120

14

012

012

014

014

12014

012

012

014

02

02

02

02

02

014

014 12 014

012

012

014

014 12 014

012

012

014

014 12 014

012

012

014

014 12 014

012

012

014

02

02

02

02


8


9/95

2Coda

What

Am

if I

Am('9)

say

Am

Im not

Am('9)

like the oth

Am

ers?-

Am('9)

What if I

Am/B

say Im

Am/C

not just

Am

an oth- er- one

D9/F#

(Keep

Voc. Fig. 1

you in the dark. You know they all

Gtr. 6 (dist.)

mf

of your plays?


What

F,7

if I say I will

nev er- sur

ren- der?-

pre tend.)-

End Voc. Fig. 1

Fill 3 End Fill 3

What

Bkgd. Voc.: w/ Voc. Fig. 1

Am

if I

Am('9)

say

Am

Im not

Am('9)

like the oth

Am

ers?-

Am('9)

What if I

Am/B

say Im

Am/C

not just

Am

an oth- er- one

D9/F#

Gtr. 6: w/ Fill 3

of your plays?


What

F,7

if I say I will

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

9X11

9X11

9X11

10X12

10X12

10X12

10X12

7X9

7X9

7X9

7X9

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

7X9

7X9

9X11

9X11

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

12X14

12X14

12X14

12X14

10X12

10X12

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

9X11

9X11

9X11

9X11

10X12

10X12

10X12

10X12

7X9

7X9

7X9

7X9

9X11

9X11


9


10/95

nev er- sur

ren- der?-

Gtr. 3: w/ Fill 2

D5 Dsus2 D Dsus4

So who

Gtr. 6

Gtr. 4

(cont. in slashes)

Gtr. 4

Gtr. 6 tacet

Outro

A5

are you?

Yeah, who are you?

Yeah, who

Gtr. 3

are who?

let ring let ring

10X12

10X12

10X12

10X12

10X12

10X12

000

000

5X7

5X7

5X7

5X7

7X9

7X9

7X9

7X9

9X11

9X11

9X11

9X11

10X12

10X12

10X12

10X12

1330

1330

1330

1330

1330

1330

1330

1330

012

02

02

04

0 05

0 07

02

02

04

0 05

0 07

07

02

02

04

0 05

0 07

02

02

04

0 05

07

07

010

010

09

0 07 5

0 010

010

09

0 07 5

09

7 07

07

07

07

07

07


10


11/95

Intro

Moderately q= 124

Let It DieWords and Music by Dave Grohl, Taylor Hawkins, Christopher Shiflett and Nate Mendel




from Foo Fighters - Echoes, Silence, Patience & Grace

Gtrs. 1 & 2 (acous.)

let ring throughout

w/ fingers

Riff A

* Bb6sus2

mf

Fadd2 Gsus2

13 4

G5

Bb6sus2 Fadd2 Gsus2

End Riff A


Bb6sus2

Fadd2 Gsus2

Bb6sus2

Fadd2 Gsus2

A1.

Riff B End Riff B

heart

Verse

Gtrs. 1 & 2: w/ Riff B (4 times)

Bb6sus2

of gold,

Fadd2

but it lost

Gsus2

its pride,

Bb6sus2

Fadd2 Gsus2

Beau

Bb6sus2

ti- ful- veins

Fadd2

and blood

Gsus2

shot- eyes.

Bb6sus2

Fadd2 Gsus2

Ive

8

86

0

8

07

05

05

5

5

30

8

86

0

8

07

05

05

53

05

8

86

0

8

07

05

05

5

5

30

8

86

0

8

07

05

05

53

05


1


12/95

seen

Bb6sus2

your face

Fadd2

in an oth

Gsus2

- er- light.

Bb6sus2

Fadd2 Gsus2

Whyd

Bb6sus2

you have to go

Fadd2

and let

Gsus2

it die?

Bb6sus2

Fadd2 Gsus2

Whyd

Bb6sus2

you have to go

Fadd2

and let

G

it die?

Gsus4

Whyd

Eb

you have to go

Gm

and let

Gsus4

it die?

G

Gm7

Gtr. 1

Riff C

Gtr. 2

Riff C1

In too deep

Fadd2

and out

G

of time.

Gsus4

Whyd

Eb

you have to go

Gm

and let

Gsus4

it die?

G

End Riff C

End Riff C1

8

86

0

8

07

0

10

80

9 100

10

8

13

110

130

80

120

10

80

120

90

8

8

86

0

8

07

0

10

80

9 100

100

13

110

130

80

120

10

80

90

10

08

60

80

8

07

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80

9 100

100

13

110

130

80

120

10

80

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90

0

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07

0

10

80

9 100

100

13

110

130

80

120

10

80

90

10

00


2


13/95

Bb6sus2

Interlude

Gtrs. 1 & 2: w/ Riff A

Fadd2 Gsus2

Bb6sus2

Fadd2 Gsus2

A2.

sim

Gtrs. 1 & 2: w/ Riff B (4 times)

Bb6sus2

Verse

ple- man

Fadd2

and his blush

Voc. Fig. 1Gsus2

in- bride.

(Whyd

Bb6sus2

you have to go

Fadd2

and let

Gsus2

it die?)

End Voc. Fig. 1

In

Bb6sus2

tra- ve-

Fadd2

ni- ous,- in


Gsus2

ter- twined.-

Bb6sus2

Fadd2 Gsus2

Hearts

Bb6sus2

gone cold,

Fadd2

your hands


Gsus2

were tied.

Bb6sus2

Fadd2 Gsus2

Whyd

Bb6sus2

you have to go

Fadd2

and let


Gsus2

it die?

Bb6sus2

Fadd2 Gsus2

Whyd

Gtrs. 1 & 2: w/ Riffs C & C1

Bb6sus2

you have to go

Fadd2

and let

G

it die?

Gsus4

Whyd

Eb

you have to go

Gm

and let

Gsus4

it die?

G

Gm7

In too deep

Fadd2

and out

G

of time.

Gsus4

Whyd

Eb

you have to go

Gm

and let

Gsus4

it die?

G

Do you ev -

Gtrs. 3 & 4 (elec.)

(Gtr. 4, cont. in slashes)w/ dist.

mf

355

355

355


3


14/95

Gtr. 4

Bridge

G5

er- think of me? Youre so con sid- er- ate.- Did you ev -

Gtr. 3

P.M. P.M.

Gtr. 4 tacet

Eb

er- think of me? Oh, so con sid- er- ate.- In

Gtr. 5 (elec.)

w/ clean tone

mf

Gtrs. 1 & 2

Gtr. 3

P.M. P.M.

355

355

355

355

355

355

355

355

355

355

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355

355

355

355

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355

6504

6

4

355

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355

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355

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355

355

355

355

355

355

355


4


15/95

Chorus

Gtr. 3 tacet

Eb

too deep and lost

Fadd2

in time.

Whyd

C

you have to

go and

Gtr. 5

Riff D2

Gtr. 1

Riff D

Gtr. 2

Riff D1

let

Dadd4

it die?

Beau

Eb

Gtrs. 1, 2 & 5: w/ Riffs D, D1 & D2 (2 times)

ti

- ful- veins and

blood

Fadd2

shot-

eyes.

Whyd

C

End Riff D2

End Riff D

End Riff D1

6

05

46

8

07

68

3201

3

6

40

56

64

0

6 8

60

86

3

10

13

10

2

6

43

53

65

35

3

8

65

8

65

8 3

01

2

1

3

01

23

5403

5

6504

3 5

30

53

0

6

4

3 5

24

24

2

5 6

4


5


16/95

you have to

go and let

Dadd4

it die?

Hearts

Eb

gone

cold and

Voc. Fig. 2

(Whoa.)

hands

Fadd2

are tied.

Whyd

C

you have to

go and let


Dadd4

it die?

Whyd

Eb

End Voc. Fig. 2

you

have to

go and let

Fadd2

it die?

Gtr. 5 tacet

Interlude

Bbsus2 Fadd2

Gtr. 5

Gtr. 1

Gtr. 2

*Gtrs. 3 & 4

Gtrs. 1 & 2 tacet

G Gsus4 Eb Gm7 Gsus4 G Gm7

*Composite arrangement

6

05

46

87

87

875

875

875

875

875

6

40

56

64

56 8

60

8

06

8

07 8

60

08

07

0

6

43

5 33 3 3

38

78

5 5

88

60

08

07

0

50

50

50

54

00

55

00

534

534

534

534

00

33

00

57

00

55

55

55

57

00

54

00

536


6


17/95

Fadd2 G

Gsus4 Eb

Gm7 Gsus4 G

Do3. you

ev

Gm7

-

Riff E End Riff E

Verse

Gtrs. 3 & 4: w/ Riff E

Gm7

er

- think

Fadd2

of me?

G

Youre

Gsus4

so

Eb

con

sid-

Gm7

er- ate.-

Gsus4 G

Did

you ev

Gm7

-

er

- think

Fadd2

of me?

G

Oh,

Gsus4

so

Eb

con

sid-

Gm7

er- ate.-

Gtrs. 3 & 4

Gsus4 G

In

Chorus

Eb5/Bb

too

deep and lost

F5/C

in time.

Whyd

Gtrs. 3 & 4

Gtr. 6 (elec.)

w/ dist.

mf

536

536

536

00

3 00

7 00

50

50

50

54

00

55

00

534

534

534

534

00

33

00

57

00

55

55

55

57

00

54

00

536

536

536

536

00

3 00

7 0 50

50

50

54

00

55

00

534

534

534

534

00

33

00

57

00

55

55

55

57

00

54

54

668

668

668

668

668

668

668

668

8810

8810

8810

8810

8810

8810

8810

000

10 668

668

668

668

668

668

668

668

8810

8810

8810

8810

8810

8810

8810

000


7


18/95

C5/G

you have to

go and let

D5/A

it die?

Beau

Gtrs. 3, 4 & 6: w/ Rhy. Fig. 1 (2 1/2 times)

Eb5/Bb

ti

- ful- veins and blood -

Gtrs. 3, 4 & 6End Rhy. Fig. 1

F5/C

- shot eyes.

Whyd

C5/G

you have to

go and let


D5/A

it die?

Hearts

Gtr. 5

w/ dist.

Eb5/Bb

gone

cold and hands

F5/C

are tied.

Whyd

C/G

you have to

go and

335

335

335

335

335

335

335

335

557

557

557

557

557

557

557

000

10 00

688

688

688

688

688

688

688

688

81010

81010

81010

81010

81010

81010

81010

81010

87

10

87

10

8710

8710

8710

8710

8710

87

10


8


19/95

let

D/A

it die?

Whyd

Eb5/Bb

you

have to go and let

F5/C

this die?

WhydScreamed:

(Whoa.)

Outro

Gtrs. 3 & 4: w/ Riff E (2 3/4 times)Gtr. 5 tacet

Gm7

you have to go

Fadd2

and let

G

this die?

Gsus4 Eb

Gm7 Gsus4 G

Whyd

Gm7

you have to go

Fadd2

and let

G

this die?

Gsus4 Eb

Gm7 Gsus4 G

Whyd

Gm7

you have to go

Fadd2

and let

G

this die?

Gsus4 Eb

Gm7

Gsus4 G

Whyd

Gm7

you have to go

Fadd2

and

let it die?

Gtrs. 3 & 4

109

12

10912

109

12

10912

10912

10912

10 00 6

88

688

688

688

688

688

688

688

81010

81010

81010

81010

81010

81010

55

55

55

57

00

54

00

536

536

536

536

00

3 00

7


9


20/95

Intro

Moderate Rock q= 129

Erase/ReplaceWords and Music by Dave Grohl, Taylor Hawkins, Christopher Shiflett and Nate Mendel





Gtr. 2 (dist.)

**

Riff A1

Abmaj7

f

F/A Bb6 C7End Riff A1

1/2 1

Gtr. 1 (slight dist.)

let ring throughout

Riff A

mf

End Riff A

*Gtr. 3 (dist.)

Fill 1 End Fill 1

f

*Doubled throughout

**Chord symbols reflect implied harmony.

Gtr. 2

Gtr. 1: w/ Riff A

Abmaj7 F/A Bb6 C7

1/2

Gtr. 3

9 1113

13 10 1010

12 12 13 11 1315

1515 15

1515

6

08

0

7

08

0

8

08

0

10

08

15 00

9 1113

13 10 1010

12 12 13 1315

15

1514

1514

1517

15

466

466

466

466

466

466

466

466

587

587

587

587

587

587

587

587

688

688

688

688

688

688

688

688

87

08

87

08

87

08

87

08

8

87

08

8

87

08

8


1


21/95


22/95

Eb5

Oh, no, dont

Bb5

talk

a bout- it.

B5 C7

Not one more

word

a bout- it.

Gtr. 5: w/ Riff D

Eb5

Oh, no, dont

Bb5

think a

bout- it.

B5 C7

No, please dont think a bout- it.

Eb5

Oh, please dont

Bb5

think a

bout- it.

B5

It

C7

goes

a way.-

Chorus

Half-time feel

Gtr. 1: w/ Riff A (4 times)Gtrs. 2 & 5 tacet

Abmaj7

Who made these prom -

Gtr. 2

* fdbk.

Gtr. 3

Rhy. Fig. 1

Pitch: F

*Microphonic fdbk., not caused by string vibration.

F# F

Gtr. 5 Fill 2 End Fill 2

is

F/A

es?-

Bb6

You made these prom is

C7

- es.-

Gtr. 3 End Rhy. Fig. 1

6 6 6 6 6 66 6 6 6 6 6 6 6 6 7 8 8 8 8 8 8

7 7 7 7 7 7 10 10 10 10

XX

X

46

6

46

6

46

6

46

6

46

6

46

6

46

6

46

6

6 6 6 6 6 66 6 6 6 6 6 6 6 6 7 8

587

587

587

587

587

587

587

587

688

688

688

688

688

688

688

688

87

08

87

08

87

08

87

08

87

08

87

08

8000


3


23/95

CoT oda

Gtr. 3: w/ Rhy. Fig.1 (2 times)

Abmaj7

E

*

*w/ echo set for half-note regeneration w/ 1 repeat.

rase.-

F/A

Re place.-

Bb6

E rase.-

C7

Re place.-

Abmaj7

Hoo ray- for prom is

F/A

- es.-

Bb6

Hoo ray- for prom is

C7

- es.-

Abmaj7

E

**

rase.-

F/A

Re place.-

Bb6

E rase.-

C7

Re place.-

End half-time feel

Gtr. 3

**w/ echo, as before.

Interlude

Gtr. 3 tacetGtr. 4: w/ Riff B

Eb5

C7

Gtr. 4: w/ Riff B (4 times)Gtr. 5: w/ Riff C (4 times)

Verse

Eb5

A2. vi sion,

-

Bb5 B5

Gtr. 5

C7

di vi- sion.-

Eb5

Re vi- sion,

-

Bb5 B5 C7

reg u- late.-

466

466

466

466

466

466

466

466

587

587

587

587

587

587

587

587

688

688

688

688

688

688

688

688

87

08

87

08

87

08

87

08

87

08

87

08

87

08

87

08

6 6 6 6 68 8 8 8 8

78


4


24/95

D.S. al Coda

Coda

Eb5

An ac tion,

-

Bb5 B5 C7

a re

ac- tion.-

Eb5

Dis trac- tion,

-

Bb5 B5

ques

C7

tion- of faith.

Pre-Chorus

Gtr. 4: w/ Riff B (2 1/2 times)Gtr. 5: w/ Riff D (1 1/2 times)

Eb5

Oh, no, dont

Bb5

talk a

bout- it.

C7

No, please dont talk a bout- it.

Eb5

Oh, no, dont

Bb5

talk a

bout- it. It

Gtr. 5: w/ Fill 2

C7

goes

a way.-

Gtr. 2

* fdbk.

Pitch: E


F# B

Gtr. 4

Riff F

w/ heavy reverb

Interlude

Am7Gtr. 3 tacet

Abmaj7

**Gtrs. 1 & 6

let ring throughout

Riff E End Riff E

**Gtr. 6 (clean), playedmf. Composite arrangement

Gtr. 3

X XX

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

5X7

5X7

5

7

6

8

6X8

6X8

6X8

6X8

6X8

6X8

5X7

5X7

3X5

3X5

53

50

5

53

53

50

5

53

43

50

5

43

43

50

5

43

5X7


5


25/95

Gtr. 4

C/E Fadd9End Riff F

Gtrs. 1 & 6

Ah.

Bridge

Gtrs. 1 & 6: w/ Riff EGtr. 4: w/ Riff F (2 times)

Am7

Are we bet ter

Abmaj7

- off now? Some thing-

C/E

Ive said, meant for you.

Fadd9

Gtrs. 1 & 6

Riff G End Riff G

Ah.

Gtrs. 1 & 6: w/ Riff E

Am7

Are we bet ter

Abmaj7

- off now? Some thing-

3

5

7X9

7X9

7X9

7X9

7X9

7X9

7X9

3X5

3X5

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

03

50

5

03

03

50

5

03

13

30

3

13

13

00

03

50

5

03

03

50

5

03

13

30

3

13

13

30

3

13


6


26/95

Gtrs. 1 & 6: w/ Riff G

C/E

Ive said, meant for you.

Fadd9

Gtr. 1

Interlude

Gtr. 2: w/ Riff A1 (2 times)

Abmaj7 F/A Bb6

2nd time, Gtr. 3: w/ Fill 1

C7

Chorus Half-time feel

Gtr. 1: w/ Riff A (6 times)Gtr. 3: w/ Rhy. Fig. 1 (6 times)

Abmaj7

Who made these prom is

F/A

- es?-

Bb6

You

made these prom is

C7

- es.-

Abmaj7

E

*

rase.-

F/A

Re place.-

Bb6

E rase.-

C7

Re place.-

Gtr. 2

*w/ echo set for half-note regeneration w/ 1 repeat.

66

4

07

85

0 08

86

0

87

80

8

87

X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17


7


27/95

Abmaj7

Hoo

ray- for prom is

F/A

- es.-

Bb6

Hoo

ray- for prom is

C7

- es.-

1/2 1

Abmaj7

E

*

rase.-

F/A

Re place.-

Bb6

E rase.-

C7

Re place.-

Oh,

*w/ echo, as before.

Abmaj7 F/A

oh.

Bb6 C7

Abmaj7

E

**

rase.-

F/A

Re place.-

1

**w/ echo, as before.

1

X15

17 X11

13 13

13 10 10

10

12 12 13 11 1315 15 15 15

1515

X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X13

15

X13

16X13

16X13

16X13

16X13

16X13

16X13

16X13

16X15

18X15

18X15

18X15

18X15

18X15

18X15

18X15

18X17

20X17

20X17

20X17

20X17

20X17

20X17

20X17

20X14

17X14

17X14

17X14

17X14

17X14

17X14

17

1513

15 15 1513 13

15 15 15 1513 13 13 13 13

15 15 1513 13

15 15 1513 13 13 13


8


28/95

Bb6

E rase.-

C7

Re place.-

End half-time fe

1 1 11 1 1

Gtr. 7 (clean)

Outro

Gtr. 2 tacetGtr. 4: w/ Riff BGtr. 5: w/ Riff C

w/ tremolo

Eb5

mf

Bb5 B5 C7

Gtr. 7

Eb5

steady gliss.

Bb5 B5 C7

*Hypothetical fret location.

*

Gtr. 4

Gtr. 5

**fdbk.

Pitch: E

**Microphonic fdbk., not caused by string vibration.

1513

15 1513 13

15 1513 13

15 1513 13

15 1513

15 1513 13 13

1513

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

5 5 5 5 5 5 5 5 5 5 6 6 7 7 8 9 10 17 29

8X

8X

8X

8X

8X

8X

8X

8X

8X

8X

8X

8X

8X

8X

8X

8X

8X

8X

8X

8X

8X

6 6 6 6 66 6 6 7 8 8 8 8 8

X


9


29/95

Long Road to RuinWords and Music by Dave Grohl, Taylor Hawkins, Christopher Shiflett and Nate Mendel

from Foo Fighters -Greatest Hits





Intro

*

(Kybds.)

C

6 sec. C/G

Verse

C/G

Hey1. now, dont make

Gtr. 2 (elec.)

Fill 1

w/ slight dist.

let ring throughout

mf

End Fill 1

Gtr. 1 (elec.)

w/ dist.

mf

13 4

F5

13 4

C5

24

G/B

23 1

Am

13 2

D

342 1

C/G

32 14

C

Rhy. Fig. 1

*Chord symbols reflect overall harmony.

a sound. Say, have you heard the news to day?

Fsus2/C

-

10

30 0

3 5 30

33201

33201

33201

33201

33201

33201

30

1 0 13

1 303 5 3

01 0 1

0

33201

33201

33201

33201

33011

33011


1


30/95

One flag was tak en- down to raise an oth- -

er- in its place.

C/G

Gtrs. 1 & 3: w/ Rhy. Fig. 1

A heav y- cross you bear,

Gtr. 2

Riff A

*Gtr. 3 (elec.) divisi


*w/ dist., playedmf.

a stub born- heart re mains- un changed.

Fsus2/C

-

No home, no life,

Gtr. 2 End Riff A

010

30 0

3 5 30

1 0 13

1 303 5 3

0

33011

33011

33011

33011

30

1 0 10

10

30 0

3 5 30

1 0 13

33011

33201

33201

31 3

03 5 3

01 0 1

010

30 0

3 5 30


2


31/95

Gtr. 2: w/ Riff A (last 3 meas.)

no love, no stran ger- sing ing- in your name.

C/G

It may

Pre-Chorus

Fadd9

be the sea -

Gtr. 2

Fill 2 End Fill 2 Riff B1

let ring throughout

**Gtrs. 2 & 4

**Gtr. 4 (acous.), playedmf. Composite arrangment

*Gtrs. 1 & 3 Riff B


Gadd4/B

- son. The col

Fadd9/C

ors- changed in the val

Gadd4/B

ley- skies.

Gtr. 2

End Riff B1

Gtr. 1

End Riff B

Gtr. 3

010

30 0

3 5 30

1 0 1

3

31

3

0

33201

33201

33201

33201

33201

33201

33201

0000

01

0

2

31

2

0

3

31

3

0

2

31

2

0

23

2 35

3 57

5

23

2 35

3 23

2


3


32/95

Fadd9

Dear

Oh,

1.

2. God, Ive sealedGadd4/B

my fate. Run

Fadd9/C

ning- through hell, heav

D

en- can wait. Long

(cont. in slashes)

*Gtr. 1

Chorus

Gtr. 2 tacet2nd time, Gtr. 1: w/ Rhy. Fig. 2 (1 5/6 times)2nd time, Gtrs. 3 & 4: w/ Rhy. Figs. 2A & 2B (2 times)

Rhy. Fig. 2

F5 C5 F5 C5 G/B

road to ru in- there in your eyes,

un der- the cold street - lights.

No

Gtr. 4

Rhy. Fig. 2B

Gtr. 3

Rhy. Fig. 2A

*w/ dist.

3

31

3

0

2

31

2

0

3

31

3

00232

0232

0232

0232

0232

0232

0232

0232

01

0 57

5 7 5 5 5 5 5 5 500

01

0 23

2 35

3 5 5 5 5 5 500

32

13

32

13

32

13

32

13

32

13

00

03

320

13

320

13

320

13

320

13

320

13

00

03

32

13

32

13

32

13

32

13

32

13

00

03

320

13

320

13

320

13

320

13

320

13

200

03

200

03

1332

1332

1332

1332

1332

000

33201

33201

33201

33201

33201

000

1332

1332

1332

1332

1332

000

33201

33201

33201

320

320

200

200


4


33/95

CoT odaAm D

End Rhy. Fig. 2F5 C/G

to mor- row.- No dead end in sight.

End Rhy. Fig. 2B Rhy. Fill 1

(cont. in slashes)

End Rhy. Fig. 2A Fill 3

*Gtrs. 3 & 5

*Gtr. 5 (elec.) w/ dist., playedmf.

Gtr. 4

Gtr. 1: w/ Rhy. Fig. 1 (1 1/2 times)Gtr. 2: w/ Fill 1

Verse

C

Gtr. 2: w/ Riff A (last 3 meas.)

End Rhy. Fill 1

Gtrs. 3, 4 & 5 tacet

Fsus2/C

Lets2. say we take this town. No king or queen of an y- state.

Gtrs. 3 & 5

End Fill 3

Gtr. 6 (elec.)

w/ dist.

Rhy. Fig. 3

mf

P.M.

02210

02210

02210

02210

02210

02210

0232

0232

0232

0230

0232

0232

XXXX

3213

3213

3213

3213

3213

3213

3213

3213

3213

3213

3213

3213

3213

3213

3213

0003

022

022

022

022

022

000

00232

00232

00232

00232

00232

000

1X3

1X3

1X3

1X3

3X5

3X5

3X5

3X5

5X7

5X7

5X7

5X7

7X9

7X9

7X9

XXX

XXX

X8

10

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355


5


34/95

D.S. al Coda

Coda

Gtr. 2: w/ Riff A (2 1/2 times)

Get up to shut it down.

O pen- the streets and raise the gates.

C/G


P.M.


I know a wall to scale.

I know a fear with out- a name.

Fsus2/C

Head on with out- a care

Gtr. 2: w/ Fill 2

be fore- its way too late. It

Gtr. 1

* f

*Roll up dist.

D

dead ends.

Long

F

road to ru in- there

C/G

in your eyes,

un -

F

der- the cold street lights.

C/G

-

G/B

No

Am

to mor- row.- No

D

dead end in sight.

Gtr. 3: w/ Fill 3 (1st 2 meas.)Gtr. 4: w/ Rhy. Fill 1Gtr. 5: w/ Fill 3

F5

C

Gtr. 1

(cont. in slashes)

133

133

133

133

133

133

133

133

133

133

133

133

133

133

133

133

133

133

133

133

133

133

133

133

133

133

133

133

133

133

133

133

33011

33011

33011

33011

33011

33011

33011

33011

33011

33011

33011

33011

0232

0232

0232

0232

0232

0232

133

133

133

133

133

133

133

133

133

133

133

133

133

133

133

355

355


6


35/95

Gtr. 1

Gtr. 2: w/ Riff B1

Rhy. Fig. 4

Interlude

C5 G/B C5 G/B

End Rhy. Fig. 4

Gtr. 3

Riff C

mp

End Riff C

Gtr. 1: w/ Rhy. Fig. 4 (2 times)Gtr. 2: w/ Riff B1 (3 times)Gtr. 3: w/ Riff C (2 times)

Bridge

C5

For ev ry- piece

Gadd4/B

to fall in place,

C5

for ev- er- gone

Gadd4/B

with out- a trace.

C5

Your ho ri-

Gadd4/B

zon- takes its shape.

*

*Bass plays A.

C5/A

No turn ing- back,

**

**Bass plays G.

Gadd4

dont turn that page.

Gtrs. 1 & 3: w/ Riff BGtr. 4: w/ Riff B1

Fadd9

Come, now, Im leav

Gadd4/B

ing- here to night.-

Fadd9/C

Come, now, lets leave

Gadd4/B

it all be hind.-

Fadd9

Is

that

the

price

Gadd4/B

you

pay?

Run

C5

ning- through hell, heav -

Gtrs. 2 & 4

(Gtr. 4, cont. in slashes)

Gtrs. 1 & 3

X8

10X8

10X8

10X8

10X8

10X8

10X8

10

7X9

7X9

7X9

7X9

7X9

7X9

7X9

X8

10X8

10X8

10X8

10X8

10X8

10X8

10

7X9

7X9

7X9

7X9

7X9

7X9

7X9

3

31

3

0

2

31

2

0

01

0 23

2 3


7


36/95

Gtr. 4

D

Guitar Solo

Gtrs. 1, 3 & 4: w/ Rhy. Figs. 2, 2A & 2B (2 times)

F C/G

en- can wait.

Gtr. 2

w/ dist.

steady gliss.let ring 3

1/2

Gtrs. 1 & 3

Gtr. 2

F

let ring

C/G G/B Am

1/2

D F C/G

F C G/B Am

1

17 13 10 5

0 2

35

05 3 5 3 1 3 1

2 0

577

577

577

577

577

577

577

577

577

577

577

577

577

577

577

577

0 0 2

35

05 3 5 3 1

2 01 3 1

21

2 02

02 0

30 2 0

3

0 2 03

0 2 03

03 0 3 3 5 3 5 7

57

5 700

55

75 7

7 7 7 7 7 7 5 7 5 7 5000

000

55

7 57

57 5

7

57 5


8


37/95

D

Long

Gtrs. 1, 3 & 4: w/ Rhy. Figs. 2, 2A & 2B (3 times)

Chorus

F


C/G

in your eyes

un -

Gtr. 2 tacet

F

der- the cold street - lights.

C/G G/B

No

Am

to mor- row.- No

D

dead ends.

Long

F


C/G

in your eyes

un

F


C/G

-

G/B

No

Am

to mor- row.- No

D

dead ends.

Long

F


C/G

in your eyes

un -

F


C/G

-

G/B

No

Am

to mor- row.- No

D

dead end in sight.

Gtr. 1

F5 C/G

Gtr. 4

Gtrs. 3 & 5

755

7 5 3 5 35 3 1 1 8

3213

3213

3213

3213

3213

3213

3213

3213

3213

3213

3213

3213

3213

3213

3213

XXXX

XXXX

133211

133211

133211

133211

133211

133211

133211

133211

133211

133211

133211

133211

133211

133211

133211

XXXX

XXXX

32013

1X3

1X3

1X3

1X3

3X5

3X5

3X5

3X5

5X7

5X7

5X7

5X7

7X9

7X9

7X9

7X9

X8

10X8

10X8

10X8

10X10

12X10

12X10

12X10

12X12

14X12

14X12

14X12

14X13

15X13

15X13

15

XXX

XXX

X8

10


9


38/95

Intro

Moderately slow q.= 45

Come AliveWords and Music by Dave Grohl, Taylor Hawkins, Christopher Shiflett and Nate Mendel





Tuning:

(low to high) E-A-D-G-B-F#

Gtr. 1 (acous.)

*

let ring throughout

w/ fingers

Riff A

Bm7

mf

F#m11

1342

Gmaj7

13 4

C5

5fr

1342

A%

13 4

G5

7fr

1342

Badd9

11

A5

10fr

1342

D6

11

E5

9fr

1342

C#11

13 4

F#5

7fr

1342

B

5fr

13 4

D534 2

Eadd9

4fr

13 4

C#51342

F#add11

C#m11 G#m7


Bm7

F#m11 C#m11

G#m7

Seems1.

Gtr. 1: w/ Riff A (4 times)

Verse

Bm7

like on ly- yes

F#m11

ter- day.-

End Riff A

life

C#m11

be longed- to run

G#m7

a- ways.- Noth

Bm7

ing- here to see,

F#m11

no look ing- back.

C#m11 G#m7

7

7 7

7

0

7

7 2

2 2

2

0

2

2 9

9 9

9

0

9

9 4

4 4

4

0

4

4

7

77

7

0

7

7 2

22

2

0

2

2 9

99

9

0

9

9 4

440


1


39/95

Ev

Bm7

ry- sound mon

F#m11

o- tone,- ev

C#m11

ry- col or- mon

G#m7

o- chrome.- Life

Bm7

be gan- to fade

F#m11

in to- the black.

*Gtr. 2

w/ tremolo

mf

let ring let ring let ring let ring let ring let ring

*Kybd. arr. for gtr.

C#m11 G#m7

Such

Bm7

a sim ple- an i

F#m11

- mal,- ster

C#m11

i- lized- with al

G#m7

co- hol.-

let ring let ring let ring let ring let ring let ring

I

Bm7

could hard ly- feel

F#m11

me an y- more.-

C#m11 G#m7

Des

Bm7

per- ate,- mean

F#m11

ing- less.-

sim.

All

C#m11

filled up with emp

G#m7

ti- ness.- Felt

Bm7

like ev ry- thing-

F#m11

was said and done.

C#m11 G#m7

I

1215 14

14 1817

1816

1615

1215 14

14

14 1817

1816

1615

12

1614

1416 18

1818

1718

18

1616

18

1615

16

12

1614

1416 18

1818

17

18

1616

1516

1215

1614

1416

1818

18

1718

18

1616

1816

1516

1215

1614

1416 18

1818

1718

18

16


2


40/95

lay

Pre-Chorus

Gtr. 2 tacet

Gmaj7

there in the dark

A%

and I close my eyes.

Badd9

You saved

Gtrs. 3 & 4 (acous.)

Rhy. Fig. 1

mf

End Rhy. Fig. 1

Gtr. 5 (acous.)

Rhy. Fig. 1A

mf

End Rhy. Fig. 1A

Gtr. 5: w/ Rhy. Fig. 1A

Gmaj7

me the day

A%

you came a live.-

Badd9

Gtrs. 3 & 4

Interlude

Gtr. 1: w/ Riff A

Bm7 F#m11

Gtrs. 3 & 4 tacet

C#m11

G#m7 Bm7

F#m11 C#m11

G#m7

355400

355400

355400

355400

355400

355400

355400

355400

355400

355400

577

06

0

577

06

0

577

06

0

577

06

0

577

06

0

577

06

0

577

06

0

577

06

0

577

06

0

577

06

0

799

08

0

799

08

0

799

08

0

799

08

0

799

08

0

799

08

0

799

08

0

799

08

0

799

08

0

799

08

0

355400

577

06

0

79

0

118

0

355400

355400

355400

355400

355400

355400

355400

355400

355400

355400

577

06

0

577

06

0

577

06

0

577

06

0

577

06

0

577

06

0

577

06

0

577

06

0

577

06

0

577

06

0

799

08

0

799

08

0

799

08

0

799

08

0

799

08

0

799

08

0

79

0

98

0


3


41/95

Still2.

Verse


Bm7

I tried to find

F#m11

my way, spin

C#m11

ning- hours in

G#m7

to- days. Burn

Bm7

ing- like a flame

F#m11

be hind- my eyes.

Gtr. 4

Rhy. Fig. 2

Gtr. 5

Rhy. Fig. 2A

C#m11 G#m7

Drown

Gtrs. 4 & 5: w/ Rhy. Figs. 2 & 2A (2 times)

Bm7

it out, drink

F#m11

it in. Crown

C#m11

the king of suf

G#m7

fer- ing.-

End Rhy. Fig. 2

End Rhy. Fig. 2A

Pris

Bm7

on- er,- a slave

F#m11

to the dis guise.-

C#m11 G#m7

Dis

Bm7

ap- pear,- the on

F#m11

ly- thing,

bit

C#m11

ter- sweet- sur ren

G#m7

- der- ing.- Knew

Bm7

that it was time

F#m11

to say good bye.-

C#m11 G#m7

I

0

1615

0

1615

0

1615

0

1615

0

1615

0

1617

0

1617

0

1617

0

1617

0

1617

0

1617

0

1617

0

1617

0

1617

0

1617

0

1312

0

1312

0

1312

0

1312

0

1312

0

1615

0

1615

0

1615

0

1615

0

1615

0

1617

0

1617

0

1617

0

1617

0

1617

7X7

07

0

7X7

07

0

7X7

07

0

7X7

07

0

7X7

07

0

2X2200

2X2200

2X2200

2X2200

2X2200

X9

9

09

0

X9

9

09

0

X9

9

09

0

X9

9

09

0

X9

9

09

0

4X4400

4X4400

4X4400

4X4400

4X4400

7X7

07

0

7X7

07

0

7X7

07

0

7X7

07

0

7X7

07

0

2X2200

2X2200

2X2200

2X2200

2X2200

0

1617

0

1617

0

1617

0

1617

0

1617

0

1312

X9

9

09

0

X9

9

09

0

X9

9

09

0

X9

9

09

0

X9

9

09

0

4X4400


4


42/95

lay

Pre-Chorus

Gtrs. 3 & 4: w/ Rhy. Fig. 1 (3 times)

Gmaj7

there in the dark

A%

and I close my eyes.

Badd9

You saved

Gtr. 5


Gtr. 5: w/ Rhy. Fig. 3 (2 times)

Gmaj7

me the day

A%

you came a live.-

Badd9

No

rea

Gmaj7

son- left

A%

me to sur vive.-

Badd9

You saved

Gtrs.3 & 4

Gmaj7 A% Badd9

me the day

you came a live.- Come a live.-

Gtr. 5

Chorus

Voc. Fig. 1

Gtrs. 3, 4 & 5 tacet

D6

Come a live.-

C#11

Come a live.-

B

Come a live.- Come a live.-

D6

Come a live.-

C#11

Come a live.-

Gtr. 6 (elec.)

Rhy. Fig. 4

w/ slight dist.

mf

355433

355433

355433

355433

355433

355433

355433

355433

355433

355433

577655

577655

577655

577655

577655

577655

577655

577655

577655

577655

799877

799877

799877

799877

799877

799877

799877

799877

799877

799877

799877

355433

355433

355433

355433

355433

355433

355433

355433

355433

355433

577655

577655

577655

577655

577655

577655

577655

577655

577655

577655

799877

1012

0

1211

0

911

0

1110

0

799

08

0

1012

0

1211

0

911

0

1110

0


5


43/95

BGtr. 6: w/ Rhy. Fig. 4

Rhy. Fig. 5

Gtrs.3 & 4

D6 C#11 B

Come a live.- Come

End Voc. Fig. 1

a live.- Come a live.- Come a live.- Come a live.- Come a live.-

End Rhy. Fig. 4

w/ dist.

mf

Riff B

Gtr. 7 (elec.)

1/4 1/2 1/4 1/2

D6 C#11 BEnd Rhy. Fig. 5

Gtrs. 3, 4 & 6: w/ Rhy. Fig. 5Gtr. 7: w/ Riff B

D6 C#11

Come a live.- Come a live.- Come a live.- Come a live.- Come a live.-

End Riff B

1/4 1/2 1/4 1/2

B

D6

C#11 B

I lay

Gtrs.3, 4 & 6

Pre-Chorus

Gtr. 7: w/ Riff B (2 times)

Rhy. Fig. 6

Gmaj7 A% Eadd9End Rhy. Fig. 6

there in the dark

and I close my eyes. You saved

Gtr. 8 (elec.)

Rhy. Fig. 6A

w/ dist.

f

End Rhy. Fig. 6A

799

08

0

7 75

7 5 7 77

7 5 7 75

7 5 7 77

7 5

7 75

7 5 7 77

7 5 7 75

7 5 7 77

7 5

355400

577

06

02210

02210


6


44/95

Gtrs. 3, 4 & 6: w/ Rhy. Fig. 6Gtr. 8: w/ Rhy. Fig. 6A

Gmaj7

me the day

A%

you came a live.-

Eadd9

Come a

live.-

Gtrs.3, 4 & 6

Chorus

Gtr. 7: w/ Riff B (1 3/4 times)

Rhy. Fig. 7

Gmaj7 F#add11 Eadd9End Rhy. Fig. 7

D6

(cont. in notation)

Come a

live.- Come a live.- Come a



live.- Come a live.-

Gtr. 8

Gtr. 9(elec.) w/ dist.

C5

mf f(cont. in notation)

Come a




Gtr. 8

Gtrs. 3, 4 & 6

3554

3554

2443

2443

0221

0221

5577

5577

4466

4466

3355

3355

3355

3355

3355

3355

3355

3355

3355

3355

3355

3355

3355

3355

3355

3355

3355

3355

3355

3355

3355

3355

3355

000

911

0

1110

0

911

0

1110

0

911

0

1110

0

911

0

1110

0

911

0

1110

0

911

0

1110

0

911

0

1110

0

911

0

1110

0

911

0

1110

0

911

0

1110

0

810

0

109

0

810

0

109

0

810

0

109

0

810

0

109

0

810

0

109

0

810

0

109

0

810

0

109

0

810

0

109

0

810

0

109

0

810

0

109

0

810

0

109

0

810

0

109

0

810

0

109

0

810

0

109

0

810

0

109

0

810

0

109

0

810

0

109

0

810

0

109

0

810

0

109

0

810

0

109

0


7


45/95

InterludeGtrs. 3, 4 & 6 tacetGtr. 7: w/ Riff B (2 times)

B5

E5

Gtr. 10 (elec.)

mfw/ dist.

Riff C End Riff C

1 1 1 1

Rhy. Fig. 8

*Gtrs. 8 & 9End Rhy. Fig. 8


B5

Gtrs. 8 & 9: w/ Rhy. Fig. 8Gtr. 10: w/ Riff C

E5

Noth

Bridge

Gtr. 7: w/ Riff B (2 times)Gtrs. 8 & 9: w/ Rhy. Fig. 8 (2 times)Gtr. 10: w/ Riff C (2 times)

B5

ing- more to give. I can fi nly- live. Come a live.-

E5

Your

B5

life in to- me, I can fi nly- breathe. Come a live.-

E5

Gtrs.8 & 9

Bkgd. Voc.: w/ Voc. Fig. 1 (2 times)

Rhy. Fig. 9

Pre-Chorus

G5 A5

(Come

I

a

laylive.)-

there in the dark,

o pen- my eyes.

Gtr. 11 (elec.)

Fill 1

w/ dist.

mf

End Fill 1 Riff D End Riff D

9 97

9 7 9 99

9 7 9 97

9 7 9 99

9 7 9 97

9 7 9 99

9 7 9 97

9 7 9 99

9 7

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

3X5

X10

12X9

11

7X9

5X7

7

9X10

12X10

12X10

12X9

11

7X9

5X7

7

9X9

11X10

12X10

12


8


46/95

Gtr. 3: w/ Rhy. Fig. 6 (last 2 meas.)Gtr. 7: w/ Riff B (1st 2 meas.)Gtr. 10: w/ Riff C (1st 2 meas.)Gtr. 11 tacet

E5

Gtr. 11: w/ Fill 1

End Rhy. Fig. 9

Gtr. 6 tacetGtrs. 8 & 9: w/ Rhy. Fig. 9Gtr. 11: w/ Riff D

G5

You saved me the day

Gtr. 6 Rhy. Fill 1 End Rhy. Fill 1

A5

you came a live.-

Gtr. 3: w/ Rhy. Fig. 6 (last 2 meas.)Gtr. 6: w/ Rhy. Fill 1Gtr. 7: w/ Riff B (1st 2 meas.)Gtr. 10: w/ Riff C (1st 2 meas.)

E5

Come a live.-

Outro-Chorus

Gtrs.8 & 9


G5 F#5 E5

Come a




Gtr. 11

Gtr. 10

1

Gtr. 7

1/4 1/4 1/4 1/2 1/4 1/4

0799

0799

0799

0799

0799

0799

0799

0799

0799

0799

0799

0799

0799

0799

0799

0799

0799

0799

0799

0799

X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16

9 97

9 7 9 97

9 7 9 97

9 7 9 99

9 7 9 97

9 7 9 97

9 7

7 75

7 5 7 75

7 5 7 75

7 5 7 77

7 5 7 75

7 5 7 75

7 5


9


47/95

D5 C#5

(cont. in notation)

Gtr. 7 tacet

Cmaj7#11

Come a



Gtr. 11

let ring

Gtr. 10

1

Gtr. 7

1/4 1/2 1/4 1/4

Gtrs. 3 & 6

Gtrs. 3, 6, 8 & 9

Gtr. 11

let ring

B5

Gtr. 10

Gtrs. 3, 6, 8 & 9

X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

1613

1613

1613

16 1613

1613

9 97

9 7 9 99

9 7 9 97

9 7 9 97

9 73X5

3X5

3X5

3X5

3X5

5X7

5X7

5X7

5X7

5X7

7 75

7 5 7 77

7 5 7 75

7 5 7 75

7 5

1012

0

1211

0

1012

0

1211

0

1012

0

1211

0

1012

0

1211

0

1012

0

1211

0

1012

0

1211

0

1012

0

1211

0

1012

0

1211

0

1012

0

1211

0

1012

0

1211

0

911

0

1110

0

911

0

1110

0

911

0

1110

0

911

0

1110

0

911

0

1110

0

911

0

1110

0

911

0

1110

0

911

0

1110

0

911

0

1110

0

911

0

1110

0

810

0

109

0

810

0

109

0

810

0

109

0

810

0

109

0

810

0

109

0

810

0

109

0

810

0

109

0

810

0

109

0

810

0

109

0

810

0

109

0

1316

1316

1316 16

1316

131613

1613

1613

1613 0

16

7X9

7X9

7X9

7X9

7X9

X9

11X9

11X9

11X9

11X9

11X10

12X12

14X10

12X15

17X14

16

810

0

109

0

810

0

109

0

810

0

109

0

810

0

109

0

810

0

109

0

810

0

109

0

810

0

109

0

810

0

109

0

810

0

109

0

810

0

109

0

810

0

109

0

810

0

109

0

810

0

109

0

810

0

109

0

79

X0

9

0


10


48/95

Stranger Things Have HappenedWords and Music by Dave Grohl

Copyright 2007 SONGS OF UNIVERSAL, INC. and MJ TWELVE MUSICAll Rights Controlled and Administered by SONGS OF UNIVERSAL, INC.

All Rights Reserved Used by Permission


Moderately q= 98

1.

2.

Intro

(Studio noise)

9 sec. (Metronome)

*

Gtr. 1 (acous.)

Riff A

let ring throughout

w/ pick & fingers

Bm7

mf

13 4

Bsus4

34 1

F#m11

3421

G6

3 4 2 1 1

G

23 1

E

3 1 1 4

E/G#

D/F# F5 E7[no3rd]


God1. damn

End Riff A

Verse


Bm7

this dust y- room,

D/F#

this

F5

ha

E7[no3rd]

zy- af ter- noon.-

2 202

202

22

0

2 2

00

2

00

20

1 0

0 020

020

22

0 020

020

020

22

0 20

20

020

020

22

0 20


1


49/95


50/95


51/95

Esus4 E

I am not

Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A

Bsus4

a lone,- dear lone

F#m11

-

End Rhy. Fig. 2

li- ness.- I for got-

G6

that I re mem

E

- bered- this. Oh, strang -

D

- er, strang er,- strang

F#m11

er- things have hap pened,- I

Fmaj7#11

know.

E

Oh,

Esus4 E

Gtrs. 1 & 2

Rhy. Fig. 3

oh.

Interlude


Bm7 D/F#

F5 E7[no3rd]

End Rhy. Fig. 3 Riff B

Gtr. 2

let ring

022100

022100

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022200

022100

022100

022100

022100

022100

022100

022100

022100

XXXX

XXXX

0232

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0232

0232

0232

0232

XXXX

44200

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44200

44200

44200

33200

022100

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022100

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022200

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97

10

97

10 10 12


4


52/95

D.S. al Coda

Bm7 D/F#

let ring

F5 E7[no3rd]

Well2. dream

End Riff B Fill 1

let ring 1/2

Verse


Bm7

a bout- some where.

D/F#

-

Gtr. 2 tacet

Our

F5

smoke

E7[no3rd]

End Fill 1

will fill the air. As I lay

Bm7

a wake- and wait

D/F#

for you to walk out that

F5

door.

E7[no3rd]

I can change,

12

97

107

9

97

9

0

97

10

10

9 7

10 10 12

9 7

10

7 9

9

7 9

9 9 7 107

7


5


53/95

Coda

Oh,

Esus4 E

oh.

Guitar Solo

Bm7

D/F#

Gtr. 2

let ring

Gtr. 1 Riff C

let ring

F5 E7[no3rd]

End Riff C

Gtr. 2

Gtr. 1: w/ Riff C (2 times)

Bm7 D/F# F5 E7[no3rd]


022100

022100

022100

022100

022100

022200

022200

022100

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XXXX

XXXX

77

77

77

107

9810

777

97

1110

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XXXX

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2 202

202

22

02

11 11109

11109

111012

111012

11109 7

99

99

997

997

9107

9107

997

00

977

99

997

2 200

200

20

1 0 020

020

22

0 020

020

111210

111210

111210

111212

111212

111210

00

111012

1110

111012

11109

111014

111014

111012

12131212

131212

131212

131214

131214

131214

131212

1315

131212

X15

131212

98

1110

1110

1110

1110

1110

99

77

9 7 977

9 77

9 79

77

9 97

7 9 77

9 7 5 7


6


54/95

Gtr. 2


1/2

Gtr. 1

I am not

Chorus

Bsus4

a lone,- dear lone

F#m11


(cont. in slashes)

Gtr. 2

G E/G#Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A

Bsus4 F#m11

that I re mem- bered- this. You are not a lone,- dear lone -

Gtr. 1

10 710 7

710 7

97

9 79

9 79 7 9 9 7

97

9 7 5 7 7 57 57

74 6 6 7 6 44 9

2 202

202

22

02 2

00

200

20

1 0 020

020

22

0 0

9 9 9 9 9 9 9 000

24400

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XXXXX

44200

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XXXXX

XXXXX

20

020

22 0

20

2

000

000

244

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244

24400

24400

044

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XXX

XXX

55430

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55430

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55430

XXX

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0224

022

XXX

XXX


7


55/95

li- ness.- You for got-

G6

that I re mem

E

- bered- this. Oh, strang -


D

er,- strang er,- strang

F#m11


Fmaj7#11

know.

E

Esus4 E

I am not

Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A

Bsus4

a lone,- dear lone

F#m11


G6

that I re mem

E

- bered- this. Oh, strang


D

er,- strang er,- strang

F#m11

-


Fmaj7#11

know.

E

Oh,

Esus4 E

oh.

Outro

Gtr. 1: w/ Riff A (1st 3 meas.)Gtr. 2: w/ Riff B (1st 3 meas.)

Bm7 D/F#

F5 E7[no3rd]

Gtr. 1

Gtr. 2: w/ Fill 1

Bm7 D/F# F5 E5

20

020

020

22

0 20

2 202

202

22

02 2 2

00

200

20

1 02


8


56/95

Intro


Cheer Up Boys(Your Make Up Is Running)

Words and Music by Dave Grohl, Taylor Hawkins, Christopher Shiflett and Nate Mendel





Gtrs.2 & 3(dist.)

E5

mf

type2

7fr

13 4

E5

11

A5

13

D5

1144

A5

13 4

F#5

11

E54fr

13 4

G#55fr

13 4

A5

13 4

G5open V

Gtr. 1 (slight dist.)

mf

Gtr. 4 (dist.)

mf

Gtr. 1

Riff A End Riff A

Gtr. 4

Riff A1

End Riff A1

Gtr. 5 (dist.)

*fdbk.

mf

Riff A2 End Riff A2

Pitch: F


Gtr. 6 (dist.)

fdbk.

mp

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