SRI VIDYA PUJAN/ PRAYER VIDHI/METHOD
GURU MANTRA
Name
of Guru Patni/wife Name of your Guru
aiṁ hrīṁ śrīṁ aiṁ klīṁ sauḥ hamasaḥ śiva so'm
hasakafreṁ hasakṣamalavarayūṁ hasauḥ sahakakṣamalavarayīṁ sahauḥ svarupa nirupṇā hetave svaguruve śrī Name of Guru Patni/wife āṁba sahitā śrī Name of your Guru ānanda śrī guru śrī pādukāma pujyāmi tarpayāmi namaḥ
PANCADASI MANTRA
ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ
GANESH PUJAN
om gaṇānāma tvā gaṇapati gama havāmahe kavima kavināma upamaśravastamam jyeṣṭha rājam brahmaṇām brahmaṇaspata ānaha śruṇuvan ūthabhīha sīdha sādhanama śrī mahā gaṇādhipataye namaḥ
SURYA MANTRA
om hroṁ hrīṁ hūṁ hraiṁ hrauṁ hraḥ hrāṁ hrūṁ hana
hana mārtaṇḍa bhairavāya prakāśa śakti svāhā
DEVI MANTRA
ka e ī la hrīṁ tripura sundarī vidmahe ka e ii are the three eyes la hriiM are the mouth and tongue
ha sa ka ha la hrīṁ pīṭha kāminī dhīmahi hasa kaha are the two breasts la hriiM is Navel and line of
hairs under it
sa ka la hrīṁ tanno klinne pracodayāta sa ka are two sides of vulva la hriiM are the clitoral shaft
and the tip
LIGHTINING THE LAMP
om hrīṁ rakta dvādaśa śakti yuktāya dīpa nāthāya namaḥ
om namaḥ śivāya siddhama namaḥ
aiṁ hrīṁ śrīṁ mūlādhāre mahākāyāya raktavarṇāya maṇḍūkāya
namaḥ
aiṁ hrīṁ śrīṁ svādhiṣṭhāna paryantaṁ pañcavakra daśabhuja
raktakṛṣṇa vāma dakṣiṇa pārśvāya kālāgni rudrāya namaḥ
aiṁ hrīṁ śrīṁ mūlaprakṛtyai namaḥ
aiṁ hrīṁ śrīṁ ādhāraśaktaye namaḥ
aiṁ hrīṁ śrīṁ kūrmāya namaḥ
aiṁ hrīṁ śrīṁ varāhāya namaḥ
aiṁ hrīṁ śrīṁ anantāya namaḥ
aiṁ hrīṁ śrīṁ pṛthivyai namaḥ
44 meditations on the 44 triangles in the central parts of the Sri Chakra
1aiṁ hrīṁ śrīṁ amṛtāmbhonidhaye namaḥ
2aiṁ hrīṁ śrīṁ ratna dvīpāya namaḥ
3aiṁ hrīṁ śrīṁ nānāvṛkṣa mahodyānāya namaḥ
4aiṁ hrīṁ śrīṁ santāna vāṭikāyai namaḥ
5aiṁ hrīṁ śrīṁ kalpa vṛkṣa vāṭikāyai namaḥ
6aiṁ hrīṁ śrīṁ hari candana vāṭikāyai namaḥ
7aiṁ hrīṁ śrīṁ mandāra vāṭikāyai namaḥ
8aiṁ hrīṁ śrīṁ kadamba vāṭikāyai namaḥ
9aiṁ hrīṁ śrīṁ pārijāta vāṭikāyai namaḥ
10aiṁ hrīṁ śrīṁ puṣya rāga ratna prākārāya namaḥ
11aiṁ hrīṁ śrīṁ padma rāga ratna prākārāya namaḥ
12aiṁ hrīṁ śrīṁ gomedha ratna prākārāya namaḥ
13aiṁ hrīṁ śrīṁ indra nīla ratna prākārāya namaḥ
14aiṁ hrīṁ śrīṁ vajra ratna prākārāya namaḥ
15aiṁ hrīṁ śrīṁ vaiḍūrya ratna prākārāya namaḥ
16aiṁ hrīṁ śrīṁ muktā ratna prākārāya namaḥ
17aiṁ hrīṁ śrīṁ marakata ratna prākārāya namaḥ
18aiṁ hrīṁ śrīṁ vidruma ratna prākārāya namaḥ
19aiṁ hrīṁ śrīṁ māṇikya maṇḍapāya namaḥ
20aiṁ hrīṁ śrīṁ sahastra stambha maṇḍapāya namaḥ
21aiṁ hrīṁ śrīṁ amṛta vāpikāyai namaḥ
22aiṁ hrīṁ śrīṁ ānanda vāpikāyai namaḥ
23aiṁ hrīṁ śrīṁ vimarśa vāpikāyai namaḥ
24aiṁ hrīṁ śrīṁ bālā tapodgārāya namaḥ
25aiṁ hrīṁ śrīṁ candrikodgārāya namaḥ
26aiṁ hrīṁ śrīṁ mahāśṛṅgāra parighāyai namaḥ
27aiṁ hrīṁ śrīṁ mahāpadmā ṭavyai namaḥ
28aiṁ hrīṁ śrīṁ cintāmaṇi gṛha rājāya namaḥ
29aiṁ hrīṁ śrīṁ purvāmnāayā pūrvadvārāya namaḥ
30aiṁ hrīṁ śrīṁ dakṣiṇāmnāya dakṣiṇa dvārāya namaḥ
31aiṁ hrīṁ śrīṁ paścimāmnāya paścima dvārāya namaḥ
32aiṁ hrīṁ śrīṁ uttarāmnāya uttara dvārāya namaḥ
33aiṁ hrīṁ śrīṁ ratna pradīpa valayāya namaḥ
34aiṁ hrīṁ śrīṁ maṇī maya mahā siṁhāsanāya namaḥ
35aiṁ hrīṁ śrīṁ lāṁ hlāṁ brahmaṇe pṛthvī adhipataye namo brahmā pretāsana namaḥ
36aiṁ hrīṁ śrīṁ vāṁ hrīṁ viṣṇave apāma adhipataye namo viṣṇu pretāsana namaḥ
37aiṁ hrīṁ śrīṁ rāṁ hūṁ rudrāya tejo adhipataye namo rudra pretāsana namaḥ
38aiṁ hrīṁ śrīṁ yāṁ hrauṁ īśvarāya vāyva adhipataye namo īśvara pretāsana namaḥ
39aiṁ hrīṁ śrīṁ hsauṁ vyādādhi pataye pañcavakrāya sadāśivāya pretapadmāsanāya sadaśivamahāpretāsana
namaḥ
40aiṁ hrīṁ śrīṁ haṁsatūla talpāya namaḥ
41aiṁ hrīṁ śrīṁ haṁsatūla mahopadhanāya namaḥ
42aiṁ hrīṁ śrīṁ kauṣumbha stranāya namaḥ
43aiṁ hrīṁ śrīṁ mahā viṭanakāya namaḥ
44aiṁ hrīṁ śrīṁ mahāmayā yāvanikayai namaḥ
Worship of Central point and the Triangle
aiṁ hrīṁ śrīṁ pancadaśī (ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ) namaḥ
Place a dot of sandal paste in the centre.
aiṁ hrīṁ śrīṁ ka e ī la hrīṁ namaḥ
Place a dot of sandal paste at the corner facing you
aiṁ hrīṁ śrīṁ ha sa ka ha la hrīṁ namaḥ
Place a dot of sandal paste at the corner towards your right
aiṁ hrīṁ śrīṁ sa ka la hrīṁ namaḥ
Place a dot of sandal paste at the corner towards your left
VIRAJA HOMA
Take a deep breath Keep saying 'yam'
Imagine that your body is subject to decay ,it is going to be burnt , It has to become old, it has to merge with the elements, it has
happened,it placed on the funeral pyre, wind is coming and drying up your dead body .The wind is 'yam'. Release your breath. Take a deep breath again.Keep saying 'ram'
Your body has been lit up, you hear the crakling of the fire,the sparks fly, water vapors rise from the body,parts of the body are
sticking out and someone takes a stick and pushes them back into the fire, see the whole body going up in smoke.After the body is
gone, all those things associated with the body are gone too. There is nothing to be possessive of.'Ram' is the fire. At the end of the
fire, your body is reduced to ashes called vibhuti. Release your breath. Take a deep breath.Keep saying 'vam'.
Great clouds gather, a thunder and lightning occurs and an incessant rain falls. Theashes are wetted by` vam` the nectar The divine
body of Dev. is born out of these ashes. Thisdivine body is your body of Lalita.
PRANAYAMA
You do pranayama three times. Along with exhalation and recitation of Panchadasi, this the ball of light is going out and forming ball
outside, and when you inhale with Panchadasi, this light is dissolving and coming inside and forming a ball inside. An inside and
outside exchange is taking place with the breath. You are existing inside your body and outside your body. And the breath is the
connecting link between the two.The way to do pranayama is as follows. Recite Panchadasi once while inhaling, twice holding the
breath inside, once while exhaling, onceholding the breath outside. This constitutes one cycle of Pranayama. Also, the ball of light
goes where the breath goes. During inhalation, it is going in, with exhalation it is going out. Like this, you start with three rounds and
gradually increase to fifteen rounds.
Dealing with Obstacles to PUJA
apa sarpantu te bhutaḥ ye bhutaḥ bhuvisamasthitaha ye
bhutaḥ vighna kartāraḥ te naṣyantu śivajṇaya
All such elements which want to create obstacles to our worship and those which exist here may they be destroyed by the command of
Śivà. Clap hands 3 times and snap your fingers 3 times to your left to the bottom, middle and above.
Identification of Your Body, Sri Chakra and Dev. Through the Mantras of the Nine Enclosures -VAJRA PANJARA NYASAM
Each of the enclosure mantras has 3 seed letters. The first is placed in your body, the second in the Sri Chakram and the third, in
the body of Devi, Vajra panjaram means a diamond cage, Nyasa means to become aware of a particular region
Square Enclosure Feet and Hands
1 aiṁ hrīṁ śrīṁ aṁ namaḥ in your feet.
2 aiṁ hrīṁ śrīṁ āṁ namaḥ in the square enclosure of Sri Chakra.
3 aiṁ hrīṁ śrīṁ sauḥ namaḥ in Devis feet.
4 aiṁ hrīṁ śrīṁ aṁ madhyamābhyāṁ at the middle fingers.
5 aiṁ hrīṁ śrīṁ āṁ anāmikābhyāṁ at the ring fingers.
6 aiṁ hrīṁ śrīṁ souḥ kaniṣṭhikābhyāṁ at the little fingers.
7 aiṁ hrīṁ śrīṁ aṁ aṁguṣṭābhyāṁ namaḥ at the thumbs.
8 aiṁ hrīṁ śrīṁ āṁ tarjanābhyāṁ namaḥ at the forefingers.
9 aiṁ hrīṁ śrīṁ sauḥ karatala kara prūṣdhābhyāṁ namaḥ
around the palms.
16-Petalled Enclosure . Thighs
1 aiṁ hrīṁ śrīṁ aiṁ namaḥ in your thighs
2 aiṁ hrīṁ śrīṁ klāṁ namaḥ in 16-petalled lotus
3 aiṁ hrīṁ śrīṁ sauḥ namaḥ in Deviis thighs
4 mahā tripura sundari in your thighs.
5 ātmānaṁ in the shri Chakra.
6 rakṣa rakṣa in the two thighs of Devii
8-Petalled Enclosure Muladhara
1 aiṁ hrīṁ śrīṁ hrīṁ namaḥ at Muladhara
2 aiṁ hrīṁ śrīṁ klīṁ namaḥ at the 8-petalled enclosure.
3 aiṁ hrīṁ śrīṁ sauḥ namaḥ earth
4 devī ātma āsanāya namaḥ at muladhara, 8-petalled
enclosure and earth.
14-Cornered Enclosure Svadhisthana
1 aiṁ hrīṁ śrīṁ haiṁ namaḥ at Svadisthana
2 aiṁ hrīṁ śrīṁ hklāṁ namaḥ 4 cornered figure
3 aiṁ hrīṁ śrīṁ hsauḥ namaḥ Ocean
4 aiṁ hrīṁ śrīṁ hsaiṁ namaḥ at manipura chakra
5 aiṁ hrīṁ śrīṁ hasklāṁ namaḥ outer 10-cornered figure
6 aiṁ hrīṁ śrīṁ hssauḥ namaḥ Fire
7 aiṁ hrīṁ śrīṁ hrīṁ namaḥ at anahata
8 aiṁ hrīṁ śrīṁ klīṁ namaḥ inner 10-cornered figure
9 aiṁ hrīṁ śrīṁ bleṁ namaḥ air envelope.
8-Cornered Enclosure Vishuddhi
1 aiṁ hrīṁ śrīṁ hrīṁ namaḥ vi.uddhi
2 aiṁ hrīṁ śrīṁ śrīṁ namaḥ 8-cornered enclosure
3 aiṁ hrīṁ śrīṁ sauḥ namaḥ Space
4 aiṁ hrīṁ śrīṁ aiṁ hṛdayāya namaḥ Heart
5 aiṁ hrīṁ śrīṁ klīṁ śirase svāhā on top of head
6 aiṁ hrīṁ śrīṁ sauḥ śikhāyai vaṣaṭ crown of head
7 aiṁ hrīṁ śrīṁ sauḥ kavacāya huṁ Arms
8 aiṁ hrīṁ śrīṁ klīṁ netra trayāya vauṣaṭ 3 eyes
9 aiṁ hrīṁ śrīṁ aiṁ astrāya phaṭ around the head snap 4 times
3-Cornered Enclosure aGYa Chakra
1 aiṁ hrīṁ śrīṁ hsraiṁ namaḥ Ajna
2 aiṁ hrīṁ śrīṁ hsklarīṁ namaḥ Triangle
3 aiṁ hrīṁ śrīṁ hsrsauḥ namaḥ Mind
haiṁ hklīṁ hsauḥ śrī cakrāsanāya namaḥ
hsaiṁ hsklīṁ hssauḥ sarvamantrāsanāya namaḥ
hrīṁ klīṁ bleṁ sādhyasiddhāsanāya namaḥ
Vagdevata Nyasa
aiṁ hrīṁ śrīṁ aṁ āṁ iṁ īṁ uṁ ūṁ aruṁ arūṁ aluṁ alūṁ eṁ aiṁ oṁ auṁ aḥ aḥṁ arblūṁ vaśini vāgdevatāyai namaḥ
top of head
aiṁ hrīṁ śrīṁ kaṁ khaṁ gaṁ ghaṁ ṅaṁ kalahrīṁ kāmeśvarī vāgdevatāyai namaḥ
forehead
aiṁ hrīṁ śrīṁ caṁ chaṁ jaṁ jhaṁ ñaṁ nvlīṁ modini vāgdevatāyai namaḥ
centre of
eyebrows
aiṁ hrīṁ śrīṁ taṁ thaṁ daṁ dhaṁ naṁ ylūṁ vimalā vāgdevatāyai namaḥ
Neck
aiṁ hrīṁ śrīṁ ṭaṁ ṭhaṁ ḍaṁ ḍhaṁ ṇaṁ jmrīṁ aruṇā vāgdevatāyai namaḥ
Heart
aiṁ hrīṁ śrīṁ paṁ phaṁ baṁ bhaṁ maṁ hslvyūṁ jayinī vāgdevatāyai namaḥ
Navel
aiṁ hrīṁ śrīṁ yaṁ raṁ laṁ vaṁ jhmrayūṁ sarveśvari vāgdevatāyai namaḥ
Genital
aiṁ hrīṁ śrīṁ śaṁ ṣaṁ saṁ haṁ laṁ kṣaṁ kṣmrīṁ kaulinī vāgdevatāyai namaḥ
Cervix
Bindu . Sahasrara
1 aiṁ hrīṁ śrīṁ ka e ī la hrīṁ namaḥ Sahasrara
2 aiṁ hrīṁ śrīṁ ha sa ka ha la hrīṁ namaḥ centre of Shri
Chakra
3 aiṁ hrīṁ śrīṁ sa ka la hrīṁ namaḥ sahasrara of
Dev. (moon)
4 aiṁ hrīṁ śrīṁ kaṁ namaḥ (head)
5 aiṁ hrīṁ śrīṁ eṁ namaḥ (genital)
6 aiṁ hrīṁ śrīṁ īṁ namaḥ (heart)
7 aiṁ hrīṁ śrīṁ laṁ namaḥ (right eye)
8 aiṁ hrīṁ śrīṁ hrīṁ namaḥ (left eye)
9 aiṁ hrīṁ śrīṁ haṁ namaḥ (third eye)
10 aiṁ hrīṁ śrīṁ saṁ namaḥ (right ear)
11 aiṁ hrīṁ śrīṁ kaṁ namaḥ (left ear)
12 aiṁ hrīṁ śrīṁ haṁ namaḥ (mouth)
13 aiṁ hrīṁ śrīṁ laṁ namaḥ (right arm)
14 aiṁ hrīṁ śrīṁ hrīṁ namaḥ (left arm)
15 aiṁ hrīṁ śrīṁ saṁ namaḥ (back)
16 aiṁ hrīṁ śrīṁ kaṁ namaḥ (right knee)
17 aiṁ hrīṁ śrīṁ laṁ namaḥ (left knee)
18 aiṁ hrīṁ śrīṁ hrīṁ namaḥ (Navel)
The above is the nyasa for pancadashii in the body. When you are doing the nyasa inyour body, (bala, vashinyadi,
pancadashii nyasas for example), Devii is also visualized orseen to be doing the same nyasa. If the Devi is a living
person receiving worshipsitting in front of you, then she will just follow the nyasas you are doing.
ShoDashii upasakas can do Shodha nyasa if time permits. That is condensed to a single stanza for pancadashii upasana as follows
gaṇeśa graha nakṣatra yogini rāśī rūpinīm devīm mantramayīm naumi mātṛka pīṭha rupinīm
Samanya argyaa 1 aiṁ hrīṁ śrīṁ ka e ī la hrīṁ hṛdayāya namaḥ śrīṁ 2 aiṁ hrīṁ śrīṁ ha sa ka ha la hrīṁ śirase svāhā śrīṁ 3 aiṁ hrīṁ śrīṁ sa ka ha la hrīṁ śikhāyai vaṣaṭ śrīṁ 4 aiṁ hrīṁ śrīṁ ka e ī la hrīṁ kavacāya huṁ śrīṁ 5 aiṁ hrīṁ śrīṁ ha sa ka ha la hrīṁ netrābhyāṁ vauṣaṭ
śrīṁ 6 aiṁ hrīṁ śrīṁ sa ka ha la hrīṁ astrāya phaṭ śrīṁ
7
aiṁ hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka ha
la hrīṁ namaḥ
Visesarghya 1
aiṁ hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka ha la hrīṁ namaḥ śrīṁ
2 aiṁ hrīṁ śrīṁ ka e ī la hrīṁ namaḥ śrīṁ 3 aiṁ hrīṁ śrīṁ ha sa ka ha la hrīṁ namaḥ śrīṁ 4 aiṁ hrīṁ śrīṁ sa ka ha la hrīṁ namaḥ śrīṁ 5 aiṁ hrīṁ śrīṁ ka e ī la hrīṁ hṛdayāya namaḥ śrīṁ 6 aiṁ hrīṁ śrīṁ ha sa ka ha la hrīṁ śirase svāhā śrīṁ 7 aiṁ hrīṁ śrīṁ sa ka ha la hrīṁ śikhāyai vaṣaṭ śrīṁ 8 aiṁ hrīṁ śrīṁ ka e ī la hrīṁ kavacāya huṁ śrīṁ 9 aiṁ hrīṁ śrīṁ ha sa ka ha la hrīṁ netrābhyāṁ vauṣaṭ
śrīṁ 10 aiṁ hrīṁ śrīṁ sa ka ha la hrīṁ astrāya phaṭ śrīṁ
Agni Kalas and( mantra for AGNI
aiṁ hrīṁ śrīṁ aiṁ agni maṇḍalāya dharmaprada daśa kalātmane
mahātripurasundaryaḥ arghya pātradhārāya namaḥ agnim dūtam vṛṇāmahe hotāraṁ viśvavedasaṁ asya yajñasya sukratuṁ rāṁ rīṁ rūṁ raiṁ rauṁ raḥ rāmalā varayūṁ agni maṇḍalāya namaḥ ) 1 yaṁ dhumrārciṣe namaḥ smoke 2 raṁ ūṣmāyai namaḥ heat 3 laṁ jvalinyai namaḥ glow 4 vaṁ jvālinyai namaḥ flame 5 śaṁ visphuliṅginyai namaḥ sparks issuing 6 ṣaṁ suśriyai namaḥ blessing 7 saṁ surupāyai namaḥ beautiful 8 haṁ kapilāyai namaḥ yellow 9 laṁ havyavahāye namaḥ consuming ghee 10 kṣaṁ kavyavahāyai namaḥ consuming food offerings
Surya Kalas mantra for SURYA
(aiṁ hrīṁ śrīṁ klīṁ sūrya maṇḍalāya dvādaśa kalātmane arghya pātrāya namaḥ āsatyena rajasā vartamāno niveṣayan amṛtam martyamca hiraṇmayena savitā rathenā devoyāti bhuvanā vipaśyan hraṁ hrīṁ hrūṁ hraiṁ hrauṁ hraḥ hrmalavarayūṁ sūrya maṇḍalāya namaḥ )
1 kaṁ bhaṁ tapinyai namaḥ hot 2 khaṁ baṁ tāpinyai namaḥ burning hot 3 gaṁ phaṁ dhūmrāyai namaḥ smoky 4 ghaṁ paṁ marīcyai namaḥ rays 5 ṅaṁ naṁ jvālinyai namaḥ fiercely glowing 6 caṁ dhaṁ rucyai namaḥ bright 7 chaṁ daṁ suṣumnāyai namaḥ lightning 8 jaṁ thaṁ bhogadāyai namaḥ enjoying 9 jhaṁ taṁ viśvāyai namaḥ cosmic 10 ñaṁ ṇaṁ bodhinyai namaḥ awakening 11 ṭaṁ ḍhaṁ dhāriṇyai namaḥ remembering 12 ṭhaṁ ḍaṁ kṣamāyai namaḥ forgiving
Chandra Kalas mantra for CHANDRA
aiṁ
hrīṁ śrīṁ sauḥ soma maṇḍalāya ṣoḍaśa kalātmane arghyāmrtāya namaḥ āpyāyasva sametute viśvatah somavarśaniyaṁ bhavā vajasya sangadhe
sāṁ sīṁ sūṁ saiṁ sauṁ sa| samalavarayūṁ soma maṇḍalāya namaḥ )
1 aṁ amṛtāyai namaḥ immortality
2 āṁ mānadāyai namaḥ pride
3 iṁ pūṣāyai namaḥ creative
4 īṁ tuṣṭhyai namaḥ happiness
5 uṁ puṣṭhyai namaḥ fullness
6 ūṁ ratyai namaḥ joy
7 ṛṁ dhṛtyai namaḥ contentment
8 ṝṁ śaśinyai namaḥ glow
9 ḷṁ candrikāyai namaḥ moonlight
10 ḹṁ kāntyai namaḥ brightness
11 eṁ jyotsnāyai namaḥ sheen
12 aiṁ śrīyai namaḥ grace
13 oṁ prītyai namaḥ loving
14 auṁ aṅgadāyai namaḥ offering
15 aḥ purṇāyai namaḥ full
16 aḥṁ purṇāmṛtāyai namaḥ unchanging fullness
The three celestial lights of Fire, Sun and the Moon represent thethree channels of nervous currents called suśumnà, pingalà andidà.
Among them, they exhaust all the letters of the Samskritalphabet, except the letter ‘ma’. The letter ‘ma’ means contact.Since every act
of worship involves contact, it is implied in everykalà whether it be of fire, sun or moon. Lalità Devī is fond of theletter ‘ma’, because
‘ma’ also means mother.
hamasaH anga devataa puujaa shrI sudhaa devii jii ki 1 aiṁ hrīṁ śrīṁ ka e ī la hrīṁ namaḥ śrīṁ 2 aiṁ hrīṁ śrīṁ ha sa ka ha la hrīṁ namaḥ
śrīṁ 3 aiṁ hrīṁ śrīṁ sa ka ha la hrīṁ namaḥ
śrīṁ 4
aiṁ hrīṁ śrīṁ ka e ī la hrīṁ hṛdayāya namaḥ hrdaya śakti śrī pādukāṁ pūjayāmi tarpayāmi namaḥ śrīṁ
5 aiṁ hrīṁ śrīṁ ha sa ka ha la hrīṁ śirase svāhā śakti śira śrī pādukāṁ pūjayāmi
tarpayāmi namaḥ śrīṁ 6
aiṁ hrīṁ śrīṁ sa ka ha la hrīṁ śikhāyai vaṣaṭ śikha śakti śrī pādukāṁ pūjayāmi tarpayāmi namaḥ śrīṁ
7 aiṁ hrīṁ śrīṁ ka e ī la hrīṁ kavacāya huṁ kavaca śakti śrī pādukāṁ pūjayāmi tarpayāmi namaḥ śrīṁ
8 aiṁ hrīṁ śrīṁ ha sa ka ha la hrīṁ netrābhyāṁ vauṣaṭ netra śakti śrī pādukāṁ pūjayāmi tarpayāmi namaḥ śrīṁ
9 aiṁ hrīṁ śrīṁ sa ka ha la hrīṁ astrāya phaṭ astra śakti śrī pādukāṁ pūjayāmi tarpayāmi namaḥ śrīṁ
In the centre, worship Devī in the seven cakràs seven times withPaňcadaśī given below at Muladhara (Earth),
Svadhisthana (Ocean ), Manipura (Fire), Anahata (Air), Vishuddhi(Space) , Ajna(Mind),Sahasrara
(Supermind)
śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa
ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ Offer gandham (scent), akshata (turmeric rice), pushpa (flowers),and dipa (lights) to maa Lakshmi, born out of the
clockwise and anticlockwise rotation of Meru Parvatam in the ocean).While waving the lights, you may recite the
sapta shloki Durga Sukta
Agni Kalas yaṁ
dhumrārciṣe raṁ ūṣmāyai laṁ jvalinyai vaṁ jvālinyai śaṁ visphuliṅginyai ṣaṁ suśriyai saṁ surupāyai haṁ
kapilāyai laṁ havyavahāye kṣaṁ kavyavahāyai namaḥ ) Surya Kalas
kaṁ bhaṁ tapinyai khaṁ baṁ tāpinyai gaṁ phaṁ dhūmrāyai ghaṁ paṁ marīcyai ṅaṁ naṁ
jvālinyai caṁ dhaṁ rucyai chaṁ daṁ suṣumnāyai jaṁ thaṁ bhogadāyai jhaṁ taṁ viśvāyai ñaṁ ṇaṁ bodhinyai
ṭaṁ ḍhaṁ dhāriṇyai ṭhaṁ ḍaṁ kṣamāyai namaḥ) Chandra Kalas
(aṁ amṛtāyai āṁ mānadāyai iṁ pūṣāyai īṁ tuṣṭhyai uṁ puṣṭhyai ūṁ ratyai ṛṁ dhṛtyai ṝṁ śaśinyai
ḷṁ candrikāyai ḹṁ kāntyai eṁ jyotsnāyai aiṁ śrīyai oṁ prītyai auṁ aṅgadāyai aḥ purṇāyai aḥṁ purṇāmṛtāyai namaḥ )
Brahma Kalas
1 aiṁ hrīṁ śrīṁ sṛṣṭiyai namaḥ creation
2 aiṁ hrīṁ śrīṁ ṛddhiyai namaḥ growth
3 aiṁ hrīṁ śrīṁ smṛtīyai namaḥ memory
4 aiṁ hrīṁ śrīṁ medhāyai namaḥ intelligence
5 aiṁ hrīṁ śrīṁ kāntiyai namaḥ glow
6 aiṁ hrīṁ śrīṁ lakṣmīyai namaḥ prosperity
7 aiṁ hrīṁ śrīṁ dyutiyai namaḥ sparkling
8 aiṁ hrīṁ śrīṁ sthirāyai namaḥ fixity
9 aiṁ hrīṁ śrīṁ sthitiyai namaḥ position
10 aiṁ hrīṁ śrīṁ siddhīyai namaḥ transcendent
viṣṇu kalā
1 aiṁ hrīṁ śrīṁ jarāyai namaḥ old age
2 aiṁ hrīṁ śrīṁ pālinyai namaḥ protective
3 aiṁ hrīṁ śrīṁ śāntayai namaḥ peace
4 aiṁ hrīṁ śrīṁ īśvarāyai namaḥ control
5 aiṁ hrīṁ śrīṁ ratiyai namaḥ enjoyment
6 aiṁ hrīṁ śrīṁ kāmikāyai namaḥ lust
7 aiṁ hrīṁ śrīṁ varadāyai namaḥ blessing
8 aiṁ hrīṁ śrīṁ hlādinayai namaḥ happiness
9 aiṁ hrīṁ śrīṁ prītīyai namaḥ loving
10 aiṁ hrīṁ śrīṁ dīrghāyai namaḥ long
rudra kalā 1 aiṁ hrīṁ śrīṁ tīkṣṇāyai namaḥ sharp
2 aiṁ hrīṁ śrīṁ raudrāyai namaḥ anger
3 aiṁ hrīṁ śrīṁ bhayāyai namaḥ fear
4 aiṁ hrīṁ śrīṁ nidrāyai namaḥ sleep
5 aiṁ hrīṁ śrīṁ tandrāyai namaḥ coma
6 aiṁ hrīṁ śrīṁ kṣudhāyai namaḥ hunger
7 aiṁ hrīṁ śrīṁ krodhīnyai namaḥ flames of anger
8 aiṁ hrīṁ śrīṁ kriyāyai namaḥ active
9 aiṁ hrīṁ śrīṁ udgāryai namaḥ uplifting
10 aiṁ hrīṁ śrīṁ mṛtyavoyai namaḥ death
īśvara kalā
1 aiṁ hrīṁ śrīṁ pītāyai namaḥ yellow
2 aiṁ hrīṁ śrīṁ śvetāyai namaḥ white
3 aiṁ hrīṁ śrīṁ aruṇāyai namaḥ red
4 aiṁ hrīṁ śrīṁ asitāyai namaḥ blue
You should visualize here, the ardhanaariishvara form of Devi. At the heart, the right half is white, with a blue dot and the left (female part) is yellow with a red dot).
sadāśiva kalā 1 aiṁ hrīṁ śrīṁ nivṛttayai namaḥ Detachment 2 aiṁ hrīṁ śrīṁ pratiṣṭhāyai namaḥ Fame 3 aiṁ hrīṁ śrīṁ vidyāyai namaḥ Knowledge 4 aiṁ hrīṁ śrīṁ śāntīyai namaḥ Peace 5 aiṁ hrīṁ śrīṁ indhikāyai namaḥ Fuel 6 aiṁ hrīṁ śrīṁ dīpakāyai namaḥ Light 7 aiṁ hrīṁ śrīṁ recikāyai namaḥ Exhaustive 8 aiṁ hrīṁ śrīṁ mocikāyai namaḥ Liberating 9 aiṁ hrīṁ śrīṁ parāyai namaḥ Transcendental 10 aiṁ hrīṁ śrīṁ sukṣmāyai namaḥ Light 11 aiṁ hrīṁ śrīṁ sukṣmāamratāyai namaḥ Pervasive 12 aiṁ hrīṁ śrīṁ jñānāyai namaḥ Enlightenment 13 aiṁ hrīṁ śrīṁ jñānāmratāyai namaḥ Transcendental 14 aiṁ hrīṁ śrīṁ āpyāyinīyai namaḥ Filling 15 aiṁ hrīṁ śrīṁ vyāpinyai namaḥ Expansion 16 aiṁ hrīṁ śrīṁ vyomarupāyai namaḥ Space
brahma mantra
aiṁ hrīṁ śrīṁ haṁ saḥ śuciṣada vasuḥ antarikṣasada hotā vediṣada atithiḥ duroṇasata nṛṣada nrṣada ṛdhtsad vdyomasada abja goja ṛtajā ādrijā ṛtaṁ bṛhat namaḥ
viṣṇu mantra
aiṁ hrīṁ śrīṁ pratad viṣṇu stavate vīryāya mṛgo na bhīma kucaro giriṣṭhāḥ yasyoruṣu triṣu vikramaṇe adhikṣiyanti bhuvanāni vviśvā namaḥ
rudra mantra
aiṁ hrīṁ śrīṁ tryambakaṁ yajāmahe sugandhiṁ puṣṭi vardhanam urvārukamiva bandhanān mṛtyormukṣīya māmṛtāt namaḥ
mahā viṣṇu
sūrayaḥ divīva cakṣurātatam tadviprāso vipanyavo
sadāśiva
aiṁ hrīṁ śrīṁ viṣṇuryoniṁ kalpayatu tvaṣṭā rūpāṇi
garbhaṁ dhehi sinīvāli garbhaṁ dhehi sarasvati garbhante aśvinau devā vādhattāṁ puṣkarasrajā namaḥ
Amrita Kalas
|| akhaṇḍa eka rasānanda kare parāsudhātmani svacchanda sphurannāmātra nidhehi akulanāyike namaḥ śiva pādāmrutaṁ śirasi āvahayāmi ||
(Invoke nectar from right foot (Shiva's foot) on the head)
|| akulasthāmruta akāre śuddhajñāna kare pare amrutatvaṁ nidhehi asmin vastuni klinnā rupini namaḥ|śakti pādāmrutaṁ śirasi āvāhayāmi ||
(Invoke nectar from left foot (Shakti's foot) on the head)
|| tadarupiṇi ekarasyā tvaṁ krtvahi etat svarupini bhūtvā parāmrutākāramayī citta sphurannaṁ kuru namaḥ| śiva śakti samarasya amṛtaṁ lalāṭe āvāhayāmi ||
(Invoke nectar from both Shiva and Shakti's feet on the head)
|| aiṁ blūṁ jhmrouṁ jūṁ saḥ amṛte amṛtodbhave amṛteśvari amṛtavarṣiṇi amṛtaṁ srāvaya srāvaya svāhā namaḥ karuṇā rasāmritaṁ netrayoho āvāhayāmi ||
drāṁ drīṁ klīṁ blūṁ saḥ
(Invoke nectar of boundless mercy from eyes of Shakti on the head)
|| aiṁ vada vada vāgvādini aiṁ| saṁgīta sudhā amrutaṁ mukhe āvāhayāmi ||
(Invoke nectar of divine music from face of Shakti)
|| klīṁ klinne kledini kledaya kledaya mahā kṣobhaṁ kuru kuru klīṁ śrī mātru kṣīra dhārāhā hradaye āvahayami ||
(Invoke divinely milk from the breasts of Shakti to the heart)
|| sauḥ mokṣaṁ kuru kuru sauḥ janma rahityaṁ guhye āvāhayāmi ||
(End of Birth Death cycle is invoked in genitals)
|| hasauṁ śauḥ namaḥ ||
|| parāśiva parāśakti kaṭākṣaṁ pādayoho āvāhayāmi ||
Invocation of Icchaa , Gyanaa, Kriya Shakti
|| aiṁ vada vada vāgvādini aiṁ klīṁ klinne kledini kledaya kledaya mahākṣobhaṁ kuru kuru klīṁ sauḥ mokṣaṁ kuru kuru hasauṁ śauḥ namaḥ ||
(Invoke grace of Shiva and Shakti from their feet))
|| śrī gurubhyo namaḥ iti guhye ||
(Invoke Sri Guru's grace in genitals)
|| śrī parama gurubhyo namaḥ iti hradaye) ||
(Invoke Sri Parama Guru's grace in Heart)
|| śrī parameṣṭī gurubhyo namaḥ iti lalāṭe) ||
(Invoke Sri Parameshti Guru's grace in forehead)
|| śrī parātpara gurubhyo namaḥ iti śirasī ||
(Invoke Sri Paraatpara Guru's grace in Head)
|| īti yoni mudrayā praṇāmet ||
(Show yoni Mudra)
|| tataḥ dadhi kṣīra ājya madhu śarkarā sahitama madhu parkam prāsayet ||
(Afterwards, offer Madhu Parkam with Milk, Curd, Ghee, Honey and Sugar)
|| āardraṁ jvalati jyotir ahamasmi| jyotir jvalati brahma ahamasmi| yoahamasmi
brahma ahamasmi| āhamasmi brahma ahamasmi| āhamevāham mām juhomi svāhā ||
|| ītaḥ purvaṁ prāṇa buddhi deha dharma adhikārataḥ jāgrata svapna suśupti
avastāsu manasā vācā karmaṇā hastābhyaṁ padbhyāṁ udarena śiṣna yonyā
yat uktam yat kritam yat smrutam tat sarvam brahma
arpṇaṁ bhavatu svāhā ||
|| brahma arpṇaṁ brahma havihi brahmāgnou brahmaṇa āhutaṁ
brahmaiva tena gantavyam brahma karma samādhinā ||
LALITAA KRAMAM
hṛccakrasthitām
(Residing in the heart like a rising sun, red in colour)
antaḥ ssuṣumṇā padmāṅavī nirbhedana kuśalāṁ nirasta
(Able to pierce the lotuses easily with flashes of light along the axis of su.umna)
moha andhakāra paripandhini saṁvidagnim
(The fire of knowledge dispelling delusion)
śiva dīpa jyotim
(The light of auspicious consciousness, universal and unbounded)
ādi samvidaṁ prāṇarupiṇīṁ
(The primordial intuited knowledge of the form of all life itself)
trikhaṇḍamudragarbhita kusumāṅjalau
(Into the flowers held in trikhanda mudra of the colours of white red and yellow)
aiṁ hrīṁ śrīṁ
ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ ityādaya
(Breathing into the white, yellow and red flowers held in the trikhanda mudra the mula mantra, the sound form of
Dev.)
aiṁ hrīṁ śrīṁ hrīṁ śrīṁ sauḥ śakticakraika nāyikāyāḥ amṛta caitanya mūrtiṁ kalpayāmi namaḥ
Create the immortal (transcendental) conscious form of Lalità withthe àvaraņa mantrà to trikoňa, hrīm srīm sauĥ,
i.e., the formless Devīis being invoked into taking the form of the flowers by breathing herlife, the mantrà.
aiṁ hrīṁ śrīṁ hasraiṁ hsklrīṁ hsrauḥ mahāpadma vanāntaḥsthe kāraṇānanda vigrahe sarva bhūtahite mātarehyehi parameśvari
(The union of Śivà and Śakti; space, time, and their union; or desire,knowledge and action. The world is the mahàpadmà in which
Sheresides as the blissful cause of all this world. The CompassionateMother of all this world, Please come, do come, O! Parameśvari.
Thussaying, leave the flowers onto the Śrī Chakrà or Devī).
Here follow the 64 acts of intimate worship to Śrī Lalità Devī in theantrà or idol or the suvasini. For every one of
the upacàràs (acts ofŚri Chakra Pūjâ Vidhi) Aim hrīm Śrīm Lalitàyai is said in the beginning and(kalpayàmi
namaĥ) at the end.
1 aiṁ hrīṁ śrīṁ lalitāyai tritārīnuccārya pādyaṁ kalpayāmi namaḥ
2 aiṁ hrīṁ śrīṁ lalitāyai ābharaṇa avaropaṇaṁ kalpayāmi namaḥ
3 aiṁ hrīṁ śrīṁ lalitāyai sugandhi tailābhyaṅgaṁ
kalpayāmi namaḥ
4 aiṁ hrīṁ śrīṁ lalitāyai sajjana śālā praveśanaṁ kalpayāmi namaḥ
5
aiṁ hrīṁ śrīṁ lalitāyai majjana śālā maṇḍapa maṇipīṭhopa veśanaṁ kalpayāmi namaḥ
6 aiṁ hrīṁ śrīṁ lalitāyai divya snānīyodvartanam kalpayāmi namaḥ
7 aiṁ hrīṁ śrīṁ lalitāyai uṣṇodakasnān kalpayāmi namaḥ
8
aiṁ hrīṁ śrīṁ lalitāyai kanaka kalaśacyuta sakala tīrthābhiṣekaṁ kalpayāmi namaḥ
9 aiṁ hrīṁ śrīṁ lalitāyai dhauta vastra parimārjanam kalpayāmi namaḥ
10 aiṁ hrīṁ śrīṁ lalitāyai aruṇa dukūla paridhānam kalpayāmi namaḥ
11 aiṁ hrīṁ śrīṁ lalitāyai aruṇa kucottariyam kalpayāmi namaḥ
12 aiṁ hrīṁ śrīṁ lalitāyai ālepa maṇḍapa praveśanam kalpayāmi namaḥ
13
aiṁ hrīṁ śrīṁ lalitāyai ālepa maṇḍapa maṇipīṭho upaveśanaṁ kalpayāmi namaḥ
14
aiṁ hrīṁ śrīṁ lalitāyai candana agaru kuṅkuma saṅku mṛgamada karpūra kastūrī gorocanādi divyagandha sarvāṅgīṇa vilepanaṁ kalpayāmi namaḥ
15 aiṁ hrīṁ śrīṁ lalitāyai keśabharasya kālāgaru dhūpaṁ kalpayāmi namaḥ
16
aiṁ hrīṁ śrīṁ lalitāyai mallikā mālatī jātī campaka aśoka śatapatra pūga kuḍamalī punnāga kalhāra mukhya sarvartu kusuma mālāṁ kalpayāmi namaḥ
17 aiṁ hrīṁ śrīṁ lalitāyai bhūṣaṇa maṇḍapa praveśanaṁ kalpayāmi namaḥ
18
aiṁ hrīṁ śrīṁ lalitāyai bhūṣaṇa maṇḍapa maṇipīṭhopaveśanaṁ kalpayāmi namaḥ
19 aiṁ hrīṁ śrīṁ lalitāyai nava maṇi makuṭaṁ kalpayāmi namaḥ
20 aiṁ hrīṁ śrīṁ lalitāyai candra śakalaṁ kalpayāmi namaḥ
21 aiṁ hrīṁ śrīṁ lalitāyai sīmanta sindūraṁ kalpayāmi namaḥ
22 aiṁ hrīṁ śrīṁ lalitāyai tilaka ratnaṁ kalpayāmi namaḥ
23 aiṁ hrīṁ śrīṁ lalitāyai kālāñjanaṁ kalpayāmi namaḥ
24 aiṁ hrīṁ śrīṁ lalitāyai pālīyugalaṁ kalpayāmi namaḥ
25 aiṁ hrīṁ śrīṁ lalitāyai maṇikuṇḍala yugalaṁ kalpayāmi namaḥ
26 aiṁ hrīṁ śrīṁ lalitāyai nāsābharaṇam kalpayāmi namaḥ
27 aiṁ hrīṁ śrīṁ lalitāyai adharayāvakaṁ kalpayāmi namaḥ
28 aiṁ hrīṁ śrīṁ lalitāyai prathama bhūṣaṇaṁ kalpayāmi
namaḥ
29 aiṁ hrīṁ śrīṁ lalitāyai kanaka cintākaṁ kalpayāmi namaḥ
30 aiṁ hrīṁ śrīṁ lalitāyai padakaṁ kalpayāmi namaḥ
31 aiṁ hrīṁ śrīṁ lalitāyai mahāpadakaṁ kalpayāmi namaḥ
32 aiṁ hrīṁ śrīṁ lalitāyai muktāvalim kalpayāmi namaḥ
33 aiṁ hrīṁ śrīṁ lalitāyai ekāvaliṁ kalpayāmi namaḥ
34 aiṁ hrīṁ śrīṁ lalitāyai channavīraṁ kalpayāmi namaḥ
35 aiṁ hrīṁ śrīṁ lalitāyai keyūrayugala catuṣṭayaṁ kalpayāmi namaḥ
36 aiṁ hrīṁ śrīṁ lalitāyai valayāvalim kalpayāmi namaḥ
37 aiṁ hrīṁ śrīṁ lalitāyai ūrmikāvaliṁ kalpayāmi namaḥ
38 aiṁ hrīṁ śrīṁ lalitāyai kāñcīdāma kalpayāmi namaḥ
39 aiṁ hrīṁ śrīṁ lalitāyai kaṭi sūtraṁ kalpayāmi namaḥ
40 aiṁ hrīṁ śrīṁ lalitāyai saubhāgyābharaṇaṁ kalpayāmi namaḥ
41 aiṁ hrīṁ śrīṁ lalitāyai pāda kaṭakaṁ kalpayāmi namaḥ
42 aiṁ hrīṁ śrīṁ lalitāyai ratna nūpuraṁ kalpayāmi namaḥ
43 aiṁ hrīṁ śrīṁ lalitāyai pādāṅgulīyakam kalpayāmi namaḥ
44 aiṁ hrīṁ śrīṁ lalitāyai eka kare pāśam kalpayāmi namaḥ
45 aiṁ hrīṁ śrīṁ lalitāyai anya kare aṅkuśam kalpayāmi namaḥ
46 aiṁ hrīṁ śrīṁ lalitāyai itara kare puṇḍrekṣu cāpam kalpayāmi namaḥ
47 aiṁ hrīṁ śrīṁ lalitāyai apara kare puṣpabāṇān kalpayāmi namaḥ
48 aiṁ hrīṁ śrīṁ lalitāyai śrīman māṇikya pāduke kalpayāmi namaḥ
49
aiṁ hrīṁ śrīṁ lalitāyai svasamāna veṣābhirāvarṇa devatābhiḥ saha mahācakrādhi rohaṇaṁ kalpayāmi namaḥ
50 aiṁ hrīṁ śrīṁ lalitāyai kāmeśvarāṅkaparyaṅkopaveśanam kalpayāmi namaḥ
51 aiṁ hrīṁ śrīṁ lalitāyai amṛtāsava caṣakam kalpayāmi
namaḥ
52 aiṁ hrīṁ śrīṁ lalitāyai ācamanīyaṁ kalpayāmi namaḥ
53 aiṁ hrīṁ śrīṁ lalitāyai karpūra vīṭikām kalpayāmi namaḥ
54 aiṁ hrīṁ śrīṁ lalitāyai ānandollāsa vilāsa hāsaṁ kalpayāmi namaḥ
55 aiṁ hrīṁ śrīṁ lalitāyai maṅgalārārtikaṁ kalpayāmi namaḥ
56 aiṁ hrīṁ śrīṁ lalitāyai chatraṁ kalpayāmi namaḥ
57 aiṁ hrīṁ śrīṁ lalitāyai cāmara yugalaṁ kalpayāmi namaḥ
58 aiṁ hrīṁ śrīṁ lalitāyai darpaṇaṁ kalpayāmi namaḥ
59 aiṁ hrīṁ śrīṁ lalitāyai tāla vṛntaṁ kalpayāmi namaḥ
60 aiṁ hrīṁ śrīṁ lalitāyai gandhaṁ kalpayāmi namaḥ
61 aiṁ hrīṁ śrīṁ lalitāyai puṣpaṁ kalpayāmi namaḥ
62 aiṁ hrīṁ śrīṁ lalitāyai dhūpaṁ kalpayāmi namaḥ
63 aiṁ hrīṁ śrīṁ lalitāyai dīpaṁ kalpayāmi namaḥ
64 aiṁ hrīṁ śrīṁ lalitāyai naivedyaṁ kalpayāmi namaḥ
Nitya Puja
aiṁ hrīṁ śrīṁ
1
aṁ eṁ sa ka la hrīṁ sauḥ aṁ kāmeśvarī nityā śrī pādukām pujayāmi tarpayāmi namaḥ
2
āṁ aiṁ blūṁ jeṁ blūṁ bheṁ blūṁ moṁ blūṁ heṁ blūṁ heṁ strīṁ hara bleṁ hrīṁ āṁ bhagamālini nitya śrī pādukām pujayāmi tarpayāmi namaḥ
3 iṁ oṁ hrīṁ iṁ nityaklinna śrī pādukām pujayāmi
tarpayāmi namaḥ
4
īṁ āṁ oṁ kroṁ bhroṁ krauṁ jhrauṁ crauṁ jrauṁ svāhā īṁ bheruṇḍā śrī pādukām pujayāmi tarpayāmi namaḥ
5 uṁ oṁ hrīṁ uṁ vahni vāsini śrī pādukām pujayāmi tarpayāmi namaḥ
6 ūṁ hrīṁ aiṁ kroṁ hrīṁ ūṁ mahā vajreśvarī śrī pādukām pujayāmi tarpayāmi namaḥ
7 aruṁ hrīṁ aruṁ śivadūtī śrī pādukām pujayāmi tarpayāmi namaḥ
8
arūṁ oṁ hrīṁ huṁ khe ca ce kṣaḥ strīṁ huṁ kṣeṁ hrīṁ phaṭ arūṁ tvaritā śrī pādukām pujayāmi tarpayāmi namaḥ
9 aluṁ aiṁ klīṁ sauḥ aluṁ kulasundarī śrī pādukām pujayāmi tarpayāmi namaḥ
10
alūṁ ha sa ka la ra ḍaiṁ ha sa ka la ra ḍīṁ ha sa ka la ra ḍauḥ alūṁ nityā śrī pādukām pujayāmi tarpayāmi namaḥ
11
eṁ hrīṁ phreṁ strūṁ kroṁ āṁ klīṁ aiṁ blūṁ huṁ phreṁ hrīṁ eṁ nīlapatākā śrī pādukām pujayāmi tarpayāmi namaḥ
12 aiṁ bha ma ra ya ūṁ aiṁ vijayā śrī pādukām pujayāmi tarpayāmi namaḥ
13 oṁ svauṁ oṁ sarvamangalā śrī pādukām pujayāmi tarpayāmi namaḥ
14
auṁ oṁ hrāṁ hrīṁ hrūṁ ra ra ra ra ra ra ra huṁ phaṭ svāhā auṁ jvāla mālini śrī pādukām pujayāmi tarpayāmi namaḥ
15 aṁ ckauṁ aṁ citreti śrī pādukām pujayāmi tarpayāmi namaḥ
16
aḥ ahaṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ aḥ ṣoḍaśī śrī pādukām pujayāmi tarpayāmi namaḥ
aiṁ hrīṁ śrīṁ hsklrḍaiṁ hsklrḍīḥ hsklrḍauḥ nityānityāśrī śrī pādukām pujayāmi tarpayāmi namaḥ
NAVAAVARANA PUJA
BINDU BHEDANAM Sodasi
śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka ha la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ
Khadga Mala Nyasa 1 om namaḥ tripura sundarī namaḥ śrīṁ
2 aiṁ hrīṁ śrīṁ|śrīṁ hrīṁ klīṁ aiṁ sauḥ| hṛdayāya devīyai namaḥ śrīṁ
3 aiṁ hrīṁ śrīṁ|om hrīṁ śrīṁ| śiro devīyai namaḥ śrīṁ
4 aiṁ hrīṁ śrīṁ|ka e ī la hrīṁ| śikhāya devīyai namaḥ śrīṁ
5 aiṁ hrīṁ śrīṁ|ha sa ka ha la hrīṁ| kavacāya devīyai namaḥ śrīṁ
6 aiṁ hrīṁ śrīṁ|sa ka ha la hrīṁ| netrābhyāṁ devīyai namaḥ śrīṁ
7 aiṁ hrīṁ śrīṁ| sauḥ aiṁ klīṁ hrīṁ śrīṁ| astrāya devīyai namaḥ śrīṁ
Nitya Kala Devis
1 aiṁ hrīṁ śrīṁ|śrīṁ| kāmeśvarīyai namaḥ śrīṁ
2 aiṁ hrīṁ śrīṁ|hrīṁ| bhagamālinīyai namaḥ śrīṁ
3 aiṁ hrīṁ śrīṁ|klīṁ| nityaklinneyai namaḥ śrīṁ
4 aiṁ hrīṁ śrīṁ|aiṁ| bheruṇḍeyai namaḥ śrīṁ
5 aiṁ hrīṁ śrīṁ|sauḥ| vahnivāsinīyai namaḥ śrīṁ
6 aiṁ hrīṁ śrīṁ|om| mahāvajreśvarīyai namaḥ śrīṁ
7 aiṁ hrīṁ śrīṁ|hrīṁ| śivadūtīyai namaḥ śrīṁ
8 aiṁ hrīṁ śrīṁ|śrīṁ| tvariteyai namaḥ śrīṁ
9 aiṁ hrīṁ śrīṁ|ka e ī la hrīṁ| kulasundarīyai namaḥ śrīṁ
10 aiṁ hrīṁ śrīṁ|ha sa ka ha la hrīṁ| nityeyai namaḥ śrīṁ
11 aiṁ hrīṁ śrīṁ|sa ka la ha hrīṁ| nīlapatākeyai namaḥ śrīṁ
12 aiṁ hrīṁ śrīṁ|sauḥ| vijayeyai namaḥ śrīṁ
13 aiṁ hrīṁ śrīṁ|aiṁ| sarvamaṅgaleyai namaḥ śrīṁ
14 aiṁ hrīṁ śrīṁ|klīṁ| jvālāmālinīyai namaḥ śrīṁ
15 aiṁ hrīṁ śrīṁ|hrīṁ| citreyai namaḥ śrīṁ
16 aiṁ hrīṁ śrīṁ|śrīṁ| mahānityeyai namaḥ śrīṁ
17
aiṁ hrīṁ śrīṁ| srīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ| parameśvara parameśvarīyai namaḥ śrīṁ
Salutations to Gurus
1 aiṁ hrīṁ śrīṁ mitreśamayīyai namaḥ śrīṁ
2 aiṁ hrīṁ śrīṁ ṣaṣṭiṣamayīyai namaḥ śrīṁ
3 aiṁ hrīṁ śrīṁuḍḍīśamayīyai namaḥ śrīṁ
4 aiṁ hrīṁ śrīṁcaryānāthamayīyai namaḥ śrīṁ
5 aiṁ hrīṁ śrīṁ lopāmudrāmayī namaḥ śrīṁ
6 aiṁ hrīṁ śrīṁ agastyamayī namaḥ śrīṁ
7 aiṁ hrīṁ śrīṁ kālatāpaśamayī namaḥ śrīṁ
8 aiṁ hrīṁ śrīṁ dharmācāryamayī namaḥ śrīṁ
9 aiṁ hrīṁ śrīṁ muktakeśīśvaramayī namaḥ śrīṁ
10 aiṁ hrīṁ śrīṁ dīpakalānāthamayī namaḥ śrīṁ
11 aiṁ hrīṁ śrīṁ viṣṇudevamayī namaḥ śrīṁ
12 aiṁ hrīṁ śrīṁ prabhākaradevamayī namaḥ śrīṁ
13 aiṁ hrīṁ śrīṁ tejodevamayī namaḥ śrīṁ
14 aiṁ hrīṁ śrīṁ manojadevamayi namaḥ śrīṁ
15 aiṁ hrīṁ śrīṁ kalyāṇadevamayī namaḥ śrīṁ
16 aiṁ hrīṁ śrīṁ vāsudevamayī namaḥ śrīṁ
17 aiṁ hrīṁ śrīṁ ratnadevamayī namaḥ śrīṁ
18 aiṁ hrīṁ śrīṁ śrīrāmānandamayī namaḥ śrīṁ
Avarana 1
ANANDA BHAIRAVI---- KamalambaSamrakshatu
The First Enclosure This is technically named Bhupur and is called
'Deluder of the Realms' or Trailokya Mohana Chakra. It has petals
in four directions, which contain esoteric knowledge to be
transmitted. There are actually six gateways to this enclosure if we
take a three-dimensional view of it, the four obvious dvaras and
those 'above' and 'below'. The Eastern gate is the way of the
mantras. The Southern gate is the way of devotion or bhakti. The
Western gate is for the performance of rites and rituals, or karma-
kanda. The Northern gate is the way of wisdom, or Jnana. The gate
'below' is the 'path of words' while the gate 'above' is the way or
'road of liberation'. These are located at the Southern and Northern
gate, respectively, i.e. 'above' is north, 'below' is south. Each of
these gates also stands for one of the six primary chakras in the
body.'Below' is the root or Muladhara Chakra; the Eastern gate to
the sacral or Svadhishthana Chakra; the Southern to the navel or
Manipura Chakra; the Western corresponds to heart or Anahata
Chakra; the Northern to the throat or Visuddha Chakra, and the
'above' to the brow or Ajna Chakra. The devotee or seeker is still
operating at the level of desire here.
The 3 lines of the 1st Avarana & the position of the various deities The outermost 3 lines known as Bhupura form the first Avarana
of the Sri Yantra. This is known as the Trilokya Mohana Chakra and the worshiper knowing its inner secrets can mesmerise the 3
worlds. It is ruled by a Yogini Devi called Prakata Yogini. The Deity of this is Tripura. The beeja of this Avarana is Am Aam Sauh.
The gem is topaz. The time is 24 minutes (360 breaths).The mudra to be shown is Kshobha Mudra.
The 1st line: The Outer line (of the 3 lines) has 10 Devis known as Siddhi Devis. Their luster is like that of molten gold, they hold the
goad in their right hands and the noose in their left hands. They are very auspicious and bestow heaps of gems and jewels to the
worshiper. They are placed as shown in the above picture. They are:
O1 aiṁ hrīṁ śrīṁ hāranūpura saṁyuktārūpiṇī| aṁ |aṇimā siddhi namaḥ
śrīṁ
O2 aiṁ hrīṁ śrīṁ kamaladvaya dhāriṇī| laṁ |laghimā evaṁ garimā
siddhi namaḥ śrīṁ
O3 aiṁ hrīṁ śrīṁ lakṣmī rūpiṇī| maṁ |mahimā siddhi namaḥ śrīṁ
O4 aiṁ hrīṁ śrīṁ paraśivamayī rūpiṇī| īṁ | īśitva siddhi namaḥ śrīṁ
O5 aiṁ hrīṁ śrīṁ śuddha jāṁpūnata prabhā rūpiṇī| vaṁ | vaśitva siddhi
namaḥ śrīṁ
O6 aiṁ hrīṁ śrīṁ tejo rūpā rūpiṇī| prāṁ| prākāmyā siddhiyai namaḥ śrīṁ
O7 aiṁ hrīṁ śrīṁ kamala vasatiḥ rūpiṇī bhuṁ | bhukti siddhiyai namaḥ
śrīṁ
O8 aiṁ hrīṁ śrīṁ viśva mohinī| iṁ | icchā siddhiyai namaḥ śrīṁ
O9 aiṁ hrīṁ śrīṁ sarva bhūṣo jvalāṅkī rūpiṇī| paṁ | prāpti siddhiyai
namaḥ śrīṁ
O10 aiṁ hrīṁ śrīṁ bījā pūradharā rūpiṇī|saṁ|sarvakāmā siddhiyai namaḥ
śrīṁ
The 2nd line: The 2nd or Middle line has eight Matruka Devis. They are bedecked in all ornaments. They hold in their hands
Vidya (book), Trident,Shakti, Chakra (Discus), Club, Thunderbolt, Baton & Lotus. They bestow to the worshiper everything
desired.
M1 aiṁ hrīṁ śrīṁ ādhyā śakti rūpiṇī| āṁ | brāhmīyai namaḥ śrīṁ
M2 aiṁ hrīṁ śrīṁ sakala jananī rūpiṇī| īṁ | māheśvarīyai namaḥ śrīṁ
M3 aiṁ hrīṁ śrīṁ kalaśa dhāriṇī rūpiṇī| ūṁ| kaumārīyai namaḥ śrīṁ
M4
aiṁ hrīṁ śrīṁ viṣṇu vāmāṅka saṁsthā rūpiṇī| ṝṁ | vaiṣṇavīyai namaḥ śrīṁ
M5 aiṁ hrīṁ śrīṁ kamalālayā rūpiṇī| ḹṁ | vārāhīyai namaḥ śrīṁ
M6
aiṁ hrīṁ śrīṁ śrīmat saubhāgya janani rūpiṇī| aiṁ| māhendrīyai ya indrāṇī namaḥ śrīṁ
M7 aiṁ hrīṁ śrīṁ bhārgavī rūpiṇī|auṁ| cāmuṇḍeyai namaḥ śrīṁ
M8 aiṁ hrīṁ śrīṁ sanātanī rūpiṇī| aḥṁ|mahālakṣmīyai namaḥ śrīṁ
The 3rd line: The innermost third line has 10 Mudra Shaktis. They are of red hue and rule the various mudras
and bestow spiritual boons to the worshiper.
I1 aiṁ hrīṁ śrīṁ sarvakāma phalāvāpti rūpiṇī| drāṁ| sarva saṅkṣobhiṇīyai mudrāśakti namaḥ śrīṁ
I2 aiṁ hrīṁ śrīṁ sādhanaika śukāvahā rūpiṇī| drīṁ| sarva vidrāviṇīyai mudrāśakti namaḥ śrīṁ
I3 aiṁ hrīṁ śrīṁ hiraṇya varṇa rūpiṇī| klīṁ| sarvākarṣiṇīyai mudrāśakti namaḥ śrīṁ
I4 aiṁ hrīṁ śrīṁ hariṇī rūpiṇī| bluṁ| sarva vaśaṅkarīyai mudrāśakti namaḥ śrīṁ
I5 aiṁ hrīṁ śrīṁ suvarṇa litastrajā rūpiṇī| saḥ| sarvonmādinīyai mudrāśakti namaḥ śrīṁ
I6 aiṁ hrīṁ śrīṁ samasta sampatsukhadā rūpiṇī| kroṁ| sarva mahāṅkuśeyai mudrāśakti namaḥ śrīṁ
I7
aiṁ hrīṁ śrīṁ akhila saubhāgya dāyinī rūpiṇī| hasakaphrem| sarva khecarīyai mudrāśakti namaḥ śrīṁ
I8
aiṁ hrīṁ śrīṁ samasta kalyāṇakarī rūpiṇī| hasauḥ hasauṁ| sarva bījeyai mudrāśakti namaḥ śrīṁ
I9 aiṁ hrīṁ śrīṁ jñānadā rūpiṇī| aiṁ| mahāyoniyai mudrāśakti namaḥ śrīṁ
I10
aiṁ hrīṁ śrīṁ haripriyā rūpiṇī| hsraiṁ hasakalarīṁ hsarauḥ | sarva trikhaṇḍeyai mudrāśakti namaḥ śrīṁ
Salutations to Chakreswari & Yogini in charge
aiṁ hrīṁ śrīṁ vijñāna saṁpat sukhadā rūpiṇī tripurācakreśvarī namaḥ śrīṁ
aiṁ hrīṁ śrīṁ | śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ | prakaṭa yoginī namaḥ śrīṁ
aiṁ hrīṁ śrīṁ hiraṇmayī rūpiṇī sarva saṅkṣobhiṇī mudrāśakti namaḥ śrīṁ
aiṁ hrīṁ śrīṁ vicitra vākbhūtikarī rūpiṇī aṇimā siddhi namaḥ śrīṁ
aiṁ hrīṁ śrīṁ |aṁ āṁ sauḥ|trailokyamohana cakrsvāminīyai namaḥ śrīṁ
Avarana-2 (16-petals) KALYANI-----Kamalambam Bhajare
This is technically named Shodashal and is called the 'Fulfiller of all Hopes' or Sarva Ashapurak Chakra. Since frustrated desire is the strongest obstacle to spiritual progress,the next stage is wisely concerned with satisfying them. Only he who has experienced can renounce. The values of virtue,wealth and pleasure are granted at this stage. The petals are representations of 16 sacred vowels, each one starting from the east in an anti-clockwise direction. Each of the 16 vowels corresponds to the divine Feminine Energy or Shakti. The Shaktis manifest their powers in the Five Elements, the 10 senses of perception or Indriyas (being further divided into five organs of action and five sense organs) and the Mind. This stage, too, corresponds to the Muladhara Chakra and is the second part of Emanation. Progress towards long-term objectives is achieved here.
The 2nd Avarana: is the 16 petals circle known as Sarvaash Paripooraka Chakra meaning the fulfiller of all desires.The presiding
form of Lalita in this Avarana is Tripureshi. She is ornamented with all gems, carries a book and a rosary. The Yogini residing here is
calledGupta Yogini. The 16 Devis of this Avarana are called the Nitya Kalas, also Nitya Devis, also Akarshana Devis and also Gupta
Yoginis. They are of red hue and each holds a noose, a goad, pot of nectar and make the sign of giving boons. They rule the 16
Sanskrit vowels from a to ah. By worshiping them one gets power over mind, ego, sound, touch, sight, taste, smell, intellect, steadiness,
memory, name, growth, etheric body, rejuvenation, and physical body.The 16 Yoginis represent the 16 vowels of Sanskrit language,
and areworshipped with the 16 vowels as their beeja mantras.The gem of this Avarana is sapphire. The dhatu is chyle (the first
product of the disintegration of food by the biological fires). The time is three hours (2700 breaths). The beeja mantra is Aim Klim
Sauh. The Mudra of this Avarana is the Dravini Mudra.
1 aiṁ hrīṁ śrīṁ manoharā rūpiṇī| aṁ kāmākarṣiṇī devi
namaḥ śrīṁ
2 aiṁ hrīṁ śrīṁ | āṁ buddhyākarṣiṇī devi namaḥ śrīṁ
3
aiṁ hrīṁ śrīṁ ananta saubhāgya dhāyinī rūpiṇī| iṁ
ahaṅkārākarṣiṇī devi namaḥ śrīṁ
4
aiṁ hrīṁ śrīṁ sarva bhūtāntarasthā rūpiṇī| īṁ
śabdākarṣiṇī devi namaḥ śrīṁ
5
aiṁ hrīṁ śrīṁ svarṇa prākāra maddhyakā rūpiṇī| uṁ
sparśākarṣiṇī devi namaḥ śrīṁ
6 6aiṁ hrīṁ śrīṁ samasta bhūteśvarī rūpiṇī| ūṁ
rūpākarṣiṇī devī namaḥ śrīṁ
7 7aiṁ hrīṁ śrīṁ viśvarūpā rūpiṇī| ṛṁ rasākarṣiṇī devi
namaḥ śrīṁ
8 8aiṁ hrīṁ śrīṁ prabhāmayi rūpiṇī| ṝṁ gandhākarṣiṇī devi namaḥ śrīṁ
9
9aiṁ hrīṁ śrīṁ dāriddhya duḥkhauka tamopa rūpiṇī| ḷṁ cittākarṣiṇī devi namaḥ śrīṁ
10 10aiṁ hrīṁ śrīṁ patminī rūpiṇī| ḹṁ dhairyākarṣiṇī devī namaḥ śrīṁ
11 11aiṁ hrīṁ śrīṁ | eṁ smṛtyākarṣiṇī devi namaḥ śrīṁ
12
12aiṁ hrīṁ śrīṁ kṛpākalita locana rūpiṇī| aiṁ
nāmākarṣiṇī devi namaḥ śrīṁ
13
13aiṁ hrīṁ śrīṁ praṇatasthānta śokaghni rūpiṇī|oṁ bījākarṣiṇī devi namaḥ śrīṁ
14
14aiṁ hrīṁ śrīṁ śaraṇāgata rakṣaṇa rūpiṇī|auṁ ātmākarṣiṇī devi namaḥ śrīṁ
15 15aiṁ hrīṁ śrīṁ śāntiḥ rūpiṇī| aṁ amṛtākarṣiṇī devi
namaḥ śrīṁ
16 16aiṁ hrīṁ śrīṁ kāntiḥ rūpiṇī| aḥ śarīrākarṣiṇī devi namaḥ śrīṁ
(Salutations to Chakreswari & Yogini in charge)
aiṁ hrīṁ śrīṁ patma saṁsthā rūpiṇī tripūreśvari namaḥ śrīṁ
aiṁ hrīṁ śrīṁ namaḥ śrīṁ śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ
aiṁ klīṁ hrīṁ śrīṁ | gupta yoginī namaḥ śrīṁ
aiṁ hrīṁ śrīṁ śāntiḥ rūpiṇī sarva vidrāviṇi mudrādevi namaḥ śrīṁ
aiṁ hrīṁ śrīṁ kāntiḥ rūpiṇī laghimāsiddhiḥ namaḥ śrīṁ
aiṁ hrīṁ śrīṁ aiṁ klīṁ sauḥ duritakṣayakāriṇi rūpiṇī sarvāśāpa ripūraka cakrasvāminī namaḥ śrīṁ
Avarana-3 (8-petals) SHANKARABHARANAM----
ShreeKamalaambikayaaKataakshitoham
This is technically named Ashtadal and is called 'Agitator of All' or Sarva
Sankshobhan Chakra. The eight large petals here represent a state of
psychophysical dynamic equilibrium. Each petal has a consonant
inscribed within it that begins with 'Ka' -the name of the Unknown God.
Symbolically the petals exemplify dynamic quality. In the East, the petal
stands for speech and expression; in the South,apprehension and
reception; in the West, locomotion; in the North, bodily urges and
excretion; in the Southeast, pleasure; in the Southwest, rejections and
reactions; in the Northwest, conscious attention; and in the Northeast,
detachment and dispassion. Alternative perspectives see the eight petals
as the seats of eight goddesses who are responsible for: Speech
(Vachana), Transaction (Adana), Departure (Gamana), Transcendence
(Visarg), Bliss (Ananda), Absence/Detachment (Hana), Giving
(Upadana) and, last of all, Neglect (Upeksha). In yet another
interpretation, the eight petals symbolize: Form (Rupa), Taste (Rasa),
Smell (Gandha), Touch (Sparsha), Sound (Shabdha), Primordial Sound
(Nada), Primordial Nature (Prakriti), and The Self (Purusha). The third
enclosure corresponds to the Manipura Chakra and is a transition stage
between Emanation-Preservation symbolically representing both of them.
This stage sees the aspirant succeed even further towards reaching the
ultimate goal.
The 3rd Avarana: is the 8 petal circle known as Sarva Sankshobhana Chakra.The preciding form of Lalita in this Avarana is Tripura Sundari. The
Yogini is Guptatara Yogini. She is swaying in a love intoxicated state, with her eyes full of bliss. She smiles with passion and shows the mudras
dispelling fears and granting boons.The eight Devis in each of the eight petals have the colour of Bandhuka flowers. They are holding noose, goad,
blue lotus and are dispelling fear. They represent Speech, Holding, Walking, Excreting, Pleasure, Abandoning,Concentration and Detachment.
They have the eight Ka class letters as their beejas.The beeja mantra of this Avarana is Hrim Klim Sauh. The gem is cat's eye.The dhatu is Flesh.
The time is day and night (21600 breaths).The mudra of this Avarana is Aakarshana Mudra.
1 aiṁ hrīṁ śrīṁ śaśiśekhara saṁttā rūpiṇī kaṁ khaṁ gaṁ ghaṁ ṅaṁ anaṅga kusumā namaḥ śrīṁ
2 aiṁ hrīṁ śrīṁ dhandhānya samṛddhi rūpiṇī caṁ chaṁ jaṁ jhaṁ ñaṁ anaṅga mekhalā namaḥ śrīṁ
3 aiṁ hrīṁ śrīṁ śakti rūpiṇī ṭaṁ ṭhaṁ ḍaṁ ḍhaṁ ṇaṁ
anaṅga madanā namaḥ śrīṁ
4 aiṁ hrīṁ śrīṁ ratiḥ rūpiṇī taṁ thaṁ daṁ dhaṁ naṁ anaṅga madanāturā namaḥ śrīṁ
5 aiṁ hrīṁ śrīṁ nitya puṣṭā rūpiṇī paṁ phaṁ baṁ bhaṁ maṁ anaṅga rekhā namaḥ śrīṁ
6 aiṁ hrīṁ śrīṁ rajanīkāra sodarā rūpiṇī yaṁ raṁ laṁ vaṁ anaṅga veginī namaḥ śrīṁ
7 aiṁ hrīṁ śrīṁ karīṣiṇī rūpiṇī śaṁ ṣaṁ saṁ haṁ anaṅga aṅkuśā namaḥ śrīṁ
8 aiṁ hrīṁ śrīṁ bhaktiḥ rūpiṇī ḻaṁ kṣaṁ anaṅga mālinī namaḥ śrīṁ
(Salutations to Chakreswari & Yogini in charge)
aiṁ hrīṁ śrīṁ bhavasāgaradhāriṇī rūpiṇī tripurasundaricakreśvarīnamaḥ śrīṁ
aiṁ hrīṁ śrīṁ | śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ matiḥ rūpiṇī guptatarayoginī namaḥ śrīṁ
aiṁ hrīṁ śrīṁ siddhiḥ rūpiṇī sarvākarṣiṇī mudrādevi namaḥ śrīṁ
aiṁ hrīṁ śrīṁ ghṛtiḥ rūpiṇī mahimāsiddhi namaḥ śrīṁ
aiṁ hrīṁ śrīṁ| hrīṁ klīṁ sauḥ madhusūdhana vallabhā rūpiṇī sarvasaṅkṣobhaṇe cakrasvāminī namaḥ śrīṁ
Avarana-4 (14-triangles) KAMBODHI:KamalaambikaayaiKanakamshukaayai
This is technically named Chaturdashar and is called the 'Provider
of Prosperity' or Sarva Saubhagya Dayak Chakra. It is a 14-
cornered figure. It represents the first 14 letters of the Sanskrit
alphabet, regarded as a sacred revelation of words of power. As
always, they are also supposed to be the seat of Shaktis who
represent: the Mind (Manas), the Intellect (Buddhi), Being (Chitta),
the Conscious Ego (Ahamkara) and the 10 Indriyas. The chakra
associated with it is the Anahata and it is the first stage of
Preservation-Emanation. Hope of spiritual success is firmly
established at this stage in the aspirant.
The 4th Avarana: This Avarana of 14 triangles (Outer blue triangles in picture) represents the 14 worlds and the
14 main Nadis in the human body. It is called Sarva Soubhagya Dayak Chakra. The presiding form of the devi is
Tripura Vasini. She is red and very beautiful. Fourteen Devis of the triangles are described as being proud,
wanton, young, colour of cochineal, ornamented with gems, holding noose, goad, mirror, wine cup full of nectar.
They are called Sampradaya Yoginis.The beeja mantra of this Avarana is Haim Hklim Hsauh.The gem is coral. The
dhatu is blood. The time is weekday.The mudra of this Avarana is Vasya Mudra.
1 aiṁ hrīṁ śrīṁ puṣṭiḥ rūpiṇī kaṁ sarvasaṅkṣobhiṇī devi namaḥ śrīṁ
2 aiṁ hrīṁ śrīṁ hiraṇyamālā rūpiṇī khaṁ sarva vidraviṇī devi namaḥ śrīṁ
3 aiṁ hrīṁ śrīṁ śubhalakṣaṇa lakṣitā rūpiṇī gaṁ sarva ākarṣiṇī devi namaḥ śrīṁ
4 aiṁ hrīṁ śrīṁ atidurgati hantrī rūpiṇī ghaṁ sarva hlādinī devi namaḥ śrīṁ
5 aiṁ hrīṁ śrīṁ varasatgadi dāyiṇī rūpiṇī ṅaṁ sarva sammohinī devi namaḥ śrīṁ
6 aiṁ hrīṁ śrīṁ divi deva gaṇārādhyā rūpiṇī caṁ sarva stambhinī devi namaḥ śrīṁ
7 aiṁ hrīṁ śrīṁ bhuvanārtti vināśini rūpiṇī chaṁ sarva jṛmbhiṇī devi namaḥ śrīṁ
8 aiṁ hrīṁ śrīṁ ādrā rūpiṇī jaṁ sarva vaśaṅkarī devi namaḥ śrīṁ
9 aiṁ hrīṁ śrīṁ puṣkariṇī rūpiṇī jhaṁ sarva rañjinī devi namaḥ śrīṁ
10 aiṁ hrīṁ śrīṁ puṣṭir dharaṇīdhara vallabhā rūpiṇī ñaṁ sarvonmādinī devi namaḥ śrīṁ
11 aiṁ hrīṁ śrīṁ dāridhya duḥkha hantrī rūpiṇī ṭaṁ sarvārthasādhinī devi namaḥ śrīṁ
12 aiṁ hrīṁ śrīṁ bhaya vidvaṁśinī rūpiṇī ṭhaṁ sarva sampattipūriṇī devi namaḥ śrīṁ
13 aiṁ hrīṁ śrīṁ śrī viṣṇu vakṣasthalakara rūpiṇī ḍaṁ sarva mantra mayī devi śrīṁ
14 aiṁ hrīṁ śrīṁ hyaśeṣa suvibhūtitā rūpiṇī ḍhaṁ sarva dvanta kṣayaṅkarī devi śrīṁ
(Salutations to Chakreswari & Yogini in charge)
aiṁ hrīṁ śrīṁ lakṣaṇā lakṣitāñki rūpiṇī tripuravāsinī cakreśvarī namaḥ śrīṁ
aiṁ hrīṁ śrīṁ| śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ | patmā rūpiṇī sampradāya yoginī namaḥ śrīṁ
aiṁ hrīṁ śrīṁ patmāsanārccitā rūpiṇī sarva vaśañkarī mudrādevi namaḥ śrīṁ
aiṁ hrīṁ śrīṁ vidhyā rūpiṇī īśitvasiddhi namaḥ śrīṁ
aiṁ hrīṁ śrīṁ| haiṁ hklīṁ hsauḥ |sampatkarī rūpiṇī sarvasaubhāgyadāyaka cakrasvāminī namaḥ śrīṁ
Avarana-5 (10-triangles) BHAIRAVI:ShreeKamalaambikaayaahParamNahire
This is technically named the Bahiradashar and is called
'Achiever of all Objects' or Sarva Artha Sadhak Chakra.
It is a 10-cornered figure. It corresponds to the Visuddha
chakra and is the stage called Preservation-Preservation,
meaning a very strong Vishnu energy. The 10-cornered
figure represents the 10 types of Vital Breaths (Prana or
Ki). This is inevitable as Vishnu (He Who Pervades) is
the Support of the Universe, i.e. Vishnu is the
visibilization of the Prana which is the support of all life.
The possibility, not the actual experience, of inner
spiritual realization is firmly established here.
The 5th Avarana: This Avarana of 10 triangles ( red triangles in the picture) is called Sarvarth Sadhaka Chakra. It
is own as Bahirdasaram. The presiding aspect of Lalita is Tripurasri. She holds noose goad, a skull and dispels
fear.She is of vermilion brightness. The Yoginis are called Kulotteerna Yoginis and also Kula Yoginis. They have
the lusture of Japakusuma flowers and are adorned with shining gems and jwels. They are holding noose and
goads and showing the gestures of knowledge, and giving boons. They represent thedasavataras and the 10 Vital
Fires.The beeja of this Avarana is Hsshoum, Hleesskhloum, Hssouh. The gem is pearl. The dhatu is Ova/Semen.
The time is Lunar Day (tithi).The Mudra of this Avarana is Unmada Mudra.
1 aiṁ hrīṁ śrīṁ deva saṁgābhipujitā rūpiṇī ṇaṁ sarva siddhipradā devi namaḥ śrīṁ
2 aiṁ hrīṁ śrīṁ bhadrā rūpiṇī taṁ sarva sampatpradā devi namaḥ śrīṁ
3 aiṁ hrīṁ śrīṁ bhāgyarūpā rūpiṇī thaṁ sarva priyaṅkarī devi namaḥ śrīṁ
4 aiṁ hrīṁ śrīṁ nityā rūpiṇī daṁ sarva maṅgalakāriṇī devi namaḥ śrīṁ
5 aiṁ hrīṁ śrīṁ nirmala bhuddhitā rūpiṇī dhaṁ sarva kāmapradā devi namaḥ śrīṁ
6 aiṁ hrīṁ śrīṁ satyā rūpiṇī naṁ sarva duḥkha vimocinī devi namaḥ śrīṁ
7 aiṁ hrīṁ śrīṁ sarva bhūtasthā rūpiṇī paṁ sarva mṛtyu praśamanī devi namaḥ śrīṁ
8
aiṁ hrīṁ śrīṁ ratna karpāntarasthitā rūpiṇī phaṁ sarva vighna nivāriṇī devi namaḥ śrīṁ
9 aiṁ hrīṁ śrīṁ ramyā rūpiṇī baṁ sarvāṅga sundarī
devi namaḥ śrīṁ
10 aiṁ hrīṁ śrīṁ śuddha rūpiṇī bhaṁ sarva saubhāgyadāyinī devi namaḥ śrīṁ
(Salutations to Chakreswari & Yogini in charge)
aiṁ hrīṁ śrīṁ kāntā rūpiṇī tripurāśrī cakreśvarī namaḥ śrīṁ
aiṁ hrīṁ śrīṁ śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ kāntimat bhāsitāṅkā rūpiṇī kula kaula yoginī namaḥ śrīṁ
aiṁ hrīṁ śrīṁ sarva saukhya pradā rūpiṇī sarvonmādinī mudrādevi namaḥ śrīṁ
aiṁ hrīṁ śrīṁ bhaktaukābhaya dāyini rūpiṇī vaśitva namaḥ śrīṁ
aiṁ hrīṁ śrīṁ| hsaiṁ hsklīṁ hssauḥ śvetadvīpa kṛtāvāsā rūpiṇī sarvārtha sādhaka cakra svaminī namaḥ śrīṁ
Avarana-6 (10-triangles) PUNNAGAVARALI Kamalaambikaayaastava Bhaktoham
This is technically named the Antardashar and is called 'Protector
of All' or Sarva Rakshakar Chakra. It is also a 10-cornered figure.
There is some ambivalence about it as it corresponds to the
Manipura Chakra, but is apparently experienced by mystics who
have internalized the Sri Yantra as being between the eyebrows,
which is where you would expect the Ajna Chakra to be. Its nature
is that of fire (Agni), the 10 specific 'fires within the body' being the
fire of purgation (Rechak), digestion (Pachak), absorption
(Shoshak), burning (Dahak), the secretion of enzymes (Plavak),
acidification (Ksharak), to take out or excrete (Uddharak), the fires
of pessimism and frustration (Kshobhak), the fire of assimilation
(Jrambhak) and creating luster (Mohak). This enclosure symbolizes
the third stage of Preservation called Preservation-Absorption. The
advent of inner realization begins here.
The 6th Avarana: This inner 10 triangle chakra (shown in black in the picture) is called Sarva Rakshakara Chakra and also as
Antardasardam. The presiding aspect of Lalita is Tripura Malini. She holds noose and goad, dispels fear, and holds a skull. She is of
vermilion brightness. The Yoginis are called Nigarbha Yoginis. They are the colour of 1000 rising suns, adorned with pearls and
gems, holding noose, chisel, and showing the gestures of knowledge, and giving boons. They are the saktis of the 10 Vital Fires.The
beeja of this Avarana is Hrim Klim Blem. The gem is emerald. Thedhatu is Marrow. The time is Lunar Fortnight.The Mudra of the
Avarana is Mahankusha Mudra.
1 - aiṁ hrīṁ śrīṁ jagaṁmātā rūpiṇī maṁ sarva-jñā devi namaḥ śrīṁ
2 - aiṁ hrīṁ śrīṁ jagaṁmayī rūpiṇī yaṁ sarva-śakti devi namaḥ śrīṁ
3 -
aiṁ hrīṁ śrīṁ ratna karpasthitā rūpiṇī raṁ sarva-aīśvarya pradā devi namaḥ śrīṁ
4 - aiṁ hrīṁ śrīṁ saumyā rūpiṇī laṁ sarva-jñāna mayī devi namaḥ śrīṁ
5 -
aiṁ hrīṁ śrīṁ kṣīrāṁbutikṛtā layā rūpiṇī vaṁ sarva-vyādhi vināśinī devi namaḥ śrīṁ
6 -
aiṁ hrīṁ śrīṁ prasanna hṛdayā rūpiṇī śaṁ sarva-ādhāra svarupā devi namaḥ śrīṁ
7 - aiṁ hrīṁ śrīṁ paripūrṇā rūpiṇī ṣaṁ sarva-pāpa harā devi namaḥ śrīṁ
8 - aiṁ hrīṁ śrīṁ hiraṇmayī rūpiṇī saṁ sarva-ānanda mayī devi namaḥ śrīṁ
9 -
aiṁ hrīṁ śrīṁ vasundharā rūpiṇī haṁ sarva-rakṣā svarupiṇī devi namaḥ śrīṁ
10 aiṁ hrīṁ śrīṁ śrīdharā rūpiṇī kṣaṁ sarvepsita phalapradā devi namaḥ śrīṁ
(Salutations to Chakreswari & Yogini in charge)
aiṁ hrīṁ śrīṁ vasudoktrī rūpiṇī tripuramālinī namaḥ śrīṁ
aiṁ hrīṁ śrīṁ| śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ kṛpāmayī rūpiṇī nigarbhayogini namaḥ śrīṁ
aiṁ hrīṁ śrīṁ viṣṇupriyā rūpiṇī sarva mahāṅkuśā mudrā devi namaḥ śrīṁ
aiṁ hrīṁ śrīṁ ratnagarbhā rūpiṇī prākāmya siddhi namaḥ śrīṁ
aiṁ hrīṁ śrīṁ hrīṁ klīṁ bleṁ samasta phaladā rūpiṇī sarva rakṣākara cakra svaminī namaḥ śrīṁ
Avarana-7 (8-triangles)
SAHANA ShreeKamalaambikaayaam BhaktimKaromi
This is technically named Ashtar, an eight-cornered figure, and is
called 'Remover of all Diseases' or Sarva Roga Hara Chakra. It is
represented by five letters of the 'pa' group as also the letters 'sa',
'sha' and 'sa' again. The eight letters are also supposed to represent
the eight weapons held by the Kameshwara -Kameshwari (Shiva-
Durga) dyad which destroy disease. Shiva as Rudra was
specifically a healer, thus this enclosure merely adds the feminine
healing energy to the mix. Paradoxically, it corresponds to two
chakras of the human body, both the forehead Ajna as well as the
Svadhisthana Chakras. It may have something to do with the sort of
energy required to bring about healing. Energy workers are aware
that it sometimes begins to flow from the womb or genitals, where
the Svadhisthana is located. This enclosure symbolizes the first
stage of Absorption, namely Absorption-Emanation. At this level
the aspirant is free of all earthly bondage and is, literally, on the
threshold of the inner circle of realization
The 7th Avarana: This inner 8 triangle chakra (shown in Green in the picture) is called Sarva Rogahara Chakra. The preciding Devi is
Tripura Siddhamba.She is described as the Destroyer of Poison. The Yogini is called Ati Rahasya Yogini. The Yoginis are the colour
of pomegranate flowers, wearing red clothes, smeared with red scent, each carrying five arrows and a bow. These Devis are the rulers
of Cold, Heat, Happiness, Sorrow, Desire, and the three gunas Sattvas, Rajas, Tamas. They are also called the eight Vasinis and rulethe
eight Sanskrit letter groups. They also represent the Astha Vasus.The beeja is Hreem, Shreem, Souh. The gem is diamond. The time is
month.The Mudra is Khecari Mudra.
1 -
aiṁ hrīṁ śrīṁ rasādaḻa gadā rūpiṇī aṁ āṁ iṁ īṁ uṁ ūṁ ṛṁ ṝṁ ḷṁ ḹṁ eṁ aiṁ oṁ auṁ aḥ aḥ -bluṁ vaśinī vāgdevi namaḥ śrīṁ
2
aiṁ hrīṁ śrīṁ suvradhara rūpiṇī kaṁ khaṁ gaṁ ghaṁ ṅaṁ kalahrīṁ kāmeśvarī vāgdevi namaḥ śrīṁ
3
aiṁ hrīṁ śrīṁ haripriyā rūpiṇī caṁ chaṁ jaṁ jhaṁ ñaṁ|nblūṁ modinī vāgdevi namaḥ śrīṁ
4
aiṁ hrīṁ śrīṁ dharaṇīgarbha samastā rūpiṇī ṭaṁ ṭhaṁ ḍaṁ ḍhaṁ ṇaṁ yluṁ vimalā vāgdevi namaḥ śrīṁ
5
aiṁ hrīṁ śrīṁ samunnatamukhī rūpiṇī taṁ thaṁ daṁ dhaṁ naṁ jmrīṁ aruṇā vāgdevi namaḥ śrīṁ
6
aiṁ hrīṁ śrīṁ samastapura samastā rūpiṇī paṁ phaṁ baṁ bhaṁ maṁ hasalavayūṁ jayinī vāgdevi namaḥ śrīṁ
7
aiṁ hrīṁ śrīṁ paripurṇa manoratā rūpiṇī yaṁ raṁ laṁ vaṁ jhamarayūṁ sarveśvarī vāgdevi namaḥ śrīṁ
8
aiṁ hrīṁ śrīṁ karuṇārasa ṛṣyanta netradvaya vilāsinī rūpiṇī śaṁ ṣaṁ saṁ haṁ laṁ kśaṁ|kṣmrīṁ| kaulinivaśinī vāgdevi namaḥ śrīṁ
(Salutations to Chakreswari & Yogini in charge)
aiṁ hrīṁ śrīṁ sarva rāja gṛhā vāsā rūpiṇī tripurāsiddhā cakreśvarī namaḥ śrīṁ
aiṁ hrīṁ śrīṁ śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ mahālakṣmī guṇānvidā rūpiṇī rahasya yoginī namaḥ śrīṁ
aiṁ hrīṁ śrīṁ vaikuṇṭha nagarasthā rūpiṇī sarva khecarī mudrā namaḥ śrīṁ
aiṁ hrīṁ śrīṁ kṣīrasāgara kanyakā rūpiṇī bhukti namaḥ śrīṁ
aiṁ hrīṁ śrīṁ hrīṁ śrīṁ sauḥ yogi hṛt patmasaṁsthā rūpiṇī sarva rogahara cakra svaminī namaḥ śrīṁ
Avarana-8 (Salutations to weapons) GHANTA:Shree Kamalaambike Avaarana This is the Primary Triangle technically named the Kamakala and more
typically is called 'The Bestower of all Attainments' or Sarva Siddhiprada
Chakra. The Kama-kala is the first outcome or effect of the central bindu's
energy outflow. Since it is an inverted triangle, it is also described as 'the
wandering between horns', the two lines meeting at a point below being
the horns.The three lines of the triangle are also held to represent the
three qualities or Gunas: Purity and Calm (Sattva), Activity (Rajas), and
Inertia (Tamas). Alternatively, the three lines are held to symbolize three
goddesses -Kameshwari, Brijeshwari and Agamalini. They also represent
the three stages of consciousness: Conscious Awareness (Jagriti),
Dreaming (Swapna), and Deep Slumber (Sushupti). The fourth stage of
Consciousness is literally Turiya -the Fourth! This is a transcendent state
found only in the ultimate realization of the final enclosure.
The 8th Avarana: This inner triangle chakra (shown in Yellow in the picture) is called Sarva Siddhiprada Chakra. The presiding Devi is
Tripuramba. The Yogini here is Ati-Rahasya Yogini. Her Beejamantra is Hsraim Hsrklim Hsrsauh.She is also known as Sampatprada Bhairavi.
She has coppery effulgent, like a 1000 suns, with three eyes, a face like the moon, adorned with white gems, with a beautiful figure, rising swelling
breasts,intoxicated, wanton,young, proud, holding book, dispelling fear, holding a rosary and granting boons. The Weapons are worshipped as
seen on the sides of Yellow Triangle where different weapons are placed ( 4 in number) and The 3 Devis here are:1.Kameshvari 2.Vajreshi
3.Bhagamalini.Kameshvari is the Rudra Shakti - Parvati. She is white in colour, besmeared with camphor, adorned with pearls and crystal, and
various other gems, holding book, rosary, bestowing boons and dispelling fear.Vajreshi is the Vishnu Shakti - Lakshmi. She is bright as red
kumkuma,adorned with flowers and gems, like the dawn sun. Her eyelids are smearedwith sapphire dust, she holds sugarcane how, flowery
arrows, bestows boons,dispels fear.Bhagamalini is the Brahma Shakti - Saraswati. She is effulgent as molten gold,adorned with priceless gems,
holds noose, goad, and shows the gestures ofknowledge and bestowing boons.The beeja is Hsraim Hsrklim Hsrsauh. The gem of the mandala is
Gomaya.The dhatu is Fat. The time is season (two months). The Mudra is the Bija Mudra.
1
aiṁ hrīṁ śrīṁ kalpavallī rūpiṇī yaṁ raṁ laṁ vaṁ saṁ drāṁ drīṁ klīṁ bluṁ saḥ rūpiṇī jṛṁbaṇebyaḥ kāmeśvara kāmeśvarī bāṇebhyo namaḥ śrīṁ
2
aiṁ hrīṁ śrīṁ dayāvati rūpiṇī thaṁ dhaṁ sammohanāya kāmeśvarī dhanurbhyāṁ namaḥ śrīṁ
3
aiṁ hrīṁ śrīṁ bhakti cintāmaṇī rūpiṇī hrīṁ āṁ vaśīkaraṇāya kāmeśvara kāmeśvarī pāśābhyāṁ namaḥ śrīṁ
4
aiṁ hrīṁ śrīṁ hyādi māyendirā rūpiṇī kroṁ kroṁ sarva staṁbanāya kāmeśvara kāmeśvarī aṅkuśābhyāṁ namaḥ śrīṁ
Main Triangle
1
aiṁ hrīṁ śrīṁ bhogadā rūpiṇī śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ mahā kāmeśvarī devi namaḥ śrīṁ
2
aiṁ hrīṁ śrīṁ vicakṣaṇā rūpiṇī ka e ī la hrīṁ ha sa ka ha la hrīṁ| mahā vajreśvarī devi namaḥ śrīṁ
3
aiṁ hrīṁ śrīṁ devādi nātha vandyā rūpiṇī sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ| mahā bhagamalinī devi namaḥ śrīṁ
(Salutations to Chakreswari & Yogini in charge)
aiṁ hrīṁ śrīṁ dīna poṣaṇa tatparā rūpiṇī tripuraṁbā cakreśvari namaḥ śrīṁ
aiṁ hrīṁ śrīṁ māṁgalya bījā mahimā rūpiṇī śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ rūpiṇī parā para rahasyayoginī namaḥ śrīṁ
aiṁ hrīṁ śrīṁ nidhi rūpiṇī bījamudrā devi namaḥ śrīṁ
aiṁ hrīṁ śrīṁ anantadā rūpiṇī iccā siddhi namaḥ śrīṁ
aiṁ hrīṁ śrīṁ ādyādi lakṣmī rūpiṇī hsraiṁ hsklrīṁ hsrauḥ rūpiṇī sarva siddhiprada cakra svaminī namaḥ śrīṁ
Avarana-9 (Bindu) AHIRI:ShreeKamalaambaaJayati
This is the central point or Bindu and is aptly called 'Filled with
all Bliss' or Sarva Anandamayai Chakra. Since it is too minute to
be clearly seen, the Primary Triangle exists as a manifestation of
this bindu. This point is the actual spot where the Mother resides
though, to make matters interesting, this point is supposed to
pervade all creation too! This, in a temple, would be the sanctum
sanctorum,with all the other circles or enclosures representing
various parts of the temple as you move inwards. Every classic
temple has this nine-enclosure design to enable the mind to be
successively purified and focused, by the time it getsthe actual
vision of the deity. By this point, the seeker should be in mystical
union with the God-field. The point is also called the 'Field of
Deliberation', the spot wherein takes place the indissoluble union
of the individual soul with the divine. The Ninth Enclosure is the
ultimate gathering up of Emanation and represents Absorption-
Absorption, 'filled with all bliss' as bliss - Ananda - is defined as
'Resting in Oneself'. This point corresponds to the Sahasrara
Chakra, the aperture on the crown of the head.It is the culmination
of the inner journey, a return to Godhead. The reverse process is
the unfolding of the Universe. These two processes alternate
eternally in the process known as Vyapta-Vyapta, Manifest-
Unmanifest, creation by emanation, dissolution, absorption and
then emanation again.
The 9th Avarana: This Avarana is the Bindu - the Cosmic Union
of Shiva & Shakti as Kameswari & Kameswara. It is called
Sarvanandamaya Chakra. The Yogini is the Queen of Queens,
Rajarajeshvari, Her Transcendent Majesty Lalita Maheshvari
Mahatripurasundari.The beeja is ka e i la hrim. The gem is
ruby. The dhatu is hair. The time isyear. The mudra of this
Avarana is Yoni Mudra. Some Sri Yantras have a further
division within the bindu space, three dots arranged in a
triangle and standing for the three creative fires: the Fire of the
Moon, i.e. the dot representing it is red in color and it also
stands for the ida channel for the prana on the left (lunar) side
of the body; the Fire of the Sun is a white dot, and represents the
pingala channel for the prana on the right side of the body; the
Fire of Agni, sacred flame, is of mixed colors and stands for the
central channel, the sushumna. In such cases, of course,the
actual bindu will be infinitely small and enclosed within the
triangular space formed by these three dots.
aiṁ hrīṁ śrīṁ mahāsiddha lakṣmī śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ śrī śrī mahā bhaṭṭārike parapramātmaka śakti śrīmahātripurasundarī namaḥ śrīṁ
(Salutations to Chakreswari & Yogini in charge)
aiṁ hrīṁ śrīṁ rājyalakśmi rūpiṇī mahātripurasundari cakreśvari namaḥ śrīṁ
aiṁ hrīṁ śrīṁ rūpiṇī śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ divya lakśmī rūpiṇī parāparātirahasya yoginī namaḥ śrīṁ
aiṁ hrīṁ śrīṁ suśrī rūpiṇī sarva yoni mudrā devi namaḥ śrīṁ
aiṁ hrīṁ śrīṁ maṅgala devadā rūpiṇī prāpti siddhi namaḥ śrīṁ
aiṁ hrīṁ śrīṁ bhaktidā rūpiṇī ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sarvatrikhaṇḍā mudrā devi namaḥ śrīṁ
aiṁ hrīṁ śrīṁ muktidā rūpiṇī sarvakāmasiddhi namaḥ śrīṁ
aiṁ hrīṁ śrīṁ bhuktidā rūpiṇī ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sarvānandamaya cakra svaminī namaḥ śrīṁ
aiṁ hrīṁ śrīṁ sat gadipradā rūpiṇī śrī mahā tripurasundarī namaḥ śrīṁ
1 aiṁ hrīṁ śrīṁ|aṁ āṁ sauḥ|aiṁ tripureyai bindu namaḥ śrīṁ
2 aiṁ hrīṁ śrīṁ|aiṁ klīṁ sauḥ|tripureśīyai hrīṁ ardha
candre namaḥ śrīṁ
3 aiṁ hrīṁ śrīṁ|hrīṁ klīṁ sauḥ|tripurasundarīyai klīṁ rodhiniyai namaḥ śrīṁ
4 aiṁ hrīṁ śrīṁ|haiṁ hklīṁ hsauḥ|tripura vāsinīyai chāṁ nāde namaḥ śrīṁ
5 aiṁ hrīṁ śrīṁ|hsaiṁ hsklīṁ hasauḥ|tripurāśrīyai muṁ
nādante namaḥ śrīṁ
6 aiṁ hrīṁ śrīṁ|hrīṁ klīṁ bleṁ|tripuramālinīyai dāṁ śaktau namaḥ śrīṁ
7 aiṁ hrīṁ śrīṁ|hrīṁ śrīṁ sauḥ|tripura siddhayai yaiṁ vyāpikāyai namaḥ śrīṁ
8 aiṁ hrīṁ śrīṁ|hsraiṁ hsklrīṁ hsrsauḥ|tripurāmbāyai naṁ samaniyai namaḥ śrīṁ
9
aiṁ hrīṁ śrīṁ|ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ|mahā tripurasundarī namaḥ śrīṁ
10
aiṁ hrīṁ śrīṁ| śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ | mahā maheśvarīyai namaḥ śrīṁ
11
aiṁ hrīṁ śrīṁ| śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ | mahā mahā rājñīyai namaḥ śrīṁ
12
aiṁ hrīṁ śrīṁ| śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ | mahā mahā śakteyai namaḥ śrīṁ
13
aiṁ hrīṁ śrīṁ| śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ | mahā mahā gupteyai namaḥ śrīṁ
14
aiṁ hrīṁ śrīṁ| śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ | mahā mahā jñānapteyai namaḥ śrīṁ
15
aiṁ hrīṁ śrīṁ| śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ | mahā maha ānandeyai namaḥ śrīṁ
16
aiṁ hrīṁ śrīṁ| śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ | mahā mahā skandheyai namaḥ śrīṁ
17
aiṁ hrīṁ śrīṁ| śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ | mahā mahā śayeyai namaḥ śrīṁ
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aiṁ hrīṁ śrīṁ| śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ | mahā mahā śrī cakra nagara sāmrājñīnīyai namaḥ śrīṁ
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