Srividya Puja Vidhi Total

SRI VIDYA PUJAN/ PRAYER VIDHI/METHOD

GURU MANTRA

Name

of Guru Patni/wife Name of your Guru

aiṁ hrīṁ śrīṁ aiṁ klīṁ sauḥ hamasaḥ śiva so'm

hasakafreṁ hasakṣamalavarayūṁ hasauḥ sahakakṣamalavarayīṁ sahauḥ svarupa nirupṇā hetave svaguruve śrī Name of Guru Patni/wife āṁba sahitā śrī Name of your Guru ānanda śrī guru śrī pādukāma pujyāmi tarpayāmi namaḥ

PANCADASI MANTRA

ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ

GANESH PUJAN

om gaṇānāma tvā gaṇapati gama havāmahe kavima kavināma upamaśravastamam jyeṣṭha rājam brahmaṇām brahmaṇaspata ānaha śruṇuvan ūthabhīha sīdha sādhanama śrī mahā gaṇādhipataye namaḥ

SURYA MANTRA

om hroṁ hrīṁ hūṁ hraiṁ hrauṁ hraḥ hrāṁ hrūṁ hana

hana mārtaṇḍa bhairavāya prakāśa śakti svāhā

DEVI MANTRA

ka e ī la hrīṁ tripura sundarī vidmahe ka e ii are the three eyes la hriiM are the mouth and tongue

ha sa ka ha la hrīṁ pīṭha kāminī dhīmahi hasa kaha are the two breasts la hriiM is Navel and line of

hairs under it

sa ka la hrīṁ tanno klinne pracodayāta sa ka are two sides of vulva la hriiM are the clitoral shaft

and the tip

LIGHTINING THE LAMP

om hrīṁ rakta dvādaśa śakti yuktāya dīpa nāthāya namaḥ

om namaḥ śivāya siddhama namaḥ

aiṁ hrīṁ śrīṁ mūlādhāre mahākāyāya raktavarṇāya maṇḍūkāya

namaḥ

aiṁ hrīṁ śrīṁ svādhiṣṭhāna paryantaṁ pañcavakra daśabhuja

raktakṛṣṇa vāma dakṣiṇa pārśvāya kālāgni rudrāya namaḥ

aiṁ hrīṁ śrīṁ mūlaprakṛtyai namaḥ

aiṁ hrīṁ śrīṁ ādhāraśaktaye namaḥ

aiṁ hrīṁ śrīṁ kūrmāya namaḥ

aiṁ hrīṁ śrīṁ varāhāya namaḥ

aiṁ hrīṁ śrīṁ anantāya namaḥ

aiṁ hrīṁ śrīṁ pṛthivyai namaḥ

44 meditations on the 44 triangles in the central parts of the Sri Chakra

1aiṁ hrīṁ śrīṁ amṛtāmbhonidhaye namaḥ

2aiṁ hrīṁ śrīṁ ratna dvīpāya namaḥ

3aiṁ hrīṁ śrīṁ nānāvṛkṣa mahodyānāya namaḥ

4aiṁ hrīṁ śrīṁ santāna vāṭikāyai namaḥ

5aiṁ hrīṁ śrīṁ kalpa vṛkṣa vāṭikāyai namaḥ

6aiṁ hrīṁ śrīṁ hari candana vāṭikāyai namaḥ

7aiṁ hrīṁ śrīṁ mandāra vāṭikāyai namaḥ

8aiṁ hrīṁ śrīṁ kadamba vāṭikāyai namaḥ

9aiṁ hrīṁ śrīṁ pārijāta vāṭikāyai namaḥ

10aiṁ hrīṁ śrīṁ puṣya rāga ratna prākārāya namaḥ

11aiṁ hrīṁ śrīṁ padma rāga ratna prākārāya namaḥ

12aiṁ hrīṁ śrīṁ gomedha ratna prākārāya namaḥ

13aiṁ hrīṁ śrīṁ indra nīla ratna prākārāya namaḥ

14aiṁ hrīṁ śrīṁ vajra ratna prākārāya namaḥ

15aiṁ hrīṁ śrīṁ vaiḍūrya ratna prākārāya namaḥ

16aiṁ hrīṁ śrīṁ muktā ratna prākārāya namaḥ

17aiṁ hrīṁ śrīṁ marakata ratna prākārāya namaḥ

18aiṁ hrīṁ śrīṁ vidruma ratna prākārāya namaḥ

19aiṁ hrīṁ śrīṁ māṇikya maṇḍapāya namaḥ

20aiṁ hrīṁ śrīṁ sahastra stambha maṇḍapāya namaḥ

21aiṁ hrīṁ śrīṁ amṛta vāpikāyai namaḥ

22aiṁ hrīṁ śrīṁ ānanda vāpikāyai namaḥ

23aiṁ hrīṁ śrīṁ vimarśa vāpikāyai namaḥ

24aiṁ hrīṁ śrīṁ bālā tapodgārāya namaḥ

25aiṁ hrīṁ śrīṁ candrikodgārāya namaḥ

26aiṁ hrīṁ śrīṁ mahāśṛṅgāra parighāyai namaḥ

27aiṁ hrīṁ śrīṁ mahāpadmā ṭavyai namaḥ

28aiṁ hrīṁ śrīṁ cintāmaṇi gṛha rājāya namaḥ

29aiṁ hrīṁ śrīṁ purvāmnāayā pūrvadvārāya namaḥ

30aiṁ hrīṁ śrīṁ dakṣiṇāmnāya dakṣiṇa dvārāya namaḥ

31aiṁ hrīṁ śrīṁ paścimāmnāya paścima dvārāya namaḥ

32aiṁ hrīṁ śrīṁ uttarāmnāya uttara dvārāya namaḥ

33aiṁ hrīṁ śrīṁ ratna pradīpa valayāya namaḥ

34aiṁ hrīṁ śrīṁ maṇī maya mahā siṁhāsanāya namaḥ

35aiṁ hrīṁ śrīṁ lāṁ hlāṁ brahmaṇe pṛthvī adhipataye namo brahmā pretāsana namaḥ

36aiṁ hrīṁ śrīṁ vāṁ hrīṁ viṣṇave apāma adhipataye namo viṣṇu pretāsana namaḥ

37aiṁ hrīṁ śrīṁ rāṁ hūṁ rudrāya tejo adhipataye namo rudra pretāsana namaḥ

38aiṁ hrīṁ śrīṁ yāṁ hrauṁ īśvarāya vāyva adhipataye namo īśvara pretāsana namaḥ

39aiṁ hrīṁ śrīṁ hsauṁ vyādādhi pataye pañcavakrāya sadāśivāya pretapadmāsanāya sadaśivamahāpretāsana

namaḥ

40aiṁ hrīṁ śrīṁ haṁsatūla talpāya namaḥ

41aiṁ hrīṁ śrīṁ haṁsatūla mahopadhanāya namaḥ

42aiṁ hrīṁ śrīṁ kauṣumbha stranāya namaḥ

43aiṁ hrīṁ śrīṁ mahā viṭanakāya namaḥ

44aiṁ hrīṁ śrīṁ mahāmayā yāvanikayai namaḥ

Worship of Central point and the Triangle

aiṁ hrīṁ śrīṁ pancadaśī (ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ) namaḥ

Place a dot of sandal paste in the centre.

aiṁ hrīṁ śrīṁ ka e ī la hrīṁ namaḥ

Place a dot of sandal paste at the corner facing you

aiṁ hrīṁ śrīṁ ha sa ka ha la hrīṁ namaḥ

Place a dot of sandal paste at the corner towards your right

aiṁ hrīṁ śrīṁ sa ka la hrīṁ namaḥ

Place a dot of sandal paste at the corner towards your left

VIRAJA HOMA

Take a deep breath Keep saying 'yam'

Imagine that your body is subject to decay ,it is going to be burnt , It has to become old, it has to merge with the elements, it has

happened,it placed on the funeral pyre, wind is coming and drying up your dead body .The wind is 'yam'. Release your breath. Take a deep breath again.Keep saying 'ram'

Your body has been lit up, you hear the crakling of the fire,the sparks fly, water vapors rise from the body,parts of the body are

sticking out and someone takes a stick and pushes them back into the fire, see the whole body going up in smoke.After the body is

gone, all those things associated with the body are gone too. There is nothing to be possessive of.'Ram' is the fire. At the end of the

fire, your body is reduced to ashes called vibhuti. Release your breath. Take a deep breath.Keep saying 'vam'.

Great clouds gather, a thunder and lightning occurs and an incessant rain falls. Theashes are wetted by` vam` the nectar The divine

body of Dev. is born out of these ashes. Thisdivine body is your body of Lalita.

PRANAYAMA

You do pranayama three times. Along with exhalation and recitation of Panchadasi, this the ball of light is going out and forming ball

outside, and when you inhale with Panchadasi, this light is dissolving and coming inside and forming a ball inside. An inside and

outside exchange is taking place with the breath. You are existing inside your body and outside your body. And the breath is the

connecting link between the two.The way to do pranayama is as follows. Recite Panchadasi once while inhaling, twice holding the

breath inside, once while exhaling, onceholding the breath outside. This constitutes one cycle of Pranayama. Also, the ball of light

goes where the breath goes. During inhalation, it is going in, with exhalation it is going out. Like this, you start with three rounds and

gradually increase to fifteen rounds.

Dealing with Obstacles to PUJA

apa sarpantu te bhutaḥ ye bhutaḥ bhuvisamasthitaha ye

bhutaḥ vighna kartāraḥ te naṣyantu śivajṇaya

All such elements which want to create obstacles to our worship and those which exist here may they be destroyed by the command of

Śivà. Clap hands 3 times and snap your fingers 3 times to your left to the bottom, middle and above.

Identification of Your Body, Sri Chakra and Dev. Through the Mantras of the Nine Enclosures -VAJRA PANJARA NYASAM

Each of the enclosure mantras has 3 seed letters. The first is placed in your body, the second in the Sri Chakram and the third, in

the body of Devi, Vajra panjaram means a diamond cage, Nyasa means to become aware of a particular region

Square Enclosure Feet and Hands

1 aiṁ hrīṁ śrīṁ aṁ namaḥ in your feet.

2 aiṁ hrīṁ śrīṁ āṁ namaḥ in the square enclosure of Sri Chakra.

3 aiṁ hrīṁ śrīṁ sauḥ namaḥ in Devis feet.

4 aiṁ hrīṁ śrīṁ aṁ madhyamābhyāṁ at the middle fingers.

5 aiṁ hrīṁ śrīṁ āṁ anāmikābhyāṁ at the ring fingers.

6 aiṁ hrīṁ śrīṁ souḥ kaniṣṭhikābhyāṁ at the little fingers.

7 aiṁ hrīṁ śrīṁ aṁ aṁguṣṭābhyāṁ namaḥ at the thumbs.

8 aiṁ hrīṁ śrīṁ āṁ tarjanābhyāṁ namaḥ at the forefingers.

9 aiṁ hrīṁ śrīṁ sauḥ karatala kara prūṣdhābhyāṁ namaḥ

around the palms.

16-Petalled Enclosure . Thighs

1 aiṁ hrīṁ śrīṁ aiṁ namaḥ in your thighs

2 aiṁ hrīṁ śrīṁ klāṁ namaḥ in 16-petalled lotus

3 aiṁ hrīṁ śrīṁ sauḥ namaḥ in Deviis thighs

4 mahā tripura sundari in your thighs.

5 ātmānaṁ in the shri Chakra.

6 rakṣa rakṣa in the two thighs of Devii

8-Petalled Enclosure Muladhara

1 aiṁ hrīṁ śrīṁ hrīṁ namaḥ at Muladhara

2 aiṁ hrīṁ śrīṁ klīṁ namaḥ at the 8-petalled enclosure.

3 aiṁ hrīṁ śrīṁ sauḥ namaḥ earth

4 devī ātma āsanāya namaḥ at muladhara, 8-petalled

enclosure and earth.

14-Cornered Enclosure Svadhisthana

1 aiṁ hrīṁ śrīṁ haiṁ namaḥ at Svadisthana

2 aiṁ hrīṁ śrīṁ hklāṁ namaḥ 4 cornered figure

3 aiṁ hrīṁ śrīṁ hsauḥ namaḥ Ocean

4 aiṁ hrīṁ śrīṁ hsaiṁ namaḥ at manipura chakra

5 aiṁ hrīṁ śrīṁ hasklāṁ namaḥ outer 10-cornered figure

6 aiṁ hrīṁ śrīṁ hssauḥ namaḥ Fire

7 aiṁ hrīṁ śrīṁ hrīṁ namaḥ at anahata

8 aiṁ hrīṁ śrīṁ klīṁ namaḥ inner 10-cornered figure

9 aiṁ hrīṁ śrīṁ bleṁ namaḥ air envelope.

8-Cornered Enclosure Vishuddhi

1 aiṁ hrīṁ śrīṁ hrīṁ namaḥ vi.uddhi

2 aiṁ hrīṁ śrīṁ śrīṁ namaḥ 8-cornered enclosure

3 aiṁ hrīṁ śrīṁ sauḥ namaḥ Space

4 aiṁ hrīṁ śrīṁ aiṁ hṛdayāya namaḥ Heart

5 aiṁ hrīṁ śrīṁ klīṁ śirase svāhā on top of head

6 aiṁ hrīṁ śrīṁ sauḥ śikhāyai vaṣaṭ crown of head

7 aiṁ hrīṁ śrīṁ sauḥ kavacāya huṁ Arms

8 aiṁ hrīṁ śrīṁ klīṁ netra trayāya vauṣaṭ 3 eyes

9 aiṁ hrīṁ śrīṁ aiṁ astrāya phaṭ around the head snap 4 times

3-Cornered Enclosure aGYa Chakra

1 aiṁ hrīṁ śrīṁ hsraiṁ namaḥ Ajna

2 aiṁ hrīṁ śrīṁ hsklarīṁ namaḥ Triangle

3 aiṁ hrīṁ śrīṁ hsrsauḥ namaḥ Mind

haiṁ hklīṁ hsauḥ śrī cakrāsanāya namaḥ

hsaiṁ hsklīṁ hssauḥ sarvamantrāsanāya namaḥ

hrīṁ klīṁ bleṁ sādhyasiddhāsanāya namaḥ

Vagdevata Nyasa

aiṁ hrīṁ śrīṁ aṁ āṁ iṁ īṁ uṁ ūṁ aruṁ arūṁ aluṁ alūṁ eṁ aiṁ oṁ auṁ aḥ aḥṁ arblūṁ vaśini vāgdevatāyai namaḥ

top of head

aiṁ hrīṁ śrīṁ kaṁ khaṁ gaṁ ghaṁ ṅaṁ kalahrīṁ kāmeśvarī vāgdevatāyai namaḥ

forehead

aiṁ hrīṁ śrīṁ caṁ chaṁ jaṁ jhaṁ ñaṁ nvlīṁ modini vāgdevatāyai namaḥ

centre of

eyebrows

aiṁ hrīṁ śrīṁ taṁ thaṁ daṁ dhaṁ naṁ ylūṁ vimalā vāgdevatāyai namaḥ

Neck

aiṁ hrīṁ śrīṁ ṭaṁ ṭhaṁ ḍaṁ ḍhaṁ ṇaṁ jmrīṁ aruṇā vāgdevatāyai namaḥ

Heart

aiṁ hrīṁ śrīṁ paṁ phaṁ baṁ bhaṁ maṁ hslvyūṁ jayinī vāgdevatāyai namaḥ

Navel

aiṁ hrīṁ śrīṁ yaṁ raṁ laṁ vaṁ jhmrayūṁ sarveśvari vāgdevatāyai namaḥ

Genital

aiṁ hrīṁ śrīṁ śaṁ ṣaṁ saṁ haṁ laṁ kṣaṁ kṣmrīṁ kaulinī vāgdevatāyai namaḥ

Cervix

Bindu . Sahasrara

1 aiṁ hrīṁ śrīṁ ka e ī la hrīṁ namaḥ Sahasrara

2 aiṁ hrīṁ śrīṁ ha sa ka ha la hrīṁ namaḥ centre of Shri

Chakra

3 aiṁ hrīṁ śrīṁ sa ka la hrīṁ namaḥ sahasrara of

Dev. (moon)

4 aiṁ hrīṁ śrīṁ kaṁ namaḥ (head)

5 aiṁ hrīṁ śrīṁ eṁ namaḥ (genital)

6 aiṁ hrīṁ śrīṁ īṁ namaḥ (heart)

7 aiṁ hrīṁ śrīṁ laṁ namaḥ (right eye)

8 aiṁ hrīṁ śrīṁ hrīṁ namaḥ (left eye)

9 aiṁ hrīṁ śrīṁ haṁ namaḥ (third eye)

10 aiṁ hrīṁ śrīṁ saṁ namaḥ (right ear)

11 aiṁ hrīṁ śrīṁ kaṁ namaḥ (left ear)

12 aiṁ hrīṁ śrīṁ haṁ namaḥ (mouth)

13 aiṁ hrīṁ śrīṁ laṁ namaḥ (right arm)

14 aiṁ hrīṁ śrīṁ hrīṁ namaḥ (left arm)

15 aiṁ hrīṁ śrīṁ saṁ namaḥ (back)

16 aiṁ hrīṁ śrīṁ kaṁ namaḥ (right knee)

17 aiṁ hrīṁ śrīṁ laṁ namaḥ (left knee)

18 aiṁ hrīṁ śrīṁ hrīṁ namaḥ (Navel)

The above is the nyasa for pancadashii in the body. When you are doing the nyasa inyour body, (bala, vashinyadi,

pancadashii nyasas for example), Devii is also visualized orseen to be doing the same nyasa. If the Devi is a living

person receiving worshipsitting in front of you, then she will just follow the nyasas you are doing.

ShoDashii upasakas can do Shodha nyasa if time permits. That is condensed to a single stanza for pancadashii upasana as follows

gaṇeśa graha nakṣatra yogini rāśī rūpinīm devīm mantramayīm naumi mātṛka pīṭha rupinīm

Samanya argyaa 1 aiṁ hrīṁ śrīṁ ka e ī la hrīṁ hṛdayāya namaḥ śrīṁ 2 aiṁ hrīṁ śrīṁ ha sa ka ha la hrīṁ śirase svāhā śrīṁ 3 aiṁ hrīṁ śrīṁ sa ka ha la hrīṁ śikhāyai vaṣaṭ śrīṁ 4 aiṁ hrīṁ śrīṁ ka e ī la hrīṁ kavacāya huṁ śrīṁ 5 aiṁ hrīṁ śrīṁ ha sa ka ha la hrīṁ netrābhyāṁ vauṣaṭ

śrīṁ 6 aiṁ hrīṁ śrīṁ sa ka ha la hrīṁ astrāya phaṭ śrīṁ

7

aiṁ hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka ha

la hrīṁ namaḥ

Visesarghya 1

aiṁ hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka ha la hrīṁ namaḥ śrīṁ

2 aiṁ hrīṁ śrīṁ ka e ī la hrīṁ namaḥ śrīṁ 3 aiṁ hrīṁ śrīṁ ha sa ka ha la hrīṁ namaḥ śrīṁ 4 aiṁ hrīṁ śrīṁ sa ka ha la hrīṁ namaḥ śrīṁ 5 aiṁ hrīṁ śrīṁ ka e ī la hrīṁ hṛdayāya namaḥ śrīṁ 6 aiṁ hrīṁ śrīṁ ha sa ka ha la hrīṁ śirase svāhā śrīṁ 7 aiṁ hrīṁ śrīṁ sa ka ha la hrīṁ śikhāyai vaṣaṭ śrīṁ 8 aiṁ hrīṁ śrīṁ ka e ī la hrīṁ kavacāya huṁ śrīṁ 9 aiṁ hrīṁ śrīṁ ha sa ka ha la hrīṁ netrābhyāṁ vauṣaṭ

śrīṁ 10 aiṁ hrīṁ śrīṁ sa ka ha la hrīṁ astrāya phaṭ śrīṁ

Agni Kalas and( mantra for AGNI

aiṁ hrīṁ śrīṁ aiṁ agni maṇḍalāya dharmaprada daśa kalātmane

mahātripurasundaryaḥ arghya pātradhārāya namaḥ agnim dūtam vṛṇāmahe hotāraṁ viśvavedasaṁ asya yajñasya sukratuṁ rāṁ rīṁ rūṁ raiṁ rauṁ raḥ rāmalā varayūṁ agni maṇḍalāya namaḥ ) 1 yaṁ dhumrārciṣe namaḥ smoke 2 raṁ ūṣmāyai namaḥ heat 3 laṁ jvalinyai namaḥ glow 4 vaṁ jvālinyai namaḥ flame 5 śaṁ visphuliṅginyai namaḥ sparks issuing 6 ṣaṁ suśriyai namaḥ blessing 7 saṁ surupāyai namaḥ beautiful 8 haṁ kapilāyai namaḥ yellow 9 laṁ havyavahāye namaḥ consuming ghee 10 kṣaṁ kavyavahāyai namaḥ consuming food offerings

Surya Kalas mantra for SURYA

(aiṁ hrīṁ śrīṁ klīṁ sūrya maṇḍalāya dvādaśa kalātmane arghya pātrāya namaḥ āsatyena rajasā vartamāno niveṣayan amṛtam martyamca hiraṇmayena savitā rathenā devoyāti bhuvanā vipaśyan hraṁ hrīṁ hrūṁ hraiṁ hrauṁ hraḥ hrmalavarayūṁ sūrya maṇḍalāya namaḥ )

1 kaṁ bhaṁ tapinyai namaḥ hot 2 khaṁ baṁ tāpinyai namaḥ burning hot 3 gaṁ phaṁ dhūmrāyai namaḥ smoky 4 ghaṁ paṁ marīcyai namaḥ rays 5 ṅaṁ naṁ jvālinyai namaḥ fiercely glowing 6 caṁ dhaṁ rucyai namaḥ bright 7 chaṁ daṁ suṣumnāyai namaḥ lightning 8 jaṁ thaṁ bhogadāyai namaḥ enjoying 9 jhaṁ taṁ viśvāyai namaḥ cosmic 10 ñaṁ ṇaṁ bodhinyai namaḥ awakening 11 ṭaṁ ḍhaṁ dhāriṇyai namaḥ remembering 12 ṭhaṁ ḍaṁ kṣamāyai namaḥ forgiving

Chandra Kalas mantra for CHANDRA

aiṁ

hrīṁ śrīṁ sauḥ soma maṇḍalāya ṣoḍaśa kalātmane arghyāmrtāya namaḥ āpyāyasva sametute viśvatah somavarśaniyaṁ bhavā vajasya sangadhe

sāṁ sīṁ sūṁ saiṁ sauṁ sa| samalavarayūṁ soma maṇḍalāya namaḥ )

1 aṁ amṛtāyai namaḥ immortality

2 āṁ mānadāyai namaḥ pride

3 iṁ pūṣāyai namaḥ creative

4 īṁ tuṣṭhyai namaḥ happiness

5 uṁ puṣṭhyai namaḥ fullness

6 ūṁ ratyai namaḥ joy

7 ṛṁ dhṛtyai namaḥ contentment

8 ṝṁ śaśinyai namaḥ glow

9 ḷṁ candrikāyai namaḥ moonlight

10 ḹṁ kāntyai namaḥ brightness

11 eṁ jyotsnāyai namaḥ sheen

12 aiṁ śrīyai namaḥ grace

13 oṁ prītyai namaḥ loving

14 auṁ aṅgadāyai namaḥ offering

15 aḥ purṇāyai namaḥ full

16 aḥṁ purṇāmṛtāyai namaḥ unchanging fullness

The three celestial lights of Fire, Sun and the Moon represent thethree channels of nervous currents called suśumnà, pingalà andidà.

Among them, they exhaust all the letters of the Samskritalphabet, except the letter ‘ma’. The letter ‘ma’ means contact.Since every act

of worship involves contact, it is implied in everykalà whether it be of fire, sun or moon. Lalità Devī is fond of theletter ‘ma’, because

‘ma’ also means mother.

hamasaH anga devataa puujaa shrI sudhaa devii jii ki 1 aiṁ hrīṁ śrīṁ ka e ī la hrīṁ namaḥ śrīṁ 2 aiṁ hrīṁ śrīṁ ha sa ka ha la hrīṁ namaḥ

śrīṁ 3 aiṁ hrīṁ śrīṁ sa ka ha la hrīṁ namaḥ

śrīṁ 4

aiṁ hrīṁ śrīṁ ka e ī la hrīṁ hṛdayāya namaḥ hrdaya śakti śrī pādukāṁ pūjayāmi tarpayāmi namaḥ śrīṁ

5 aiṁ hrīṁ śrīṁ ha sa ka ha la hrīṁ śirase svāhā śakti śira śrī pādukāṁ pūjayāmi

tarpayāmi namaḥ śrīṁ 6

aiṁ hrīṁ śrīṁ sa ka ha la hrīṁ śikhāyai vaṣaṭ śikha śakti śrī pādukāṁ pūjayāmi tarpayāmi namaḥ śrīṁ

7 aiṁ hrīṁ śrīṁ ka e ī la hrīṁ kavacāya huṁ kavaca śakti śrī pādukāṁ pūjayāmi tarpayāmi namaḥ śrīṁ

8 aiṁ hrīṁ śrīṁ ha sa ka ha la hrīṁ netrābhyāṁ vauṣaṭ netra śakti śrī pādukāṁ pūjayāmi tarpayāmi namaḥ śrīṁ

9 aiṁ hrīṁ śrīṁ sa ka ha la hrīṁ astrāya phaṭ astra śakti śrī pādukāṁ pūjayāmi tarpayāmi namaḥ śrīṁ

In the centre, worship Devī in the seven cakràs seven times withPaňcadaśī given below at Muladhara (Earth),

Svadhisthana (Ocean ), Manipura (Fire), Anahata (Air), Vishuddhi(Space) , Ajna(Mind),Sahasrara

(Supermind)

śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa

ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ Offer gandham (scent), akshata (turmeric rice), pushpa (flowers),and dipa (lights) to maa Lakshmi, born out of the

clockwise and anticlockwise rotation of Meru Parvatam in the ocean).While waving the lights, you may recite the

sapta shloki Durga Sukta

Agni Kalas yaṁ

dhumrārciṣe raṁ ūṣmāyai laṁ jvalinyai vaṁ jvālinyai śaṁ visphuliṅginyai ṣaṁ suśriyai saṁ surupāyai haṁ

kapilāyai laṁ havyavahāye kṣaṁ kavyavahāyai namaḥ ) Surya Kalas

kaṁ bhaṁ tapinyai khaṁ baṁ tāpinyai gaṁ phaṁ dhūmrāyai ghaṁ paṁ marīcyai ṅaṁ naṁ

jvālinyai caṁ dhaṁ rucyai chaṁ daṁ suṣumnāyai jaṁ thaṁ bhogadāyai jhaṁ taṁ viśvāyai ñaṁ ṇaṁ bodhinyai

ṭaṁ ḍhaṁ dhāriṇyai ṭhaṁ ḍaṁ kṣamāyai namaḥ) Chandra Kalas

(aṁ amṛtāyai āṁ mānadāyai iṁ pūṣāyai īṁ tuṣṭhyai uṁ puṣṭhyai ūṁ ratyai ṛṁ dhṛtyai ṝṁ śaśinyai

ḷṁ candrikāyai ḹṁ kāntyai eṁ jyotsnāyai aiṁ śrīyai oṁ prītyai auṁ aṅgadāyai aḥ purṇāyai aḥṁ purṇāmṛtāyai namaḥ )

Brahma Kalas

1 aiṁ hrīṁ śrīṁ sṛṣṭiyai namaḥ creation

2 aiṁ hrīṁ śrīṁ ṛddhiyai namaḥ growth

3 aiṁ hrīṁ śrīṁ smṛtīyai namaḥ memory

4 aiṁ hrīṁ śrīṁ medhāyai namaḥ intelligence

5 aiṁ hrīṁ śrīṁ kāntiyai namaḥ glow

6 aiṁ hrīṁ śrīṁ lakṣmīyai namaḥ prosperity

7 aiṁ hrīṁ śrīṁ dyutiyai namaḥ sparkling

8 aiṁ hrīṁ śrīṁ sthirāyai namaḥ fixity

9 aiṁ hrīṁ śrīṁ sthitiyai namaḥ position

10 aiṁ hrīṁ śrīṁ siddhīyai namaḥ transcendent

viṣṇu kalā

1 aiṁ hrīṁ śrīṁ jarāyai namaḥ old age

2 aiṁ hrīṁ śrīṁ pālinyai namaḥ protective

3 aiṁ hrīṁ śrīṁ śāntayai namaḥ peace

4 aiṁ hrīṁ śrīṁ īśvarāyai namaḥ control

5 aiṁ hrīṁ śrīṁ ratiyai namaḥ enjoyment

6 aiṁ hrīṁ śrīṁ kāmikāyai namaḥ lust

7 aiṁ hrīṁ śrīṁ varadāyai namaḥ blessing

8 aiṁ hrīṁ śrīṁ hlādinayai namaḥ happiness

9 aiṁ hrīṁ śrīṁ prītīyai namaḥ loving

10 aiṁ hrīṁ śrīṁ dīrghāyai namaḥ long

rudra kalā 1 aiṁ hrīṁ śrīṁ tīkṣṇāyai namaḥ sharp

2 aiṁ hrīṁ śrīṁ raudrāyai namaḥ anger

3 aiṁ hrīṁ śrīṁ bhayāyai namaḥ fear

4 aiṁ hrīṁ śrīṁ nidrāyai namaḥ sleep

5 aiṁ hrīṁ śrīṁ tandrāyai namaḥ coma

6 aiṁ hrīṁ śrīṁ kṣudhāyai namaḥ hunger

7 aiṁ hrīṁ śrīṁ krodhīnyai namaḥ flames of anger

8 aiṁ hrīṁ śrīṁ kriyāyai namaḥ active

9 aiṁ hrīṁ śrīṁ udgāryai namaḥ uplifting

10 aiṁ hrīṁ śrīṁ mṛtyavoyai namaḥ death

īśvara kalā

1 aiṁ hrīṁ śrīṁ pītāyai namaḥ yellow

2 aiṁ hrīṁ śrīṁ śvetāyai namaḥ white

3 aiṁ hrīṁ śrīṁ aruṇāyai namaḥ red

4 aiṁ hrīṁ śrīṁ asitāyai namaḥ blue

You should visualize here, the ardhanaariishvara form of Devi. At the heart, the right half is white, with a blue dot and the left (female part) is yellow with a red dot).

sadāśiva kalā 1 aiṁ hrīṁ śrīṁ nivṛttayai namaḥ Detachment 2 aiṁ hrīṁ śrīṁ pratiṣṭhāyai namaḥ Fame 3 aiṁ hrīṁ śrīṁ vidyāyai namaḥ Knowledge 4 aiṁ hrīṁ śrīṁ śāntīyai namaḥ Peace 5 aiṁ hrīṁ śrīṁ indhikāyai namaḥ Fuel 6 aiṁ hrīṁ śrīṁ dīpakāyai namaḥ Light 7 aiṁ hrīṁ śrīṁ recikāyai namaḥ Exhaustive 8 aiṁ hrīṁ śrīṁ mocikāyai namaḥ Liberating 9 aiṁ hrīṁ śrīṁ parāyai namaḥ Transcendental 10 aiṁ hrīṁ śrīṁ sukṣmāyai namaḥ Light 11 aiṁ hrīṁ śrīṁ sukṣmāamratāyai namaḥ Pervasive 12 aiṁ hrīṁ śrīṁ jñānāyai namaḥ Enlightenment 13 aiṁ hrīṁ śrīṁ jñānāmratāyai namaḥ Transcendental 14 aiṁ hrīṁ śrīṁ āpyāyinīyai namaḥ Filling 15 aiṁ hrīṁ śrīṁ vyāpinyai namaḥ Expansion 16 aiṁ hrīṁ śrīṁ vyomarupāyai namaḥ Space

brahma mantra

aiṁ hrīṁ śrīṁ haṁ saḥ śuciṣada vasuḥ antarikṣasada hotā vediṣada atithiḥ duroṇasata nṛṣada nrṣada ṛdhtsad vdyomasada abja goja ṛtajā ādrijā ṛtaṁ bṛhat namaḥ

viṣṇu mantra

aiṁ hrīṁ śrīṁ pratad viṣṇu stavate vīryāya mṛgo na bhīma kucaro giriṣṭhāḥ yasyoruṣu triṣu vikramaṇe adhikṣiyanti bhuvanāni vviśvā namaḥ

rudra mantra

aiṁ hrīṁ śrīṁ tryambakaṁ yajāmahe sugandhiṁ puṣṭi vardhanam urvārukamiva bandhanān mṛtyormukṣīya māmṛtāt namaḥ

mahā viṣṇu

sūrayaḥ divīva cakṣurātatam tadviprāso vipanyavo

sadāśiva

aiṁ hrīṁ śrīṁ viṣṇuryoniṁ kalpayatu tvaṣṭā rūpāṇi

garbhaṁ dhehi sinīvāli garbhaṁ dhehi sarasvati garbhante aśvinau devā vādhattāṁ puṣkarasrajā namaḥ

Amrita Kalas

|| akhaṇḍa eka rasānanda kare parāsudhātmani svacchanda sphurannāmātra nidhehi akulanāyike namaḥ śiva pādāmrutaṁ śirasi āvahayāmi ||

(Invoke nectar from right foot (Shiva's foot) on the head)

|| akulasthāmruta akāre śuddhajñāna kare pare amrutatvaṁ nidhehi asmin vastuni klinnā rupini namaḥ|śakti pādāmrutaṁ śirasi āvāhayāmi ||

(Invoke nectar from left foot (Shakti's foot) on the head)

|| tadarupiṇi ekarasyā tvaṁ krtvahi etat svarupini bhūtvā parāmrutākāramayī citta sphurannaṁ kuru namaḥ| śiva śakti samarasya amṛtaṁ lalāṭe āvāhayāmi ||

(Invoke nectar from both Shiva and Shakti's feet on the head)

|| aiṁ blūṁ jhmrouṁ jūṁ saḥ amṛte amṛtodbhave amṛteśvari amṛtavarṣiṇi amṛtaṁ srāvaya srāvaya svāhā namaḥ karuṇā rasāmritaṁ netrayoho āvāhayāmi ||

drāṁ drīṁ klīṁ blūṁ saḥ

(Invoke nectar of boundless mercy from eyes of Shakti on the head)

|| aiṁ vada vada vāgvādini aiṁ| saṁgīta sudhā amrutaṁ mukhe āvāhayāmi ||

(Invoke nectar of divine music from face of Shakti)

|| klīṁ klinne kledini kledaya kledaya mahā kṣobhaṁ kuru kuru klīṁ śrī mātru kṣīra dhārāhā hradaye āvahayami ||

(Invoke divinely milk from the breasts of Shakti to the heart)

|| sauḥ mokṣaṁ kuru kuru sauḥ janma rahityaṁ guhye āvāhayāmi ||

(End of Birth Death cycle is invoked in genitals)

|| hasauṁ śauḥ namaḥ ||

|| parāśiva parāśakti kaṭākṣaṁ pādayoho āvāhayāmi ||

Invocation of Icchaa , Gyanaa, Kriya Shakti

|| aiṁ vada vada vāgvādini aiṁ klīṁ klinne kledini kledaya kledaya mahākṣobhaṁ kuru kuru klīṁ sauḥ mokṣaṁ kuru kuru hasauṁ śauḥ namaḥ ||

(Invoke grace of Shiva and Shakti from their feet))

|| śrī gurubhyo namaḥ iti guhye ||

(Invoke Sri Guru's grace in genitals)

|| śrī parama gurubhyo namaḥ iti hradaye) ||

(Invoke Sri Parama Guru's grace in Heart)

|| śrī parameṣṭī gurubhyo namaḥ iti lalāṭe) ||

(Invoke Sri Parameshti Guru's grace in forehead)

|| śrī parātpara gurubhyo namaḥ iti śirasī ||

(Invoke Sri Paraatpara Guru's grace in Head)

|| īti yoni mudrayā praṇāmet ||

(Show yoni Mudra)

|| tataḥ dadhi kṣīra ājya madhu śarkarā sahitama madhu parkam prāsayet ||

(Afterwards, offer Madhu Parkam with Milk, Curd, Ghee, Honey and Sugar)

|| āardraṁ jvalati jyotir ahamasmi| jyotir jvalati brahma ahamasmi| yoahamasmi

brahma ahamasmi| āhamasmi brahma ahamasmi| āhamevāham mām juhomi svāhā ||

|| ītaḥ purvaṁ prāṇa buddhi deha dharma adhikārataḥ jāgrata svapna suśupti

avastāsu manasā vācā karmaṇā hastābhyaṁ padbhyāṁ udarena śiṣna yonyā

yat uktam yat kritam yat smrutam tat sarvam brahma

arpṇaṁ bhavatu svāhā ||

|| brahma arpṇaṁ brahma havihi brahmāgnou brahmaṇa āhutaṁ

brahmaiva tena gantavyam brahma karma samādhinā ||

LALITAA KRAMAM

hṛccakrasthitām

(Residing in the heart like a rising sun, red in colour)

antaḥ ssuṣumṇā padmāṅavī nirbhedana kuśalāṁ nirasta

(Able to pierce the lotuses easily with flashes of light along the axis of su.umna)

moha andhakāra paripandhini saṁvidagnim

(The fire of knowledge dispelling delusion)

śiva dīpa jyotim

(The light of auspicious consciousness, universal and unbounded)

ādi samvidaṁ prāṇarupiṇīṁ

(The primordial intuited knowledge of the form of all life itself)

trikhaṇḍamudragarbhita kusumāṅjalau

(Into the flowers held in trikhanda mudra of the colours of white red and yellow)

aiṁ hrīṁ śrīṁ

ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ ityādaya

(Breathing into the white, yellow and red flowers held in the trikhanda mudra the mula mantra, the sound form of

Dev.)

aiṁ hrīṁ śrīṁ hrīṁ śrīṁ sauḥ śakticakraika nāyikāyāḥ amṛta caitanya mūrtiṁ kalpayāmi namaḥ

Create the immortal (transcendental) conscious form of Lalità withthe àvaraņa mantrà to trikoňa, hrīm srīm sauĥ,

i.e., the formless Devīis being invoked into taking the form of the flowers by breathing herlife, the mantrà.

aiṁ hrīṁ śrīṁ hasraiṁ hsklrīṁ hsrauḥ mahāpadma vanāntaḥsthe kāraṇānanda vigrahe sarva bhūtahite mātarehyehi parameśvari

(The union of Śivà and Śakti; space, time, and their union; or desire,knowledge and action. The world is the mahàpadmà in which

Sheresides as the blissful cause of all this world. The CompassionateMother of all this world, Please come, do come, O! Parameśvari.

Thussaying, leave the flowers onto the Śrī Chakrà or Devī).

Here follow the 64 acts of intimate worship to Śrī Lalità Devī in theantrà or idol or the suvasini. For every one of

the upacàràs (acts ofŚri Chakra Pūjâ Vidhi) Aim hrīm Śrīm Lalitàyai is said in the beginning and(kalpayàmi

namaĥ) at the end.

1 aiṁ hrīṁ śrīṁ lalitāyai tritārīnuccārya pādyaṁ kalpayāmi namaḥ

2 aiṁ hrīṁ śrīṁ lalitāyai ābharaṇa avaropaṇaṁ kalpayāmi namaḥ

3 aiṁ hrīṁ śrīṁ lalitāyai sugandhi tailābhyaṅgaṁ

kalpayāmi namaḥ

4 aiṁ hrīṁ śrīṁ lalitāyai sajjana śālā praveśanaṁ kalpayāmi namaḥ

5

aiṁ hrīṁ śrīṁ lalitāyai majjana śālā maṇḍapa maṇipīṭhopa veśanaṁ kalpayāmi namaḥ

6 aiṁ hrīṁ śrīṁ lalitāyai divya snānīyodvartanam kalpayāmi namaḥ

7 aiṁ hrīṁ śrīṁ lalitāyai uṣṇodakasnān kalpayāmi namaḥ

8

aiṁ hrīṁ śrīṁ lalitāyai kanaka kalaśacyuta sakala tīrthābhiṣekaṁ kalpayāmi namaḥ

9 aiṁ hrīṁ śrīṁ lalitāyai dhauta vastra parimārjanam kalpayāmi namaḥ

10 aiṁ hrīṁ śrīṁ lalitāyai aruṇa dukūla paridhānam kalpayāmi namaḥ

11 aiṁ hrīṁ śrīṁ lalitāyai aruṇa kucottariyam kalpayāmi namaḥ

12 aiṁ hrīṁ śrīṁ lalitāyai ālepa maṇḍapa praveśanam kalpayāmi namaḥ

13

aiṁ hrīṁ śrīṁ lalitāyai ālepa maṇḍapa maṇipīṭho upaveśanaṁ kalpayāmi namaḥ

14

aiṁ hrīṁ śrīṁ lalitāyai candana agaru kuṅkuma saṅku mṛgamada karpūra kastūrī gorocanādi divyagandha sarvāṅgīṇa vilepanaṁ kalpayāmi namaḥ

15 aiṁ hrīṁ śrīṁ lalitāyai keśabharasya kālāgaru dhūpaṁ kalpayāmi namaḥ

16

aiṁ hrīṁ śrīṁ lalitāyai mallikā mālatī jātī campaka aśoka śatapatra pūga kuḍamalī punnāga kalhāra mukhya sarvartu kusuma mālāṁ kalpayāmi namaḥ

17 aiṁ hrīṁ śrīṁ lalitāyai bhūṣaṇa maṇḍapa praveśanaṁ kalpayāmi namaḥ

18

aiṁ hrīṁ śrīṁ lalitāyai bhūṣaṇa maṇḍapa maṇipīṭhopaveśanaṁ kalpayāmi namaḥ

19 aiṁ hrīṁ śrīṁ lalitāyai nava maṇi makuṭaṁ kalpayāmi namaḥ

20 aiṁ hrīṁ śrīṁ lalitāyai candra śakalaṁ kalpayāmi namaḥ

21 aiṁ hrīṁ śrīṁ lalitāyai sīmanta sindūraṁ kalpayāmi namaḥ

22 aiṁ hrīṁ śrīṁ lalitāyai tilaka ratnaṁ kalpayāmi namaḥ

23 aiṁ hrīṁ śrīṁ lalitāyai kālāñjanaṁ kalpayāmi namaḥ

24 aiṁ hrīṁ śrīṁ lalitāyai pālīyugalaṁ kalpayāmi namaḥ

25 aiṁ hrīṁ śrīṁ lalitāyai maṇikuṇḍala yugalaṁ kalpayāmi namaḥ

26 aiṁ hrīṁ śrīṁ lalitāyai nāsābharaṇam kalpayāmi namaḥ

27 aiṁ hrīṁ śrīṁ lalitāyai adharayāvakaṁ kalpayāmi namaḥ

28 aiṁ hrīṁ śrīṁ lalitāyai prathama bhūṣaṇaṁ kalpayāmi

namaḥ

29 aiṁ hrīṁ śrīṁ lalitāyai kanaka cintākaṁ kalpayāmi namaḥ

30 aiṁ hrīṁ śrīṁ lalitāyai padakaṁ kalpayāmi namaḥ

31 aiṁ hrīṁ śrīṁ lalitāyai mahāpadakaṁ kalpayāmi namaḥ

32 aiṁ hrīṁ śrīṁ lalitāyai muktāvalim kalpayāmi namaḥ

33 aiṁ hrīṁ śrīṁ lalitāyai ekāvaliṁ kalpayāmi namaḥ

34 aiṁ hrīṁ śrīṁ lalitāyai channavīraṁ kalpayāmi namaḥ

35 aiṁ hrīṁ śrīṁ lalitāyai keyūrayugala catuṣṭayaṁ kalpayāmi namaḥ

36 aiṁ hrīṁ śrīṁ lalitāyai valayāvalim kalpayāmi namaḥ

37 aiṁ hrīṁ śrīṁ lalitāyai ūrmikāvaliṁ kalpayāmi namaḥ

38 aiṁ hrīṁ śrīṁ lalitāyai kāñcīdāma kalpayāmi namaḥ

39 aiṁ hrīṁ śrīṁ lalitāyai kaṭi sūtraṁ kalpayāmi namaḥ

40 aiṁ hrīṁ śrīṁ lalitāyai saubhāgyābharaṇaṁ kalpayāmi namaḥ

41 aiṁ hrīṁ śrīṁ lalitāyai pāda kaṭakaṁ kalpayāmi namaḥ

42 aiṁ hrīṁ śrīṁ lalitāyai ratna nūpuraṁ kalpayāmi namaḥ

43 aiṁ hrīṁ śrīṁ lalitāyai pādāṅgulīyakam kalpayāmi namaḥ

44 aiṁ hrīṁ śrīṁ lalitāyai eka kare pāśam kalpayāmi namaḥ

45 aiṁ hrīṁ śrīṁ lalitāyai anya kare aṅkuśam kalpayāmi namaḥ

46 aiṁ hrīṁ śrīṁ lalitāyai itara kare puṇḍrekṣu cāpam kalpayāmi namaḥ

47 aiṁ hrīṁ śrīṁ lalitāyai apara kare puṣpabāṇān kalpayāmi namaḥ

48 aiṁ hrīṁ śrīṁ lalitāyai śrīman māṇikya pāduke kalpayāmi namaḥ

49

aiṁ hrīṁ śrīṁ lalitāyai svasamāna veṣābhirāvarṇa devatābhiḥ saha mahācakrādhi rohaṇaṁ kalpayāmi namaḥ

50 aiṁ hrīṁ śrīṁ lalitāyai kāmeśvarāṅkaparyaṅkopaveśanam kalpayāmi namaḥ

51 aiṁ hrīṁ śrīṁ lalitāyai amṛtāsava caṣakam kalpayāmi

namaḥ

52 aiṁ hrīṁ śrīṁ lalitāyai ācamanīyaṁ kalpayāmi namaḥ

53 aiṁ hrīṁ śrīṁ lalitāyai karpūra vīṭikām kalpayāmi namaḥ

54 aiṁ hrīṁ śrīṁ lalitāyai ānandollāsa vilāsa hāsaṁ kalpayāmi namaḥ

55 aiṁ hrīṁ śrīṁ lalitāyai maṅgalārārtikaṁ kalpayāmi namaḥ

56 aiṁ hrīṁ śrīṁ lalitāyai chatraṁ kalpayāmi namaḥ

57 aiṁ hrīṁ śrīṁ lalitāyai cāmara yugalaṁ kalpayāmi namaḥ

58 aiṁ hrīṁ śrīṁ lalitāyai darpaṇaṁ kalpayāmi namaḥ

59 aiṁ hrīṁ śrīṁ lalitāyai tāla vṛntaṁ kalpayāmi namaḥ

60 aiṁ hrīṁ śrīṁ lalitāyai gandhaṁ kalpayāmi namaḥ

61 aiṁ hrīṁ śrīṁ lalitāyai puṣpaṁ kalpayāmi namaḥ

62 aiṁ hrīṁ śrīṁ lalitāyai dhūpaṁ kalpayāmi namaḥ

63 aiṁ hrīṁ śrīṁ lalitāyai dīpaṁ kalpayāmi namaḥ

64 aiṁ hrīṁ śrīṁ lalitāyai naivedyaṁ kalpayāmi namaḥ

Nitya Puja

aiṁ hrīṁ śrīṁ

1

aṁ eṁ sa ka la hrīṁ sauḥ aṁ kāmeśvarī nityā śrī pādukām pujayāmi tarpayāmi namaḥ

2

āṁ aiṁ blūṁ jeṁ blūṁ bheṁ blūṁ moṁ blūṁ heṁ blūṁ heṁ strīṁ hara bleṁ hrīṁ āṁ bhagamālini nitya śrī pādukām pujayāmi tarpayāmi namaḥ

3 iṁ oṁ hrīṁ iṁ nityaklinna śrī pādukām pujayāmi

tarpayāmi namaḥ

4

īṁ āṁ oṁ kroṁ bhroṁ krauṁ jhrauṁ crauṁ jrauṁ svāhā īṁ bheruṇḍā śrī pādukām pujayāmi tarpayāmi namaḥ

5 uṁ oṁ hrīṁ uṁ vahni vāsini śrī pādukām pujayāmi tarpayāmi namaḥ

6 ūṁ hrīṁ aiṁ kroṁ hrīṁ ūṁ mahā vajreśvarī śrī pādukām pujayāmi tarpayāmi namaḥ

7 aruṁ hrīṁ aruṁ śivadūtī śrī pādukām pujayāmi tarpayāmi namaḥ

8

arūṁ oṁ hrīṁ huṁ khe ca ce kṣaḥ strīṁ huṁ kṣeṁ hrīṁ phaṭ arūṁ tvaritā śrī pādukām pujayāmi tarpayāmi namaḥ

9 aluṁ aiṁ klīṁ sauḥ aluṁ kulasundarī śrī pādukām pujayāmi tarpayāmi namaḥ

10

alūṁ ha sa ka la ra ḍaiṁ ha sa ka la ra ḍīṁ ha sa ka la ra ḍauḥ alūṁ nityā śrī pādukām pujayāmi tarpayāmi namaḥ

11

eṁ hrīṁ phreṁ strūṁ kroṁ āṁ klīṁ aiṁ blūṁ huṁ phreṁ hrīṁ eṁ nīlapatākā śrī pādukām pujayāmi tarpayāmi namaḥ

12 aiṁ bha ma ra ya ūṁ aiṁ vijayā śrī pādukām pujayāmi tarpayāmi namaḥ

13 oṁ svauṁ oṁ sarvamangalā śrī pādukām pujayāmi tarpayāmi namaḥ

14

auṁ oṁ hrāṁ hrīṁ hrūṁ ra ra ra ra ra ra ra huṁ phaṭ svāhā auṁ jvāla mālini śrī pādukām pujayāmi tarpayāmi namaḥ

15 aṁ ckauṁ aṁ citreti śrī pādukām pujayāmi tarpayāmi namaḥ

16

aḥ ahaṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ aḥ ṣoḍaśī śrī pādukām pujayāmi tarpayāmi namaḥ

aiṁ hrīṁ śrīṁ hsklrḍaiṁ hsklrḍīḥ hsklrḍauḥ nityānityāśrī śrī pādukām pujayāmi tarpayāmi namaḥ

NAVAAVARANA PUJA

BINDU BHEDANAM Sodasi

śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka ha la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ

Khadga Mala Nyasa 1 om namaḥ tripura sundarī namaḥ śrīṁ

2 aiṁ hrīṁ śrīṁ|śrīṁ hrīṁ klīṁ aiṁ sauḥ| hṛdayāya devīyai namaḥ śrīṁ

3 aiṁ hrīṁ śrīṁ|om hrīṁ śrīṁ| śiro devīyai namaḥ śrīṁ

4 aiṁ hrīṁ śrīṁ|ka e ī la hrīṁ| śikhāya devīyai namaḥ śrīṁ

5 aiṁ hrīṁ śrīṁ|ha sa ka ha la hrīṁ| kavacāya devīyai namaḥ śrīṁ

6 aiṁ hrīṁ śrīṁ|sa ka ha la hrīṁ| netrābhyāṁ devīyai namaḥ śrīṁ

7 aiṁ hrīṁ śrīṁ| sauḥ aiṁ klīṁ hrīṁ śrīṁ| astrāya devīyai namaḥ śrīṁ

Nitya Kala Devis

16 aiṁ hrīṁ śrīṁ|śrīṁ| mahānityeyai namaḥ śrīṁ

17

aiṁ hrīṁ śrīṁ| srīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ| parameśvara parameśvarīyai namaḥ śrīṁ

Salutations to Gurus

1 aiṁ hrīṁ śrīṁ mitreśamayīyai namaḥ śrīṁ

2 aiṁ hrīṁ śrīṁ ṣaṣṭiṣamayīyai namaḥ śrīṁ

3 aiṁ hrīṁ śrīṁuḍḍīśamayīyai namaḥ śrīṁ

4 aiṁ hrīṁ śrīṁcaryānāthamayīyai namaḥ śrīṁ

5 aiṁ hrīṁ śrīṁ lopāmudrāmayī namaḥ śrīṁ

6 aiṁ hrīṁ śrīṁ agastyamayī namaḥ śrīṁ

7 aiṁ hrīṁ śrīṁ kālatāpaśamayī namaḥ śrīṁ

8 aiṁ hrīṁ śrīṁ dharmācāryamayī namaḥ śrīṁ

9 aiṁ hrīṁ śrīṁ muktakeśīśvaramayī namaḥ śrīṁ

10 aiṁ hrīṁ śrīṁ dīpakalānāthamayī namaḥ śrīṁ

11 aiṁ hrīṁ śrīṁ viṣṇudevamayī namaḥ śrīṁ

12 aiṁ hrīṁ śrīṁ prabhākaradevamayī namaḥ śrīṁ

13 aiṁ hrīṁ śrīṁ tejodevamayī namaḥ śrīṁ

14 aiṁ hrīṁ śrīṁ manojadevamayi namaḥ śrīṁ

15 aiṁ hrīṁ śrīṁ kalyāṇadevamayī namaḥ śrīṁ

16 aiṁ hrīṁ śrīṁ vāsudevamayī namaḥ śrīṁ

17 aiṁ hrīṁ śrīṁ ratnadevamayī namaḥ śrīṁ

18 aiṁ hrīṁ śrīṁ śrīrāmānandamayī namaḥ śrīṁ

Avarana 1

ANANDA BHAIRAVI---- KamalambaSamrakshatu

The First Enclosure This is technically named Bhupur and is called

'Deluder of the Realms' or Trailokya Mohana Chakra. It has petals

in four directions, which contain esoteric knowledge to be

transmitted. There are actually six gateways to this enclosure if we

take a three-dimensional view of it, the four obvious dvaras and

those 'above' and 'below'. The Eastern gate is the way of the

mantras. The Southern gate is the way of devotion or bhakti. The

Western gate is for the performance of rites and rituals, or karma-

kanda. The Northern gate is the way of wisdom, or Jnana. The gate

'below' is the 'path of words' while the gate 'above' is the way or

'road of liberation'. These are located at the Southern and Northern

gate, respectively, i.e. 'above' is north, 'below' is south. Each of

these gates also stands for one of the six primary chakras in the

body.'Below' is the root or Muladhara Chakra; the Eastern gate to

the sacral or Svadhishthana Chakra; the Southern to the navel or

Manipura Chakra; the Western corresponds to heart or Anahata

Chakra; the Northern to the throat or Visuddha Chakra, and the

'above' to the brow or Ajna Chakra. The devotee or seeker is still

operating at the level of desire here.

The 3 lines of the 1st Avarana & the position of the various deities The outermost 3 lines known as Bhupura form the first Avarana

of the Sri Yantra. This is known as the Trilokya Mohana Chakra and the worshiper knowing its inner secrets can mesmerise the 3

worlds. It is ruled by a Yogini Devi called Prakata Yogini. The Deity of this is Tripura. The beeja of this Avarana is Am Aam Sauh.

The gem is topaz. The time is 24 minutes (360 breaths).The mudra to be shown is Kshobha Mudra.

The 1st line: The Outer line (of the 3 lines) has 10 Devis known as Siddhi Devis. Their luster is like that of molten gold, they hold the

goad in their right hands and the noose in their left hands. They are very auspicious and bestow heaps of gems and jewels to the

worshiper. They are placed as shown in the above picture. They are:

O1 aiṁ hrīṁ śrīṁ hāranūpura saṁyuktārūpiṇī| aṁ |aṇimā siddhi namaḥ

śrīṁ

O2 aiṁ hrīṁ śrīṁ kamaladvaya dhāriṇī| laṁ |laghimā evaṁ garimā

siddhi namaḥ śrīṁ

O3 aiṁ hrīṁ śrīṁ lakṣmī rūpiṇī| maṁ |mahimā siddhi namaḥ śrīṁ

O4 aiṁ hrīṁ śrīṁ paraśivamayī rūpiṇī| īṁ | īśitva siddhi namaḥ śrīṁ

O5 aiṁ hrīṁ śrīṁ śuddha jāṁpūnata prabhā rūpiṇī| vaṁ | vaśitva siddhi

namaḥ śrīṁ

O6 aiṁ hrīṁ śrīṁ tejo rūpā rūpiṇī| prāṁ| prākāmyā siddhiyai namaḥ śrīṁ

O7 aiṁ hrīṁ śrīṁ kamala vasatiḥ rūpiṇī bhuṁ | bhukti siddhiyai namaḥ

śrīṁ

O8 aiṁ hrīṁ śrīṁ viśva mohinī| iṁ | icchā siddhiyai namaḥ śrīṁ

O9 aiṁ hrīṁ śrīṁ sarva bhūṣo jvalāṅkī rūpiṇī| paṁ | prāpti siddhiyai

namaḥ śrīṁ

O10 aiṁ hrīṁ śrīṁ bījā pūradharā rūpiṇī|saṁ|sarvakāmā siddhiyai namaḥ

śrīṁ

The 2nd line: The 2nd or Middle line has eight Matruka Devis. They are bedecked in all ornaments. They hold in their hands

Vidya (book), Trident,Shakti, Chakra (Discus), Club, Thunderbolt, Baton & Lotus. They bestow to the worshiper everything

desired.

M1 aiṁ hrīṁ śrīṁ ādhyā śakti rūpiṇī| āṁ | brāhmīyai namaḥ śrīṁ

M2 aiṁ hrīṁ śrīṁ sakala jananī rūpiṇī| īṁ | māheśvarīyai namaḥ śrīṁ

M3 aiṁ hrīṁ śrīṁ kalaśa dhāriṇī rūpiṇī| ūṁ| kaumārīyai namaḥ śrīṁ

M4

aiṁ hrīṁ śrīṁ viṣṇu vāmāṅka saṁsthā rūpiṇī| ṝṁ | vaiṣṇavīyai namaḥ śrīṁ

M5 aiṁ hrīṁ śrīṁ kamalālayā rūpiṇī| ḹṁ | vārāhīyai namaḥ śrīṁ

M6

aiṁ hrīṁ śrīṁ śrīmat saubhāgya janani rūpiṇī| aiṁ| māhendrīyai ya indrāṇī namaḥ śrīṁ

M7 aiṁ hrīṁ śrīṁ bhārgavī rūpiṇī|auṁ| cāmuṇḍeyai namaḥ śrīṁ

M8 aiṁ hrīṁ śrīṁ sanātanī rūpiṇī| aḥṁ|mahālakṣmīyai namaḥ śrīṁ

The 3rd line: The innermost third line has 10 Mudra Shaktis. They are of red hue and rule the various mudras

and bestow spiritual boons to the worshiper.

I1 aiṁ hrīṁ śrīṁ sarvakāma phalāvāpti rūpiṇī| drāṁ| sarva saṅkṣobhiṇīyai mudrāśakti namaḥ śrīṁ

I2 aiṁ hrīṁ śrīṁ sādhanaika śukāvahā rūpiṇī| drīṁ| sarva vidrāviṇīyai mudrāśakti namaḥ śrīṁ

I3 aiṁ hrīṁ śrīṁ hiraṇya varṇa rūpiṇī| klīṁ| sarvākarṣiṇīyai mudrāśakti namaḥ śrīṁ

I4 aiṁ hrīṁ śrīṁ hariṇī rūpiṇī| bluṁ| sarva vaśaṅkarīyai mudrāśakti namaḥ śrīṁ

I5 aiṁ hrīṁ śrīṁ suvarṇa litastrajā rūpiṇī| saḥ| sarvonmādinīyai mudrāśakti namaḥ śrīṁ

I6 aiṁ hrīṁ śrīṁ samasta sampatsukhadā rūpiṇī| kroṁ| sarva mahāṅkuśeyai mudrāśakti namaḥ śrīṁ

I7

aiṁ hrīṁ śrīṁ akhila saubhāgya dāyinī rūpiṇī| hasakaphrem| sarva khecarīyai mudrāśakti namaḥ śrīṁ

I8

aiṁ hrīṁ śrīṁ samasta kalyāṇakarī rūpiṇī| hasauḥ hasauṁ| sarva bījeyai mudrāśakti namaḥ śrīṁ

I9 aiṁ hrīṁ śrīṁ jñānadā rūpiṇī| aiṁ| mahāyoniyai mudrāśakti namaḥ śrīṁ

I10

aiṁ hrīṁ śrīṁ haripriyā rūpiṇī| hsraiṁ hasakalarīṁ hsarauḥ | sarva trikhaṇḍeyai mudrāśakti namaḥ śrīṁ

Salutations to Chakreswari & Yogini in charge

aiṁ hrīṁ śrīṁ vijñāna saṁpat sukhadā rūpiṇī tripurācakreśvarī namaḥ śrīṁ

aiṁ hrīṁ śrīṁ | śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ | prakaṭa yoginī namaḥ śrīṁ

aiṁ hrīṁ śrīṁ hiraṇmayī rūpiṇī sarva saṅkṣobhiṇī mudrāśakti namaḥ śrīṁ

aiṁ hrīṁ śrīṁ vicitra vākbhūtikarī rūpiṇī aṇimā siddhi namaḥ śrīṁ

aiṁ hrīṁ śrīṁ |aṁ āṁ sauḥ|trailokyamohana cakrsvāminīyai namaḥ śrīṁ

Avarana-2 (16-petals) KALYANI-----Kamalambam Bhajare

This is technically named Shodashal and is called the 'Fulfiller of all Hopes' or Sarva Ashapurak Chakra. Since frustrated desire is the strongest obstacle to spiritual progress,the next stage is wisely concerned with satisfying them. Only he who has experienced can renounce. The values of virtue,wealth and pleasure are granted at this stage. The petals are representations of 16 sacred vowels, each one starting from the east in an anti-clockwise direction. Each of the 16 vowels corresponds to the divine Feminine Energy or Shakti. The Shaktis manifest their powers in the Five Elements, the 10 senses of perception or Indriyas (being further divided into five organs of action and five sense organs) and the Mind. This stage, too, corresponds to the Muladhara Chakra and is the second part of Emanation. Progress towards long-term objectives is achieved here.

The 2nd Avarana: is the 16 petals circle known as Sarvaash Paripooraka Chakra meaning the fulfiller of all desires.The presiding

form of Lalita in this Avarana is Tripureshi. She is ornamented with all gems, carries a book and a rosary. The Yogini residing here is

calledGupta Yogini. The 16 Devis of this Avarana are called the Nitya Kalas, also Nitya Devis, also Akarshana Devis and also Gupta

Yoginis. They are of red hue and each holds a noose, a goad, pot of nectar and make the sign of giving boons. They rule the 16

Sanskrit vowels from a to ah. By worshiping them one gets power over mind, ego, sound, touch, sight, taste, smell, intellect, steadiness,

memory, name, growth, etheric body, rejuvenation, and physical body.The 16 Yoginis represent the 16 vowels of Sanskrit language,

and areworshipped with the 16 vowels as their beeja mantras.The gem of this Avarana is sapphire. The dhatu is chyle (the first

product of the disintegration of food by the biological fires). The time is three hours (2700 breaths). The beeja mantra is Aim Klim

Sauh. The Mudra of this Avarana is the Dravini Mudra.

1 aiṁ hrīṁ śrīṁ manoharā rūpiṇī| aṁ kāmākarṣiṇī devi

namaḥ śrīṁ

2 aiṁ hrīṁ śrīṁ | āṁ buddhyākarṣiṇī devi namaḥ śrīṁ

3

aiṁ hrīṁ śrīṁ ananta saubhāgya dhāyinī rūpiṇī| iṁ

ahaṅkārākarṣiṇī devi namaḥ śrīṁ

4

aiṁ hrīṁ śrīṁ sarva bhūtāntarasthā rūpiṇī| īṁ

śabdākarṣiṇī devi namaḥ śrīṁ

5

aiṁ hrīṁ śrīṁ svarṇa prākāra maddhyakā rūpiṇī| uṁ

sparśākarṣiṇī devi namaḥ śrīṁ

6 6aiṁ hrīṁ śrīṁ samasta bhūteśvarī rūpiṇī| ūṁ

rūpākarṣiṇī devī namaḥ śrīṁ

7 7aiṁ hrīṁ śrīṁ viśvarūpā rūpiṇī| ṛṁ rasākarṣiṇī devi

namaḥ śrīṁ

8 8aiṁ hrīṁ śrīṁ prabhāmayi rūpiṇī| ṝṁ gandhākarṣiṇī devi namaḥ śrīṁ

9

9aiṁ hrīṁ śrīṁ dāriddhya duḥkhauka tamopa rūpiṇī| ḷṁ cittākarṣiṇī devi namaḥ śrīṁ

10 10aiṁ hrīṁ śrīṁ patminī rūpiṇī| ḹṁ dhairyākarṣiṇī devī namaḥ śrīṁ

11 11aiṁ hrīṁ śrīṁ | eṁ smṛtyākarṣiṇī devi namaḥ śrīṁ

12

12aiṁ hrīṁ śrīṁ kṛpākalita locana rūpiṇī| aiṁ

nāmākarṣiṇī devi namaḥ śrīṁ

13

13aiṁ hrīṁ śrīṁ praṇatasthānta śokaghni rūpiṇī|oṁ bījākarṣiṇī devi namaḥ śrīṁ

14

14aiṁ hrīṁ śrīṁ śaraṇāgata rakṣaṇa rūpiṇī|auṁ ātmākarṣiṇī devi namaḥ śrīṁ

15 15aiṁ hrīṁ śrīṁ śāntiḥ rūpiṇī| aṁ amṛtākarṣiṇī devi

namaḥ śrīṁ

16 16aiṁ hrīṁ śrīṁ kāntiḥ rūpiṇī| aḥ śarīrākarṣiṇī devi namaḥ śrīṁ

(Salutations to Chakreswari & Yogini in charge)

aiṁ hrīṁ śrīṁ patma saṁsthā rūpiṇī tripūreśvari namaḥ śrīṁ

aiṁ hrīṁ śrīṁ namaḥ śrīṁ śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ

aiṁ klīṁ hrīṁ śrīṁ | gupta yoginī namaḥ śrīṁ

aiṁ hrīṁ śrīṁ śāntiḥ rūpiṇī sarva vidrāviṇi mudrādevi namaḥ śrīṁ

aiṁ hrīṁ śrīṁ kāntiḥ rūpiṇī laghimāsiddhiḥ namaḥ śrīṁ

aiṁ hrīṁ śrīṁ aiṁ klīṁ sauḥ duritakṣayakāriṇi rūpiṇī sarvāśāpa ripūraka cakrasvāminī namaḥ śrīṁ

Avarana-3 (8-petals) SHANKARABHARANAM----

ShreeKamalaambikayaaKataakshitoham

This is technically named Ashtadal and is called 'Agitator of All' or Sarva

Sankshobhan Chakra. The eight large petals here represent a state of

psychophysical dynamic equilibrium. Each petal has a consonant

inscribed within it that begins with 'Ka' -the name of the Unknown God.

Symbolically the petals exemplify dynamic quality. In the East, the petal

stands for speech and expression; in the South,apprehension and

reception; in the West, locomotion; in the North, bodily urges and

excretion; in the Southeast, pleasure; in the Southwest, rejections and

reactions; in the Northwest, conscious attention; and in the Northeast,

detachment and dispassion. Alternative perspectives see the eight petals

as the seats of eight goddesses who are responsible for: Speech

(Vachana), Transaction (Adana), Departure (Gamana), Transcendence

(Visarg), Bliss (Ananda), Absence/Detachment (Hana), Giving

(Upadana) and, last of all, Neglect (Upeksha). In yet another

interpretation, the eight petals symbolize: Form (Rupa), Taste (Rasa),

Smell (Gandha), Touch (Sparsha), Sound (Shabdha), Primordial Sound

(Nada), Primordial Nature (Prakriti), and The Self (Purusha). The third

enclosure corresponds to the Manipura Chakra and is a transition stage

between Emanation-Preservation symbolically representing both of them.

This stage sees the aspirant succeed even further towards reaching the

ultimate goal.

The 3rd Avarana: is the 8 petal circle known as Sarva Sankshobhana Chakra.The preciding form of Lalita in this Avarana is Tripura Sundari. The

Yogini is Guptatara Yogini. She is swaying in a love intoxicated state, with her eyes full of bliss. She smiles with passion and shows the mudras

dispelling fears and granting boons.The eight Devis in each of the eight petals have the colour of Bandhuka flowers. They are holding noose, goad,

blue lotus and are dispelling fear. They represent Speech, Holding, Walking, Excreting, Pleasure, Abandoning,Concentration and Detachment.

They have the eight Ka class letters as their beejas.The beeja mantra of this Avarana is Hrim Klim Sauh. The gem is cat's eye.The dhatu is Flesh.

The time is day and night (21600 breaths).The mudra of this Avarana is Aakarshana Mudra.

1 aiṁ hrīṁ śrīṁ śaśiśekhara saṁttā rūpiṇī kaṁ khaṁ gaṁ ghaṁ ṅaṁ anaṅga kusumā namaḥ śrīṁ

2 aiṁ hrīṁ śrīṁ dhandhānya samṛddhi rūpiṇī caṁ chaṁ jaṁ jhaṁ ñaṁ anaṅga mekhalā namaḥ śrīṁ

3 aiṁ hrīṁ śrīṁ śakti rūpiṇī ṭaṁ ṭhaṁ ḍaṁ ḍhaṁ ṇaṁ

anaṅga madanā namaḥ śrīṁ

4 aiṁ hrīṁ śrīṁ ratiḥ rūpiṇī taṁ thaṁ daṁ dhaṁ naṁ anaṅga madanāturā namaḥ śrīṁ

5 aiṁ hrīṁ śrīṁ nitya puṣṭā rūpiṇī paṁ phaṁ baṁ bhaṁ maṁ anaṅga rekhā namaḥ śrīṁ

6 aiṁ hrīṁ śrīṁ rajanīkāra sodarā rūpiṇī yaṁ raṁ laṁ vaṁ anaṅga veginī namaḥ śrīṁ

7 aiṁ hrīṁ śrīṁ karīṣiṇī rūpiṇī śaṁ ṣaṁ saṁ haṁ anaṅga aṅkuśā namaḥ śrīṁ

8 aiṁ hrīṁ śrīṁ bhaktiḥ rūpiṇī ḻaṁ kṣaṁ anaṅga mālinī namaḥ śrīṁ


aiṁ hrīṁ śrīṁ bhavasāgaradhāriṇī rūpiṇī tripurasundaricakreśvarīnamaḥ śrīṁ

aiṁ hrīṁ śrīṁ | śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ matiḥ rūpiṇī guptatarayoginī namaḥ śrīṁ

aiṁ hrīṁ śrīṁ siddhiḥ rūpiṇī sarvākarṣiṇī mudrādevi namaḥ śrīṁ

aiṁ hrīṁ śrīṁ ghṛtiḥ rūpiṇī mahimāsiddhi namaḥ śrīṁ

aiṁ hrīṁ śrīṁ| hrīṁ klīṁ sauḥ madhusūdhana vallabhā rūpiṇī sarvasaṅkṣobhaṇe cakrasvāminī namaḥ śrīṁ

Avarana-4 (14-triangles) KAMBODHI:KamalaambikaayaiKanakamshukaayai

This is technically named Chaturdashar and is called the 'Provider

of Prosperity' or Sarva Saubhagya Dayak Chakra. It is a 14-

cornered figure. It represents the first 14 letters of the Sanskrit

alphabet, regarded as a sacred revelation of words of power. As

always, they are also supposed to be the seat of Shaktis who

represent: the Mind (Manas), the Intellect (Buddhi), Being (Chitta),

the Conscious Ego (Ahamkara) and the 10 Indriyas. The chakra

associated with it is the Anahata and it is the first stage of

Preservation-Emanation. Hope of spiritual success is firmly

established at this stage in the aspirant.

The 4th Avarana: This Avarana of 14 triangles (Outer blue triangles in picture) represents the 14 worlds and the

14 main Nadis in the human body. It is called Sarva Soubhagya Dayak Chakra. The presiding form of the devi is

Tripura Vasini. She is red and very beautiful. Fourteen Devis of the triangles are described as being proud,

wanton, young, colour of cochineal, ornamented with gems, holding noose, goad, mirror, wine cup full of nectar.

They are called Sampradaya Yoginis.The beeja mantra of this Avarana is Haim Hklim Hsauh.The gem is coral. The

dhatu is blood. The time is weekday.The mudra of this Avarana is Vasya Mudra.

1 aiṁ hrīṁ śrīṁ puṣṭiḥ rūpiṇī kaṁ sarvasaṅkṣobhiṇī devi namaḥ śrīṁ

2 aiṁ hrīṁ śrīṁ hiraṇyamālā rūpiṇī khaṁ sarva vidraviṇī devi namaḥ śrīṁ

3 aiṁ hrīṁ śrīṁ śubhalakṣaṇa lakṣitā rūpiṇī gaṁ sarva ākarṣiṇī devi namaḥ śrīṁ

4 aiṁ hrīṁ śrīṁ atidurgati hantrī rūpiṇī ghaṁ sarva hlādinī devi namaḥ śrīṁ

5 aiṁ hrīṁ śrīṁ varasatgadi dāyiṇī rūpiṇī ṅaṁ sarva sammohinī devi namaḥ śrīṁ

6 aiṁ hrīṁ śrīṁ divi deva gaṇārādhyā rūpiṇī caṁ sarva stambhinī devi namaḥ śrīṁ

7 aiṁ hrīṁ śrīṁ bhuvanārtti vināśini rūpiṇī chaṁ sarva jṛmbhiṇī devi namaḥ śrīṁ

8 aiṁ hrīṁ śrīṁ ādrā rūpiṇī jaṁ sarva vaśaṅkarī devi namaḥ śrīṁ

9 aiṁ hrīṁ śrīṁ puṣkariṇī rūpiṇī jhaṁ sarva rañjinī devi namaḥ śrīṁ

10 aiṁ hrīṁ śrīṁ puṣṭir dharaṇīdhara vallabhā rūpiṇī ñaṁ sarvonmādinī devi namaḥ śrīṁ

11 aiṁ hrīṁ śrīṁ dāridhya duḥkha hantrī rūpiṇī ṭaṁ sarvārthasādhinī devi namaḥ śrīṁ

12 aiṁ hrīṁ śrīṁ bhaya vidvaṁśinī rūpiṇī ṭhaṁ sarva sampattipūriṇī devi namaḥ śrīṁ

13 aiṁ hrīṁ śrīṁ śrī viṣṇu vakṣasthalakara rūpiṇī ḍaṁ sarva mantra mayī devi śrīṁ

14 aiṁ hrīṁ śrīṁ hyaśeṣa suvibhūtitā rūpiṇī ḍhaṁ sarva dvanta kṣayaṅkarī devi śrīṁ


aiṁ hrīṁ śrīṁ lakṣaṇā lakṣitāñki rūpiṇī tripuravāsinī cakreśvarī namaḥ śrīṁ

aiṁ hrīṁ śrīṁ| śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ | patmā rūpiṇī sampradāya yoginī namaḥ śrīṁ

aiṁ hrīṁ śrīṁ patmāsanārccitā rūpiṇī sarva vaśañkarī mudrādevi namaḥ śrīṁ

aiṁ hrīṁ śrīṁ vidhyā rūpiṇī īśitvasiddhi namaḥ śrīṁ

aiṁ hrīṁ śrīṁ| haiṁ hklīṁ hsauḥ |sampatkarī rūpiṇī sarvasaubhāgyadāyaka cakrasvāminī namaḥ śrīṁ

Avarana-5 (10-triangles) BHAIRAVI:ShreeKamalaambikaayaahParamNahire

This is technically named the Bahiradashar and is called

'Achiever of all Objects' or Sarva Artha Sadhak Chakra.

It is a 10-cornered figure. It corresponds to the Visuddha

chakra and is the stage called Preservation-Preservation,

meaning a very strong Vishnu energy. The 10-cornered

figure represents the 10 types of Vital Breaths (Prana or

Ki). This is inevitable as Vishnu (He Who Pervades) is

the Support of the Universe, i.e. Vishnu is the

visibilization of the Prana which is the support of all life.

The possibility, not the actual experience, of inner

spiritual realization is firmly established here.

The 5th Avarana: This Avarana of 10 triangles ( red triangles in the picture) is called Sarvarth Sadhaka Chakra. It

is own as Bahirdasaram. The presiding aspect of Lalita is Tripurasri. She holds noose goad, a skull and dispels

fear.She is of vermilion brightness. The Yoginis are called Kulotteerna Yoginis and also Kula Yoginis. They have

the lusture of Japakusuma flowers and are adorned with shining gems and jwels. They are holding noose and

goads and showing the gestures of knowledge, and giving boons. They represent thedasavataras and the 10 Vital

Fires.The beeja of this Avarana is Hsshoum, Hleesskhloum, Hssouh. The gem is pearl. The dhatu is Ova/Semen.

The time is Lunar Day (tithi).The Mudra of this Avarana is Unmada Mudra.

1 aiṁ hrīṁ śrīṁ deva saṁgābhipujitā rūpiṇī ṇaṁ sarva siddhipradā devi namaḥ śrīṁ

2 aiṁ hrīṁ śrīṁ bhadrā rūpiṇī taṁ sarva sampatpradā devi namaḥ śrīṁ

3 aiṁ hrīṁ śrīṁ bhāgyarūpā rūpiṇī thaṁ sarva priyaṅkarī devi namaḥ śrīṁ

4 aiṁ hrīṁ śrīṁ nityā rūpiṇī daṁ sarva maṅgalakāriṇī devi namaḥ śrīṁ

5 aiṁ hrīṁ śrīṁ nirmala bhuddhitā rūpiṇī dhaṁ sarva kāmapradā devi namaḥ śrīṁ

6 aiṁ hrīṁ śrīṁ satyā rūpiṇī naṁ sarva duḥkha vimocinī devi namaḥ śrīṁ

7 aiṁ hrīṁ śrīṁ sarva bhūtasthā rūpiṇī paṁ sarva mṛtyu praśamanī devi namaḥ śrīṁ

8

aiṁ hrīṁ śrīṁ ratna karpāntarasthitā rūpiṇī phaṁ sarva vighna nivāriṇī devi namaḥ śrīṁ

9 aiṁ hrīṁ śrīṁ ramyā rūpiṇī baṁ sarvāṅga sundarī

devi namaḥ śrīṁ

10 aiṁ hrīṁ śrīṁ śuddha rūpiṇī bhaṁ sarva saubhāgyadāyinī devi namaḥ śrīṁ


aiṁ hrīṁ śrīṁ kāntā rūpiṇī tripurāśrī cakreśvarī namaḥ śrīṁ

aiṁ hrīṁ śrīṁ śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ kāntimat bhāsitāṅkā rūpiṇī kula kaula yoginī namaḥ śrīṁ

aiṁ hrīṁ śrīṁ sarva saukhya pradā rūpiṇī sarvonmādinī mudrādevi namaḥ śrīṁ

aiṁ hrīṁ śrīṁ bhaktaukābhaya dāyini rūpiṇī vaśitva namaḥ śrīṁ

aiṁ hrīṁ śrīṁ| hsaiṁ hsklīṁ hssauḥ śvetadvīpa kṛtāvāsā rūpiṇī sarvārtha sādhaka cakra svaminī namaḥ śrīṁ

Avarana-6 (10-triangles) PUNNAGAVARALI Kamalaambikaayaastava Bhaktoham

This is technically named the Antardashar and is called 'Protector

of All' or Sarva Rakshakar Chakra. It is also a 10-cornered figure.

There is some ambivalence about it as it corresponds to the

Manipura Chakra, but is apparently experienced by mystics who

have internalized the Sri Yantra as being between the eyebrows,

which is where you would expect the Ajna Chakra to be. Its nature

is that of fire (Agni), the 10 specific 'fires within the body' being the

fire of purgation (Rechak), digestion (Pachak), absorption

(Shoshak), burning (Dahak), the secretion of enzymes (Plavak),

acidification (Ksharak), to take out or excrete (Uddharak), the fires

of pessimism and frustration (Kshobhak), the fire of assimilation

(Jrambhak) and creating luster (Mohak). This enclosure symbolizes

the third stage of Preservation called Preservation-Absorption. The

advent of inner realization begins here.

The 6th Avarana: This inner 10 triangle chakra (shown in black in the picture) is called Sarva Rakshakara Chakra and also as

Antardasardam. The presiding aspect of Lalita is Tripura Malini. She holds noose and goad, dispels fear, and holds a skull. She is of

vermilion brightness. The Yoginis are called Nigarbha Yoginis. They are the colour of 1000 rising suns, adorned with pearls and

gems, holding noose, chisel, and showing the gestures of knowledge, and giving boons. They are the saktis of the 10 Vital Fires.The

beeja of this Avarana is Hrim Klim Blem. The gem is emerald. Thedhatu is Marrow. The time is Lunar Fortnight.The Mudra of the

Avarana is Mahankusha Mudra.

1 - aiṁ hrīṁ śrīṁ jagaṁmātā rūpiṇī maṁ sarva-jñā devi namaḥ śrīṁ

2 - aiṁ hrīṁ śrīṁ jagaṁmayī rūpiṇī yaṁ sarva-śakti devi namaḥ śrīṁ

3 -

aiṁ hrīṁ śrīṁ ratna karpasthitā rūpiṇī raṁ sarva-aīśvarya pradā devi namaḥ śrīṁ

4 - aiṁ hrīṁ śrīṁ saumyā rūpiṇī laṁ sarva-jñāna mayī devi namaḥ śrīṁ

5 -

aiṁ hrīṁ śrīṁ kṣīrāṁbutikṛtā layā rūpiṇī vaṁ sarva-vyādhi vināśinī devi namaḥ śrīṁ

6 -

aiṁ hrīṁ śrīṁ prasanna hṛdayā rūpiṇī śaṁ sarva-ādhāra svarupā devi namaḥ śrīṁ

7 - aiṁ hrīṁ śrīṁ paripūrṇā rūpiṇī ṣaṁ sarva-pāpa harā devi namaḥ śrīṁ

8 - aiṁ hrīṁ śrīṁ hiraṇmayī rūpiṇī saṁ sarva-ānanda mayī devi namaḥ śrīṁ

9 -

aiṁ hrīṁ śrīṁ vasundharā rūpiṇī haṁ sarva-rakṣā svarupiṇī devi namaḥ śrīṁ

10 aiṁ hrīṁ śrīṁ śrīdharā rūpiṇī kṣaṁ sarvepsita phalapradā devi namaḥ śrīṁ


aiṁ hrīṁ śrīṁ vasudoktrī rūpiṇī tripuramālinī namaḥ śrīṁ

aiṁ hrīṁ śrīṁ| śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ kṛpāmayī rūpiṇī nigarbhayogini namaḥ śrīṁ

aiṁ hrīṁ śrīṁ viṣṇupriyā rūpiṇī sarva mahāṅkuśā mudrā devi namaḥ śrīṁ

aiṁ hrīṁ śrīṁ ratnagarbhā rūpiṇī prākāmya siddhi namaḥ śrīṁ

aiṁ hrīṁ śrīṁ hrīṁ klīṁ bleṁ samasta phaladā rūpiṇī sarva rakṣākara cakra svaminī namaḥ śrīṁ

Avarana-7 (8-triangles)

SAHANA ShreeKamalaambikaayaam BhaktimKaromi

This is technically named Ashtar, an eight-cornered figure, and is

called 'Remover of all Diseases' or Sarva Roga Hara Chakra. It is

represented by five letters of the 'pa' group as also the letters 'sa',

'sha' and 'sa' again. The eight letters are also supposed to represent

the eight weapons held by the Kameshwara -Kameshwari (Shiva-

Durga) dyad which destroy disease. Shiva as Rudra was

specifically a healer, thus this enclosure merely adds the feminine

healing energy to the mix. Paradoxically, it corresponds to two

chakras of the human body, both the forehead Ajna as well as the

Svadhisthana Chakras. It may have something to do with the sort of

energy required to bring about healing. Energy workers are aware

that it sometimes begins to flow from the womb or genitals, where

the Svadhisthana is located. This enclosure symbolizes the first

stage of Absorption, namely Absorption-Emanation. At this level

the aspirant is free of all earthly bondage and is, literally, on the

threshold of the inner circle of realization

The 7th Avarana: This inner 8 triangle chakra (shown in Green in the picture) is called Sarva Rogahara Chakra. The preciding Devi is

Tripura Siddhamba.She is described as the Destroyer of Poison. The Yogini is called Ati Rahasya Yogini. The Yoginis are the colour

of pomegranate flowers, wearing red clothes, smeared with red scent, each carrying five arrows and a bow. These Devis are the rulers

of Cold, Heat, Happiness, Sorrow, Desire, and the three gunas Sattvas, Rajas, Tamas. They are also called the eight Vasinis and rulethe

eight Sanskrit letter groups. They also represent the Astha Vasus.The beeja is Hreem, Shreem, Souh. The gem is diamond. The time is

month.The Mudra is Khecari Mudra.

1 -

aiṁ hrīṁ śrīṁ rasādaḻa gadā rūpiṇī aṁ āṁ iṁ īṁ uṁ ūṁ ṛṁ ṝṁ ḷṁ ḹṁ eṁ aiṁ oṁ auṁ aḥ aḥ -bluṁ vaśinī vāgdevi namaḥ śrīṁ

2

aiṁ hrīṁ śrīṁ suvradhara rūpiṇī kaṁ khaṁ gaṁ ghaṁ ṅaṁ kalahrīṁ kāmeśvarī vāgdevi namaḥ śrīṁ

3

aiṁ hrīṁ śrīṁ haripriyā rūpiṇī caṁ chaṁ jaṁ jhaṁ ñaṁ|nblūṁ modinī vāgdevi namaḥ śrīṁ

4

aiṁ hrīṁ śrīṁ dharaṇīgarbha samastā rūpiṇī ṭaṁ ṭhaṁ ḍaṁ ḍhaṁ ṇaṁ yluṁ vimalā vāgdevi namaḥ śrīṁ

5

aiṁ hrīṁ śrīṁ samunnatamukhī rūpiṇī taṁ thaṁ daṁ dhaṁ naṁ jmrīṁ aruṇā vāgdevi namaḥ śrīṁ

6

aiṁ hrīṁ śrīṁ samastapura samastā rūpiṇī paṁ phaṁ baṁ bhaṁ maṁ hasalavayūṁ jayinī vāgdevi namaḥ śrīṁ

7

aiṁ hrīṁ śrīṁ paripurṇa manoratā rūpiṇī yaṁ raṁ laṁ vaṁ jhamarayūṁ sarveśvarī vāgdevi namaḥ śrīṁ

8

aiṁ hrīṁ śrīṁ karuṇārasa ṛṣyanta netradvaya vilāsinī rūpiṇī śaṁ ṣaṁ saṁ haṁ laṁ kśaṁ|kṣmrīṁ| kaulinivaśinī vāgdevi namaḥ śrīṁ


aiṁ hrīṁ śrīṁ sarva rāja gṛhā vāsā rūpiṇī tripurāsiddhā cakreśvarī namaḥ śrīṁ

aiṁ hrīṁ śrīṁ śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ mahālakṣmī guṇānvidā rūpiṇī rahasya yoginī namaḥ śrīṁ

aiṁ hrīṁ śrīṁ vaikuṇṭha nagarasthā rūpiṇī sarva khecarī mudrā namaḥ śrīṁ

aiṁ hrīṁ śrīṁ kṣīrasāgara kanyakā rūpiṇī bhukti namaḥ śrīṁ

aiṁ hrīṁ śrīṁ hrīṁ śrīṁ sauḥ yogi hṛt patmasaṁsthā rūpiṇī sarva rogahara cakra svaminī namaḥ śrīṁ

Avarana-8 (Salutations to weapons) GHANTA:Shree Kamalaambike Avaarana This is the Primary Triangle technically named the Kamakala and more

typically is called 'The Bestower of all Attainments' or Sarva Siddhiprada

Chakra. The Kama-kala is the first outcome or effect of the central bindu's

energy outflow. Since it is an inverted triangle, it is also described as 'the

wandering between horns', the two lines meeting at a point below being

the horns.The three lines of the triangle are also held to represent the

three qualities or Gunas: Purity and Calm (Sattva), Activity (Rajas), and

Inertia (Tamas). Alternatively, the three lines are held to symbolize three

goddesses -Kameshwari, Brijeshwari and Agamalini. They also represent

the three stages of consciousness: Conscious Awareness (Jagriti),

Dreaming (Swapna), and Deep Slumber (Sushupti). The fourth stage of

Consciousness is literally Turiya -the Fourth! This is a transcendent state

found only in the ultimate realization of the final enclosure.

The 8th Avarana: This inner triangle chakra (shown in Yellow in the picture) is called Sarva Siddhiprada Chakra. The presiding Devi is

Tripuramba. The Yogini here is Ati-Rahasya Yogini. Her Beejamantra is Hsraim Hsrklim Hsrsauh.She is also known as Sampatprada Bhairavi.

She has coppery effulgent, like a 1000 suns, with three eyes, a face like the moon, adorned with white gems, with a beautiful figure, rising swelling

breasts,intoxicated, wanton,young, proud, holding book, dispelling fear, holding a rosary and granting boons. The Weapons are worshipped as

seen on the sides of Yellow Triangle where different weapons are placed ( 4 in number) and The 3 Devis here are:1.Kameshvari 2.Vajreshi

3.Bhagamalini.Kameshvari is the Rudra Shakti - Parvati. She is white in colour, besmeared with camphor, adorned with pearls and crystal, and

various other gems, holding book, rosary, bestowing boons and dispelling fear.Vajreshi is the Vishnu Shakti - Lakshmi. She is bright as red

kumkuma,adorned with flowers and gems, like the dawn sun. Her eyelids are smearedwith sapphire dust, she holds sugarcane how, flowery

arrows, bestows boons,dispels fear.Bhagamalini is the Brahma Shakti - Saraswati. She is effulgent as molten gold,adorned with priceless gems,

holds noose, goad, and shows the gestures ofknowledge and bestowing boons.The beeja is Hsraim Hsrklim Hsrsauh. The gem of the mandala is

Gomaya.The dhatu is Fat. The time is season (two months). The Mudra is the Bija Mudra.

1

aiṁ hrīṁ śrīṁ kalpavallī rūpiṇī yaṁ raṁ laṁ vaṁ saṁ drāṁ drīṁ klīṁ bluṁ saḥ rūpiṇī jṛṁbaṇebyaḥ kāmeśvara kāmeśvarī bāṇebhyo namaḥ śrīṁ

2

aiṁ hrīṁ śrīṁ dayāvati rūpiṇī thaṁ dhaṁ sammohanāya kāmeśvarī dhanurbhyāṁ namaḥ śrīṁ

3

aiṁ hrīṁ śrīṁ bhakti cintāmaṇī rūpiṇī hrīṁ āṁ vaśīkaraṇāya kāmeśvara kāmeśvarī pāśābhyāṁ namaḥ śrīṁ

4

aiṁ hrīṁ śrīṁ hyādi māyendirā rūpiṇī kroṁ kroṁ sarva staṁbanāya kāmeśvara kāmeśvarī aṅkuśābhyāṁ namaḥ śrīṁ

Main Triangle

1

aiṁ hrīṁ śrīṁ bhogadā rūpiṇī śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ mahā kāmeśvarī devi namaḥ śrīṁ

2

aiṁ hrīṁ śrīṁ vicakṣaṇā rūpiṇī ka e ī la hrīṁ ha sa ka ha la hrīṁ| mahā vajreśvarī devi namaḥ śrīṁ

3

aiṁ hrīṁ śrīṁ devādi nātha vandyā rūpiṇī sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ| mahā bhagamalinī devi namaḥ śrīṁ


aiṁ hrīṁ śrīṁ dīna poṣaṇa tatparā rūpiṇī tripuraṁbā cakreśvari namaḥ śrīṁ

aiṁ hrīṁ śrīṁ māṁgalya bījā mahimā rūpiṇī śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ rūpiṇī parā para rahasyayoginī namaḥ śrīṁ

aiṁ hrīṁ śrīṁ nidhi rūpiṇī bījamudrā devi namaḥ śrīṁ

aiṁ hrīṁ śrīṁ anantadā rūpiṇī iccā siddhi namaḥ śrīṁ

aiṁ hrīṁ śrīṁ ādyādi lakṣmī rūpiṇī hsraiṁ hsklrīṁ hsrauḥ rūpiṇī sarva siddhiprada cakra svaminī namaḥ śrīṁ

Avarana-9 (Bindu) AHIRI:ShreeKamalaambaaJayati

This is the central point or Bindu and is aptly called 'Filled with

all Bliss' or Sarva Anandamayai Chakra. Since it is too minute to

be clearly seen, the Primary Triangle exists as a manifestation of

this bindu. This point is the actual spot where the Mother resides

though, to make matters interesting, this point is supposed to

pervade all creation too! This, in a temple, would be the sanctum

sanctorum,with all the other circles or enclosures representing

various parts of the temple as you move inwards. Every classic

temple has this nine-enclosure design to enable the mind to be

successively purified and focused, by the time it getsthe actual

vision of the deity. By this point, the seeker should be in mystical

union with the God-field. The point is also called the 'Field of

Deliberation', the spot wherein takes place the indissoluble union

of the individual soul with the divine. The Ninth Enclosure is the

ultimate gathering up of Emanation and represents Absorption-

Absorption, 'filled with all bliss' as bliss - Ananda - is defined as

'Resting in Oneself'. This point corresponds to the Sahasrara

Chakra, the aperture on the crown of the head.It is the culmination

of the inner journey, a return to Godhead. The reverse process is

the unfolding of the Universe. These two processes alternate

eternally in the process known as Vyapta-Vyapta, Manifest-

Unmanifest, creation by emanation, dissolution, absorption and

then emanation again.

The 9th Avarana: This Avarana is the Bindu - the Cosmic Union

of Shiva & Shakti as Kameswari & Kameswara. It is called

Sarvanandamaya Chakra. The Yogini is the Queen of Queens,

Rajarajeshvari, Her Transcendent Majesty Lalita Maheshvari

Mahatripurasundari.The beeja is ka e i la hrim. The gem is

ruby. The dhatu is hair. The time isyear. The mudra of this

Avarana is Yoni Mudra. Some Sri Yantras have a further

division within the bindu space, three dots arranged in a

triangle and standing for the three creative fires: the Fire of the

Moon, i.e. the dot representing it is red in color and it also

stands for the ida channel for the prana on the left (lunar) side

of the body; the Fire of the Sun is a white dot, and represents the

pingala channel for the prana on the right side of the body; the

Fire of Agni, sacred flame, is of mixed colors and stands for the

central channel, the sushumna. In such cases, of course,the

actual bindu will be infinitely small and enclosed within the

triangular space formed by these three dots.

aiṁ hrīṁ śrīṁ mahāsiddha lakṣmī śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ śrī śrī mahā bhaṭṭārike parapramātmaka śakti śrīmahātripurasundarī namaḥ śrīṁ


aiṁ hrīṁ śrīṁ rājyalakśmi rūpiṇī mahātripurasundari cakreśvari namaḥ śrīṁ

aiṁ hrīṁ śrīṁ rūpiṇī śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ divya lakśmī rūpiṇī parāparātirahasya yoginī namaḥ śrīṁ

aiṁ hrīṁ śrīṁ suśrī rūpiṇī sarva yoni mudrā devi namaḥ śrīṁ

aiṁ hrīṁ śrīṁ maṅgala devadā rūpiṇī prāpti siddhi namaḥ śrīṁ

aiṁ hrīṁ śrīṁ bhaktidā rūpiṇī ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sarvatrikhaṇḍā mudrā devi namaḥ śrīṁ

aiṁ hrīṁ śrīṁ muktidā rūpiṇī sarvakāmasiddhi namaḥ śrīṁ

aiṁ hrīṁ śrīṁ bhuktidā rūpiṇī ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sarvānandamaya cakra svaminī namaḥ śrīṁ

aiṁ hrīṁ śrīṁ sat gadipradā rūpiṇī śrī mahā tripurasundarī namaḥ śrīṁ

1 aiṁ hrīṁ śrīṁ|aṁ āṁ sauḥ|aiṁ tripureyai bindu namaḥ śrīṁ

2 aiṁ hrīṁ śrīṁ|aiṁ klīṁ sauḥ|tripureśīyai hrīṁ ardha

candre namaḥ śrīṁ

3 aiṁ hrīṁ śrīṁ|hrīṁ klīṁ sauḥ|tripurasundarīyai klīṁ rodhiniyai namaḥ śrīṁ

4 aiṁ hrīṁ śrīṁ|haiṁ hklīṁ hsauḥ|tripura vāsinīyai chāṁ nāde namaḥ śrīṁ

5 aiṁ hrīṁ śrīṁ|hsaiṁ hsklīṁ hasauḥ|tripurāśrīyai muṁ

nādante namaḥ śrīṁ

6 aiṁ hrīṁ śrīṁ|hrīṁ klīṁ bleṁ|tripuramālinīyai dāṁ śaktau namaḥ śrīṁ

7 aiṁ hrīṁ śrīṁ|hrīṁ śrīṁ sauḥ|tripura siddhayai yaiṁ vyāpikāyai namaḥ śrīṁ

8 aiṁ hrīṁ śrīṁ|hsraiṁ hsklrīṁ hsrsauḥ|tripurāmbāyai naṁ samaniyai namaḥ śrīṁ

9

aiṁ hrīṁ śrīṁ|ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ|mahā tripurasundarī namaḥ śrīṁ

10

aiṁ hrīṁ śrīṁ| śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ | mahā maheśvarīyai namaḥ śrīṁ

11

aiṁ hrīṁ śrīṁ| śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ | mahā mahā rājñīyai namaḥ śrīṁ

12

aiṁ hrīṁ śrīṁ| śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ | mahā mahā śakteyai namaḥ śrīṁ

13

aiṁ hrīṁ śrīṁ| śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ | mahā mahā gupteyai namaḥ śrīṁ

14

aiṁ hrīṁ śrīṁ| śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ | mahā mahā jñānapteyai namaḥ śrīṁ

15

aiṁ hrīṁ śrīṁ| śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ | mahā maha ānandeyai namaḥ śrīṁ

16

aiṁ hrīṁ śrīṁ| śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ | mahā mahā skandheyai namaḥ śrīṁ

17

aiṁ hrīṁ śrīṁ| śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ | mahā mahā śayeyai namaḥ śrīṁ

18

aiṁ hrīṁ śrīṁ| śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ | mahā mahā śrī cakra nagara sāmrājñīnīyai namaḥ śrīṁ

19

aiṁ hrīṁ śrīṁ kīrttidā dhanadā putra pautra patmānanā patmoru patmākṣī patma saṁbhavā aśvadāyī godāyī dhandāyī mahādhanā candra sūryāgni sarvāpā jādavedāstra diggajendra divya bhūṣaṇa bhūṣitā sarvasaṁpatpradā sarvārttha sādhinī namaḥ śrīṁ

20 aiṁ hrīṁ śrīṁ| namaste namaste namaste namaḥ śrīṁ

Srividya Puja Vidhi Total

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