Download - Recorder Notes Notes SRS Meeting Friday, ... We will start with Sibelius' magnificent Andante Festivo, originally scored for string quartet in 1922 ...

Transcript

SEATTLE RECORDER SOCIETY

September 2016Vol. XLVIII, No. 1

www.seattle-recorder.org

Recorder Notes

SRSMeeting

Friday,September16th,2016

@7:30pm

PlayingSession(VickiBoeckman)MusicofScandinavia:SibeliusandGrieg

Allsizesofrecordersfromsopranotocontrabassareneeded,andviolsarealwayswelcome.

FromtheMusicDirector(VickiBoeckman)

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Greetings,Everyone!

Ihopeyouallhadawonderfulsummer.IrecentlyreturnedfromamonthinDenmarkandIcelandandameagertoembarkonmysecondseasonasyourmusicdirector.ThiswillalsobethesecondseasonthatmeetingsstartupinSeptember.InordertoavoidLaborDayweekendandtheweekendofNancyGorbman'suniqueKyuquotworkshopweagreedtostartonthethirdFridayofthemonthwhichisabitunusual,soIhopetoseeyouallthereonthe16th.

ThewarmthandhospitalityoftheIcelandicpeoplealongwith

lingeringsunsetsat11:30pmmadealastingimpression.IamfilledwithfondmemoriesandinfluencesfromthenorthernclimesandhaveplannedaneveningofbeautifulScandinavianmusicbyJeanSibeliusandEdvardGriegforourSeptemberplayingsession.Iwillbeleadingtheentiregroupandhavechosenmusicthatwillworkwellforalllevels.TherewillnotbeaBackroomGang,butMiyoAokiwillbeonstandbytobuddyupifanyoneneedsextrasupport.

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WewillstartwithSibelius'magnificentAndanteFestivo,originallyscoredforstringquartetin1922,thenlaterrescoredforstringorchestraandtimpaniin1938.IheardarecordingofAndanteFestivoonKingFMwhiledrivingtoPortlandlastspringandinstantlyfellinlovewithitandenvisioneditworkingwellforrecorderensemble.IimmediatelycalledCharlestoexpressmyenthusiasmand,loandbehold,withinaweekhemadethebeautifularrangementthatwewillplay!Thankyou,Charles!

ThenwewillplayGrieg's“Våren,”(“LastSpring”)ahauntinglybeautifulpieceoriginallyforvoiceandpianoinalovely6-parttranscriptionbyEricHaas.IrecentlyconnectedwiththeJapaneserecorderplayerandarrangerPapalin,whoseemstobeasmuchinlovewithGrieg'smusicasI,sowewillplaysomeofhistran-scriptionsfromthefabulousOpus17.

Ilookforwardtoseeingyousoon.Pleasefeelfreetocontactmewithanythoughts,comments,ormusical requeststhatyoumayhave,orifyouwouldlikeapdffileofthemusicwewillplay.Pleasespecifyforwhatsizeinstrument. [email protected]

ComingUpSoon:SRSMembersonStage!

Sunday,September18,at3pm

JimPilon,whoisastudentofVickiBoeckman,willbegivingaconcertofsomeofhisfavoriterecorderpiecesonSunday,Sept.18,at3:00pmattheMusicCenteroftheNorthwest(901North96thSt.,Seattle).He'llperformpiecesfromthemedievalto20thcentury,includingTelemann,Handel,MatthiasMaute,andMarcusZahnhausen.AfewofthefeaturedguestsareGerrityShupe,SabineEndrigkeit,andJillCarlsen,withChrisBridenonvioladegamba,andJanBleakneyonharp.

RecorderClasses(LauraFaber)

Note:Newplayersarewelcomeatanytime.

ContactLauratogetstarted.

BeginningEnsembleTuesdays–10to11:30am

IntermediateEnsembleTuesdays–7to9pm

IntermediateEnsemble

Thurs.–10:30amto12:30pm

BassEnsembleSaturdays–10amto12pm

* * *

ClassDescriptions

BeginningEnsemble(SATB)

Simpleandfunmusicchosenforplayerswhoarenewto

recorders,addinganewsizeinstrument,orneedingalittle

moresupport.

IntermediateEnsemble(SATBGB)

Medievaltomodernmusicforplayerscomfortablewithcommonfingeringsand

rhythmswhoareinterestedindevelopingtheirtechniquefurther.Skillsinprogress

includeplayingbothFandCinstruments,readingaltoup,

countinghalves,andreadingfromparts.

BassEnsemble(BGB)Enjoythesoundoflow

instruments?Thisenergeticensembleplaysmusicarrangedorcomposedforbassesandexploresbasstechnique.

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Peoplewhoareinterested

[email protected]

orbycalling(206)619-0671.

SeattleRecorderSoirée(FromChrisCorfman)

FirstTuesdaysofEveryMonth7:30pmto9:00pm

CouthBuzzardBooks&CaféBuono8310GreenwoodAveN,Seattle,WA98103(206)436-2960,www.buonobuzzard.com

FREE!!!Donationsandpurchasesappreciated.•August:JimPilon,JillCarlsen,andSabineEndrigkeitgaveusaveryfineperformanceofMatthiasMaute’sConcerteperTreFlaute.JackPetersbroughthisrecorderarrangementsofJ.S.Bach’sInventionsforustotryout.AndafewofusplayedsomeofJ.Mattheson’sOp.1.Nr.8Sonatenfor3Altos.•RecorderPlayersandAccompanistsNeeded!Yes,thatmeansyou!You’reallwelcometoperformattheSeattleRecorderSoirée.Reserveyourtime,ordrop-intoperformstandby.Anelectricpianoisavailable.CONTACT:[email protected](206)227-5619.Also,seemynewfledglingwebsites:www.seattlerecorders.comand www.threeringsmusic.com

Withgreatsadness,wesharethenewsofDavidMaughan'spassingonSeptember2nd,justshyofhis76thbirthday.HehadbeeninthehospitalinKalispell,MontanasinceTuesday,August16th,aftersufferingaverysudden,rare,andunexpectedcomplicationfromamedicationhe'dbeentaking.TheSeattlerecordercommunitywasveryfortunatetohavehisgentle,enthusiasticpresence,hiseasysmile,andhispositiveattitude.Hewillbedeeplymissed.PleasejoinusattheSeptember16thmeetingtoplayapiecein hishonor.

SummerFunwithSRS!

August6,2016:SummerJazzWorkshopwithPeterSeibert LauraFaberwritesthatwehad18enthusiasticplayersinattendanceforthedaylongworkshop,includingplayersfromBritishColumbia,Portland,andDenveraswellasSeattleites.Peterledusthroughsomejazzbasicsandafewofhiswonderfularrangements(“DarnthatDream,”“SatinDoll,”and“AprilinParis”)aswellasanoriginaltuneofhisown(“BlueTune”).Itwasaverysuccessfulandfunsummeractivitythatgotusalltappingourtoesandswingingalong! (PhotobyDickMunz,DenverChapterARS)

August28,2016:HolbornePlayDateandPotluck(FromVickiBoeckman;photosbyBillStickney)

Asplendidwaytoendthesummer...

Our4thannualHolbornePlayDateandPotluckinthelovelyyardandhomeofSkipperSkellywasaresoundingsuccess!Recorderenthusiastsbetweentheagesof12and85joinedinthisdelightfultraditionthatoriginatedinPortlandbutnowhasevolvedandmorphedintoourveryown.ThiswasourthirdyearinSkipper'syard,andwethankedherwithacardandgiftcertificatetoSwansonsNursery.

TheafternoonstartedwithLauraFaberleadingfolksinsomehand-pickedPolishdancesbyVladamirHaussmanthatintroducedsomeofthesamemusicalelementsasarefoundinHolborne'sdances.Thisyearthegoalwastogoconductorlessanditworkedsplendidlywithchairsarrangedinalargecircle.Wewereasmallergroupthaninpreviousyearswhichenabledusalltofitunderthetentandstaydryduringtheshortrainshowers,whichaddedarathercharmingpercussiveeffecttothe“choice”pavanes,almains,andgalliardesfromAnthonyHolborne's1599collection.

DearHolborneFestivalGoers,Ican'tthankyouenoughforyourthankyounotesandgenerousgiftcertificatetoSwansons.Thatwas

certainlyaboveandbeyondwhatwasexpected,becauseIjustlovehavingyoucomehereeveryyear.Itgivesmeareasontodressthingsupforthedayandappreciatewhatagoodspotthisisfora“playdate.”And,youareallsuchverynicepeople!IhopetoseeyouallagainnextAugust.

Allthebest,Skipper

Members’Night:May6,2016(FromKathleenArends;photosbyBillStickney)

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HananBellwelcomedtheassembledperformersandaudiencemembers.MollyWarnerreportedthataconcertdedicatedtoourlateSRSmemberLHotalingwasheldattherecentWindandWavesworkshop.Additionally,EllenMendozahadwrittenapoemmemorializingL,whichistobesenttoL'sfamilyandwillappearinnextmonth’sSRSnewsletter.HananthenturnedoverthemeetingtoMikeWoolfwhoemceedtheprogram. * * * * Forthefirstperformance,LauraFaberstrolledtothefrontplayingatuningnote,andselectpeopleseatedintheaudiencejoinedher.Then,withoutaword,Lauraandthoseaudiencemembersbeganperformingthetraditionalsong“DonaNobisPacem.”Afterperformingthetuneinunison,theyplayeditinthree-partcanon.Forthoseofusnotplaying,itwasauniqueandlovely“surround-sound”experience.

SusanBurris,SusieKeithly,andEllisHillinger,a.k.a.TheWoodlandConsort,cameuptoperformananony-mouspiecefromthe15thcentury,“BassadanzaReale.”Theyusedlargerecorders,givingafull,richsoundtothisimitativework.Theyalsogaveusafasterdanceintripletime,“LaGambainBassoeSoprano”byVincenzoRuffo(c.1508-1587),inwhichinterestingrhythmsinteractedwithoneanother.

ThenRichardGinnisbroughthissopranorecorderandhisguitaristfriendOscarKipersztoktothefronttoperform“VouVivendo,”a1946tunefromPixinguinhaandBeneditoLacerda.ThisrefreshingBrazilianchoralpieceisafavor-iteofCléaGalhano.Itfeaturesanumberofsections,eachwithadifferentcatchymelody.AndOscarplayedfrommemory!

TimetoRenewYourSRS

Membership!

Our2016-2017membershipyearisbeginningwithafull

scheduleofmeetingsandeventsthatisnottobemissed!Pleasetakethistimetorenewyourmembership,whichisstill$40.

MembershipapplicationsareavailableonlineattheSeattleRecorderSocietywebsite:

www.seattle-recorder.org/home.html

whereyoucanalsochoosetopaybycreditcard.Ifyouprefertohandleyourpaymentbypost,justmailyourapplicationtoourtreasurer,RichardGinnis,at4554-4thAvenueNE,Seattle,

WA98105.

Refreshments(September)

Followingtradition,

membersoftheSRSBoardwillproviderefreshmentsforthefirstmeeting

oftheseason.

Asign-upsheetforfuturemeetings

willbeavailableattheSeptemberplayingsession.

NewsletterDeadlineforOctoberIssue

Friday,September23rd

Members’Night:May6,2016(continued)

2016-2017SRSMeetings

Meetingsareusually(butnotalways)heldonthefirstFridayofeachmonth,SeptembertoMay,at7:30p.m.,MapleLeafLutheranChurch,10005-32ndNE,Seattle.Meetingsincludeashortperformanceorlectureofinteresttorecorderandviol

players,ensembleplayingforalllevelsofrecorderplayers,andabeginningrecorderensemble.A$5.00donationisrequested

fornon-members.

September 16, 2016 October 7, 2016

November 4, 2016 December 2, 2016

January 6, 2017 February 10, 2017

March 3, 2017 April 7, 2017 May12,2017

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TheSpringConsortcomprises

MichaelBancroft,DaveGloger,ChristineJerse,RebeccaOlson-Nord,KateRiley,KarenSoma,andWoodyWood.LauraFaberledtheminananonymousPolishdancewithaveryoldsound.TheywentontoplaytwoofSteveMarshall's“FourMiniaturesforRecorderQuartet”(2014).Thefirstonebeganwithlayeredentrancessoundinglikeafanfare;thesecondpiecehadasopranoplayingalovelymelodythroughout.

BelindaFrazier,CathyLacefield,

RuthPattison,andJillShupe,withtheircomradeNancyGorbmanunavailable,performedasYeOldeSpiceGirls(minusone).TheyplayedtheprimaandsecondaparsofPalestrina's(1525-1594)“Sicutcervus.”(IwassurprisedwhenGoogleTranslateinformedmethatitmeans“likeadeer.”)Thefirstmademethinkofbirdscallinginashadyglen;thesecondwasquickerandbrighter.Carefulattentiontointonationwasevident.

TheDoubleW's,NancyWright

(onviol)andCarolynWallace,playedthe“Preludio,Adagio”and“Allegroassai”fromSonataIIinCMajor,whichinturnisfromOpus13,Elpastorfido.ItseemsthatNicholasChédeville(1705-1782)wroteitunderthenameofAntonioVivaldi,hopingtogainmoresuccessthatway;andalthoughChédevilledidnotreceivethehoped-formonetarybenefits,thepiecewasindeedattributedtoVivaldifor250years!Thealtopartwaspoliteandagreeable,keepingtothelowerpartsofitsrange.

SavetheDate!

PortTownsendEarlyMusicFestival

July9-15,2017

Atthelovelycampusofthe

UniversityofPugetSound(UPS)inTacoma,Washington

SRSBoardMembers(2016/2017)

MusicDirector:VickiBoeckman(206-985-9916)[email protected]:PeterSeibert(206-329-2774)[email protected]:President:MikeWoolf(206-300-6623)[email protected]:MollyWarner(206-523-5192)[email protected]:HananBell(206-695-2276)[email protected]:KathleenArends(425-649-9869)[email protected]:RichardGinnis(206-633-1969)[email protected]* * * *Membership:BettySwift(206-323-3879)[email protected]:KarenBerliner(206-550-3384)[email protected]:MollyWarner(206-523-5192)[email protected]:CharlesColdwell(206-328-8238)[email protected]:EllisHillinger(206-547-0718)[email protected](206-782-6898)[email protected]“RecorderNotes”ispublishedmonthly,SeptemberthroughMay,foritsmembersbytheSeattleRecorderSociety.4554-4thAveNE,Seattle,WA98105.$40AnnualMembershipDues.www.seattle-recorder.org

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BassoNovaincludedBetsyDarrah,MajaEberhardt,NancyLewis,DavidMaughan,BarbaraMcKnight,RebeccaOlson-Nord,andIoneTurman,allonvariousbasses(requiringseatcushions)anddirectedbyLauraFaber.Cladinredandblack,theyperformed“Invitaciòn”and“LosTresGolpes”fromIgnacioCervantes'“21Danzascubanas”(1878-1895).Inthefirstpiece,sectionscharacterizedbyleapsinthemelodyalternatedwithsmoothersections;inthesecond,“ThreeBlows,”wittysyncopationsandchromaticismmadeforapiecewithlotsofcharacter.

KathyParkertookanextramomentortwotosetup,asshewaswranglingsixsizesofrecorders,aswellasalargetambourinesheplayedbytappingitwithherfoot.SheplayedIrishtunes,beginningwithaslowaironthebass,thensheddinghereyeglassesandgraduatinguptoatenortoperformafastwaltz.Shetookupanaltoandperformedalivelypolkaandhornpipe.Sopranowasassignedtwoquickjigsfeaturingmelodicleaps;onsopraninoweheardafast-movingreel.Kathyfinished,togreatacclaim,withasingablewaltzongarklein.(Herbravuraperformancefromlowtohighalsomadeafinetestofmypartner'shearingaids.)

A fterintermission,wewere

treatedto“TrioKopfnuss,”whichSabineEndrigkeitexplainedcouldmean“aviolentblowtothehead,”or“abrain-teaser,”or...thispiece,composedbyAgnesDorwarthin1953forthreeheadjoints.Alto,tenor,andbassheadjointswerewielded—Imean,played—byMiyoAokiandVickiBoeckman,aswellasSabine.Thefascinatingsoundstheyproducedincludedclicks,flutter-tonguing,fortissimo,octavechangescreatedbyahandoveroneend,andlittleswoops.Itlastedexactlytherightlengthoftime,leavinguswantingmore.

Members’Night:May6,2016(continued)

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Next,theRainCityPiperstookthefloor.JohnBumanglag,Chu-LanChiong,PaoladelSol,KathyGraunke,DavidMaughan,MikeWagenbach,andLindaWordemanwereconductedbyLauraFaberintwosongsbyThomasMorley(c.1558-1602).“See,MineOwnSweetJewel”and“Lady,ThoseEyes”bothfeaturedthoseimitationsatunpredictableintervalsthatrequiresuchcarefulcountingwhenperformingMorley!Thesecondalsohadmultiplevoiceschasingeachotherindownwardruns.

ThenextgroupwasalsoconductedbyLauraFaber.ConsistingofMaja

Eberhardt,TomJerse,NancyLewis,BarbaraMcKnight,ChristianeSchulz,KarenSoma,andIoneTurman,EbbandFlowfirstperformedaslow“Saraband”ofAntonioVivaldi(1675-1743)onawiderangeofrecordersizes.TheythengaveusRossEdwards'(b.1943)“RainDance,”inaslow,rockingrhythm,withLauraprovidingrainsoundsbytiltingadrumsothatpelletsrolledacrossitshead.

ThenMikeWoolfjoinedLauratoperformtwomovementsofG.F.

Telemann's(1681-1767)SonataNo.1,TWV40:101.TheAndantewasmostlyflowing,withafewshortgroupsofstaccatonotes.Theduetputalotofairthroughtheirinstruments,inkeepingwithAldoAbreu'scoachingsomemonthsago.TheSoavemovementwasintripletime,asthetwoaltostookturnsatthemelody.TheplayersexecutedtheirBaroqueornamentationsinsynchronywitheachother.

J illCarlsonandSabineEndrigkeitwereaccompaniedbyEllenSeibertonviolforTarquinioMerula'smercurial“LaCattarina”(1637).Thisexciting,imitativepiecehadnumeroussections,someofthemlyingquitehighontherecorders;andwheneverthemusicbecamemoredifficult,theplayersincreasedtheirtempo!

IsabellaPagel,VickiBoeckman,andLauraFabergaveusthedulcet

soundsofgemshorns(nowadaysmadeofcows'horns,asgemsareextinct).Theyplayedaslow“IroquoisHymn,”inwhichphraseswereclearlymarked;thebeautifultoneswereenhancedbyfaultlessintonation.Theythenplayed“Margotlabourezlesvignesbientost”(“Margo,comequicklyandplowthevineyards!”),acheerfultunewithsomeofthesameunpredictably-timedimitationastheearlierMorley,butherebyJeandeCastro(c.1540-1611).

F inallyweheardtheSweetSeptembers(CarolynLober,IsabellaPagel,&VickiBoeckman)playfromMatthiasMaute's(b.1963)ConcertopertreFlauti.ThebeginningATempoGiustohadwonderfuldissonancesandafewornamentsamongitsmostlylongnotes.TheAllegrostartedoutwithverybusyscale-wisepassages,whichsoonbecamealmostfranticones.Atonepointaslowmelodysatatopaverybusyduet.Itseemedalmosttobeaperpetualmotionpiece,anditsverysudden,unexpectedendingmadeusgiggle.

Members’Night:May6,2016(conclusion)

ConcertsandEventsCalendar

EMG(EarlyMusicGuild,206-325-7066)www.earlymusicguild.orgTPC(TrinityParishChurch,609–8thAvenue,Seattle)www.trinityseattle.org

TH(TownHall,1119–8thAvenue,Seattle)www.townhallseattle.orgAlleventsaresubjecttochange.

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Sat.,Sept.10@2pm:MossBayRecorderSocietyMeeting.KirklandLibrary,308KirklandAve,Kirkland.Sun.,Sept.11@3pm:EarlyMusicUndergroundpresents:“TastingNotes:WindsofChange.”Concertandwinetasting.SadieGlass,naturalhorn;JoshuaRomatowski,classicalflute;andandHenryLebedinsky,harpsichord.NorthwestCellarsWinery,11909124thAveNE,Kirkland. www.emuseattle.comTues.,Sept.13@7pm:EarlyMusicUndergroundpresents:“TastingNotes:WindsofChange.”SadieGlass,naturalhorn;JoshuaRomatowski,classicalflute;andandHenryLebedinsky,harpsichord.NakedCityBrewery&Taphouse,8564GreenwoodAveN,Seattle.www.emuseattle.comFri.,Sept.16@7:30pm:SeattleRecorderSocietyMeeting.MapleLeafLutheranChurch.Sun.,Sept.18@3pm:JimPilonpresentsarecitalofsomeofhisfavoriterecorderpieces.MusicCenteroftheNorthwest,901N96thSt.,Seattle.Sun.,Sept.18@7pm:ByronSchenkmanandFriendspresent:“BachandtheMendelssohns.”IngridMatthews&LizaZurlinden,violins;SusanGulkis-Assadi,viola;GeoffreyDean,cello;andByronSchenkman,piano.NordstromRecitalHall,BenaroyaHall.www.byronschenkman.comTues.,Sept.20@7:30pm:EarlyMusicGuildpresents:“FetesGalantes:TinaChancey–Viol.”TinaChancey,JohnMarkRozendaal,andWebbWigginsperform18thcenturyFrenchandItalianchambermusicbyCouperin,Corelli,Marais,andCorrette.TPC.EMG Fri.,Sept.23@7:30pm:CappellaRomanapresents:“OrthodoxMusic:Ancient&Modern.”ArepriseofCappellaRomana’s1991debutperformance.St.JamesCathedral,8049thAve,Seattle.www.cappellaromana.orgFri.,Oct.7@7:30pm:SeattleRecorderSocietyMeeting.MapleLeafLutheranChurch.Sat.,Oct.8@2pm:MossBayRecorderSocietyMeeting.ShorelineLibrary,345NE175thSt.,Shoreline.Sat.,Oct.8@6pm:SeattleBachChoirpresents:“Bachtoberfest.”Annualfundraiser,featuringliveandsilentauctions,greatGermanfoodandbeer,andexcerptsfromtheirfallprogram.TPC.www.seattlebachchoir.orgSat.,Oct.8@7:30pmandSun.,Oct.9@2:30pm:EarlyMusicGuildpresents:“Chanticleer:WashingoftheWater.”Aprogramthatexploresthepowerofwatertoredeem,restore,andrefreshthehumansoul.NordstromRecitalHall,BenaroyaHall,Seattle.EMGSat.,Oct.15@7:30pm:EarlyMusicGuildpresents:“ByrdEnsemble:JohnIV–AGoldenAgeofPortuguesePolyphony.”FeaturingmasssettingsbytwoofthegreatestPortuguesecomposersofthe17thcentury:DuarteLoboandManuelCardoso.SaintMark'sEpiscopalCathedral,10thAveE,Seattle.EMG Sat.,Oct.15@7:30andSun.,Oct.16@3pm:GalleryConcertspresents:“TheHeavenlyVoice:HandelandhisCastrati.”MusicbyHandel,Porpora,Farinelli,andBroschi.QueenAnneChristianChurch,1316ThirdAveW,Seattle.www.galleryconcerts.com (continuedbelow)

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Fri.,Oct.21andSat.,Oct.22@8pm:SeattleSymphonypresents:“HandelWaterMusic.”AlsoincludesmusicfromPurcell,Lawes,andBiber.BenaroyaHall,Seattle.www.seattlesymphony.orgSat.,Oct.22@7:30pm:sound|counterpointpresents:“Pisendel’sCloset.”MusicofPisendel,Vivaldi,andothers.QueenAnneChristianChurch,1316ThirdAveW,Seattle.www.salmonrun.wixsite.com/salmon-run-concertsTues.,Oct.25@7pm:EarlyMusicUndergroundpresents:“BACHtoberfest.”JoinrisingstarorganistWyattSmithforaprogramofsomeofJ.S.Bach'sgreatestorganworksperformedonMarceauOrganbuilders'portable(!)pipeorgan.NakedCityBrewery&Taphouse,8564GreenwoodAveN,Seattle.www.emuseattle.comFri.,Oct.28@7:30pm:CappellaRomanapresents:“IconsofSound:ByzantineChantfromHagiaSophia.”St.JamesCathedral,8049thAve.,Seattle.www.cappellaromana.orgSat.,Oct.29@7:30pm:EarlyMusicGuildpresents:“SeattleBaroqueOrchestra:Tafelmusik.”MusicDirectorAlexanderWeimannleadstheorchestrainatributetoGeorgPhilippTelemannandhisiconicpublicationTafelmusik.NordstromRecitalHall,BenaroyaHall,Seattle.EMGSun.,Oct.30@7pm:ByronSchenkman&Friendspresent:“MusicfortheSunKing.”AndrewFouts&IngridMatthews,violins;ElisabethReed,viol;NathanWhittaker,cello;andByronSchenkman,harpsichord.MusicoftheFrenchBaroque.NordstromRecitalHall,BenaroyaHall,Seattle.www.byronschenkman.com

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ConcertsandEventsCalendar(continued)

EMG(EarlyMusicGuild,206-325-7066)www.earlymusicguild.orgTPC(TrinityParishChurch,609–8thAvenue,Seattle)www.trinityseattle.org

TH(TownHall,1119–8thAvenue,Seattle)www.townhallseattle.orgAlleventsaresubjecttochange.