Recorder Notes Notes SRS Meeting Friday, ... We will start with Sibelius' magnificent Andante...
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SEATTLE RECORDER SOCIETY September 2016 Vol. XLVIII, No. 1 www.seattle-recorder.org Recorder Notes SRS Meeting Friday, September 16th, 2016 @ 7:30 pm Playing Session (Vicki Boeckman) Music of Scandinavia: Sibelius and Grieg All sizes of recorders from soprano to contrabass are needed, and viols are always welcome. From the Music Director (Vicki Boeckman) Greetings, Everyone! I hope you all had a wonderful summer. I recently returned from a month in Denmark and Iceland and am eager to embark on my second season as your music director. This will also be the second season that meetings start up in September. In order to avoid Labor Day weekend and the weekend of Nancy Gorbman's unique Kyuquot workshop we agreed to start on the third Friday of the month which is a bit unusual, so I hope to see you all there on the 16th. The warmth and hospitality of the Icelandic people along with lingering sunsets at 11:30 pm made a lasting impression. I am filled with fond memories and influences from the northern climes and have planned an evening of beautiful Scandinavian music by Jean Sibelius and Edvard Grieg for our September playing session. I will be leading the entire group and have chosen music that will work well for all levels. There will not be a Backroom Gang, but Miyo Aoki will be on standby to buddy up if anyone needs extra support. We will start with Sibelius' magnificent Andante Festivo, originally scored for string quartet in 1922, then later rescored for string orchestra and timpani in 1938. I heard a recording of Andante Festivo on King FM while driving to Portland last spring and instantly fell in love with it and envisioned it working well for recorder ensemble. I immediately called Charles to express my enthusiasm and, lo and behold, within a week he made the beautiful arrangement that we will play! Thank you, Charles! Then we will play Grieg's “Våren,” (“Last Spring”) a hauntingly beautiful piece originally for voice and piano in a lovely 6-part transcription by Eric Haas. I recently connected with the Japanese recorder player and arranger Papalin, who seems to be as much in love with Grieg's music as I, so we will play some of his tran- scriptions from the fabulous Opus 17. I look forward to seeing you soon. Please feel free to contact me with any thoughts, comments, or musical requests that you may have, or if you would like a pdf file of the music we will play. Please specify for what size instrument. [email protected]
Transcript of Recorder Notes Notes SRS Meeting Friday, ... We will start with Sibelius' magnificent Andante...
SEATTLE RECORDER SOCIETY
September 2016Vol. XLVIII, No. 1
www.seattle-recorder.org
Recorder Notes
SRSMeeting
Friday,September16th,2016
@7:30pm
PlayingSession(VickiBoeckman)MusicofScandinavia:SibeliusandGrieg
Allsizesofrecordersfromsopranotocontrabassareneeded,andviolsarealwayswelcome.
FromtheMusicDirector(VickiBoeckman)
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Greetings,Everyone!
Ihopeyouallhadawonderfulsummer.IrecentlyreturnedfromamonthinDenmarkandIcelandandameagertoembarkonmysecondseasonasyourmusicdirector.ThiswillalsobethesecondseasonthatmeetingsstartupinSeptember.InordertoavoidLaborDayweekendandtheweekendofNancyGorbman'suniqueKyuquotworkshopweagreedtostartonthethirdFridayofthemonthwhichisabitunusual,soIhopetoseeyouallthereonthe16th.
ThewarmthandhospitalityoftheIcelandicpeoplealongwith
lingeringsunsetsat11:30pmmadealastingimpression.IamfilledwithfondmemoriesandinfluencesfromthenorthernclimesandhaveplannedaneveningofbeautifulScandinavianmusicbyJeanSibeliusandEdvardGriegforourSeptemberplayingsession.Iwillbeleadingtheentiregroupandhavechosenmusicthatwillworkwellforalllevels.TherewillnotbeaBackroomGang,butMiyoAokiwillbeonstandbytobuddyupifanyoneneedsextrasupport.
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WewillstartwithSibelius'magnificentAndanteFestivo,originallyscoredforstringquartetin1922,thenlaterrescoredforstringorchestraandtimpaniin1938.IheardarecordingofAndanteFestivoonKingFMwhiledrivingtoPortlandlastspringandinstantlyfellinlovewithitandenvisioneditworkingwellforrecorderensemble.IimmediatelycalledCharlestoexpressmyenthusiasmand,loandbehold,withinaweekhemadethebeautifularrangementthatwewillplay!Thankyou,Charles!
ThenwewillplayGrieg's“Våren,”(“LastSpring”)ahauntinglybeautifulpieceoriginallyforvoiceandpianoinalovely6-parttranscriptionbyEricHaas.IrecentlyconnectedwiththeJapaneserecorderplayerandarrangerPapalin,whoseemstobeasmuchinlovewithGrieg'smusicasI,sowewillplaysomeofhistran-scriptionsfromthefabulousOpus17.
Ilookforwardtoseeingyousoon.Pleasefeelfreetocontactmewithanythoughts,comments,ormusical requeststhatyoumayhave,orifyouwouldlikeapdffileofthemusicwewillplay.Pleasespecifyforwhatsizeinstrument. [email protected]
ComingUpSoon:SRSMembersonStage!
Sunday,September18,at3pm
JimPilon,whoisastudentofVickiBoeckman,willbegivingaconcertofsomeofhisfavoriterecorderpiecesonSunday,Sept.18,at3:00pmattheMusicCenteroftheNorthwest(901North96thSt.,Seattle).He'llperformpiecesfromthemedievalto20thcentury,includingTelemann,Handel,MatthiasMaute,andMarcusZahnhausen.AfewofthefeaturedguestsareGerrityShupe,SabineEndrigkeit,andJillCarlsen,withChrisBridenonvioladegamba,andJanBleakneyonharp.
RecorderClasses(LauraFaber)
Note:Newplayersarewelcomeatanytime.
ContactLauratogetstarted.
BeginningEnsembleTuesdays–10to11:30am
IntermediateEnsembleTuesdays–7to9pm
IntermediateEnsemble
Thurs.–10:30amto12:30pm
BassEnsembleSaturdays–10amto12pm
* * *
ClassDescriptions
BeginningEnsemble(SATB)
Simpleandfunmusicchosenforplayerswhoarenewto
recorders,addinganewsizeinstrument,orneedingalittle
moresupport.
IntermediateEnsemble(SATBGB)
Medievaltomodernmusicforplayerscomfortablewithcommonfingeringsand
rhythmswhoareinterestedindevelopingtheirtechniquefurther.Skillsinprogress
includeplayingbothFandCinstruments,readingaltoup,
countinghalves,andreadingfromparts.
BassEnsemble(BGB)Enjoythesoundoflow
instruments?Thisenergeticensembleplaysmusicarrangedorcomposedforbassesandexploresbasstechnique.
***
Peoplewhoareinterested
orbycalling(206)619-0671.
SeattleRecorderSoirée(FromChrisCorfman)
FirstTuesdaysofEveryMonth7:30pmto9:00pm
CouthBuzzardBooks&CaféBuono8310GreenwoodAveN,Seattle,WA98103(206)436-2960,www.buonobuzzard.com
FREE!!!Donationsandpurchasesappreciated.•August:JimPilon,JillCarlsen,andSabineEndrigkeitgaveusaveryfineperformanceofMatthiasMaute’sConcerteperTreFlaute.JackPetersbroughthisrecorderarrangementsofJ.S.Bach’sInventionsforustotryout.AndafewofusplayedsomeofJ.Mattheson’sOp.1.Nr.8Sonatenfor3Altos.•RecorderPlayersandAccompanistsNeeded!Yes,thatmeansyou!You’reallwelcometoperformattheSeattleRecorderSoirée.Reserveyourtime,ordrop-intoperformstandby.Anelectricpianoisavailable.CONTACT:[email protected](206)227-5619.Also,seemynewfledglingwebsites:www.seattlerecorders.comand www.threeringsmusic.com
Withgreatsadness,wesharethenewsofDavidMaughan'spassingonSeptember2nd,justshyofhis76thbirthday.HehadbeeninthehospitalinKalispell,MontanasinceTuesday,August16th,aftersufferingaverysudden,rare,andunexpectedcomplicationfromamedicationhe'dbeentaking.TheSeattlerecordercommunitywasveryfortunatetohavehisgentle,enthusiasticpresence,hiseasysmile,andhispositiveattitude.Hewillbedeeplymissed.PleasejoinusattheSeptember16thmeetingtoplayapiecein hishonor.
SummerFunwithSRS!
August6,2016:SummerJazzWorkshopwithPeterSeibert LauraFaberwritesthatwehad18enthusiasticplayersinattendanceforthedaylongworkshop,includingplayersfromBritishColumbia,Portland,andDenveraswellasSeattleites.Peterledusthroughsomejazzbasicsandafewofhiswonderfularrangements(“DarnthatDream,”“SatinDoll,”and“AprilinParis”)aswellasanoriginaltuneofhisown(“BlueTune”).Itwasaverysuccessfulandfunsummeractivitythatgotusalltappingourtoesandswingingalong! (PhotobyDickMunz,DenverChapterARS)
August28,2016:HolbornePlayDateandPotluck(FromVickiBoeckman;photosbyBillStickney)
Asplendidwaytoendthesummer...
Our4thannualHolbornePlayDateandPotluckinthelovelyyardandhomeofSkipperSkellywasaresoundingsuccess!Recorderenthusiastsbetweentheagesof12and85joinedinthisdelightfultraditionthatoriginatedinPortlandbutnowhasevolvedandmorphedintoourveryown.ThiswasourthirdyearinSkipper'syard,andwethankedherwithacardandgiftcertificatetoSwansonsNursery.
TheafternoonstartedwithLauraFaberleadingfolksinsomehand-pickedPolishdancesbyVladamirHaussmanthatintroducedsomeofthesamemusicalelementsasarefoundinHolborne'sdances.Thisyearthegoalwastogoconductorlessanditworkedsplendidlywithchairsarrangedinalargecircle.Wewereasmallergroupthaninpreviousyearswhichenabledusalltofitunderthetentandstaydryduringtheshortrainshowers,whichaddedarathercharmingpercussiveeffecttothe“choice”pavanes,almains,andgalliardesfromAnthonyHolborne's1599collection.
DearHolborneFestivalGoers,Ican'tthankyouenoughforyourthankyounotesandgenerousgiftcertificatetoSwansons.Thatwas
certainlyaboveandbeyondwhatwasexpected,becauseIjustlovehavingyoucomehereeveryyear.Itgivesmeareasontodressthingsupforthedayandappreciatewhatagoodspotthisisfora“playdate.”And,youareallsuchverynicepeople!IhopetoseeyouallagainnextAugust.
Allthebest,Skipper
Members’Night:May6,2016(FromKathleenArends;photosbyBillStickney)
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HananBellwelcomedtheassembledperformersandaudiencemembers.MollyWarnerreportedthataconcertdedicatedtoourlateSRSmemberLHotalingwasheldattherecentWindandWavesworkshop.Additionally,EllenMendozahadwrittenapoemmemorializingL,whichistobesenttoL'sfamilyandwillappearinnextmonth’sSRSnewsletter.HananthenturnedoverthemeetingtoMikeWoolfwhoemceedtheprogram. * * * * Forthefirstperformance,LauraFaberstrolledtothefrontplayingatuningnote,andselectpeopleseatedintheaudiencejoinedher.Then,withoutaword,Lauraandthoseaudiencemembersbeganperformingthetraditionalsong“DonaNobisPacem.”Afterperformingthetuneinunison,theyplayeditinthree-partcanon.Forthoseofusnotplaying,itwasauniqueandlovely“surround-sound”experience.
SusanBurris,SusieKeithly,andEllisHillinger,a.k.a.TheWoodlandConsort,cameuptoperformananony-mouspiecefromthe15thcentury,“BassadanzaReale.”Theyusedlargerecorders,givingafull,richsoundtothisimitativework.Theyalsogaveusafasterdanceintripletime,“LaGambainBassoeSoprano”byVincenzoRuffo(c.1508-1587),inwhichinterestingrhythmsinteractedwithoneanother.
ThenRichardGinnisbroughthissopranorecorderandhisguitaristfriendOscarKipersztoktothefronttoperform“VouVivendo,”a1946tunefromPixinguinhaandBeneditoLacerda.ThisrefreshingBrazilianchoralpieceisafavor-iteofCléaGalhano.Itfeaturesanumberofsections,eachwithadifferentcatchymelody.AndOscarplayedfrommemory!
TimetoRenewYourSRS
Membership!
Our2016-2017membershipyearisbeginningwithafull
scheduleofmeetingsandeventsthatisnottobemissed!Pleasetakethistimetorenewyourmembership,whichisstill$40.
MembershipapplicationsareavailableonlineattheSeattleRecorderSocietywebsite:
www.seattle-recorder.org/home.html
whereyoucanalsochoosetopaybycreditcard.Ifyouprefertohandleyourpaymentbypost,justmailyourapplicationtoourtreasurer,RichardGinnis,at4554-4thAvenueNE,Seattle,
WA98105.
Refreshments(September)
Followingtradition,
membersoftheSRSBoardwillproviderefreshmentsforthefirstmeeting
oftheseason.
Asign-upsheetforfuturemeetings
willbeavailableattheSeptemberplayingsession.
NewsletterDeadlineforOctoberIssue
Friday,September23rd
Members’Night:May6,2016(continued)
2016-2017SRSMeetings
Meetingsareusually(butnotalways)heldonthefirstFridayofeachmonth,SeptembertoMay,at7:30p.m.,MapleLeafLutheranChurch,10005-32ndNE,Seattle.Meetingsincludeashortperformanceorlectureofinteresttorecorderandviol
players,ensembleplayingforalllevelsofrecorderplayers,andabeginningrecorderensemble.A$5.00donationisrequested
fornon-members.
September 16, 2016 October 7, 2016
November 4, 2016 December 2, 2016
January 6, 2017 February 10, 2017
March 3, 2017 April 7, 2017 May12,2017
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TheSpringConsortcomprises
MichaelBancroft,DaveGloger,ChristineJerse,RebeccaOlson-Nord,KateRiley,KarenSoma,andWoodyWood.LauraFaberledtheminananonymousPolishdancewithaveryoldsound.TheywentontoplaytwoofSteveMarshall's“FourMiniaturesforRecorderQuartet”(2014).Thefirstonebeganwithlayeredentrancessoundinglikeafanfare;thesecondpiecehadasopranoplayingalovelymelodythroughout.
BelindaFrazier,CathyLacefield,
RuthPattison,andJillShupe,withtheircomradeNancyGorbmanunavailable,performedasYeOldeSpiceGirls(minusone).TheyplayedtheprimaandsecondaparsofPalestrina's(1525-1594)“Sicutcervus.”(IwassurprisedwhenGoogleTranslateinformedmethatitmeans“likeadeer.”)Thefirstmademethinkofbirdscallinginashadyglen;thesecondwasquickerandbrighter.Carefulattentiontointonationwasevident.
TheDoubleW's,NancyWright
(onviol)andCarolynWallace,playedthe“Preludio,Adagio”and“Allegroassai”fromSonataIIinCMajor,whichinturnisfromOpus13,Elpastorfido.ItseemsthatNicholasChédeville(1705-1782)wroteitunderthenameofAntonioVivaldi,hopingtogainmoresuccessthatway;andalthoughChédevilledidnotreceivethehoped-formonetarybenefits,thepiecewasindeedattributedtoVivaldifor250years!Thealtopartwaspoliteandagreeable,keepingtothelowerpartsofitsrange.
SavetheDate!
PortTownsendEarlyMusicFestival
July9-15,2017
Atthelovelycampusofthe
UniversityofPugetSound(UPS)inTacoma,Washington
SRSBoardMembers(2016/2017)
MusicDirector:VickiBoeckman(206-985-9916)[email protected]:PeterSeibert(206-329-2774)[email protected]:President:MikeWoolf(206-300-6623)[email protected]:MollyWarner(206-523-5192)[email protected]:HananBell(206-695-2276)[email protected]:KathleenArends(425-649-9869)[email protected]:RichardGinnis(206-633-1969)[email protected]* * * *Membership:BettySwift(206-323-3879)[email protected]:KarenBerliner(206-550-3384)[email protected]:MollyWarner(206-523-5192)[email protected]:CharlesColdwell(206-328-8238)[email protected]:EllisHillinger(206-547-0718)[email protected](206-782-6898)[email protected]“RecorderNotes”ispublishedmonthly,SeptemberthroughMay,foritsmembersbytheSeattleRecorderSociety.4554-4thAveNE,Seattle,WA98105.$40AnnualMembershipDues.www.seattle-recorder.org
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BassoNovaincludedBetsyDarrah,MajaEberhardt,NancyLewis,DavidMaughan,BarbaraMcKnight,RebeccaOlson-Nord,andIoneTurman,allonvariousbasses(requiringseatcushions)anddirectedbyLauraFaber.Cladinredandblack,theyperformed“Invitaciòn”and“LosTresGolpes”fromIgnacioCervantes'“21Danzascubanas”(1878-1895).Inthefirstpiece,sectionscharacterizedbyleapsinthemelodyalternatedwithsmoothersections;inthesecond,“ThreeBlows,”wittysyncopationsandchromaticismmadeforapiecewithlotsofcharacter.
KathyParkertookanextramomentortwotosetup,asshewaswranglingsixsizesofrecorders,aswellasalargetambourinesheplayedbytappingitwithherfoot.SheplayedIrishtunes,beginningwithaslowaironthebass,thensheddinghereyeglassesandgraduatinguptoatenortoperformafastwaltz.Shetookupanaltoandperformedalivelypolkaandhornpipe.Sopranowasassignedtwoquickjigsfeaturingmelodicleaps;onsopraninoweheardafast-movingreel.Kathyfinished,togreatacclaim,withasingablewaltzongarklein.(Herbravuraperformancefromlowtohighalsomadeafinetestofmypartner'shearingaids.)
A fterintermission,wewere
treatedto“TrioKopfnuss,”whichSabineEndrigkeitexplainedcouldmean“aviolentblowtothehead,”or“abrain-teaser,”or...thispiece,composedbyAgnesDorwarthin1953forthreeheadjoints.Alto,tenor,andbassheadjointswerewielded—Imean,played—byMiyoAokiandVickiBoeckman,aswellasSabine.Thefascinatingsoundstheyproducedincludedclicks,flutter-tonguing,fortissimo,octavechangescreatedbyahandoveroneend,andlittleswoops.Itlastedexactlytherightlengthoftime,leavinguswantingmore.
Members’Night:May6,2016(continued)
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Next,theRainCityPiperstookthefloor.JohnBumanglag,Chu-LanChiong,PaoladelSol,KathyGraunke,DavidMaughan,MikeWagenbach,andLindaWordemanwereconductedbyLauraFaberintwosongsbyThomasMorley(c.1558-1602).“See,MineOwnSweetJewel”and“Lady,ThoseEyes”bothfeaturedthoseimitationsatunpredictableintervalsthatrequiresuchcarefulcountingwhenperformingMorley!Thesecondalsohadmultiplevoiceschasingeachotherindownwardruns.
ThenextgroupwasalsoconductedbyLauraFaber.ConsistingofMaja
Eberhardt,TomJerse,NancyLewis,BarbaraMcKnight,ChristianeSchulz,KarenSoma,andIoneTurman,EbbandFlowfirstperformedaslow“Saraband”ofAntonioVivaldi(1675-1743)onawiderangeofrecordersizes.TheythengaveusRossEdwards'(b.1943)“RainDance,”inaslow,rockingrhythm,withLauraprovidingrainsoundsbytiltingadrumsothatpelletsrolledacrossitshead.
ThenMikeWoolfjoinedLauratoperformtwomovementsofG.F.
Telemann's(1681-1767)SonataNo.1,TWV40:101.TheAndantewasmostlyflowing,withafewshortgroupsofstaccatonotes.Theduetputalotofairthroughtheirinstruments,inkeepingwithAldoAbreu'scoachingsomemonthsago.TheSoavemovementwasintripletime,asthetwoaltostookturnsatthemelody.TheplayersexecutedtheirBaroqueornamentationsinsynchronywitheachother.
J illCarlsonandSabineEndrigkeitwereaccompaniedbyEllenSeibertonviolforTarquinioMerula'smercurial“LaCattarina”(1637).Thisexciting,imitativepiecehadnumeroussections,someofthemlyingquitehighontherecorders;andwheneverthemusicbecamemoredifficult,theplayersincreasedtheirtempo!
IsabellaPagel,VickiBoeckman,andLauraFabergaveusthedulcet
soundsofgemshorns(nowadaysmadeofcows'horns,asgemsareextinct).Theyplayedaslow“IroquoisHymn,”inwhichphraseswereclearlymarked;thebeautifultoneswereenhancedbyfaultlessintonation.Theythenplayed“Margotlabourezlesvignesbientost”(“Margo,comequicklyandplowthevineyards!”),acheerfultunewithsomeofthesameunpredictably-timedimitationastheearlierMorley,butherebyJeandeCastro(c.1540-1611).
F inallyweheardtheSweetSeptembers(CarolynLober,IsabellaPagel,&VickiBoeckman)playfromMatthiasMaute's(b.1963)ConcertopertreFlauti.ThebeginningATempoGiustohadwonderfuldissonancesandafewornamentsamongitsmostlylongnotes.TheAllegrostartedoutwithverybusyscale-wisepassages,whichsoonbecamealmostfranticones.Atonepointaslowmelodysatatopaverybusyduet.Itseemedalmosttobeaperpetualmotionpiece,anditsverysudden,unexpectedendingmadeusgiggle.
Members’Night:May6,2016(conclusion)
ConcertsandEventsCalendar
EMG(EarlyMusicGuild,206-325-7066)www.earlymusicguild.orgTPC(TrinityParishChurch,609–8thAvenue,Seattle)www.trinityseattle.org
TH(TownHall,1119–8thAvenue,Seattle)www.townhallseattle.orgAlleventsaresubjecttochange.
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Sat.,Sept.10@2pm:MossBayRecorderSocietyMeeting.KirklandLibrary,308KirklandAve,Kirkland.Sun.,Sept.11@3pm:EarlyMusicUndergroundpresents:“TastingNotes:WindsofChange.”Concertandwinetasting.SadieGlass,naturalhorn;JoshuaRomatowski,classicalflute;andandHenryLebedinsky,harpsichord.NorthwestCellarsWinery,11909124thAveNE,Kirkland. www.emuseattle.comTues.,Sept.13@7pm:EarlyMusicUndergroundpresents:“TastingNotes:WindsofChange.”SadieGlass,naturalhorn;JoshuaRomatowski,classicalflute;andandHenryLebedinsky,harpsichord.NakedCityBrewery&Taphouse,8564GreenwoodAveN,Seattle.www.emuseattle.comFri.,Sept.16@7:30pm:SeattleRecorderSocietyMeeting.MapleLeafLutheranChurch.Sun.,Sept.18@3pm:JimPilonpresentsarecitalofsomeofhisfavoriterecorderpieces.MusicCenteroftheNorthwest,901N96thSt.,Seattle.Sun.,Sept.18@7pm:ByronSchenkmanandFriendspresent:“BachandtheMendelssohns.”IngridMatthews&LizaZurlinden,violins;SusanGulkis-Assadi,viola;GeoffreyDean,cello;andByronSchenkman,piano.NordstromRecitalHall,BenaroyaHall.www.byronschenkman.comTues.,Sept.20@7:30pm:EarlyMusicGuildpresents:“FetesGalantes:TinaChancey–Viol.”TinaChancey,JohnMarkRozendaal,andWebbWigginsperform18thcenturyFrenchandItalianchambermusicbyCouperin,Corelli,Marais,andCorrette.TPC.EMG Fri.,Sept.23@7:30pm:CappellaRomanapresents:“OrthodoxMusic:Ancient&Modern.”ArepriseofCappellaRomana’s1991debutperformance.St.JamesCathedral,8049thAve,Seattle.www.cappellaromana.orgFri.,Oct.7@7:30pm:SeattleRecorderSocietyMeeting.MapleLeafLutheranChurch.Sat.,Oct.8@2pm:MossBayRecorderSocietyMeeting.ShorelineLibrary,345NE175thSt.,Shoreline.Sat.,Oct.8@6pm:SeattleBachChoirpresents:“Bachtoberfest.”Annualfundraiser,featuringliveandsilentauctions,greatGermanfoodandbeer,andexcerptsfromtheirfallprogram.TPC.www.seattlebachchoir.orgSat.,Oct.8@7:30pmandSun.,Oct.9@2:30pm:EarlyMusicGuildpresents:“Chanticleer:WashingoftheWater.”Aprogramthatexploresthepowerofwatertoredeem,restore,andrefreshthehumansoul.NordstromRecitalHall,BenaroyaHall,Seattle.EMGSat.,Oct.15@7:30pm:EarlyMusicGuildpresents:“ByrdEnsemble:JohnIV–AGoldenAgeofPortuguesePolyphony.”FeaturingmasssettingsbytwoofthegreatestPortuguesecomposersofthe17thcentury:DuarteLoboandManuelCardoso.SaintMark'sEpiscopalCathedral,10thAveE,Seattle.EMG Sat.,Oct.15@7:30andSun.,Oct.16@3pm:GalleryConcertspresents:“TheHeavenlyVoice:HandelandhisCastrati.”MusicbyHandel,Porpora,Farinelli,andBroschi.QueenAnneChristianChurch,1316ThirdAveW,Seattle.www.galleryconcerts.com (continuedbelow)
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Fri.,Oct.21andSat.,Oct.22@8pm:SeattleSymphonypresents:“HandelWaterMusic.”AlsoincludesmusicfromPurcell,Lawes,andBiber.BenaroyaHall,Seattle.www.seattlesymphony.orgSat.,Oct.22@7:30pm:sound|counterpointpresents:“Pisendel’sCloset.”MusicofPisendel,Vivaldi,andothers.QueenAnneChristianChurch,1316ThirdAveW,Seattle.www.salmonrun.wixsite.com/salmon-run-concertsTues.,Oct.25@7pm:EarlyMusicUndergroundpresents:“BACHtoberfest.”JoinrisingstarorganistWyattSmithforaprogramofsomeofJ.S.Bach'sgreatestorganworksperformedonMarceauOrganbuilders'portable(!)pipeorgan.NakedCityBrewery&Taphouse,8564GreenwoodAveN,Seattle.www.emuseattle.comFri.,Oct.28@7:30pm:CappellaRomanapresents:“IconsofSound:ByzantineChantfromHagiaSophia.”St.JamesCathedral,8049thAve.,Seattle.www.cappellaromana.orgSat.,Oct.29@7:30pm:EarlyMusicGuildpresents:“SeattleBaroqueOrchestra:Tafelmusik.”MusicDirectorAlexanderWeimannleadstheorchestrainatributetoGeorgPhilippTelemannandhisiconicpublicationTafelmusik.NordstromRecitalHall,BenaroyaHall,Seattle.EMGSun.,Oct.30@7pm:ByronSchenkman&Friendspresent:“MusicfortheSunKing.”AndrewFouts&IngridMatthews,violins;ElisabethReed,viol;NathanWhittaker,cello;andByronSchenkman,harpsichord.MusicoftheFrenchBaroque.NordstromRecitalHall,BenaroyaHall,Seattle.www.byronschenkman.com
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ConcertsandEventsCalendar(continued)
EMG(EarlyMusicGuild,206-325-7066)www.earlymusicguild.orgTPC(TrinityParishChurch,609–8thAvenue,Seattle)www.trinityseattle.org
TH(TownHall,1119–8thAvenue,Seattle)www.townhallseattle.orgAlleventsaresubjecttochange.
