7/28/2019 Psycho Moto Zine #20 The Work Issue
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ISSUE no.20 / ANTAGONIST PIECE no. 363 / ANTAGONIST PRESS no. 4
http://www.kirstenflaherty.com/http://antagovision.com/psycho-moto-zine-archive/7/28/2019 Psycho Moto Zine #20 The Work Issue
2/16
THE ANTAGONIST MOVEMENTencourages new works of art andchallenges the art world to do
something different. We are not
based on any one style or form ofart, but believe that the piece
should provoke. To this end, the
Movement hosts the followingevents.
PSYCHO.MOTO ZINE - is abranch of the Antagonist Art
EDITOR-IN-CHIEF
EDITORS
LAYOUT& ART DIRECTOR
COVER ART
EthanMinsker
MarissaBea&KristinBrzoznowski
EricWallin
KirstenFlaherty
STATEMENT
OF PURPOSE
Dear readers!
To quote the master Big Daddy
Kane: "I workI workbaby!"
"A champ like Tyson, a Captain
like Kirk, no
Employee of the Month, cause
yo, I do work
The K-A-N-E is on the J-O-B
An expert, cause I get it D-O
-
N-E
So lights, camera, actionall
hail the one!
That gets the job done"
This is the "WORK" issue. From
workman to CEO, from blue
collar to white, from the garbage
man to the MAN, we will cover
all aspects of your working life.
We honor the heroic gure of the
working class and mock that of
the 1 percent. This is the occupy
your job issue, so take a moment
to forget the politics and just get
the job done. Spread the knowl-
edge. Pass on this fanzine, let
people know.
You unknowingly picked up a
copy of this fanzine. Maybe at a
coffee shop, record store, tattoo
parlor. Maybe you met one of the
Antagonists at an art event or
found it on the back of a toilet.
We hope you are hooked. But
where can you get your next x?
We make digital copies of each
issue. Here is a list of places you
can nd new issues:
http://antagovision.com/psycho
-moto-zine-archive
facebook.com search for our fan
page
theantagonistblog.blogspot.co
m Subscribe to our blog.
-Ethan Minsker
Dear readers!
To quote the master Big Daddy
Kane: "I workI workbaby!"
"A champ like Tyson, a Captain
like Kirk, no
Employee of the Month, cause
yo, I do work
The K-A-N-E is on the J-O-B
An expert, cause I get it D-O
-
N-E
So lights, camera, actionall
hail the one!
That gets the job done"
This is the "WORK" issue. From
workman to CEO, from blue
collar to white, from the garbage
man to the MAN, we will cover
all aspects of your working life.
We honor the heroic gure of the
working class and mock that of
the 1 percent. This is the occupy
your job issue, so take a moment
to forget the politics and just get
the job done. Spread the knowl-
edge. Pass on this fanzine, let
people know.
You unknowingly picked up a
copy of this fanzine. Maybe at a
coffee shop, record store, tattoo
parlor. Maybe you met one of the
Antagonists at an art event or
found it on the back of a toilet.
We hope you are hooked. But
where can you get your next x?
We make digital copies of each
issue. Here is a list of places you
can nd new issues:
http://antagovision.com/psycho
-moto-zine-archive
facebook.com search for our fan
page
theantagonistblog.blogspot.co
m Subscribe to our blog.
-Ethan Minsker
7/28/2019 Psycho Moto Zine #20 The Work Issue
3/16
Movements press and has been in
existence since 1988 under the
original title East Coast Exchange.It acts as a venue for our writers,
artists and editors.
In an attempt to create new formsof art and writing, we highlight the
obscure and unknown artists, draw
focus to subjects passed over by themainstream media. This is a
not-for-prot publication.
Artists/writers donate their time tocreate this. The content is a mixture
of ction and nonction. We alsocover news of the art world, fromstreet to gallery. Back issues can be
found at Psycho Moto Zine
archives at Antagovision.com Tolearn more about the Antagonist
Movement, look us up on Wikipedia.
So, if you enjoy what you have read,please take a moment and look upour lms and books. There aredigital copies of each for $1.99 onAmazon. We believe the price
shouldnt hinder you, so we do ourbest to have a cheap alternative to
the hard copies. We are passionate
about each project, mixing love andattention to detail to create a
unique work of art. Our goal is to
make something the large enter-tainment companies fail to do,
which is create inspired works that
cater to like-minded individuals. Allthe money we generate goes back
to creating new art projects and
supports a large community ofstruggling artists.
Questions? Comments? Stories?
Suggestions? Contact us atAntagovision.com, email us [email protected] orfollow/message us at
facebook.com/pages/Psycho-Moto-ZineCURRENT PROJECTS - We arecurrently organizing a free schoolof art in Ecuador under the Non-
Prot Citizens for the Arts.The Antagonist - A novel about allof our projects for the last ten years
and more. There is a back-story to
everything we do, includingthis fanzine. Want to know how we
operate? This is the book for you.
Release date - 2014?
FARENHEIT - Open mic the rstSunday of every month, featuresnew writers. Sign-up starts at 8pmand the readings start at 9pm at
Black & White 86 East 10th Street
between 3rd and 4th Ave. Fiveminutes to tell your best story.
Comics and abstract comedy
welcome. Must be 21 years of age.
PUBLIC ACCESS SHOW - MNNchannel 67, Saturday nights at 11
p.m. Antagovision. This30-minute show covers events,
artists studio tours and more. With
over 70 episodes, you can see whatwe have been up to for the past ten
years.
To nd out about lm screeningsand art shows visit us atAntagovision.com
Workby Dahlia Schweitzer
I used to have a corporate job. Iwore blazers and button-down
shirts and showed up for work
before 9 a.m. and made Power-
Point presentations to clients. I
loved the work itself, but I hated
the packaging. I hated the
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Artist: Patricio Ponce
full-time. Art wouldnt be my
hobby, art would be my work. So
thats what I did.
I still had to compartmentalizemy time. When I wasnt on tour,I spent my days doing the
administrative work: emailing,
networking, booking gigs.
Nighttime was creative time,
when I actually did the writing
or the music-making or the
photography that brought me toBerlin in the rst place. But I
did not mind the compartmental-
izing, because all those 24 hours
belonged to me.
meetings just for meetings sake,
the showing up early and staying
later which somehow meant that
you were working harder than
everyone else, even if it couldjust as easily mean that you
were less efcient with your
time. I suffered through it
because I thought thats what it
meant to be a grown up; that
this was what grown ups did.
But as painful as it was to sitstill for eight hours a day, it was
even worse to spend those days
staring at a computer monitor. I
have never been good at sitting
still, and my lunch
breaks were never
long enough. I wouldrun outside every
chance I got, just to
get a little air and
sun and movement.
All of this is why,when I was 26, it felt
right to leave it
behind and move to
Berlin. The corporate
job would always be
thereId always
have the suitsbut at
one point in my life, I
needed to be anartist. Not an artist
during nights and
weekends, whenever
I could scrape
together a couple
minutes, but an artist
http://www.centroecuatorianodeartecontemporaneo.org/patricio-poncehttp://www.centroecuatorianodeartecontemporaneo.org/patricio-ponce7/28/2019 Psycho Moto Zine #20 The Work Issue
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The only problem with this kindof work, where your work is
your passion and your passion is
your work, is that it does take
place 24 hours a day. You end upbeing reliant on your passion to
pay the rent, which ends up
tarnishing your love, turning it
into a whore you have to pimp
for money.
Which is why I decided, afterthree years, that I wanted a
different kind of work. I also
wanted a job that did not have
me traveling every weekend. The
ideal situation for me would be a
job that would allow me to
integrate my interests, that
would not force me to sit still foreight hours a day, that would
give me a lot of freedom to
express and explore my own
ideas, while still giving me
enough of a structure that it was
not exclusively a matter of
making money from art.
I became a teacher. My work isstill making people think, even if
it is through a more formal
process. It is turning them on to
new ideas and new ways of
seeing the world. It is still a
juggling act, because there isnever enough time to do my own
work, but there is more integra-
tion between my own passions
and my day job, and I never feel
the same kind of binary opposi
tion I did when I had the corpo-
rate life. I no longer feel like I
am pretending to be a grown
upbecause isnt balance what
growing up is about?
El valor del ocioby Jos Egas
NOTE: Since our upcoming project is goingto be a creative collaboration between
cultures, that is exactly what our zines will
also be.
Haba cado en cuenta que siaprenda a mentir con distincin
sera un buen cuentista y fue por
eso que se empe en aprender
el ocio con dedicadas maas,
con mucho arte y solemne
magia. La dedicacin y el
esfuerzo estaban explcitamente
incluidos en la receta; entendi
que si las cosas se hacan se
deba hacer bien.
Esa cuestin del cuento nal-mente fue difcil. Los profesores
de literatura, el agobio y lasoledad tatuaron dolorosamente
su espritu an lisiado por la
parlisis de la bondad y la
ingenuidad. Su ilusin de
escritor fue tristemente estig-
matizada y condenada, poster-
gando hasta la eternidad suesperada investidura.
Sin embargo, un extraoelemento misericordioso le
picaba ardientemente su
conciencia: la justicia. Se dio
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cuenta que la sed de justicia
estaba increblemente intacta en
su mente. Robin Hood, pens
ridculamente. Robin Hood deba
ser destripado con banalidad ysin misericordia, pens ya sin
ridiculez.Todo haba sido colo-
nial, volvi a pensar nalmente
convencido. Robin Hood es un
zoquete dijo nalmente y se
aventur contra la apestosa
tica. Entonces su resolucin era
una realidad: denitivamente lorobado no se lo dara a los
pobres, para qu?, pens, l
tambin era pobre, pens
nuevamente, esta vez con
astucia.
Entonces decidi que el cuentono se deba contar sino vivir yforz una conciencia, despus
convenci a otra, volvi a
intimidar a otra, a dos persuadi
y a cien ilusion. Finalmente,
sentado en un apacible silln de
terciopelo comprendi que no
slo su ocio spero, severo y
tan digno, como el de los obre-
ros de la Siberia estalinista, era
estafar con el cuento del verbo,sino que la vida entera era una
estafa.
Phantom FartElevatorby Ethan Minsker
Arriving at work early on aMonday morning, I stepped into
an elevator, doors closing
quickly behind me. The warm
moist air engulfed me, moving
deep into the recesses of my
nasal cavities; a rancid stink of
rotten food and intestinal acids
so shocking to my system that I
was forced to stop breathing.
If the fumes had a color itwould have been a pea green
Artist: Alexis Duque
http://www.alexisduque.net/http://www.alexisduque.net/http://www.alexisduque.net/http://www.alexisduque.net/http://www.alexisduque.net/http://www.alexisduque.net/http://www.alexisduque.net/http://www.alexisduque.net/7/28/2019 Psycho Moto Zine #20 The Work Issue
7/16
Artist: Rul Ayala
with mustard yellowing at the
edges. If this stink stains my
clothes, I will have to double bag
them and throw them out. Work
for me is on the 24th oor.
Looking up, the red digitalnumbers seemed to slow
downeyes watering.
However, I had a more pressingconcern than passing out from
holding my breath: What if
someone elsegets on theelevator before Ican get off?
They wouldn't sayanything to me
directly, of course,
but from that point
on I would be
known as the "fartguy." Who knows
how that mightcome back to hurt
me? I could
picture it, years
later I am up for
that VP of
Programming job
and the womanmaking the deci-
sion will meet me
and realize, Hewas the one inthe farty elevator.
I wouldn't get thepromotion.
Who would do this evil deed?From the smell, my rst thought
was a truck driver, but then a
second suspect came to mind.
What if it was a small, attrac-
tive girl? I was sure thats whoit was. The type that might call
an elevator to her oor, making
sure no one was around who
might witness the crime, aim
her behind at the open doors, let
http://raulayalablog.blogspot.com/http://raulayalablog.blogspot.com/7/28/2019 Psycho Moto Zine #20 The Work Issue
8/16
it y, then send the now-
weaponized box on its mission.
The lobby became a game of
Russian Roulette, each elevatorlike the spinning cylinders with a
bullet ready to go off. For her
(the farter) it would be an easy
way to create distance from her
evidence. For me it would be
punishment for unknown crimes
against the female form.
From then on, my new mantra
before getting on any elevator
is: "Sniff it before you committo it."
If this story describes an act youhave committed against human-
ity, then shame on you.
Stickin it tothe Manby Kristy McCarthy
Last summer, my super talented,funny and sweet 22-year-old,
blossoming artist of a cousin was
hit by a car and killed. He wasriding his bike home after
painting at his friends house all
night, future so bright he has to
wear shades, and BAM. Gone.
Like a bird slamming into a
window just after its taken off.
My family and I decided that itwas up to us to get his artwork
out there, so I started wheat
pasting and stenciling some of
his drawings around his favorite
neighborhoods in New York City.
A few weeks later, I moved to
Spain to teach English and I
continued the tagging campaignthere. Slangin that grammar by
day, bombin by night. One night,
I was out putting up a few
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After about 30 minutes of trying
to get my friend to confess, they
nally had to accept that it was,
in fact, me who was spray
painting,and not
him. They
seemed
kind of
annoyed
and just
kind of
scratchedtheir
heads
disap-
pointedly and told us we could
go home. I guess when a girl
does it, it's cute. When a boy
does it, it's vandalism. Sexist ashell? Yes. Did it work to my
advantage? Oh, hell yes. I went
straight home and thanked my
lucky stars for having a vagina.
I thoughtthat that
was the endof it, but the
next day I
opened the
paper and,
WTF, right
there on the
front pagewas a picture of Eastons bad
girls and a headline that read:
Female Grafti Artist Caught
stencils of a badass chick that
Easton had drawn, when the
police pulled up and caught me,
literally, red handed. I thought
for surethat I was
cooked. I
had a full
backpack
loaded
with
grafti
supplies,a dripping
wet
stencil
that they caught me trying to
stuff into a garbage can, and my
hands were covered in spray
paint. If charged, I was poten-tially looking at a night in jail, a
750 ne, and never being
allowed to return to Spain. Not
looking good. I was just about
to give them
the old Ohhi, ofcer, I
was just outhere work-ing on myproject forschool Jspiel, but to
my surprise
they justbrushed me aside and started
grilling my (male) friend, who
had just happened to be there,
but had nothing to do with what
I was doing.
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Red Handed in Realejo! I
couldnt believe it! This isfront-page news? Really? And
even more surprising was the
fact that the article was mainly
concerned with me being a
woman. The headline might as
well have read: Holy Shit!Girls Can Do Things That BoysCan Do! I didnt know whetherto be proud, ashamed, angry or
just worried. On the one hand, I
did get my cousins artwork on
the front page of the paper, and
maybe even contributed to the
Spanish feminist movement, but
on the other hand, all of thepublicity could put pressure on
the police to go ahead and
punish me after all. Luckily
though, it all blew over in acouple of days and I never did
receive a knock on the door
from la po po.
They started to paint over mypieces the following week, but
they either ran out of painthalfway through or the guy they
hired to do it had ADD, because
they only painted over two and a
half of my painted ladies. Kind
of a dick move if you ask me. If
youre going to cover it up, then
cover it up, dont stop for siesta
halfway through and never nishthe job! Never one to not get
the last word, I
went back to the
wall a month later
and put up one
nal stencil: a hot
chick in a amencodress, writing,Finish what youstart. And guesswhat? It made the
paper.
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Artist:Kirs
tenFlaherty
Three One-Day Jobs I've Never Put on a Rsumand What I Learned From ThemBy Jerry White Jr.
I'm facing the end of grad school, which means I'mabout to start a new era of job hunting. No more home-work, just work-work. Most of the jobs I've had won'tmake it onto my new rsum. They're either in unre-lated fields or occurred too long ago. Of course, somejobs never made it onto any of my rsums; weird larkygigs, unhappy and unfulfilling detours. But that doesn'tmean they weren't valuable experiences if nothingelse, they taught me what kind of work I dont want todo.
The following three jobs were short and not-so-sweet,but nevertheless taught me something...
THE PLACE: Construction SiteAGE: 25THE JOB: Move pieces of wood from one spot toanother spot. Also, put nails into pieces of wood in thefloor.
http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/7/28/2019 Psycho Moto Zine #20 The Work Issue
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Artist: Ulices Rosales Rodriguez
My brother got me this job, making $10/hr on his site. Ifelt very out of place. Got through the day thinking of it
as a sociological experiment, taking notes and quotes,learning new vocabulary. I was reminded of 7th-gradewood shop, which I also didn't like at all.
LESSON LEARNED: Nepotism can get you a job, but itcant make you like it or be good at it.
THE PLACE: Speedy PrintingAGE: 20THE JOB: Printing, copying, binding, etc.
I'd worked at Kinko's for a year before I quit. I'd learnedsome marketable skills, but seemingly only applicablein the printing/copying sphere. So I got this job at an
independently owned little print shop. Their equipmentwas older and crappier than Kinko's. The place wascramped, dirty, depressing. I almost quit at lunch, butmy friends convinced me to complete the day.
LESSON LEARNED:Family-owned isn't automati-cally better than corporate-owned and going backwardsis really demoralizing.
THE PLACE: ConvenienceStore
AGE:14
THE JOB: Take 12 oz cansand put them into plasticrings to make six-packs.
Chateau de Vin kinda sorta
http://www.facebook.com/densoh.rosalesrodriguezhttp://www.facebook.com/densoh.rosalesrodriguez7/28/2019 Psycho Moto Zine #20 The Work Issue
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Shop at the Antagonist shop! Get a shirt, matter of fact,get all the Antagonist shirts and know that the littlemoney we make will support new issues of this fanzine.
We have over 30 designs made especially for the Antago-nist Movement by selected up-and-coming artists. You
won't find these shirts anywhere else. Be the only kid onyour block with one!
my first job. Not a W2 job, but the first time someoneoutside of my family paid me to do a task. It was veryboring and made my wrist sore. I think I got paid tencents per six-pack. After I finished, I bought some food
and snacks from the store with the money I'd made,leaving me only a few cents take-home.
LESSON LEARNED: Earning your meal doesn't makeit taste any better.
All of these lessons have informed job decisions when
Ive had the luxury to choose and choice is definitelya luxury. Over the next few years Ill likely work a lotmore one-day jobs: quick acting or voice-over gigs,12-hour commercial or short-film shoots. I hope Illcontinue to learn from these experiences, but Ive reallygot my fingers crossed that Ill actually enjoy the work.
THIS ISSUES ARTIST CONTACTs:
Kirsten Flaherty
kirstenaherty.com
Pancho Viachi
http://www.youtube.com/user/ViPancho
Alexis Duque
http://www.alexisduque.net
Ulises Rosales
facebook.com/densoh.rosalesrodriguez
Rul Ayala
raulayalablog.blogspot.com
Patricio Ponce
http://www.centroecuatorianodeartecontem
poraneo.org/patricio-ponce
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Do you like punk rock, Washington, D.C. and the
80s? Well we have a book for you! Rich Boy
Cries For Momma. A rst-hand account of
Washington, D.C.s punk rock scene in the 80s
and 90s as told by a dyslexic punk. Availableanywhere e-books and paperbacks are sold. Also
available at St. Marks Book Shop on 9th St &
3rd Ave. and
Generation Records at 210 Thompson St.
between w. 3rd and Bleecker St. Money goes to
publishing new books.
The Dolls Of Lisbon, a movie about strugglingartists making work on the other side of the
world. A DIY eyeball-busting bonanza. Find it on
Amazon, iTunes and on DVD. Also available at
St. Marks Book Shop on 9th St & 3rd Ave.
Money goes to making new overseas art projects.
Barstool Prophets, a book about the dirty secrets
every bartender in the Lower East Side knows.
Before you date a bartender, read this book.
Available anywhere e-books and paperbacks are
sold. Also available at St. Marks Book Shop on
9th St & 3rd Ave. Money goes to publishing new
books.
This is Berlin, Not New York, DVD and Amazon
instant download. See what trouble the Antago-
nists can get into when you make art in aban-
doned buildings in Berlin.
antagovision.com
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Marissa BeaGrammarian, NYCAge: 28
James RubioArtist & Cinematographer, NYC
Age: 30
Below 93
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The Crying
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ARTIST OF THE ISSUE:Eric Wallin
No omnium est tenebras?Omnium est vacuum replen
-dum? I recognized the Latin
vernacular as the dying priestslips formed the words against
the palm of my hand covering
his mouth. I pulled away from
the padres trickling neck, Yesfather, all is darkness. All is,truly, void. Padre Varelaexhaled his last breath with a
sputtering whoosh. I tonguedthe last few drops of his
precious blood. I have heard
similar
ARTIST OF THE ISSUE:Kirsten Flaherty
Kirsten Flaherty's most recentworks showcase themes that
directly relate to society's
displacement of an individual, aswell as culture's exile of nature.
In her works, the artist depicts
the decline of our natural
surroundings as well as the
personal conicts of an
individual in contemporary
culture. Through her prints,
Flaherty hopes to further
expose the fragility of life and
the fallacies in human nature
that come to haunt us.
As a graduate from the Schoolof Visual Arts, she resides
in New York while working asan artist and printmaker. She is
also on the board of directors
for the New York Society of
Etchers and has been dedicated
to presenting exhibitions that
showcase varying visions
through techniques in etching,
monoprint, silkscreen and other
printmaking processes, with the
overall intention of celebrating
the venerable art of the print.
MOVIE
DRINK
http://kirstenflaherty.com/http://kirstenflaherty.com/http://kirstenflaherty.com/http://kirstenflaherty.com/http://kirstenflaherty.com/7/28/2019 Psycho Moto Zine #20 The Work Issue
16/16
Some of our issues have complex themes. Not everyone can
write about zombies, or death, or whatever.
BUT, everyone (EVERYONE) has a story about family. Perhaps
its hilarious, perhaps its terribly sad. But its there, and the
story wants to be told. Soooo, our next issues theme is
FAMILY!
Write up that ridiculous conversation you had with your deaf
Uncle Fred, or draw a picture of those marshmallow forts your
sister used to build (?!?) and send them to us!
NEXT ISSUE
Some of our issues have complex themes. Not everyone can
write about zombies, or death, or whatever.
BUT, everyone (EVERYONE) has a story about family. Perhaps
its hilarious, perhaps its terribly sad. But its there, and the
story wants to be told. Soooo, our next issues theme is
FAMILY!
Write up that ridiculous conversation you had with your deaf
Uncle Fred, or draw a picture of those marshmallow forts your
sister used to build (?!?) and send them to us!
NEXT ISSUE
Artist: Pancho Vinachi
Artist: Pancho Vinachi
http://www.youtube.com/user/ViPanchohttp://www.youtube.com/user/ViPanchohttp://www.youtube.com/user/ViPanchoTop Related