Psycho Moto Zine #20 The Work Issue

7/28/2019 Psycho Moto Zine #20 The Work Issue

1/16

ISSUE no.20 / ANTAGONIST PIECE no. 363 / ANTAGONIST PRESS no. 4
http://www.kirstenflaherty.com/http://antagovision.com/psycho-moto-zine-archive/


2/16

THE ANTAGONIST MOVEMENTencourages new works of art andchallenges the art world to do

something different. We are not

based on any one style or form ofart, but believe that the piece

should provoke. To this end, the

Movement hosts the followingevents.

PSYCHO.MOTO ZINE - is abranch of the Antagonist Art

EDITOR-IN-CHIEF

EDITORS

LAYOUT& ART DIRECTOR

COVER ART

EthanMinsker

MarissaBea&KristinBrzoznowski

EricWallin

KirstenFlaherty

STATEMENT

OF PURPOSE

Dear readers!

To quote the master Big Daddy

Kane: "I workI workbaby!"

"A champ like Tyson, a Captain

like Kirk, no

Employee of the Month, cause

yo, I do work

The K-A-N-E is on the J-O-B

An expert, cause I get it D-O

-

N-E

So lights, camera, actionall

hail the one!

That gets the job done"

This is the "WORK" issue. From

workman to CEO, from blue

collar to white, from the garbage

man to the MAN, we will cover

all aspects of your working life.

We honor the heroic gure of the

working class and mock that of

the 1 percent. This is the occupy

your job issue, so take a moment

to forget the politics and just get

the job done. Spread the knowl-

edge. Pass on this fanzine, let

people know.

You unknowingly picked up a

copy of this fanzine. Maybe at a

coffee shop, record store, tattoo

parlor. Maybe you met one of the

Antagonists at an art event or

found it on the back of a toilet.

We hope you are hooked. But

where can you get your next x?

We make digital copies of each

issue. Here is a list of places you

can nd new issues:

http://antagovision.com/psycho

-moto-zine-archive

facebook.com search for our fan

page

theantagonistblog.blogspot.co

m Subscribe to our blog.

-Ethan Minsker

Dear readers!

To quote the master Big Daddy

Kane: "I workI workbaby!"

"A champ like Tyson, a Captain

like Kirk, no

Employee of the Month, cause

yo, I do work

The K-A-N-E is on the J-O-B

An expert, cause I get it D-O

-

N-E

So lights, camera, actionall

hail the one!

That gets the job done"

This is the "WORK" issue. From

workman to CEO, from blue

collar to white, from the garbage

man to the MAN, we will cover

all aspects of your working life.

We honor the heroic gure of the

working class and mock that of

the 1 percent. This is the occupy

your job issue, so take a moment

to forget the politics and just get

the job done. Spread the knowl-

edge. Pass on this fanzine, let

people know.

You unknowingly picked up a

copy of this fanzine. Maybe at a

coffee shop, record store, tattoo

parlor. Maybe you met one of the

Antagonists at an art event or

found it on the back of a toilet.

We hope you are hooked. But

where can you get your next x?

We make digital copies of each

issue. Here is a list of places you

can nd new issues:

http://antagovision.com/psycho

-moto-zine-archive

facebook.com search for our fan

page

theantagonistblog.blogspot.co

m Subscribe to our blog.

-Ethan Minsker


3/16

Movements press and has been in

existence since 1988 under the

original title East Coast Exchange.It acts as a venue for our writers,

artists and editors.

In an attempt to create new formsof art and writing, we highlight the

obscure and unknown artists, draw

focus to subjects passed over by themainstream media. This is a

not-for-prot publication.

Artists/writers donate their time tocreate this. The content is a mixture

of ction and nonction. We alsocover news of the art world, fromstreet to gallery. Back issues can be

found at Psycho Moto Zine

archives at Antagovision.com Tolearn more about the Antagonist

Movement, look us up on Wikipedia.

So, if you enjoy what you have read,please take a moment and look upour lms and books. There aredigital copies of each for $1.99 onAmazon. We believe the price

shouldnt hinder you, so we do ourbest to have a cheap alternative to

the hard copies. We are passionate

about each project, mixing love andattention to detail to create a

unique work of art. Our goal is to

make something the large enter-tainment companies fail to do,

which is create inspired works that

cater to like-minded individuals. Allthe money we generate goes back

to creating new art projects and

supports a large community ofstruggling artists.

Questions? Comments? Stories?

Suggestions? Contact us atAntagovision.com, email us [email protected] orfollow/message us at

facebook.com/pages/Psycho-Moto-ZineCURRENT PROJECTS - We arecurrently organizing a free schoolof art in Ecuador under the Non-

Prot Citizens for the Arts.The Antagonist - A novel about allof our projects for the last ten years

and more. There is a back-story to

everything we do, includingthis fanzine. Want to know how we

operate? This is the book for you.

Release date - 2014?

FARENHEIT - Open mic the rstSunday of every month, featuresnew writers. Sign-up starts at 8pmand the readings start at 9pm at

Black & White 86 East 10th Street

between 3rd and 4th Ave. Fiveminutes to tell your best story.

Comics and abstract comedy

welcome. Must be 21 years of age.

PUBLIC ACCESS SHOW - MNNchannel 67, Saturday nights at 11

p.m. Antagovision. This30-minute show covers events,

artists studio tours and more. With

over 70 episodes, you can see whatwe have been up to for the past ten

years.

To nd out about lm screeningsand art shows visit us atAntagovision.com

Workby Dahlia Schweitzer

I used to have a corporate job. Iwore blazers and button-down

shirts and showed up for work

before 9 a.m. and made Power-

Point presentations to clients. I

loved the work itself, but I hated

the packaging. I hated the


4/16

Artist: Patricio Ponce

full-time. Art wouldnt be my

hobby, art would be my work. So

thats what I did.

I still had to compartmentalizemy time. When I wasnt on tour,I spent my days doing the

administrative work: emailing,

networking, booking gigs.

Nighttime was creative time,

when I actually did the writing

or the music-making or the

photography that brought me toBerlin in the rst place. But I

did not mind the compartmental-

izing, because all those 24 hours

belonged to me.

meetings just for meetings sake,

the showing up early and staying

later which somehow meant that

you were working harder than

everyone else, even if it couldjust as easily mean that you

were less efcient with your

time. I suffered through it

because I thought thats what it

meant to be a grown up; that

this was what grown ups did.

But as painful as it was to sitstill for eight hours a day, it was

even worse to spend those days

staring at a computer monitor. I

have never been good at sitting

still, and my lunch

breaks were never

long enough. I wouldrun outside every

chance I got, just to

get a little air and

sun and movement.

All of this is why,when I was 26, it felt

right to leave it

behind and move to

Berlin. The corporate

job would always be

thereId always

have the suitsbut at

one point in my life, I

needed to be anartist. Not an artist

during nights and

weekends, whenever

I could scrape

together a couple

minutes, but an artist
http://www.centroecuatorianodeartecontemporaneo.org/patricio-poncehttp://www.centroecuatorianodeartecontemporaneo.org/patricio-ponce


5/16

The only problem with this kindof work, where your work is

your passion and your passion is

your work, is that it does take

place 24 hours a day. You end upbeing reliant on your passion to

pay the rent, which ends up

tarnishing your love, turning it

into a whore you have to pimp

for money.

Which is why I decided, afterthree years, that I wanted a

different kind of work. I also

wanted a job that did not have

me traveling every weekend. The

ideal situation for me would be a

job that would allow me to

integrate my interests, that

would not force me to sit still foreight hours a day, that would

give me a lot of freedom to

express and explore my own

ideas, while still giving me

enough of a structure that it was

not exclusively a matter of

making money from art.

I became a teacher. My work isstill making people think, even if

it is through a more formal

process. It is turning them on to

new ideas and new ways of

seeing the world. It is still a

juggling act, because there isnever enough time to do my own

work, but there is more integra-

tion between my own passions

and my day job, and I never feel

the same kind of binary opposi

tion I did when I had the corpo-

rate life. I no longer feel like I

am pretending to be a grown

upbecause isnt balance what

growing up is about?

El valor del ocioby Jos Egas

NOTE: Since our upcoming project is goingto be a creative collaboration between

cultures, that is exactly what our zines will

also be.

Haba cado en cuenta que siaprenda a mentir con distincin

sera un buen cuentista y fue por

eso que se empe en aprender

el ocio con dedicadas maas,

con mucho arte y solemne

magia. La dedicacin y el

esfuerzo estaban explcitamente

incluidos en la receta; entendi

que si las cosas se hacan se

deba hacer bien.

Esa cuestin del cuento nal-mente fue difcil. Los profesores

de literatura, el agobio y lasoledad tatuaron dolorosamente

su espritu an lisiado por la

parlisis de la bondad y la

ingenuidad. Su ilusin de

escritor fue tristemente estig-

matizada y condenada, poster-

gando hasta la eternidad suesperada investidura.

Sin embargo, un extraoelemento misericordioso le

picaba ardientemente su

conciencia: la justicia. Se dio


6/16

cuenta que la sed de justicia

estaba increblemente intacta en

su mente. Robin Hood, pens

ridculamente. Robin Hood deba

ser destripado con banalidad ysin misericordia, pens ya sin

ridiculez.Todo haba sido colo-

nial, volvi a pensar nalmente

convencido. Robin Hood es un

zoquete dijo nalmente y se

aventur contra la apestosa

tica. Entonces su resolucin era

una realidad: denitivamente lorobado no se lo dara a los

pobres, para qu?, pens, l

tambin era pobre, pens

nuevamente, esta vez con

astucia.

Entonces decidi que el cuentono se deba contar sino vivir yforz una conciencia, despus

convenci a otra, volvi a

intimidar a otra, a dos persuadi

y a cien ilusion. Finalmente,

sentado en un apacible silln de

terciopelo comprendi que no

slo su ocio spero, severo y

tan digno, como el de los obre-

ros de la Siberia estalinista, era

estafar con el cuento del verbo,sino que la vida entera era una

estafa.

Phantom FartElevatorby Ethan Minsker

Arriving at work early on aMonday morning, I stepped into

an elevator, doors closing

quickly behind me. The warm

moist air engulfed me, moving

deep into the recesses of my

nasal cavities; a rancid stink of

rotten food and intestinal acids

so shocking to my system that I

was forced to stop breathing.

If the fumes had a color itwould have been a pea green

Artist: Alexis Duque
http://www.alexisduque.net/http://www.alexisduque.net/http://www.alexisduque.net/http://www.alexisduque.net/http://www.alexisduque.net/http://www.alexisduque.net/http://www.alexisduque.net/http://www.alexisduque.net/


7/16

Artist: Rul Ayala

with mustard yellowing at the

edges. If this stink stains my

clothes, I will have to double bag

them and throw them out. Work

for me is on the 24th oor.

Looking up, the red digitalnumbers seemed to slow

downeyes watering.

However, I had a more pressingconcern than passing out from

holding my breath: What if

someone elsegets on theelevator before Ican get off?

They wouldn't sayanything to me

directly, of course,

but from that point

on I would be

known as the "fartguy." Who knows

how that mightcome back to hurt

me? I could

picture it, years

later I am up for

that VP of

Programming job

and the womanmaking the deci-

sion will meet me

and realize, Hewas the one inthe farty elevator.

I wouldn't get thepromotion.

Who would do this evil deed?From the smell, my rst thought

was a truck driver, but then a

second suspect came to mind.

What if it was a small, attrac-

tive girl? I was sure thats whoit was. The type that might call

an elevator to her oor, making

sure no one was around who

might witness the crime, aim

her behind at the open doors, let
http://raulayalablog.blogspot.com/http://raulayalablog.blogspot.com/


8/16

it y, then send the now-

weaponized box on its mission.

The lobby became a game of

Russian Roulette, each elevatorlike the spinning cylinders with a

bullet ready to go off. For her

(the farter) it would be an easy

way to create distance from her

evidence. For me it would be

punishment for unknown crimes

against the female form.

From then on, my new mantra

before getting on any elevator

is: "Sniff it before you committo it."

If this story describes an act youhave committed against human-

ity, then shame on you.

Stickin it tothe Manby Kristy McCarthy

Last summer, my super talented,funny and sweet 22-year-old,

blossoming artist of a cousin was

hit by a car and killed. He wasriding his bike home after

painting at his friends house all

night, future so bright he has to

wear shades, and BAM. Gone.

Like a bird slamming into a

window just after its taken off.

My family and I decided that itwas up to us to get his artwork

out there, so I started wheat

pasting and stenciling some of

his drawings around his favorite

neighborhoods in New York City.

A few weeks later, I moved to

Spain to teach English and I

continued the tagging campaignthere. Slangin that grammar by

day, bombin by night. One night,

I was out putting up a few


9/16

After about 30 minutes of trying

to get my friend to confess, they

nally had to accept that it was,

in fact, me who was spray

painting,and not

him. They

seemed

kind of

annoyed

and just

kind of

scratchedtheir

heads

disap-

pointedly and told us we could

go home. I guess when a girl

does it, it's cute. When a boy

does it, it's vandalism. Sexist ashell? Yes. Did it work to my

advantage? Oh, hell yes. I went

straight home and thanked my

lucky stars for having a vagina.

I thoughtthat that

was the endof it, but the

next day I

opened the

paper and,

WTF, right

there on the

front pagewas a picture of Eastons bad

girls and a headline that read:

Female Grafti Artist Caught

stencils of a badass chick that

Easton had drawn, when the

police pulled up and caught me,

literally, red handed. I thought

for surethat I was

cooked. I

had a full

backpack

loaded

with

grafti

supplies,a dripping

wet

stencil

that they caught me trying to

stuff into a garbage can, and my

hands were covered in spray

paint. If charged, I was poten-tially looking at a night in jail, a

750 ne, and never being

allowed to return to Spain. Not

looking good. I was just about

to give them

the old Ohhi, ofcer, I

was just outhere work-ing on myproject forschool Jspiel, but to

my surprise

they justbrushed me aside and started

grilling my (male) friend, who

had just happened to be there,

but had nothing to do with what

I was doing.


10/16

Red Handed in Realejo! I

couldnt believe it! This isfront-page news? Really? And

even more surprising was the

fact that the article was mainly

concerned with me being a

woman. The headline might as

well have read: Holy Shit!Girls Can Do Things That BoysCan Do! I didnt know whetherto be proud, ashamed, angry or

just worried. On the one hand, I

did get my cousins artwork on

the front page of the paper, and

maybe even contributed to the

Spanish feminist movement, but

on the other hand, all of thepublicity could put pressure on

the police to go ahead and

punish me after all. Luckily

though, it all blew over in acouple of days and I never did

receive a knock on the door

from la po po.

They started to paint over mypieces the following week, but

they either ran out of painthalfway through or the guy they

hired to do it had ADD, because

they only painted over two and a

half of my painted ladies. Kind

of a dick move if you ask me. If

youre going to cover it up, then

cover it up, dont stop for siesta

halfway through and never nishthe job! Never one to not get

the last word, I

went back to the

wall a month later

and put up one

nal stencil: a hot

chick in a amencodress, writing,Finish what youstart. And guesswhat? It made the

paper.


11/16

Artist:Kirs

tenFlaherty

Three One-Day Jobs I've Never Put on a Rsumand What I Learned From ThemBy Jerry White Jr.

I'm facing the end of grad school, which means I'mabout to start a new era of job hunting. No more home-work, just work-work. Most of the jobs I've had won'tmake it onto my new rsum. They're either in unre-lated fields or occurred too long ago. Of course, somejobs never made it onto any of my rsums; weird larkygigs, unhappy and unfulfilling detours. But that doesn'tmean they weren't valuable experiences if nothingelse, they taught me what kind of work I dont want todo.

The following three jobs were short and not-so-sweet,but nevertheless taught me something...

THE PLACE: Construction SiteAGE: 25THE JOB: Move pieces of wood from one spot toanother spot. Also, put nails into pieces of wood in thefloor.
http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/http://www.kirstenflaherty.com/


12/16

Artist: Ulices Rosales Rodriguez

My brother got me this job, making $10/hr on his site. Ifelt very out of place. Got through the day thinking of it

as a sociological experiment, taking notes and quotes,learning new vocabulary. I was reminded of 7th-gradewood shop, which I also didn't like at all.

LESSON LEARNED: Nepotism can get you a job, but itcant make you like it or be good at it.

THE PLACE: Speedy PrintingAGE: 20THE JOB: Printing, copying, binding, etc.

I'd worked at Kinko's for a year before I quit. I'd learnedsome marketable skills, but seemingly only applicablein the printing/copying sphere. So I got this job at an

independently owned little print shop. Their equipmentwas older and crappier than Kinko's. The place wascramped, dirty, depressing. I almost quit at lunch, butmy friends convinced me to complete the day.

LESSON LEARNED:Family-owned isn't automati-cally better than corporate-owned and going backwardsis really demoralizing.

THE PLACE: ConvenienceStore

AGE:14

THE JOB: Take 12 oz cansand put them into plasticrings to make six-packs.

Chateau de Vin kinda sorta
http://www.facebook.com/densoh.rosalesrodriguezhttp://www.facebook.com/densoh.rosalesrodriguez


13/16

Shop at the Antagonist shop! Get a shirt, matter of fact,get all the Antagonist shirts and know that the littlemoney we make will support new issues of this fanzine.

We have over 30 designs made especially for the Antago-nist Movement by selected up-and-coming artists. You

won't find these shirts anywhere else. Be the only kid onyour block with one!

my first job. Not a W2 job, but the first time someoneoutside of my family paid me to do a task. It was veryboring and made my wrist sore. I think I got paid tencents per six-pack. After I finished, I bought some food

and snacks from the store with the money I'd made,leaving me only a few cents take-home.

LESSON LEARNED: Earning your meal doesn't makeit taste any better.

All of these lessons have informed job decisions when

Ive had the luxury to choose and choice is definitelya luxury. Over the next few years Ill likely work a lotmore one-day jobs: quick acting or voice-over gigs,12-hour commercial or short-film shoots. I hope Illcontinue to learn from these experiences, but Ive reallygot my fingers crossed that Ill actually enjoy the work.

THIS ISSUES ARTIST CONTACTs:

Kirsten Flaherty

kirstenaherty.com

Pancho Viachi

http://www.youtube.com/user/ViPancho

Alexis Duque

http://www.alexisduque.net

Ulises Rosales

facebook.com/densoh.rosalesrodriguez

Rul Ayala

raulayalablog.blogspot.com

Patricio Ponce

http://www.centroecuatorianodeartecontem

poraneo.org/patricio-ponce
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14/16

Do you like punk rock, Washington, D.C. and the

80s? Well we have a book for you! Rich Boy

Cries For Momma. A rst-hand account of

Washington, D.C.s punk rock scene in the 80s

and 90s as told by a dyslexic punk. Availableanywhere e-books and paperbacks are sold. Also

available at St. Marks Book Shop on 9th St &

3rd Ave. and

Generation Records at 210 Thompson St.

between w. 3rd and Bleecker St. Money goes to

publishing new books.

The Dolls Of Lisbon, a movie about strugglingartists making work on the other side of the

world. A DIY eyeball-busting bonanza. Find it on

Amazon, iTunes and on DVD. Also available at

St. Marks Book Shop on 9th St & 3rd Ave.

Money goes to making new overseas art projects.

Barstool Prophets, a book about the dirty secrets

every bartender in the Lower East Side knows.

Before you date a bartender, read this book.

Available anywhere e-books and paperbacks are

sold. Also available at St. Marks Book Shop on

9th St & 3rd Ave. Money goes to publishing new

books.

This is Berlin, Not New York, DVD and Amazon

instant download. See what trouble the Antago-

nists can get into when you make art in aban-

doned buildings in Berlin.

antagovision.com
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15/16

Marissa BeaGrammarian, NYCAge: 28

James RubioArtist & Cinematographer, NYC

Age: 30

Below 93

on FM dial

The Crying

Game

Bowery Diner

Burger

PrunesWorks the

bowels

AmericanJesus

TempestBar

ARTIST OF THE ISSUE:Eric Wallin

No omnium est tenebras?Omnium est vacuum replen

-dum? I recognized the Latin

vernacular as the dying priestslips formed the words against

the palm of my hand covering

his mouth. I pulled away from

the padres trickling neck, Yesfather, all is darkness. All is,truly, void. Padre Varelaexhaled his last breath with a

sputtering whoosh. I tonguedthe last few drops of his

precious blood. I have heard

similar

ARTIST OF THE ISSUE:Kirsten Flaherty

Kirsten Flaherty's most recentworks showcase themes that

directly relate to society's

displacement of an individual, aswell as culture's exile of nature.

In her works, the artist depicts

the decline of our natural

surroundings as well as the

personal conicts of an

individual in contemporary

culture. Through her prints,

Flaherty hopes to further

expose the fragility of life and

the fallacies in human nature

that come to haunt us.

As a graduate from the Schoolof Visual Arts, she resides

in New York while working asan artist and printmaker. She is

also on the board of directors

for the New York Society of

Etchers and has been dedicated

to presenting exhibitions that

showcase varying visions

through techniques in etching,

monoprint, silkscreen and other

printmaking processes, with the

overall intention of celebrating

the venerable art of the print.

MOVIE

DRINK
http://kirstenflaherty.com/http://kirstenflaherty.com/http://kirstenflaherty.com/http://kirstenflaherty.com/http://kirstenflaherty.com/


16/16

Some of our issues have complex themes. Not everyone can

write about zombies, or death, or whatever.

BUT, everyone (EVERYONE) has a story about family. Perhaps

its hilarious, perhaps its terribly sad. But its there, and the

story wants to be told. Soooo, our next issues theme is

FAMILY!

Write up that ridiculous conversation you had with your deaf

Uncle Fred, or draw a picture of those marshmallow forts your

sister used to build (?!?) and send them to us!

NEXT ISSUE

Some of our issues have complex themes. Not everyone can

write about zombies, or death, or whatever.

BUT, everyone (EVERYONE) has a story about family. Perhaps

its hilarious, perhaps its terribly sad. But its there, and the

story wants to be told. Soooo, our next issues theme is

FAMILY!

Write up that ridiculous conversation you had with your deaf

Uncle Fred, or draw a picture of those marshmallow forts your

sister used to build (?!?) and send them to us!

NEXT ISSUE

Artist: Pancho Vinachi

Artist: Pancho Vinachi
http://www.youtube.com/user/ViPanchohttp://www.youtube.com/user/ViPanchohttp://www.youtube.com/user/ViPancho

Psycho Moto Zine #20 The Work Issue

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Transcript of Psycho Moto Zine #20 The Work Issue