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5050
Balinese art is art of Hindu-Javanese origin that grew from the work of artisans of the Majapahit Kingdom, with their expansion to Bali in the late 13th century. From the sixteenth until the twentieth centuries, the village of Kamasan, Klungkung (East Bali), was the centre of classical Balinese art. During the first part of the twentieth century, new varieties of Balinese art developed. Since the late twentieth century, Ubud and its neighboring villages established a reputation as the center of Balinese art. Ubud and Batuan are known for their paintings, Mas for their woodcarvings, Celuk for gold and silver smiths, and Batubulan for their stone carvings.
The Ubud AGUNG RAI MUSEUM OF ART (ARMA) was officially opened by the Indonesian Minister for Education and Culture, 1996. The Museum is nestled on the side of a gently sloping narrow valley, overlooking Tukad Saka.
ARMA is more than a museum. It is a centre for visual and performing arts in the community, it provides an ample opportunities for visitors to enjoy the permanent collection of paintings, special temporary exhibitions, theatre performances, dance, music, and painting classes, bookshop, library and reading room, cultural workshops, seminars and training programs.
Constructed of a series of building with traditional Balinese style, the museum is used local materials.
A Balinese dancer, by I Nyoman Meja
The two main buildings, Bale Daja and Bale Dauh settled admirably in the landscaped gardens, ponds and fountains and grand view of rice paddyfield as the backdrop
The Ubud Agung Rai Museum of Art (ARMA)
Har
on B
ird -
I Way
an P
ende
t
Trad
ition
al M
arke
t - I
Way
an P
ende
t
Dew
i Um
a (1
972)
Ida
Bag
us M
ade
I Ket
ut D
jodj
ol(P
enar
i Arja
Ber
hias
)
The two main buildings, Bale Daja and Bale Dauh settled admirably in the landscaped gardens, ponds and fountains and grand view of rice paddyfield as the backdrop
The two main buildings, Bale Daja and Bale Dauh settled admirably in the landscaped gardens, ponds and fountains and grand view of rice paddyfield as the backdrop
Rum
ah-B
ali-I
Ket
ut T
agen
Kel
iki S
choo
l Pai
ntin
g by
I Lu
nga
Bea
utifu
l gild
ed c
arvi
ngs
on a
trad
ition
al B
alin
ese
inst
rum
ent
Sar
asw
ati
Mad
e S
uars
a
Arie Smit (1916 ) Shrines in the Temple
Johan Rudolf Bonnet (1895 - 1978 ) Pemuda Bali, 1947
Ida Bagus Made Sabungan Ayam
Ida Bagus Made Poleng (1915–1999)
Balinese Market-Dewa
Nyoman Jati
Arja
Dan
ce -
Way
an K
asta
Bali abounds in enigmas. It is frequently remarked that, for a culture so abundantly blessed with creativity, it is extraordinary that the Balinese language contains no word for 'Art'. This curious oversight may reflect the universality of artistic endeavor in Balinese society. That which in the West is taken as an expression of personal creative genius, in Bali is subjugated for the common good as part of a community's united efforts to entertain and gratify the gods
Irsam
(194
2 - 2
006
) Wan
ita d
an D
ua B
urun
g
Saraswati
Golden of Rice (1982) I Nyoman Tusan
Song of Ubud Exhibition
Songs of Ubud
Exhibition
Calonarang (2002)
Wayan Lanus
Dua Gadis (1990) Bramasto
Energy of Budha (1989) Fetter Ditmar
The Ubud Agung Rai Museum of Art (ARMA)
Anak Agung Gde Sobrat, (1911-1992), Baris Dancer, c. 1980
Willem Gerard Hofker (1902-1981), 'Ni-Tjawan'
Willem Gerard Hofker (1902-1981), Goesti Made Toewi, 1943
I Nyo
man
Mej
a, b
orn
Tam
an, U
bud
1952
. A
rja D
ance
, 198
9
Sto
ne c
arvi
ng -
AR
MA
Mus
eum
, Ubu
d
Tar
i Pre
mbo
n - A
nak
Agu
ng G
ede
Sob
rat (
1911
- 199
2)
Her
itage
Fin
e A
rt A
uctio
n
The
Ubu
d A
gung
Rai
Mus
eum
of A
rt (A
RM
A)
Arie Smit 1916 Indonesia flowers The
Ubu
d A
gung
Rai
Mus
eum
of A
rt (A
RM
A)
Mask Dancer, A.A. Gde Anom Sukawati (b. 1966) Puri Lukisan Museum Ubud
Nyoman Meja Sita and Hanoman
1992
The snake treeI Wayan Pugur
Details Puri Lukisan Museum Ubud
Paul Husner (Born in 1942 in Basel, Switzerland) on Bali
Theo
Mei
er (1
908-
1982
) K
an K
eo w
ith a
Bal
ines
e O
fferin
g
Theo
Mei
er (1
908-
1982
) Tw
o Y
oung
Bal
ines
e
Theo
Mei
er (1
908-
1982
) Tw
o M
onks
Jose
ph R
ené
Goc
king
a (1
893-
1962
) B
alin
ese
dans
ers
The Wheel of Life, I Ketut MurtikaPuri Lukisan Museum
Basoeki Abdullah (born 1915)
Narto
Nar
to
Trun
a Ja
ya D
ance
r Nar
to
Bas
oeki
Abd
ulla
h (1
915
- 199
3 )p
ortra
it of
a D
ance
r
Bal
ines
e m
an c
arry
ing
his
fight
ing
cock
Narto Source of life
Lee
Man
Fon
g (1
913-
198
8)A
Pai
r of C
hick
en
Lee
Man
Fon
g (1
913
- 198
8 )
A B
alin
ese
Wom
en
Art market in a side street
Text and pictures: InternetCopyright: All the images belong to their authors
Presentation: Sanda Foişoreanuwww.slideshare.net/michaelasanda
Sound: Jalan-Jalan – Jalan Jalan
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