Bali 50 Colorful Art

55
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Transcript of Bali 50 Colorful Art

Page 1: Bali 50 Colorful Art

http://www.authorstream.com/Presentation/michaelasanda-1892012-bali50/

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5050

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Balinese art is art of Hindu-Javanese origin that grew from the work of artisans of the Majapahit Kingdom, with their expansion to Bali in the late 13th century. From the sixteenth until the twentieth centuries, the village of Kamasan, Klungkung (East Bali), was the centre of classical Balinese art. During the first part of the twentieth century, new varieties of Balinese art developed. Since the late twentieth century, Ubud and its neighboring villages established a reputation as the center of Balinese art. Ubud and Batuan are known for their paintings, Mas for their woodcarvings, Celuk for gold and silver smiths, and Batubulan for their stone carvings.

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The Ubud AGUNG RAI MUSEUM OF ART (ARMA) was officially opened by the Indonesian Minister for Education and Culture, 1996. The Museum is nestled on the side of a gently sloping narrow valley, overlooking Tukad Saka.

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ARMA is more than a museum. It is a centre for visual and performing arts in the community, it provides an ample opportunities for visitors to enjoy the permanent collection of paintings, special temporary exhibitions, theatre performances, dance, music, and painting classes, bookshop, library and reading room, cultural workshops, seminars and training programs.

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Constructed of a series of building with traditional Balinese style, the museum is used local materials.

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A Balinese dancer, by I Nyoman Meja

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The two main buildings, Bale Daja and Bale Dauh settled admirably in the landscaped gardens, ponds and fountains and grand view of rice paddyfield as the backdrop

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The Ubud Agung Rai Museum of Art (ARMA)

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Har

on B

ird -

I Way

an P

ende

t

Trad

ition

al M

arke

t - I

Way

an P

ende

t

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Dew

i Um

a (1

972)

Ida

Bag

us M

ade

I Ket

ut D

jodj

ol(P

enar

i Arja

Ber

hias

)

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The two main buildings, Bale Daja and Bale Dauh settled admirably in the landscaped gardens, ponds and fountains and grand view of rice paddyfield as the backdrop

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The two main buildings, Bale Daja and Bale Dauh settled admirably in the landscaped gardens, ponds and fountains and grand view of rice paddyfield as the backdrop

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Rum

ah-B

ali-I

Ket

ut T

agen

Kel

iki S

choo

l Pai

ntin

g by

I Lu

nga

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Bea

utifu

l gild

ed c

arvi

ngs

on a

trad

ition

al B

alin

ese

inst

rum

ent

Sar

asw

ati

Mad

e S

uars

a

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Arie Smit (1916 ) Shrines in the Temple

Johan Rudolf Bonnet (1895 - 1978 ) Pemuda Bali, 1947

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Ida Bagus Made Sabungan Ayam

Ida Bagus Made Poleng (1915–1999)

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Balinese Market-Dewa

Nyoman Jati

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Arja

Dan

ce -

Way

an K

asta

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Bali abounds in enigmas. It is frequently remarked that, for a culture so abundantly blessed with creativity, it is extraordinary that the Balinese language contains no word for 'Art'. This curious oversight may reflect the universality of artistic endeavor in Balinese society. That which in the West is taken as an expression of personal creative genius, in Bali is subjugated for the common good as part of a community's united efforts to entertain and gratify the gods

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Irsam

(194

2 - 2

006

) Wan

ita d

an D

ua B

urun

g

Saraswati

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Golden of Rice (1982) I Nyoman Tusan

Song of Ubud Exhibition

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Songs of Ubud

Exhibition

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Calonarang (2002)

Wayan Lanus

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Dua Gadis (1990) Bramasto

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Energy of Budha (1989) Fetter Ditmar

The Ubud Agung Rai Museum of Art (ARMA)

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Anak Agung Gde Sobrat, (1911-1992), Baris Dancer, c. 1980

Willem Gerard Hofker (1902-1981), 'Ni-Tjawan'

Willem Gerard Hofker (1902-1981), Goesti Made Toewi, 1943

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I Nyo

man

Mej

a, b

orn

Tam

an, U

bud

1952

. A

rja D

ance

, 198

9

Sto

ne c

arvi

ng -

AR

MA

Mus

eum

, Ubu

d

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Tar

i Pre

mbo

n - A

nak

Agu

ng G

ede

Sob

rat (

1911

- 199

2)

Her

itage

Fin

e A

rt A

uctio

n

The

Ubu

d A

gung

Rai

Mus

eum

of A

rt (A

RM

A)

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Arie Smit 1916 Indonesia flowers The

Ubu

d A

gung

Rai

Mus

eum

of A

rt (A

RM

A)

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Mask Dancer, A.A. Gde Anom Sukawati (b. 1966) Puri Lukisan Museum Ubud

Nyoman Meja Sita and Hanoman

1992

The snake treeI Wayan Pugur

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Details Puri Lukisan Museum Ubud

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Paul Husner (Born in 1942 in Basel, Switzerland) on Bali

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Theo

Mei

er (1

908-

1982

) K

an K

eo w

ith a

Bal

ines

e O

fferin

g

Theo

Mei

er (1

908-

1982

) Tw

o Y

oung

Bal

ines

e

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Theo

Mei

er (1

908-

1982

) Tw

o M

onks

Jose

ph R

ené

Goc

king

a (1

893-

1962

) B

alin

ese

dans

ers

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The Wheel of Life, I Ketut MurtikaPuri Lukisan Museum

Basoeki Abdullah (born 1915)

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Narto

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Nar

to

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Trun

a Ja

ya D

ance

r Nar

to

Bas

oeki

Abd

ulla

h (1

915

- 199

3 )p

ortra

it of

a D

ance

r

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Bal

ines

e m

an c

arry

ing

his

fight

ing

cock

Narto Source of life

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Lee

Man

Fon

g (1

913-

198

8)A

Pai

r of C

hick

en

Lee

Man

Fon

g (1

913

- 198

8 )

A B

alin

ese

Wom

en

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Art market in a side street

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