Yale University Press Spring 2010 Seasonal Catalog

General Interest, Art and Architecture including Scholarly and Academic titles

Spring/Summer 2010 February–July 2010

UNIVERSITY PRESS

Yale University PressP.O. Box 209040New Haven, CT 06520

Nonprofi t OrganizationU.S. Postage

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TABLE OF CONTENTS:

GENERAL INTEREST TITLES

General Interest 1

Scholarly Books of Interest to the General Trade 51

General Interest – Paperback Reprints 66

Scholarly Books of Interest to the General Trade – Paperback Reprints 74

ART TITLES

Art & Architecture – General Interest 81

Scholarly Art & Architecture Books of Interest to the General Trade 102

Cover illustration: Alice Neel, Hartley (detail), 1966.Oil on canvas. National Gallery of Art, Washington, D.C.; Gift of Arthur M. Bullowa, in Honor of the 50th Anniversary of the National Gallery of Art. Image courtesy of the Board of Trustees, National Gallery of Art, Washington. © Estate of Alice Neel. (See page 83 for Alice Neel: Painted Truths)

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YaleBooks.com

ISBN 978-0-300-16550-0

2 2RECENT GENERAL INTEREST HIGHLIGHTS RECENT ART HIGHLIGHTS

BradshawELEPHANTS ON THE EDGE978-0-300-12731-7$28.00

DantoANDY WARHOL978-0-300-13555-8$24.00

DuffyFIRES OF FAITH978-0-300-15216-6$28.50

GerassiTALKING WITH SARTRE978-0-300-15901-1$20.00 pb

KleinALIAS MAN RAY978-0-300-14683-7$50.00

MearsAMERICAN BEAUTY978-0-300-15535-8$55.00

Weinberg and BarrattAMERICAN STORIES978-0-300-15508-2$60.00

TaylorARSHILE GORKY978-0-300-15441-2$65.00

GoldbergerWHY ARCHITECTURE MATTERS978-0-300-14430-7$26.00

SlaterCHARLES DICKENS978-0-300-11207-8$35.00

GoldsworthyHOW ROME FELL978-0-300-13719-4$32.50

HirschTHE MAKING OF AMERICANS978-0-300-15281-4$25.00

HaskellGEORGIA O’KEEFFE978-0-300-14817-6$65.00

HarrisonAN INTRODUCTION TO ART978-0-300-10915-3$50.00

Bray, de Ceballos, Barbour, OzoneTHE SACRED MADE REAL978-1-85709-422-0$65.00

TaylorMARCEL DUCHAMP978-0-300-14979-1$65.00

BegleyWHY THE DREYFUS AFFAIR MATTERS978-0-300-12532-0$24.00

CorbettBOYHOODS978-0-300-14984-5$26.00

JohnsonTHE BEST TECHNOLOGY WRITING 2009978-0-300-15410-8$17.95 pb

GelernterJUDAISM978-0-300-15192-3$26.00

SteffensUNPACKING MY LIBRARY978-0-300-15893-9$20.00

OgawaART OF THE SAMURAI978-0-300-14205-1$65.00

AlbersINTERACTION OF COLOR978-0-300-14693-6$200.00 two-volume slipcased edition

SiegelPLAYING WITH PICTURES978-0-300-14114-6$45.00

http://yalepress.yale.edu/yupbooks/book.asp?isbn=9780300146837












2 2RECENT GENERAL INTEREST HIGHLIGHTS RECENT ART HIGHLIGHTS

BradshawELEPHANTS ON THE EDGE978-0-300-12731-7$28.00

DantoANDY WARHOL978-0-300-13555-8$24.00

DuffyFIRES OF FAITH978-0-300-15216-6$28.50

GerassiTALKING WITH SARTRE978-0-300-15901-1$20.00 pb

KleinALIAS MAN RAY978-0-300-14683-7$50.00

MearsAMERICAN BEAUTY978-0-300-15535-8$55.00

Weinberg and BarrattAMERICAN STORIES978-0-300-15508-2$60.00

TaylorARSHILE GORKY978-0-300-15441-2$65.00

GoldbergerWHY ARCHITECTURE MATTERS978-0-300-14430-7$26.00

SlaterCHARLES DICKENS978-0-300-11207-8$35.00

GoldsworthyHOW ROME FELL978-0-300-13719-4$32.50

HirschTHE MAKING OF AMERICANS978-0-300-15281-4$25.00

HaskellGEORGIA O’KEEFFE978-0-300-14817-6$65.00

HarrisonAN INTRODUCTION TO ART978-0-300-10915-3$50.00

Bray, de Ceballos, Barbour, OzoneTHE SACRED MADE REAL978-1-85709-422-0$65.00

TaylorMARCEL DUCHAMP978-0-300-14979-1$65.00

BegleyWHY THE DREYFUS AFFAIR MATTERS978-0-300-12532-0$24.00

CorbettBOYHOODS978-0-300-14984-5$26.00

JohnsonTHE BEST TECHNOLOGY WRITING 2009978-0-300-15410-8$17.95 pb

GelernterJUDAISM978-0-300-15192-3$26.00

SteffensUNPACKING MY LIBRARY978-0-300-15893-9$20.00

OgawaART OF THE SAMURAI978-0-300-14205-1$65.00

AlbersINTERACTION OF COLOR978-0-300-14693-6$200.00 two-volume slipcased edition

SiegelPLAYING WITH PICTURES978-0-300-14114-6$45.00













General Interest

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1General Interest

B196_paginationBlue_10109pr.indd 1 10/14/09 1:33 AM

Ralph Ellison in pRogREssFrom Invisible Man to Three Days Before the Shooting . . .

Adam Bradley

A major reassessment of Ralph Ellison’s literary legacy that explores the mysteries surrounding his unfinished second novel

Ralph Ellison may be the preeminent African-American author of the twentieth century, though he published only one novel, 1952’s Invisible Man. He enjoyed a highly successful career in American letters, publishing two collections of essays, teaching at several col-leges and universities, and writing dozens of pieces for newspapers and magazines, yet Ellison never published the second novel he had been composing for more than forty years. A 1967 fire that destroyed some of his work accounts for only a small part of the novel’s fate; the rest is revealed in the thousands of pages he left behind after his death in 1994, many of them collected for the first time in the recently published Three Days Before the Shooting . . . .

Ralph Ellison in Progress is the first book to survey the expansive geography of Ellison’s unfinished novel while re-imaging the more familiar, but often misunderstood, territory of Invisible Man. It works from the premise that understanding Ellison’s process of composi-tion imparts important truths not only about the author himself but about race, writing, and American identity. Drawing on thousands of pages of Ellison’s journals, typescripts, computer drafts, and hand-written notes, many never before studied, Adam Bradley argues for a shift in scholarly emphasis that moves a greater share of the weight of Ellison’s literary legacy to the last forty years of his life and to the novel he left forever in progress.

MaRkEting highlights:◆◆ Major review attention◆◆ National feature coverage◆◆ National media interviews◆◆ Cross-promotion with publication in

Feb ’10 of Ralph Ellison’s unfinished novel Three Days Before the Shooting . . ., co-edited by Adam Bradley

◆◆ Online marketing with literary sites◆◆ Academic and library marketing

ADAM BRADlEy is Associate Professor of English at the University of Colorado, Boulder. He is the coeditor of Ralph Ellison’s unfinished second novel, Three Days Before the Shooting . . . and the author of Book of Rhymes: The Poetics of Hip Hop. He lives in Colorado.

“An original and groundbreaking argument that will—this is no mere hyperbole—transfigure Ellison scholarship and criticism as we know it.”—David Yaffe, author of Fascinating Rhythm: Reading Jazz in American Writing

May Literary Studies/Biography Cloth 978-0-300-14713-1 $27.50Available as eBook 978-0-300-14714-8 256 pp. 5 1⁄2 x 8 1⁄4 World

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a REadER on REadingAlberto Manguel

An intimate and exhilarating journey through the world of books by the internationally celebrated author

In this major collection of his essays, Alberto Manguel, whom George Steiner has called “the Casanova of reading,” argues that the activity of reading, in its broadest sense, defines our species. “We come into the world intent on finding narrative in everything,” writes Manguel, “landscape, the skies, the faces of others, the images and words that our species create.” Reading our own lives and those of others, reading the societies we live in and those that lie beyond our borders, reading the worlds that lie between the covers of a book are the essence of A Reader on Reading.

The thirty-nine essays in this volume explore the crafts of reading and writing, the identity granted to us by literature, the far-reaching shadow of Jorge luis Borges, to whom Manguel read as a young man, and the links between politics and books and between books and our bodies. The powers of censorship and intellectual curiosity, the art of translation, and those “numinous memory palaces we call libraries,” also figure in this remarkable collection. For Manguel and his readers, words, in spite of everything, lend coherence to the world and offer us “a few safe places, as real as paper and as bracing as ink,” to grant us room and board in our passage.

MaRkEting highlights:◆◆ Major review attention◆◆ National feature coverage◆◆ National media interviews ◆◆ Online marketing with literary sites◆◆ Academic and library marketing

also by albERto ManguEl:The library at Night Paper 978-0-300-15130-5 $17.00 Not for sale in Canada

Internationally acclaimed as an antholo-gist, translator, essayist, novelist, and editor, AlBERTo MANGUEl is the best-selling author of several award-winning books, includ-ing A Dictionary of Imaginary Places, A History of Reading, and, most recently, The Library at Night. Born in Buenos Aires, he moved to Canada in 1982, and now lives in France, where he was named an officer of the order for Arts and letters.

“Books jump out of their jackets when Manguel opens them and dance in delight as they make contact with his ingenious, voluminous brain.”—Peter Conrad, The Observer

March Literary Studies/Books about Books Cloth 978-0-300-15982-0 $29.95Available as eBook 978-0-300-16304-9 320 pp. 6 1⁄8 x 9 1⁄4 12 b/w illus. Not for sale in Canada

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no such thing as silEncEJohn Cage’s 4'33"

Kyle Gann

A vibrant portrait of the importance, influence, and impact of John Cage’s iconic piece 4'33" by a leading modern music critic

First performed at the midpoint of the twentieth century, John Cage’s 4'33", a composition conceived of without a single musical note, is among the most celebrated and ballyhooed cultural gestures in the history of modern music. A meditation on the act of listening and the nature of performance, Cage’s controversial piece became the iconic statement of the meaning of silence in art and is a landmark work of American music.

In this book, Kyle Gann, one of the nation’s leading music critics, explains 4'33" as a unique moment in American culture and musi-cal composition. Finding resemblances and resonances of 4'33" in artworks as wide-ranging as the paintings of the Hudson River School and the music of John lennon and yoko ono, he provides much-needed cultural context for this fundamentally challenging and often misunderstood piece. Gann also explores Cage’s craft, describing in illuminating detail the musical, philosophical, and even environmental influences that informed this groundbreaking piece of music. Having performed 4'33" himself and as a composer in his own right, Gann offers the reader both an expert’s analysis and a highly personal interpretation of Cage’s most divisive work.

MaRkEting highlights:◆◆ Major review attention◆◆ Major feature coverage◆◆ National media interviews◆◆ Online marketing to music sites◆◆ Academic and library marketing

◆◆ Icons of America

Icons of America is a series of short works written by leading scholars, critics, and writers, each of whom tells a new and innovative story about American history and culture through the lens of a single iconic individual, event, object, or cultural phenomenon.

KylE GANN is Associate Professor of Music at Bard College, a composer, and former new-music critic for the Village Voice. He lives in Germantown, Ny.

“Music is sound without meaning and Cage’s 4'33" is no sound without meaning. Gann’s imaginative and thorough scholarship offers us insightful ways to understand Cage’s magnificent meaninglessness.”—Larry Polansky, Dartmouth University and Frog Peak Music

March Music/Cultural History Cloth 978-0-300-13699-9 $24.00Available as eBook 978-0-300-16301-8 272 pp. 5 1⁄2 x 8 1⁄4 14 b/w illus. World

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ouR hERoSuperman on Earth

Tom De Haven

From the author of It’s Superman!, an exuberant and original exploration of

America’s most iconic comic book hero

Since his first appearance in Action Comics Number one, pub-lished in late spring of 1938, Superman has represented the essence of American heroism. “Faster than a speeding bullet, more power-ful than a locomotive, and able to leap tall buildings in a single bound,” the Man of Steel has thrilled audiences across the globe, yet as life-long “Superman Guy” Tom De Haven argues in this highly entertaining book, his story is uniquely American.

Created by Jerry Siegel and Joe Shuster in the midst of the Great Depression, Superman is both a transcendent figure and, when pos-ing as his alter-ego, reporter Clark Kent, a humble working-class citizen. An orphan and an immigrant, he shares a personal history with the many Americans who came to this country in search of a better life, and his amazing feats represent the wildest realization of the American dream. As De Haven reveals through behind-the-scenes vignettes, personal anecdotes, and lively interpretations of more than 70 years of comic books, radio programs, TV shows, and Hollywood films, Superman’s legacy seems, like the Man of Steel himself, to be utterly invincible.

MaRkEting highlights:◆◆ Major review attention◆◆ National feature coverage◆◆ National media interviews◆◆ Online marketing with fan and pop

culture sites◆◆ Academic and library marketing



ToM DE HAVEN, author of the novel It’s Superman, is professor in the department of English at Virginia Commonwealth University and was 2008–2009 artist-in-residence at the College of William and Mary. He lives in Midlothian, VA.

“Super-geeks rejoice! This witty collection of meditations on the Man of Steel is as cleverly encapsulated as the Bottled City of Kandor.”—Chip Kidd, author of The Cheese Monkeys

March Cultural History/Popular Culture Cloth 978-0-300-11817-9 $24.00Available as eBook 978-0-300-16300-1 240 pp. 5 1⁄2 x 8 1⁄4 13 b/w illus. World

5General Interest



thE loMboRg dEcEptionSetting the Record Straight About Global Warming

Howard Friel;Foreword by Thomas E. lovejoy

A compelling exposé of the highly problematic scholarship of Bjørn Lomborg, the world’s

leading global warming skeptic

In this major assessment of leading climate-change skeptic Bjørn lomborg, Howard Friel meticulously deconstructs the Danish stat-istician’s claim that global warming is “no catastrophe” by exposing the systematic misrepresentations and partial accounting that are at the core of climate skepticism. His detailed analysis serves not only as a guide to reading the global warming skeptics, but also as a model for assessing the state of climate science. With attention to the com-plexities of climate-related phenomena across a range of areas—from Arctic polar bears to rising sea-levels and the shrinking Antarctic ice sheet—The Lomborg Deception also offers readers an enlightening review of some of today’s most urgent climate concerns.

Friel’s book is the first to respond directly to lomborg’s controversial research as published in The Skeptical Environmentalist (2001) and Cool It: The Skeptical Environmentalist’s Guide to Global Warming (2007). His close reading of lomborg’s textual claims and support-ing footnotes reveals a lengthy list of findings that will rock climate skeptics and their allies in the government and news media, demon-strating that the published peer-reviewed climate science, as assessed mainly by the U.N.’s Intergovernmental Panel on Climate Change, has had it mostly right—even if somewhat conservatively right—all along. Friel’s able defense of Al Gore’s An Inconvenient Truth against lomborg’s repeated attacks is by itself worth an attentive reading.

MaRkEting highlights:◆◆ Major review attention◆◆ National feature coverage◆◆ National media interviews◆◆ Online marketing with environmental and

political sites◆◆ Academic and library marketing

HoWARD FRIEl is an independent scholar and author. His previous books, The Record of the Paper and Israel-Palestine on Record, both of which were co-authored by Richard Falk, have focused on media criticism. He lives in Northampton, MA.

“The Lomborg Deception sets the record straight with a rigorous, readable body-blow to climate complacency.” —Senator John Kerry

March Environmental Studies/Science Cloth 978-0-300-16103-8 $28.00272 pp. 5 1⁄2 x 8 1⁄4 World

6 General Interest




an EntiREly “synthEtic” FishHow Rainbow Trout Beguiled America and Overran the World

Anders Halverson;Foreword by Patricia Nelson limerick

An award-winning journalist, aquatic ecologist, and lifelong fisherman tells for the first time the

surprising story of the rainbow trout, a revered icon for some and an all-too-common vexation for others

Anders Halverson provides an exhaustively researched and grip-pingly rendered account of the rainbow trout and why it has become the most commonly stocked and controversial freshwater fish in the United States. Discovered in the remote waters of northern California, rainbow trout have been artificially propagated and dis-tributed for more than 130 years by government officials eager to present Americans with an opportunity to get back to nature by going fishing. Proudly dubbed “an entirely synthetic fish” by fisheries man-agers, the rainbow trout has been introduced into every state and province in the United States and Canada and to every continent except Antarctica, often with devastating effects on the native fauna. Halverson examines the paradoxes and reveals a range of characters, from nineteenth-century boosters who believed rainbows could be the saviors of democracy to twenty-first-century biologists who now seek to eradicate them from waters around the globe. Ultimately, the story of the rainbow trout is the story of our relationship with the natural world—how it has changed and how it startlingly has not.

MaRkEting highlights:◆◆ Major review attention◆◆ National feature coverage ◆◆ National media interviews◆◆ Cross-promotion with Center of the

American West at U. Colorado◆◆ Online marketing to environmental sites◆◆ Academic and library marketing

ANDERS HAlVERSoN is a research associ-ate at the University of Colorado’s Center of the American West. He has a Ph.D. in aquatic ecology from yale University and has received several awards for his journalism. He was awarded a grant from the National Science Foundation to support the research and writing of An Entirely “Synthetic” Fish.

“A fascinating story of man’s urge to cultivate and disseminate a beautiful coldwater fish—at times to the detriment of native species but also the joy of anglers who would not otherwise have the opportunity to catch a trout. A gripping blend of early American history, discussions on taxonomy, and questions of how best to preserve wildness and the indigenous in a world where the human relationship to Nature is complex and always changing.”—James Prosek, author of Trout of the World

March Nature/History Cloth 978-0-300-14087-3 $26.00288 pp. 6 1⁄8 x 9 1⁄4 21 b/w illus. World

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thE lEgacy oF thE sEcond WoRld WaRJohn lukacs

The master historian John Lukacs explores lasting questions and enigmas about World War II, its

consequences, and its persistent legacy

Sixty-five years after the conclusion of World War II, its conse-quences are still with us. In this probing book, the acclaimed historian John lukacs raises perplexing questions about World War II that have yet to be explored. In a work that brilliantly argues for World War II’s central place in the history of the twentieth century, lukacs applies his singular expertise toward addressing the war’s most persistent enigmas.

The Second World War was Hitler’s war. yet questions about Hitler’s thoughts and his decisions still remain. How did the divisions of Europe—and, consequently, the Cold War—come about? What were the true reasons for Werner Heisenberg’s mission to Niels Bohr in Copenhagen in September 1941? What led to “Rainbow Five,” the American decision to make the war against Germany an American priority even in the event of a two-ocean world war? Was the Cold War unavoidable? In this work, which offers both an acces-sible primer for students and challenging new theses for scholars, lukacs addresses these and other riddles, revealing the ways in which the war and its legacy still touch our lives today.

MaRkEting highlights:◆◆ Major review attention◆◆ National feature coverage◆◆ Online marketing to history and

military sites◆◆ Academic and library marketing

also by John lukacs: Churchill: Visionary. Statesman. Historian.Paper 978-0-300-10302-1 $15.00sc

Five Days in london, May 1940 Paper 978-0-300-08466-5 $11.95

George Kennan A Study of Character Paper 978-0-300-14306-5 $15.00

June 1941 Hitler and Stalin Paper 978-0-300-12364-7 $15.00

last Rites Cloth 978-0-300-11438-6 $25.00

JoHN lUKACS is the author of some thirty books of history, including Five Days in London and most recently Last Rites, also published by yale University Press. He lives near Phoenixville, PA.

“John Lukacs presents an original and complex analysis. The scholarship is thorough and impeccable, and the final product a highly nuanced discussion of major decisions and problems.” —Stanley Payne, author of Franco and Hitler: Spain, Germany, and World War II

March History/Military History Cloth 978-0-300-11439-3 $26.00224 pp. 5 1⁄2 x 8 1⁄4 World

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chuRchill’s bunkERThe Secret Headquarters in Wartime London

Richard Holmes

“This is the room from which I will direct the war,” Churchill declared upon seeing the dank storage basement in an improbably central location near the Houses of Parliament. The chambers would become his base of operations during the heaviest enemy bombard-ment of london. In Churchill’s Bunker, distinguished Churchill biographer Richard Holmes provides the first comprehensive history of the Cabinet War Rooms, from which Churchill managed to turn a seemingly inevitable defeat at the hands of the Nazis into a victory for the free world.

Here was the Map Room that charted the advances and retreats of armies, the locations of warships, and the often painful progress of the convoys that kept the nation supplied with munitions. Here the planners worked on future operations and the intelligence staff pon-dered the enemy’s next moves. And remarkably, all of this highly charged work was known only to those who needed to know.

Drawing on a wealth of original material, including new firsthand accounts of the people who lived and worked there, Holmes reveals how and why the bunker and its war machine developed, how life was conducted in a realm where “only the clock told whether it was night or day and . . . an electric bell gave warning of an air-raid,” and how Churchill interacted with his staff in very close quarters. A unique exploration of the calculus of secrecy during the Second World War, Churchill’s Bunker provides an intimate portrait of Churchill and his closest advisors in one of the most fascinating and underexplored venues of twentieth-century history.

MaRkEting highlights:◆◆ Major review attention◆◆ National feature coverage◆◆ National media interviews◆◆ Online marketing◆◆ Academic and library marketing

PRoFESSoR RICHARD HolMES is one of Britain’s most distinguished historians. He is Professor of Military and Security Studies at Cranfield University and the Defence Academy of the United Kingdom, and he has presented seven BBC TV series, including In the Footsteps of Churchill. He was general editor of the Oxford Companion to Military History and is the author of over twenty books, the most recent being a much-praised biogra-phy of the first Duke of Marlborough.

“Richard Holmes’s Churchill’s Bunker is a bright and fascinating new book devoted to where and how Churchill often lived and ruled during the first years of the war. Bright, because it illuminates, literally, the underground warren of sunless rooms where Churchill’s staff functioned below blackened London streets. Fascinating, because both the origins and the conditions of this subterranean headquarters, as well as Churchill’s presence in and absence from it, were not at all simple.”—John Lukacs, author of Five Days in London: May 1940

March History/Military History Cloth 978-0-300-16040-6 $27.50Available as eBook 978-0-300-16046-8 256 pp. 5 1⁄2 x 8 1⁄2 40 b/w illus. For sale in North America only

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◆◆ Yale Library of Military History

March History/Military History Cloth 978-0-300-15389-7 $35.00Available as eBook 978-0-300-15568-6 384 pp. 6 1⁄8 x 9 1⁄4 World

WaR by land, sEa, and aiRDwight Eisenhower and the Concept of Unified Command

David Jablonsky

In this book a retired U.S. Army colonel and military historian takes a fresh look at Dwight D. Eisenhower’s lasting military legacy, in light of his evolving approach to the concept of unified command. Examining Eisenhower’s career from his West Point years to the passage of the 1958 Defense Reorganization Act, David Jablonsky explores Eisenhower’s efforts to implement a unified command in the U.S. military—a concept that even-tually led to the current organization of the Joint Chiefs of Staff and that, almost three decades after Eisenhower’s presidency, played a major role in defense reorganization under the Goldwater-Nichols Act. In the new cen-tury, Eisenhower’s approach continues to animate reform discussion at the highest level of government in terms of the interagency process.

DAVID JABloNSKy is a retired U.S. Army infantry colonel and is a graduate of the U.S. Army Command and Staff College and the U.S. Army War College. His awards and decorations include the Silver Star and Purple Heart. He is a Distinguished Fellow of the U.S. Army War College at Carlisle, PA, where as professor of national security affairs he held the Elihu Root Chair of Strategy; the George C. Marshall Chair of Military Studies; and the Dwight D. Eisenhower Chair of National Security Studies.

March Literature Paper Original 978-0-300-16228-8 $16.95576 pp. 6 x 9 World

obloMovIvan Goncharov;

Translated by Marian Schwartz

Set at the beginning of the nineteenth century, when idleness was still looked upon by Russia’s serf-owning rural gentry as a plausible and worthy goal, Ivan Goncharov’s Oblomov follows the travails of an unlikely hero, a young aris-tocrat incapable of making a decision. Indolent, inattentive, incurious, given to daydreaming and procrastination, oblomov clearly predates the ideal of the industrious modern man, yet he is impossible not to admire through Goncharov’s masterful prose. Translator Marian Schwartz breathes new life into this Russian masterpiece in this, the first translation from the generally recognized definitive edition of the original, as well the first to attempt to replicate in English Goncharov’s wry humor and all-embracing humanity. Replete with ingenious social satire and cutting criticism of nineteenth-cen-tury Russian society, this edition of Oblomov will introduce new readers to the novel that leo Tolstoy praised as “a truly great work, the likes of which one has not seen for a long, long time.”

IVAN GoNCHARoV (1812–1891) was born in Simbirsk, Russia, and is the author of three novels. Goncharov’s short stories, essays, and memoirs were published posthu-mously in 1919. MARIAN SCHWARTz is a prize-winning translator of Russian fiction, history, biography, criticism, and fine art. She is the principal English translator of the works of Nina Berberova and translated the New York Times bestseller The Last Tsar, by Edvard Radzinsky. She lives in Austin, TX.

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tRuE FRiEndshipGeoffrey Hill, Anthony Hecht, and Robert Lowell under the Sign of Eliot and Pound

Christopher Ricks

True Friendship looks closely at three outstanding poets of the past half-century—Geoffrey Hill, Anthony Hecht, and Robert lowell—through the lens of their relation to their two predecessors in genius, T. S. Eliot and Ezra Pound. The critical attention then finds itself reciprocated, with Eliot and Pound being in their turn contemplated anew through the lenses of their successors. Hill, Hecht, and lowell are among the most generously alert and discriminating readers, as is borne out not only by their critical prose but (best of all) by their acts of new creation, those poems of theirs that are thanks to Eliot and Pound.

“opposition is true Friendship.” So William Blake believed, or at any rate hoped. Hill, Hecht, and lowell demonstrate many kinds of friendship with Eliot and Pound: adversarial, artistic, personal. In their creative assent and dissent, the imaginative literary allusions—like other, wider forms of influence—are shown to constitute the most magnanimous of welcomes and of tributes.

MaRkEting highlights:◆◆ Major review attention◆◆ Online marketing with literary sites◆◆ Academic and library marketing

◆◆ Anthony Hecht Lectures in Humanities

The Anthony Hecht Lectures in the Humanities, given biennially at Bard College, were established to honor the memory of this preeminent American poet by reflecting his lifelong interest in literature, music, the visual arts, and cultural history. Through his poems, scholarship, and teaching, Anthony Hecht has become recognized as one of the moral voices of his generation, and his works have had a profound effect on contemporary American poetry. The books in this series will keep alive the spirit of his work and life.

CHRISToPHER RICKS is Warren Professor of the Humanities and Co-Director of the Editorial Institute at Boston University. Formerly Professor of Poetry at oxford, he was President of the Association of literary Scholars, Critics, and Writers from 2007 to 2008.

“The work is not only original and the scholarship provocative and sound, but one feels in the company of the Circle of Philosophers, comforted by this Virgilian guide who is not only knowledgeable, but—even better—has such a refined sense of humor, wit, and—most rare of gifts—a humanistic pathos that rings down the ages.”—Paul Mariani, University Professor of English, Boston College

March Literary Studies/Poetry Cloth 978-0-300-13429-2 $28.00Available as eBook 978-0-300-16284-4 272 pp. 5 1⁄2 x 8 1⁄4 World

11General Interest



thE MEaning oF pRopERtyFreedom, Community, and the Legal Imagination

Jedediah Purdy

From the bestselling author of For Common Things, a brilliant and ambitious rethinking of

the meaning of property in democratic society

In his latest book, Jedediah Purdy takes up a question of deep and lasting importance: why is property ownership a value to society? His answer returns us to the foundations of American society and enables us to interpret the writings of the patron saint of liberal economics, Adam Smith, in a wholly new light.

Unlike Milton Friedman and other free-market scholars, who con-sider property a key to efficient markets, Purdy draws upon Smith’s theories to argue that the virtues of wealth are social rather than eco-nomic. In Purdy’s view, ownership does much more than shield one from government interference. Property shapes social life in ways that bring us closer to, or take us farther from, the ideal of a com-munity of free and equal members. This view of property is neither libertarian nor communitarian but treats the community as the pre-condition of individual freedom. This view informed U.S. law in the early days of the republic, Purdy writes, and it is one that we need to restore today.

Touching upon some of the most controversial issues in American politics and law, including slavery, inheritance, international development, and climate change, The Meaning of Property offers a compelling new view of property and freedom and enriches our understanding of democratic society.

MaRkEting highlights:◆◆ Major review attention◆◆ Op/eds by author timed to pub◆◆ Online marketing ◆◆ Academic and library marketing

also by JEdEdiah puRdy:Democratic Vistas Reflections on the Life of American Democracy Cloth 978-0-300-10256-7 $42.00tx

JEDEDIAH PURDy is professor of law at Duke law School and has taught law at yale and Harvard. He is a fellow at the New America Foundation, an affiliated scholar at the Center for American Progress, and a con-tributing editor at the American Prospect.

March Law/Economics/Philosophy Cloth 978-0-300-11545-1 $28.00Available as eBook 978-0-300-15616-4 240 pp. 6 1⁄8 x 9 1⁄4 World

12 General Interest




“A cautionary tale with profound implications for all of us.”—Willian Cronon, author of Uncommon Ground: Rethinking the Human Place in Nature

March Science/Environmental Studies Cloth 978-0-300-13607-4 $30.00Available as eBook 978-0-300-16299-8 256 pp. 6 1⁄8 x 9 1⁄4 11 b/w illus. World

toxic bodiEsHormone Disruptors and the Legacy of DES

Nancy langston

In 1941 the Food and Drug Administration approved the use of diethylstil-bestrol (DES), the first synthetic chemical to be marketed as an estrogen and one of the first to be identified as a hormone disruptor—a chemical that mimics hormones. Although researchers knew that DES caused cancer and disrupted sexual development, doctors prescribed it for millions of women, initially for menopause and then for miscarriage, while farmers gave cattle the hormone to promote rapid weight gain. Its residues, and those of other chemicals, in the American food supply are changing the internal ecosys-tems of human, livestock, and wildlife bodies in increasingly troubling ways.

In this gripping exploration, Nancy langston shows how these chemicals have penetrated into every aspect of our bodies and ecosystems, yet the U.S. government has largely failed to regulate them and has skillfully manipulated scientific uncertainty to delay regulation. Personally affected by endocrine disruptors, langston argues that the FDA needs to institute proper regulation of these commonly produced synthetic chemicals.

NANCy lANGSToN, a professor in the Department of Forest and Wildlife Ecology with a joint appointment in the Nelson Institute for Environmental Studies at the University of Wisconsin, Madison, was president of the American Society for Environmental History in 2007–9.

“These are the poems of intense feeling; they have isolated and dramatized the profound dilemma of the adult’s relation to childhood in poems of riveting intelligence and sharp wit and austere beauty. Like only the best poets, Ken Chen makes with his voice a new category.”—Louise Glück, from the Foreword

◆◆ Yale Series of Younger Poets

April Poetry Paper Original 978-0-300-16008-6 $18.00Cloth 978-0-300-16007-9 S’ 10 $30.00tx 96 pp. 6 x 8 1⁄4 World

JuvEniliaKen Chen;

Foreword by louise Glück

Ken Chen is the 2009 winner of the annual yale younger Poets compe-tition. These poems of maturation chronicle the poet’s relationship with his immigrant family and his unknowing attempt to recapture the unity of youth through comically doomed love affairs that evaporate before they start. Hungrily eclectic, the wry and emotionally piercing poems in this collection steal the forms of the shooting script, blues song, novel, memoir, essay, logi-cal disputation, aphorism—even classical Chinese poetry in translation. But as contest judge louise Glück notes in her foreword, “The miracle of this book is the degree to which Ken Chen manages to be both exhilaratingly modern (anti-catharsis, anti-epiphany) while at the same time never losing his attachment to voice, and the implicit claims of voice: these are poems of intense feeling. . . . like only the best poets, Ken Chen makes with his voice a new category.”

KEN CHEN is the executive director of the Asian American Writers’ Workshop. His work has been published or recognized in Best American Essays 2006, Best American Essays 2007, and The Boston Review of Books. A graduate of yale law School, he lives in Brooklyn, Ny.

13General Interest






hocus bogusRomain Gary writing as Émile Ajar;

Translated by David Bellos

One of the twentieth century’s most ingenious literary works, imaginatively translated from the

French by Man Booker Prizewinner David Bellos

By the early 1970s, Romain Gary had established himself as one of France’s most popular and prolific novelists, journalists, and mem-oirists. Feeling that he had been typecast as “Romain Gary,” however, he wrote his next novel under the pseudonym Émile Ajar. His sec-ond novel written as Ajar, Life Before Us, was an instant runaway success, winning the Prix Goncourt and becoming the best-selling French novel of the twentieth century.

The Prix Goncourt made people all the keener to identify the real “Émile Ajar,” and stressed by the furor he had created, Gary fled to Geneva. There, Pseudo, a hoax confession and one of the most alarmingly effective mystifications in all literature, was written at high speed. Writing under double cover, Gary simulated schizophre-nia and paranoid delusions while pretending to be Paul Pawlovitch confessing to being Émile Ajar—the author of books Gary himself had written.

In Pseudo, brilliantly translated by David Bellos as Hocus Bogus, the struggle to assert and deny authorship is part of a wider protest against suffering and universal hypocrisy. Playing with novelistic categories and authorial voice, this work is a powerful testimony to the power of language—to express, to amuse, to deceive, and ultimately to speak difficult personal truths.

MaRkEting highlights:◆◆ Major review attention◆◆ Major feature coverage◆◆ Cross-promotion with Bellos’ biography

on Gary◆◆ Online marketing with literary sites

◆◆ The Margellos World Republic of Letters

The Margellos World Republic of Letters series identifies works of cultural and artistic significance previously overlooked by translators and publishers, canonical works of literature and philosophy needing new translations, as well as important contemporary authors whose work has not yet been translated into English.

RoMAIN GARy (1914–1980), a French novelist, film director, World War II aviator, and diplomat, was the author of more than thirty novels, essays, and recollections. DAVID BElloS is professor of French and compara-tive literature and director of the Program in Translation and Intercultural Communication at Princeton University.

“Hocus Bogus was written as a hoax, but it’s a genuine masterpiece. Hilarious, poignant, and utterly absurd, this book is like nothing you’ve read before. The brilliant translation by David Bellos captures the wordplay of this madman’s memoir with an astounding skill.”—Maurice Samuels, Yale University

March Literature Cloth 978-0-300-14976-0 $25.00Available as eBook 978-0-300-16297-4 224 pp. 5 x 7 3⁄4 World

14 General Interest



Why tRanslation MattERsEdith Grossman

From the award-winning translator of Cervantes and Marquez, a passionate testament to the power of her craft

Why Translation Matters argues for the cultural importance of trans-lation, and for a more encompassing and nuanced appreciation of the translator’s role. As the acclaimed translator Edith Grossman writes in her introduction, “My intention is to stimulate a new consider-ation of an area of literature that is too often ignored, misunderstood, or misrepresented.”

For Grossman, translation has a transcendent importance: “Translation not only plays its important traditional role as the means that allows us access to literature originally written in one of the countless languages we cannot read, but it also represents a concrete literary presence with the crucial capacity to ease and make more meaningful our relationships to those with whom we may not have had a connection before. Translation always helps us to know, to see from a different angle, to attribute new value to what once may have been unfamiliar. As nations and as individuals, we have a criti-cal need for that kind of understanding and insight. The alternative is unthinkable.”

Throughout the four chapters of this bracing volume, Grossman’s belief in the crucial significance of the translator’s work, as well as her rare ability to explain the intellectual sphere that she inhabits as interpreter of the original text, inspires and provokes the reader to engage with translation in an entirely new way.

MaRkEting highlights:◆◆ Major review attention◆◆ Major feature coverage◆◆ National media interviews◆◆ Cross-promote with author’s

lecture schedule◆◆ Promotion at Pen World Voices

Festival of International Literature◆◆ Online marketing with literary

translation sites◆◆ Academic and library marketing

◆◆ Why X Matters

Featuring intriguing pairings of authors with subjects, each volume in the Why X Matters series presents a concise argument for the continuing relevance of an important person or idea.

EDITH GRoSSMAN has been a professional translator since 1972, and a full-time translator since 1990. Her translations of writers such as Gabriel García Márquez, Mario Vargas llosa, and Carlos Fuentes are contemporary classics. Her translation of Don Quixote is widely considered a masterpiece. Currently a Guggenheim Fellow, she lives in New york City.

“Edith Grossman, the Glenn Gould of translators, has written a superb book on the art of the literary translation. Even Walter Benjamin is surpassed by her insights into her task, which she rightly sees as imaginatively independent. This should become a classic text.”—Harold Bloom

March Literary Studies Cloth 978-0-300-12656-3 $24.00Available as eBook 978-0-300-16303-2 160 pp. 5 1⁄4 x 7 3⁄4 World

15General Interest



Ted

Gru

din

Three quesTions for roberT Grudin:

How does Design and Truth relate to your previous books?

Like my four earlier nonfiction books—Time and the Art of Living, The Grace of Great Things, On Dialogue, and American Vulgar—Design and Truth takes up a fundamental aspect of liberty. The others focused respectively on time, creativity, communication and consciousness. Design and Truth takes up the question of how we shape and channel our energies.

What is “design”?

Design is our ability to shape, frame, build or focus anything, from love poetry to castles to music to subatomic rays. Thus design is the faculty that defines us as a civilization and our language in the dialogue with our environment. On top of this, we communicate with each other through designed media like words, machines, art, architecture and social institutions.

Most of us think of a design as something that simply is. How can a design be either true or false?

Our designs communicate who and what we are, as well as what we want to be and to do. Good designs tell the truth about our nature and our intentions. They communicate directly with nature and build the human commonwealth. Bad designs, on the other hand, often spring from the lust for power or profit, and they express themselves dishonestly. Thus we can say that good design tells the truth, while bad design is a lie.

16 General Interest


April Philosophy/Design Cloth 978-0-300-16140-3 $26.00224 pp. 5 1⁄2 x 8 1⁄4 5 b/w + 8 color illus. World

MaRkEting highlights:◆◆ Major review attention◆◆ National feature coverage◆◆ Online marketing with cultural sites

Academic and library marketing

RoBERT GRUDIN is professor emeritus in the English Department at the University of oregon. His Book: A Novel was shortlisted for the Pulitzer Prize in literature. He lives in Berkeley, CA.

dEsign and tRuthRobert Grudin

A profound meditation on how design reflects the uses and abuses of power from the Pulitzer Prize–nominated author of Time and the Art of Living

“If good design tells the truth,” writes Robert Grudin in this path-breaking book on esthetics and authority, “poor design tells a lie, a lie usually related . . . to the getting or abusing of power.”

From the ornate cathedrals of Renaissance Europe to the much-maligned Ford Edsel of the late 1950s, all products of human design communicate much more than their mere intended functions. Design holds both psychological and moral power over us, and these forces may be manipulated, however subtly, to surprising effect. In an argument that touches upon subjects as seemingly unrelated as the Japanese tea ceremony, Italian mannerist painting, and Thomas Jefferson’s Monticello plantation, Grudin turns his attention to the role of design in our daily lives, focusing especially on how politi-cal and economic powers impress themselves on us through the built environment.

Although architects and designers will find valuable insights here, Grudin’s intended audience is not exclusively the trained expert but all those who use designs and live within them every day.

17General Interest



talibanMilitant Islam, Oil and Fundamentalism

in Central Asia, Second EditionAhmed Rashid

Correspondent Ahmed Rashid brings the shadowy world of the Taliban—the world’s most extreme and radical Islamic organiza-tion—into sharp focus in this enormously insightful book. He offers the only authoritative account of the Taliban available to English-language readers, explaining the Taliban’s rise to power, its impact on Afghanistan and the region, its role in oil and gas company deci-sions, and the effects of changing American attitudes toward the Taliban. He also describes the new face of Islamic fundamental-ism and explains why Afghanistan has become the world center for international terrorism.

New to this updated edition of the #1 New York Times Bestseller with more than 1.5 million copies sold worldwide:

• How the Taliban has regained its strength

• How and why the Taliban has spread across Central Asia

• How the Taliban has helped Al’Qaida’s spread into Europe, North Africa, the Middle East, and the Far East

• Why the Afghan people feel the United States is losing the war

• A major new introduction and an all-new final chapter

also by ahMEd Rashid:Jihad The Rise of Militant Islam in Central Asia Cloth 978-0-300-09345-2 $25.00tx

Called “Pakistan’s best and bravest reporter” by Christopher Hitchens in Vanity Fair, AHMED RASHID was a correspondent for the Far Eastern Economic Review for more than twenty years, covering Pakistan, Afghanistan, and cen-tral Asia. He now writes for BBC online, the Washington Post, El Mundo, the International Herald Tribune, the New York Review of Books, and other foreign and Pakistani newspapers. He has been covering the wars in Afghanistan, as well as the wars in Pakistan and Tajikistan, since 1979. He is the author of Descent into Chaos and Jihad.

“[A] valuable and informative work.”—Richard Bernstein, New York Times

April Current Events/History Paper 978-0-300-16368-1 $17.95Available as eBook 978-0-300-16484-8 320 pp. 5 1⁄2 x 8 1⁄4 For sale in the U.S. and its dependencies (including the Virgin Islands, Puerto Rico, and Guam), the Philippine Islands, and Canada only Previous edition: Paper (S ‘01) 978-0-300-08902-8

UPDATE

D

EDITI

ON

18 General Interest



on EvilTerry Eagleton

An impassioned argument for the existence of evil from one of the most respected and influential critics of our day

For many enlightened, liberal-minded thinkers today, and for most on the political left, evil is an outmoded concept. It smacks too much of absolute judgments and metaphysical certainties to suit the mod-ern age. In this witty, accessible study, the prominent Marxist thinker Terry Eagleton launches a surprising defense of the reality of evil, drawing on literary, theological, and psychoanalytic sources to sug-gest that evil, no mere medieval artifact, is a real phenomenon with palpable force in our contemporary world.

In a book that ranges from St. Augustine to alcoholism, Thomas Aquinas to Thomas Mann, Shakespeare to the Holocaust, Eagleton investigates the frightful plight of those doomed souls who appar-ently destroy for no reason. In the process, he poses a set of intriguing questions. Is evil really a kind of nothingness? Why should it appear so glamorous and seductive? Why does goodness seem so boring? Is it really possible for human beings to delight in destruction for no reason at all?

MaRkEting highlights:◆◆ Major review attention◆◆ Major feature coverage◆◆ Cross-promotion with paperback release

of Reason, Faith, and Revolution◆◆ Online marketing with cultural sites ◆◆ Academic and library marketing

also by tERRy EaglEton:Reason, Faith, and Revolution Reflections on the God Debate See page 68

TERRy EAGlEToN is Professor of English literature at the National University of Ireland, Galway, Distinguished Professor of Cultural Theory at lancaster University, and Professor of English literature at Notre Dame. He is the author of many books, including Reason, Faith, and Revolution: Reflections on the God Debate.

April Philosophy/Literature Cloth 978-0-300-15106-0 $25.00Available as eBook 978-0-300-16296-7 192 pp. 5 1⁄2 x 8 1⁄4 World

19General Interest



“Tadeusz Borowski joins the company of such artists as Elie Wiesel and André Schwarz-Bart. Like them, he paints a picture of the horror and madness that ruled the concentration camps, so brilliantly that the immediacy of the experience is almost too much to bear.”—New York Times Book Review

◆◆ The Margellos World Republic of Letters

April Literature Cloth 978-0-300-11690-8 $26.00Available as eBook 978-0-300-16020-8 352 pp. 5 x 7 3⁄4 World

hERE in ouR auschWitz and othER stoRiEs

Tadeusz Borowski;Translated by Madeline G. levine

Tadeusz Borowski was a talented young poet when he was arrested and deported to Auschwitz in 1943. He emerged at the end of the Second World War to become one of the most influential writer-witnesses to the Nazi concentration camp system. This book offers the first authoritative translation of Borowski’s prose fiction, including numerous stories that have never appeared in English before. These are the chilling writings of a man who has experienced horrifying brutality and sees no possibility for human redemption.

TADEUSz BoRoWSKI (1922–1951), a Polish poet, short story writer, and journalist, was arrested as a political prisoner and deported to German concentra-tion camps. He survived, but a few years later committed suicide at the age of 29. MADElINE G. lEVINE is Kenan Professor of Slavic literatures, University of North Carolina-Chapel Hill.

“Hacker has done for Hédi Kaddour what John and Bogdana Carpenter and Michael Hoffman have done respectively for the poetry of Zbigniew Herbert and Durs Grünbein, introducing to an English speaking readership a major poet of his language, brilliantly bringing his poetry into our language, creating through her translations work of undeniable achievement, force, and importance.”—Lawrence Joseph, author of Into It

April Poetry Cloth 978-0-300-14958-6 $26.00Available as eBook 978-0-300-16298-1 192 pp. 5 1⁄2 x 8 1⁄4 World

tREasonPoems by Hédi Kaddour

Translated by Marilyn Hacker

Hédi Kaddour’s poetry arises from observation, from situations both ordinary and emblematic—of contemporary life, of human stubbornness, human invention, or human cruelty. With Treason, the award-winning poet and translator Marilyn Hacker presents an English-speaking audience with the first selected volume of his work.

The poetries of several languages and literary traditions are lively and constant presences in the work of Hédi Kaddour, a Parisian as well as a Germanist and an Arabist. A walker’s, a watcher’s, and a listener’s poems, his sonnet-shaped vignettes often include a line or two of dialogue that turns his observations and each poem itself into a kind of miniature theater piece. Favoring compact, classical models over long verse forms, Kaddour questions the structures of syntax and the limits of poetic form, combining elements of both international modernism and postmodernism with great sophistication.

Capturing Kaddour’s full range of diction, as well as his speed, momentum, and tone, Marilyn Hacker’s translations brilliantly bring these poems alive.

MARIlyN HACKER is an award-winning poet, translator, and critic. Her translations of Kaddour’s poetry have appeared in the New Yorker, the Paris Review, and Poetry. She lives in New york City and Paris. HÉDI KADDoUR is the author of five books of poems, two novels and a book of nonfiction.

20 General Interest






FoR all thE WoRld to sEEVisual Culture and the Struggle for Civil Rights

Maurice Berger;Foreword by Thulani Davis

A stunning visual history of the civil rights movement in America

In 1955, shortly after Emmett Till was murdered by white suprem-acists in Mississippi, his grieving mother distributed to the press a gruesome photograph of his mutilated corpse. Asked why she would do this, she explained that by witnessing with their own eyes the bru-tality of segregation and racism, Americans would be more likely to support the cause of racial justice. “let the world see what I’ve seen,” was her reply. The publication of the photograph inspired a genera-tion of activists to join the civil rights movement.

Despite this extraordinary episode, the story of visual culture’s role in the modern civil rights movement is rarely included in its his-tory. This is the first comprehensive examination of the ways images mattered in the struggle, and it investigates a broad range of media including photography, television, film, magazines, newspapers, and advertising.

These images were ever present and diverse: the startling footage of southern white aggression and black suffering that appeared night after night on television news programs; the photographs of black achievers and martyrs in Negro periodicals; the humble snapshot, no less powerful in its ability to edify and motivate. In each case, the war against racism was waged through pictures—millions of points of light, millions of potent weapons that forever changed a nation. Through vivid storytelling and incisive analysis, this powerful book allows us to see and understand the crucial role that visual culture played in forever changing a nation.

MaRkEting highlights:◆◆ Major review attention◆◆ National feature coverage◆◆ Cross-promotion with the

Smithsonian Institution◆◆ Academic and library marketing◆◆ Educator’s guide available through

YaleBooks.com

MAURICE BERGER is Senior Research Scholar at the Center for Art, Design, and Visual Culture, University of Maryland, Baltimore County, and Senior Fellow at the Vera list Center for Art and Politics of The New School. He is the author of the critically acclaimed White Lies: Race and the Myths of Whiteness, which was named as a finalist for the 2000 Horace Mann Bond Book Award.

“Even ‘unforgettable’ images such as those contained in this project can be forgotten if they are not part of a public and highly visible record. With this tremendously important book, Maurice Berger has ensured that these powerful, affirming, and harrowing images will remain central to the story of this country’s furious and joyful struggle for civil rights.”—Henry Louis Gates, Jr., Harvard University

April History/Photography Cloth 978-0-300-12131-5 $39.95224 pp. 8 x 10 125 illus. World

21General Interest



viEtnaMRising Dragon

Bill Hayton

A much-needed behind-the-scenes survey of an emerging Asian power

The eyes of the West have recently been trained on China and India, but Vietnam is rising fast among its Asian peers. A breathtaking period of social change has seen foreign investment bringing capital-ism flooding into its nominally communist society, booming cities swallowing up smaller villages, and the lure of modern living tugging at the traditional networks of family and community. yet beneath these sweeping developments lurks an authoritarian political system that complicates the nation’s apparent renaissance. In this engaging work, experienced journalist Bill Hayton looks at the costs of change in Vietnam and questions whether this rising Asian power is really heading toward capitalism and democracy.

Based on vivid eyewitness accounts and pertinent case studies, Hayton’s book addresses a broad variety of issues in today’s Vietnam, including important shifts in international relations, the growth of civil society, economic developments and challenges, and the nation’s nascent democracy movement as well as its notorious internal security. His analysis of Vietnam’s “police state,” and its sys-tematic mechanisms of social control, coercion, and surveillance, is fresh and particularly imperative when viewed alongside his portraits of urban and street life, cultural legacies, religion, the media, and the arts. With a firm sense of historical and cultural context, Hayton examines how these issues have emerged and where they will lead Vietnam in the next stage of its development.

MaRkEting highlights:◆◆ National review attention◆◆ National media interviews◆◆ National feature coverage◆◆ Online marketing ◆◆ Academic and library marketing

BIll HAyToN is a reporter and producer with BBC News who covered Vietnam as the BBC’s correspondent during 2006–7. While there, he also wrote for the Times, the Financial Times, and the Bangkok Post. He now lives in England.

“Hayton has a keen eye for the detail of everyday life as well as larger cultural, economic, social, and political currents. This book leaves one with the feeling of having been in the hands of an expert craftsman, and illuminates some of the major issues confronting contemporary Vietnam.”—Carlyle A. Thayer, author of Vietnam People’s Army

April Current Events/Economics Cloth 978-0-300-15203-6 $30.00272 pp. 6 1⁄8 x 9 1⁄4 40 pp b/w illus. World

22 General Interest



palEstinE bEtRayEdEfraim Karsh

A searing account of the UN resolution to partition Palestine, and its bloody aftermath

The 1947 UN resolution to partition Palestine irrevocably changed the political landscape of the Middle East, giving rise to six full-fledged wars between Arabs and Jews, countless armed clashes, blockades, and terrorism, as well as a profound shattering of Palestinian Arab society. Its origins, and that of the wider Arab-Israeli conflict, are deeply rooted in Jewish-Arab confrontation and appropriation in Palestine. But the isolated occasions of violence during the British Mandate era (1920–48) suggest that the majority of Palestinian Arabs yearned to live and thrive under peaceful coexistence with the evolv-ing Jewish national enterprise. So what was the real cause of the breakdown in relations between the two communities?

In this brave and groundbreaking book, Efraim Karsh tells the story from both the Arab and Jewish perspectives. He argues that from the early 1920s onward, a corrupt and extremist leadership worked toward eliminating the Jewish national revival and protecting its own interests. Karsh has mined many of the Western, Soviet, UN, and Israeli documents declassified over the past decade, as well as unfamiliar Arab sources, to reveal what happened behind the scenes on both Palestinian and Jewish sides. It is an arresting story of deli-cate political and diplomatic maneuvering by leading figures—Ben Gurion, Hajj Amin Husseini, Abdel Rahman Azzam, King Abdullah, Bevin, and Truman—over the years leading up to partition, through the slide to war and its enduring consequences. Palestine Betrayed is vital reading for understanding the origin of disputes that remain crucial today.

MaRkEting highlights:◆◆ Major review attention◆◆ National feature coverage◆◆ Online marketing◆◆ Academic and library marketing

also by EFRaiM kaRsh:Islamic Imperialism A History Paper 978-0-300-12263-3 $17.00

EFRAIM KARSH is professor and head of the Middle East and Mediterranean Studies Programme, King’s College london. His books include Islamic Imperialism: A History; The Arab-Israeli Conflict: The Palestine War, 1948; Saddam Hussein: A Political Biography; and Empires of the Sand: The Struggle for Mastery in the Middle East, 1789–1923.

“A brave and exceedingly important piece of work.”—David Vital, author of A People Apart

April History/Mideast Studies Cloth 978-0-300-12727-0 $32.50336 pp. 6 1⁄8 x 9 1⁄4 16 b/w illus. World

23General Interest



stEpping-stonEsA Journey through the Ice Age Caves of the Dordogne

Christine Desdemaines-Hugon;Foreword by Ian Tattersall

An awe-inspiring study of the enduring power of Paleolithic art

The cave art of France’s Dordogne region is world-famous for the mythology and beauty of its remarkable drawings and paintings. These ancient images of lively bison, horses, and mammoths, as well as symbols of all kinds, are fascinating touchstones in the devel-opment of human culture, demonstrating how far humankind has come and reminding us of the ties that bind us across the ages.

over more than twenty-five years of teaching and research, Christine Desdemaines-Hugon has become an unrivaled expert in the cave art and artists of the Dordogne region. In her new book she com-bines her expertise in both art and archaeology to convey an intimate understanding of the “cave experience.” Her keen insights commu-nicate not only the incomparable artistic value of these works but also the near-spiritual impact of viewing them for oneself.

Focusing on five fascinating sites, including the famed Font de Gaume and others that still remain open to the public, Stepping-Stones reveals striking similarities between art forms of the Paleolithic and works of modern artists and gives us a unique pathway toward understanding the culture of the Dordogne Paleolithic peoples and how it still touches our lives today.

MaRkEting highlights:◆◆ Major review attention◆◆ National feature coverage◆◆ National media interviews◆◆ Online marketing with art, archeology,

and anthropology sites◆◆ Academic and library marketing

CHRISTINE DESDEMAINES-HUGoN is an eminent scholar of prehistoric anthropol-ogy and cave art of the Dordogne region of France and is well known for the tours she gives to many visitors and tourists. Her writing has appeared in the New York Times, Town and Country magazine, and USA Today, among other publications. She lives in Campagne, France.

“Dedemaines-Hugon speaks with enthusiasm and a love for the culture and its artwork.”—Brian Skinner, Yale University

April History/Natural History Cloth 978-0-300-15266-1 $30.00320 pp. 6 1⁄8 x 9 1⁄4 38 b/w + 8 color illus. World

24 General Interest




back to thE FutuRE in thE cavEs oF kaua‘i

A Scientist’s Adventures in the DarkDavid A. Burney

The intriguing tale of one of the world’s richest fossil sites and its profound implications for

the environmental future of the planet

For two decades, paleoecologist David Burney and his wife, lida Pigott Burney, have led an excavation of Makauwahi Cave on the island of Kaua‘i, uncovering the fascinating variety of plants and animals that have inhabited Hawaii throughout its history. From the unique perspective of paleoecology—the study of ancient envi-ronments—Burney has focused his investigations on the dramatic ecological changes that began after the arrival of humans one thousand years ago, detailing not only the environmental degrada-tion they introduced but also asking how and why this destruction occurred and, most significantly, what might happen in the future.

Using Kaua‘i as an ecological prototype and drawing on the author’s adventures in Madagascar, Mauritius, and other exciting locales, Burney examines highly pertinent theories about current threats to endangered species, restoration of ecosystems, and how people can work together to repair environmental damage elsewhere on the planet. Intriguing illustrations, including a reconstruction of the ancient ecological landscape of Kaua‘i by the artist Julian Hume, offer an engaging window into the ecological marvels of another time. A fascinating adventure story of one man’s life in paleoecology, Back to the Future in the Caves of Kaua‘i reveals the excitement—and occasional frustrations—of a career spent exploring what the past can tell us about the future.

MaRkEting highlights:◆◆ Major review attention◆◆ National feature coverage◆◆ National media interviews◆◆ Online marketing with environmental sites◆◆ Academic and library marketing

DAVID A. BURNEy is the director of con-servation at the National Tropical Botanical Garden in Kalaheo, Hawaii. He was awarded a Guggenheim Fellowship in 2006 to write this book on his work at Makauwahi Cave on Kaua‘i.

“Offers up the science of paleoecology with unaffected ease and provides the reader with concise but astute historical background.”—Mark Merlin, University of Hawaii at Manoa

May Nature/Natural History Cloth 978-0-300-15094-0 $30.00Available as eBook 978-0-300-16311-7 288 pp. 6 1⁄8 x 9 1⁄4 38 b/w + 8 color illus. World

25General Interest



Praise for Marilynne robinson’s Previous books

“�Gilead�is�a�beautiful work—demanding, grave and lucid�.�.�.�.�Robinson’s�words�have�a�spiritual�force�that’s�very�rare�in�contemporary�fiction.”�

—JaMes Wood, New York Times Book review

“�At�a�moment�in�cultural�history�dominated�by�the�shallow,�the�superficial,�the�quick�fix,�Marilynne�Robinson�is�a�miraculous�anomaly:�a�writer�who�thoughtfully,�carefully,�and�tenaciously�explores�some�of�the�deepest�questions�confronting�the�human�species.�.�.�.�Poignant, absorbing, lyrical.�.�.�.�Robinson�manages�to�convey�the�miracle�of�existence�itself.”

—Merle rubin, Los ANgeLes Times Book review on giLeAd

“Incandescent,�.�.�.�magnificent,�.�.�.�[a]�literary miracle.”—lisa schWarzbauM, eNTerTAiNmeNT weekLY (a) on giLeAd

“Lyrical�and�meditative�.�.�.�potently contemplative.”—Michele orecklin, Time on giLeAd

“�So�serenely beautiful�and�written�in�a�prose�so�gravely�measured�and�thoughtful,�that�one�feels�touched�with�grace�just�to�read�it.”

—Michael dirda, wAshiNgToN PosT on giLeAd

“�There�are�passages�here�of�such�profound, hard-won wisdom and spiritual insight�that�they�make�your�own�life�seem�richer.�.�.�.�Gilead�[is]�a�quiet,�deep�celebration�of�life�that�you�must�not�miss.”

—ron charles, ChrisTiAN sCieNCe moNiTor

“�American culture is enriched�by�having�the�whole�range�of�Marilynne�Robinson’s�work.”

—Jane vanderburgh, BosToN gLoBe oN oN The deATh of AdAm

“�Robinson’s�thinking�is�all in the service of humanity’s survival,�spiritually�and�environmentally.”

—charles baxter on oN The deATh of AdAm

“�Here’s�a�first�novel�that�sounds�as�if�the�author�has�been�treasuring�it�up�all�her�life�.�.�.�.�You�can�feel�in�the�book�a�gathering�voluptuous�release�of�confidence,�a delighted surprise at the unexpected capacities of language,�a�close,�careful�fondness�for�people�that�we�thought�only�saints�felt.”

—anatole broyard, New York Times on housekeePiNg

“�I�found�myself�reading�slowly,�then�more�slowly—this is not a novel to be hurried through,�for�every�sentence�is�a�delight.”

—doris lessing on housekeePiNg

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26 General Interest


May Religion/Philosophy Cloth 978-0-300-14518-2 $24.00160 pp. 5 x 7 3⁄4 World English

MaRkEting highlights:◆◆ Major review attention◆◆ National feature coverage◆◆ National media interviews◆◆ Online marketing ◆◆ Academic and library marketing

◆◆ The Terry Lectures Series

MARIlyNNE RoBINSoN is the author of Gilead, winner of the 2005 Pulitzer Prize for fiction; Home, winner of the 2009 orange Prize for Fiction; and Housekeeping, winner of the 1982 Hemingway Foundation/PEN Award for first fiction. She is also the author of two previous books of nonfiction, Mother Country and The Death of Adam. She teaches at the University of Iowa Writers’ Workshop and lives in Iowa City.

absEncE oF MindThe Dispelling of Inwardness from the

Modern Myth of the SelfMarilynne Robinson

One of our best contemporary writers explores the tension between science and religion and reveals how

our concept of mind determines how we understand and value human nature and human civilization

In this ambitious book, acclaimed writer Marilynne Robinson applies her astute intellect to some of the most vexing topics in the history of human thought—science, religion, and consciousness. Crafted with the same care and insight as her award-winning novels, Absence of Mind challenges postmodern atheists who crusade against religion under the banner of science. In Robinson’s view, scientific reason-ing does not denote a sense of logical infallibility, as thinkers like Richard Dawkins might suggest. Instead, in its purest form, science represents a search for answers. It engages the problem of knowledge, an aspect of the mystery of consciousness, rather than providing a simple and final model of reality.

By defending the importance of individual reflection, Robinson celebrates the power and variety of human consciousness in the tradition of William James. She explores the nature of subjectivity and considers the culture in which Sigmund Freud was situated and its influence on his model of self and civilization. Through keen interpretations of language, emotion, science, and poetry, Absence of Mind restores human consciousness to its central place in the religion-science debate.

“At a moment in cultural history dominated by the shallow, the superficial, the quick fix, Marilynne Robinson is a miraculous anomaly: a writer who thoughtfully, carefully, and tenaciously explores some of the deepest questions confronting the human species.”—Merle Rubin, Los Angeles Times Book Review on Gilead

27General Interest



islaM, sciEncE, and thE challEngE oF histoRy

Ahmad Dallal

An acclaimed scholar provides the most comprehensive examination available of the Islamic scientific tradition

and its relationship to religion and philosophy

In this wide-ranging and masterful work, Ahmad Dallal examines the significance of scientific knowledge and situates the culture of science in relation to other cultural forces in Muslim societies. He traces the ways in which the realms of scientific knowledge and religious authority were delineated historically. The realization of a discrepancy between tradition and science often led to demolition and rebuilding and, most important, to questioning whether scien-tific knowledge should take precedence over religious authority in a matter where their realms clearly overlap.

Dallal frames his inquiry around three concerns: What cultural forces provided the conditions for debate over the primacy of reli-gion or science? How did these debates emerge? And how were they sustained? His primary objectives are to study science in Muslim societies within its larger cultural context and to trace the episte-mological distinctions between science and philosophy, on the one hand, and science and religion, on the other. He looks at religious and scientific texts and situates them in the contexts of religion, philosophy, and science. Finally, Dallal describes the relationship negotiated in the classical (medieval) period between the religious, scientific, and philosophical systems of knowledge that is central to the Islamic scientific tradition and shows how this relationship has changed radically in modern times.

MaRkEting highlights:◆◆ Major review attention◆◆ Online marketing with religion and

science sites◆◆ Academic and library marketing


AHMAD DAllAl is provost and professor of history, American University of Beruit.

“Dallal masterfully controls the narrative with his encyclopedic approach to Islamic intellectual history and his full acquaintance with the literature. He is up-to-date on all aspects of Islamic intellectual and religious history, and has the superb skill of seeing many fields within that civilization within the shadows of each other.”—George Saliba, Columbia University

May History/Religious History/Philosophy Cloth 978-0-300-15911-0 $27.50Available as eBook 978-0-300-15914-1 256 pp. 5 1⁄2 x 8 1⁄4 2 b/w illus. World

28 General Interest



thE chRistian iMaginationTheology and the Origins of Race

Willie James Jennings

A ground-breaking, magisterial account of the potential and failures of Christianity since the colonialist period

Why has Christianity, a religion premised upon neighborly love, failed in its attempts to heal social divisions? In this ambitious and wide-ranging work, Willie James Jennings delves deep into the late medieval soil in which the modern Christian imagination grew, to reveal how Christianity’s highly refined process of socialization has inadvertently created and maintained segregated societies. A probing study of the cultural fragmentation—social, spatial, and racial—that took root in the Western mind, this book shows how Christianity has consistently forged Christian nations rather than encouraging genu-ine communion between disparate groups and individuals.

Weaving together the stories of zurara, the royal chronicler of Prince Henry, the Jesuit theologian Jose de Acosta, the famed Anglican Bishop John William Colenso, and the former slave writer olaudah Equiano, Jennings narrates a tale of loss, forgetfulness, and missed opportunities for the transformation of Christian communities. Touching on issues of slavery, geography, Native American history, Jewish-Christian relations, literacy, and translation, he brilliantly exposes how the loss of land and the supersessionist ideas behind the Christian missionary movement are both deeply implicated in the invention of race.

Using his bold, creative, and courageous critique to imagine a truly cosmopolitan citizenship that transcends geopolitical, nationalist, ethnic, and racial boundaries, Jennings charts, with great vision, new ways of imagining ourselves, our communities, and the landscapes we inhabit.

MaRkEting highlights:◆◆ Major review attention◆◆ National feature coverage◆◆ Online marketing to religion sites ◆◆ Academic and library marketing

WIllIE JAMES JENNINGS is Associate Professor of Theology, Black Church and Cultural Studies at Duke Divinity School, where he previously served as academic dean.

“Jennings excavates the major theological issues involved as the old world encountered—violently—the new and engaged in displacement and racialization of the ‘subjugated’ peoples. At stake is a whole way of conceiving the self, the other, and the world of their mutual relations.”—Miroslav Volf, Yale University

May Religious History/Theology Cloth 978-0-300-15211-1 $35.00Available as eBook 978-0-300-16308-7 384 pp. 6 1⁄8 x 9 1⁄4 2 b/w illus. World

29General Interest



, The Oresteia Aeschylus, The Oresteia Aeschylus, The Oresteia Aeschylus, The Oresteia

Grass, The Meeting at Telgte

Grotius, De Jure Belli ac Pacis

Thucydides and Leviathan

The Hunchback of Notre Dame

Kipling’s Kim Kipling’s Kim

The Seven Pillars of Wisdom

Man’s Fate Malraux’s Man’s Fate

Magic Mountain Mann’s Magic Mountain

Paradise Lost Milton, Paradise Lost

Rousseau’s Rousseau’s Confessions

Rushie’s The Satanic Verses

Schiller, Schiller, Jungfrau von Orléans

, The Wallenstein Trilogy

Shakespeare, Henry VI

, Troilus and Cressida Shakespeare, Troilus and Cressida

Shakespeare’s Shakespeare’s Tempest

Shaw, Saint Joan Shaw, Saint Joan

Spark’s The Mandelbaum Gate

Swift, Gulliver’s Travels Swift, Gulliver’s Travels Swift, Gulliver’s Travels

Thucydides, The Peloponnesian War Thucydides, The Peloponnesian War

Twain, Personal Recollections Twain, Personal Recollections Twain, Personal Recollections

Xenophon, The March Up Country Xenophon, The March Up Country

Grass, The Meeting at Telgte Grass, The Meeting at Telgte Grass,

Grotius, Grotius,

Thucydides

The Hunchback of Notre Dame

Kipling’s

The Seven Pillars of Wisdom

Man’s Fate

Magic Mountain Mann’s

Paradise Lost

Rousseau’s Rousseau’s

Rushie’s

Schiller, Schiller,

, The Wallenstein Trilogy The Wallenstein Trilogy

Shakespeare,

Troilus and Cressida Shakespeare,

Shakespeare’s Shakespeare’s

Shaw, Saint Joan

The Mandelbaum Gate Spark’s The Mandelbaum Gate Spark’s The Mandelbaum Gate

Grass, The Meeting at Telgte Grass, The Meeting at Telgte Grass,

Grotius, De Jure Belli ac Pacis Grotius, De Jure Belli ac Pacis Grotius,

and Leviathan Hobbes’ Thucydides and Leviathan Hobbes’ Thucydides

Hugo, The Hunchback of Notre Dame Hugo, The Hunchback of Notre Dame

Kipling’s Kim Kipling’s Kim Kipling’s Kim Kipling’s Kim Kipling’s

Lawrence’s The Seven Pillars of Wisdom Lawrence’s The Seven Pillars of Wisdom

Malraux’s Man’s Fate Malraux’s Man’s Fate Malraux’s Man’s Fate

Magic Mountain Mann’s Magic Mountain Mann’s Magic Mountain Mann’s

Milton, Paradise Lost Milton, Paradise Lost Milton, Paradise Lost

Rousseau’s Confessions Rousseau’s Confessions Rousseau’s Confessions

Rushie’s The Satanic Verses Rushie’s The Satanic Verses Rushie’s

Schiller, Jungfrau von Orléans Schiller, Jungfrau von Orléans Schiller,

The Wallenstein Trilogy Schiller, The Wallenstein Trilogy Schiller,

Shakespeare, Henry VI Shakespeare, Henry VI Shakespeare,

Troilus and Cressida Shakespeare, Troilus and Cressida Shakespeare,

Shakespeare’s Tempest Shakespeare’s Tempest Shakespeare’s Tempest Shakespeare’s

Shaw, Saint Joan Shaw, Saint Joan Shaw, Saint Joan Shaw, Saint Joan

The Mandelbaum Gate Spark’s The Mandelbaum Gate Spark’s The Mandelbaum Gate

In Gulliver’s fourth and fi nal voyage, we are immersed in

what may be the most famous ancient text of all, Plato’s

Republic, and Gulliver is wholly captivated by it.

This is the most utopian of all polities, the fully reasoned-out

commonwealth of Justice, the land of the Houyhnhnms. Here,

as in the Republic, we are presented with an entirely new start

to the project—mankind’s primary task of fi guring out how to

establish and manage a political community. Socrates, after

the Peloponnesian War leaves the Athenian polis in ruins,

leads a dialogue of how to construct, out of nothing, the just

society. In Gulliver’s Travels, we see the animal world having

achieved in a wholly new start, a wholly different political sys-

tem from the one we actually dwell in . . . .

Gulliver is completely captivated by his Horse tutors

and determines to adopt their intellectual and moral

conclusions. But here again, Gulliver is uneducable. He

cannot comprehend this text, just as he could not read Plato’s

Republic correctly, for Gulliver is a modern, not an ancient.

He adopts this ideal republic and in doing so, loses his

humanity through intellectual arrogance. He is self-deceived

as to his own character and dangerously enamored by the

effi cacy and morality of reason. Similarly, most readers across

the centuries have taken Plato’s Republic seriously, rather

than ironically, as it was written to be. Socrates’ arguments

for the Kallipolis are delivered with tongue fi rmly in cheek, as

one set of arguments after another leads his circle to fanatical

results, such as the abolition of the family, women being held

in common by men, and the eradication—Khmer Rouge

style—of everyone over the age of ten.

30 General Interest


May History/Literary Studies/International Affairs Cloth 978-0-300-16386-5 $27.50320 pp. 6 1⁄8 x 9 1⁄4 World

MaRkEting highlights:◆◆ Major review attention◆◆ National feature coverage◆◆ National media interviews◆◆ Online marketing◆◆ Academic and library marketing

CHARlES HIll, a career minister in the U.S. Foreign Service, is a research fellow at the Hoover Institution as well as Brady-Johnson Distinguished Fellow in Grand Strategy, Senior lecturer in International Studies, and Senior lecturer in Humanities at yale University.

gRand stRatEgiEsLiterature, Statecraft, and World Order

Charles Hill

From “the man on whom nothing was lost,” a unique guide to the elements of statecraft, presented through

spirited interpretations of classic literary works

“The international world of states and their modern system is a literary realm,” writes Charles Hill in this powerful work on the prac-tice of international relations. “It is where the greatest issues of the human condition are played out.”

A distinguished lifelong diplomat and educator, Hill aims to revive the ancient tradition of statecraft as practiced by humane and broadly educated men and women. Through lucid and compelling discussions of classic literary works from Homer to Rushdie, Grand Strategies represents a merger of literature and international rela-tions, inspired by the conviction that “a grand strategist . . . needs to be immersed in classic texts from Sun Tzu to Thucydides to George Kennan, to gain real-world experience through internships in the realms of statecraft, and to bring this learning and experience to bear on contemporary issues.”

This fascinating and engaging introduction to the basic concepts of the international order not only defines what it is to build a civil society through diplomacy, justice, and lawful governance but also describes how these ideas emerge from and reflect human nature.

“A remarkable book. . . . Hill is the exemplification of the Clausewitzian coup d’oeil—the ability to see how everything connects to everything else.”—John Gaddis, Yale University

31General Interest



thE libERty bEllGary B. Nash

The distinguished historian Gary B. Nash recasts the legacy of one of America’s most enduring icons of freedom

Each year, more than two million visitors line up near Philadelphia’s Independence Hall and wait to gaze upon a flawed mass of metal forged more than two and a half centuries ago. Since its original cast-ing in England in 1751, the liberty Bell has survived a precarious journey on the road to becoming a symbol of the American identity, and in this masterful work, Gary B. Nash reveals how and why this voiceless bell continues to speak such volumes about our nation.

A serious cultural history rooted in detailed research, Nash’s book explores the impetus behind the bell’s creation, as well as its evolu-tions in meaning through successive generations. With attention to Pennsylvania’s Quaker roots, he analyzes the biblical passage from leviticus that provided the bell’s inscription and the valiant efforts of Philadelphia’s unheralded brass founders who attempted to recast the bell after it cracked upon delivery from london’s venerable Whitechapel Foundry. Nash fills in much-needed context surround-ing the bell’s role in announcing the Declaration of Independence and recounts the lesser-known histories of its seven later trips around the nation, when it served as a reminder of America’s indomitable spirit in times of conflict. Drawing upon fascinating primary source documents, Nash’s book continues a remarkable dialogue about a symbol of American patriotism second only in importance to the Stars and Stripes.

MaRkEting highlights:◆◆ Major review attention◆◆ National feature coverage◆◆ National media interviews◆◆ Cross-promote with National Center for

History in the Schools◆◆ Online marketing◆◆ Academic and library marketing



GARy B. NASH is professor of history and director of the National Center for History in the Schools at UClA. He is former president of the organization of American Historians, and his 1979 book The Urban Crucible: Social Change, Political Consciousness, and the Origins of the American Revolution was a finalist for the Pulitzer Prize in history. He lives in los Angeles.

“With this book, Gary Nash has brought the Liberty Bell back to life as part of the maelstrom of American history. Few Americans know the history of the Liberty Bell, and no one tells its story better than Nash.”—Robert Rydell, Montana State University

May History Cloth 978-0-300-13936-5 $24.00Available as eBook 978-0-300-16314-8 256 pp. 5 1⁄2 x 8 1⁄4 23 b/w illus. World

32 General Interest



Why thE constitution MattERsMark Tushnet

A major legal scholar presents an empowering reassessment of our nation’s most essential document

In this surprising and highly unconventional work, Harvard law pro-fessor Mark Tushnet poses a seemingly simple question that yields a thoroughly unexpected answer. The Constitution matters, he argues, not because it structures our government but because it structures our politics. He maintains that politicians and political parties—not Supreme Court decisions—are the true engines of constitutional change in our system. This message will empower all citizens who use direct political action to define and protect our rights and liber-ties as Americans.

Unlike legal scholars who consider the Constitution only as a blueprint for American democracy, Tushnet focuses on the ways it serves as a framework for political debate. Each branch of gov-ernment draws substantive inspiration and procedural structure from the Constitution but can effect change only when there is the political will to carry it out. Tushnet’s political understanding of the Constitution therefore does not demand that citizens pore over the specifics of each Supreme Court decision in order to improve our nation. Instead, by providing key facts about Congress, the president, and the nature of the current constitutional regime, his book reveals not only why the Constitution matters to each of us but also, and perhaps more important, how it matters.

MaRkEting highlights:◆◆ Major review attention◆◆ Online marketing ◆◆ Academic and library marketing

◆◆ Why X Matters

Featuring intruguing pairings of authors with subjects, each volume in the Why X Matters sereis presents a concise argument for the continuing relevance of an important person or idea.

MARK TUSHNET is William Nelson Cromwell Professor of law at Harvard University. A graduate of yale law School, he served as law clerk to Justice Thurgood Marshall and now specializes in constitutional law and theory, including comparative consti-tutional law. He lives in Washington, DC.

May Law/History/Politics Cloth 978-0-300-15036-0 $25.00Available as eBook 978-0-300-16535-7 224 pp. 5 1⁄2 x 8 1⁄4 World

33General Interest




“In a book that is at once sensitive, bold, and imaginative, Rogers delivers a deep history of the causes, creation, and consequences of these now famous photographs. . . . If there ever can be a shared humanity with a shared historical memory, perhaps it can only emerge from seeing such evidence of its most brutal denial.”—David W. Blight, from the Foreword

May History/Photography Cloth 978-0-300-11548-2 $37.50Available as eBook 978-0-300-16328-5 352 pp. 7 x 9 37 b/w illus. World

dElia’s tEaRsRace, Science, and Photography in

Nineteenth-Century AmericaMolly Rogers;

Foreword by David W. Blight

In 1850 seven South Carolina slaves were photographed at the request of the famous naturalist louis Agassiz to provide evidence of the supposed biological inferiority of Africans. lost for many years, the photographs were rediscovered in the attic of Harvard’s Peabody Museum in 1976. In the first narrative history of these images, Molly Rogers tells the story of the photographs, the people they depict, and the men who made and used them. Weaving together the histories of race, science, and photography in nineteenth-century America, Rogers explores the invention and uses of pho-tography, the scientific theories the images were intended to support and how these related to the race politics of the time, the meanings that may have been found in the photographs, and the possible reasons why they were “lost” for a century or more. Each image is accompanied by a brief fictional vignette about the subject’s life as imagined by Rogers; these portraits bring the seven subjects to life, adding a fascinating human dimension to the historical material.

Molly RoGERS has published essays on the history of photography, and her fic-tion has been produced for theater and radio. She lives in the UK, where she teaches creative writing.

May Law/Economics Cloth 978-0-300-12184-1 $26.00Available as eBook 978-0-300-16327-8 208 pp. 6 1⁄8 x 9 1⁄4 World

iMMoRtality and thE laWThe Rising Power of the American Dead

Ray D. Madoff

This book takes a riveting look at how the law responds to that distinctly American dream of immortality. While American law provides virtually no protections for the interests we hold most dear—our bodies and our reputa-tions—when it comes to property interests, the American dead have greater control than anywhere else in the world. Moreover, these rights are growing daily. From grave robbery to Elvis impersonators, Madoff shows how the law of the dead has a direct impact on how we live. Madoff examines how the rising power of the American dead enables the deceased to exert control over their wealth forever through grandiose schemes like “dynasty trusts” and perpetual private charitable foundations and to control their creative works and identities well into the unforeseeable future. Madoff explores how the law of the dead can, in essence, extend the reach of life by granting virtual immortality to individuals. All of this comes, Madoff contends, at real costs imposed on the living.

RAy MADoFF is a professor at Boston College law School. She lives in Newton, Massachusetts.

34 General Interest






acting WhitEThe Ironic Legacy of Desegregation

Stuart Buck

The unintended consequences of desegregation

Commentators from Bill Cosby to Barack obama have observed the phenomenon of black schoolchildren accusing studious classmates of “acting white.” How did this contentious phrase, with roots in Jim Crow-era racial discord, become a part of the schoolyard lexicon, and what does it say about the state of racial identity in the American system of education?

The answer, writes Stuart Buck in this frank and thoroughly researched book, lies in the complex history of desegregation. Although it arose from noble impulses and was to the overall benefit of the nation, racial desegegration was often implemented in a way that was devastating to black communities. It frequently destroyed black schools, reduced the numbers of black principals who could serve as role models, and made school a strange and uncomfortable environment for black children, a place many viewed as quintessen-tially “white.”

Drawing on research in education, history, and sociology as well as articles, interviews, and personal testimony, Buck reveals the unex-pected result of desegregation and suggests practical solutions for making racial identification a positive force in the classroom.

MaRkEting highlights:◆◆ Major review attention◆◆ National feature coverage◆◆ Op/eds timed to pub◆◆ Online marketing with educational sites◆◆ Academic and library marketing

An honors graduate of Harvard law School, STUART BUCK is a Ph.D. student in educa-tion policy at the University of Arkansas. His work has appeared in the Harvard Law Review, the Administrative Law Review, and several other scholarly journals.

“Acting White asks why African American students still lag so far behind their peers in academic achievement and offers a thoughtful and provocative answer to this crucial question.”—Stephan Thernstrom, Harvard University

May Current Events/Sociology Cloth 978-0-300-12391-3 $27.50Available as eBook 978-0-300-16313-1 256 pp. 6 1⁄8 x 9 1⁄4 9 b/w illus. World

35General Interest



May Economics/Law Cloth 978-0-300-15213-5 $35.00Available as eBook 978-0-300-16312-4 416 pp. 6 1⁄8 x 9 1⁄4 World

Winning thE silicon sWEEpstakEsCan the United States Compete in

Global Telecommunications?Rob Frieden

In this timely book, Rob Frieden points out the myriad ways the United States has fallen behind other countries in telecommunications. Despite the appearance of robust competition and entrepreneurism in U.S. telecom markets, there is very little of either. Because of an inattentive Congress and a misguided FCC unwilling to confront real problems, industry incumbents have been able to earn healthy profits while keeping the United States in the backwaters of Internet-based information, communication, and entertain-ment markets. At every turn, regulators have tipped the scales in favor of large established companies, creating an environment that stifles innovation. As a consequence, Americans are stuck with relatively slow connectivity and with equipment that lacks features that have been staples in other countries for years. In telecommunications, the United States is a little like a third world country that is developing under crushing bureaucracies without rec-ognizing that the rest of the world has passed it by. Frieden not only shows how failure can intrude on the ability of the United States to compete but suggests how to restore its competitiveness.

RoB FRIEDEN is Pioneers Chair and Professor of Telecommunications and law at Penn State University.

“Judith Stein gets it. Trading Factories for Finance’s illustration and examination of the last forty years of failed economic policy will be a powerful text for our generation as well as for the future. We must learn these lessons once and for all—before it’s too late.”—Leo W. Girard, president, United Steelworkers

May Economics/History/American Studies Cloth 978-0-300-11818-6 $32.50Available as eBook 978-0-300-16329-2 352 pp. 6 1⁄8 x 9 1⁄4 10 b/w illus. World

tRading FactoRiEs FoR FinancEThe Economics and Politics of the 1970s

Judith Stein

In this fascinating new history, Judith Stein argues that in order to under-stand our current economic crisis we need to look back to the 1970s and the end of the age of the factory—the era of postwar liberalism, created by the New Deal, whose practices, high wages, and regulated capital produced both robust economic growth and greater income equality. When high oil prices and economic competition from Japan and Germany battered the American economy, new policies—both international and domestic—became necessary. But war was waged against inflation, rather than against unemployment, and the government promoted a balanced budget instead of growth. This, says Stein, marked the beginning of the age of finance and subsequent deregulation, free trade, low taxation, and weak unions that has fostered inequality and now the worst recession in sixty years.

Drawing on extensive archival research and covering the economic, intel-lectual, political, and labor history of the decade, Stein provides a wealth of information on the 1970s. She also shows that to restore prosperity today, America needs a new model: more factories and fewer financial houses.

JUDITH STEIN is professor of history at the City College and Graduate Center of the City University of New york. She is the author of The World of Marcus Garvey and Running Steel, Running America.

36 General Interest






sixty to zERoAn Intimate, Inside Look at the People and

Cars that Led to GM’s CollapseAlex Taylor III;

Foreword by Mike Jackson

An award-winning journalist’s insights into the auto industry, the decline of once-great

companies, and the failures of management

The collapse of General Motors captured headlines in early 2009, but as Alex Taylor III writes in this in-depth dissection of the auto-maker’s undoing, GM’s was a meltdown forty years in the making. Drawing on more than thirty years of experience and insight as an automotive industry reporter, as well as personal relationships with many of the leading players, Taylor reveals the many missteps of GM and its competitors: a refusal to follow market cues and consumer trends; a lack of follow-through on major initiatives; and a history of hesitance, inaction, and failure to learn from mistakes. In the pro-cess, he provides lasting lessons for every executive who confronts the challenges of a changing marketplace and global competition. yet Taylor resists condemning GM’s leadership from the privileged view of hindsight. Instead, his account enables the reader to see GM’s decline through the eyes of an insider, with the understanding that corporate decision-making at a company as large as General Motors isn’t as simple as it may seem. Taylor’s book serves as a marvelous case study of one of the United States’ premier companies, of which every American quite literally now holds a share.

MaRkEting highlights:◆◆ Major review attention◆◆ Op/eds timed to pub◆◆ Online marketing with business sites◆◆ Academic and library marketing

AlEX TAyloR III is a Senior Editor at Fortune magazine. He is a member of the International Motor Press Association and is on the jury for the North America Car of the year Awards. He lives in lakeville, CT. MIKE JACKSoN is the chairman and chief execu-tive officer of AutoNation. Previously, he served as President and Chief Executive officer of Mercedes-Benz USA, llC.

May Business Cloth 978-0-300-15868-7 $26.00Available as eBook 978-0-300-15888-5 192 pp. 6 1⁄8 x 9 1⁄4 World

37General Interest



“This bold new study of Anne Boleyn is provocative, but it is also shrewd and thoughtful and eminently readable. Bernard’s book will certainly make readers think again about what we really know about Henry VIII’s most controversial wife—and what we have merely become accustomed to believe we know about her.”—Paul Hammer, University of Colorado at Boulder

May Biography Cloth 978-0-300-16245-5 $30.00288 pp. 6 1⁄8 x 9 1⁄4 16 b/w illus. World

annE bolEynFatal AttractionsG. W. Bernard

A new look at Henry VIII’s second wife

In this groundbreaking new biography, G. W. Bernard offers a fresh portrait of one of England’s most captivating queens. Through a wide-ranging foren-sic examination of sixteenth-century sources, Bernard reconsiders Boleyn’s girlhood, her experience at the French court, the nature of her relationship with Henry, and the authenticity of her evangelical sympathies. He depicts Anne Boleyn as a captivating, intelligent, and highly sexual woman whose attractions Henry resisted for years until marriage could ensure legitimacy for their offspring. He shows that it was Henry, not Anne, who developed the ideas that led to the break with Rome. And, most radically, he argues that the allegations of adultery that led to Anne’s execution in the Tower could be close to the truth.

G. W. BERNARD is professor of early modern history at the University of Southampton and editor of the English Historical Review. He is the author of The King’s Reformation: Henry VIII and the Remaking of the English Church. He lives in Southampton, England.

“A readable, comprehensive and critical summary…there is [in the book] final proof of the intrinsic connection between Wagner and Hitler. The link is Cosima.”—Joachim Köhler, The Wagner Journal

May Biography Cloth 978-0-300-15215-9 $40.00416 pp. 6 x 9 30 b/w World

cosiMa WagnERThe Lady of Bayreuth

oliver Hilmes;Translated by Stewart Spencer

An enthralling new biography of the woman behind Bayreuth

In this meticulously researched book, oliver Hilmes paints a fascinating and revealing picture of the extraordinary Cosima Wagner—illegitimate daugh-ter of Franz liszt, wife of the conductor Hans von Bülow, then mistress and subsequently wife of Richard Wagner. After Wagner’s death in 1883 Cosima played a crucial role in the promulgation and politicization of his works, assuming control of the Bayreuth Festival and transforming it into a shrine to German nationalism. The High Priestess of the Wagnerian cult, Cosima lived on for almost fifty years, crafting the image of Richard Wagner through her organizational ability and ideological tenacity.

The first book to make use of the available documentation at Bayreuth, this biography explores the achievements of this remarkable and obsessive woman while illuminating a still-hidden chapter of European cultural history.

olIVER HIlMES is the author of a best-selling biography of Alma Mahler. STEWART SPENCER is an acclaimed translator and, with Barry Millington, the editor of Wagner in Performance (1992).

38 General Interest






thE EscoRialArt and Power in the Renaissance

Henry Kamen

An acclaimed historian of Europe explores one of the world’s most iconic buildings

and the monarch who created it

Few buildings have played so central a role in Spain’s history as the monastery-palace of San lorenzo del Escorial. Colossal in size and imposing—even forbidding—in appearance, the Escorial has invited and defied description for four centuries. Part palace, part monastery, part mausoleum, it has also served as a shrine, a school, a repository for thousands of relics, and one of the greatest libraries of its time. Constructed over the course of more than twenty years, the Escorial challenged and provoked, becoming for some a symbol of supersti-tion and oppression, for others a “wonder of the world.” Now a World Heritage Site, it is visited by thousands of travelers every year.

In this intriguing study, Henry Kamen looks at the circumstances that brought the young Philip II to commission construction of the Escorial in 1563. He explores Philip’s motivation, the influence of his travels, the meaning of the design, and its place in Spanish cul-ture. It represents a highly engaging narrative of the high point of Spanish imperial dominance, in which contemporary preoccupa-tions with art, religion, and power are analyzed in the context of this remarkable building.

MaRkEting highlights:◆◆ National review attention◆◆ Academic and library marketing

also by hEnRy kaMEn: The Duke of Alba Cloth 978-0-300-10283-3 $35.00sc

Imagining Spain Historical Myth and National Identity Cloth 978-0-300-12641-9 $38.00sc

Philip of Spain Paper 978-0-300-07800-8 $22.50sc

The Spanish Inquisition A Historical Revision Paper 978-0-300-07880-0 $24.00sc

HENRy KAMEN has been a professor at universities throughout the United Kingdom, the United States, and Spain, and was until recently a professor of the Higher Council for Scientific Research, Barcelona.

“The perfect subject for Henry Kamen, who has dedicated his life to challenging just about every myth and unquestioned assumption about Spain and its history. He takes on all interpreters, but above all, he takes on the ghosts of Philip II conjured up by his detractors and admirers.”—Carlos Eire, Yale University

May History Cloth 978-0-300-16244-8 $35.00336 pp. 6 1⁄8 x 9 1⁄4 36 illus. World

39General Interest



thE book in thE REnaissancEAndrew Pettegree

A groundbreaking study of the fascinating, yet largely unknown world of books in the

first great age of print, 1450–1600

The dawn of print was a major turning point in the early modern world. It rescued ancient learning from obscurity, transformed knowl-edge of the natural and physical world, and brought the thrill of book ownership to the masses. But, as Andrew Pettegree reveals in this work of great historical merit, the story of the post-Gutenberg world was rather more complicated than we have often come to believe.

The Book in the Renaissance reconstructs the first 150 years of the world of print, exploring the complex web of religious, economic, and cultural concerns surrounding the printed word. From its very beginnings, the printed book had to straddle financial and religious imperatives, as well as the very different requirements and constraints of the many countries who embraced it, and, as Pettegree argues, the process was far from a runaway success. More than ideas, the success or failure of books depended upon patrons and markets, precarious strategies and the thwarting of piracy, and the ebb and flow of popular demand. owing to his state-of-the-art and highly detailed research, Pettegree crafts an authoritative, lucid, and truly pioneering work of cultural history about a major development in the evolution of European society.

MaRkEting highlights:◆◆ Major review attentions◆◆ National feature coverage◆◆ Online marketing with literary sites◆◆ Academic and library marketing

ANDREW PETTEGREE is Head of the School of History at the University of St. Andrews and founding director of the St. Andrews Reformation Studies Institute. He lives in Scotland.

“An authoritative, innovative and succinct account of one of the most fundamental issues in Renaissance history, the role of the printed book.”—Henry Kamen

June History/Literary Studies/Books about Books Cloth 978-0-300-11009-8 $40.00450 pp. 6 1⁄8 x 9 1⁄4 69 b/w illus. World

40 General Interest



a littlE book oF languagEDavid Crystal

For readers of E. H. Gombrich’s A Little History of the World, a lively journey through the story of language

With a language disappearing every two weeks and neologisms springing up almost daily, an understanding of the origins and cur-rency of language has never seemed more relevant. In this charming volume, a narrative history written explicitly for a young audience, expert linguist David Crystal proves why the story of language deserves retelling.

From the first words of an infant to the peculiar modern dialect of text messaging, A Little Book of Language ranges widely, revealing lan-guage’s myriad intricacies and quirks. In animated fashion, Crystal sheds light on the development of unique linguistic styles, the ori-gins of obscure accents, and the search for the first written word. He discusses the plight of endangered languages, as well as successful cases of linguistic revitalization. Much more than a history, Crystal’s work looks forward to the future of language, exploring the effect of technology on our day-to-day reading, writing, and speech. Through enlightening tables, diagrams, and quizzes, as well as Crystal’s avun-cular and entertaining style, A Little Book of Language will reveal the story of language to be a captivating tale for readers of all ages.

MaRkEting highlights:◆◆ National review attention◆◆ National media interviews◆◆ National feature coverage◆◆ Online marketing with parenting and

education sites◆◆ Academic and library marketing

DAVID CRySTAl is Honorary Professor of linguistics at the University of Wales, Bangor, and one of the world’s preeminent language specialists. He has written nearly one hundred books, including The Cambridge Encyclopaedia of the English Language, The Stories of English, By Hook or By Crook: a Journey in Search of English, and Txtng: The Gr8 Db8. He lives in Holyhead, Wales.

“David Crystal is not just a great linguist, but a true champion and lover of language.”—Benjamin Zephaniah

June History/Linguistics/Reference Cloth 978-0-300-15533-4 $25.00Available as eBook 978-0-300-15875-5 288 pp. 5 1⁄2 x 8 1⁄2 40 illus. World

41General Interest



June History Cloth 978-0-300-13739-2 $30.00336 pp. 6 1⁄8 x 9 1⁄4 36 b/w illus. World

WhEn london Was capital oF aMERicaJulie Flavell

Benjamin Franklin secretly loved london more than Philadelphia: it was simply the most exciting place to be in the British Empire. And in the decade before the outbreak of the American Revolution, thousands of his fellow colonists flocked to the Georgian city in its first big wave of American visitors. At the very point of political rupture, mother country and colonies were socially and culturally closer than ever before. In this first-ever portrait of eighteenth-century london as the capital of America, Julie M. Flavell re-creates the famous city’s heyday as the center of an empire that encompassed North America and the West Indies. The momentous years before indepen-dence saw more colonial Americans than ever in london’s streets: wealthy Southern plantation owners in quest of culture, slaves hoping for a chance of freedom, yankee businessmen looking for opportunities in the city, even Ben Franklin seeking a second, more distinguished career. The stories of the colonials, no innocents abroad, vividly re-create a time when Americans saw london as their own and remind us of the complex, multiracial—at times even decadent—nature of America’s colonial British heritage.

JUlIE FlAVEll, the author of many scholarly and popular publications on the relationship between colonial America and Britain including Britain and America Go to War, is a Fellow of the Royal Historical Society and an independent scholar. Born in the United States, she currently lives in Scotland.

“This wonderful book cures arachnophobia for any lucky reader. Brunetta and Craig combine superb scholarship with engaging writing, providing a compelling introduction to evolution in action through the lens of spiders and their silks.”—Simon Levin, Princeton University, author of Fragile Dominion

June Natural History Cloth 978-0-300-14922-7 $30.00Available as eBook 978-0-300-16315-5 256 pp. 6 1⁄8 x 9 1⁄4 37 b/w & 12 color illus. World

spidER silkEvolution and 400 Million Years of Spinning,

Waiting, Snagging, and Matingleslie Brunetta and Catherine l. Craig

Spiders, objects of eternal human fascination, are found in many places: on the ground, in the air, and even under water. leslie Brunetta and Catherine Craig have teamed up to produce a substantive yet entertaining book for anyone who has ever wondered, as a spider rappelled out of reach on a line of silk, “How do they do that?”

The orb web, that iconic wheel-shaped web most of us associate with spi-ders, contains at least four different silk proteins, each performing a different function and all meshing together to create a fly-catching machine that has amazed and inspired humans through the ages. Brunetta and Craig tell the intriguing story of how spiders evolved over 400 million years to add new silks and new uses for silk to their survival “toolkit” and, in the telling, take readers far beyond the orb. The authors describe the trials and triumphs of spiders as they use silk to negotiate an ever-changing environment, and they show how natural selection acts at the genetic level and as individuals struggle for survival.

lESlIE BRUNETTA is a freelance writer whose articles have appeared in the New York Times, Technology Review, and the Princeton Alumni Weekly as well as on NPR and elsewhere. CATHERINE l. CRAIG, author of the monograph Spiderwebs and Silk, is an internationally recognized evolutionary biologist, arachnologist, and authority on silk.

42 General Interest






losing contRolThe Emerging Threats to Western Prosperity

Stephen D. King

A hard-hitting analysis of the future of the global economy and what it means for the Western way of life

As the economic giants of Asia and elsewhere have awakened, Western leaders have increasingly struggled to maintain economic stability. The international financial crisis that began in 2007 is but one result of the emerging nations’ increased gravitational pull. In this vividly written and compellingly argued book, Stephen D. King, the global chief economist at HSBC, one of the largest banking groups in the world, suggests that the decades ahead will see a major redistribution of wealth and power across the globe that will force consumers in the United States and Europe to stop living beyond their means.

The tide of money washing in from emerging nations has already fuelled the recent property bubble in the West, while new patterns of trade have left the West increasingly dependent on risky financial ser-vices. Unless things change drastically, King argues, the increasing power of emerging markets, when coupled with poor internal regula-tion and an increasingly anachronistic system of global governance, will result in greater instability and income inequality, accompanied by the risk of a major dollar decline. And as Western populations age and emerging economies develop further, the social and political consequences may be alarming to citizens who have grown accus-tomed to living in prosperity.

MaRkEting highlights:◆◆ National review attention◆◆ National media interviews◆◆ Cross-promotion with HSBC◆◆ Online marketing to business sites◆◆ Academic and library marketing

STEPHEN D. KING is the global chief economist at HSBC, for which he has written on a wide range of global issues, includ-ing China’s currency, demographics, and, more recently, the debt burden of Western governments. He is a regular contributor to the london Independent and makes frequent appearances on television and radio. He has provided both written and oral evidence on globalization to the House of Commons Treasury Select Committee and the House of lords Economics Committee.

June Economics Cloth 978-0-300-15432-0 $30.00Available as eBook 978-0-300-15433-7 304 pp. 6 x 9 World

43General Interest



also by victoRia claRk:Allies for Armageddon The Rise of Christian Zionism Cloth 978-0-300-11698-4 $28.00

June Current Events/History Cloth 978-0-300-11701-1 $32.00320 pp. 6 x 9 15 illus. World

yEMEnDancing on the Heads of Snakes

Victoria Clark

yemen is the dark horse of the Middle East. Every so often it enters the headlines for one alarming reason or another—links with al-Qaeda, kid-napped Westerners, explosive population growth—then sinks into obscurity again. But, as Victoria Clark argues in this riveting book, we ignore yemen at our peril. The poorest state in the Arab world, it is still dominated by its tribal makeup and has become a perfect breeding ground for insurgent and terrorist movements.

Clark returns to the country where she was born to discover a perilously frag-ile state that deserves more of our understanding and attention. on a series of visits to yemen between 2004 and 2009, she meets politicians, influential tribesmen, oil workers and jihadists as well as ordinary yemenis. Untangling yemen’s history before examining the country’s role in both al-Qaeda and the wider jihadist movement today, Clark presents a lively, clear, and up-to-date account of a little-known state whose chronic instability is increasingly engaging the general reader.

VICToRIA ClARK is a former correspondent and Moscow bureau chief for the Observer. She now works as a freelance journalist and writer, contributing to the Independent, Prospect magazine, and the Tablet.

June Current Events/History Paper Original 978-0-300-15217-3 $18.00288 pp. 5 1⁄2 x 8 1⁄2 20 illus. World

dubaiGilded Cage

Syed Ali

In less than two decades, Dubai has transformed itself from an obscure Gulf emirate into a global center for business, tourism, and luxury living. It is a fas-cinating case study in light-speed urban development, hyperconsumerism, massive immigration, and vertiginous inequality. Its rulers have succeeded in making Dubai into a worldwide brand, publicizing its astonishing hotels and leisure opportunities while at the same time successfully downplaying its complex policies towards guest workers and suppression of dissent.

In this enormously readable book, Syed Ali delves beneath the dazzling surface to analyze how—and at what cost—Dubai has achieved such suc-cess. Ali brings alive a society rigidly divided between expatriate Westerners living self-indulgent lifestyles on short-term work visas, native Emiratis who are largely passive observers and beneficiaries of what Dubai has become, and workers from the developing world who provide the manual labor and domestic service needed to keep the emirate running, often at great personal cost.

SyED AlI currently teaches at long Island University, Brooklyn, Ny.

44 General Interest






Music and sEntiMEntCharles Rosen

Acclaimed pianist and writer Charles Rosen explores music’s profound ability to convey emotion through sound

How does a work of music stir the senses, creating feelings of joy, sadness, elation, or nostalgia? Though sentiment and emotion play a vital role in the composition, performance, and appreciation of music, rarely have these elements been fully observed. In this suc-cinct and penetrating book, Charles Rosen draws upon more than a half century as a performer and critic to reveal how composers from Bach to Berg have used sound to represent and communicate emo-tion in mystifyingly beautiful ways.

Through a range of musical examples, Rosen details the array of sty-listic devices and techniques used to represent or convey sentiment. This is not, however, a listener’s guide to any “correct” response to a particular piece. Instead, Rosen provides the tools and terms with which to appreciate this central aspect of musical aesthetics, and indeed explores the phenomenon of contradictory sentiments embodied in a single motif or melody. Taking examples from Chopin, Schumann, Wagner, and liszt, he traces the use of radi-cally changing intensities in the Romantic works of the nineteenth century and devotes an entire chapter to the key of C minor. He identifies a “unity of sentiment” in Baroque music and goes on to contrast it with the “obsessive sentiments” of later composers includ-ing Puccini, Strauss, and Stravinsky. A profound and moving work, Music and Sentiment is an invitation to a greater appreciation of the crafts of composition and performance.

MaRkEting highlights:◆◆ National review attention◆◆ National feature coverage◆◆ National media interviews◆◆ Online marketing with music and

cultural sites◆◆ Academic and library marketing

also by chaRlEs RosEn:Beethoven’s Piano Sonatas A Short Companion cloth 978-0-300-09070-3 $35.00 sc

CHARlES RoSEN is an internationally renowned writer and pianist. His numerous books include Beethoven’s Piano Sonatas, published by yale University Press in 2002, and he frequently reviews for the New York Review of Books. As a pianist, he has performed and recorded a wide repertoire (notably Bach, Beethoven, Schumann, and Debussy) and has been invited by Stravinsky, Pierre Boulez, and Elliott Carter to record and give first performances of their works. He lives in New york City.

“A marvellous text—a civilized, provocative and delightful extended essay [in which] Rosen points the reader in the direction of old friends, musically speaking, and finds new things to say about them, all without a shred of unnecessary jargon.”—Nigel Simeone, University of Sheffield

June Music Cloth 978-0-300-12640-2 $24.00160 pp. 5 1⁄2 x 8 1⁄2 Music examples throughout World

45General Interest



The InTernaTIonal Sacred lITeraTure TruST The International Sacred Literature Trust was established to publish worldwide, in contemporary and literary English, the great songs, poetry, stories, and teachings from the spiritual heritage of humanity. Its aim is to foster open and informed discussion within and between faiths, as well as across the religious-secular divide, drawing upon the spiritual wisdom of the past in developing insight for the future.

“�The�series�of�texts�translated�at�the�instigation�of�the�International�Sacred�Literature�Trust�will�make�the�world’s�heritage�of�spiritual�and�ethical�insights�available�to�a�much�wider�audience.�I�hope�it�will�help�to�break�down�the�barriers�of�suspicion�and�ignorance�and�encourage�under-standing�and�tolerance�in�this�age�of�tension�and�conflict.”�

—hIS royal hIghneSS PrInce PhIlIP, duke of edInburgh

“�I�welcome�the�work�of�the�International�Sacred�Literature�Trust�in�making�available�to�so�many�people�books� revealing� the�great� teachings�of� love,�compassion�and�universal� responsibility—themes�that�underlie�all�the�world’s�great�sacred�traditions.”

—hIS holIneSS The dalaI lama

“�For�readers�of�poetic�and�inspired�literature,�as�well�as�for�those�interested�in�international�understand-ing�on�the�deepest�level,�it�is�hard�to�imagine�a�publishing�venture�more�radical,�more�imaginative,�more�desirable�or�more�exciting.”

—Ted hugheS, former PoeT laureaTe

InTroducIng a new SerIeS from The InTernaTIonal Sacred lITeraTure TruST

The SPIrIT of The buddhaMartine Batchelor

Volumes in “The Spirit of . . . ,” a new series of faith texts from the International Sacred Literature Trust, pres-ent the spirit or essence of a particular faith through

relevant texts edited by a significant scholar, supplemented by original introductory and editorial material. The Spirit of the Buddha is the inaugural title in the series. Future titles will include works on Confucianism, Quakerism, Zoroastrianism, and Tibetan Buddhism.

In this slim, enlightening volume, internationally recognized Buddhist teacher Martine Batchelor presents the basic tenets and teachings of the Buddha through a selection of essential texts from the Pali canon, the earliest Buddhist scriptures. Viewed by scholars as the actual substance of the historical teachings (and possibly even the words) of the Buddha, these texts are essential to an understanding of the Buddhist faith, and Batchelor illuminates them with her lucid analysis and inter-pretations. Both accessible to nonpractitioners and helpful to scholars, The Spirit of the Buddha touches upon key themes, including dharma, compassion, meditation, and peace, among others, creating a panoramic view of one of the world’s most widely practiced faiths that is deeply rooted in its most vital texts.

MarTInE BaTChELor, a former Buddhist nun, studied Zen Buddhism under the guidance of Kusan Sunim and is the author of Let Go, Women in Korean Zen, Buddhism and Ecology, Principles of Zen, Meditation for Life, and The Path of Compassion: The Bodhisattva Precepts, a translation of the Chinese Brahma’s net Sutra. She lives in France. July Religion Paper Original 978-0-300-16407-7 $15.00 192 pp. 5 1⁄2 x 8 1⁄4 World

46 InteRnatIOnal SacRed lIteRatuRe tRuSt

B196peabody_4pr.indd 46 10/14/09 1:21 AM



yemenITe mIdraShCommentaries on the TorahY. Tzvi LangermannReligion/JudaismPaper 978-0-300-16531-9 $29.95 384 pp. 6 x 9

The wordS of my PerfecT TeacherA Complete Translation of a Classic Introduction to Tibetan BuddhismPatrul rinpoche; Foreword by his holiness the Dalai LamaReligion/BuddhismPaper 978-0-300-16532-6 $30.95 512 pp. 6 1⁄8 x 9 1⁄4

warlPIrI dreamIngS and hISTorIeSNewly Recorded Stories from the Aboriginal Elders of Central AustraliaTranslated by Peggy rockman napaljarri and Lee CataldiReligion, aboriginal traditionsPaper 978-0-300-16530-2 $30.95 232 pp. 6 1⁄8 x 9 1⁄4

ThaT whIch ISTattvartha SutraUmasvati; Translated and with an Introduction by nathmal TatiaReligion/JainismPaper 978-0-300-16529-6 $29.95 384 pp. 6 1⁄8 x 9 1⁄4

STrengTh In weakneSS

Writings of Eighteenth-Century Quaker WomenEdited and introduced by Gil SkidmoreReligion/QuakerismPaper 978-0-300-16528-9 $27.95 200 pp. 5 7⁄8 x 9

SongS for SívaVacanas of Akka MahadeviTranslated by Vinaya Chaitanya; Foreword by h.S. Shiva PrakashReligion/Indian traditionsPaper 978-0-300-16527-2 $21.95 150 pp. 6 x 9

The recorded SayIngS of Zen maSTer JoShuTranslated and edited by James GreenReligion/Zen BuddhismPaper 978-0-300-16525-8 $32.95 208 pp. 5 7⁄8 x 9

PoemS of hanShanPeter hobson and T.h. BarrettReligion/Zen BuddhismPaper 978-0-300-16524-1 $24.95160 pp. 5 7⁄8 x 9

The PaTh of comPaSSIonThe Bodhisattva PreceptsTranslated by Martine Batchelor; with a Foreword by the Dalai LamaReligion/BuddhismPaper 978-0-300-16523-4 $21.95 144 pp. 5 7⁄8 x 9

on The ThreSholdSongs of Chokhamelarohini Mokashi-PunekarReligion/Indian traditions Paper 978-0-300-16522-7 $21.95 100 pp. 5 ½ x 8 1⁄2

on The lIfe of chrISTSt. romanos the Melodist; Translated and with an introduction by archimandrite Ephrem LashReligion/christianity Paper 978-0-300-16521-0 $32.95 384 pp. 6 1⁄8 x 9 1⁄4

numerIcal dIScourSeS of The buddhaAn Anthology of Suttas from the Anguttara Nikayanyanaponika Thera and Bhikkhu BodhiReligion/BuddhismPaper 978-0-300-16520-3 $30.95 356 pp. 5 7⁄8 x 9

moral TeachIngS of ISlamProphetic Traditions from al-Adam al-mufrad by Imam al-Bukhariabdul ali hamidReligion/IslamPaper 978-0-300-16519-7 $24.95 152 pp. 5 7⁄8 x 9

The lIvIng wayStories of Kurozumi Munetada, A Shinto Foundernarrated by Tadaaki Kurozumi and Isshi Kohmoto; Translated by Sumio Kamiya; Edited by Willis StoeszReligion/Shintoism Paper 978-0-300-16518-0 $22.95 256 pp. 5 7⁄8 x 9

lao-TZu’S TreaTISe on The reSPonSe of The TaoA Contemporary Translation of the Most Popular Taoist Book in ChinaLi Ying-Chang; Translated by Eva WongReligion/taoism Paper 978-0-300-16517-3 $24.95160 pp. 6 1⁄8 x 9 1⁄4

JulIan of norwIchA Revelation of LoveEdited and with an Introduction by Elisabeth DuttonReligion/christianityPaper 978-0-300-16516-6 $24.95 192 pp. 6 x 9

In The dark of The hearTSongs of MeeraTranslated with an Introduction by Shama FutehallyReligion/Indian traditions Paper 978-0-300-16515-9 $24.95 160 pp. 6 1⁄8 x 9 1⁄4

gaTeS of lIghTSha’are OrahTranslated by rabbi Joseph GikatillaReligion/JudaismPaper 978-0-300-16513-5 $34.95 448 pp. 6 1⁄8 x 9 1⁄4

elIZabeTh fryA Quaker LifeEdited and introduced by Gil SkidmoreReligion/QuakerismPaper 978-0-300-16512-8 $27.95 246 pp. 6 x 9

The book of The PerfecT lIfeTheologia Deutsch-Theologia GermanicaTranslated with an Introduction by David BlamiresReligion/christianity Paper 978-0-300-16511-1 $24.95 112 pp. 5 ¾ x 9

Solomon’S rIngThe Life and Teachings of a Sufi MasterGul hasan; Selected, Translated and Introduced by hasan askariReligion/Sufism Paper 978-0-300-16526-5 $29.95 256 pp. 6 x 9

The hISTory of The lIfe of ThomaS ellwoodWritten by HimselfEdited by rosemary MooreReligion/Quakerism Paper 978-0-300-16514-2 $27.95 240 pp. 6 x 9

World rights for all titles on this page.

backlIST TITleS now PublIShed by yale unIverSITy PreSS

47InteRnatIOnal SacRed lIteRatuRe tRuSt
























The yale Peabody muSeum

The mission of the Yale Peabody Museum is to serve Yale University by advancing our understanding of earth’s history through geological, biological, and anthropological research, and by communicating the results of this research to the widest possible audience through publication, exhibition, and educational programs.

Fundamental to this mission is stewardship of the Museum’s rich collections, which provide a remarkable record of the history of the earth, its life, and its cultures. Conservation, augmentation and use of these collec-tions become increasingly urgent as modern threats to the diversity of life and culture continue to intensify.

yale unIverSITy PublIcaTIonS In anThroPology

The Yale University Publications in anthropology (YUPa) series embodies the results of research in anthropology directly conducted or sponsored by the Yale University Department of anthropology and the Yale Peabody Museum’s Division of anthropology.

fISheS of The weSTern norTh aTlanTIcSears Foundation for Marine Research

This series presents authoritative studies of the anadro-mous, estuarine, and marine fishes known to frequent the western north atlantic from hudson Bay south-ward to the amazon. These studies rank as primary references for both amateur and professional persons interested in fishes and as significant working tools for students of the sea.

The foreST PrImevalThe Geologic History of Wood and Petrified ForestsLeo J. hickey

Wood . . . perhaps no natural material has been used longer by man, and none seems more suited to human tastes and needs. Its proper-ties are the result of a long evolutionary history as an integral part of the earth’s forests. This story describes what it is, explores how it is put together, and recounts the story of wood from its origin, giv-ing us new insights into this familiar material all around us, as well as into the petrified wood that occurs so abundantly in the fossil record.

LEo J hICKEY is a Professor of Geology & Geophysics and Biology at Yale University.

February natural History/Geology Paper 978-0-912532-64-6 $9.95sc 62 pp. 5 1⁄2 x 8 1⁄2 22 b/w illus. World

Yale University Press is pleased to announce a new publishing partnership with the Yale Peabody Museum. In addition to publishing new titles with the Peabody, the Press will begin distribution of two important series:

Please see page 121 for a list of titles in the Yale University Publications in anthropology series and in the Fishes of the Western north atlantic series, now distributed by Yale University Press

48 tHe Yale PeaBOdY MuSeuM




“The Age of Reptiles is a work of art, by its own nature inevitably transcending science or subverting it and bringing to it its own special glow.”—Vincent Scully

February natural History/art Spiral Bound Paper 978-0-912532-76-9 $24.95 84 pp. 6 1⁄4 x 12 90 color illlus., including poster-size pull-out World

Winner,�best�in�show�and�first�place�in�its�category�in�the�New�England�Museum�Association’s�2008�Publications�Competition

roSEMarY VoLPE is Publications Editor at the Yale Peabody Museum of natural history. Formerly an artist herself, she is a member of the Guild of natural Science Illustrators.

rUDoLF ZaLLInGEr (1919–1995) was an american-based artist notable for his mural The Age of Reptiles (1947) at Yale’s Peabody Museum of natural history and for the popular illustration known as March of Progress (1965), one of the world’s most recognizable scientific images.

The age of rePTIleSThe Art and Science of Rudolph Zallinger’s

Great Dinosaur Mural at YaleSecond Edition

Compiled and Edited by rosemary Volpe

A guide to Rudolf Zallinger’s renowned natural history mural

rudolf Zallinger’s 110-foot (33.5-meter) fresca secco painting of The Age of Reptiles is one of the largest natural history murals in the world. Completed in 1947, it is an overview of prehistoric life told through the principal features and concepts of the age of reptiles. The mural has defined our view of the prehistoric world, and continues to teach, inform, and spark the imaginations of the thousands of visitors that walk through the Yale Peabody Museum’s Great hall each year, as well as those around the world who admire the mural through countless reproductions in publications and textbooks.

This second edition of the Peabody’s guide to Zallinger’s masterwork is a compilation of earlier material and new information—including Vincent Scully’s classic essay on the mural’s place in the history of art—contributed by the staff and scientists of the Yale Peabody Museum. Filled with full-color illustrations throughout, the concealed-spiral paperback includes updated descriptions and identifying illustrations of the animals and plants depicted in the mural keyed to a 12-page foldout full-color poster bound into the book.

Yale University Press is pleased to announce a new publishing partnership with the Yale Peabody Museum. In addition to publishing new titles with the Peabody, the Press will begin distribution of two important series:

49tHe Yale PeaBOdY MuSeuM




July Current Events/History Paper Original 978-0-300-16273-8 $22.00320 pp. 6 1⁄8 x 9 1⁄4 30 illus. World

SudanDarfur, Islamism and the World

Richard Cockett

Over the past two decades, the situation in Africa’s largest coun-try, Sudan, has progressively deteriorated: the country is in second position on the Failed States Index, a war in Darfur has claimed hundreds of thousands of deaths, President Bashir has been indicted by the International Criminal Court, a forthcoming referendum on independence for Southern Sudan threatens to split the country vio-lently apart.

In this fascinating and immensely readable book, the Africa editor of the Economist gives an absorbing account of Sudan’s descent into failure and what some have called genocide. Drawing on interviews with many of the main players, Richard Cockett explains how and why Sudan has disintegrated, looking in particular at the country’s complex relationship with the wider world. He shows how the United States and Britain were initially complicit in Darfur—but also how a broad coalition of human-rights activists, right-wing Christians, and opponents of slavery succeeded in bringing the issues to prominence in the United States and creating an impetus for change at the high-est level.

DR. RICHARD COCkett has been Africa editor of the Economist since 2005. He was previously a senior lecturer in politics and history at the University of London.

Previously Announced

The Good and evil SerpenT

How a Universal Symbol Became

ChristianizedJames H.

Charlesworth

In a perplexing passage from the Gospel of John, Jesus is likened to the most reviled creature in Christian symbology: the snake. Attempting to understand how the Fourth evangelist could have made such a surprising analogy, James H. Charlesworth has spent nearly a decade combing through the vast array of references to serpents in the ancient world—from the Bible and other religious texts to ancient statuary and jewelry. In this groundbreaking book, Charlesworth has arrived at a surprising conclusion: not only was the serpent a widespread symbol throughout the world, but its meanings were both subtle and varied.

JAmeS H. CHARLeSwORtH is George L. Collord Professor of New testament Language and Literature, and director and editor of the Princeton Dead Sea Scrolls Project, Princeton theological Seminary. He is the author or editor of more than sixty books and six hundred articles. He lives in Princeton, NJ.

◆◆ The Anchor Yale Bible Reference Library

March Religion/Religious History Cloth 978-0-300-14082-8 $45.00 Available as eBook 978-0-300-14273-0 736 pp. 102 b/w illus. 6 1⁄8 x 9 1⁄4 World

50 General Interest






Scholarly Books of Interest to the General trade

57

51Scholarly Books of Interest to the General Trade


“The range of primary and secondary sources cited is phenomenal, and all of it has obviously been mastered—quite astonishing. The Christian West and Its Singers aims to be definitive book on the subject and surely will be.” —Joseph Dyer, University of Massachusetts, Boston

CHRIStOPHeR PAGe is reader in medieval music and literature in the University of Cambridge, Vice-master of Sidney Sussex College, and founder of the acclaimed ensemble Gothic Voices.

February History/Music History Cloth 978-0-300-11257-3 $45.00sc 400 pp. 50 b/w + 12 color illus. World

The ChriSTian WeST and iTS SinGerSThe First Thousand Years

Christopher Page

A renowned scholar and musician presents a new and innovative explora-tion of the beginnings of western musical art. Beginning in the time of the New testament, when Christians began to develop an art of ritual singing with an African and Asian background, Christopher Page traces the history of music in europe through the development of Gregorian chant—a music that has profoundly influenced the way westerners hear—to the invention of the musical staff, regarded as the fundamental technology of western music. Page places the history of the singers who performed this music against the social, political and economic life of a western europe slowly being remade after the collapse of Roman power. His book will be of interest to historians, musicologists, performing musicians, and general readers who are keen to explore the beginnings of western musical art.

The MoST MuSiCal naTionJews and Culture in the Late Russian Empire

James Loeffler

Drawing on a mass of unpublished writings and archival sources from prerevolutionary Russian conservatories, this book offers an insightful account of the Jewish search for a modern identity in Russia through music, rather than politics or religion.

JAmeS LOeFFLeR is Assistant Professor of Jewish History, Corcoran Department of History, at the University of Virginia.June Music History/History

Cloth 978-0-300-13713-2 $55.00tx Available as eBook 978-0-300-16294-3 256 pp. 6 1⁄8 x 9 1⁄4 25 b/w illus. World

ShoSTakoviCh’S preludeS and FuGueS

Contexts, Style, Performancemark mazullo

this the first book-length study of Shostakovich’s twenty-Four Preludes and Fugues for piano, Opus 87. mark mazullo explains the cultural context in which Shostakovich composed, relates the cycle to piano works (by Bach, Hindemith, and others), and offers individual commentaries on each of the Preludes and Fugues.

mARk mAzULLO is Associate Professor and Chair of the music Department at macalester College.June Music Cloth 978-0-300-14943-2 $60.00tx

Available as eBook 978-0-300-14944-9 256 pp. 6 1⁄8 x 9 1⁄4 94 music ex., 2 illus World

Yale librarY STudieS, voluMe 1edited by Geoffrey Little

and Christa Sammons

the first volume of the new Yale Library Studies series explores library architecture at Yale University. Featuring architectural drawings, maps, and photographs by Paul Rudolph, Philip Johnson, eero Saarinen, and many other notable architects, as well as essays by Robert A. m. Stern, Charles Gwathmey, and others, it presents a unique record of the buildings that have housed the Yale Library over the past several hundred years.

GeOFFReY LIttLe is a Librarian at Yale University. January Architecture PB-with Flaps 978-0-300-16477-0 $50.00tx 152 pp. 7 1⁄2 x 10 1⁄4 37 b/w + 60 color illus. World

The pSYChoanalYTiC STudY oF The Child

Volume 64edited by Robert A. king, m.D., Samuel

Abrams, m.D., A. Scott Dowling, m.D., and Paul m. Brinich, Ph.D.

the latest volume in the esteemed series includes essays on “Perspectives on Creativity” by Frances Lang, Joan Raphael-Leff, and Susam Scheftel; “Play and Representation” by Josephine L. wright, katharine Gould, Pamela meersand, and Nicole Vliegen; “Clinical Research” by Susan P. Sherkow, Sarah kamens, and Laura Loewenthal; “theory” by moshe Halevy Spero; and “technique” by Ivan Sherick, and Alan Sugarman.

◆◆ The Psychoanalytic Study of the ChildJune Psychology Cloth 978-0-300-15329-3 $65.00tx Available as eBook 978-0-300-16317-9 320 pp. 6 x 9 6 b/w illus. World

52 Scholarly Books of Interest to the General Trade







“A trenchant and illuminating study of three great Westerns and a convincing case for their importance both to political psychology and to our own self-understanding as American citizens.”—C. D. C. Reeve, University of North Carolina at Chapel Hill

◆◆ Castle Lectures Series

May Film Cloth 978-0-300-14577-9 $35.00sc Available as eBook 978-0-300-14578-6 208 pp. 5 1⁄2 x 8 1⁄4 52 scattered b/w photos World

hollYWood WeSTernS and aMeriCan MYThThe Importance of Howard Hawks and John Ford for Political Philosophy

Robert B. Pippin

In this pathbreaking book one of America’s most distinguished philosophers brilliantly explores the status and authority of law and the nature of politi-cal allegiance through close readings of three classic Hollywood westerns: Howard Hawks’ Red River and John Ford’s The Man Who Shot Liberty Valance and The Searchers.

Robert Pippin treats these films as sophisticated mythic accounts of a key moment in American history: its “second founding,” or the western expan-sion. His central question concerns how these films explore classical problems in political psychology, especially how the virtues of a commer-cial republic gained some hold on individuals at a time when the heroic and martial virtues were so important. westerns, Pippin shows, raise central questions about the difference between private violence and revenge and the state’s claim to a legitimate monopoly on violence, and they show how these claims come to be experienced and accepted or rejected.

Pippin’s account of the best Hollywood westerns brings this genre into the center of the tradition of political thought, and his readings raise ques-tions about political psychology and the political passions that have been neglected in contemporary political thought in favor of a limited concern with the question of legitimacy.

ROBeRt B. PIPPIN is the evelyn Stefansson Nef Distinguished Service Professor of Social thought, Philosophy, and in the College at the University of Chicago.

VINCeNt GIROUD was formerly Curator of modern Books and manuscripts at the Beinecke Library, Yale University. He is currently a professor at the University of Franche-Comté. His recent publications include William Walton, Composer; St Petersburg: A Portrait of a Great City; The World of Witold Gombrowicz; and Picasso and Gertrude Stein.

June Music Cloth 978-0-300-11765-3 $40.00sc 352 pp. 6 1⁄8 x 9 1⁄4 24 b/w World

FrenCh operaA Short History

Vincent Giroud

French opera is second only to Italian opera in the length, breadth, and diversity of its history. Yet most people, if asked to come up with titles, could mention only a handful of titles—Carmen, Faust, Pelleas et Melisande, Samson et Dalila—a small list for an operatic tradition that began in the seventeenth century and is still very much alive. this book provides a full, single-volume account of opera in France from its origins to the present day.

Vincent Giroud looks at the leading composers, from Lully to messiaen and beyond; at the development of French operatic form and style; at per-formance, performers, and audience; and at the impact of French opera beyond France’s borders. Lovers of opera will find this an ideal companion to their appreciation of the form.






“Informed by rigorous and original philosophical interpretations yet written in a style that is incisive, fluid and swift, this book is exactly what a book on pleasure should be: it leaves us completely fulfilled yet asking for more.”—Elena Russo, Johns Hopkins University

◆◆ The Lewis Walpole Series in Eighteenth-Century Studies

tHOmAS m. kAVANAGH, the Augustus R. Street Professor of French and department chair at Yale University, is the author of Dice, Cards, Wheels: A Different History of French Culture. He lives in woodbridge, Ct.

March History Cloth 978-0-300-14094-1 $45.00sc Available as eBook 978-0-300-16285-1 264 pp. 6 1⁄8 x 9 1⁄4 21 b/w illus. World

enliGhTened pleaSureSEighteenth-Century France and the New Epicureanism

thomas m. kavanagh

Novelists, artists, and philosophers of the eighteenth century understood pleasure as a virtue—a gift to be shared with one’s companion, with a reader, or with the public. In this daring new book, thomas kavanagh overturns the prevailing scholarly tradition that views eighteenth-century France primarily as the incubator of the Revolution. Instead, kavanagh demonstrates how the art and literature of the era put the experience of pleasure at the center of the cultural agenda, leading to advances in both ethics and aesthetics.

kavanagh shows that pleasure is not necessarily hedonistic or opposed to enlightenment ideals in general; rather, he argues that the pleasure of indi-viduals is necessary for the welfare of their community.

“Redeemed by Fire presents a fascinating and impressively wide-ranging account of China’s modern Christian experience, which is all the more valuable for the author’s shrewd observations about the religion’s future impact in the emerging superpower. Particularly striking are his rich descriptions of China’s flourishing prophetic and popular movements.”—Philip Jenkins, author of The Lost History of Christianity

LIAN XI is professor of history at Hanover College and author of The Conversion of Missionaries: Liberalism in American Protestant Missions in China, 1907–1932. He lives in Louisville, kY.

February Religious History/Asian Studies Cloth 978-0-300-12339-5 $45.00sc Available as eBook 978-0-300-16283-7 352 pp. 6 1⁄8 x 9 1⁄4 21 b/w illus. World

redeeMed bY FireThe Rise of Popular Christianity in Modern China

Lian Xi

this book is the first to address the history and future of homegrown, mass Chinese Christianity. Drawing on a large collection of fresh sources—including contemporaneous accounts, diaries, memoirs, archival material, and interviews—Lian Xi traces the transformation of Protestant Christianity in twentieth-century China from a small, beleaguered “missionary” church buffeted by antiforeignism to an indigenous popular religion energized by nationalism and millenarianism. Lian shows that, with a current mem-bership that rivals that of the Chinese Communist Party, and the ability to galvanize China’s millions into apocalyptic convulsion and messianic exuberance, the popular Christian movement channels the aspirations and the discontent of the masses and will play an important role in shaping the country’s future.

kRIS LANe is professor of history at the College of william and mary. His previous books include Pillaging the Empire: Piracy in the Americas, 1500–1750 and Quito 1599: City & Colony in Transition.

March History Cloth 978-0-300-16131-1 $40.00sc Available as eBook 978-0-300-16470-1 320 pp. 6 x 9 16 pp. color illus. World

Colour oF paradiSeThe Emerald in the Age of Gunpowder Empires

kris Lane

Among the magnificent gems and jewels left behind by the great Islamic empires, emeralds stand out for their size and prominence. For the mughals, Ottomans, and Safavids green was—as it remains for all muslims—the color of Paradise, reserved for the Prophet muhammad and his descendants. tapping a wide range of sources, kris Lane traces the complex web of global trading networks that funneled emeralds from backland South America to populous Asian capitals between the sixteenth and the eighteenth centu-ries. Lane reveals the bloody conquest wars and forced labor regimes that accompanied their production. It is a story of trade, but also of transforma-tions—how members of profoundly different societies at opposite ends of the globe assigned value to a few thousand pounds of imperfectly shiny green rocks.






alSo bY huGh Trevor-roper:the Invention of Scotland Myth and History Paper 978-0-300-15829-8 $20.00

europe’s Physician The Various Life of Theodore de Mayerne Cloth 978-0-300-11263-4 $35.00sc

the late HUGH tReVOR-ROPeR (Lord Dacre of Glanton) was Regius Professor of History at the University of Oxford. Among his numerous books is the best-selling The Hermit of Peking: The Hidden Life of Sir Edmund Backhouse.

June History Cloth 978-0-300-13934-1 $40.00sc 352 pp. 6 x 9 World

hiSTorY and The enliGhTenMenTHugh trevor-Roper

Arguably the leading British historian of his generation, Hugh trevor-Roper (1914–2003) is most celebrated and admired as the author of essays. this volume brings together some of the most original and radical writings of his career—many hitherto inaccessible, one never before published, all demon-strating his piercing intellect, urbane wit, and gift for elegant, vivid narrative. this collection focuses on the writing and understanding of history in the eighteenth century and on the great historians and the intellectual context that inspired or provoked their writings. It combines incisive discussion of such figures as Gibbon, Hume, and Carlyle with broad sweeps of analysis and explication. essays on the Scottish enlightenment and the Romantic movement are balanced by intimate portraits of lesser-known historians whose significance trevor-Roper took particular delight in revealing.

mIRANDA ALDHOUSe-GReeN is professor of archaeology, Cardiff University. A world expert on Druids, her publications include Exploring the World of the Druids, Dying for the Gods, The Celtic World, and Boudica Britannia.

April History/Archaelogy Cloth 978-0-300-12442-2 $38.00sc 336 pp. 6 1⁄8 x 9 1⁄4 80 b/w World

CaeSar’S druidSStory of an Ancient Priesthood

miranda Aldhouse-Green

Ancient chroniclers, including Julius Caesar himself, made the Druids and their sacred rituals infamous throughout the western world. But in fact, as miranda Aldhouse-Green shows in this fascinating book, the Druids’ day-to-day lives were far less lurid and much more significant. exploring the various roles that Druids played in British and Gallic society during the first centu-ries B.C. and A.D.—not just as priests but as judges, healers, scientists, and power brokers—Aldhouse-Green argues that they were a highly complex, intellectual, and sophisticated group whose influence transcended religion and reached into the realms of secular power and politics. with deep analy-sis, fresh interpretations, and critical discussions, she gives the Druids a voice that resonates in our own time.

“Wonderfully researched, sensitively written and often very moving, Demobbed tells an important, underappreciated story that still resonates today.”—David Kynaston

ALAN ALLPORt is a postdoctoral lecturer at Princeton University. He lives in Princeton, NJ.

February History/Military History Cloth 978-0-300-14043-9 $38.00sc 288 pp. 6 x 9 16 b/w plate section World

deMobbedComing Home After World War Two

Alan Allport

what happened when millions of British servicemen were “demobbed”—demobilized—after world war II? most had been absent for years, and the joy of arrival was often clouded with ambivalence, regrets, and fears. Returning soldiers faced both practical and psychological problems, from reasserting their place in the family home to rejoining a much-altered labor force. Civilians worried that their homecoming heroes had been barbarized by their experiences and would bring crime and violence back from the battlefield. Drawing on personal letters and diaries, newspapers, reports, nov-els, and films, Alan Allport illuminates the darker side of the homecoming experience for ex-servicemen, their families, and society at large—a gripping story that’s in danger of being lost to national memory.






alSo bY kevin Sharpe:Selling the tudor monarchy Authority and Image in Sixteenth-Century England Cloth 978-0-300-14098-9 $45.00sc

the Personal Rule of Charles I Paper 978-0-300-06596-1 $28.00tx

keVIN SHARPe is director of the Centre for Renaissance and early modern Studies and professor of renaissance studies at Queen mary, University of London. He is the author of The Personal Rule of Charles I, Reading Revolutions, and Selling the Tudor Monarchy. He lives in warwickshire, england.

May History Cloth 978-0-300-16200-4 $55.00sc Available as eBook 978-0-300-16490-9 512 pp. 6 1⁄8 x 9 1⁄4 90 b/w illus. World

iMaGe WarSPromoting Kings and Commonwealths in England, 1603–1660

kevin Sharpe

Spin and photo opportunities may appear to have emerged onto the political scene only recently, but in fact image and its manipulation have always been vital to the authority of rulers. this book, the second in kevin Sharpe’s trilogy explor-ing image, power, and communication in early modern england, examines its importance during the turbulent seventeenth century. From the coronation of James I to the end of Cromwell’s protectorate, Sharpe considers how royalists and parliamentarians—often using the same vocabularies—sought to manage their public image through words, pictures, and performances in order to win support and secure and enhance their authority.

DAVID SCHImmeLPeNNINCk VAN DeR OYe is professor of Russian history at Brock University in Ontario. He is the author of Toward the Rising Sun: Ideologies of Empire and the Path to War with Japan.

April History Cloth 978-0-300-11063-0 $35.00sc Available as eBook 978-0-300-16289-9 320 pp. 6 1⁄8 x 9 1⁄4 World

ruSSian orienTaliSMAsia in the Russian Mind from Peter the Great to the Emigration

David Schimmelpenninck van der Oye

the west has been accused of seeing the east in a hostile and deprecatory light, as the legacy of nineteenth-century european imperialism. In this highly origi-nal and controversial book, David Schimmelpenninck van der Oye examines Russian thinking about the Orient before the Revolution of 1917. exploring the writings, poetry, and art of representative individuals including Catherine the Great, Alexander Pushkin, Alexander Borodin, and leading orientologists, Schimmelpenninck argues that the Russian empire’s bi-continental geography, its ambivalent relationship with the rest of europe, and the complicated nature of its encounter with Asia have all resulted in a variegated and often surprisingly sympathetic understanding of the east among its people.

The kirov Murder and SovieT hiSTorYmatthew e. Lenoe

Drawing on hundreds of newly available, top-secret documents, historian matthew e. Lenoe reexamines the 1934 assassination of Leningrad party chief Sergei kirov. Joseph Stalin used the killing as the pretext to unleash the Great terror that decimated the Communist elite in 1937–1938; these previously unavailable documents raise new questions about whether Stalin himself ordered the murder, a subject of speculation since 1938.

mAttHew LeNOe is associate professor of history at the University of Rochester.

◆◆ Annals of Communism Series

May History/Soviet Studies Cloth 978-0-300-11236-8 $55.00tx 850 pp. 6 1⁄8 x 9 1⁄4 12 b/w illus. World

deFYinG The oddSThe Tule River Tribe’s Struggle for

Sovereignty in Three CenturiesGelya Frank and Carole Goldberg

this innovative book in the Lamar Series in western History deploys the history of the tule River tribe in a definitive study of indigenous sovereignty from earliest contact through the current Indian gaming era.

GeLYA FRANk is is Professor of Occupational Science & Occupational therapy and Anthropology at the University of Southern California and Director of the tule River tribal History Project. CAROLe GOLDBeRG is the Jonathan D. Varat Professor of Law at the University of California, Los Angeles and Director of the Joint Degree Program in Law and American Indian Studies.

March History/American Indian Studies/Law Cloth 978-0-300-12016-5 $65.00tx Available as eBook 978-0-300-16286-8 416 pp. 6 1⁄8 x 9 1⁄4 40 b/w illus. & 15 maps World







◆◆ Rethinking the Western Tradition

IAN SHAPIRO is Sterling Professor of Political Science at Yale University and Henry R. Luce Director of the macmillan Center for International and Area Studies. His many books include Democratic Justice and The Moral Foundations of Politics, both published by Yale University Press.

May Philosophy Paper Original 978-0-300-11838-4 $16.00sc Available as eBook 978-0-300-16318-6 576 pp. 5 1⁄2 x 8 1⁄4 World

leviaThanOr The Matter, Forme, & Power of a

Common-Wealth Ecclesiasticall and Civillthomas Hobbes, edited and with an Introduction by Ian Shapiro

written by thomas Hobbes and first published in 1651, Leviathan is widely con-sidered the greatest work of political philosophy ever composed in the english language. Hobbes’s central argument—that human beings are first and foremost concerned with their own fears and desires, and that they must relinquish basic freedoms in order to maintain a peaceful society—has found new adherents and critics in every generation. this new edition, which uses modern text and relies on large-sheet copies from the 1651 Head version, includes interpretive essays by four leading Hobbes scholars: John Dunn, David Dyzenhaus, elisabeth ellis, and Bryan Garsten. taken together with Ian Shapiro’s wide-ranging introduction, they provide fresh and varied interpretations of Leviathan for our time.

FRANCIS OAkLeY is President emeritus and edward Dorr Griffin Professor of the History of Ideas, emeritus, at williams College.

March History Cloth 978-0-300-15538-9 $38.00sc 320 pp. 6 1⁄8 x 9 1⁄4 World

eMpTY boTTleS oF GenTiliSMKingship and the Divine in Late Antiquity and

the Early Middle Ages (to 1050)Francis Oakley

In this book—the first volume in his groundbreaking trilogy on the emergence of western political thought—Francis Oakley explores the roots of secular political thinking by examining the political ideology and institutions of Hellenistic and late Roman antiquity and of the early european middle ages. By challenging the popular belief that the ancient Greek and Roman worlds provided the origins of our inherently secular politics, Oakley revises our understanding of the history of political theory in a fundamental and far-reaching manner that will reverberate for decades. this book lays the foundations for Oakley’s next two volumes, which will develop his argument that it is in the Latin middle ages that we must seek the ideological roots of modern political secularism.

RABBI ARtHUR GReeN is professor and rector of the Rabbinical School of Hebrew College in Newton, mA.

March Jewish Studies Paper Original 978-0-300-15232-6 $26.00sc Available as eBook 978-0-300-15233-3 224 pp. 5 1⁄2 x 8 1⁄4 World

radiCal JudaiSMRethinking God and Tradition

Arthur Green

How do we articulate a religious vision that embraces evolution and human authorship of Scripture? Drawing on the Jewish mystical traditions of kabbalah and Hasidism, path-breaking Jewish scholar Arthur Green argues that a neomysti-cal perspective can help us to reframe these realities, so they may yet be viewed as dwelling places of the sacred. In doing so, he rethinks such concepts as God, the origins and meaning of existence, human nature, and revelation to construct a new Judaism for the twenty-first century.






NIGeL SmItH is Professor of english and Co-Director of the Center for the Study of Books and media at Princeton University. A leading expert on Andrew marvell, he edited the Longman Annotated english Poets edi-tion of marvell’s poetry. He is the author of Literature and Revolution in England, 1640–60, published by Yale, and Is Milton Better than Shakespeare?.

July Biography Cloth 978-0-300-11221-4 $45.00sc 352 pp. 6 1⁄8 x 9 1⁄4 16 b/w illus. World

andreW MarvellThe Chameleon

Nigel Smith

the poet Andrew marvell (1621–1678) is one of the most intriguing fig-ures in english literature. A civil servant under Cromwell’s Protectorate, he has been variously identified as a patriot, spy, conspirator, concealed homo-sexual, father to the liberal tradition, and incendiary satirical pamphleteer and freethinker. But while marvell’s poetry has attracted a wide modern fol-lowing, his prose is known only to specialists, and much of his personal life remains shrouded in mystery. this biography provides an unparalleled look into marvell’s life, from his early employment as a tutor and gentleman’s companion to his suspicious death, reputedly a politically fueled poison-ing. Drawing on exhaustive archival research and the voluminous corpus of marvell’s previously little-known writing, Nigel Smith’s portrait becomes the definitive account of this elusive life.

Warrior GeneralSWinning the British Civil Wars

malcolm wanklyn

In this bold history of the men who directed and determined the out-come of the mid-seventeenth-century British wars—from Cromwell, Fairfax, and essex to many more lesser-known figures—military histo-rian malcolm wanklyn offers the first assessment of leadership and the importance of command in the civil wars.

mALCOLm wANkLYN is professor of history at the University of wolverhampton and former head of the Department of History and war Studies.

June Military History Cloth 978-0-300-11308-2 $55.00tx 336 pp. 6 1⁄8 x 9 1⁄4 8 b/w illus. World

SaCred realiSMReligion and the Imagination in

Modern Spanish NarrativeNoël Valis

In this thoughtful and compelling book, leading Spanish literature scholar Noël Valis re-examines the role of Catholicism in the modern Spanish novel. while other studies of fiction and faith have focused largely on religious themes, Sacred Realism views the religious impulse as a crisis of modernity: a fundamental catalyst in the creative and moral development of Spanish narrative.

NOëL VALIS is Professor of Spanish and Portuguese at Yale University.April Literary Studies/Religious History Cloth 978-0-300-15234-0 $65.00tx Available as eBook 978-0-300-15235-7 368 pp. 6 1⁄8 x 9 1⁄4 10 scattered b/w illus. World

The Medieval hearTHeather webb

Drawing from the works of Dante, Catherine of Siena, Boccaccio, Aquinas, and Cavalcanti and other literary, philosophic, and scientific texts, Heather webb studies medieval notions of the heart to explore the “lost circulations” of an era when individual lives and bodies were defined by their extensions into the world rather than as self-perpetuat-ing, self-limited entities.

HeAtHeR weBB is Assistant Professor of Italian, Department of French and Italian, at the Ohio State University. She lives in Columbus, OH.

March History/Literary Studies Cloth 978-0-300-15393-4 $55.00tx Available as eBook 978-0-300-15394-1 256 pp. 5 1⁄2 x 8 1⁄4 World

CuneiForM TexTS FroM variouS ColleCTionS

Albrecht Goetze;edited by Benjamin Foster

the 217 previously unpublished cuneiform texts presented here, found in small collections throughout the world, date from the late third to the late first millennia BCe and include inscriptions, letters, adminis-trative documents, and literary works in Akkadian and Sumerian.

the late ALBReCHt GOetze (1897–1971) was william m. Laffan Professor of Assyriology and Babylonian Literature at Yale University, the chair now held by Benjamin R. Foster, who also serves as Curator of the Yale Babylonian Collection.

◆◆ Yale Oriental Series, Babylonian Texts

June Archaelogy Cloth 978-0-300-14490-1 $95.00tx 208 pp. 8 1⁄2 x 11 15⁄16 109 b/w illus. World








ROBeRt SCHOLeS is Research Professor of modern Culture and media, Brown University. He is the author of numerous books, including The Crafty Reader, The Rise and Fall of English, and Parodoxy of Modernism. CLIFFORD wULFmAN is Coordinator of Library Digital Initiatives at Princeton University and techni-cal director of the modernist Journals Project.

June Literary Studies Cloth 978-0-300-14204-4 $35.00sc Available as eBook 978-0-300-14206-8 320 pp. 6 1⁄8 x 9 1⁄4 21 b/w + 18 color illus. World

ModerniSM in The MaGazineSAn Introduction

Robert Scholes and Clifford wulfman

If modernism began in the magazines, as Robert Scholes and Clifford wulfman argue, then the study of modern culture should begin with these publications. Scholes and wulfman’s radically inclusive approach not only considers the “little” modernist magazines alongside the “big” or mass maga-zines often dismissed as antithetical to modernism’s elite culture, but also insists that scholars must investigate their contents as a whole—from poetry to advertising—to appreciate their full significance. the book’s appendix also reprints a previously uncollected critique of popular British magazines from 1917 and 1918 by ezra Pound.

“Fassler is one of the only scholars in medieval musicology able to bring both the liturgical and the historical expertise to questions of cult. We so desperately need this book if we are to fully understand the workings of religion in medieval Europe.”—Rachel Fulton, University of Chicago

mARGOt e. FASSLeR is the Robert tangeman Professor of music History at Yale University.

April Religion/Art/Music Cloth 978-0-300-11088-3 $45.00sc Available as eBook 978-0-300-16287-5 624 pp. 7 x 10 126 b/w + 16 color illus. World

The virGin oF CharTreSMaking History through Liturgy and the Arts

margot e. Fassler

medieval Christians knew the past primarily through what they saw and heard. History was reenacted every year in ritual observances particular to each place and region and rooted in the legends of local saints.this richly illustrated book explores the layers of history found in the cult of the Virgin of Chartres as it developed in the eleventh and twelfth centuries. Focusing on the major relic of Chartres Cathedral, the Virgin’s gown, and the Feast of mary’s Nativity, margot Fassler employs a wide range of historical evi-dence including local histories, letters, obituaries, chants, liturgical sources, and reports of miracles, leading to a detailed reading of the cathedral’s west façade. this interdisciplinary volume will prove invaluable to historians who work in religion, politics, music, and art but will also serve as a guidebook for all interested in the history of Chartres Cathedral.

mALCOLm LAmBeRt has taught history and theology at the universities of Bristol and Reading and is the author of Franciscan Poverty, Medieval Heresy, and The Cathars.

June History Cloth 978-0-300-11908-4 $45.00sc 336 pp. 6 1⁄8 x 9 1⁄4 40 b/w World

ChriSTianS and paGanSThe Conversion of Britain from Alban to Bede

malcolm Lambert

Christians and Pagans offers a comprehensive and highly readable account of the coming of Christianity to Britain, its coexistence or conflict with paganism, and its impact on the lives of both indigenous islanders and invad-ing Anglo-Saxons.

the Christianity of Roman Britain, so often treated in isolation, is here deftly integrated with the history of the British churches of the Celtic world, and with the histories of Ireland, Iona, and Pictland. Combining chronicle and literary evidence with the fruits of the latest archaeological research, malcolm Lambert illuminates how the conversion process changed the hearts and minds of early Britain.






“Calum Carmichael is one of the most original voices in Biblical scholarship today. This newest book on sex and religion in the Bible continues Carmichael’s stellar record of bringing the most traditional of philological methods to bear on matters of contemporary ethical, literary, cultural, and religious interest. A masterpiece of close readings that pull out nuances of theology, lived experience, and literary significance from a series of carefully chosen scenes from the Old and New Testaments.”—Julia Reinhard Lupton, University of California, Irvine

CALUm CARmICHAeL is a professor of comparative literature and adjunct professor of law at Cornell University.February Religious History/Jewish Studies Cloth 978-0-300-15377-4 $50.00sc

Available as eBook 978-0-300-15378-1 224 pp. 6 1⁄8 x 9 1⁄4 World

Sex and reliGion in The bibleCalum Carmichael

If we look to the Bible for historical accounts of ancient life, we make a profound error. So contends Calum Carmichael in this original and incisive reading of some of the Hebrew Bible and New testament’s most famous nar-ratives. Sifting through the imaginative layers of these texts with an uncanny sensitivity and a panoptic critical eye, he unearths patterns connecting dis-parate passages, providing fascinating insights into how ideas were expressed, received, and transformed in the ancient Near east. Ranging from Jacob’s encounter with Leah to the marriage at Cana to Jesus’ encounter with the woman at the well, these readings demonstrate the remarkable subtlety and sophistication of the biblical views on marriage, sexuality, fertility, impurity, creation, and love.

JOHN COPeLAND NAGLe is the John N. matthews Professor at the University of Notre Dame Law School.

May Law/Environmental Studies Paper Original 978-0-300-12629-7 $38.00sc Available as eBook 978-0-300-16291-2 304 pp. 6 1⁄8 x 9 1⁄4 17 scattered b/w illus. World

laW’S environMenTHow the Law Shapes the Places We Live

John Copeland Nagle

John Copeland Nagle shows how our reliance on environmental law affects the natural environment through an examination of five diverse places in the American landscape: Alaska’s Adak Island; the Susquehanna River; Colton in California’s Inland empire; theodore Roosevelt National Park in the badlands of North Dakota; and Alamogordo in New mexico. Nagle asks why some places are preserved by the law while others are not, and he finds that environmental laws often have unexpected results while other laws have surprising effects on the environment. Nagle argues that sound environmen-tal policy requires better coordination among the many laws, regulations, and social norms that determine the values and uses of our scarce lands and waters.

reSTorinG The poWer oF unionSIt Takes a Movement

Julius G. Getman

the labor movement is weak and divided. Some think that it is dying. But Julius Getman, a preeminent labor scholar, demonstrates through examination of recent developments that a resurgent labor movement is possible. He proposes new models for organizing and innovating techniques to strengthen the strike weapon. Above all, he insists that unions must return to their historical roots as a social movement.

JULIUS G. GetmAN is the earl e. Sheffield Regents Chair Professor of Law at the University of texas at Austin Law School.

July Economics/Law Cloth 978-0-300-13700-2 $45.00sc 320 pp. 6 1⁄8 x 9 1⁄4 World

reGulaTinG FroM noWhereEnvironmental Law and the

Search for ObjectivityDouglas A. kysar

Drawing insight from cross-disciplinary sources, Douglas kysar exposes a critical flaw in the dominant environmental law and policy para-digm of risk assessment and cost-benefit analysis. to compensate for the shortcomings he identifies, kysar offers a novel defense of the pre-cautionary principle and concludes by advocating a movement toward environmental constitutionalism in which the ability of life to flourish is always regarded as a luxury we can afford.

DOUGLAS kYSAR is Professor of Law at Yale Law School.

June Law/Environmental Studies/Political Science Paper Original 978-0-300-12001-1 $45.00tx Available as eBook 978-0-300-16330-8 288 pp. 6 1⁄8 x 9 1⁄4 10 b/w illus. World







“This attractive and readable book makes a valuable contribution to Darwin studies—precise, historically accurate, provided here in an excellent translation, and on a subject that is bound to fascinate.”—Janet Browne, author of Charles Darwin: Voyaging and Charles Darwin: The Power of Place

May Nature Cloth 978-0-300-14174-0 $38.00sc Available as eBook 978-0-300-16310-0 352 pp. 5 1⁄2 x 8 1⁄4 63 b/w & 16 color illus. World

darWin’S piCTureSViews of Evolutionary Theory, 1837–1874

Julia Voss;translated by Lori Lantz

In this first-ever examination of Charles Darwin’s sketches, drawings, and illustrations, Julia Voss presents the history of evolutionary theory told in pic-tures. Darwin had a life-long interest in pictorial representations of nature, sketching out his evolutionary theory and related ideas for over forty years. Voss details the pictorial history of Darwin’s theory of evolution, starting with his notebook sketches of 1837 and ending with the illustrations in The Expression of Emotions in Man and Animals (1872). these images were pro-foundly significant for Darwin’s long-term argument for evolutionary theory; each characterizes a different aspect of his relationship with the visual infor-mation and constitutes what can be called an “icon” of evolution. Voss shows how Darwin “thought with his eyes” and how his pictorial representations and the development and popularization of the theory of evolution were vitally interconnected.

Voss explores four of Darwin’s images in depth, and weaves about them a story on the development and presentation of Darwin’s theory, in which she also addresses the history of Victorian illustration, the role of images in science, the technologies of production, and the relationship between speci-men, words, and images.

JULIA VOSS, a scholar in history of science, art history, and picture theory, is executive editor of the visual arts section of the large German daily newspaper Frankfurter Allgemeine Zeitung. She has received two awards for the German edition of Darwin’s Pictures: the 2006 Otto Hahn medal from the max Planck Society and the 2009 Sigmund Freud Prize for Science writing by the German Academy for Language and Literature. LORI LANtz is the translator of Bears: A Brief History.

“The old environmental laws and approaches have run their course, and we urgently need an intensive period of environmental law reform. That’s the message of this insightful, stimulating book. You don’t have to agree with everything in it to appreciate that it points us plainly to the right path. A must read.”—James Gustave Speth, author of Red Sky at Morning

DAVID SCHOeNBROD is professor of law at New York Law School and visiting scholar at the American enterprise Institute. RICHARD B. StewARt is professor of law, Director of the Hauser Global Law School Program, and Director of the Center for environmental and Land Use Law, New York University School of Law. kAtRINA m. wYmAN is professor of law at New York University School of Law.

April Environmental Studies/Law Cloth 978-0-300-14960-9 $35.00sc Available as eBook 978-0-300-14961-6 224 pp. 5 1⁄2 x 8 1⁄4 10 b/w illus. World

breakinG The loGJaMEnvironmental Protection That Will Work

David Schoenbrod, Richard B. Stewart, and katrina m. wyman;Illustrations by Deborah Paulus-Jagric

After several decades of significant but incomplete successes, environmental protection in the United States is stuck. Administrations under presidents of both parties have fallen well short of the goals of their environmental statutes. Schoenbrod, Stewart, and wyman, distinguished scholars in the field of environmental law, identify the core problems with existing envi-ronmental statutes and programs and explain how Congress can fix them. Based on a project the authors led that incorporated the work of more than fifty leading environmental experts, this book is a call to action through public understanding based on a nonpartisan argument for smarter, more flexible regulatory programs to stimulate the economy and encourage green technology.






ALAN I. ABRAmOwItz is the Alben w. Barkley Professor of Political Science at emory University.

April Political Science/Current Events Cloth 978-0-300-14162-7 $35.00sc Available as eBook 978-0-300-16288-2 224 pp. 6 1⁄8 x 9 1⁄4 41 b/w illus. World

The diSappearinG CenTerEngaged Citizens, Polarization, and American Democracy

Alan I. Abramowitz

Renowned political scientist Alan I. Abramowitz presents a groundbreaking argu-ment that the most important divide in American politics is not between left and right but rather between citizens who are politically engaged and those who are not. It is the engaged members of the public, he argues, who most closely reflect the ideals of democratic citizenship—but this is also the group that is most polar-ized. Polarization at the highest levels of government, therefore, is not a sign of elites’ disconnection from the public but rather of their responsiveness to the more politically engaged parts of it. though polarization is often assumed to be detrimental to democracy, Abramowitz concludes that by presenting voters with clear choices, polarization can serve to increase the public’s interest and participa-tion in politics and strengthen electoral accountability.

tORBeN IVeRSeN is Harold Hitchings Burbank Professor of Political economy at Harvard University. FRANCeS ROSeNBLUtH is Damon wells Professor of Political Science and Deputy Provost for Faculty Development and Diversity at Yale University.

June Economics/Women’s Studies Cloth 978-0-300-15310-1 $35.00sc Available as eBook 978-0-300-15311-8 224 pp. 5 1⁄2 x 8 1⁄4 26 b/w illus. World

WoMen, Work, and poliTiCSThe Political Economy of Gender Inequalitytorben Iversen and Frances Rosenbluth

Looking at women’s power in the home, in the workplace, and in politics from a political economy perspective, torben Iversen and Frances Rosenbluth demon-strate that equality is tied to demand for women’s labor outside the home, which is a function of structural, political, and institutional conditions. they go on to explain several anomalies of modern gender politics: why women vote differently from men; why women are better represented in the workforce in the United States than in other countries but less well represented in politics; why men share more of the household work in some countries than in others; and why some countries have such low fertility rates.

the first book to integrate the micro-level of families with the macro-level of national institutions, Women, Work, and Politics presents an original and groundbreaking approach to gender inequality.

FinanCial Fraud and Guerrilla violenCe in MiSSouri’S Civil War, 1861–1865

mark w. Geiger

this highly original work explores a previously unknown financial con-spiracy at the start of the American Civil war. the book explains the reasons for the puzzling intensity of missouri’s guerrilla conflict, and for the state’s anomalous experience in Reconstruction. In the broader history of the war, the book reveals for the first time the nature of mili-tary mobilization in the antebellum United States.

mARk GeIGeR is a postdoctoral fellow at the United States Studies Centre at the University of Sydney.

◆◆ Yale Series in Economic History

July Economics Cloth 978-0-300-15151-0 $50.00tx 288 pp. 6 1⁄8 x 9 1⁄4 35 b/w illus. World

aMeriCan ConSTiTuTionaliSM and The republiC oF STaTuTeS

william eskridge and John Ferejohn

william eskridge and John Ferejohn propose an original theory of constitutional law whereby, while the Constitution provides a vision, our democracy advances by means of statutes that supplement or even supplant the written Constitution.

wILLIAm N. eSkRIDGe JR. is the John A. Garver Professor of Jurisprudence at Yale Law School. JOHN FeReJOHN is the Charles Seligson Professor of Law at New York University School of Law.June Political Science/Law

Cloth 978-0-300-12088-2 $65.00tx 544 pp. 6 1⁄8 x 9 1⁄4 World







The STraTeGiC SpeakerThe Goal-Driven Leadership of

Speakers of the Housematthew N. Green

matthew N. Green provides the first comprehensive analysis of how the Speaker of the House has exercised legislative leadership from 1940 to the present. Green finds that the Speaker’s party loyalty is tem-pered by a host of competing objectives, including reelection, passage of desired public policy laws, handling the interests of the president, and meeting the demands of the House as a whole.

mAttHew GReeN is Assistant Professor of Politics at Catholic University of America.

May Political Science Paper Original 978-0-300-15318-7 $30.00tx Available as eBook 978-0-300-15319-4 304 pp. 6 1⁄8 x 9 1⁄4 11 b/w illus. World

FroM land To MouThThe Agricultural “Economy” of the

Wola of the New Guinea HighlandsPaul Sillitoe

After 35 years of research in the New Guinea Highlands, esteemed anthropologist Paul Sillitoe offers a comparison of the apparently incom-parable: our capitalist economy to the subsistence-cum-exchange order of the wola people in the was Valley. this is a seminal work intent on reinstating certain core values in anthropological scholarship.

PAUL SILLItOe is professor in the anthropology department of Durham University, Durham, england, and Shell Chair of Sustainable Development at Qatar University, Doha, Qatar.

◆◆ Yale Agrarian Studies Series

June Economics/Anthropology Cloth 978-0-300-14226-6 $65.00tx Available as eBook 978-0-300-16295-0 512 pp. 6 1⁄8 x 9 1⁄4 172 b/w illus. Includes DVD World

CrediT beTWeen CulTureSFarmers, Financiers, and

Misunderstanding in AfricaParker Shipton

Parker Shipton brings a variety of perspectives—cultural, economic, political, and religious-philosophical—and years of field experience to this fascinating study about people who borrow and lend in the interior of Africa. His conclusions challenge the conventional wisdom of the past half century (including perennial world Bank orthodoxy) about the need for credit among African farming people.

PARkeR SHIPtON is associate professor of anthropology and research fellow in African studies at Boston University.


June Anthropology/EconomicsCloth 978-0-300-11603-8 $55.00tx Available as eBook 978-0-300-16292-9 352 pp. 6 1⁄8 x 9 1⁄4 20 b/w illus. World






Yale Course Books

Yale Course Books are excellent, accessible, affordable works that can be adopted in secondary and college course curricula or mined and customized to create a tailored course book. By making high-quality books available at a low price, we aim to bring the very best writing and scholarship to classrooms across the disci-plines. In doing so, we fulfill our educational mission of providing superior works of scholarly synthesis for students and teachers.

The road To Terror

Stalin and the Self-Destruction of the

Bolsheviks, 1932–1939Updated and

Abridged EditionJ. Arch Getty and Oleg V. Naumov; Translations

by Benjamin Sher

JonaThan edwards’s

“sinners in The hands of an angrY god”

A CasebookEdited by Wilson H.

Kimnach, Caleb J. D. Maskell,

and Kenneth P. Minkema

Now updated with new facts, and abridged for use in Soviet history courses, this gripping book assembles top secret Soviet documents, translated into English, from the era of Stalin’s purges. The dossiers, police reports, private letters, secret transcripts, and other documents expose the hidden inner workings of the Communist Party and the dark inhumanity of the purge process.

“ [This] book will be of great value to students of the Terror and . . . the material, such as Bukharin’s last letter, is astounding.”

—MiChael J. YBarra, Wall Street Journal

“ It will be indispensable for all historians and researchers of communism, the USSR, and Stalinism for many decades to come.”

—roY a. Medvedev, auThor of let HiStory Judge

J. ArCH GETTY is professor of modern russian history at the University of California, Los Angeles. OLEG V. NAUMOV is director of the Moscow archive rGASPI.

◆◆ Annals of Communism Series

Including the authoritative edition of the famous sermon

Designed specifically for the classroom, this volume presents the accurate and definitive version of Sinners, accompanied by the tools necessary to study and teach this famous American sermon. With an introduction aimed at students and teachers and commentary that draws on fifty years of team editorial experience of Yale’s Works of Jonathan Edwards, it provides both context and interpretation, and addresses the concerns and questions of a twenty-first century audience.

The book contains questions for in-class discussion, a chronology of Edwards’s life, and a glossary. In addition, curricular materials and video mini-presentations are available on a dedicated Web site. This casebook represents an innovative contribution to the art of teaching Edwards to a new generation of readers.

WILSON KIMNACH is the Presidential Professor in the Humanities Emeritus at the University of Bridgeport and the general editor of sermons for The Works of Jonathan Edwards. CALEB J. D. MASKELL was formerly asso-ciate editor of The Works of Jonathan Edwards. KENNETH P. MINKEMA is the editor of The Works of Jonathan Edwards and executive director of the Jonathan Edwards Center and Online Archive.

February History Paper 978-0-300-10407-3 $24.00tx320 pp. 6 1⁄8 x 9 ¼ 17 b/w illus. World Earlier edition: Paper 978-0-300-09403-9

March Religion/History Paper 978-0-300-14038-5 $14.00tx224 pp. 6 1⁄8 x 9 ¼ 29 b/w illus. World







STEVEN F. LAWSON is professor of history, rutgers, The State University of New Jersey, and author of the third edition of Running for Freedom. He was scholar-adviser for the award-winning PBS documentary series Eyes on the Prize.

one aMeriCa in The 21sT CenTurYThe Report of President Bill Clinton’s Initiative on Race

Edited and with an Introduction by Steven F. LawsonForeword by John Hope Franklin

Originally released in 2008, this book features the first publication in book form of the Clinton Commission on race Initiative’s report; a foreword by commission chair John Hope Franklin; President Clinton’s speech that launched the com-mission; and other important materials for classes on American race relations.

“ The report, and this volume, will surely assume a place among the most significant works about race and the persistent challenge of rac-ism in modern American life.”

—williaM a. link, universiTY of florida

Published December 2008 History Paper 978-0-300-11669-4 $20.00sc240 pp. 8 1⁄2 x 11 World

oBloMovIvan Goncharov;

Translated by Marian Schwartz

Set at the beginning of the nineteenth century, when idleness was still looked upon by russia’s serf-owning rural gentry as a plausible and worthy goal, Ivan Goncharov’s Oblomov follows the travails of an unlikely hero, a young aristocrat incapable of making a decision. Indolent, inattentive, incurious, given to daydreaming and procrastina-tion, Oblomov clearly predates the ideal of the industrious modern man, yet he is impossible not to admire through Goncharov’s masterful prose. Translator Marian Schwartz breathes new life into this russian masterpiece in this, the first translation from the generally recognized definitive edition of the original, as well the first to attempt to replicate in English Goncharov’s wry humor and all-embracing humanity.

IVAN GONCHArOV (1812–1891) was born in Simbirsk, russia and is the author of three novels. Goncharov’s short stories, essays, and memoirs were published posthumously in 1919. MArIAN SCHWArTz is a prize-winning translator of russian fiction, history, biography, criticism, and fine art. She is the principal English translator of the works of Nina Berberova and trans-lated the New York Times bestseller The Last Tsar, by Edvard radzinsky. March Literature Paper 978-0-300-16228-8 $16.95

576 pp. 6 1⁄8 x 9 1⁄4 World

IAN SHAPIrO is Sterling Professor of Political Science at Yale University and Henry r. Luce Director of the MacMillan Center for International and Area Studies. His many books include Democratic Justice and The Moral Foundations of Politics, both published by Yale University Press.

◆◆ Rethinking the Western Tradition

May Philosophy Paper 978-0-300-11838-4 $16.00sc576 pp. 5 1⁄2 x 8 ¼ World

leviaThanOr The Matter, Forme, & Power of a Common-

Wealth Ecclesiasticall and CivillThomas Hobbes; Edited and with an Introduction by Ian Shapiro

Written by Thomas Hobbes in 1651, Leviathan is widely considered the greatest work of political philosophy in the English language. Hobbes’s central argu-ment—that human beings are first and foremost concerned with their own desires and fears, and must relinquish freedoms in order to maintain a peaceful society—has found new applications and new refutations in every generation. This new edition, which uses modern text and relies on large-sheet copies from the 1651 Head version, includes interpretive essays by five leading Hobbes schol-ars—Ian Shapiro, John Dunn, David Dyzenhaus, Elisabeth Ellis, and Bryan Garsten—that provide fresh and varied interpretations of Leviathan for our time.







Paperback Reprints—General Interest

101

66 Paperback Reprints—General Interest


The PhilosoPhers’

QuarrelRousseau, Hume, and the Limits of Human

UnderstandingRobert Zaretsky

and John T. Scott

As Adam Zagajewski writes, “What can be more exhilarating than a tale of intelligence and discord, and of the eighteenth century revisited right before the French Revolution?” Now available in paperback, this book explores the rise and spectacular fall of the friendship between the two great philosophers of the Enlightenment, Rousseau and Hume, barely six months after they first met.

RobERT ZARETSky is professor of French, Honors College, University of Houston. JoHN T. SCoTT is professor of political science, University of California, Davis. Zaretsky and Scott are also coauthors of Frail Happiness: An Essay on Rousseau.

February History/Biography Paper 978-0-300-16428-2 $18.00Cloth 978-0-300-12193-3 S’ 09 Available as eBook 978-0-300-15624-9 264 pp. 6 1⁄8 x 9 1⁄4 10 b/w illus. World

No More JoiNT PaiN

Joseph A. Abboud, M.D., and Soo kim

Abboud, M.D.

An orthopedic surgeon offers accurate, comprehensive, and authori-tative information on the causes, prevention, and treatment of joint pain. With more than a hundred illustrations, this book covers every major joint in detail and assesses treatments ranging from alternative medicine to the latest technology. Whether you are a young athlete, a weekend warrior, or someone suffering from degenerative arthritis, the advice and exercises in this book will help you treat your joint pain.

◆◆ Yale University Press Health & Wellness

JoSEPH A. AbboUD, M.D., is a clinical assistant professor in the Department of orthopaedic Surgery, University of Pennsylvania School of Medicine. Soo kIM AbboUD, M.D., is Chief of otolaryngology at Penn Presbyterian Hospital and a clinical assistant professor in the Department of otorhinolaryngology–Head and Neck Surgery, University of Pennsylvania School of Medicine. The Drs. Abboud live and work in Philadelphia.

February Health Paper 978-0-300-16452-7 $18.00Cloth 978-0-300-11175-0 S’ 08 Available as eBook 978-0-300-14491-8 288 pp. 6 1⁄8 x 9 1⁄4 100 b/w illus. Not for sale in India, Pakistan, Nepal, Bangladesh and Sri Lanka

The MyTh of aMericaN

excePTioNalisMGodfrey Hodgson

Tracing the development of America’s high self-regard from the early days of the republic to the present, Hodgson’s book “is interesting and lucid as it examines the errors and exaggerations in the national self-image” (Financial Times). Now in paperback after five printings in hardcover, the book is “a provocative exploration of American history as well as American myth” (Sean Wilentz). This is must reading for anyone who cares about America’s political fate.

GoDFREy HoDGSoN is associate fellow, Rothermere American Institute, University of oxford. He lives in oxfordshire, Uk.

February History/Current Events Paper 978-0-300-16419-0 $18.00Cloth 978-0-300-12570-2 F’ 08 Available as eBook 978-0-300-14268-6 240 pp. 6 1⁄8 x 9 1⁄4 World

The coNservaTives

Ideas and Personalities Throughout

American HistoryPatrick Allitt

Now in paperback after three printings in hardcover, this lively book traces the development of American conservatism from Alexander Hamilton, John Adams, and Daniel Webster through Abraham Lincoln, Teddy Roosevelt, and Herbert Hoover to William F. buckley, Jr., Ronald Reagan, and William kristol.

PATRICk ALLITT is Goodrich C. White Professor of History and Director of the Center for Teaching and Curriculum at Emory University. He lives in Atlanta.

February History/Politics Paper 978-0-300-16418-3 $22.00Cloth 978-0-300-11894-0 S’ 09 Available as eBook 978-0-300-15529-7 336 pp. 6 1⁄8 x 9 1⁄4 World

67Paperback Reprints—General Interest










reasoN, faiTh, aNd revoluTioN

Reflections on the God Debate

Terry Eagleton

With more than 10,000 copies sold in hardcover, this “brisk, funny, and challenging” (Andrew o’Hehir, Salon) book sparked considerable debate when published in April 2009. Reason, Faith, and Revolution demolishes the insistent claims of atheists and others who assert that science has rendered God and faith obsolete. Seasoning his serious book with wit and humor, renowned critic Terry Eagleton reexamines God, Jesus, politics, scientific thought, and tragedy to arrive at the con-clusion that reason and faith are by no means mutually exclusive.

TERRy EAGLEToN is Distinguished Professor of English Literature at the University of Lancaster, England, and Professor of Cultural Theory at the National University of Ireland, Galway. He is also Distinguished Visiting Professor at the University of Notre Dame. Eagleton is also the author of On Evil (see page 19).

February Religion Paper 978-0-300-16453-4 $16.00Cloth 978-0-300-15179-4 S’ 09 Available as eBook 978-0-300-15550-1 200 pp. 5 1⁄2 x 8 1⁄4 World

falleN GiaNTsA History of Himalayan

Mountaineering from the Age of Empire to the Age of ExtremesMaurice Isserman

and Stewart Weaver

The winner of the banff Mountain book Festival’s 2008 Mountaineering History Prize, this “enormously engaging” (Atlantic) and acclaimed history of Himalayan mountaineering offers detailed, compelling accounts of the significant climbs since the 1890s and evokes the social and cultural worlds that gave rise to the expedition. Now in paperback with more than 10,000 copies in print, Fallen Giants “is the book of a lifetime . . . an awe-inspiring work of history and storytelling” (bruce barcott, New York Times Book Review).

MAURICE ISSERMAN is James L. Ferguson Professor of History, Hamilton College. He lives in Clinton, Ny. STEWART WEAVER is professor of history, University of Rochester. He lives in Rochester, Ny. both authors are enthusiastic hikers and mountain climbers.

February Sports/Outdoor Recreation/History Paper 978-0-300-16420-6 $25.00Cloth 978-0-300-11501-7 F’ 08 Available as eBook 978-0-300-14266-2 592 pp. 7 x 10 65 photos; 15 maps World

PhiliP ii of MacedoNia

Ian Worthington

This landmark biography brings Philip II, father of Alexander the Great, to life. Taking into account recent archaeological discoveries and reinterpreting ancient literary records, Ian Worthington suggests that Philip’s accomplishments were so remarkable that they may have outshone those of his more famous son. The New York Military Affairs Symposium called the biography “detailed, nuanced. . . . An important book for anyone with an interest in Greece, the Hellenistic age, and the roots of the West.”

IAN WoRTHINGToN is Frederick A. Middlebush Professor of History, University of Missouri–Columbia. He lives in Columbia, Mo.

April Biography/History Paper 978-0-300-16476-3 $23.00Cloth 978-0-300-12079-0 F’ 08 336 pp. 6 1⁄8 x 9 1⁄4 16 b/w illus. World

sPiesThe Rise and Fall of the KGB in AmericaJohn Earl Haynes, Harvey klehr, and

Alexander Vassiliev

This unprecedented exposé of Soviet espionage in the United States during the 1930s and 1940s is based on extensive kGb archives that never came to light before. With this new information on Alger Hiss, Robert oppenheimer, the Rosenbergs, and many others, this book—now in paperback—documents the secret world of Stalin’s spies and the Americans who worked with them.

JoHN EARL HAyNES is a modern political historian in the Manuscript Division, the Library of Congress. He lives in kensington, MD. HARVEy kLEHR is Andrew W. Mellon Professor of Politics and History, Emory University. He lives in Atlanta, GA. Haynes and klehr are coauthors of Venona. ALExANDER VASSILIEV, journalist, novelist, and coauthor with Allen Weinstein of The Haunted Wood: Soviet Espionage in America, now lives in the Uk.

February History/Soviet History Paper 978-0-300-16438-1 $24.00Cloth 978-0-300-12390-6 S’ 09 Available as eBook 978-0-300-15572-3 704 pp. 6 1⁄8 x 9 1⁄4 World












fraNkly, My dear

Gone with the Wind RevisitedMolly Haskell

“Through juicy scholarship, feminist-leaning film expert Molly Haskell . . . rises to the task of explaining this uniquely American cultural phenomenon by boldly burrowing into both the 1936 best seller by Margaret Mitchell and the big-screen epic it inspired” (Susan Wloszczyna, USA Today). Now in paperback, with more than 10,000 copies in hardcover, “Haskell’s feminist perspective comes to the res-cue of a film most academics won’t touch and current critics dismiss” (New York Times Book Review, Editors’ Choice).


MoLLy HASkELL is a writer and film critic. She has lectured widely on the role of women in film and is the author of From Reverence to Rape: The Treatment of Women in the Movies. She lives in New york City.

February Film/History Paper 978-0-300-16437-4 $15.00Cloth 978-0-300-11752-3 S’ 09 Available as eBook 978-0-300-15565-5 272 pp. 5 1⁄2 x 8 1⁄4 15 b/w illus. World

GyPsyThe Art of the Tease

Rachel Shteir

Now in paperback, this revealing biography of the “Striptease Intellectual” of 1930s burlesque uncovers the long-obscured facts and accomplishments in the context of fresh revelations from the Gypsy Rose Lee papers. A true icon of America at a historical turning point, Gypsy was the first—and only—stripper to become a household name. This book reveals her deep impact on the social and cultural transfor-mations taking shape during her life.


RACHEL SHTEIR is associate professor, The Theatre School, DePaul University, and author of Striptease: The Untold History of the Girlie Show. She lives in Chicago.

February Biography/Americana Paper 978-0-300-16448-0 $15.00Cloth 978-0-300-12040-0 S’ 09 240 pp. 5 1⁄2 x 8 1⁄4 9 b/w photos World

MoTher of GodA History of the

Virgin MaryMiri Rubin

Now in paperback, this “enormously ambitious . . . [and] commend-ably readable” (Economist) global history explores how the Virgin Mary, scarcely mentioned in the Gospels, rose to become our most prominent female figure. Medieval historian Miri Rubin offers an exu-berant, groundbreaking history, encompassing sixteen centuries and a wealth of historical sources and visual materials from Christian cul-tures around the world.

MIRI RUbIN is professor of history, Queen Mary University of London. She lives in Cambridge, Uk.

March Religion/Religious History Paper 978-0-300-16432-9 $26.00Cloth 978-0-300-10500-1 S’ 09 Available as eBook 978-0-300-15613-3 560 pp. 6 1⁄8 x 9 1⁄4 29 color illus. For sale in North America only

oNe sTaTe, Two sTaTes

Resolving the Israel/Palestine Conflict

benny Morris

“What is so striking about Morris’s work as a historian is that it does not flatter anyone’s prejudices, least of all his own,” writes David Remnick in the New Yorker. Tackling one of the world’s most perplexing and divisive issues, renowned historian benny Morris considers the legacy of the 1948 Arab-Israeli war, previous proposed solutions to the conflict between Palestinians and Israel, and the viability of various options for the future. Now in paperback.

bENNy MoRRIS is professor of history, Middle East Studies Department, ben-Gurion University, Israel. He has published many previous books as an author and editor, among them Righteous Victims: A History of the Zionist-Arab Conflict, 1881–2001; The Birth of the Palestinian Refugee Problem Revisited; and Making Israel. He lives in Israel.

March History/Current Events/Mideast Studies Paper 978-0-300-16444-2 $17.00Cloth 978-0-300-12281-7 S’ 09 Available as eBook 978-0-300-15604-1 256 pp. 5 1⁄2 x 8 1⁄4 7 b/w maps World











dolPhiN MysTeries

Unlocking the Secrets of Communication

kathleen M. Dudzinski, Ph.D., and Toni Frohoff,

Ph.D.; Foreword by Marc bekoff

“Admirably accessible” (Choice) and now in paperback, Dolphin Mysteries provides readers with an opportunity to dive into the world of dolphins for an intimate look at how they communicate among them-selves and with other species, including humans. “of all the books I’ve read on this subject, this one has the most to offer in terms of under-standing how dolphins behave and interact, . . . and it describes their remarkable cognitive powers in layman’s terms.” (Peter Evans, BBC Wildlife Magazine)

kATHLEEN M. DUDZINSkI, PH.D., is director of the Dolphin Communication Project and adjunct faculty at University of Southern Mississippi, Alaska Pacific University, and University of Rhode Island. ToNI FRoHoFF, PH.D., is Executive Director of TerraMar Research and faculty affiliate of theTrans-Species Institute of Learning.

March Nature Paper 978-0-300-12114-8 $20.00Cloth 978-0-300-12112-4 F’ 08 Available as eBook 978-0-300-15038-4 320 pp. 7 x 9 1⁄4 50 b/w + 8 color illus. World

alexaNder The GreaT

A Life in LegendRichard Stoneman

Now in paperback, this engaging history gathers together the myriad colorful legends told in cultures across the globe about Alexander the Great (356–323 b.C.), conqueror of the ancient world. Showing how the mythical exploits of Alexander have resonated for Christians, Jews, and Muslims, and in Eastern and Western cultures for more than two thousand years, historian Richard Stoneman provides the definitive account of the leader in life and legend.

RICHARD SToNEMAN is Honorary Fellow of the University of Exeter and widely acknowledged as the foremost expert globally on the myths of Alexander.

March History/Biography Paper 978-0-300-16401-5 $23.00Cloth 978-0-300-11203-0 S’ 08 336 pp. 6 1⁄8 x 9 1⁄4 30 b/w + 16 color illus. World

kiNG husseiN of JordaN

A Political LifeNigel Ashton

Now in paperback, this “excellent” book offers insightful perspec-tives on “Hussein’s relations with Iraq and the wider Arab world” (Patrick Cockburn, New York Times Book Review). “A very lucid and careful work. . . . Ashton’s crucial contribution—besides his innate fair-ness—is the sudden and unfettered access he gained to the hitherto closed Royal Hashemite Archives” (Colin Thubron, New York Review of Books).

NIGEL ASHToN is senior lecturer, Department of International History, London School of Economics and Political Science, and author of Kennedy, Macmillan and the Cold War.March Biography

Paper 978-0-300-16395-7 $23.00Cloth 978-0-300-09167-0 F’ 08 Available as eBook 978-0-300-14251-8 464 pp. 6 1⁄8 x 9 1⁄4 36 b/w illus. World

The euroThe Politics of the New

Global CurrencyDavid Marsh

The euro is the second most traded currency in the world after the U.S. dollar. Now available in paperback, this “gripping” comprehen-sive account of the euro “has extra value because it draws on hundreds of interviews with the bigwigs involved in setting up the euro . . . and is built on the foundation of [Marsh’s] earlier history of Germany’s bundesbank. The result is an indispensable guide to monetary union” (Economist).

DAVID MARSH is chairman of London & oxford Group, an investment consultancy. He is a frequent contributor to German and british publica-tions, and he lectures widely on political, economic, and business issues. He lives in London.March Economics/Globalization

Paper 978-0-300-16400-8 $23.00Cloth 978-0-300-12730-0 S’ 09 352 pp. 6 1⁄8 x 9 1⁄4 22 b/w illus. World











The shaMeful Peace

How French Artists and Intellectuals

Survived the Nazi Occupation

Frederic Spotts

Now in paperback, this “carefully, and authoritatively written” history offers a vivid account of how France’s artistic leaders coped under the crushing German presence in occupied France. Enriched with anecdotes about the artists, composers, writers, filmmakers, and actors who lived through the experience, the book “lifts the lid on one of the least known—and most shameful—episodes of the period” (Wall Street Journal).

FREDERIC SPoTTS is an independent scholar who has written widely on cultural topics, published books on German and Italian politics, and edited The Letters of Leonard Woolf. He is the author of Bayreuth: A History of the Wagner Festival and, most recently, Hitler and the Power of Aesthetics. He lives in France.

March History Paper 978-0-300-16399-5 $22.00Cloth 978-0-300-13290-8 F’ 08 Available as eBook 978-0-300-14237-2 288 pp. 6 1⁄2 x 9 1⁄4 20 b/w illus. World

My haPPiNess Bears No

relaTioN To haPPiNess

A Poet’s Life in the Palestinian Century

Adina Hoffman

This luminous narrative of exile and return, which American Scholar calls “deeply human . . . [and] exquisitely written,” begins with the story of one lost village in Mandatory Palestine. This village—Saffuriyya—eventually attains a Troy-like presence in the work of acclaimed poet Taha Muhammad Ali, and becomes central to the search for truth at the heart of this remarkable volume of history and memory. Named one of the top ten biographies of 2009 by Booklist.

ADINA HoFFMAN is the author of House of Windows: Portraits from a Jerusalem Neighborhood. Her essays and criticism have appeared in the Nation, the Washington Post, the Times Literary Supplement, and other publications. She lives in Jerusalem.

March Biography/Cultural Studies Paper 978-0-300-16427-5 $20.00Cloth 978-0-300-14150-4 S’ 09 Available as eBook 978-0-300-15580-8 464 pp. 6 1⁄8 x 9 1⁄4 65 b/w illus. World

alGer hiss aNd The BaTTle

for hisTorySusan Jacoby

Now in paperback, this book “is most memorable for the passion with which [Susan] Jacoby trumpets certain sensible but often overlooked truths” (David Greenberg, Washington Post). Jacoby’s fair-minded, penetrating investigation of the political and intellectual struggle over the Alger Hiss case from the mid-twentieth century into the twenty-first explores the reasons why the Cold War controversy has turned into a permanent battle over the definition and ownership of American values.


SUSAN JACoby is an independent scholar and best-selling author. The most recent of her seven previous books is The Age of American Unreason. She lives in New york City.

March History/Biography Paper 978-0-300-16441-1 $16.00Cloth 978-0-300-12133-9 S’ 09 Available as eBook 978-0-300-15584-6 272 pp. 5 1⁄2 x 8 1⁄4 World

aTheisT delusioNsThe Christian

Revolution and Its Fashionable EnemiesDavid bentley Hart

“With impressive erudition and polemical panache” (Richard John Neuhaus), David bentley Hart, one of the most brilliant scholars of religion of our time, provides a “spirited” (New Republic), powerful antidote to the New Atheists’ misrepresentations of the Christian past, arguing that the genuinely humane values of modernity have their his-toric roots in Christianity. Now in paperback, after selling more than 6,000 copies in hardcover, the book is poised to become a classic.

DAVID bENTLEy HART is the author of several books, including In the Aftermath: Provocations and Laments and The Beauty of the Infinite: The Aesthetics of Christian Truth. He lives in Providence, RI.February Religion/Religious History

Paper 978-0-300-16429-9 $17.00Cloth 978-0-300-11190-3 S’ 09 Available as eBook 978-0-300-15564-8 272 pp. 6 1⁄8 x 9 1⁄4 World











The crisis of islaMic

civilizaTioNAli A. Allawi

Now in paperback, acclaimed statesman and scholar Ali A. Allawi “calmly and methodically deconstructs an Islamic revival which has failed to live up to its promises” (Economist) and offers a key set of principles for moving forward—principles that will surprise some and anger others, yet clearly must be considered.

ALI A. ALLAWI has served as Minister of Defense and Minister of Finance in the Iraqi postwar governments. The author of the highly praised Occupation of Iraq, he is senior visiting fellow at Princeton University.

March Current Events/History Paper 978-0-300-16406-0 $18.00Cloth 978-0-300-13931-0 S’ 09 Available as eBook 978-0-300-15885-4 320 pp. 6 1⁄8 x 9 1⁄4 0 World

flowers aNd herBs of early

aMericaLawrence D.

Griffith;Photography by barbara

Temple Lombardi

With full color photographs and illustrations throughout, this useful gardener’s guide is now in paperback.

“Gardeners enamored with heirloom seed collecting and what it tells us about our ancestors’ gardens might enjoy Flowers and Herbs of Early America. . . . A beautiful compendium of cottage garden flowers, many of which have medicinal properties and are easy to grow.”—Anne Raver, New York Times

LAWRENCE GRIFFITH is curator of plants for the Colonial Williamsburg Foundation and former garden columnist for the Daily Press, Newport News, VA. He lives on the Middle Peninsula of Virginia. bARbARA TEMPLE LoMbARDI is a photographer for the Colonial Williamsburg Foundation. She lives in Williamsburg, VA.

March Gardening/Horticulture Paper 978-0-300-16454-1 $24.00Cloth 978-0-300-14536-6 F’ 08 304 pp. 9 1⁄4 x 10 1⁄2 265 color illus. World

vaMPires, Burial, aNd

deaThFolklore and

Reality; With a New Introduction

Paul barber

From the tale of a sixteenth-century shoemaker from breslau whose ghost terrorized everyone in the city, to the testimony of a doctor who presided over the exhumation and dissection of a graveyard full of Serbian vampires, Paul barber’s meticulously researched “inquiry into vampires, fact and fiction, is a gem” (Roy Porter, Nature) and “a splen-did book about the undead” (Anthony Daniels, Spectator). Sink your teeth into this reissue, with over 25,000 copies already in print, that includes a new introduction.

PAUL bARbER is a research associate at the Fowler Museum of Cultural History, UCLA.April History/Folklore

Paper 978-0-300-16481-7 $22.00Paper 978-0-300-04859-9 F’ 1990 Available as eBook 978-0-300-15348-4 244 pp. 6 1⁄8 x 9 1⁄4 World

selecTed PoeMsGeoffrey Hill

Geoffrey Hill’s poetry comprises one of the most uncompromising and visionary bodies of work written over the past fifty years. This generous selection spans his career, beginning with poems from Hill’s astonish-ing debut, For the Unfallen, and following through to his stylistically distinct and critically acclaimed work Without Title. Now in paper-back, this collection reaffirms Hill’s reputation as “England’s best hope for the Nobel Prize” (Spectator).

GEoFFREy HILL is the author of eleven books of poetry. He has received numerous awards for his work, including the Hawthornden Prize, the Heinemann Award, the Geoffrey Faber Memorial Prize, and the Duff Cooper Memorial Prize. He resides in Cambridge, England.

April Poetry Paper 978-0-300-16430-5 $23.00Cloth 978-0-300-12156-8 S’ 09 Available as eBook 978-0-300-15574-7 288 pp. 6 x 9 1⁄2 For sale in the U.S., its dependencies, Canada, and the Philippines only










earThriseHow Man First Saw the EarthRobert Poole

Now in paperback, this “remarkable book” (Los Angeles Times) is “an absorbing account of how the first pictures of Earth shaped mankind’s perception of itself and its relationship with nature” (Chronicle Review) and transformed our thinking about the Earth and its environment in a way that echoed throughout religion, culture, and science. Gazing upon our whole planet in the color photographs for the first time, we saw our place in the universe with new clarity.

RobERT PooLE is reader in history, University of Cumbria. He has writ-ten and broadcast extensively on history, from witch trials to the film 2001: A Space Odyssey, and has published in journals from History Today to Past and Present. He lives in Lancaster, England.

February Science/Space Exploration/History Paper 978-0-300-16403-9 $17.00Cloth 978-0-300-13766-8 F’ 08 Available as eBook 978-0-300-14259-4 236 pp. 5 x 8 16 b/w World

BiTe The haNd ThaT feeds you

Essays and Provocations

Henry Fairlie;Edited and with

an introduction by Jeremy McCarter; Foreword by Leon

Wieseltier

Henry Fairlie coined the term “The Establishment,” feuded with his editors, and became a journalistic legend. Remarkable for their pre-science and relevance, Fairlie’s essays celebrate Winston Churchill, old-fashioned bathtubs, and American empire; they ridicule Republicans who think they are conservatives and yuppies who want to live forever. “This smartly edited collection gets [Fairlie] at his best” (New Yorker) and restores a compelling voice that, among its many vir-tues, helps Americans appreciate their country anew.

◆◆ A New Republic Book

HENRy FAIRLIE (1924–1990) was a frequent contributor to newspapers and magazines including the Washington Post and the New Republic. JEREMy MCCARTER is a senior writer at Newsweek.

May Essays/Politics Paper 978-0-300-16460-2 $20.00Cloth 978-0-300-12383-8 S’ 09 Available as eBook 978-0-300-15552-5 368 pp. 5 1⁄2 x 8 1⁄4 World

hiddeN iN The shadow of

The MasTerThe Model-Wives of

Cézanne, Monet, and Rodin

Ruth butler

In this judiciously researched and gracefully written study, art historian Ruth butler has created vivid portraits of Hortense Fiquet, Camille Doncieux, and Rose beuret—the models and, later, the wives, respec-tively, of Cézanne, Monet, and Rodin. “Dr. butler uses works of art and contemporary literature to draw attention to the plight of women and their changing identities while caught up in the social flux of late nineteenth-century France” (Art Newspaper).

RUTH bUTLER is professor emerita from the University of Massachusetts, boston, and author of the award-winning book Rodin: The Shape of Genius. She lives in Cambridge, MA.May Biography/Art History

Paper 978-0-300-16450-3 $22.00Cloth 978-0-300-12624-2 S’ 08 Available as eBook 978-0-300-14953-1 376 pp. 6 1⁄8 x 9 1⁄4 59 b/w + 1 color illus. World

The ciTy’s eNdTwo Centuries of

Fantasies, Fears, and Premonitions of New

York’s DestructionMax Page

Now in paperback, “this richly detailed book celebrates the enduring cultural significance of New york with an account of our unending desire to envision its demise” (New Yorker). Hailed as “an informative and provocative read” (Wall Street Journal), it investigates two cen-turies of imagined cataclysms visited upon New york and provides a critical historical perspective to our understanding of the events of September 11, 2001.

MAx PAGE is professor of architecture and history, University of Massachusetts, Amherst. He is a 2003 Guggenheim Fellow and author of The Creative Destruction of Manhattan, which received the 2001 Spiro kostof Award of the Society of Architectural Historians. He lives in Amherst.July History/Cultural History

Paper 978-0-300-16446-6 $25.00Cloth 978-0-300-11026-5 F’ 08 280 pp. 7 x 10 137 b/w + 24 color illus. World











Paperback Reprints—Scholarly books of Interest to the General Trade

130

74 Paperback Reprints—Scholarly Books of Interest to the General Trade


hakluyT’s ProMise

An Elizabethan’s Obsession for an English America

Peter C. Mancall

Richard Hakluyt (c. 1551–1616) advocated the creation of English colonies in the New World at a time when the advantages of this idea were far from self-evident. Now in paperback, the book has been hailed as “the most approachable and digestible account of intellectual and cultural life in the age of Shakespeare that I have read” (Steve Pincus), called “a biography of extraordinary depth and luminosity” (William and Mary Quarterly), and termed “definitive” by the Journal of American History.

PETER C. MANCALL is professor of history, University of Southern California, and director of the USC–Huntington Early Modern Studies Institute. He lives in Los Angeles.February Biography/History

Paper 978-0-300-16422-0 $28.00sc Cloth 978-0-300-11054-8 F’ 06 400 pp. 6 1⁄8 x 9 1⁄4 44 b/w illus. & 1 map World

PilGriMsNew World Settlers

and the Call of HomeSusan Hardman

Moore

Now in paperback, Pilgrims uncovers the stories of hundreds of English pilgrims who came to the New World in the 1630s but decided not to stay. Susan Hardman Moore’s extensive original research provides illu-minating information on the colonial experiment in the New World as well as the religious and political tumults in the old and contributes to debates about the nature of the New England experiment and its significance for the tumults of revolutionary England.

SUSAN HARDMAN MooRE is director of post-graduate studies at the School of Divinity, University of Edinburgh.

March History Paper 978-0-300-16405-3 $23.00sc Cloth 978-0-300-11718-9 S’ 08 336 pp. 6 x 9 16 b/w illus. World

defyiNG eMPireTrading with the

Enemy in Colonial New York

Thomas M. Truxes

Now in paperback, this is an original and engaging account of illicit trading by New york City merchants, some of whom became America’s Founding Fathers, during the French and Indian War.

“Few history books make an original scholarly argument and rivet the reader’s attention from start to finish. Defying Empire does both: a remarkable, rewarding book.”—Fred Anderson, author of Crucible of War

THoMAS M. TRUxES is a senior lecturer in the history department at Trinity College in Hartford, CT, and a member of the Irish Studies faculty at New york University. His previous books include Irish-American Trade, 1660–1783. He lives in Westbrook, CT.February History Paper 978-0-300-16425-1 $22.00sc

Cloth 978-0-300-11840-7 F’ 08 Available as eBook 978-0-300-15043-8 304 pp. 6 1⁄8 x 9 1⁄4 20 b/w maps World

The hellfire cluBs

Sex, Satanism and Secret Societies

Evelyn Lord

Now in paperback, this authoritative, revealing account of the secret Hell-Fire Clubs that scandalized eighteenth-century England is “a fine excursion into one of the more unlikely contributions to cul-ture. . . . Lord runs through the influences, varieties, and members of various Hell-Fire Clubs and their increasingly louche predecessors” (katherine A. Powers, Boston Sunday Globe).

EVELyN LoRD has published widely on local history and is the author of The Knights Templar in Britain and The Stuart Secret Army. She lives in Cambridge, Uk.

March History Paper 978-0-300-16402-2 $25.00tx Cloth 978-0-300-11667-0 F’ 08 250 pp. 6 1⁄8 x 9 1⁄4 b/w plate section World

75Paperback Reprints—Scholarly Books of Interest to the General Trade










The secoNd crusade

Extending the Frontiers of

ChristendomJonathan Phillips

Now in paperback, this definitive book casts new light on the origins, planning, and execution of the Second Crusade (1145–1149), uncov-ering the profound impact of the bold but largely unsuccessful attempt to defeat “unbelievers” in the Holy Land, Iberia, and northeastern Europe. Medieval historian Jonathan Phillips “provides a brilliant analysis of the European situation in 1145,” writes John France in the International History Review.

JoNATHAN PHILLIPS is Professor of Crusading History, Royal Holloway, University of London. He has published extensively on the subject, includ-ing The Crusades, 1095–1197 and The Fourth Crusade and the Sack of Constantinople. He lives in berkshire, Uk.

April History Paper 978-0-300-16475-6 $26.00sc Cloth 978-0-300-11274-0 F’ 07 336 pp. 6 1⁄8 x 9 1⁄4 12 b/w illus. World

The iNTellecTual

life of The BriTish

workiNG classes

Second EditionJonathan Rose

Now in its second edition, this landmark book provides an intellectual history of the british working classes from the preindustrial era to the twentieth century. Drawing on workers’ memoirs, social surveys, library registers, and more, Jonathan Rose discovers which books people read, how they educated themselves, and what they knew. A new preface uncovers the author’s journey into labor history, and its rewarding link to intellectual history.

JoNATHAN RoSE is the founder and past president of the Society for the History of Authorship, Reading and Publishing and coeditor of the journal Book History. He is professor of history at Drew University, where he directs the graduate program in book history.

June History Paper 978-0-300-15365-1 $33.00sc 544 pp. 6 1⁄8 x 9 1⁄4 World Previous edition: Paper (S ‘03) 978-0-300-09808-2

GrowiNG uP iN eNGlaNd

The Experience of Childhood 1600–1914

Anthony Fletcher

Acclaimed as “an extraordinary achievement” (Sunday Times), this book presents “an important synthesis” (Choice) of the upbringing of English children in upper- and professional-class families over three centuries. Drawing on intimate testimony from contemporary diaries and letters, the book revises previous understandings of parenting and what it was like to grow up in the period between 1600 and 1914. Now in paperback, the “absolutely fascinating story” (Daily Mail) represents absorbing family history.

ANTHoNy FLETCHER has been professor of history at the Universities of Sheffield, Durham, and Essex, and director of the Victoria County History at London University. His previous books include Gender, Sex, and Subordination in England, 1500–1800. He lives in the Uk.

March History/Sociology Paper 978-0-300-16396-4 $30.00tx Cloth 978-0-300-11850-6 S’ 08 456 pp. 6 1⁄8 x 9 1⁄4 16 b/w illus. World

PicTuriNG russia

Explorations in Visual Culture

Edited by Valerie A. kivelson and Joan Neuberger

Now in paperback, this wide-ranging anthology is the first to explore the visual culture of Russia over the entire span of Russian history, from ancient kiev to contemporary, post-Soviet society. Illustrated with more than one hundred images, the book examines the ways that Russians have used and understood visual images in social and political con-texts including consumer goods, architectural monuments, religious icons, portraits, news and art photography, popular prints, films, folk art, and more.

VALERIE A. kIVELSoN is professor, Department of History, University of Michigan. She lives in Ann Arbor, MI. JoAN NEUbERGER is professor, Department of History, University of Texas at Austin. She lives in Austin.March History Paper 978-0-300-16421-3 $26.00tx

Cloth 978-0-300-11961-9 S’ 08 Available as eBook 978-0-300-14517-5 336 pp. 7 x 10 116 b/w illus. World











BalleT’s MaGic kiNGdoM

Selected Writings on Dance in Russia,

1911–1925Akim Volynsky;

Translated, Edited, and with an Introduction and Notes by Stanley

J. Rabinowitz

Akim Volynsky (1861–1926) was Russia’s most prolific ballet critic in the early twentieth century. Now in paperback, his collected essays, edited by Stanley J. Rabinowitz, provide a striking look inside the world of ballet. Toni bentley, on the front page of the New York Times Book Review, wrote, “This is a fantastic book. . . . A must for anyone claiming a love of ballet. . . . Hugely entertaining and surprising, you will never look at a toeshoe, a tiara or a tendu . . . the same way again.”

STANLEy J. RAbINoWITZ is Henry Steele Commager Professor and professor of Russian, Amherst College, and director of the Amherst Center for Russian Culture. He lives in Amherst, MA.May Dance/Performing Arts/History

Paper 978-0-300-16449-7 $23.00sc Cloth 978-0-300-12462-0 F’ 08 Available as eBook 978-0-300-14249-5 352 pp. 6 1⁄8 x 9 1⁄4 24 b/w illus. in gallery World

siBeliusAndrew barnett

Informed by a wealth of information that has come to light in recent years, this engaging biography provides the fullest account of the sig-nificant achievement of Finnish composer Jean Sibelius (1865–1957). Now in paperback, “barnett’s authoritative book covers Sibelius’ life and work, documented from a wide variety of sources, and puts the case for Sibelius clearly for the general reader as much as the expert” (Robert Giddings, Tribune).

ANDREW bARNETT is founder and chairman of the Uk Sibelius Society. He lives in brighton, England.

March Biography/Music Paper 978-0-300-16397-1 $26.00sc Cloth 978-0-300-11159-0 F’ 07 464 pp. 6 1⁄8 x 9 1⁄4 16 b/w illus. World

The oBoeGeoffrey burgess and

bruce D. Haynes

In this landmark book two distinguished oboist-musicologists trace the history of the oboe, from its origins in the forms of the shawn and the hautboy to the present, discussing how the instrument evolved, the music that was written for it, and the players that distinguished it. Now in paperback, the book is “invaluable to all players and enjoyable for the general reader” (Rachel Pankhurst, Muso).

◆◆ Yale Musical Instrument Series

GEoFFREy bURGESS, who has taught historical musicology at Duke University and SUNy, Stony brook, is an active performing oboist. bRUCE HAyNES, who is associate professor at the University of Montreal, is a world renowned hautboist.

April Music Paper 978-0-300-10053-2 $29.00sc Cloth 978-0-300-09317-9 S’ 04 Available as eBook 978-0-300-14914-2 432 pp. 6 3⁄4 x 9 5⁄8 45 b/w + 20 color illus. World

roBerT schuMaNN

Life and Death of a Musician

John Worthen

This “riveting” biography offers a fresh account of Robert Schumann’s (1810–1856) life and also “manages to encapsulate the joy and elation of one of music’s greatest, still neglected geniuses” (Hugh Canning, Sunday Times). Now in paperback and timed to the two hundredth anniversary of the German composer’s birth, the biography confronts the traditional perception of the doom-laden Romantic, forced by depression into a life of helpless, poignant sadness.

JoHN WoRTHEN was Professor of D. H. Lawrence Studies at the University of Nottingham. His books include The Gang: Coleridge, the Hutchinsons and the Wordsworths in 1802 and D. H. Lawrence: The Life of an Outsider. He lives in Nottingham, England, and in Germany.May Biography/Music

Paper 978-0-300-16398-8 $26.00sc Cloth 978-0-300-11160-6 S’ 07 496 pp. 6 1⁄8 x 9 1⁄4 30 b/w illus. World











TheoloGy iN The coNTexT

of scieNceJohn Polkinghorne

The world-renowned physicist-theologian John Polkinghorne provides a new framework for dialogue between science and religion, using recent scientific inquiry into relativity, evolutionary theory, life after death, and many other issues as a foundation on which to build a model of Christian belief structure. Now in paperback.

JoHN PoLkINGHoRNE, kbE, FRS, is fellow and retired president, Queens’ College, Cambridge University. He was founding president of the International Society for Science and Religion and in 2002 was awarded the Templeton Prize. The author of numerous books, he lives in Cambridge, Uk.March Religion/Science

Paper 978-0-300-16456-5 $17.00sc Cloth 978-0-300-14933-3 S’ 09 Available as eBook 978-0-300-15609-6 192 pp. 5 1⁄2 x 8 1⁄4 Not for sale in the European Union and British Commonwealth (excluding Canada)

a New haNdBook of

liTerary TerMsDavid Mikics

Now in paperback: “If you have forgotten the form of a sestina or a ghazal, or can’t quite remember what vorticism was supposed to be, this book will do the trick: a confidently historicizing, impressively syn-optic compilation of the major ideas and forms over the last 2,500 years or so of literature and criticism.”—Guardian

DAVID MIkICS is professor of English at the University of Houston. He is the author of several books, including Who Was Jacques Derrida?, The Limits of Moralizing, and The Romance of Individualism in Emerson and Nietzsche. He lives in Houston.

February Literary Studies/Reference Paper 978-0-300-16431-2 $17.00sc Cloth 978-0-300-10636-7 S’ 07 368 pp. 6 1⁄8 x 9 1⁄4 Not for sale in India, Bangladesh, Bhutan, Pakistan, Nepal, Sri Lanka and the Maldives.

sofT desPoTisM, deMocracy’s

drifTMontesquieu,

Rousseau, Tocqueville, and the Modern

ProspectPaul A. Rahe

Now in paperback, after three printings in hardcover: historian Paul A. Rahe’s insightful reading of early democratic philosophers and how America and other modern democracies have veered too far from their fundamental roots. “An intensely provocative, deliberately controver-sial meditation on the profound strengths and weaknesses or dangers in our political culture.”—Thomas L. Pangle, author of Montesquieu’s Philosophy of Liberalism

PAUL A. RAHE is professor of history and political science at Hillsdale College and author of Republics Ancient and Modern: Classical Republicanism and the American Revolution and Against Throne and Altar: Machiavelli and Political Theory under the English Republic.

April History/Political Thought Paper 978-0-300-16423-7 $25.00sc Cloth 978-0-300-14492-5 S’ 09 Available as eBook 978-0-300-15610-2 400 pp. 6 1⁄8 x 9 1⁄4 World

readiNG MaTTers

Five Centuries of Discovering BooksMargaret Willes

This “fascinating book” (Academia) examines how people acquired and read books from the sixteenth century to the present. Richly illus-trated and full of charming digressions, it offers a “remarkable range and depth of research” (Virginia Quarterly Review) and mixes “real scholarship with eminently readable prose . . . and is at once both instructive and entertaining” (Library and Information History). Now in paperback, the book is for everyone who loves books.

MARGARET WILLES, the former Publisher for the National Trust, has written and illustrated numerous books. She lives in London.

May Books about Books/History Paper 978-0-300-16404-6 $22.00sc Cloth 978-0-300-12729-4 F’ 08 Available as eBook 978-0-300-14236-5 304 pp. 5x8 90 b/w illus. World











100 MillioN uNNecessary

reTurNsA Simple, Fair, and

Competitive Tax Plan for the United StatesMichael J. Graetz

To most Americans, the United States tax code has become a vast and confounding puzzle. Graetz, one of the world’s leading tax policy experts, offers “the most interesting [tax] plan I’ve seen” (David Ignatius, Washington Post). Now in paperback, his plan would eliminate the income tax for most Americans and replace it with a value-added tax that would be levied on goods at each stage of exchange, from the producer to the consumer.

MICHAEL J. GRAETZ is a Professor of Law at Columbia University Law School.

March Economics Paper 978-0-300-16457-2 $22.00sc Cloth 978-0-300-12274-9 F’ 07 Available as eBook 978-0-300-15019-3 280 pp. 5 1⁄2 x 8 1⁄4 19 b/w illus. World

MoNey, MarkeTs, aNd sovereiGNTy

benn Steil and Manuel Hinds

Now in paperback. International finance experts benn Steil and Manuel Hinds “have written a revelatory historical essay on the rela-tionship between money and the state, emphasizing that from the very origins of coinage, rulers sought to establish and exploit monopolies over currencies. . . . At a time when a global financial crisis is reveal-ing the limits of state control over the money that banks create, this is a timely and original contribution” (Niall Ferguson, author of The Ascent of Money).

◆◆ A Council on Foreign Relations Book

bENN STEIL is senior fellow and director of international econom-ics, Council on Foreign Relations, and founding editor of the journal International Finance. MANUEL HINDS is a business and government consultant and former fellow, Council on Foreign Relations. He has twice served as minister of finance in El Salvador.

March Economics/Globalization Paper 978-0-300-16458-9 $22.00sc Cloth 978-0-300-14924-1 S’ 09 Available as eBook 978-0-300-15614-0 304 pp. 6 1⁄8 x 9 1⁄4 50 b/w illus. World

croaTiaA Nation Forged in War; Third Edition

Marcus Tanner

Now available in a third, revised edition, with more than 15,000 cop-ies sold, journalist Marcus Tanner plots the turbulence and drama of Croatia’s past and—drawing on his own experience and interviews with many of the leading figures in Croatia’s conflict—explains its violent history since Tito’s death in 1980. A substantial new chapter examines Croatia ten years on, investigates the political and social changes, and asks whether the post-independence dreams have been fully realized.

MARCUS TANNER is editor of the balkan Investigative Reporting Network and a leader writer for the London Independent. He is also the author of Ireland’s Holy Wars, The Last of the Celts, and The Raven King.

March History/Current Events Paper 978-0-300-16394-0 $25.00sc Paper 978-0-300-09125-0 F’ 01 384 pp. 5 x 7 3⁄4 32 b/w illus. World

sQueezedWhat You Don’t Know

About Orange JuiceAlissa Hamilton

Don’t drink another glass of orange juice before reading this book! Now in paperback, Squeezed exposes the juicy, hidden history of oJ to reveal that even most “not from concentrate” orange juice is heated, stripped of oxygen and flavor, stored in million-gallon tanks for up to a year, and then reflavored before it is packaged and sold. The book’s argument for a right to know how our food is produced is timely and thought provoking.


ALISSA HAMILToN is a Food and Society Policy Fellow with the Institute for Agriculture and Trade Policy. She lives in Toronto.

April Economics/Food Culture/Studies Paper 978-0-300-16455-8 $22.00sc Cloth 978-0-300-12471-2 S’ 09 Available as eBook 978-0-300-15563-1 288 pp. 5 1⁄2 x 8 1⁄4 12 b/w illus. World











a MoTher’s work

How Feminism, the Market, and Policy Shape Family Life

Neil Gilbert

Now in paperback, A Mother’s Work takes a hard look at the unprec-edented rise in childlessness, along with the outsourcing of family care and household production, which have helped to alter family life since the 1960s. In his “highly recommended” (Choice) book, Neil Gilbert challenges the conventional view on how to balance motherhood and employment, and examines how the choices women make are influenced by the culture of capitalism, feminist expectations, and the social policies of the welfare state.

NEIL GILbERT is Milton and Gertrude Chernin Professor of Social Welfare and Social Services at the University of California, berkeley. He is the author of numerous books, including Welfare Justice, and his writing on public policy issues has appeared in Commentary, Society, the Los Angeles Times, and the Wall Street Journal. He lives in orinda, CA.

May Social Science/Economics/Women’s Studies Paper 978-0-300-16461-9 $18.00sc Cloth 978-0-300-11967-1 S’ 08 Available as eBook 978-0-300-14509-0 240 pp. 5 1⁄2 x 8 1⁄4 6 b/w illus. World

whaT iNTelliGeNce

TesTs MissThe Psychology of Rational Thought

keith E. Stanovich

“In this compellingly readable book keith Stanovich explains the bold claim that the notions of rationality and intelligence must be distin-guished sharply and studied separately. His proposal would deeply change the field of intelligence testing and the study of individual deci-sion making—and he may well succeed” (Daniel kahneman, Nobel Laureate). Now in paperback, the book challenges widely held beliefs and explains why IQ tests miss the important cognitive skills that play a crucial role in real-world behavior.

kEITH E. STANoVICH is professor of human development and applied psychology, University of Toronto. He lives in Portland, oR.February Psychology/Education

Paper 978-0-300-16462-6 $22.00sc Cloth 978-0-300-12385-2 F’ 08 Available as eBook 978-0-300-14253-2 328 pp. 6 1⁄8 x 9 1⁄4 8 b/w illus. World

The fuTure of educaTioN

Reimagining Our Schools from the

Ground Upkieran Egan

Now in paperback, this provocative book “provides a brilliant concep-tual foundation for the future of education” (Science) and presents a frontal attack on current forms of schooling. kieran Egan, a prize-winning scholar, explores the goals of education—academic, social, and developmental growth—and exposes their flaws and fundamen-tal incompatibility. He then proposes and describes a process called Imaginative Education that would dramatically change teaching and curriculum.

kIERAN EGAN is professor of education, Simon Fraser University, and author of Getting It Wrong from the Beginning. He lives in Vancouver.February Education/Social Science

Paper 978-0-300-16459-6 $20.00sc Cloth 978-0-300-11046-3 F’ 08 Available as eBook 978-0-300-14252-5 208 pp. 5 1⁄2 x 8 1⁄4 For sale in the United States and Canada









Art & Architecture

154

81Art & Architecture

B196_paginationRed_101309_toYUP.indd 81 10/14/09 2:00 AM

2010Whitney Biennial

Edited by Francesco Bonami and Gary Carrion-Murayari

The catalogue accompanying the Whitney Museum of American Art’s signature survey of contemporary art

Since its inauguration in 1932, the Whitney Biennial has showcased contemporary artistic innovation, becoming a highly anticipated event in the art world. The 2010 Biennial is curated by Francesco Bonami and Gary Carrion-Murayari and features works by approxi-mately 55 artists working in a variety of media and practices.

Uniquely, this catalogue serves as both a handsome accompaniment to the 2010 exhibition and an insightful exploration of the signifi-cance of this acclaimed and often controversial event throughout its history. In addition to presenting full-color reproductions of the selected artists’ recent work, the curators have prepared a joint essay on the 2010 exhibition, and a group of writers contributed brief entries on the represented artists’ techniques, influences, and recent work. A detailed appendix features a short text on the significance of the museum’s annual and biennial exhibitions in the context of the museum’s history and broader collection, as well as photo-graphs of previous installations, facsimiles of historical reviews, and a chronological list of artists included in past annuals and bienni-als. Thumbnails of all previous catalogue covers are also included, positioning each Biennial as a snapshot of artistic practice at a particular moment.

Exhibition SchEdulE:Whitney Museum of American Art2/25/10–5/30/10

Distributed for the Whitney Museum of American Art

FrAnCESCo BonAMI is Artistic Director of the Fondazione Sandretto re rebaudengo and Fondazione Pitti Immagine Discovery and curator of the 2010 Biennial. He served as chief curator of the 50th Venice Biennale. GAry CArrIon-MUrAyArI is senior curatorial assistant at the Whitney Museum of American Art and associate curator of the 2010 Biennial.

Art Cloth 978-0-300-16242-4 $50.00256 pp. 7 1⁄2 x 9 1⁄4 150 color illus. World

82 Whitney MuseuM of AMeriCAn ArtArt & Architecture




April Art Cloth 978-0-300-16332-2 $65.00306 pp. 9 3⁄4 x 11 26 b/w + 120 color illus. World

AlicE nEElPainted Truths

Barry Walker, Jeremy Lewison, robert Storr, and Tamar Garb;

With appreciations by Chris ofili, Marlene Dumas, and Frank Auerbach

Spanning nearly seven decades, a comprehensive consideration of the psychologically acute and

surprisingly honest portraits of Alice Neel

Widely regarded as one of the most important American painters of the 20th century, Alice neel is internationally recognized for her contributions to Abstract Expressionism, especially her percep-tive portraiture. neel (1900–1984) was a portrait painter at a time when this was traditionally the role of a male artist. After ascend-ing to prominence in the 1960s as the feminist movement gained momentum, she has remained an iconic figure in the history of American painting.

A self-proclaimed “collector of souls,” neel often painted friends and family, as well as the celebrated artists and writers of her day, such as Andy Warhol, Frank o’Hara, and Meyer Shapiro, delving into personalities and idiosyncrasies with a rare frankness. Alice Neel: Painted Truths brings together paintings that demonstrate neel’s range and ability, along with insightful commentary from four lead-ing art historians. Although the book focuses on her portraits, it also covers the artist’s early social realist paintings and cityscapes, tracing the evolution of neel’s style and examining themes that she revisited throughout her career.

Exhibition SchEdulE:the Museum of fine Arts, houston 3/21/10–6/13/10Whitechapel Gallery, London 7/9/10–9/19/10Moderna Museet, Malmö, sweden 10/10/10–1/2/11

Distributed for The Museum of Fine Arts, Houston

BArry WALkEr is the curator of modern and contemporary art and prints and drawings at the Museum of Fine Arts, Houston. As the director of Jeremy Lewison Ltd., JErEMy LEWISon is a curator and advisor to the Estate of Alice neel. roBErT STorr is an artist, curator, and critic, as well as the dean of the yale School of Art. TAMAr GArB is the Durning Lawrence Professor in the History of Art at University College London.

Alice Neel, Elenka, 1936. Oil on canvas. The Metropolitan Museum of Art, Gift of Richard Neel and Hartley S. Neel, 1987 (1987.376). Image © The Metropolitan Museum of Art. © Estate of Alice Neel.

83Art & Architecturethe MuseuM of fine Arts, houston




Exhibition SchEdulE:the Menil Collection 2/11/10–8/15/10

Distributed for The Menil Collection

March Art Cloth 978-0-300-14688-2 $30.00128 pp. 6 1⁄2 x 9 50 color illus. World

MAurizio cAttElAnIs There Life Before Death?

Franklin Sirmans

The subversive, often jarringly direct sculptures of Italian artist Maurizio Cattelan (b. 1960) are acclaimed for their seemingly absurd juxtapositions and uncanny photorealism. reflecting deep suspicions of religious and political authorities, these constructions serve as sardonic critiques of existing power structures, forcing the viewer to challenge his or her understanding of symbols, both iconic and commonplace.

This publication features new works by Cattelan, as well as several of his large-scale pieces dating from 2003 to 2007, all of which are considered in the context of the Menil’s remarkable holdings, with a focus on contem-porary art. To this end, we see how works by artists such as Lucio Fontana, robert Morris, Michelangelo Pistoletto, robert rauschenberg, Cy Twombly, and Andy Warhol “converse” with Cattelan’s art. With com-mentary from Franklin Sirmans, this book presents the rare opportunity to appreciate Cattelan’s works amid the backdrop of the 20th century.

FrAnkLIn SIrMAnS is the Terri and Michael Smooke Department Head and Curatorof Contemporary Art at Los Angeles County Museum of Art. From 2006–2009 he was Curator of Modern and Contemporary Art at the Menil Collection.

Exhibition SchEdulE:the Metropolitan Museum of Art 3/1/10–5/23/10saint Louis Art Museum 6/20/10–9/12/10Dallas Museum of Art 10/3/10–1/2/11Minneapolis institute of Arts 1/23/11–4/17/11Information on additional venues can be found at YaleBooks.com

Published in association with FRAME (The French Regional and American Museum Exchange)

March Art Cloth 978-0-300-15517-4 $29.95128 pp. 8 x 12 100 color illus. World

thE MournErSTomb Sculpture from the Court of Burgundy

Sophie Jugie

During the late Middle Ages, the dukes of Burgundy––the wealthiest and most powerful aristocrats in northern Europe––commissioned sculptors of great renown to decorate their magnificent court in Dijon. Working in a studio presided over by Claus Sluter, these sculptors created monuments for the ducal family that rivaled contemporary Italian works.

This stunning book provides an in-depth study of the twin summits of the achievement of these artists––sculptures from the tombs of Philip the Bold (1342–1404) and his son, John the Fearless (1371–1419). These extraordi-nary marble and alabaster tombs serve as platforms for the ducal figures, who rest atop fully carved arcades. Within the spaces of the arcades, the artists carved individual monks in procession. Just over two feet high, each monk is a miniature embodiment of late medieval devotion. Shown in various states of mourning, they move in perpetual procession beneath the marble bodies of their rulers.

Accompanying the first major traveling exhibition of these recently restored sculptures, The Mourners illuminates the artistic sophistication and crafts-manship of these works.

SoPHIE JUGIE is director of the Musée des Beaux-Arts in Dijon.

84 Art & Architecture






FrAMing thE WEStThe Survey Photographs of Timothy H. O’Sullivan

Toby Jurovics, Carol M. Johnson, Glenn Willumson, and William F. Stapp;

Foreword by Page Stegner

A comprehensive look at one of the most celebrated photographers of the American frontier

The image of the untamed American West persists as one of our country’s most enduring cultural myths, and few photographers have captured more compelling images of the frontier than Timothy H. o’Sullivan. Trained under Mathew Brady, o’Sullivan accompanied several government expeditions to the West—most notably with geol-ogist Clarence king in 1867 and cartographer George M. Wheeler in 1871. Along these journeys, o’Sullivan produced many beautiful photographs that exhibit a forthright and rigorous style formed in response to the landscapes he encountered. Faced with challeng-ing terrain and lacking previous photographic examples on which to rely, o’Sullivan created a body of work that was without precedent in its visual and emotional complexities.

The first major publication on o’Sullivan in more than thirty years, Framing the West offers a new aesthetic and formal interpretation of o’Sullivan’s photographs and assesses his influence on the larger photographic canon. The book features previously unpublished and rarely seen images and serves as a field guide for o’Sullivan’s original prints, presenting them for the first time in sequence with the chro-nology of their production.

Exhibition SchEdulE:smithsonian Museum of American Art, Washington, D.C. 2/12/10–8/31/10

Published in association with the Smithsonian American Art Museum and the Library of Congress

ToBy JUroVICS is curator of photography at the Smithsonian Museum of American Art. CAroL M. JoHnSon is curator of pho-tography at the Library of Congress. GLEnn WILLUMSon is director of the graduate program in museum studies and associate pro-fessor of art history at the University of Florida. WILLIAM F. STAPP is an independent scholar of photography. PAGE STEGnEr is a novelist, essayist, and teacher.

March Photography/history Cloth 978-0-300-15891-5 $60.00272 pp. 9 1⁄2 x 11 1 b/w + 150 color illus. World




FiEry PoolThe Maya and the Mythic Sea

Edited by Daniel Finamore and Stephen D. Houston

A revolutionary new interpretation of ancient Maya art and culture

Maya art and hieroglyphs constitute one of the world’s most fasci-nating, visually striking, and complex systems of expression. Most scholarly interpretations of Maya art and culture have emphasized that this ancient civilization was oriented toward inland centers and preoccupied with the blood of royal lineage and ritual sacrifice. Drawing on recent archaeological discoveries and developments in deciphering Maya glyphs, this groundbreaking volume presents a revisionist reading that shifts the emphasis of interpretation to the mythic power of the sea as the basis of a larger, deeper cultural nar-rative and history for the Maya.

Surrounded by the sea in all directions, the Maya viewed water as a source of both life and danger. Through the artworks presented—including acknowledged masterpieces and many never before exhibited in the United States—readers will gain a new appreciation for water’s influence on Maya cosmology, its role in their interpreta-tion of the supernatural, as well as its impact on Maya cross-cultural contacts, trading practices, and power dynamics. Essays by promi-nent scholars provide an interdisciplinary context for understanding Maya art as well as new interpretations of traditional iconography and symbolism.

Accompanying a monumental exhibition comprising almost 100 artworks ranging from carved stone monuments to delicate jade sculptures, this compelling, richly illustrated publication will funda-mentally transform the interpretation of Maya art.

Exhibition SchEdulE:Peabody essex Museum, salem, Massachusetts 3/27/10–7/18/10Kimbell Art Museum, fort Worth, texas 8/29/10–1/2/11st. Louis Art Museum 2/13/11–5/8/11

Published in association with the Peabody Essex Museum

DAnIEL FInAMorE is The russell W. knight Curator of Maritime Art and History at the Peabody Essex Museum in Salem, Massachusetts. STEPHEn D. HoUSTon is The Dupee Family Professor of Social Science and Professor of Archaeology at Brown University.

April Art Cloth 978-0-300-16137-3 $65.00328 pp. 10 x 12 174 b/w + 192 color illus. World




April Art Cloth 978-0-300-15527-3 $65.00 368 pp. 9 3⁄4 x 12 3⁄4 125 b/w + 500 color illus. World

MATISSE Radical Invention, 1913–1917

Stephanie D’Alessandro and John Elderfi eld

A major reassessment of a critical moment in the work of one of the 20th century’s most important artists

The works that Henri Matisse (1869–1954) executed between late 1913 and 1917 are among his most demanding, experimental, and enigmatic. Often sharply composed, heavily reworked, and domi-nated by the colors black and gray, these compositions are rigorously abstracted and purged of nearly all descriptive detail. Although they have typically been treated as unrelated to one another, as aberra-tions within the artist’s oeuvre, or as singular responses to Cubism or World War I, Matisse: Radical Invention, 1913–1917 reveals the deep connections among them and their critical role in an ambitious, cohesive project that took the act of creation itself as its main focus.

This book represents the fi rst sustained examination of Matisse’s output from this important period, revealing fascinating informa-tion about his working method, experimental techniques, and compositional choices uncovered through extensive new historical, technical, and scientifi c research. The lavishly illustrated volume is published to accompany a major exhibition consisting of approxi-mately 125 paintings, sculptures, drawings, and prints. It features in-depth studies of individual works such as Bathers by a River and The Moroccans, which Matisse himself counted as among the most pivotal of his career, and facilitates a greater understanding of the artist’s innovative process and radical stylistic evolution.

Alvin Langdon Coburn (British, b. US, 1882–1966)UntitledNegative, gelatin on nitrocellulose roll fi lm 12 x 9 cmGift of Alvin Langdon Coburn 79:3924:0013© George Eastman House International Museum of Photography and Film

EXHIBITION SCHEDULE: Art Institute of Chicago 3/20/10 – 6/6/10Museum of Modern Art, New York 7/18/10 – 10/11/10

Distributed for the Art Institute of Chicago

STEPHANIE D’ALESSANDRO is the Gary C. and Frances Comer Curator of Modern Art at the Art Institute of Chicago. JOHN ELDERFIELD is the Chief Curator Emeritus of Painting and Sculpture at the Museum of Modern Art.

Henri Matisse, Bathers by a River,1909–10, 1913, 1916–17. Oil on canvas, 103 x 154 in. The Art Institute of Chicago, Charles H. and Mary F. S. Worcester Collection, 1953.158 © 2009 Succession H. Matisse/ Artists Rights Society (ARS), New York

87 Art & Architecture THE ART INSTITUTE OF CHICAGO



PilgriMAgE And buddhiSt ArtEdited by Adriana Proser;

With essays by Susan Beningson, Janice Leoshko, D. Max Moerman, katherine Paul, Ian reader, robert

Stoddard, Donald Swearer, and Chün-fang yü

A comprehensive study of the relationship between Buddhist pilgrimage and Asian visual culture

According to sacred texts, the historical Buddha encouraged his dis-ciples to make pilgrimages to sites associated with his life. As sacred images of the Buddha proliferated over time, it is said that his relics were divided among 84,000 South Asian sites of Buddhist worship, or stupas. This abundance of sacred sites in turn rendered pilgrim-age and worship increasingly prominent influences on Asian culture and daily life.

Pilgrimage and Buddhist Art employs sacred objects, textiles, sculp-ture, manuscripts, and paintings to discuss the relationship between Buddhist pilgrimage and Asia’s artistic production. Accompanying an exhibition of approximately 90 extraordinary objects, many of which have never before been displayed publicly, this book addresses the process of the sacred journey in its entirety, including discus-sion of pilgrimage motivation, ritual preparation, and worship at the sacred destination. Exceptional and visually stunning examples of painted mandalas, reliquaries, prayer wheels, and traveling shrines demonstrate that pilgrims and pilgrimage inspired centuries of artis-tic production and shaped the development of visual culture in Asia.

Through insightful essays by a team of scholars, Pilgrimage and Buddhist Art illuminates artwork’s complex role in Buddhist culture, in which art serves as a form of memory and a bridge to the spiritual world as well as a functional tool with temporal purposes.

Exhibition SchEdulE:Asia society Museum, new york 3/16/10–6/20/10

Published in association with the Asia Society Museum

ADrIAnA ProSEr is the John H. Foster Curator of Traditional Asian Art at Asia Society Museum, new york.

April Art Cloth 978-0-300-15566-2 $65.00224 pp. 9 x 12 130 color illus.

Buddha Shakyamuni. India, Bihar. Pala period, late 9th-early 10th century. Schist. H. 28 1⁄4 in. (71.8 cm). Asia Society, New York: Mr. and Mrs. John D. Rockefeller 3rd Collection, 1979.37. Image courtesy Asia Society, New York




PicASSo in thE MEtroPolitAn MuSEuM oF Art

Edited and with an introduction by Gary Tinterow

An unprecedented look at the distinguished collection of works by Picasso in the Metropolitan Museum

This landmark publication presents for the first time a comprehen-sive catalogue of the works by Pablo Picasso (1881–1973) in the Metropolitan Museum. Comprising thirty-four paintings, fifty-eight drawings, a dozen sculptures and ceramics, and more than four hundred prints, the collection reflects the full breadth of the art-ist’s multisided genius as it asserted itself over the course of his long and influential career. notable for its remarkable constellation of early figure paintings, which include the commanding At the Lapin Agile (1905) and the iconic portrait of Gertrude Stein (1906), the Museum’s collection also stands apart for its exceptional cache of drawings, which despite their importance and number remain rela-tively little known.

The key subjects that variously sustained Picasso’s interest—the pensive harlequins of his Blue and rose periods, faceted tabletops of his Cubist years, classicizing bathers and dreaming nudes of the 1920s and 30s, and the rakish musketeers of his maturity—are amply represented by works ranging in date from a dashing self-portrait in watercolor of 1900 to the fanciful image he painted of himself as a faun more than a half-century later.

An overview of the collection’s history; entries on nearly one hundred works that incorporate the latest technical and documentary find-ings and furnish a full record of the provenance, exhibition history, and references for each object; and an essay and illustrated checklist of the prints are also included in this illuminating and handsomely illustrated volume.

Exhibition SchEdulE:the Metropolitan Museum of Art 4/20/10–8/1/10

Published in association with The Metropolitan Museum of Art

GAry TInTEroW is Engelhard Chairman of nineteenth-Century, Modern, and Contemporary Art at The Metropolitan Museum of Art.

May Art Cloth 978-0-300-15525-9 $60.00324 pp. 9 x 12 400 b/w + 200 color illus. World

Pablo Picasso, Seated Harlequin. 1901. Oil on canvas, lined and mounted to a sheet of pressed cork. 32 ¾ in. x 24 1⁄8 in. Gift of Mr. and Mrs. John L. Loeb, 1960.

89Art & Architecturethe MetroPoLitAn MuseuM of Art



June Architecture/Landscape Design Cloth 978-0-300-15658-4 $65.00272 pp. 10 3/4 x 9 1/2 18 b/w + 215 color illus. World

A lAndScAPE MAniFEStoDiana Balmori;

Introduction by Michel Conan

A timely new strategy for landscape design in urban environments

Diana Balmori, an innovative and influential landscape architect in the field of urban design, makes the case for landscape as an art in her timely and provocative manifesto. This book presents Balmori’s most complete vision yet of the theory and practice of urban land-scape design as a discipline that combines the science of ecology with the formal aspects of aesthetics. Here, Balmori advocates a new formal language that reflects a philosophical shift in our traditional understanding of nature, along with “realignments” in how humans relate to nature and live in our world today, changes that will shape the livable city of the future.

A Landscape Manifesto includes discussions of urban ecology, environmental conservation, and environmentally beneficial build-ing techniques. Projects by Balmori Associates, which include the Memphis riverfront and a port area newly reclaimed by the Guggenheim Bilbao, illuminate Balmori’s innovations. Featuring an introduction by Michel Conan, one of landscape architecture’s most respected historians, Balmori’s book heralds a significant develop-ment in the literature of landscape architecture.

Also by DiAnA bAlmori:redesigning the American Lawn A Search for Environmental Harmony, Second Edition F. Herbert Bormann, Diana Balmori, and Gordon T. Geballe Paper 978-0-300-08694-2 $22.50tx

DIAnA BALMorI is an internationally recognized landscape and urban designer. She teaches at the yale University School of Architecture and the yale School of Forestry and Environmental Studies. She lives in new york. MICHEL ConAn is director of the Garden and Landscape Studies program at Dumbarton oaks research Library in Washington, D.C.

Balmori Associates. Green roof demonstration project for “Long Island (Green) City,” 2007. Gratz Industries, Long Island City, Queens, New York.





VEnicE city guidErichard J. Goy

A concise, authoritative guide to the architecture of Venice designed with the traveler in mind

Each year, millions of visitors travel to Venice to admire the archi-tectural marvels of this famed city. In this brief yet comprehensive volume, distinguished architect and critic richard Goy offers a con-venient and accessible guide to the city’s piazzas, palazzos, basilicas, and other architectural points of interest, as well as pertinent histori-cal details regarding Venice’s unique urban environment.

Clearly laid out and fully illustrated in color, this handbook is designed around a series of expertly planned walking tours that encompass not only the city’s most admired architectural sites but also its lesser-known gems. Specially made maps accompany each walking tour and provide additional references and insights along-side introductory chapters on the city’s architectural history, urban design, and building materials and techniques. Featuring a complete bibliography, glossary of key terms, and other useful reference mate-rials, Goy’s guide will appeal both to travelers who desire greater architectural context and analysis than a traditional guide may provide and to return visitors looking to rediscover Venice’s most enchanting sites.

rICHArD J. Goy is a practicing architect and has written several books on the archi-tectural history of Venice. He divides his time between London and Venice.

May Art/Architecture/reference Paper 978-0-300-14882-4 $28.00320 pp. 6 x 8 1⁄4 100 b/w + 100 color illus. World




June Architecture Cloth 978-0-300-11654-0 $65.00272 pp. 8 1⁄2 x 11 125 b/w + 40 color illus. World

AMEricAn glAMour And thE EVolution oF ModErn ArchitEcturE

Alice T. Friedman

The rise of luxury and sophistication in mid-century modern architecture and design

The sleek lines and gleaming facades of the architecture of the late 1940s and 1950s reflect a culture fascinated by the promise of the Jet Age. Buildings like Eero Saarinen’s TWA Terminal at JFk Airport and Philip Johnson’s Four Seasons restaurant retain a thrill-ing allure, seeming to transform the ordinary into the extraordinary. In this work, distinguished architectural historian Alice Friedman draws on a vast range of sources to argue that the aesthetics of mid-century modern architecture reflect an increasing fascination with “glamour,” a term widely used in those years to characterize objects, people, and experiences as luxurious, expressive, and even magical.

Featuring assessments of architectural examples ranging from Mies van der rohe’s monolithic Seagram Building to Elvis Presley’s sprawling Graceland estate, as well as vintage photographs, advertise-ments, and posters, this book argues that new audiences and client groups with tastes rooted in popular entertainment made their pres-ence felt in the cultural marketplace during the postwar period. The author suggests that American and European architecture and design increasingly reflected the values of a burgeoning consumer society, including a fundamental confidence in the power of material objects to transform the identity and status of those who owned them.

AlSo by AlicE t. FriEdMAn:Women and the Making of the Modern House Paper 978-0-300-11789-9 $29.95

ALICE T. FrIEDMAn is Grace Slack Mcneil Professor of the History of American Art and director of the Mcneil Program for Studies in American Art at Wellesley College.

Frank Lloyd Wright, Beth Sholom Synagogue, 1959





Evening Ensemble, 1983 Possibly by Charles Frederick Worth (1826–1895) Silk, linen, beads, metallic thread Brooklyn Museum Costume Collection at the Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of Edith Gardiner, 1926.

Exhibition SchEdulE:the Metropolitan Museum of Art 5/5/10–8/15/10Brooklyn Museum5/7/10–8/15/10


June fashion/history Cloth 978-0-300-15522-8 $50.00256 pp. 9 x 11 225 color illus. World

high StylEFashion Masterworks from the Brooklyn

Museum Costume CollectionJan Glier reeder

This lavishly illustrated volume is the first comprehensive publica-tion on the Brooklyn Museum’s internationally renowned historic costume collection. The nearly 25,000-object collection comprises fashionable women’s and men’s garments and accessories from the 18th through the 20th century. It features sumptuous 19th-century gowns from the House of Worth, exquisite works by the great 20th-century French couturiers, iconic Surrealist-based designs of Elsa Schiaparelli, sportswear classics from pioneer American women designers, and the incomparable draped and tailored creations of Charles James.

In 2009, the Brooklyn Museum and The Metropolitan Museum of Art entered into a groundbreaking long-term partnership to steward Brooklyn’s collection. The objects were transferred to The Costume Institute at the Metropolitan, with Brooklyn maintaining curatorial access. Exhibitions of costumes from the collection will be held at both institutions in early May 2010.

JAn GLIEr rEEDEr is Consulting Curator, Brooklyn Museum Costume Collection, The Costume Institute, The Metropolitan Museum of Art.



AnDrEW BoLTon is Curator of The Costume Institute at The Metropolitan Museum of Art.

May fashion/history Paper 978-0-300-16553-1 $19.9572 pp. 9 x 11 125 color illus. World

AMEricAn WoMAnFashioning a National Identity

Andrew Bolton

This intriguing book will examine how the ideal of the American Woman evolved from “old World” ideas of elegance into a specifically American sensibility. At the same time, it will explore the impact of the image of the American Woman on haute couture, revealing how the “slender American Diana” displaced the “rounded French Venus” as the prevailing archetype of beauty to emerge as the enduring symbol of style and glamour in the 20th century. This unique publication includes archetypes of American feminin-ity from the Gilded Age to the Golden Age of Hollywood that include “The Grand Dame,” “The Heiress,” “The Gibson Girl,” “The Bohemian,” “The Suffragist,” “The Patriot,” “The Flapper,” and “The Screen Siren,” illustrated with costumes from the Brooklyn Museum collection designed by Worth, Poiret, Patou, Chanel, Lanvin, Schiaparelli, James, Valentina, and others.

93Art & Architecturethe MetroPoLitAn MuseuM of Art




June Photography Cloth 978-0-300-16343-8 $50.00256 pp. 9 1⁄2 x 11 3⁄4 200 color illus. North America only

ExPoSEdVoyeurism, Surveillance, and the Camera Since 1870

Sandra S. Phillips;With contributions by Simon Baker, Phillip Brookman,

Marta Gili, Carol Squiers, and richard B. Woodward

A shocking new exploration of the photographer as voyeur

Since the rise of the photographic medium in the late 19th century, people have been fascinated by the camera’s ability to record striking moments both public and private. From Matthew Brady’s haunt-ing images of the Civil War to the present day paparazzi’s brand of voyeurism-for-hire, photography has long served to capture not only the posed portrait but also the personal, the intimate, the unex-pected, and the taboo. This fascinating book examines the ways in which acts of voyeurism and surveillance have inspired, challenged, and expanded the medium of photography throughout its evolution.

Featuring photography by Sophie Calle, Henri Cartier-Bresson, Walker Evans, Harun Farocki, nan Goldin, robert Mapplethorpe, Helmut newton, Andy Warhol, and Weegee, among others, Exposed chronicles the artistic, political, and even moral dilemmas that underlie some of these artists’ best known works. Through insight-ful essays and commentary by Sandra Phillips, one of the foremost authorities on the history of 20th-century photography, Exposed examines some of the most invasive and unsettling aspects of pho-tography, including the use of the hidden camera, the production of erotic pictures and pornography, and the intersection of photography with both celebrity and violence.

Exhibition SchEdulE:tate Modern5/28/10–9/19/10san francisco Museum of Modern Art10/23/10–1/9/11Walker Art Center, Minneapolis 2/12/11–5/22/11

Published in association with the San Francisco Museum of Modern Art

SAnDrA S. PHILLIPS is senior curator of photography at the San Francisco Museum of Modern Art.

Georges Dudognon, Greta Garbo in the Club St. Germaine, ca. 1950s. Gelatin silver print, 7 1⁄16 x 7 1⁄8 in. (17.94 x 18.1 cm). San Francisco Museum of Modern Art, Members of Foto Forum Purchase, 2005.200. © Estate of Georges Dudognon





Art For AllBritish Posters for Transport

Edited by Teri J. Edelstein;With essays by Teri J. Edelstein, oliver Green, neil

Harris, Peyton Skipwith, and Michael Twyman

A beautifully illustrated survey of British transport poster design from the early 20th century

In 1908 London Underground began a comprehensive publicity program that became one of the most successful, adventurous, and best-sustained promotional operations ever attempted. The posters commissioned not only encouraged travel on the capital’s burgeon-ing public transport system; they also helped to foster a civic identity for metropolitan London. The four national rail lines created in 1923, inspired by this example, created their own campaigns. This richly illustrated volume celebrates the designs, highlighting works that are among the triumphs of 20th-century poster art.

Designed to accompany an exhibition at the yale Center for British Art, Art for All features more than one hundred works executed for the Underground and the railways. The catalogue will explore the evolution of transport posters in 20th-century Britain. It will feature the career of E. Mcknight kauffer, perhaps the greatest of these poster artists; the role of women designers; the printing techniques that brought the designs to life; and the strategies of display devel-oped by the transport systems. Both a visual delight and a work of scholarship, Art for All pays tribute to these extraordinary exploits in public design.

Exhibition SchEdulE:yale Center for British Art5/27/10–8/15/10

Published in association with the Yale Center for British Art

TErI J. EDELSTEIn is a former research fel-low at the yale Center for British Art. She now lives in Chicago, where she has been deputy director of the Art Institute and more recently has served as an international art consultant.

June Art Cloth 978-0-300-15297-5 $50.00280 pp. 8 1⁄2 x 11 330 color illus. World

95Art & ArchitectureyALe Center for British Art



“The William Merritt Chase catalogue raisonné stands as a remarkable achievement and will long remain a treasure trove for anyone interested in the art of Chase and American art in general.”—Bruce Weber, National Academy Museum

Published in association with the Pisano/Chase Catalogue Raisonné Project

June Art Cloth 978-0-300-11019-7 $65.00256 pp. 9 1⁄2 x 12 211 b/w + 127 color illus. World

WilliAM MErritt chASEStill Lifes, Interiors, Figures, Copies of

Old Masters, and Drawingsronald G. Pisano;

Completed by D. Frederick Baker and Carolyn k. Lane

This is the fourth and final volume in the complete catalogue of the work of William Merritt Chase (1849–1916). Included in this handsome book are interiors, primarily paintings of his renowned Tenth Street Studio, and still life paintings, in particular his well-known depictions of fish, which were sought after by major collectors and museums at the time they were painted. In addition, the catalogue contains his figure works, copies of paintings by old Masters including Diego Velázquez, Anthony van Dyck, Frans Hals, and rembrandt van rijn, and a selection of drawings. Finally, the book fea-tures a complete list of auction records during Chase’s lifetime.

Through painstaking care and research, this volume uncovers previously unattributed and unidentified works by Chase, presenting new revelations and serving as a fitting capstone to this ambitious publishing project.

ronALD G. PISAno, who was curator of the Heckscher Museum of Art and director of the Parrish Art Museum, researched and prepared the complete catalogue of Chase’s work for over thirty years before his untimely death in 2000. D. FrEDErICk BAkEr is a director of the Pisano/Chase Catalogue raisonné Project. CAroLyn k. LAnE is a Ph.D. candidate in American art at the Graduate Center of the City University of new york.

Exhibition SchEdulE:Philadelphia Museum of Art11/21/09–4/4/10

Distributed for the Philadelphia Museum of Art

March Art Paper original 978-0-300-16463-3 $12.0060 pp. 8 1⁄2 x 9 1⁄2 55 color illus. World

brucE nAuMAn: toPologicAl gArdEnSInstallation Views

Edited by Carlos Basualdo and Erica F. Battle;Text by Carlos Basualdo;

Photography by Michele Lamanna

Winner of the Golden Lion for the Best national Participation at the 53rd International Art Exhibition—La Biennale di Venezia, the exhibition Bruce Nauman: Topological Gardens is celebrated in this photographic docu-mentation of the thematic installation as presented at three sites in Venice: the U.S. Pavilion at the Giardini della Biennale, and two of the city’s most esteemed academic institutions, the Università Iuav di Venezia at Tolentini and the Exhibition Spaces at Università Ca’ Foscari.With a body of work that encompasses video, installation, drawing, sculpture, printmaking, photogra-phy, and neon spanning from the 1960s to the present day, Bruce nauman (born 1941) is one of the most innovative artists of his generation. Through Michele Lamanna’s stunning series of photographs, commissioned by the Philadelphia Museum of Art, this publication captures the visitor’s experi-ence of encountering nauman’s work and coincides with the U.S. premiere of the artist’s newest works—Days and Giorni—in Philadelphia.

CArLoS BASUALDo is the keith L. and katherine Sachs Curator of Contemporary Art and ErICA F. BATTLE is a Project Curatorial Assistant, at the Philadelphia Museum of Art. MICHELE LAMAnnA is a photographer who lives and works in Parma and Venice.







June Art Cloth 978-0-300-16358-2 $65.00256 pp. 9 1⁄2 x 11 66 b/w + 175 color illus. World

MArk brAdFordYou’re Nobody (Til Somebody Kills You)

Christopher Bedford;With contributions by Hilton Als, Carol Eliel, richard

Shiff, katy Siegel, robert Storr and Hamza Walker

A stunning mid-career retrospective

Mark Bradford is best known for dazzling large-scale abstract collages that incisively examine class, race, and the gender-based econo-mies that structure urban society in the United States. A recipient of a 2009 MacArthur Foundation Award (nicknamed the “genius grants”), Bradford gathers found and salvaged materials from the area surrounding his studio in Leimert Park, L.A., engaging in an intricate artistic process that involves both creation and destruction. His complex, fractured works address pressing political issues and the media’s influence on contemporary society while cataloguing cul-tural change and the artist’s personal responses to societal conditions.

The first major book on this leading African American artist, Mark Bradford: You’re Nobody (Til Somebody Kills You) features essays by distinguished authors who investigate how Bradford deftly straddles the line between social critique and formal innovation, playing the two against one another to produce works of seduction and analysis. Topics include Bradford’s debt to abstract expressionism, his relation-ship to the largely unknown history of 20th-century abstraction by African American artists, his work as a public artist, and his interest in midcentury European collage and décollage practices.

Exhibition SchEdulE:Wexner Center for the Arts 5/7/10–8/15/10Additional venues to be announced

Published in association with the Wexner Center for the Arts

CHrISToPHEr BEDForD is curator at the Wexner Center for the Arts. HILTon ALS is theater critic for The New Yorker. CAroL ELIEL is curator at the Los Angeles County Museum of Art. rICHArD SHIFF is professor and Effie Marie Cain regents Chair in Art at the University of Texas. kATy SIEGEL is pro-fessor of art history at City University of new york. roBErT STorr is dean of the yale University School of Art. HAMzA WALkEr is director of education at The renaissance Society at The University of Chicago.

Mark BradfordBread and Circuses, 2007Mixed media collage on canvas, 133 x 253 in. (337.82 x 642.62 cm)Whitney Museum of American Art, New York;purchase, with funds from Patrick and Mary Scanlan 2008.42© Mark Bradford Photograph by Juan Carlos Avendaño, courtesy Sikkema Jenkins & Co., New York





Sachie Takada (b. 1976) Robe, Kimono and mixed media

Exhibition SchEdulE:Japan society Gallery, new york 7/8/10–8/15/10

Distributed for the Japan Society

July Decorative Arts PB-with flaps 978-0-300-16369-8 $15.0072 pp. 9 5⁄8 x 8 60 color illus. World

nuiEmbroidery from a Sheltered Community

Joe Earle

Shobu Gakuen, a rehabilitation facility established in 1973 in southwest Japan, has had a long tradition of providing a venue for adults with devel-opmental difficulties to make crafts. The goal of this pioneering and highly successful facility was to empower its residents to become active and pro-ductive individuals within their communities. In 1985, kobo (Studio) Shobu was created to emphasize the production style of each person in the facility and is now receiving international attention, especially for the nui (Stitching) Project.

This is the first English-language publication to feature works by extraor-dinary nui artists. reproducing some 50 works that represent a spectrum of embroidery forms, from simple stitching to French knots, this handsome book provides new information based on direct observation of the artists and their stunning embroideries, as well as interviews with Shin Fukumori, the founder of Shobu Gakuen.

JoE EArLE is vice president and director of the gallery at Japan Society in new york City.

Exhibition SchEdulE:the Museum of fine Arts, houston6/30/10–9/12/10


July Photography/Architecture Cloth 978-0-300-16333-9 $50.00224 pp. 10 3⁄4 x 11 1⁄4 140 b/w + 20 color illus. World

kAtSurA—Picturing ModErniSM in JAPAnESE ArchitEcturE

Photographs by Ishimoto Yasuhiroyasufumi nakamori

originally published by yale University Press in 1960, Katsura: Tradition and Creation of Japanese Architecture is the most significant photographic publication about the relationship of modernity and tradition in postwar Japan. Designed by famed Bauhaus graphic artist Herbert Bayer, Katsura comprises 135 black-and-white photographs by Ishimoto yasuhiro depicting the 17th-century katsura Imperial Villa in kyoto, with essays by architects Walter Gropius and Tange kenzo. This new publication argues that Tange, motivated by a desire to transform the architectural images into abstract fragments, played a major role in cropping and sequencing Ishimoto’s pho-tographs for the book. The author provides a fresh and critical look at the nature of the collaboration between Tange and Ishimoto, exploring how their words and images helped establish a new direction in modern Japanese architecture. The book serves as an important contribution to the growing scholarly field of post-1945 Japanese art, in particular the juncture of photog-raphy and architecture.

yASUFUMI nAkAMorI is assistant curator of photography at The Museum of Fine Arts, Houston.






July Art Cloth 978-0-300-13412-4 $65.00352 pp. 9 1⁄2 x 11 1⁄2 350 color illus. World

PicASSo lookS At dEgASElizabeth Cowling and richard kendall;

With contributions by Cécile Godefroy, Sarah Lees, and Montse Torras

The great Spanish painter and sculptor Pablo Picasso (1881–1973) exhibited a lifelong fascination—some might say “obsession”—with the work and personality of French artist Edgar Degas (1834–1917). In this groundbreaking study, noted Degas scholar richard kendall and Picasso expert Elizabeth Cowling present well-documented instances of Picasso’s direct responses to Degas’s work, as well as more conceptual and challenging affinities between their oeuvres. richly illustrated essays explore the artists’ parallel interests in mod-ern urban life, ballet dancers, activities such as bathing and combing the hair, photography, and the challenges of sculpture. The book also provides the first extended analysis of Picasso’s engagement with Degas’s art in his final years, when he acquired several of the French artist’s brothel monotypes and reworked some of them in his own prints. offering many fresh ideas and a significant amount of new material about two of the most popular and influential artists of the modern era, this handsome book promises to make a lasting contri-bution to the literature on both artists.

Exhibition SchEdulE:sterling and francine Clark Art institute 6/13/10–9/12/10Museu Picasso, Barcelona 10/14/10–1/16/11

Distributed for the Sterling and Francine Clark Art Institute

ELIzABETH CoWLInG is Professor Emeritus of History of Art at Edinburgh University, and an independent scholar and exhibition curator. rICHArD kEnDALL is Consultative Curator of nineteenth-Century Art at the Clark, as well as an independent scholar and exhibition curator. CéCILE GoDEFroy is a researcher at the Fundación Almine y Bernard ruiz-Picasso para el Arte in Madrid. SArAH LEES is Associate Curator of European Art at the Clark. MonTSE TorrAS is Exhibitions Coordinator at the Museu Picasso in Barcelona.

Edgar Degas, Woman Standing in a Bathtub, c. 1890–92. Charcoal on yellow tracing paper. Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

99Art & Architecturethe CLArK




EVA hESSE SPEctrES 1960Edited by E. Luanne Mckinnon;

With contributions by Elisabeth Bronfen, Louise S. Milne, Helen A. Molesworth, and E. Luanne Mckinnon

A new examination of a fascinating group of paintings from a pioneering mid-century artist

In 1960 Eva Hesse (1936–1970) created an unusual group of oil paint-ings that, when considered in contrast to her sculptural assemblages from 1965 to 1970, foretell her desire to embody emotional states in abstract form. Contrary to existing scholarship, which suggests that these works represent a form of self-deprecation, this book seeks to consider these “spectre” paintings as manifestations of a private, haunted interiority in the context of the artist’s burgeoning maturity.

The paintings in the spectre campaign comprise two distinct catego-ries. The first, a selection of small-scale oil on Masonite paintings, depicts two or three loosely rendered figures positioned in vacant pictorial spaces. These gaunt forms portray an apparent disconnec-tion between one body and another; and yet, the pictorial drama of the works would be incomplete without the presence of each figure. The second group of paintings imbues a more perplexing psycho-logical state, as characters alternately take on the forms of alien-like creatures or as close resemblances to the artist herself. Through an enlightening assessment of these under-appreciated works, readers will gain new insight into their pivotal role in Hesse’s oeuvre.

Exhibition SchEdulE:hammer Museum, Los Angeles9/1/10–11/30/10university of new Mexico Art Museum, Albuquerque1/1/11–4/3/11

Published in association with the University of New Mexico Art Museum, Albuquerque

E. LUAnnE MCkInnon is Director of the University of new Mexico Art Museum. ELISABETH BronFEn is a Global Distinguished Professor of German, nyU, and Chair of American Studies at the University of zurich. LoUISE S. MILnE is Lecturer at napier University and the Centre for Visual Studies, Edinburgh College of Art, Scotland. HELEn A. MoLESWorTH is the Maisie k. and James r. Houghton Curator of Contemporary Art at the Fogg Art Museum, Harvard University.

March Art Cloth 978-0-300-16415-2 $40.00130 pp. 7 x 9 1⁄2 30 color illus. World

No Title, 196015 3⁄4 x 12 inchesoil on masoniteThe Estate of Eva Hesse. Courtesy Hauser & Wirth




AgnES MArtinEdited by Lynne

Cooke and karen kelly;

With essays by rhea Anastas, Douglas Crimp, Jonathan D. katz, Michael

newman, kathryn A. Tuma, et al.

Published in association with Dia Art Foundation.

Previously announced: Gorgeously quiet in color and composi-tion, Agnes Martin’s paintings have a distinctive grace that sets them apart from those of the Abstract Expressionists of her day and the Minimalist artists she inspired. This important new anthology brings together the most current scholarship on Martin’s paintings by twelve multidisciplinary essayists who consider various aspects of the artist’s four-decade career.

LynnE CookE is curator at Dia Art Foundation and chief curator at the Centro de Arte reina Sofía, Madrid. kArEn kELLy is Director of Publications and Special Programs at Dia Art Foundation.

April Art PB-with flaps 978-0-300-15105-3 $35.00240 pp. 7 1⁄2 x 10 60 b/w + 14 color illus. World

zoE lEonArdYou see I am here after all

Lynne Cooke, Angela L. Miller, and Ann reynolds

Distributed for Dia Art Foundation.

Previously announced: zoe Leonard’s You see I am here after all brings together thousands of postcard images of the “great cataract,” niagra Falls, from the early 1900s through the 1950s. This grand accumula-tion of viewpoints brings up issues as diverse as human interventions with nature and the function of landscape in inventing American historical narratives, as well as the technological evolution of image reproduction and dissemination.

LynnE CookE is curator at Dia Art Foundation and chief curator at the Centro de Arte reina Sofía, Madrid. AnGELA L. MILLEr is professor of art history at Washington University in St. Louis. Ann rEynoLDS is associate professor in the department of art and art history and the Center for Women’s and Gender Studies at the University of Texas at Austin.April Photography/Art

Cloth 978-0-300-15168-8 $35.00126 pp. 9 x 7 1⁄2 60 b/w + 150 color illus. World

FlArEThomas nozkowski and Cole Swenson

Distributed for the Beinecke Rare Book and

Manuscript Library

Recently published: Flare is the culminating project of the 2007–2008 collaborative Artist and Poet in residence Program sponsored by the yale University Art Gallery & Beinecke rare Book and Manuscript Library, yale University. The book includes new poems by Cole Swensen and new prints by Thomas nozkowski. The poet and illustra-tor visited yale together on several occasions to work on this project, influencing one another’s artistic process and completed work, and the book reflects the makers’ creative conversation and collaboration.

THoMAS nozkoWSkI currently lives and works in new york. CoLE SWEnSEn is the author of over ten poetry collections and as many transla-tions of works from the French.

november Art Paper original 978-0-300-16240-0 $25.0060 pp. 8.5 x 13 10 color illus. World

lA ProSE du trAnSSibEriEn

Et dE lA PEtitE JEhAnnE dE

FrAncEBlaise Cendrars,

with illustrations by Sonia Delaunay;

Edited by Timothy young

Now back in print: The first full-color, full-size facsimile of the origi-nal 1913 collaboration between the poet Blaise Cendrars and the artist Sonia Delaunay that came to define the modern artist’s book and stands as one of the most beautiful books ever created. Made after an original copy in the collection of the Beinecke rare Book and Manuscript Library at yale University, the replica makes a modern-ist icon available to collectors, teachers, and others with an interest in poetry, art, and book making.

Distributed for the Beinecke Rare Book and Manuscript Library

BLAISE CEnDrArS was the model of the 20th- century avant-garde man. SonIA DELAUnAy was one of the most influential painters of the 20th century. TIMoTHy yoUnG is associate curator of modern books and man-uscripts at the Beinecke rare Book and Manuscript Library, yale University.

May Art 978-0-300-14189-4 $35.00boxed folded poster 4 x 7 1⁄2 US only International edition 978-0-300-16414-5

101Previously Announced/recently Published/Back in Print










March Art Paper 978-0-300-16161-8 $14.95sc 64 pp. 8 1⁄2 x 11 10 b/w + 58 color illus. World

thE gEniuS oF AndrEA MAntEgnAkeith Christiansen

Few artists have managed to imprint their personality so indelibly on pos-terity as Andrea Mantegna (c. 1430–1506). Before he reached the age of twenty, Mantegna was already being praised for his alto ingegno (exalted genius), and he became the court artist for the Gonzaga family in Mantua before he was thirty. yet, this book argues, Mantegna was not simply a great painter. Together with Donatello, he was the defining genius of the 15th century: the measure of what an artist could be. His highly original and deeply personal vision, the descriptive richness of his pictures, and his biting, hypercritical but always exalted mind gave Mantegna’s art an extraordinary edge and earned him a preeminent place in the renaissance.

kEITH CHrISTIAnSEn is John Pope-Hennessy Chairman, European Paintings at The Metropolitan Museum of Art.

Distributed for the Whitney Museum of American Art

february Art Paper 978-0-300-15902-8 $16.95sc 120 pp. 5 1⁄2 x 8 1⁄2 40 b/w illus. World

tiME out oF JointRecall and Evocation in Recent Art

Edited by Luigi Fassi, Lucy Gallun, and Jakob Schillinger

This engaging publication explores the artistic practices that employ evoca-tion—the calling forth of past emotions, desires, frustrations, and memories into the present—as a mode of connecting past and present. Featuring the work of emerging artists working in a variety of media, including ronnie Bass, kajsa Dahlberg, Tellervo kalleinen and oliver kochta-kalleinen, Fikret Atay, katerina Seda, Maryam Jafri, and Johanna Billing, as well as films by keren Cytter, kevin Willmott, and Jennifer Phang, the book chal-lenges the conventional approach to history whereby the past is kept at a distance as historical fact. ranging from playful to haunting, the artworks presented here rupture conventional notions of time to alter the dynamic of the present moment and enhance the possibilities for radical change on both a personal and sociopolitical scale.

LUIGI FASSI is Artistic Director of Ar/Ge kunst, Bolzano, Italy. LUCy GALLUn is the Whitney Lauder Curatorial Fellow at the Institute of Contemporary Art in Philadelphia. JAkoB SCHILLInGEr is an artist living in Berlin and new york.

102 scholarly Art & Architecture Books of interest to the General trade







January Art Cloth 978-0-300-16372-8 $50.00sc 208 pp. 9 x 12 132 color illus. World

MAStErPiEcES FroM thE MuSEuM oF FinE ArtS, houSton

Director’s ChoicePeter C. Marzio;

With staff of The Museum of Fine Arts, Houston

In this beautifully illustrated book, Peter C. Marzio, director of The Museum of Fine Arts, Houston, offers his personal commentary on more than 100 of his favorite masterpieces chosen from the nearly 60,000 works in the muse-um’s permanent collection. The works are sequenced chronologically, representing more than five-thousand years of civilization on six continents, and spanning the ancient to the digital worlds.

The volume begins with a majestic sculpture of an ibex, c. 3000 B.C., and concludes with the astonishing animated video City Glow, by Chiho Aoshima, created in 2005. Informative and accessible descriptions of the artworks by the museum’s curatorial staff complement Dr. Marzio’s commentary and together offer fascinating comparisons, innovative jux-tapositions, and unexpected affinities between the diverse works of art. As Dr. Marzio writes in the introduction, “Each masterpiece represents a magi-cal moment when the humanistic impulse to rise above the mundane and the everyday is triumphantly achieved.”

PETEr C. MArzIo has served as Director of The Museum of Fine Arts, Houston, since 1982.


february Art Paper 978-0-300-15160-2 $50.00tx 176 pp. 9 x 10 7⁄8 75 b/w + 100 color illus. World

MEtroPolitAn MuSEuM StudiES in Art, SciEncE, And

tEchnology, VoluME 1, 2010 With contributions by Andrea Bayer, Lawrence Becker,

Federico Carò, Silvia A. Centeno, Ann Heywood, Lucretia kargère, Dorothy Mahon, Adriana rizzo,

Xavier F. Salomon, Deborah Schorsch, Donna Strahan, and Mark T. Wypyski

This is the first volume in a new series focused on the technical study of museum objects through the collaborative efforts of conservators, research scientists, and curators. Written for a professional audience, the publication underscores the importance of a thorough understanding of the context, materials, and technical nature of works of art.

This volume includes a history of early objects conservation practices in The Metropolitan Museum of Art; an exploration of the use of lapis lazuli and azurite as pigments in ancient Egypt; two related investigations into the casting methods and materials of early Chinese bronze Buddha figures; a compositional study of medieval Islamic enameled glass; an analysis of the polychrome decoration on four French romanesque sculptures; and an evaluation of several paintings by Paolo Veronese, addressing a longstanding debate over whether they originated as a group.

103scholarly Art & Architecture Books of interest to the General trade






Sound And SPAcE in

rEnAiSSAncE VEnicE

Architecture, Music, Acoustics

Deborah Howard and Laura Moretti

While composers of sacred music in 16th-century Venice were devising increasingly complex choral polyphony, Venetian archi-tects began to develop new configurations of sacred space. This fascinating book explores the direct relationship between archi-tectural design and sacred music in renaissance Venice. Deborah Howard and Laura Moretti combine historical research into the architectural and liturgical traditions of a dozen Venetian churches with the results of a parallel series of scientific surveys and live cho-ral experiments of the acoustic properties of the chosen buildings.

DEBorAH HoWArD is Professor of Architectural History, University of Cambridge, and Fellow of St John’s College, Cambridge. LAUrA MorETTI is Scott opler research Fellow in Architectural History, Worcester College, oxford.

february Architecture Cloth 978-0-300-14874-9 $55.00sc 256 pp. 6 3⁄4 x 9 1⁄2 100 b/w + 20 color illus. World

brilliAnt EFFEctS

A Cultural History of Gem Stones

and JewelryMarcia Pointon

In a broad-ranging and exceptional work of cultural and art history, Marcia Pointon explores what owning, wearing, distributing, and circulating gems and jewelry has meant in the post-renaissance history of Europe. She examines the capacity of jewels not only to fascinate but also to create disorder and controversy throughout history and across cultures.

Pointon argues that what is materially precious is invariably con-tentious. When what is precious is a finely crafted artifact made from hard-won imported materials, the stakes become particu-larly high—evidenced, for example, by the political fallout from Marie-Antoinette’s implication in the affair of the stolen diamond necklace. Prodigiously rich in its range of reference and truly interdisciplinary in its approach, this book challenges the reader to reassess the importance of material things as powerful agents in human relations and in visual and verbal representation.

MArCIA PoInTon is Professor Emeritus in History of Art, Manchester University, and Honorary research Fellow, Courtauld Institute of Art.

December Art history/Cultural history Cloth 978-0-300-14278-5 $85.00sc 368 pp. 9 1⁄2 x 11 1⁄2 100 b/w + 150 color illus. World

PAinting For ProFit

The Economic Lives of Seventeenth-Century

Italian Paintersrichard Spear and

Philip Sohm;With contributions

by renata Ago, Elena Fumagalli,

richard Goldthwaite, Christopher Marshall, and raffaella Morselli

In this highly original book five leading art historians team up with two distinguished economic and social historians to investigate the financial worlds of painters in Baroque Italy. Exploring the many variables that determined the prices asked or received by paint-ers—including the status of their patrons, the size of works and time spent making them, their subject matter, and their number of figures—the authors offer major insights into the social lives, psychological disposition, and economic circumstances of a wide range of major and minor artists.

rICHArD SPEAr is Professor Emeritus of Art History at oberlin College and Affiliate research Professor at the University of Maryland, College Park. PHILIP SoHM is University Professor at the University of Toronto.

June Art Cloth 978-0-300-15456-6 $85.00sc 400 pp. 8 1⁄2 x 11 120 b/w + 30 color illus. World








ruSkin on VEnicE

“The Paradise of Cities”

robert Hewison

Venice represented John ruskin’s ideal of civic society—“The Paradise of Cities,” where culture, government, and faith existed in creative harmony. In this elegant and compelling book, robert Hewison traces ruskin’s long and intricate relationship with the city. He shows how ruskin shed his earlier romantic vision of the city and developed a harder, clearer conception of neglected Gothic Venice through an intense study of the city’s physical fabric that would change the international understanding of the city.

Drawing on the rich resources of ruskin’s drawings, architectural notebooks, and manuscripts (including previously unpublished daguerreotypes from ruskin’s own collection), Hewison offers fresh insights into both ruskin and nineteenth-century Venice and reveals how ruskin’s work and his connection with the city from youth to old age have helped to shape the image of the Venice we know today.

roBErT HEWISon is Professor of Cultural Policy and Leadership Studies at the City University, London, and Associate at the think tank Demos.

february Art/urban studies Cloth 978-0-300-12178-0 $85.00sc 500 pp. 7 1⁄2 x 10 105 b/w + 25 color illus. World

PAinting hiStory

Delaroche and Lady Jane Grey

Stephen Bann and Linda Whiteley, with John Guy,

Christopher riopelle, and

Anne robbins

Published by National Gallery Company

Distributed by Yale University Press

In the aftermath of the revolution, the French public turned to British history as a way of making sense of its recent past, and no French artist of the 19th century was more inspired by English sub-jects than Paul Delaroche. His monumental work The Execution of Lady Jane Grey was one of the most familiar and enduring images of his time, and remains today among the most popular paintings in the national Gallery. This authoritative book presents The Execution with other major history paintings and preparatory sketches that made Delaroche’s reputation during his lifetime. It is complemented by an essay by the distinguished Tudor historian John Guy, who outlines the short life of Lady Jane Grey, Queen of England for nine days, and the development of her enduring mythical status as an innocent martyr.

STEPHEn BAnn, CBE, FBA, is a professor of history of art at the University of Bristol. LInDA WHITELEy is a research associate the depart-ment of the history of art at the University of oxford.

february Art Cloth 978-1-85709-479-4 $45.00sc 180 pp. 8 1⁄2 x 9 1⁄2 140 color illus. World

ninEtEEnth-cEntury iriSh

SculPturENative Genius

ReaffirmedPaula Murphy

Paula Murphy, the leading expert on Irish sculpture, offers an extensive survey of the history of sculpture in Ireland in the nineteenth century, with particular emphasis on the large public works produced during the Victorian period. The works of such major figures as Patrick MacDowell, John Henry Foley, Thomas kirk, and Thomas Farrell are discussed—as well as works by a host of lesser-known sculptors, including John Edward Carew, Christopher Moore, James Cahill, and Joseph robinson kirk. Lavishly illustrated, the book covers the work of many Irish sculp-tors who practiced abroad, particularly in London, and the work of English sculptors, including John Flaxman, Francis Chantrey, E. H. Baily, and richard Westmacott, who were located in Ireland. Murphy makes extensive use of contemporary documentation, much of it from newspapers, to present the sculptors and their work in the religious and political context of their time.

◆◆ Published for the Paul Mellon Centre for Studies in British Art

PAULA MUrPHy is a Senior Lecturer at University College Dublin.

May Art Cloth 978-0-300-15909-7 $85.00sc 320 pp. 8 3⁄4 x 11 250 b/w + 60 color illus. World









Exhibition SchEdulE:Amon Carter Museum, fort Worth 2/27/10—5/8/10Portland Museum of Art, Portland 6/6/10—8/23/10Wadsworth Atheneum Museum of Art, hartford 10/2/10—1/2/11

Published in association with the Wadsworth Atheneum Museum of Art

March Art Cloth 978-0-300-15166-4 $60.00sc 216 pp. 9 3⁄4 x 11 3⁄4 190 color illus. World

AMEricAn ModErnS on PAPErMasterworks from the Wadsworth Atheneum Museum of Art

Edited by Elizabeth Mankin kornhauser; With essays and entries by Elizabeth Mankin kornhauser, Erin Monroe, and Carol Troyen

American Moderns on Paper presents a selection of approximately 100 of the finest watercolors, pastels, and drawings by leading American modern-ists from the Wadsworth Atheneum’s renowned collection of American art. Works by Sloan, o’keeffe, Hopper, Marin, Dalí, and Wyeth, among many others, serve as notable examples of the various styles and subjects pursued by artists in America from 1910 to 1960. The catalogue entries are accom-panied by artist biographies. organized chronologically, and generously illustrated throughout, the catalogue is introduced by two essays exploring the historical significance of the collection and the importance to American modernists of working on paper, rather than canvas. Providing a rich history of the collection, the volume illuminates not only its historic roots, but also the concurrent national evolution of interest in watercolor and drawings.

ELIzABETH MAnkIn kornHAUSEr is Chief Curator and krieble Curator of American Painting and Sculpture at the Wadsworth Atheneum Museum of Art, Hartford. CAroL TroyEn is kristin and roger Servison Curator Emerita of American Paintings at the Museum of Fine Arts, Boston. ErIn MonroE is Curatorial Fellow in the Department of American Painting and Sculpture at the Wadsworth Atheneum Museum of Art.

Distributed for the Harvard Art Museum

March Art Cloth 978-0-300-12290-9 $65.00sc 300 pp. 9 x 12 300 color illus. World

John SingEr SArgEnt’S “triuMPh oF rEligion” At thE boSton Public librAry

Creation and RestorationEdited by narayan khandekar, Gianfranco

Pocobene, and kate Smith

John Singer Sargent’s Triumph of Religion at the Boston Public Library, con-sidered to be the artist’s masterpiece, is one of the most ambitious mural cycles in the history of American art. This book, comprehensively illustrated, examines and documents Sargent Hall as an art installation (constructed between 1890 and 1919) and describes its restoration history, culminating in the authors’ 2003–4 restoration.

Sargent (1856–1925) painted the murals on canvas and enhanced their surfaces with relief materials such as plaster, papier mâché, metalwork, sten-cils and patterned cut-outs, “jewels” made of glass, and Lincrusta-Walton, a corrugated commercial wall covering. During the latest restoration, the three-dimensional elements were removed for the first time, leading to a deeper understanding of Sargent’s experimental approach to making the murals and controlling their environment.

nArAyAn kHAnDEkAr is Senior Conservation Scientist at the Harvard Art Museum/Straus Center for Conservation and Technical Studies. GIAnFrAnCo PoCoBEnE is Head of Conservation at the Isabella Stewart Gardner Museum. kATE SMITH, formerly Paintings Conservator at the Straus Center, works privately.







“Highly important. A transformative study of Rajput painting.”—Milo C. Beach, author of The New Cambridge History of India: Mughal and Rajput Painting

March Art Cloth 978-0-300-14229-7 $65.00sc 352 pp. 8 1⁄2 x 11 175 b/w + 54 color illus. World

thE intElligEncE oF trAdition in rAJPut court PAinting

Molly Emma Aitken

The genre of rajput painting flourished between the 16th and 19th cen-turies in the kingdoms that ruled what is now the Indian state of rajasthan (place of rajas). rajput paintings depicted the nobility and court spectacle as well as scenes from krishna’s life, the Hindu epics, and court poetry. Many rajput kingdoms developed distinct styles, though they shared common conventions. This important book surveys the overall tradition of Indian rajput painting, while developing new methods to ask unprecedented ques-tions about meaning.

Through a series of in-depth studies, Aitken shows how traditional formal devices served as vital components of narrative meaning, expressions of social unity, and rich sources of intellectual play. Supported by beautiful full-color illustrations of rare and often inaccessible paintings, Aitken’s study spans five centuries, providing a comprehensive and innovative look at the rajasthan’s court painting traditions and their continued relevance to contemporary art.

MoLLy EMMA AITkEn is assistant professor of Asian art at The City College of new york.

◆◆ Studies in the History of Art Series

Published by the National Gallery of Art, Center for Advanced Study in the Visual Arts/Distributed by Yale University Press

March Art Paper 978-0-300-16024-6 $45.00sc Cloth 978-0-300-12158-2 S’ 08 280 pp. 9 x 11 164 b/w + 63 color illus. World

thE Art oF nAturAl hiStoryIllustrated Treatises and Botanical Paintings, 1400–1850Edited by Therese o’Malley and Amy r. W. Meyers

Now available in paperback

“Making knowledge visible” is how one 16th-century naturalist described the work of the illustrator of botanical treatises. His words reflected the grow-ing role played by illustrators at a time when the study of nature had been assuming new authority in the world of learning. An absorbing exploration of the relationship between image and text, this collection considers how both aided the development and transmission of scientific knowledge.

Presenting images found throughout Europe in works on natural history, medicine, botany, horticulture, and garden design, and studies of insects, birds, and animals, the contributors emphasize their artistic as well as sci-entific values. Illustrators are shown to have been both artists and either naturalists or gardeners, bringing to their work aesthetic judgment and empirical observation. Their fascinating images receive a fresh, wide-ranging analysis that covers such topics as innovation, patronage, readership, recep-tion, technologies of production, and the relationship between the fine arts and scientific depictions of nature.

THErESE o’MALLEy is associate dean of the Center for Advanced Study in the Visual Arts, national Gallery of Art. AMy r. W. MEyErS is director of the yale Center for British Art.







In Thee RejoicethNovgorod province, ca. 1530 Tempera on wood Height 143.2 cm., width 106.2 cm., thickness 3.2 cm. St. Petersburg State Russian Museum

Exhibition SchEdulE:european Centre for Byzantine and Postbyzantine Monuments, thessaloniki 11/6/09–1/31/10Princeton university Art Museum 3/6/10–6/6/10

Distributed for the Princeton University Art Museum

March Art/Architecture Paper 978-0-300-12211-4 $60.00sc 320 pp. 9 x 11 25 b/w + 200 color illus. World

ArchitEcturE AS iconPerception and Representation of

Architecture in Byzantine ArtEdited by Slobodan Curcic and Evangelia Hadjitryphonos;

With contributions by kathleen E. McVey and Helen G. Saradi

Presenting the first formulation of the central subject, this volume chal-lenges major assumptions long held by Western art historians and provides new ways of thinking about, looking at, and understanding Byzantine art in its broadest geographic and chronological framework, from A.d. 300 to the early nineteenth century.

Byzantine art abandoned classical ideals in favor of formulas that conveyed spiritual concepts through stylized physical forms. Scholarship dealing with Byzantine icons has previously been largely focused on depictions of holy figures, dismissing representations of architecture as irrelevant space-filling background. Architecture as Icon demonstrates that background representa-tions of architecture are meaningful, active components of compositions, often as significant as the human figures. The book provides a critical view for understanding the Byzantine conception of architectural forms and space and the corresponding intellectual underpinnings of their representation.

Introduced by four thought-provoking essays, the catalogue divides the material as included in the exhibition into four categories identified as: generic, specific, and symbolic representations, and a final grouping entitled “From Earthly to Heavenly Jerusalem.” This handsomely illustrated volume addresses various approaches to depicting architecture in Byzantine art that contrast sharply with those of the renaissance and subsequent Western artistic tradition.

SLoBoDAn CUrCIC is professor of Early Christian Byzantine Architecture and Monumental Decoration in the Department of Art and Archaeology at Princeton University. EVAnGELIA HADJITryPHonoS is Honorary Head of Department, Hellenic Ministry of Culture.

ArchitEcturE in thE bAlkAnS

From Diocletian to Suleyman the

Magnificent, c. 300–1550

Slobodan Curcic

In this major work, Slobodan Curcic traces the development of architecture in the Balkans from late antiquity to the height of the ottoman Empire. Covering not just ecclesiastical buildings but architectural enterprises ranging from urban conglomerations, simple houses, and palaces, to fortifications, cisterns, aqueducts, and bridges— Curcic assesses the origins and impact of Byzantine architecture in the region.

This book—the first of its kind on the subject matter—considers the continuity of architectural tradition in a region marked by pro-found political, cultural, and religious confrontations, as well as periods of creative interactions over a historical span of nearly thir-teen centuries. revealing in terms of the largely unknown material it presents, the book explores processes whose significance extends beyond the Balkan Peninsula itself. Illustrated with several hun-dred photographs and drawings, most specifically made for this purpose, the book is a landmark achievement.

february Architecture Cloth 978-0-300-11570-3 $85.00sc 608 pp. 9 1⁄2 x 11 1⁄2 600 b/w +100 color illus. World







Exhibition SchEdulE:haus Konstruktiv, Zurich, switzerland 11/18/09–3/1/10


february Art Paper over Board 978-0-300-14698-1 $70.00sc 404 pp. 10 1⁄2 x 11 1⁄2 92 b/w + 215 color illus. World

building on A conStructThe Adolpho Leirner Collection of Brazilian Constructive

Art at the Museum of Fine Arts, HoustonEdited by Héctor olea and Mari Carmen ramírez

The world-renowned Aldopho Leirner Collection of Brazilian Constructive Art, devoted to modern Latin American art of the 1950s and 1960s, repre-sents forerunners of abstract art in Brazil as well as key works by avant-garde artists: the Grupo Ruptura of São Paulo (including Waldemar Cordeiro and Maurício nogueira Lima) and rio de Janeiro’s Grupo Frente (includ-ing Lygia Pape and the brothers César and Hélio oiticica). The collection, now housed at The Museum of Fine Arts, Houston, also contains important works from the neo-Concrete movement with six major pieces by Lygia Clark and major works from artists who embraced Constructive tenents by working independently, including Sergio Camargo, Mira Schendel, and Alfredo Volpi.

This handsomely illustrated volume brings together thirteen essays on the Leirner Collection by preeminent international scholars and offers an important new framework for interpreting Brazilian Modernism.

HéCTor oLEA is an independent scholar and curator specializing in Latin American modern art. MArI CArMEn rAMírEz is the Wortham Curator of Latin American Art and Director, International Center for the Arts of the Americas, The Museum of Fine Arts, Houston.


March Art Paper 978-0-300-15513-6 $14.95sc 60 pp. 8 1⁄2 x 11 65 color illus. World

cochinEAl rEdThe Art History of a Color

Elena Phipps

From antiquity to the present day, color has been embedded with cultural meaning. Associated with blood, fire, fertility, and life force, the color red has always been extremely difficult to achieve and thus highly prized. This book discusses the origin of the red colorant derived from the insect cochi-neal, its early use in Precolumbian ritual textiles from Mexico and Peru, and the spread of the American dyestuff through cultural interchange following the Spanish discovery and conquest of the new World in the 16th century. Drawing on examples from the collections of the Metropolitan Museum, it documents the use of this red-colored treasure in several media and through-out the world.

ELEnA PHIPPS is senior museum conservator in the Department of Textile Conservation at The Metropolitan Museum of Art.







Exhibition SchEdulE:yale Center for British Art 2/4/10–4/25/10

Distributed for the Yale Center for British Art

March Art Cloth 978-0-300-15292-0 $75.00sc 368 pp. 9 1⁄2 x 11 200 b/w + color illus. World

VAriEtiES oF roMAntic ExPEriEncEBritish, Danish, Dutch, French, and German

Drawings from the Collection of Charles RyskampMatthew Hargraves;

With a preface by Charles ryskamp

This lavishly illustrated book considers romanticism as a truly international phenomenon by bringing together for the first time nearly two hundred British, French, German, Danish, and Dutch drawings from the outstanding collection of Charles ryskamp. Taking its cue from David Wilkie’s appeal in 1824 “to show that the arts are cosmopolitan and that all national prejudice is foreign to them,” the book demonstrates the diversity inherent in the phe-nomenon called romanticism; it also highlights the common concerns and approaches shared by British and Continental artists. Alongside important British works by artists such as J.M.W. Turner, Cornelius Varley, William Blake, and Henry Fuseli, the book also includes drawings by key Continental artists including Caspar David Friedrich, Camille Corot, Eugène Delacroix, and Edgar Degas, and works by Danish Golden Age artists, including C. W. Eckersberg, Christen købke, and Johan Thomas Lundbye. Truly com-prehensive in scope, the book helps to explore the varieties of romantic experience and the place of British art in a Continental milieu.

MATTHEW HArGrAVES is Assistant Curator for Collections research at the yale Center for British Art. CHArLES rySkAMP is Director Emeritus of the Pierpont Morgan Library and Frick Collection in new york.

April Art Paper 978-0-300-16413-8 $20.00sc 176 pp. 6 1⁄2 x 9 1⁄4 20 b/w + 109 color illus. World

Art oF Edo JAPAnThe Artist and the City 1615–1868

Christine Guth

This beautifully illustrated survey examines the art and artists of the Edo period, one of the great epochs in Japanese art. Together with the impe-rial city of kyoto and the port cities of osaka and nagasaki, the splendid capital city of Edo (now Tokyo) nurtured a magnificent tradition of painting, calligraphy, printmaking, ceramics, architecture, textile work, and lacquer. As each city created its own distinctive social, political, and economic envi-ronment, its art acquired a unique flavor and aesthetic. Author Christine Guth focuses on the urban aspects of Edo art, including discussions of many of Japan’s most popular artists—korin, Utamaro, and Hiroshige, among others—as well as those that are lesser known, and provides a fascinating look at the cities in which they worked.

CHrISTInE GUTH is an independent scholar. Her books include Japan & Paris: Impressionism, Postimpressionism, and the Modern Era; Longfellow’s Tattoos: Tourism, Collecting, and Japan; and Art, Tea, and Industry.







thE ArtS oF induStry in thE AgE oF

EnlightEnMEntCelina Fox

During the 18th century, the arts of industry encompassed both liberal and mechanical realms—not simply the representation of work in the fine art of painting, but the skills involved in the pro-cesses of industry itself. Drawing on a wealth of primary sources, Celina Fox argues that mechanics and artisans used four principal means to describe and rationalize their work: drawing, model-making, societies, and publications. These four channels, which form the four central themes of this engrossing book, provided the basis for experimentation and invention, for explanation and classification, for validation and authorization, and for promotion and celebration, thus bringing them into the public domain and achieving progress as a true part of the Enlightenment.

CELInA FoX is an independent scholar and journalist, formerly assistant keeper at the Museum of London.


May history/Art/Design Cloth 978-0-300-16042-0 $95.00sc 352 pp. 7 3⁄4 x 11 200 b/w + 60 color illus. World

digging And dEAling in

EightEEnth-cEntury roME

Volumes 1 and 2Ilaria Bignamini

and Clare Hornsby

This long-awaited book offers the first overview of all British-led excavation sites in and around rome in the golden age of the Grand Tour in the eighteenth century. Based on work carried out by the late Ilaria Bignamini, it traces sculptures and other works of art that are currently in public collections around the world from their original find sites via the dealers and entrepreneurs to the private collectors in Britain.

In the first of two extensively illustrated volumes, approximately fifty sites are analyzed in historical and topographical detail, sup-ported by fifty newly written and researched biographies of the major names in the Anglo-Italian world of dealing and collecting. The second volume features hundreds of letters from dealers and excavators abroad to collectors in England, offering a rich source of information about all aspects of the art market at the time.

The late ILArIA BIGnAMInI was a historian of art and archeology. CLArE HornSBy is research Fellow at the British School at rome.


May history/Archaeology Boxed set 978-0-300-16043-7 $85.00tx 464 pp. 8 1⁄2 x 10 1⁄2 200 b/w + 50 color illus. World

thE EdWArdiAn SEnSE

Art, Design, and Performance in

Britain, 1901–1910Edited by Morna

o’neill and Michael Hatt

Although numerous studies have explored the Edwardian period (1901–1910) as one of political and social change, this innova-tive book is the first to explore how art, design, and performance not only registered those changes but helped to precipitate them. While acknowledging familiar divisions between the highbrow world of aesthetic theory and the popular delights of the music hall, or between the neo-Baroque magnificence of central London and the slums of the East End, The Edwardian Sense also discusses the middlebrow culture that characterizes the anonymous edge of the city. Essays are divided into three sections under the broad headings of spectacle, setting, and place, which reflect the book’s focus on the visual, spatial, and geographic perspectives of the Edwardians themselves.

MornA o’nEILL is the Mellon Assistant Professor of 19th-Century European Art in the History of Art Department at Vanderbilt University. MICHAEL HATT is Professor of History of Art at the University of Warwick.

◆◆ Distributed for the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art

May Art Cloth 978-0-300-16335-3 $65.00sc 336 pp. 7 x 10 90 b/w + color illus. World









“Superb! . . . I simply cannot contain my respect and enthusiasm for the achievement that this book represents. A great metropolitan institution has found the historian it deserves.”—Robert Fishman, University of Michigan

Published in association with the Center for American Places

May Architecture Cloth 978-0-300-14938-8 $60.00sc 384 pp. 8 1⁄2 x 11 240 b/w + 15 color illus. World

thE AMEricAn dEPArtMEnt StorE trAnSForMEd, 1920–1960

richard Longstreth

After attaining classic stature with palaces erected in the early 20th cen-tury, the American department store continued to evolve in ways that were influenced by changes in business practices, shopping patterns, design approaches, and urban structure. This masterful and innovative history of a celebrated building type focuses on many of the nation’s greatest retail companies—Marshall Fields, Lord and Taylor, Gimbel’s, Wanamaker’s, and Bullock’s, among others—and the role they played in defining America’s cities.

Author richard Longstreth traces the development and evolution of depart-ment stores from local, urban institutions to suburban entities in the nation’s sixty largest cities, showing how the stores underwent changes to adapt to dra-matic economic and urban developments, including the decentralization from metropolitan areas, increased popularity of the automobile, and chal-lenges from retail competitors on a national level. Extensively illustrated, this fascinating book offers a fundamental understanding of the transformation of Main Streets nationwide.

rICHArD LonGSTrETH is professor of American civilization and director of the graduate program in historic preservation at George Washington University in Washington, D.C.

“A truly important contribution to the field of African American history and a watershed in the development of African American architecture as a field of architectural history.”—Barbara Mooney, University of Iowa

May Architecture/history Cloth 978-0-300-12042-4 $45.00sc 264 pp. 6 x 9 49 b/w illus. World

cAbin, QuArtEr, PlAntAtionArchitecture and Landscapes of North American Slavery

Edited by Clifton Ellis and rebecca Ginsburg

Visitors to such historic homes as the Hermitage and Monticello today can study the remains of places where slaves once lived and worked and, in some cases, view historically reconstructed cabins, garden plots, and settlements. new archaeological and historical scholarship can tell us much about the built environments of slavery and the daily lives of slaves in north America.

The first book to treat the architecture of American slavery, this important work brings together the best writing in the field, including classic pieces on slave landscapes by W. E. B. DuBois and Dell Upton alongside new essays on such topics as the building methods that Africans brought to the American South; information about slave family units and spiritual practices that can be gathered from archaeological remains; and the differences in the daily lives of rural and urban slaves. The starting point in any study of the impact of the conditions of enslavement, this anthology makes an essential contribu-tion to the fields of African American history and architectural history.

CLIFTon ELLIS is assistant professor in architectural history at Texas Tech University. rEBECCA GInSBUrG is assistant professor in the Department of Landscape Architecture at the University of Illinois, Urbana–Champaign.







Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, D.C.

May Art/Architecture/Landscape Design Cloth 978-0-300-10174-4 $125.00tx 752 pp. 9 x 12 881 b/w + 106 color illus. World

kEyWordS in AMEricAn lAndScAPE dESign

Therese o’Malley;With contributions by Elizabeth kryder-reid

and Anne L. Helmreich

This beautifully illustrated historical dictionary of landscape design vocabu-lary used in north America from the 17th to the mid-19th century defines a selection of one hundred terms and concepts used in garden planning and landscape architecture. ranging from alcove, arbor, and arch to veranda, wilderness, and wood, each term presents a wealth of documentation, tex-tual sources, and imagery. The broad geographic scope of the texts reveals patterns of regional usage, while the chronological range provides evidence of changing design practice and landscape vocabulary over time. Drawing upon a wealth of newly compiled documentation and accompanied by more than 1,000 images, this dictionary forms the most complete published reference to date on the history of American garden design, and reveals land-scape history as integral to the study of American cultural history.

THErESE o’MALLEy is associate dean of the Center for Advanced Study in the Visual Arts at the national Gallery of Art in Washington, D.C. ELIzABETH kryDEr-rEID is associate professor of anthropology and museum studies at Indiana University-Purdue University Indianapolis. AnnE HELMrEICH is associate professor of art history at Case Western reserve University.

Boiserie from the Hôtel de Varengeville, Paris. Oak, plaster, painted and gilded; gilt bronze; mirror glass, etc. Purchase, Mr. and Mrs. Charles Wrightsman Gift, 1963


May Decorative Arts Cloth 978-0-300-15520-4 $50.00sc 228 pp. 8 3 ⁄4 x 10 35 b/w + 215 color illus. World

thE MEtroPolitAn MuSEuM’S WrightSMAn gAllEriES For

FrEnch dEcorAtiVE ArtSDaniëlle kisluk-Grosheide and Jeffrey Munger

The Metropolitan’s holdings of late 17th- and 18th-century French deco-rative arts, unrivaled outside Europe, are on display in nine magnificent paneled period rooms and three galleries. This suite of spaces is named for Mr. and Mrs. Charles Wrightsman, whose extraordinary generosity made the installations possible and who also donated many of the furnishings from their own celebrated collection. The first book on the Wrightsman Galleries since 1979, this beautifully illustrated volume presents detailed descriptions of the period rooms and 116 of the most important artworks on view, including wood paneling and furniture, chimneypieces and fireplace furnishings, textiles and leather, portraits, gilt bronze, porcelain, silver, and decorative boxes, many of which have a royal provenance. The text incorpo-rates the results of recent research and conveys the illuminating comments of contemporaries as expressed in diaries, travel guides, craft manuals, and correspondence.

DAnIëLLE kISLUk-GroSHEIDE and JEFFrEy MUnGEr are curators in the Metropolitan Museum’s Department of European Sculpture and Decorative Arts.






february Architecture Cloth 978-0-300-15526-6 $65.00sc 488 pp. 8 1⁄2 x 11 200 b/w + 60 color illus. World

richArd norMAn ShAWAndrew Saint

richard norman Shaw (1831–1912) was the most fertile, representative, and influential British domestic architect of his time. This new edition of Andrew Saint’s best-selling book on Shaw and his work—hailed in its original version as “a masterpiece among architectural biographies” by the Evening Standard—features a completely revised text and new intro-duction and is generously illustrated with new color photographs, many specially commissioned.

“outstanding. . . . A most readable biography as well as a scholarly assess-ment of Shaw’s work.”—Adam Fergusson, Sunday Times

AnDrEW SAInT is the General Editor of The Survey of London and the author of The Image of the Architect (1983), Towards A Social Architecture: The Role of School-Building in Post-War England (1987) and Architect and Engineer: A Study in Sibling Rivalry (2007)



May Art Cloth 978-0-300-15518-1 $35.00sc 120 pp. 8 1⁄2 x 11 150 color illus. World

ViEnnA circA 1780An Imperial Silver Service Rediscovered

Wolfram koeppe

Eighteenth-century European court society was famous for its lavish ban-quets featuring elaborate settings and protocols designed to indicate the status of both host and guests. Integral to these events were extravagant din-ing services of silver and gold, many of which were subsequently melted down to finance the frequent wars of the period. This book presents a rare surviving imperial service, made from about 1779 to 1782 for Duke Albert of Sachsen-Teschen by Austrian master Ignaz Joseph Würth. The so-called Second Sachsen-Teschen Service comprised hundreds of items, including wine coolers, tureens, cloches, sauceboats, candelabra, candlesticks, and serving implements, as well as twenty-four dozen silver plates and porcelain-mounted silver and silver-gilt cutlery.

once believed lost, the ensemble has been partially reunited here and placed in the context of contemporary silver from other European cities. representing court dining at its most splendid, the service melds the reigning French neoclassical style with purely Viennese elements—such as a vig-orous design, a sparkling play of textures, and the juxtaposition of classical elements with whimsical sculptural details—and reveals Vienna as a major center of the neoclassical goldsmith’s art.

WoLFrAM koEPPE is curator, Department of European Sculpture and Decorative Arts, The Metropolitan Museum of Art.







Exhibition SchEdulE:the Museum of fine Arts, houston5/16/10 –8/8/10


June Art Paper 978-0-300-16464-0 $25.00sc 160 pp. 9 x 12 50 color illus. World

light oF thE SuFiSThe Mystical Arts of Islam

Ladan Akbarnia and Francesca Leoni

Light of the Sufis introduces the complex and multilayered topic of Sufism, or Islamic mysticism, by concentrating on its expression in the visual arts and offers new insights into the integrative and fluid nature of the Sufi expe-rience that has solicited strong reactions—both negative and positive—in Muslims and non-Muslims alike for several hundred years.

Sufism became well established in the 9th to 10th century and reached its height in the 12th to 13th century. From its inception, Sufism recog-nized the traditions and practices of other faiths and cultures with which it came into contact, adapting and incorporating elements of Greek phi-losophies, Christian mysticism, Judaism, zoroastrianism, Manichaeism, and Buddhism. This diversity has been reflected not only in the words and the lives of celebrated Sufi mystics but also in some of the finest literature, music, performance, and visual arts produced in the Islamic world. Lavishly illus-trated, this exhibition catalogue presents exceptional works in various media from diverse areas of the Islamic world, including north Africa, Turkey, Iran, and India, and dating from the ninth century to the present.

LADAn AkBArnIA is Hagop kevorkian Associate Curator of Islamic Art, Brooklyn Museum, and Executive Director of the Iran Heritage Foundation, London. FrAnCESCA LEonI is Assistant Curator of the Arts of the Islamic World at The Museum of Fine Arts, Houston.

Distributed for The Barnes Foundation

March Art Cloth 978-0-300-15877-9 $75.00sc 432 pp. 10 1⁄2 x 11 15 b/w + 400 color illus. World

AMEricAn PAintingS And WorkS on PAPEr in thE bArnES FoundAtion

richard J. Wattenmaker;With an Introduction by Derek Gillman

The Barnes Foundation is renowned for its stellar collection of Impressionist, Post-Impressionist, and Early Modern paintings. Less well known, however, is that it also houses superb examples of 20th-century American art, including important paintings and works on paper by William J. Glackens, Maurice and Charles Prendergast, Charles Demuth, Alfred H. Maurer, Ernest Lawson, Horace Pippin, Marsden Hartley, Jules Pascin, and many others.

Featuring 400 color illustrations, this extraordinary catalogue offers the long overdue opportunity to explore this exceptional collection of American art. Essays on the major artists featured in the Barnes Foundation are included, along with an essay on Dr. Barnes’s role as a collector of modern American art works and a study of the development of the Foundation’s important edu-cational programs.

rICHArD J. WATTEnMAkEr is an independent scholar. He was the Director (1990–2005) of the Archives of American Art at the Smithsonian Institution and a for-mer student and instructor at the Barnes Foundation. DErEk GILLMAn is Executive Director and President of the Barnes Foundation.







in And out oF thE

MAritAl bEdSeeing Sex in

Renaissance ArtDiane Wolfthal

This book explores images whose sexual content has all too often been either ignored or denied. Each chapter is devoted to a place that artists associated with sexual activity or desire: the bed, the dressing area of the home, the window and doorway, the bath, and the street. By examining both canonical works, such as Jan van Eyck’s Arnolfini Portrait and Petrus Christus’ Goldsmith’s Shop and long-neglected objects, such as combs, badges, and bathhouse murals, and by investigating a wide range of sexualities—same-sex desire, adultery, marriage, courtship, and prostitution—Wolfthal demonstrates how illicit forms of sexuality were linked to the “chaste sexuality” of marriage.

DIAnE WoLFTHAL is David and Caroline Minter Chair in the Humanities and Professor of Art History at rice University.

May Art history Cloth 978-0-300-14154-2 $55.00sc 224 pp. 6 3⁄4 x 9 1⁄2 70 b/w + 30 color illus. World

hogArth to turnEr

British PaintingLouise Govier

This book traces some key developments in British 18th- and 19th-century painting, focusing in particular on the outstand-ing portraits and landscapes in the national Gallery’s collection. Compare what rival portrait painters Thomas Gainsborough and Sir Joshua reynolds offered their sitters: the choice between shim-mering colours and expressive brushwork, or ennobling classical references. Their techniques and philosophical ideals would be challenged and developed even further by the next generation. The ground-breaking landscapes that Constable and Turner pro-duced inspired the French Impressionists, and are still among the world’s favourite paintings today.

LoUISE GoVIEr was formerly Adult Learning Manager at the national Gallery and is currently the MLA Museums Clore Leadership Fellow. She has written several books and films which offer engaging ways in to explor-ing the national Gallery’s collection, including The National Gallery: A Visitor’s Guide.

Published by National Gallery Company Distributed by Yale University Press

June Art Paper 978-1-85709-487-9 $15.00sc 72 pp. 9 x 10 80 color illus. World

bErkShirEGeoffrey Tyack,

Simon Bradley, and nikolaus Pevsner

revised and updated from its earlier edition, this latest volume in the Pevsner Architectural Guides series provides a comprehensive guide to the significant buildings of Berkshire, ranging from the “Silicon Valley” commercial buildings of reading, to Slough (the place on which John Betjeman invited friendly bombs to fall), and to Windsor Castle and St. George’s Chapel.

◆◆ Pevsner Architectural Guides

GEoFFrEy TyACk lives in oxford and teaches architectural history at the university. SIMon BrADLEy is the author of the Westminster and City of London volumes of the Buildings of England. nIkoLAUS PEVSnEr was the series founder.

June Architecture Cloth 978-0-300-12662-4 $55.00tx 800 pp. 4 3⁄4 x 8 1⁄2 120 illus. World Previous edition: Cloth (S ‘66) 978-0-300-09582-1








AlSo by ElizAbEth SiEgEl:Playing with Pictures The Art of Victorian PhotocollagePaper over Board 978-0-300-14114-6 $45.00

June Photography/history Paper over Board 978-0-300-15406-1 $50.00sc 216 pp. 7 x 10 49 b/w illus. World

gAllEriES oF FriEndShiP And FAMEA History of Nineteenth-Century

American Photograph AlbumsElizabeth Siegel

Galleries of Friendship and Fame is the first comprehensive investigation of the origin, development, and practices of 19th-century American photograph albums. In this fascinating book, the author argues that the album—whether functioning as family record, parlor entertainment, social register, national portrait gallery, or advertisement for photography itself—helped transform the nature of self-presentation at the cusp of modernity.

This handsome volume examines carte de visite and cabinet card albums from their introduction in the United States in 1861 through the rise of the snapshot at the century’s end. By examining a wealth of previously overlooked primary materials, this study offers a completely new understanding of pho-tograph albums, revealing how they emerged, how they were marketed and sold, and how families displayed and told stories through them. Galleries of Friendship and Fame addresses the history of technology and innovation, the interconnectedness of the commercial and domestic spheres, and the ways photography helped shape notions of identity, family, and nation in a rapidly changing America.

ELIzABETH SIEGEL is Associate Curator of Photography at the Art Institute of Chicago and author of Playing with Pictures: The Art of Victorian Photocollage.



June Art Cloth 978-0-300-15524-2 $50.00sc 192 pp. 9 3⁄4 x 12 50 b/w + 90 color illus. World

An itAliAn JournEyDrawings from the Tobey Collection, Correggio to Tiepolo

Linda Wolk-Simon and Carmen C. Bambach;With contributions by Stijn Alsteens,

George r. Goldner, Perrin Stein, and Mary Vaccaro

This handsome book presents highlights from one of America’s preeminent private collections of old Master drawings, assembled over the past fifteen years by Julie and David Tobey. ranging in date from the 16th through the 18th century, some 70 drawings—many previously unpublished—are featured, including works by brilliant draftsmen such as Correggio, Parmigianino, Giulio romano, Bernini, Poussin, Guercino, ribera, Canaletto, and Tiepolo. Impressive in their variety of subjects, the drawings include figure studies, historical and mythological narratives, landscapes, vedute, botanical drawings, motifs copied from or inspired by classical antiq-uity, and designs for painted compositions. All the works are illustrated in color and accompanied by numerous comparative illustrations; brief biogra-phies of each artist are also included.

GEorGE r. GoLDnEr is Drue Heinz Chairman, Department of Drawings and Prints; LInDA WoLk-SIMon, CArMEn C. BAMBACH, and PErrIn STEIn are Curators; STIJn ALSTEEnS is Associate Curator, Department of Drawings and Prints, all at The Metropolitan Museum of Art. MAry VACCAro is a Professor of Art History at the University of Texas, Arlington.







A cloSEr look: FrAMES

nicholas Penny

Published by National Gallery Company/Distributed by Yale

University Press

Frames often catch the eye and arouse the curiosity of visitors to galler-ies and museums, yet labels and catalogues rarely comment on them. nicholas Penny conveys his passionate interest in the history of frames, the design and techniques of frame-making, what frames do for paint-ings, and the part they play in the decoration and often the architecture of an interior. The emphasis is on the changing function and varied purpose of frames as well as the different styles of ornament, materials, finishes, and techniques used. This Closer Look guide is illustrated by frames from the national Gallery’s magnificent collection.

nICHoLAS PEnny is Director of the national Gallery, London. He was previously Senior Curator of Sculpture and Decorative Arts at the national Gallery of Art, Washington.

May Art Paper 978-1-85709-440-4 $15.00sc 96 pp. 5 3⁄4 x 8 1⁄4 90 color illus. World

A cloSEr look: dEcEPtionS And

diScoVEriESMarjorie E. Wieseman


University Press

How do experts spot masterpieces? Paintings are not always signed or noted in historical records, so how can we tell an obscure gem from an altered image? Scientists, conservators and art historians use a range of methods to examine the physical nature of pictures and unravel their hidden histories. Through a series of intriguing examples and clearly explained processes, this new addition to the national Gallery’s popu-lar Closer Look series will draw the reader into the complex issues—not all of them fully resolved—confronted by gallery professionals.

MArJorIE E. WIESEMAn is Curator of Dutch Painting at the national Gallery, London, and co-author of Dutch Painting, Drawn by the Brush, and Perfect Likeness.


A cloSEr look: AngElS

Erika Langmuir


University Press

Erika Langmuir examines the presence and surprisingly complicated history of angels in Christian art. She points out that angels need not be winged; they can wear antique dress, contemporary church vestments, secular fashions, armor, or nothing at all; their gender and age are uncertain; they may not even have bodies but appear only as winged heads; and they are not always good (Satan, of course, is a fallen angel). Langmuir explores these intriguing characteristics of

angels by looking at some of the best-known and most engaging reli-gious paintings in the Western tradition.

ErIkA LAnGMUIr, oBE, was Head of Education at the national Gallery, London, and is the author of many books, including Masterpieces and The National Gallery Companion Guide.May Art Paper 978-1-85709-484-8 $15.00sc

96 pp. 5 3⁄4 x 8 1⁄4 90 color illus. World

A cloSEr look: AllEgory

Erika Langmuir


University Press

Painters in the past and commercial artists in our own day have relied on allegory to create “message pictures.” once thought to rival liter-ary works or political oratory in influence and prestige, such paintings, with their references to ancient myth, the Bible, or medieval astrology, all too often puzzle modern viewers. This Closer Look guide illustrates and explains the main types of visual allegory in Western art and the contexts in which they were originally created and viewed.

ErIkA LAnGMUIr, oBE, was Head of Education at the national Gallery, London, and is the author of many books, including Masterpieces and The National Gallery Companion Guide.












Exhibition SchEdulE:yale university Art Gallery, new haven 5/28/10–9/12/10

Published in association with the Yale University Art Gallery

June Art Cloth 978-0-300-11488-1 $65.00sc 272 pp. 9 x 12 60 b/w + 77 color illus. World

itAliAn PAintingS FroM thE richArd l. FEigEn collEction

Laurence kanter and John Marciari

richard L. Feigen has amassed a collection of Italian paintings that is widely admired for its depth and quality, especially for the works it features by the principal masters of the early Italian renaissance. This beautifully illus-trated catalogue of the complete collection presents rare masterpieces by artists from Bernardo Daddi to Fra Angelico, orazio Gentileschi’s Danaë, Annibale Carracci’s Virgin and Child, and precious, small-scale coppers by major Mannerist and Baroque masters.

Italian Paintings from the Richard L. Feigen Collection catalogues more than fifty major works from the 14th to the 17th century, and is the first publica-tion of this remarkable and important collection.

LAUrEnCE kAnTEr is the Lionel Goldfrank III Curator of Early European Art at the yale University Art Gallery, new Haven. JoHn MArCIArI is Curator of Italian and Spanish Painting and Head of Provenance research at the San Diego Museum of Art.


June Art Paper 978-0-300-15519-8 $14.95sc 64 pp. 8 1⁄2 x 11 80 color illus. World

roMAn FrEScoES FroM boScorEAlEThe Villa of P. Fannius Synistor in Reality and Virtual Reality

Bettina Bergmann, Stefano De Caro, Joan r. Mertens, and rudolf Meyer

When Mount Vesuvius erupted in A.d. 79, burying much of the region around the Bay of naples in lava, one of the extraordinary roman villas thereby preserved was that of P. Fannius Synistor at Boscoreale. Its discovery in 1899 revealed breathtaking wall paintings that were dispersed in 1903, with major portions acquired by The Metropolitan Museum of Art. The cleaning and reinstallation of these masterpieces has occasioned the creation of a virtual model that for the first time has allowed the authors to situate the surviving frescoes from the villa in their original relation to each other.

BETTInA BErGMAnn is Helene Philips ’49 Professor of Art at Mount Holyoke College; STEFAno DE CAro is Director General for Archaeology at the Ministero per I Beni e le Attività Culturali in rome; JoAn r. MErTEnS is Curator of Greek and roman Art at The Metropolitan Museum of Art; and rUDoLF MEyEr is a conserva-tor affiliated with The Metropolitan Museum of Art.







Edward W. Forbes, the director of the Fogg Museum, in 1944

Distributed for the Harvard Art Museum

July Art Paper 978-0-300-15469-6 $40.00sc 288 pp. 6 1⁄2 x 8 3⁄4 114 b/w + 34 color illus. World

A lAborAtory For ArtHarvard’s Fogg Museum and the Emergence

of Conservation in America, 1900–1950Francesca G. Bewer

Harvard’s Fogg Museum was the first American museum with a scientifically based conservation and research department. During a period of immense growth of collections in the United States, director Edward W. Forbes and associate director Paul J. Sachs developed the Fogg into a vital training ground for a new breed of museum professionals attuned to the materials of art and the effects of environment. A Laboratory for Art is the first book to explore the crucial role the Fogg played in the evolution of conservation in the US and abroad. It traces the efforts of staff and students who developed protocols for the treatment and documentation of works—sometimes through trial and error; disseminated research findings by establishing professional forums and a seminal journal; set standards for contemporary artists’ materials during the new Deal; and led the Allied drive to protect monuments and works of art during World War II. Alumni of the Fogg went on to leadership positions in museums and conservation laboratories across America.

FrAnCESCA G. BEWEr is research Curator at the Harvard Art Museum’s Straus Center for Conservation and Technical Studies.




The Yale PeabodY MuseuMYale universiTY PublicaTions in anThroPologY

The Yale University Publications in Anthropology (YUPA) series embodies the results of research in anthropology directly conducted or sponsored by the Yale University Department of Anthropology and the Yale Peabody Museum’s Division of Anthropology.

New TitlesThe 1912 Yale Peruvian scienTific exPediTion collecTions froM Machu PicchuHuman and Animal RemainsEdited by Richard L. Burger and Lucy C. SalazarYale University Publications in Anthropology, Number 85February Paper 978-0-913516-21-8 $25.00tx 198 pp. 60 b/w illus. + 12 charts World

The QuinniPiacCultural Conflict in Southern New EnglandJohn MentaYale University Publications in Anthropology, Number 86February Paper 978-0-913516-22-5 $29.00tx264 pp. 24 b/w illus. + 10 charts World

The PrehisTorY of nevis, a sMall island in The lesser anTilles

Samuel M. WilsonYale University Publications in Anthropology, Number 87February Paper 978-0-913516-23-2 $49.50tx248 pp. 63 figures + 42 tables World

The QuiTo ManuscriPTAn Inca History Preserved by Fernando de MontesinosSabine HylandYale University Publications in Anthropology, Number 88February Paper 978-0-913516-24-9 $28.00tx182 pp. 40 b/w illus. World

Recently Acquired BacklistThe PhonologY and MorPhologY of ulu Muar MalaY

Rufus HendonYale University Publications in Anthropology, Number 70Paper 978-0-913516-04-1 $12.00tx160 pp. World

sPanish Majolica in The new worldTypes of the Sixteenth to Eighteenth CenturiesJohn M. GogginYale University Publications in Anthropology, Number 72Paper 978-0-913516-05-8 $17.00tx240 pp. 18 plates + 27 figures World

fengPiTou, TaPenkeng, and The PrehisTorY of Taiwan

Kwang-chih ChangYale University Publications in Anthropology, Number 73Paper 978-0-913516-06-5 $20.00tx279 pp. 107 plates + 95 figures World

The PrehisTorY of fishTraP, kenTuckY

R.C. DunnellYale University Publications in Anthropology, Number 75Paper 978-0-913516-08-9 $12.00tx98 pp. 25 figures World

la PiTíaAn Archaeological Series in Northwestern VenezuelaPatrick GallagherYale University Publications in Anthropology, Number 76Paper 978-0-913516-09-6 $17.00tx249 pp. 8 plates; 61 figures; 6 tables World

aToPula, guerrero, and olMec horizons in MesoaMerica

John S. HendersonYale University Publications in Anthropology, Number 77Paper 978-0-913516-10-2 $38.00tx256 pp. 93 figures + 5 tables World

The ngandong fossil hoMinidsA Comparative Study of a Far Eastern Homo Erectus GroupA.P. Santa LucaYale University Publications in Anthropology, Number 78Paper 978-0-913516-11-9 $18.50tx175 pp. 75 figures + 16 tables World

ball courTs and cereMonial Plazas in The wesT indies

Ricardo E. AlegriaYale University Publications in Anthropology, Number 79Paper 978-0-913516-15-7 $17.50tx185 pp. 8 plates, 35 figures World

excavaTions aT Maria de la cruz cave and hacienda grenda village siTe, loiza, PuerTo rico

Irving Rouse and Ricardo E. AlegriaYale University Publications in Anthropology, Number 80Paper 978-0-913516-16-4 $18.50tx133 pp. 11 plates; 18 figures; 17 tables World

hanaMiaiPrehistoric Colonization and Cultural Change in the Marquesas Islands (East Polynesia)Barry Vladimir RolettYale University Publications in Anthropology, Number 81Paper 978-0-913516-18-8 $25.00tx277 pp. 80 figures, 45 tables World

excavaTions aT The indian creek siTe, anTigua, wesT indies

Irving Rouse and Birgit Faber MorseYale University Publications in Anthropology, Number 82Paper 978-0-913516-19-5 $18.00tx70 pp. 26 figures, 8 tables World

The excavaTions aT corozal, venezuelaStratigraphy and Ceramic SeriationAnna Curtenius RooseveltYale University Publications in Anthropology, Number 83Paper 978-0-913516-17-1 $25.00tx393 pp. 13 plates; 26 figures; 90 tables World

jollY beach and The PreceraMic occuPaTion of anTigua, wesT indies

Dave D. DavisYale University Publications in Anthropology, Number 84Paper 978-0-913516-20-1 $18.00tx146 pp. 23 figures + 16 tables World

121THE YALE PEABODY MUSEUM

B196_paginationRed_101409pr.indd 121 10/14/09 1:44 PM


















This series presents authoritative stud-ies of the anadromous, estuarine, and marine fishes known to frequent the western North Atlantic from Hudson Bay southward to the Amazon. These studies rank as primary references for both amateur and professional persons interested in fishes and as sig-nificant working tools for students of the sea.

sofT-raYed bonY fishesPart 4, Order Isospondyli (part), Suborder Argentinoidea, Suborder Stomiatoidea, Suborder Esocoidea, Suborder Bathylaconoidea, Order GiganturoideiHenry B. Bigelow, Daniel M. Cohen, Myvanwy M. Dick, Robert H. Gibbs, Jr., Marion Grey, James E. Morrow, Jr., Leonard P. Schultz, Vladimir Walters, Edited by Yngve H. OlsenCloth 978-0-912532-85-1 $85.00tx599 pp. 155 plates; maps World

order inioMiPart 5William W. Anderson, Frederick H. Berry, James E. Böhlke, Rolf L. Bolin, Jack W. Gehringer, Robert H. Gibbs, Jr., William A. Gosline, N. B. Marshall, Giles W. Mead, Robert R. Rofen, Norman J. Wilimovsky, Edited by Yngve H. OlsenCloth 978-0-912532-86-8 $85.00tx647 pp. 220 plates; maps World

order inioMi (MYcToPhiforMes)Part 7, Neoscopelidae and Myctophidae and Atlantic Mesopelagic ZoogeographyBasil G. Nafpaktitus, Richard H. Backus, James E. Craddock, Richard L. Haedrich, Bruce H. Robison, Charles Karnella, Edited by Robert H. Gibbs, Jr.Cloth 978-0-912532-88-2 $75.00tx299 pp. 188 plates World

order gasTerosTeiforMes, suborder sYngnaThoideiPart 8, Syngnathidae (Doryrhamphinae, Syngnathinae, Hippocampinae)C. E. Dawson, Richard P. VariCloth 978-0-912532-89-9 $75.00tx198 pp. 129 plates World

voluMe 1: orders anguilliforMes and saccoPharYngiforMes voluMe 2: lePTocePhaliPart 9Eugenia B. Böhlke, James E. Böhlke, Mark M. Leiby, John E. McCosker, E. Bertelsen, Catherine H. Robins, C. Richard Robins, David G. Smith, Kenneth A. Tighe, Jørgen G. Nielsen, William H. HuletCloth 978-0-935868-45-6 $145.00txSet: 1,055 pages 911 plates World

MeMoir iiThe Elementary Chemical Composition of Marine OrganismsVinogradov, A. P. Translated from the original Russian by Julia Efron and Jane K. Setlow with bibliography by Virginia W. Odum.Cloth 978-0-912532-93-6 $85.00tx647 pp. 327 tables

The Yale PeabodY MuseuMfishes of The wesTern norTh aTlanTic

Sears Foundation for Marine Research

122 THE YALE PEABODY MUSEUM








100 Million Unnecessary Returns, Graetz . . . . . . . . . . . . . 791912 Yale Peruvian Scientific Expedition Collections from

Machu Picchu, The, Burger and Salazar, eds. . . . . . . .1212010, Bonami and Carrion-Murayari . . . . . . . . . . . . . . 82

Abboud, No More Joint Pain . . . . . . . . . . . . . . . . . . . . . 67Abramowitz, The Disappearing Center . . . . . . . . . . . . . . 62Absence of Mind, Robinson . . . . . . . . . . . . . . . . . . . .26–27Acting White, Buck . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35Age of Reptiles, The, Volpe and Zallinger . . . . . . . . . . . . 49Agnes Martin, Cooke . . . . . . . . . . . . . . . . . . . . . . . . . . 101Aitken, The Intelligence of Tradition

in Rajput Court Painting . . . . . . . . . . . . . . . . . . . . . . 107Akbarnia, Light of the Sufis . . . . . . . . . . . . . . . . . . . . . .115Aldhouse-Green, Caesar’s Druids . . . . . . . . . . . . . . . . . 55Alexander the Great, Stoneman . . . . . . . . . . . . . . . . . . . 70Alger Hiss and the Battle for History, Jacoby . . . . . . . . . . . 71Ali, Dubai . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44Alice Neel, Walker . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83Allawi, The Crisis of Islamic Civilization . . . . . . . . . . . . . . 72Allitt, The Conservatives . . . . . . . . . . . . . . . . . . . . . . . . 67Allport, Demobbed . . . . . . . . . . . . . . . . . . . . . . . . . . . 55American Constitutionalism and

the Republic of Statutes, Eskridge . . . . . . . . . . . . . . . . 62American Department Store Transformed,

1920–1960, The, Longstreth . . . . . . . . . . . . . . . . . .112American Glamour and the Evolution of

Modern Architecture, Friedman . . . . . . . . . . . . . . . . . 92American Moderns on Paper, Kornhauser . . . . . . . . . . . 106American Paintings and Works on Paper in the

Barnes Foundation, Wattenmaker . . . . . . . . . . . . . . .115American Woman, Bolton . . . . . . . . . . . . . . . . . . . . . . . 93An Entirely “Synthetic” Fish, Halverson . . . . . . . . . . . . . . . . 7An Italian Journey, Wolk-Simon . . . . . . . . . . . . . . . . . . . .117Andrew Marvell, Smith . . . . . . . . . . . . . . . . . . . . . . . . . . 58Anne Boleyn, Bernard . . . . . . . . . . . . . . . . . . . . . . . . . . 38Architecture as Icon, Curcic . . . . . . . . . . . . . . . . . . . . . . 108Architecture in the Balkans, Curcic . . . . . . . . . . . . . . . . . 108Art for All, Edelstein . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95Art of Edo Japan, Guth . . . . . . . . . . . . . . . . . . . . . . . . . .110Art of Natural History, The, Meyers . . . . . . . . . . . . . . . . 107Arts of Industry in the Age of Enlightenment, The, Fox . . . . . . 111Ashton, King Hussein of Jordan . . . . . . . . . . . . . . . . . . . . 70Atheist Delusions, Hart . . . . . . . . . . . . . . . . . . . . . . . . . . 71

Back to the Future in the Caves of Kaua’i, Burney . . . . . . . . 25Ballet’s Magic Kingdom, Volynsky . . . . . . . . . . . . . . . . . . 77Balmori, A Landscape Manifesto . . . . . . . . . . . . . . . . . . 90Bann, Painting History . . . . . . . . . . . . . . . . . . . . . . . . . 105Barber, Vampires, Burial, and Death . . . . . . . . . . . . . . . . 72Barnett, Sibelius . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77Basualdo, Bruce Nauman: Topological Gardens . . . . . . . . 96Batchelor, The Spirit of the Buddha . . . . . . . . . . . . . . . . . 46Bayer, Metropolitan Museum Studies in Art, Science,

and Technology, 2010, Volume 1 . . . . . . . . . . . . . . 103Bedford, Mark Bradford . . . . . . . . . . . . . . . . . . . . . . . . 97Berger, For All the World to See . . . . . . . . . . . . . . . . . . . 21Berkshire, Tyack . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .116Bernard, Anne Boleyn . . . . . . . . . . . . . . . . . . . . . . . . . . 38Bewer, A Laboratory for Art . . . . . . . . . . . . . . . . . . . . . 120Bignamini, Digging and Dealing in

Eighteenth–century Rome . . . . . . . . . . . . . . . . . . . . . . 111Bite the Hand That Feeds You, Fairlie . . . . . . . . . . . . . . . . 73Bolton, American Woman . . . . . . . . . . . . . . . . . . . . . . . 93Bonami and Carrion-Murayari, 2010 . . . . . . . . . . . . . 82Book in the Renaissance, The, Pettegree . . . . . . . . . . . . . . 40Borowski, Here in Our Auschwitz and Other Stories . . . . . . 20Bradley, Ralph Ellison in Progress . . . . . . . . . . . . . . . . . . . 2

Breaking the Logjam, Schoenbrod . . . . . . . . . . . . . . . . . . 61Brilliant Effects, Pointon . . . . . . . . . . . . . . . . . . . . . . . . 104Bruce Nauman: Topological Gardens, Basualdo . . . . . . . . 96Brunetta, Spider Silk . . . . . . . . . . . . . . . . . . . . . . . . . . . 42Buck, Acting White . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35Building on a Construct, Ramírez . . . . . . . . . . . . . . . . . . 109Burger and Salazar, eds., The 1912 Yale Peruvian Scientific

Expedition Collections from Machu Picchu . . . . . . . . . .121Burgess, The Oboe . . . . . . . . . . . . . . . . . . . . . . . . . . . 77Burney, Back to the Future in the Caves of Kaua‘i . . . . . . . . 25Butler, Hidden in the Shadow of the Master . . . . . . . . . . . 73

Cabin, Quarter, Plantation, Ellis . . . . . . . . . . . . . . . . . . . .112Caesar’s Druids, Aldhouse-Green . . . . . . . . . . . . . . . . . 55Carmichael, Sex and Religion in the Bible . . . . . . . . . . . . 60Cendrars, La Prose du Transsiberien

et de la petite Jehanne de France . . . . . . . . . . . . . . . 101Charlesworth, The Good and Evil Serpent . . . . . . . . . . . . 50Chen, Juvenilia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13Christian Imagination, The, Jennings . . . . . . . . . . . . . . . . . 29Christian West and its Singers, The, Page . . . . . . . . . . . . . 52Christians and Pagans, Lambert . . . . . . . . . . . . . . . . . . . 59Christiansen, The Genius of Andrea Mantegna . . . . . . . . 102Churchill’s Bunker, Holmes. . . . . . . . . . . . . . . . . . . . . . . . . 9City’s End, The, Page . . . . . . . . . . . . . . . . . . . . . . . . . . . 73Clark, Yemen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44Closer Look: Allegory, A, Langmuir . . . . . . . . . . . . . . . . .118Closer Look: Angels, A, Langmuir . . . . . . . . . . . . . . . . . .118Closer Look: Deceptions and Discoveries, A, Wieseman . . .118Closer Look: Frames, A, Penny . . . . . . . . . . . . . . . . . . . . .118Cochineal Red, Phipps . . . . . . . . . . . . . . . . . . . . . . . . . 109Cockett, Sudan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50Colour of Paradise, Lane . . . . . . . . . . . . . . . . . . . . . . . . . 54Conservatives, The, Allitt . . . . . . . . . . . . . . . . . . . . . . . . 67Cooke, Agnes Martin . . . . . . . . . . . . . . . . . . . . . . . . . 101Cooke, Zoe Leonard . . . . . . . . . . . . . . . . . . . . . . . . . . 101Cosima Wagner, Hilmes . . . . . . . . . . . . . . . . . . . . . . . . 38Cowling, Picasso Looks at Degas . . . . . . . . . . . . . . . . . . 99Credit Between Cultures, Shipton . . . . . . . . . . . . . . . . . . . 63Crisis of Islamic Civilization, The, Allawi . . . . . . . . . . . . . . 72Croatia, Tanner . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79Crystal, A Little Book of Language . . . . . . . . . . . . . . . . . . 41Cuneiform Texts from Various Collections, Goetze . . . . . . . . 58 Curcic, Architecture as Icon . . . . . . . . . . . . . . . . . . . . . 108 Curcic, Architecture in the Balkans . . . . . . . . . . . . . . . . . 108

Dallal, Islam, Science, and the Challenge of History . . . . . . 28Darwin’s Pictures, Voss . . . . . . . . . . . . . . . . . . . . . . . . . . 61De Caro, Roman Frescoes from Boscoreale . . . . . . . . . . . .119De Haven, Our Hero . . . . . . . . . . . . . . . . . . . . . . . . . . . 5Defying Empire, Truxes . . . . . . . . . . . . . . . . . . . . . . . . . 75Defying the Odds, Frank . . . . . . . . . . . . . . . . . . . . . . . . 56Delia’s Tears, Rogers . . . . . . . . . . . . . . . . . . . . . . . . . . . 34Demobbed, Allport . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55Desdemaines-Hugon, Stepping-Stones . . . . . . . . . . . . . . 24Design and Truth, Grudin . . . . . . . . . . . . . . . . . . . . . . 16–17Digging and Dealing in

Eighteenth-century Rome, Bignamini . . . . . . . . . . . . . . 111Disappearing Center, The, Abramowitz . . . . . . . . . . . . . . 62Dolphin Mysteries, Dudzinski . . . . . . . . . . . . . . . . . . . . . 70Dubai, Ali . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44Dudzinski, Dolphin Mysteries . . . . . . . . . . . . . . . . . . . . . 70

Eagleton, On Evil . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19Eagleton, Reason, Faith, and Revolution . . . . . . . . . . . . . . 68Earle, Nui . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98Earthrise, Poole . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

123Index


Edelstein, Art for All . . . . . . . . . . . . . . . . . . . . . . . . . . . 95Edwardian Sense, The, O’Neill . . . . . . . . . . . . . . . . . . . . 111Egan, The Future of Education . . . . . . . . . . . . . . . . . . . . . 80Elderfield, Matisse . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87Ellis, Cabin, Quarter, Plantation . . . . . . . . . . . . . . . . . . .112Empty Bottles of Gentilism, Oakley . . . . . . . . . . . . . . . . . . 57Enlightened Pleasures, Kavanagh . . . . . . . . . . . . . . . . . . . 54Escorial, The, Kamen . . . . . . . . . . . . . . . . . . . . . . . . . . . 39Eskridge, American Constitutionalism

and the Republic of Statutes . . . . . . . . . . . . . . . . . . . . 62Euro, The, Marsh . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70Eva Hesse Spectres 1960, McKinnon . . . . . . . . . . . . . . 100Exposed, Phillips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

Fairlie, Bite the Hand That Feeds You . . . . . . . . . . . . . . . 73Fallen Giants, Isserman . . . . . . . . . . . . . . . . . . . . . . . . . 68Fassi, Time Out of Joint . . . . . . . . . . . . . . . . . . . . . . . . 102Fassler, The Virgin of Chartres . . . . . . . . . . . . . . . . . . . . 59Fiery Pool, Houston . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86Financial Fraud and Guerrilla Violence in

Missouri’s Civil War, 1861–1865, Geiger . . . . . . . . . . 62Flare, Nozkowski . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101Flavell, When London Was Capital of America . . . . . . . . . 42Fletcher, Growing Up in England . . . . . . . . . . . . . . . . . . 76Flowers and Herbs of Early America, Griffith . . . . . . . . . . . 72For All the World to See, Berger . . . . . . . . . . . . . . . . . . . 21Forest Primeval, The, Hickey . . . . . . . . . . . . . . . . . . . . . . 48Fox, The Arts of Industry in the Age of Enlightenment . . . . . . 111Framing the West, Jurovics . . . . . . . . . . . . . . . . . . . . . . . 85Frank, Defying the Odds . . . . . . . . . . . . . . . . . . . . . . . . 56Frankly, My Dear, Haskell . . . . . . . . . . . . . . . . . . . . . . . . 69French Opera, Giroud . . . . . . . . . . . . . . . . . . . . . . . . . . 53Frieden, Winning the Silicon Sweepstakes . . . . . . . . . . . . 36Friedman, American Glamour and

the Evolution of Modern Architecture . . . . . . . . . . . . . . 92Friel, The Lomborg Deception . . . . . . . . . . . . . . . . . . . . . . 6From Land to Mouth, Sillitoe . . . . . . . . . . . . . . . . . . . . . . 63Future of Education, The, Egan . . . . . . . . . . . . . . . . . . . . . 80

Galleries of Friendship and Fame, Siegel . . . . . . . . . . . . . .117Gann, No Such Thing as Silence . . . . . . . . . . . . . . . . . . . . 4Gary, Hocus Bogus . . . . . . . . . . . . . . . . . . . . . . . . . . . 14Geiger, Financial Fraud and Guerrilla Violence

in Missouri’s Civil War, 1861–1865 . . . . . . . . . . . . . . 62Genius of Andrea Mantegna, The, Christiansen. . . . . . . . 102Getman, Restoring the Power of Unions . . . . . . . . . . . . . . 60Getty and Naumov, The Road to Terror . . . . . . . . . . . . . . 64Gilbert, A Mother’s Work . . . . . . . . . . . . . . . . . . . . . . . 80Giroud, French Opera . . . . . . . . . . . . . . . . . . . . . . . . . 53Goetze, Cuneiform Texts from Various Collections . . . . . . . 58Goncharov, Oblomov . . . . . . . . . . . . . . . . . . . . . . 10, 65Good and Evil Serpent, The, Charlesworth . . . . . . . . . . . 50Govier, Hogarth to Turner . . . . . . . . . . . . . . . . . . . . . . .116Goy, Venice City Guide . . . . . . . . . . . . . . . . . . . . . . . . . 91Graetz, 100 Million Unnecessary Returns . . . . . . . . . . . . 79Grand Strategies, Hill . . . . . . . . . . . . . . . . . . . . . . . . .30–31Green, Radical Judaism . . . . . . . . . . . . . . . . . . . . . . . . . 57Green, The Strategic Speaker . . . . . . . . . . . . . . . . . . . . . 63Griffith, Flowers and Herbs of Early America . . . . . . . . . . 72Grossman, Why Translation Matters . . . . . . . . . . . . . . . . 15Growing Up in England, Fletcher . . . . . . . . . . . . . . . . . . 76Grudin, Design and Truth . . . . . . . . . . . . . . . . . . . . . . 16–17Guth, Art of Edo Japan . . . . . . . . . . . . . . . . . . . . . . . . .110Gypsy, Shteir . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69

Hakluyt’s Promise, Mancall . . . . . . . . . . . . . . . . . . . . . . . 75Halverson, An Entirely “Synthetic” Fish . . . . . . . . . . . . . . . . 7

Hamilton, Squeezed . . . . . . . . . . . . . . . . . . . . . . . . . . . 79Hardman Moore, Pilgrims . . . . . . . . . . . . . . . . . . . . . . . 75Hargraves, Varieties of Romantic Experience . . . . . . . . . .110Hart, Atheist Delusions . . . . . . . . . . . . . . . . . . . . . . . . . . 71Haskell, Frankly, My Dear . . . . . . . . . . . . . . . . . . . . . . . 69Haynes, Spies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68Hayton, Vietnam . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22Hellfire Clubs, The, Lord . . . . . . . . . . . . . . . . . . . . . . . . . 75Here in Our Auschwitz and Other Stories, Borowski . . . . . . 20Hewison, Ruskin on Venice . . . . . . . . . . . . . . . . . . . . . . 105Hickey, The Forest Primeval . . . . . . . . . . . . . . . . . . . . . . . 48Hidden in the Shadow of the Master, Butler . . . . . . . . . . . 73High Style, Reeder . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93Hill, Grand Strategies . . . . . . . . . . . . . . . . . . . . . . . .30–31Hill, Selected Poems . . . . . . . . . . . . . . . . . . . . . . . . . . . 72Hilmes, Cosima Wagner . . . . . . . . . . . . . . . . . . . . . . . . 38Hinds, Money, Markets, and Sovereignty . . . . . . . . . . . . . 79History and the Enlightenment, Trevor-Roper . . . . . . . . . . . 55Hobbes, Leviathan . . . . . . . . . . . . . . . . . . . . . . . . . .57, 65Hocus Bogus, Gary . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14Hodgson, The Myth of American Exceptionalism . . . . . . . . 67Hoffman, My Happiness Bears No Relation to Happiness . . 71Hogarth to Turner, Govier. . . . . . . . . . . . . . . . . . . . . . . .116Hollywood Westerns and American Myth, Pippin . . . . . . . . 53Holmes, Churchill’s Bunker . . . . . . . . . . . . . . . . . . . . . . . . 9Houston, Fiery Pool . . . . . . . . . . . . . . . . . . . . . . . . . . . 86Howard, Sound and Space in Renaissance Venice . . . . . 104Hyland, The Quito Manuscript . . . . . . . . . . . . . . . . . . . . .121

Image Wars, Sharpe . . . . . . . . . . . . . . . . . . . . . . . . . . . 56Immortality and the Law, Madoff . . . . . . . . . . . . . . . . . . . 34In and Out of the Marital Bed, Wolfthal . . . . . . . . . . . . . .116Intellectual Life of the British Working Classes, The, Rose . . . 76Intelligence of Tradition in

Rajput Court Painting, The, Aitken . . . . . . . . . . . . . . . 107Islam, Science, and the Challenge of History, Dallal . . . . . . 28Isserman, Fallen Giants . . . . . . . . . . . . . . . . . . . . . . . . . 68Italian Paintings from the

Richard L. Feigen Collection, Kanter . . . . . . . . . . . . . .119Iversen, Women, Work, and Politics . . . . . . . . . . . . . . . . 62

Jablonsky, War by Land, Sea, and Air . . . . . . . . . . . . . . 10Jacoby, Alger Hiss and the Battle for History . . . . . . . . . . . 71Jennings, The Christian Imagination . . . . . . . . . . . . . . . . . 29John Singer Sargent’s “Triumph of Religion”

at the Boston Public Library, Khandekar . . . . . . . . . . 106Jonathan Edwards’s “Sinners in the Hands of an Angry God”,

Kimnach. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64Jugie, The Mourners . . . . . . . . . . . . . . . . . . . . . . . . . . . 84Jurovics, Framing the West . . . . . . . . . . . . . . . . . . . . . . 85Juvenilia, Chen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Kaddour, Treason . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20Kamen, The Escorial . . . . . . . . . . . . . . . . . . . . . . . . . . . 39Kanter, Italian Paintings from the

Richard L. Feigen Collection . . . . . . . . . . . . . . . . . . .119Karsh, Palestine Betrayed . . . . . . . . . . . . . . . . . . . . . . . . 23Katsura—Picturing Modernism in

Japanese Architecture, Nakamori . . . . . . . . . . . . . . . . 98Kavanagh, Enlightened Pleasures . . . . . . . . . . . . . . . . . . 54Keywords in American Landscape Design, O’Malley . . . . .113Khandekar, John Singer Sargent’s “Triumph of Religion”

at the Boston Public Library . . . . . . . . . . . . . . . . . . . 106Kimnach, Jonathan Edwards’s

“Sinners in the Hands of an Angry God” . . . . . . . . . . . 64King Hussein of Jordan, Ashton . . . . . . . . . . . . . . . . . . . . 70King, Losing Control . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

124 Index


King, The Psychoanalytic Study of the Child . . . . . . . . . . . 52Kirov Murder and Soviet History, The, Lenoe . . . . . . . . . . . 56Kivelson, Picturing Russia . . . . . . . . . . . . . . . . . . . . . . . . 76Koeppe, Vienna Circa 1780 . . . . . . . . . . . . . . . . . . . . .114Kornhauser, American Moderns on Paper . . . . . . . . . . . 106Kysar, Regulating from Nowhere . . . . . . . . . . . . . . . . . . . 60

La Prose du Transsiberien et de la petite Jehanne de France, Cendrars . . . . . . . . . . . . . . . . . 101

Laboratory for Art, A, Bewer . . . . . . . . . . . . . . . . . . . . . 120Lambert, Christians and Pagans . . . . . . . . . . . . . . . . . . . 59Landscape Manifesto, A, Balmori . . . . . . . . . . . . . . . . . . 90Lane, Colour of Paradise . . . . . . . . . . . . . . . . . . . . . . . . 54Langmuir, A Closer Look: Allegory . . . . . . . . . . . . . . . . .118Langmuir, A Closer Look: Angels . . . . . . . . . . . . . . . . . .118Langston, Toxic Bodies . . . . . . . . . . . . . . . . . . . . . . . . . 13Law’s Environment, Nagle . . . . . . . . . . . . . . . . . . . . . . . . 60Lawson, One America in the 21st Century . . . . . . . . . . . . . 65Legacy of the Second World War, The, Lukacs . . . . . . . . . . 8Lenoe, The Kirov Murder and Soviet History . . . . . . . . . . . 56Leviathan, Hobbes . . . . . . . . . . . . . . . . . . . . . . . . . . .57, 65Lian, Redeemed by Fire . . . . . . . . . . . . . . . . . . . . . . . . . 54Liberty Bell, The, Nash . . . . . . . . . . . . . . . . . . . . . . . . . . 32Light of the Sufis, Akbarnia . . . . . . . . . . . . . . . . . . . . . . .115Little Book of Language, A, Crystal . . . . . . . . . . . . . . . . . 41Little, Yale Library Studies, Volume 1 . . . . . . . . . . . . . . . . 52Loeffler, The Most Musical Nation . . . . . . . . . . . . . . . . . 52Lomborg Deception, The, Friel . . . . . . . . . . . . . . . . . . . . . . 6Longstreth, The American Department Store

Transformed, 1920–1960 . . . . . . . . . . . . . . . . . . . . .112Lord, The Hellfire Clubs . . . . . . . . . . . . . . . . . . . . . . . . . 75Losing Control, King . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43Lukacs, The Legacy of the Second World War . . . . . . . . . . 8

Madoff, Immortality and the Law . . . . . . . . . . . . . . . . . . 34Mancall, Hakluyt’s Promise . . . . . . . . . . . . . . . . . . . . . . 75Manguel, A Reader on Reading . . . . . . . . . . . . . . . . . . . . 3Mark Bradford, Bedford . . . . . . . . . . . . . . . . . . . . . . . . . 97Marsh, The Euro . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70Marzio, Masterpieces from

The Museum of Fine Arts, Houston . . . . . . . . . . . . . . 103Masterpieces from

The Museum of Fine Arts, Houston, Marzio . . . . . . . . 103Matisse, Elderfield . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87Maurizio Cattelan, Sirmans . . . . . . . . . . . . . . . . . . . . . . 84Mazullo, Shostakovich’s Preludes and Fugues . . . . . . . . . . 52McKinnon, Eva Hesse Spectres 1960 . . . . . . . . . . . . . . 100Meaning of Property, The, Purdy . . . . . . . . . . . . . . . . . . . 12Medieval Heart, The, Webb . . . . . . . . . . . . . . . . . . . . . . 58Menta, The Quinnipiac . . . . . . . . . . . . . . . . . . . . . . . . .121Metropolitan Museum Studies in Art,

Science, and Technology, 2010, Volume 1, Bayer . . . 103Metropolitan Museum’s Wrightsman

Galleries for French Decorative Arts, The, Munger . . . . .113Meyers, The Art of Natural History . . . . . . . . . . . . . . . . 107Mikics, A New Handbook of Literary Terms . . . . . . . . . . . 78Modernism in the Magazines, Scholes . . . . . . . . . . . . . . . 59Money, Markets, and Sovereignty, Hinds . . . . . . . . . . . . . . 79Morris, One State, Two States . . . . . . . . . . . . . . . . . . . . 69Most Musical Nation, The, Loeffler . . . . . . . . . . . . . . . . . 52Mother of God, Rubin . . . . . . . . . . . . . . . . . . . . . . . . . . 69Mother’s Work, A, Gilbert . . . . . . . . . . . . . . . . . . . . . . . 80Mourners, The, Jugie . . . . . . . . . . . . . . . . . . . . . . . . . . . 84Munger, The Metropolitan Museum’s

Wrightsman Galleries for French Decorative Arts . . . . . .113Murphy, Nineteenth–Century Irish Sculpture . . . . . . . . . . 105Music and Sentiment, Rosen . . . . . . . . . . . . . . . . . . . . . . 45

My Happiness Bears No Relation to Happiness, Hoffman . . 71Myth of American Exceptionalism, The, Hodgson . . . . . . . . 67

Nagle, Law’s Environment . . . . . . . . . . . . . . . . . . . . . . . 60Nakamori, Katsura––

Picturing Modernism in Japanese Architecture . . . . . . . . 98Nash, The Liberty Bell . . . . . . . . . . . . . . . . . . . . . . . . . . 32New Handbook of Literary Terms, A, Mikics . . . . . . . . . . . 78Nineteenth–Century Irish Sculpture, Murphy . . . . . . . . . . . 105No More Joint Pain, Abboud . . . . . . . . . . . . . . . . . . . . . 67No Such Thing as Silence, Gann . . . . . . . . . . . . . . . . . . . . 4Nozkowski, Flare . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101Nui, Earle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98

O’Neill, The Edwardian Sense . . . . . . . . . . . . . . . . . . . . 111O’Malley, Keywords in American Landscape Design . . . . .113Oakley, Empty Bottles of Gentilism . . . . . . . . . . . . . . . . . 57Oblomov, Goncharov . . . . . . . . . . . . . . . . . . . . . . . 10, 65Oboe, The, Burgess . . . . . . . . . . . . . . . . . . . . . . . . . . . 77On Evil, Eagleton . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19One America in the 21st Century, Lawson . . . . . . . . . . . 65One State, Two States, Morris . . . . . . . . . . . . . . . . . . . . 69Our Hero, De Haven . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Page, The Christian West and its Singers . . . . . . . . . . . . . 52Page, The City’s End . . . . . . . . . . . . . . . . . . . . . . . . . . . 73Painting for Profit, Spear . . . . . . . . . . . . . . . . . . . . . . . . 104Painting History, Bann . . . . . . . . . . . . . . . . . . . . . . . . . . 105Palestine Betrayed, Karsh . . . . . . . . . . . . . . . . . . . . . . . . 23Penny, A Closer Look: Frames . . . . . . . . . . . . . . . . . . . . .118Pettegree, The Book in the Renaissance . . . . . . . . . . . . . . 40Philip II of Macedonia, Worthington . . . . . . . . . . . . . . . . 68Phillips, Exposed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94Phillips, The Second Crusade . . . . . . . . . . . . . . . . . . . . . 76Philosophers’ Quarrel, The, Zaretsky . . . . . . . . . . . . . . . . 67Phipps, Cochineal Red . . . . . . . . . . . . . . . . . . . . . . . . 109Picasso in The Metropolitan Museum of Art, Tinterow . . . . . 89Picasso Looks at Degas, Cowling . . . . . . . . . . . . . . . . . . . 99Picturing Russia, Kivelson . . . . . . . . . . . . . . . . . . . . . . . . 76Pilgrimage and Buddhist Art, Proser . . . . . . . . . . . . . . . . . 88Pilgrims, Hardman Moore . . . . . . . . . . . . . . . . . . . . . . . 75Pippin, Hollywood Westerns and American Myth . . . . . . . 53Pisano, William Merritt Chase . . . . . . . . . . . . . . . . . . . . 96Pointon, Brilliant Effects . . . . . . . . . . . . . . . . . . . . . . . . 104Polkinghorne, Theology in the Context of Science . . . . . . . 78Poole, Earthrise . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73Proser, Pilgrimage and Buddhist Art . . . . . . . . . . . . . . . . . 88Psychoanalytic Study of the Child, The, King . . . . . . . . . . . 52Purdy, The Meaning of Property . . . . . . . . . . . . . . . . . . . 12

Quinnipiac, The, Menta . . . . . . . . . . . . . . . . . . . . . . . . .121Quito Manuscript, The, Hyland . . . . . . . . . . . . . . . . . . . .121Radical Judaism, Green . . . . . . . . . . . . . . . . . . . . . . . . . 57

Rahe, Soft Despotism, Democracy’s Drift . . . . . . . . . . . . . . 78Ralph Ellison in Progress, Bradley . . . . . . . . . . . . . . . . . . . . 2Ramírez, Building on a Construct . . . . . . . . . . . . . . . . . 109Rashid, Taliban . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18Reader on Reading, A, Manguel . . . . . . . . . . . . . . . . . . . . 3Reading Matters, Willes . . . . . . . . . . . . . . . . . . . . . . . . . 78Reason, Faith, and Revolution, Eagleton . . . . . . . . . . . . . . 68Redeemed by Fire, Lian . . . . . . . . . . . . . . . . . . . . . . . . . 54Reeder, High Style . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93Regulating from Nowhere, Kysar . . . . . . . . . . . . . . . . . . . 60Restoring the Power of Unions, Getman . . . . . . . . . . . . . . . 60Richard Norman Shaw, Saint . . . . . . . . . . . . . . . . . . . . .114Ricks, True Friendship . . . . . . . . . . . . . . . . . . . . . . . . . . .11

125Index


Road to Terror, Getty and Naumov . . . . . . . . . . . . . . . . 64Robert Schumann, Worthen . . . . . . . . . . . . . . . . . . . . . . 77Robinson, Absence of Mind . . . . . . . . . . . . . . . . . . . .26–27Rogers, Delia’s Tears . . . . . . . . . . . . . . . . . . . . . . . . . . . 34Roman Frescoes from Boscoreale, De Caro . . . . . . . . . . . .119Rose, The Intellectual Life of the British Working Classes . . . 76Rosen, Music and Sentiment . . . . . . . . . . . . . . . . . . . . . . 45Rubin, Mother of God . . . . . . . . . . . . . . . . . . . . . . . . . . 69Ruskin on Venice, Hewison . . . . . . . . . . . . . . . . . . . . . . 105Russian Orientalism, Schimmelpenninck van der Oye . . . . 56

Sacred Realism, Valis . . . . . . . . . . . . . . . . . . . . . . . . . . . 58Saint, Richard Norman Shaw . . . . . . . . . . . . . . . . . . . . .114Schimmelpenninck van der Oye, Russian Orientalism . . . . 56Schoenbrod, Breaking the Logjam . . . . . . . . . . . . . . . . . 61Scholes, Modernism in the Magazines . . . . . . . . . . . . . . 59Second Crusade, The, Phillips . . . . . . . . . . . . . . . . . . . . . 76Selected Poems, Hill . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72Sex and Religion in the Bible, Carmichael . . . . . . . . . . . . . 60Shameful Peace, The, Spotts . . . . . . . . . . . . . . . . . . . . . . 71Sharpe, Image Wars . . . . . . . . . . . . . . . . . . . . . . . . . . 56Shipton, Credit Between Cultures . . . . . . . . . . . . . . . . . . 63Shostakovich’s Preludes and Fugues, Mazullo . . . . . . . . . . 52Shteir, Gypsy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69Sibelius, Barnett . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77Siegel, Galleries of Friendship and Fame . . . . . . . . . . . . .117Sillitoe, From Land to Mouth . . . . . . . . . . . . . . . . . . . . . . 63Sirmans, Maurizio Cattelan . . . . . . . . . . . . . . . . . . . . . . 84Sixty to Zero, Taylor . . . . . . . . . . . . . . . . . . . . . . . . . . . 37Smith, Andrew Marvell . . . . . . . . . . . . . . . . . . . . . . . . . 58Soft Despotism, Democracy’s Drift, Rahe . . . . . . . . . . . . . . 78Sound and Space in Renaissance Venice, Howard . . . . . . 104Spear, Painting for Profit . . . . . . . . . . . . . . . . . . . . . . . . 104Spider Silk, Brunetta . . . . . . . . . . . . . . . . . . . . . . . . . . . 42Spies, Haynes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68Spirit of the Buddha, The, Batchelor . . . . . . . . . . . . . . . . . 46Spotts, The Shameful Peace . . . . . . . . . . . . . . . . . . . . . . 71Squeezed, Hamilton . . . . . . . . . . . . . . . . . . . . . . . . . . . 79Stanovich, What Intelligence Tests Miss . . . . . . . . . . . . . . 80Stein, Trading Factories for Finance . . . . . . . . . . . . . . . . . 36Stepping–Stones, Desdemaines–Hugon. . . . . . . . . . . . . . 24Stoneman, Alexander the Great . . . . . . . . . . . . . . . . . . . 70Strategic Speaker, The, Green . . . . . . . . . . . . . . . . . . . . . 63Sudan, Cockett . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

Taliban, Rashid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18Tanner, Croatia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79Taylor, Sixty to Zero . . . . . . . . . . . . . . . . . . . . . . . . . . . 37Theology in the Context of Science, Polkinghorne . . . . . . . 78Time Out of Joint, Fassi . . . . . . . . . . . . . . . . . . . . . . . . . 102Tinterow, Picasso in The Metropolitan Museum of Art . . . . . 89Toxic Bodies, Langston . . . . . . . . . . . . . . . . . . . . . . . . . 13Trading Factories for Finance, Stein . . . . . . . . . . . . . . . . . 36Treason, Kaddour . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20Trevor–Roper, History and the Enlightenment . . . . . . . . . . 55True Friendship, Ricks . . . . . . . . . . . . . . . . . . . . . . . . . . . .11Truxes, Defying Empire . . . . . . . . . . . . . . . . . . . . . . . . . 75Tushnet, Why the Constitution Matters . . . . . . . . . . . . . . . 33Tyack, Berkshire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .116

Valis, Sacred Realism . . . . . . . . . . . . . . . . . . . . . . . . . . 58Vampires, Burial, and Death, Barber . . . . . . . . . . . . . . . . 72Varieties of Romantic Experience, Hargraves . . . . . . . . . . .110Venice City Guide, Goy . . . . . . . . . . . . . . . . . . . . . . . . . 91Vienna Circa 1780, Koeppe . . . . . . . . . . . . . . . . . . . . . .114Vietnam, Hayton . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22Virgin of Chartres, The, Fassler . . . . . . . . . . . . . . . . . . . . 59

Volpe and Zallinger, The Age of Reptiles . . . . . . . . . . . . . 49Volynsky, Ballet’s Magic Kingdom . . . . . . . . . . . . . . . . . 77Voss, Darwin’s Pictures . . . . . . . . . . . . . . . . . . . . . . . . . 61

Walker, Alice Neel . . . . . . . . . . . . . . . . . . . . . . . . . . . 83Wanklyn, Warrior Generals . . . . . . . . . . . . . . . . . . . . . . 58War by Land, Sea, and Air, Jablonsky . . . . . . . . . . . . . . . 10Warrior Generals, Wanklyn . . . . . . . . . . . . . . . . . . . . . . 58Wattenmaker, American Paintings and

Works on Paper in the Barnes Foundation . . . . . . . . . .115Webb, The Medieval Heart . . . . . . . . . . . . . . . . . . . . . . 58What Intelligence Tests Miss, Stanovich . . . . . . . . . . . . . . 80When London Was Capital of America, Flavell . . . . . . . . . 42Why the Constitution Matters, Tushnet . . . . . . . . . . . . . . . 33Why Translation Matters, Grossman . . . . . . . . . . . . . . . . . 15Wieseman, A Closer Look: Deceptions and Discoveries . . .118Willes, Reading Matters . . . . . . . . . . . . . . . . . . . . . . . . 78William Merritt Chase, Pisano . . . . . . . . . . . . . . . . . . . . . 96Winning the Silicon Sweepstakes, Frieden. . . . . . . . . . . . . 36Wolfthal, In and Out of the Marital Bed . . . . . . . . . . . . .116Wolk–Simon, An Italian Journey . . . . . . . . . . . . . . . . . . .117Women, Work, and Politics, Iversen . . . . . . . . . . . . . . . . 62Worthen, Robert Schumann . . . . . . . . . . . . . . . . . . . . . . 77Worthington, Philip II of Macedonia . . . . . . . . . . . . . . . . 68

Yale Library Studies, Volume 1, Little . . . . . . . . . . . . . . . . . 52Yemen, Clark . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Zaretsky, The Philosophers’ Quarrel . . . . . . . . . . . . . . . . 67Zoe Leonard, Cooke . . . . . . . . . . . . . . . . . . . . . . . . . . 101

126 Index


Notes

127Notes


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