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SAMPLE DESIGN PORTFOLIOMEGHAN BAKERUniversity of KentuckyB.A. Architecture & M.B.A.
Manhattan Transportation Hub
Fourth Year Design Studio Spring 2013Jason Scroggin
Page 01
CONCEPT DIAGRAM
PHYSICAL MODELImage Property of University of Kentucky College of Design, Photographed by Magnus Lindqvist
SITE ANALYSIS_HUDSON RIVERCLUSTERING The project is motivated by clustering and the manifestation that is generated by closely bonding similar and disimilar forms together.
There are three different forms of clustering happening within the overall form. First, the clustered tubes, which act as the confines for the program. Second, the clustered spheres, which act as a host for circulation outside the tubes. Third, the window openings along the tubes which follow a similar spherical form as the circulation spheres. The tubes accomodate program, clustered together and unified to create an interconnected circulation network. The circulation clusters are generated by bonding spheres of the same dimensions closely together; the circulation clusters have the ability to move beyond the tubes and offer an alternative system of circulation than that which happens within the tubes. In addition to circulation, the tubes and spheres permit different views of the surrounding site. The tubes generally facilitate strong directional views towards the city or the water, while the spheres allow for more open, and full views to the site because of their initial globe shaped form.
The intention of the spherical clusters are to allow circulation in, around, and on top of the tubes. The spheres vary in size in order to create contrasting experiences. First, the entrance circulation clusters, these clusters offer direct access from the parking to the elongated tubes. Second, the tube-to-tube or tube-to-roof circulation clusters, these clusters are the smallest in size and are the most populate alternative to circulation. Third, the viewing circulation clusters, these clusters are the largest in size and can be intersected by the smallest circulation spheres; the viewing circulation clusters are more like conservatories.
INTREPID SEA, AIR, AND SPACE MUSEUM
46th Street
45th Street
44th Street
43th Street
42th Street
41st Street
40th Street
39th Street
Hudson River Greenway
MIDTOWN W. 39th STREET FERRY STATION
HUDSON RIVER
Ferry Circulation
N
LINCOLN TUNNEL
ELEVATION DROP OF SEA LEVEL 30.0’
ELEVATION DROP OF SEA LEVEL 35.0’
ELEVATION DROP OF SEA LEVEL 45.0’
Scale 1.0’=1/128’’
TUBES (constraints, limited views)01 PROGRAM SPHERES (limited to tubes constraints)02 CIRCULATION SPHERES (clustered, not contained, athuman scale, alternative network of circlation for tubes)
03
CIRCULATION SPHERESClustered spherical forms that offer circulation on and around tubes.
Remaining condition caused by the clustered spherical forms. Allow new views out to site.
The clustered spherical forms cluster in and around the tubes.
Purple mass is the hub and the blue is the hotel.
PERFORATED TUBES
TUBES & SPHERES
PARKING & STRUCTURE
PROGRAM MASSING
Fourth Year Design Studio Spring 2013Jason Scroggin
Page 02
Fourth Year Design Studio Spring 2013Jason Scroggin
Page 03
DIAGRAM OF PARTS & MATERIALS
RENDERINGS
DETAILS OF SPHERE CLUSTER
Possible Resolution of Ground in Circulation Sphere
01.
02.
B. Circulation Spheres(transparent)
C. Perforated Tubes(solid)
A. Program Tubes(solid)
Isonometric of Sphere w/Stairs
Elevation of Sphere w/Stairs
STEEL FRAME CONNECTION TO CONCRETE TUBE
Fourth Year Design Studio Spring 2013Jason Scroggin
Page 04
NYC FERRY
098345DEPARTURE ARRIVAL DEPARTURE ARRIVAL DEPARTURE ARRIVAL
NYC 8:15 JERSEY 9:05
NYC 8:15 JERSEY 9:05
NYC 9:45 JERSEY 10:35
NYC 12:30 JERSEY 1:20
NYC 3:15 JERSEY 4:05
NYC 5:15
NYC 8:15
NYC 8:15
NYC 9:45
NYC 12:30
NYC 3:15
NYC 5:15JERSEY 6:05
NYC 8:15 JERSEY 9:05
NYC 8:15 JERSEY 9:05
NYC 9:45 JERSEY 10:35
NYC 12:30 JERSEY 1:20
NYC 3:15 JERSEY 4:05
NYC 5:15 JERSEY 6:05
JERSEY 9:05
JERSEY 9:05
JERSEY 10:35
JERSEY 1:20
JERSEY 4:05
JERSEY 6:05
DEPARTURE ARRIVAL
NYC 8:15 JERSEY 9:05
NYC 8:15 JERSEY 9:05
NYC 9:45 JERSEY 10:35
NYC 12:30 JERSEY 1:20
NYC 3:15 JERSEY 4:05
NYC 5:15 JERSEY 6:05
DEPARTURE ARRIVAL DEPARTURE ARRIVAL DEPARTURE ARRIVAL
NYC 8:15 JERSEY 9:05
NYC 8:15 JERSEY 9:05
NYC 9:45 JERSEY 10:35
NYC 12:30 JERSEY 1:20
NYC 3:15 JERSEY 4:05
NYC 5:15
NYC 8:15
NYC 8:15
NYC 9:45
NYC 12:30
NYC 3:15
NYC 5:15JERSEY 6:05
NYC 8:15 JERSEY 9:05
NYC 8:15 JERSEY 9:05
NYC 9:45 JERSEY 10:35
NYC 12:30 JERSEY 1:20
NYC 3:15 JERSEY 4:05
NYC 5:15 JERSEY 6:05
JERSEY 9:05
JERSEY 9:05
JERSEY 10:35
JERSEY 1:20
JERSEY 4:05
JERSEY 6:05
SHORT SECTION {DIAGRAM} 01_LOOKING TOWARDS THE WATER SHORT SECTION {DIAGRAM} 02_LOOKING TOWARDS THE CITY
LONG SECTION 01_LOOKING TOWARDS THE INTREPID
BUS
TAXI DROP OFF & PICK UP
Plan_Top Floor_Hotel & RoofsPlan_First Floor_Hotel & Hub
KITCHEN/BAR
0.0’
100.0’
200.0’
300.0’
400.0’
500.0’
600.0’
25.0’
50.0’
75.0’
125.0’
150.0’
175.0’
225.0’
250.0’
275.0’
325.0’
350.0’
375.0’
425.0’
450.0’
475.0’
525.0’
550.0’
575.0’
625.0’
650.0’
675.0’
700.0’
GALLERY
GALLERY
NYC REGIONAL INFORMATION CENTER
FRONT DESK_HOTEL
LOBBY/LOUNGE AREA
MUSIC ROOM
GAME ROOM
STORAGEEXECUTIVE OFFICES
STORAGE & HOUSEKEEPING
EXECUTIVE MEETINGS AREAS
EXECUTIVE MEETINGS AREAS
EXECUTIVE MEETINGS AREAS
SPA/FITNESS
GALLERY
GALLERY
ORIENTATION CENTER
ORIENTATION CENTER
BATHROOM
OFFICES
BAR
RESTAURANT
FERRY BOARDING STATION
GIFT SHOP
Plan_Parking & Connection to City
Persistance of Type Throughout Varying Scales
Fourth Year Design Studio Fall 2012Angela Co
Transformations of Type The studio focus was the transformation of a type which was extracted from a list of both built and theoretical architectural projects. In this project the extraction of type came from the Ponte Veccio/Vasari Corridor, the NYC Highline, and the Mosque of Cordoba. The derived concept-type form of these three projects was connectivity; within the connectivity type there are two sub-types: connectivity of parts through a field and connectivity by a separate connective tissue.
This project focuses on the transformation of the corridor, a connective tissue, at three differenct scales. In each transformation the corridor remains the same dimension while the surrounding mass grows to accomodate program, by doing this the corridor is allowed to have a different relationship with the mass it inhabits.
LEVEL 01scale 1.0’=1/128’’
LEVEL 02scale 1.0’=1/128’’
LEVEL 03scale 1.0’=1/128’’
103
104
105
SECTION of SMALLEST SCALE 10Scale 1.0’=1/64’’
3
parking garage
kitchen
bathroom
lounge/studygarden area
pool
pool house
entertainment area
bedroom
Plan 01Scale 1.0’=1/128”
ARRIVE
EAT
BATHE
RELAX
ENTERTAIN
RETIRE
section 02
LEVEL 01scale 1.0’=1/128’’
LEVEL 02scale 1.0’=1/128’’
LEVEL 03scale 1.0’=1/128’’
SPATIAL IMAGERY AT LARGEST SCALE
LARGEST SCALE 10 5
MIDDLE SCALE 10 4
SMALLEST SCALE 10CONCEPT DIAGRAM 3
Page 05
X-DI
RECT
ION
X&Y-
DIRE
CTIO
N
X&Y-
DIRE
CTIO
N
DIRECT DIRECT_SPLIT ALL INTERSECTING DOMINATE CORRIDOR BREAKS CONNECTIONBETWEEN ANOTHER CORRIDOR
DOMINATE CORRIDOR IS SHIFTED AND SEPARATES THE OTHER CORRIDOR MORE
PIN WHEEL WITH GAPPIN WHEELDIRECT OFFSET INTERSECTING OFFSET INDIRECT OFFSET NOT INTERSECTING INTERSECTING
LIBRARYSMALL INDIVIDUAL CORRIDORS PROVIDE
SMALL GROUP/INDIVIDUAL READING/STUDY ROOMS
READING/GARDENTHESE CORRIDORS ARE A FLOOR BELOW
THE LIBRARY SO THEY BREAK IN THE SAMEWAY, THE SPAN FROM THE GARDEN AREA
MARKETALL THE CORRIDORS INTERSECT, THEY ALL PROVIDE
SERVICE TO THE MARKET
RESTAURANTTWO DINING CORRIDORS INTERSECT, ONE DOMINATE
CORRIDOR BREAKS ANOTHER TO PROVIDEA DINING HALF AND A FOOD PREPARATION HALF
APARTMENTFOUR CORRIDORS PINWHEEL TO CREATE A CENTRAL
GATHERING AREA, TWO CORRIDORS PROVIDE ENTRANCETHE OTHER TWO PROVIDE KITCHEN AND BATHROOM
RESTAURANTTHESE DINING CORRIDORS BREAK OFF FROM EACH
OTHER TO PROVIDE PRIVATE DINING NOOKS
Fourth Year Design Studio Fall 2012Angela Co
CATALOGING THE CORRIDOR AND APPLYING TO PROGRAM
PHYSICAL MODEL
Page 06
MACRO SCALE FIELD AGGREGATION SITE
Site PlanScale 1/256’’=1.0’
ALGAE FIELDS
SECTION Scale 1/256’’=1.0’
Algae Bio-Reactor Plant & Visitor Center
Third Year Design Studio Spring 2012Anne Filson
Compressed AggregationCAER, Center for Applied Research, allowed our studio to tour their current Algae Bio-Reactor research facilities in order to gain insight to the process and site conditions required to maintain the system. Our site was Dix Dam in Mercer County, KY. The site was challenging because of the steep terrain and close proximity to the existing coal plant.
Compression was a generator for the forms tightly placed on the site. The existing site conditions such as: the coal plant, water, and trees enforce compression at a macro scale. Later, the project became more about the process of the compression forces acting with each other, resulting in internal friction, which then become a language of fluid forces. The forms strain and shear in both vertical and horizontal directions.
Page 07
CONCEPT DIAGRAMSITE PLAN
CONSTANT RECYCLING
H20 CO2
CARBON DIOXIDE IS CAPTURED & CONTINOUSLY FILTERED THROUGHOUT THE ALGAE WATER
CONSTANT CIRCULATION OF WATER FLOW TO PREVENT BIOFILM
SUN
TWICE AS MUCH SHADE REQUIRED FOR THE
AMOUNT OF SUNLIGHT APPLIED TO ALGAE
GROWTH
COAL POWER PLANT
CARBON DIOXIDE IS EXHAUSTED FROM COAL BURNING
ALGAE HARVEST (TANK)
OIL EXTRACTION BIOFUELPRODUCTION
RECOVERED WATER AND NUTRIENTS ARE RECYCLED BACK INTO THE SYSTEM
BIOREACTORS
SHADE
VS
ISSUEINPUT
OUTPUT
ALGAE BIO-REACTOR DIAGRAM
03.VISCOSITYflow of internal friction
01. COMPRESSIONoverexertion causing deformation in a body
02. STRAINreduction in volume, increase in pressure
scale 1/8’’=1.0’SECTION CUT
Scale 1/8’’=1.0’Scale 1/64’’=1.0’
Manhattan Public Library
Third Year Design Studio Fall 2011Akari Takebayashi
Page 08
Regular Stacking with No Pressure
Stacking with Central Pressure
scale 1.0’=1/64’’
south side north side
MATERIAL STUDIES_SPRAY FOAM & PAINT
ELEVATION DRAWINGS
CONCEPT DIAGRAMS_STACKING & BULGE
SPATIAL IMAGERY
N
S
EW
SITE ANALYSIS_LAFAYETTE & BOND, NOHO MANHATTAN
BULGEThis project is the first time I did an urban analysis before all design decisions were made. My studio traveled to the site and observed the activity on the surrounding blocks. We gathered that the existing condition was a small automobile repair business and that the site constraints were very narrow, being only 150 ft by 40 ft, which forced our designs upwards.
The bulging concept was derived from stacking morphous material with a static material and then applying a central pressure, forcig the morphous material outward. The site was limiting, so by using the bulge concept, it allowed for expansion on the upper levels while also projecting the inhabitants towards the surrounding urban conditions, rather than constricting them to the boundaries of the site.
When applying the bulge material study to the public library, the service systems and bookshelfs act as the central pressure, which pushes all the programs outward. The programs within the library include reading areas, conference rooms, and a cafe/lounge.
Hiker’s Retreat & Lodging
Second Year Design Studio Spring 2011Kyle Miller
Page 09
PROGRAMMING DIAGRAMS
AGGREGATIONSThis project is motivated by the formations of aggregated forms through “parasite-like” bonds and relationships. When there is a strong bond between programs, there is strong aggregation and correlation. When the bond becomes too strong or there is no relationship between different programs, the aggregation breaks and spaces transform into separate entities.
The lodging and recreational areas are strongly separated in order to keep public and private spaces apart. Although the overall form is broken into smaller aggregations, there is a thin, frame layer uniting the larger forms.
{1a} {1b}
{1c} {1d}
{2a} {2b}
{2c} {2d}
INITIAL CONCEPTUAL DRAWINGS
{1a-1d} Interaction Between Nodes of Attraction{2a-2b} Aggregation of Frames{2c-2d} Disrupted Aggregation of Frames
1. Non-Configured Programming uniform program placement dictated by large masses
2. Shifted Programming program boxes begin to shuffle and intuitively turn still being dictacted by large masses
3. Program Envelope a mass is defined by shifted programming influenced by large masses from non-configured stage
4. Broken Envelope the mass is divided to provide a separation between lodging and public lobby space
5. Program Offsets program boxes are offset to provide stairs for elevational shifting
6. Program Contours program boxes are contoured to define the privacy level of the programmed spaces
7. Program Contour Definition program box contours are elevated to the roof level to define and restrict envelope contours, allowing for more light within the space
8. Envelope Contours the mass is contoured similarly to the program boxes in order to unite all the different components within the mass
FLEXIBLE RETAIL SPACE
ADMINISTRATIVE OFFICES & REGISTRATION
CAFE & LOUNGE
PUBLIC BATHHOUSE
RESTROOMS
RESTROOMS
GALLERY FOR TEMPORARY EXHIBITIONS
ARTIST GALLERY
Possible Mediums Conference - And Projections...
Additional Recognition and Interactions2008-2013University of Kentucky College of Design
Page 10
The intent of this workshop was to analyze the interaction between projected linear forms onto a tangible, facetted geometric surface. The workshop was led by Andrew Atwood of SciArc. In order to accomplish this interaction, we used the visual development platform, TouchDesigner.
After the conference, I participated in a Installation Competition for 2013 Beaux Arts Ball by appling the knowledge learned from the workshop and submitting a large scale wall design integrating physical forms and digital projections generated by TouchDesigner. I won the competition and BAB funded the construction of the installation.
End of the Year Show - Infographics Book Showing
Dean’s List Meghan made the Dean’s List during her 3rd and 4th year as an undergraduate design student
Fourth Year Design Award Meghan was recognized as one of the top two design students of her 4th year design class. An achievement awarded to students displaying exemplary design work and an enhanced ability to comprehend and produce work above and beyond the expectations of faculty.
The University of Kentucky College of Design holds an End of the Year Show annually. In 2013, two pieces of my work were chosen to displayed at the show.
Chose projects include: + Manhattan Transportation Hub, Instructor: Jason Scroggin (4th Year Design Studio Project)+ World's Columbian Exposition 1893 Book Project, Instructor: Akari Takebayashi
The course instructed by Akari Takebayashi was an exporation of infographics; the end result, a book, includes contributions from 10 students, including myself. My participation in the book included 50 pages of infographics on the World’s Columbian Exposition.
Above Left: Professor of course and student viewing pages made by Meghan BakerAbove Right: Professors viewing entire class bookPhotographed by: Magnus Lindqvist of GLINTstudios (Images property of University of Kentucky College of Design)