Taj Mahal 

The Taj Mahal is a white marble mausoleum located in Agra, Uttar Pradesh,India. It was built by Mughal emperor Shah Jahan in memory of his third wife, Mumtaz Mahal. The Taj Mahal is widely recognized as "the jewel of Muslim art in India and one of the universally admired masterpieces of the world's heritage".

Taj Mahal is regarded by many as the finest example of Mughal architecture, a style that combines elements from Islamic,Persian, Ottoman Turkish and Indian architectural styles.

In 1983, the Taj Mahal became a UNESCO World Heritage Site. While the white domed marble mausoleum is the most familiar component of the Taj Mahal, it is actually an integrated complex of structures. The construction began around 1632 and was completed around 1653, employing thousands of artisans and craftsmen. The construction of the Taj Mahal was entrusted to a board of architects under imperial supervision, including Abd ul-Karim Ma'mur Khan, Makramat Khan, and Ustad Ahmad Lahauri. Lahauri is generally considered to be the principal designer.

One of the eight wonders of the world, Taj Mahal is an excellent example of magnificent architectural beauty. Falling in the most beautiful monuments built by the Mughals, the unbridled beauty of Taj is immaculate and sways millions of tourists every year. Magnificently built with white marble, it becomes difficult to express its stunning architectural beauty in words. Without a tad of doubt, Taj looks surprisingly beautiful particularly at dawn and sunset.

Harmandir Sahib or Golden Temple

The Harmandir Sahib, also Darbar Sahib and informally referred to as the "Golden Temple", is a prominent Sikh Gurdwara located in the city of Amritsar, Punjab, India. It was built by the fifth Sikh guru, Guru Arjan, in the 16th Century. In 1604, Guru Arjun completed the Adi Granth, the holy scripture of Sikhism, and installed it in the Gurdwara.

There are four doors to get into the Harmandir Sahib, which symbolize the openness of the Sikhs towards all people and religions. The present day Gurdwara was rebuilt in 1764 by Jassa Singh Ahluwalia with the help of other Sikh Misls. In the early nineteenth century, Maharaja Ranjit Singh secured the Punjab region from outside attack and covered the upper floors of the Gurdwara with gold, which gives it its distinctive appearance and its English name.

The Harimandir Sahib is considered holy by Sikhs. The holiest text of Sikhism, the Guru Granth Sahib, is always present inside the Gurdwara. Its construction was mainly intended to build a place of worship for men and women from all walks of life and all religions to come and worship God equally. Over 100,000 people visit the holy shrine daily for worship.

Sri Harmandir Sahib, also known as Sri Darbar Sahib or Golden Temple, (on account of its scenic beauty and golden coating for English speaking world), is named after Hari(God) the temple of God. The Sikhs all over the world, daily wish to pay visit to Sri Amritsar and to pay obeisance at Sri Harmandir Sahib in their Ardas.

Guru Arjan Sahib, the Fifth Nanak, conceived the idea of creating a central place of worship for the Sikhs and he himself designed the architecture of Sri Harmandir Sahib. Earlier the planning to excavate the holy tank (Amritsar or Amrit Sarovar ) was chalked out by Guru Amardas Sahib, the Third Nanak, but it was executed by Guru Ramdas Sahib under the supervision of Baba Budha ji. The land for the site was acquired by the earlier Guru Sahibs on payment or free of cost from the Zamindars (landlords) of native villages. The plan to establish a town settlement was also made. Therefore, the construction work on the Sarovar(the tank) and the town started simultaneously in 1570. The work on both projects completed in 1577 A.D. 

Guru Arjan Sahib got its foundation laid by a muslim saint Hazrat Mian Mir ji of Lahore on 1st of Magh, 1645 Bikrmi Samvat(December,1588). The construction work was directly supervised by Guru Arjan Sahib himself and he was assisted by the prominent Sikh personalities like Baba Budha ji, Bhai Gurdas ji, Bhai Sahlo ji and many other devoted Sikhs.

Unlike erecting the structure on the higher level(a tradition in Hindu Temple architecture), Guru Arjan Sahib got it built on the lower level and unlike Hindu Temples having only one gate for the entrance and exit, Guru Sahib got it open from four sides. Thus he created a symbol of new faith, Sikhism. Guru Sahib made it accessible to every person without any distinction of Caste, creed, sex and religion. 

The building work completed in 1601 A.D. on Bhadoon Sudi 1st, 1661 Bikrmi Samvat (August/September,1604). Guru Arjan Sahib installed newly created Guru Granth Sahib, in Sri Harmandir Sahib and appointed Baba Budha ji as its first Granthi i.e. the reader of Guru Granth Sahib. After this event it attained the status of ‘Ath Sath Tirath’. Now the Sikh Nation had their own Tirath, a pilgrimage center

Sri Harmandir Sahib, is built on a 67ft. square platform in the centre of the Sarovar(tank). The temple itself is 40.5ft. square. It has a door each on the East, West, North and South. The Darshani Deori (an arch) stands at the shore end of the causeway. The door frame of the arch is about 10ft in height and 8ft 6inches in breath. The door panes are decorated with artistic style. It opens on to the causeway or bridge that leads to the main building of Sri Harmandir Sahib. It is 202 feet in length and 21 feet in width.

The bridge is connected with the 13 feet wide ‘Pardakshna’ (circumambulatory path). It runs round the main shrine and it leads to the ‘Har ki Paure’ (steps of God). On the first floor of ‘Har ki Paure’, there is continuous reading of Guru Granth Sahib.

The main structure of Sri Harmandir Sahib, functionally as well as technically is a three-storied one. The front, which faces the bridge, is decorated with repeated cusped arches and the roof of the first floor is at the height of the 26 feet and 9 inches.

At the top of the first floor 4 feet high parapet rises on all the sides which has also four ‘Mamtees’ on the four corners and exactly on the top of the central hall of the main sanctuary rises the third story. It is a small square room and have three gates. A regular recitation of Guru Granth Sahib is also held there.

On the top of this room stands the low fluted ‘Gumbaz’(dome) having lotus petal motif in relief at the base inverted lotus at the top which supports the ‘Kalash’ having a beautiful ‘Chhatri’ at the end.

Its architecture represents a unique harmony between the Muslims and the Hindus way of construction work and this is considered the best architectural specimens of the world. It is often

quoted that this architecture has created an independent Sikh school of architecture in the history of art in India.

Gomateshwara or Bahubali

Bahubali also called Gomateshwara was an Arihant. According to Jainism, he was the second of the hundred sons of the first Tirthankara, Rishabha and king of Podanpur. The Adipurana, a 10th-century Kannada text by poet Adikavi Pampa (fl. 941 CE), written in Champu style, a mix of prose and verse and spread over in sixteen cantos, deals with the ten lives of the first tirthankara, Rishabha and his two sons, Bharata and Bahubali. According to the Digambaras he was the first human in this half time cycle to attain liberation.

A monolithic statue of Bahubali referred to as "Gommateshvara" built by the Ganga dynasty minister and commander Chamundaraya is a 60 feet (18 m) monolith and is situated above a hill in Shravanabelagola, in the Hassan district of Karnataka state, India. It was built in the 10th century AD.[citation needed] Hundreds of thousands of pilgrims, devotees and tourists from all over the world flock to the statue once in 3 years for an event known as Mahamastakabhisheka. On August 5, 2007, the statue was voted by Indians as the first of Seven Wonders of India. 49% votes went in favor of this marvel.

There is a unique statue of Gomateshwar, also known as Bahubali (Armstrong), in southern state of Karnataka in India. The uniqueness of this statue is that this is the world's highest monolithic statue without external support. The statue is 17.6 Meters (58.8 feet) high, situated on a hill called Indragiri(also known as Vindhyagiri) at Shravanabelagola town.

This statue is historical one, carved in a single granite stone in 983 C.E. The statue is in standing pose, naked, attractive and very proportional. It was carved by Chaavundaraay, a General of king Marsinha of Gang dynasty.

Shravanabelagola is a pilgrimage center for Jains, the followers of Jainism from ancient time. This is the place where Chandragupt Maurya, the first emperor of Mauryan dynasty spent his last days as a Jain ascetic. His Guru Acharya Bhadrabahu also spent his last days here.

Virupaksha Temple

Virupaksha Temple is located in Hampi  350 km from Bangalore, in the state of Karnataka in southern India. It is part of theGroup of Monuments at Hampi, designated a UNESCO World Heritage Site. Virupaksha is a form of Shiva and has other temples dedicated to him, notably at the Group of Monuments at Pattadakal, another World Heritage Site.

Hampi sits on the banks of the Tungabhadra River in the ruins of the ancient city of Vijayanagar, capital of the Vijayanagara empire. Virupaksha Temple is the main center of pilgrimage at Hampi and has been considered the most sacred sanctuary over the centuries. It is fully intact among the surrounding ruins and is still used in worship. The temple is dedicated to LordShiva, known here as Virupaksha, as the consort of the local goddess Pampa who is associated with the Tungabhadra River. There is also a powerful Virupakshini amma temple (mother goddess) in a village called Nalagamapalle, Chittoor district, Andhra Pradesh, approximately 100 km from Tirupati.

The famous miracle of Sri Sathya Sai Baba's childhood where Sai Baba was seen inside the sanctum sanctorum whilst He was sitting outside the temple also happened at the Virupaksha temple.

Virupaksha temple is the oldest and the principal temple in Hampi.This temple is located on the south bank of the river Tungabadra, just next to where the local bus drops you. This area in general has been an important pilgrimage centre for the worshipers of lord Shiva. Virupaksha temple is equally

sort after by the tourists and pilgrims. The annual festivals attract huge crowds of both the types.

The very origin of Hampis history as a sacred place revolves around the myths associated with this temple. It believed that this temple has been functioning uninterruptedly ever since its inception in the 7th century AD.That makes this one of the oldest functioning temples in India.The original worship place was only a few separate humble shrines (believed to be as old as 7th century) housing the image of the god and the goddesses. Over the centuries the temple gradually expanded into a sprawling complex with many sub shrines, pillared halls, flag posts, lamp posts, towered gateways and even a large temple kitchen. You access the temples main entrance tower through the chariot street in front now popularly called the Hampi Bazaar

Konark Sun Temple

Konark Sun Temple is a 13th century Sun Temple (also known as theBlack Pagoda), at Konark, in Odisha, India. It was supposedly built by king Narasimhadeva I of Eastern Ganga Dynastyaround 1250. It has been built in the shape of a gigantic chariot with elaborately carved stone wheels, pillars and walls. A major part of the structure is now in ruins. The temple is a UNESCO World Heritage Site. It is also featured on NDTV's list of Seven Wonders of India and Times of India's list of Seven Wonders of India.

The Sun Temple was built in the 13th century and designed as a gigantic chariot of the Sun God, Surya, with twelve pairs of ornamented wheels pulled by seven horses. Some of the wheels are 3 meters wide. Only six of the seven horse still stand today.The temple fell into disuse after an envoy of Jahangir descreted the temple in the early 17th century.

The Sun temple belongs to the Kalingan school of Indian temple architecture. The alignment of the Sun Temple is along the East-West direction. The inner sanctum or vimana used to be surmounted by a tower or shikara but it was razed in the 19th century. The audience hall or jahamogana still stands and comprises majority of the ruins. The roof of the dance hall or natmandir has fallen off. It stands at the eastern end of the ruins on a raised platform.

Nalanda

Nālandā was an ancient center of higher learning in Bihar, India. The site is located about 88 kilometres south east of Patna, and was a religious center of learning from the fifth century AD to 1197 AD. Nalanda flourished between the reign of the and 1197 AD, supported by patronage from the Hindu Gupta rulers as well as Buddhist emperors like Harsha and later emperors from the Pala Empire.[4]

The complex was built with red bricks and its ruins occupy an area of 14 hectares. (488 by 244 metres) At its peak, the university attracted scholars and students from as far away as Tibet, China, Greece, and Persia. Nalanda was ransacked and destroyed by a Turkish Muslim army under Bakhtiyar Khilji in 1193. The great library of Nalanda University was so vast that it is reported to have burned for three months after the invaders set fire to it, ransacked and destroyed the monasteries, and drove the monks from the site. In 2006, Singapore, China, India, Japan, and other nations, announced a proposed plan to restore and revive the ancient site as Nalanda International University.

Khajuraho Group of Monuments

The Khajuraho Group of Monuments in Khajuraho, a town in the Indian state of Madhya Pradesh, located in Chhatarpur District, about 620 kilometres (385 mi) southeast of New Delhi, is one of the most popular tourist destinations in India. Khajuraho has the largest group of medieval Hindu and Jain temples, famous for their erotic sculptures.

Between 950 and 1150, the Chandela monarchs built these temples when the Tantric tradition may have been accepted. In the days before the Mughal conquests, when boys lived

in hermitages, following brahmacharya until they became men, they could learn about the world and prepare themselves to become householders through examining these sculptures and the worldly desires they depicted.

The name Khajuraho, ancient "Kharjuravāhaka", is derived from the Sanskrit words kharjura = date palm and vāhaka = "one who carries". Locals living in the Khajuraho village always knew about and kept up the temples as best as they could. They were pointed out to the English in the late 19th century when the jungles had taken a toll on the monuments. In the 19th century, British engineer T.S. Burt arrived in the area, followed by General Alexander Cunningham. Cunningham put Khajuraho on the world map when he explored the site on behalf of the Archaeological Survey of India and described what he found in glowing terms. The Khajuraho Group of Monuments has been listed as a UNESCO World Heritage Site, and is considered to be one of the "seven wonders" of India.

Jaisalmer Fort

Jaisalmer Fort is one of the largest forts in the world. It is situated in Jaisalmer city in the Indian state of Rajasthan. It was built in 1156 AD by the Bhati Rajput ruler Rao Jaisal, from where it derives it name. The fort stands proudly amidst the golden stretches of the great Thar Desert, on Trikuta Hill, and has been the scene of many battles. Its massive yellow sandstone walls are a tawny lion color during the day, fading to honey-gold as the sun sets, thereby camouflaging the fort in the yellow desert. For this reason, it is also known as the “Golden Fort”. This fort, popularly known as the 'Sonar quila' by the locals, is located in the very heart the city, and is one of the most breathtaking monuments in the locality.

Raj Mahal (Royal palace) Jain temples Laxminath temple

4 massive gateways Merchant Havelis. These are large houses often built by wealthy merchants in Rajasthani

towns and cities inNorth India, with beautiful, ornate sandstone carvings. Some havelis are many hundreds of years old. InJaisalmer there are many elaborate havelis carved from yellow sandstone. Some of these have many floors and countless rooms, with decorated windows, archways, doors and balconies. Some havelis are today museums but most in Jaisalmer are still lived in by the families that built them. Among these is the Vyas haveli which was built in the 15th century, which is still occupied by the descendants of the original builders. Another example is the Shree Nath Palace which was once inhabited by the prime minister of Jaisalmer. Some of the doors and ceilings are wonderful examples of old carved wood from many hundreds of years ago.

The fort has an ingenious drainage system called the ghut nali which allows for the easy drainage of rainwater away from the fort in all four directions of the fort. Over the years, haphazard construction activities and building of new roads has greatly reduced its effectiveness.

The fort has numerous eateries, including Italian, French, and native cuisines. The famous Indian film directorSatyajit Ray wrote the Sonar Kella (The Golden Fortress), a detective novel, based on the fort and he later filmed it here. The film became a classic and a large number of tourists from Bengal and around the world visit the fort annually to experience for themselves the world that Ray portrayed in the movie.

Meenakshi Amman Temple

Meenakshi Amman Temple (Other names : Meenakshi Sundareswarar Temple or Tiru-aalavaai or Meenakshi Amman Kovil) is a historic Hindu temple located in the southern bank of river Vaigai in the temple city of Madurai, Tamil Nadu, India. It is dedicated to Parvati who is known as Meenakshi and her consort, Shiva, named here as Sundareswarar. The temple forms the heart and lifeline of the 2500 year old city of Madurai. The complex houses 14 gateway towers calledgopurams, ranging from 45-50m in height, the tallest being the southern tower, 51.9 metres (170 ft) high, and two golden sculptured vimana, the shrine over sanctum of the main deities. The temple is a significant symbol for the Tamil people, and has been mentioned since

antiquity in Tamil literature, though the present structure is built during 1623 to 1655 CE The temple attracts 15,000 visitors a day, around 25,000 during Fridays and gets an annual revenue of sixty million . There is an estimated 33,000 sculptures in the temple and it was in the list of top 30 nominees of the "New Seven Wonders of the World". The annual 10 day Meenakshi Tirukalyanam festival celebrated during April–May attracts 1 million visitors.

Red Fort

The Red Fort was the residence of the Mughal emperors of India for nearly 200 years, until 1857. Open to the public, it is located in the centre of Delhi and houses a number of museums. In addition to accommodating the emperors and their households, it was the ceremonial and political centre of Mughal government and the setting for events critically impacting the region.

The Red Fort was built as the fortified palace of Shahjahanabad, capital of the fifth Mughal Emperor Shah Jahan, in 1648. Named for its massive enclosing walls of red sandstone, it is adjacent to an older fort (the Salimgarh Fort) built by Islam Shah Suri in 1546. The imperial apartments consist of a row of pavilions, connected by a water channel known as the Nahr-i-Behisht (Stream of Paradise). The Red Fort is considered to represent the zenith of Mughal creativity under Shah Jahan. Although the palace was planned according to Islamic prototypes, each pavilion contains architectural elements typical of Mughal building (reflecting a fusion of Timurid, Persian and Hindu traditions). The Red Fort’s innovative architectural style (including its garden design) influenced later buildings and gardens in Delhi, Rajasthan, Punjab, Kashmir, Braj, Rohilkhand and elsewhere. With the Salimgarh Fort, it was designated a UNESCO World Heritage Site in 2007 as part of the Red Fort Complex.

Akshar Dham(Delhi)

Akshardham is a Hindu temple complex in Delhi, India..Also referred to as Delhi Akshardham or Swaminarayan Akshardham, the complex displays millennia of traditional Hindu andIndian culture, spirituality, and architecture. The building was inspired and developed by Pramukh Swami Maharaj, the spiritual head of the Bochasanwasi Shri Akshar Purushottam Swaminarayan Sanstha, whose 3,000 volunteers helped 7,000 artisansconstruct Akshardham.

The temple, which attracts approximately 70 percent of all tourists who visit Delhi, was officially opened on 6 November 2005. It sits near the banks of the Yamuna adjacent to the 2010 Commonwealth Games village in eastern New Delhi. The temple, at the center of the complex, was built according to the Vastu Shastra and Pancharatra Shastra. In addition to the large central temple crafted entirely of stone, the complex features exhibitions on incidents from the life of Swaminarayan and the history of India, an IMAX feature on the early life of Swaminarayan as the teenage yogi, Nilkanth, a musical fountain on the message of the Upanishads, and large landscaped gardens. The temple is named after a belief in Swaminarayan Hinduism.

Fatehpur Sikri

Built in honour of Sufi saint Salim Chishti in 1571 by Mughal emperor Akbar.

Fatehpur Sikri shared its imperial duties as a capital city with Agra, where a bulk of the arsenal, treasure hoards, and other reserves were kept at its Red Fort for security. During a crisis, the court, harem, and treasury could be removed to Agra, only 26 miles away, less than a day's march.

Innovations in land revenue, coinage, military organisation, and provincial administration emerged during the Fatehpur Sikri years.It is regarded as Emperor Akbar's crowning architectural legacy. Indeed, its numerous palaces, halls, and masjids satisfy his creative and aesthetic impulses, typical of Mughals.

Fatehpur Sikri is a World Heritage Site. Some contemporary Indian architects, notably B. V. Doshi, have cited it as an important source of inspiration. Architect or layperson, this city generally captures the imagination and wonder of all who experience its urban spaces and see its buildings. Charles and Ray Eames, cited Fatehpur Sikri in the landmark 'India Report' that led to the conception of the National Institute of Design, India's premiere design school. It is here, that the legends of Akbar and his clever courtier Birbal must have arisen. Another of his navaratnas, Tansen, perhaps had performance spaces integrated within the architecture of this fort.

Hawa Mahal

Built in 1799, by Maharaja Sawai Pratap Singh the 'Hawa Mahal', Palace of the Wind, is one of the major landmarks of Jaipur. This five storey building of unusual architecture designed by Lal Chand Usta, is a stunning example of Rajput artistry made of red and pink sand stone, beautifully outlined with white borders and motif's painted with quick lime. The monument with a spectacular view of Jaipur city with road avenues, intersections and colourful crowds in the market, was originally conceived with the aim of enabling ladies of the royal household to watch the everyday life and royal processions in the city without being seen by others.

The entrance to Hawa Mahal is from the City Palace side, through a stately door which opens into a spacious courtyard. The courtyard has a double storeyed building on three sides. There is a small archeological museum here. Only the eastern wing has three more storeys above, which are just a single room thick. The building, standing on a high podium, is a fifty-foot high thin shield, less than a foot in thickness, with small intimate chambers , which give this palace its unique facade. There are no regular stairs to reach the upper floors, but only ramps.

Its facade from the road side makes Hawa Mahal look more like a delicate screen than a palace. This five-story, pyramid-shaped structure has tier after tier of 953 small casements, each with tiny lattice worked (Jali) pink windows, small balconies and arched roofs with hanging cornices, exquisitely modeled and carved. These small windows circulate cool air (Hawa) even in hot months. The pyramidal outline is even throughout by cramming and multiplying casements; and uses repetition of motifs to enhance its beauty.

Hawa Mahal which is currently under the supervision of the State archeological department provides the visitor with excellent views of the city. The best time to view Hawa Mahal is sunrise when sunlight through the latticed windows gives it a wonderful glow.

Mysore Palace

The Palace of Mysore is a palace situated in the city of Mysore, southern India. It was the official residence of the former royal family of Mysore, and also housed the durbar (royal offices).

Mysore has a number of historic palaces, and is commonly described as the City of Palaces. However, the term "Palace of Mysore" specifically refers to one of these palaces, Amba Vilas. The palace was commissioned in 1897, and its construction was completed in 1912. It is now one of the most famous tourist attractions in Mysore.

The Kingdom of Mysore was ruled by the Wodeyar dynasty from 1399 until the independence of India in 1947 and the subsequent dissolution of monarchy by the Indian constitution. The Wodeyar kings built a palace in Mysore in the 14th century, but this palace was partially damaged by a lightning strike in 1638. It was repaired and expanded, but fell into neglect by the late 18th century. It was demolished in 1793, and a new palace was built in its place in 1803. This palace was destroyed in a fire in 1897 during the wedding of Princess Jayalakshmanni.

The Queen-Regent of Mysore at the time, Kempananjammanni Vanivilasa Sanndihana, commissioned a British architect, Henry Irwin, to build yet another palace in its place. The architect was requested to combine different styles of architecture in the construction of the palace. The construction was completed in 1912.

The architectural style of the palace is commonly described as Indo-Saracenic, and blends together Hindu, Muslim, Rajput, and Gothic styles of architecture. It is a three-storied stone structure, with marble domes and a 145 ft five-storied tower. The palace is surrounded by a large garden.The three storied stone building of fine gray granite with deep pink marble domes was designed by Henry Irwin.. The facade has seven expansive arches and two smaller ones flanking the central arch which is supported by tall pillars. Above the central arch is an impressive sculpture of Gajalakshmi, the goddess of wealth with elephants.

Every autumn, the Palace is the venue for the famous Mysore Dasara festival, during which the entire palace is lit up with thousands of bulbs, and leading artistes perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and other floats originate from the palace grounds.