Watercolor - What Have You Learned - Glenn Hirsch, Instructor

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What Have You Learned? Watercolor Fundamentals Glenn Hirsch, Instructor www.glennhirsch.com

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Transcript of Watercolor - What Have You Learned - Glenn Hirsch, Instructor

Page 1: Watercolor - What Have You Learned - Glenn Hirsch, Instructor

What Have You Learned?

Watercolor Fundamentals

Glenn Hirsch, Instructorwww.glennhirsch.com

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Andrew Wyeth

What does ‘glazing’ mean?

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Andrew Wyeth, watercolor

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Kevin Dame, student

What does ‘reserving the white’ mean?

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Work from light to dark, reserving the white paper where you want white colorAllow each step to dry before proceeding to the next

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Andrew Wyeth, watercolor

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J.M.W. Turner, 1840

What does ‘aerial perspective’ mean?

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John Singer Sargent, 1900

How have you learned to use the brush this semester?

StampingRollingScratchingDry BrushWet-in-WetWet-over-dry

Square watercolor brushTiny ‘script’ brushSpikey bamboo Sumi brush

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Claude Lorraine, ink, 1630

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Georgia O’Keeffe, watercolor, 1920

What about light and shadow?

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Joseph Raphael, 1980

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Louise Stanley, watercolor 1996

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Student study of Winslow Homer

Why care about warm and cool versions of the same color?

Greenish blues?Purplish blues?Duller? Brighter?

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Raoul Dufy, watercolor, 1920

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Elizabeth Peyton, watercolor, 1995

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Claes Oldenberg, watercolor study for a monumental sculpture

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Emile Nolde, watercolor 1930

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Emile Nolde, watercolor 1930

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Emile Nolde, 1920

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Charles Demuth, 1920

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Robert Bechtel, watercolor, 1985

How patient are you?

How good is your drawing?

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Robert Bechtel, watercolor, 1985

Oh my god!

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Gustav Moreau, watercolor, 1885

Make/believe.

You make it.You believe in it.

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Do you have to follow the photograph?

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think with watercolor

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Eugene Delacroix, 1835

Study for a large oil painting

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Berthe Morisot, watercolor study, 1885

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Field study, watercolor, 1850

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Raoul Dufy, watercolor, 1910

How spontaneous are you?

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Oskar Kokoschka, watercolor, 1930

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John Singer Sargent, watercolor, 1910

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Mark Rothko

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Fred Martin

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Fred Martin