Vasa 1
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Transcript of Vasa 1
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Expressive Photography
When it’s not pictorial, not documentary, and not commercial,
what is it?
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Resources
Heilbrun Timeline of Art• http://www.metmuseum.org/toah/intro/atr/atr.htm
• A chronological, geographical, and thematic exploration of the history of art from around the world, as illustrated by the Metropolitan Museum's collection.
The George Eastman House Museum of Photography• http://www.geh.org.
Haus, Andreas and Frizot, Michael. “Figures of style: New Vision, New photography.” in A New History of Photography, ed. by Frizot, M. Chap 27, 457-467. KÖNEMAN, Koln, 1998.
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“New Photography”
Stieglitz Pictorial background Moholy-Nagy Bauhaus
Minor White-Spiritual Callahan New Bauhaus-Inst. Design
↘↙
Laughlin-Spiritual ⇔ Siskin-Institute of Design
⇓
F. Sommer-Self taught Metzker-⇔ Institute of Design
↘↙
Meatyard-Self-taught
Gibson-US Navy & self-taught
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Stieglitz -- Equivalent
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Stieglitz -- Equivalent
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Minor White – Devil’s Slide
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Minor White -- Wall
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New BauhausLazlo Moholy-Nagy
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Moholy-Nagy“Photogram”
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Harry Callahan -- Eleanor
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Harry CallahanLake Michigan
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Aaron Siskind
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Aaron Siskind
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Ray Metzker – Man in the Canoe
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Ray Metzker
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Clarence John LaughlinBrick Wall
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Clarence John LaughlinHysteria
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Frederick SommerChicken
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Frederick SommerCoyotes
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Ralph Meatyard -- Mask
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Ralph Meatyard -- Wings
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Ralph Gibson
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Ralph Gibson
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Stieglitz
• The image captured not the thing, but the feeling he had at the time he tripped the shutter.
• Photography was not necessarily pictorial, straight, or documentary; it could be subjective and expressive.