Urinetown Audition Packet - Tipp City · and you will also be asked to complete cold readings from...
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Audition Sessions Principal Auditions Mon, Dec 7 (3:30 – 5:30pm) Tues, Dec 8 (6:00 – 8:00pm) Wed, Dec 9 (3:30 – 5:30pm) Callbacks Thurs, Dec 10 (3:30 – 5:30pm) Fri, Dec 11 – Weather Backup Audition Sessions Ensemble Only Mon, Dec 7 (3:30 – 4:30pm) Tues, Dec 8 (6:00 – 7:00pm) Wed, Dec 9 (3:30 – 4:30pm) Performances Thursday, March 17 (7:30pm) Friday, March 18 (7:30pm) Saturday, March 19 (7:30pm) Sunday, March 20 (2:30pm) Audition Information Everyone auditioning for the Tippecanoe Theatre Program production of Urinetown – The Musical will be expected to attend one audition session. Please read information below and prepare for your audition accordingly. Sign up for auditions at the theatre box office, during the week prior to auditions. Principal Auditions – Please read the character breakdown so that you are familiar with the characters. You will be expected to sing one of the identified songs from Urinetown – The Musical for the initial audition. Additional songs have been identified for callbacks as well. Memorization of lyrics is strongly recommended, as it will make for a better audition. We will be listening for correct pitch, rhythm, and tone quality of your voice as well as how well you communicate the lyrics. Principal callbacks should be expected as we work to coordinate roles. Please make sure you are available for the scheduled callback session if requested. Ensemble Auditions – Roles not identified on the character breakdown are ensemble roles and only require that a student sing the melody to “I See a River” (measures 1 – 18) individually for vocal placement. Those students opting for an ensemble audition will not be eligible for any principal casting or solos during the production. Auditioning for the ensemble does not guarantee casting. General Notes – The tentative rehearsal schedule is included in this packet. Please review it, as all rehearsals are mandatory. No conflicts will be permitted in the final three weeks of the production. Actors are not called to every rehearsal – only when required. The ensemble, for example, is limited to Tues/Thurs when possible. Given the nature of a theatrical production, any conflicts with rehearsals, even with other school activities can be detrimental to the participant and the entire cast. Conflicts may deter casting so please review this schedule closely before committing to the production through auditions. What to Bring to Auditions – Please bring a detailed schedule of all conflicts between Jan 3 – March 20, a completed audition form (submitting an incomplete form may prevent you from being cast in the production), and a signed theatre policies and expectations form. Wear clothes you can dance in. What to Expect at Auditions – Sing an excerpt prepared from the show or the selected ensemble option. Ensemble auditions will be done as a group. If you are auditioning for a principal role, your vocal solo will be done alone in a room, and you will also be asked to complete cold readings from the script in a group. If You Have Been Cast in a Role – The cast list will be posted on TippDrama.com by 9pm on Sunday, December 13 th and the theatre callboard on Monday, December 14 th . Thursday, December 17 th , the principal characters will attend a read- through of the full musical. There will be a mandatory cast meeting for high school cast members on Monday, January 4 th when scripts will be distributed and the direction of the production discussed. Participation Fees – All members of the cast of the musical will need to pay the district’s $35 participation fee for the musical. All fees must be paid to the high school office by Friday, February 5 th .
Transcript of Urinetown Audition Packet - Tipp City · and you will also be asked to complete cold readings from...
AuditionSessions
PrincipalAuditionsMon,Dec7(3:30–5:30pm)Tues,Dec8(6:00–8:00pm)Wed,Dec9(3:30–5:30pm)CallbacksThurs,Dec10(3:30–5:30pm)Fri,Dec11–WeatherBackup
AuditionSessionsEnsembleOnlyMon,Dec7(3:30–4:30pm)Tues,Dec8(6:00–7:00pm)Wed,Dec9(3:30–4:30pm)
PerformancesThursday,March17(7:30pm)Friday,March18(7:30pm)Saturday,March19(7:30pm)Sunday,March20(2:30pm)
AuditionInformationEveryoneauditioningfortheTippecanoeTheatreProgramproductionofUrinetown–TheMusicalwillbeexpectedtoattendoneauditionsession.Pleasereadinformationbelowandprepareforyourauditionaccordingly.Signupforauditionsatthetheatreboxoffice,duringtheweekpriortoauditions.PrincipalAuditions–Pleasereadthecharacterbreakdownsothatyouarefamiliarwiththecharacters.YouwillbeexpectedtosingoneoftheidentifiedsongsfromUrinetown–TheMusicalfortheinitialaudition.Additionalsongshavebeenidentifiedforcallbacksaswell.Memorizationoflyricsisstronglyrecommended,asitwillmakeforabetteraudition.Wewillbelisteningforcorrectpitch,rhythm,andtonequalityofyourvoiceaswellashowwellyoucommunicatethelyrics.Principalcallbacksshouldbeexpectedasweworktocoordinateroles.Pleasemakesureyouareavailableforthescheduledcallbacksessionifrequested.EnsembleAuditions–Rolesnotidentifiedonthecharacterbreakdownareensemblerolesandonlyrequirethatastudentsingthemelodyto“ISeeaRiver”(measures1–18)individuallyforvocalplacement.Thosestudentsoptingforanensembleauditionwillnotbeeligibleforanyprincipalcastingorsolosduringtheproduction.Auditioningfortheensembledoesnotguaranteecasting.GeneralNotes–Thetentativerehearsalscheduleisincludedinthispacket.Pleasereviewit,asallrehearsalsaremandatory.Noconflictswillbepermittedinthefinalthreeweeksoftheproduction.Actorsarenotcalledtoeveryrehearsal–onlywhenrequired.Theensemble,forexample,islimitedtoTues/Thurswhenpossible.Giventhenatureofatheatricalproduction,anyconflictswithrehearsals,evenwithotherschoolactivitiescanbedetrimentaltotheparticipantandtheentirecast.Conflictsmaydetercastingsopleasereviewthisschedulecloselybeforecommittingtotheproductionthroughauditions.WhattoBringtoAuditions–PleasebringadetailedscheduleofallconflictsbetweenJan3–March20,acompletedauditionform(submittinganincompleteformmaypreventyoufrombeingcastintheproduction),andasignedtheatrepoliciesandexpectationsform.Wearclothesyoucandancein.WhattoExpectatAuditions–Singanexcerptpreparedfromtheshowortheselectedensembleoption.Ensembleauditionswillbedoneasagroup.Ifyouareauditioningforaprincipalrole,yourvocalsolowillbedonealoneinaroom,andyouwillalsobeaskedtocompletecoldreadingsfromthescriptinagroup.IfYouHaveBeenCastinaRole–ThecastlistwillbepostedonTippDrama.comby9pmonSunday,December13thandthetheatrecallboardonMonday,December14th.Thursday,December17th,theprincipalcharacterswillattendaread-throughofthefullmusical.TherewillbeamandatorycastmeetingforhighschoolcastmembersonMonday,January4thwhenscriptswillbedistributedandthedirectionoftheproductiondiscussed.ParticipationFees–Allmembersofthecastofthemusicalwillneedtopaythedistrict’s$35participationfeeforthemusical.AllfeesmustbepaidtothehighschoolofficebyFriday,February5th.
PlaySynopsis
ACTONEWebeginatthepoorest,filthiesturinalintown.OfficerLockstock,apoliceman,entersandsurveysthescene.Hegreetstheaudience.PenelopePennywiseandBobbyStrongenter,theydiscusstheOldSo-and-sowhowasrecentlycartedofftoUrinetown.LockstocktellstheaudiencethatUrinetown-theplace-isamythicalplacetheywon'tseeuntilActII,butUrinetown-themusical-isstartingnow.LittleSallyentersandsheandLockstockdiscussthedangersoftoomuchexpositioninashow.Theythenproceedtoexplainthatthereisawatershortageandpublicbathroomshavebeenreplacedbyprivatetoilets.Thefeetousethesepublicbathroomsiscontrolledbyaprivatecompany,theUrineGoodCompany,thatkeepspriceshigh.Sinceusingthebushesisillegal,LittleSallycountsherpenniesinhopesofusingtheurinal("Urinetown").AningenuetypenamedHopeenters;sheislookingfortheUrineGoodCompany.Bobbydirectshertowardsthegleamingtoweronadistanthill.Theyhaveamoment.Bobby'spa,OldManStrong,doesn'thaveenoughmoneyforthefee.HebegsBobbytolethimgoforfree.Penny,however,willhavenoneofit.Aftertwentyyearsofdrought,everyonehastomakesacrifices("It'sAPrivilegeToPee").OldManStrongcan'ttakeitanymore,andintendstouseawalltorelievehimself.Lockstockandhispartner,Barrel,remindhimthatbreakingthePublicHealthActisanexilingoffenseandOldManStrongisdraggedofftoUrinetown("It'sAPrivilegetoPee-Lockstock'sReprise").ThescenemovestoexecutiveofficesoftheUrineGoodCompany.CaldwellB.Cladwell,thepresidentoftheUGCandresidentvillain,isinameeting.Cladwellisconvincedthatnewfeehikeswillbreezethroughthelegislature,whileSenatorFippthinkstherewillbeunrestifitdoes.Hopeenters.ItturnsoutsheisCladwell'sdaughterbackfromUniversity.Sheisalsoherfather'snewfax/copygirl.Cladwellinsistsshesayafewwords,soshemakesaspeechpraisingthecompany.Cladwellinterjectsandhisfellowexecspraisehim("Mr.Cladwell").Laterthatevening,OfficersLockstockandBarrelrunintoLittleSallycountingherpennies.Lockstockgivesheracoinandushersherhome.Whensheleaves,theofficersdiscussingbeingexiledtoUrinetownandreminisceaboutotherUrinetownvictims("CopSong").HopeentersafteralongdayoffaxingandcopyingandrunsintoBobby,whoisstillsmartingfromtheremovalofhisfather.Bobbyisfeelingcoldandempty,becausehedidn'thelphisfather,andHopesuggestthathelistentohisheart.Hedoesn'trealizehehasaheart,nordoesheknowhowtolistentoit.Sheteacheshim("FollowYourHeart").Theysaygoodnightandkiss.
LockstockandLittleSallyappearseeminglyoutofnowhere;sheasksLockstockifHopelovesBobby,andLockstockconfirmsthatshedoes-he'sthehero...shehastolovehim.LittleSallythenasksaboutUrinetown.Lockstockstillcan'ttellherbutdoesslipandrevealsthereisactuallyno'Urinetown.'Theyjustkillpeople.Thetwodepartasthenextscenebegins.Thenextmorning,newfeehikesareannouncedmuchtotheanguishofthepoorcitizens.Bobbyarrivesatworkafteralongnightofthinkingaboutwhathappenedtohisfather.Hewondersifthelawiswrong.PennytellsBobbytogethisheadoutoftheclouds.Bobby,however,dreamsofabeautifulworldwhereeveryoneisfree.DespitePenny'sprotests,Bobbylet'severyone,includinghismother,intotheurinalforfree("LookToTheSky").IntheofficesofUGC,CladwellcongratulatesFipponthepassageofthenewlegislation.PennyentersandtellsCladwellthatthereisriotingatheramenity,andthatBobbyStrongislettingpeoplepeeforfree.Cladwellwantstocrushtherebellion,butHopesuggestsherfatherlistentoBobby'sheart.Shethinkslifeshouldbebeautiful,butCladwellexplainsthatlifeisabeating-youeitherbeat,orgetbeaten("Don'tBeTheBunny").Backatthepoorest,filthiesturinalintown,LittleSallyasksLockstockwhatishappeningwhileBobbyletsthemassesintotheurinal.Lockstockinformsher,andtheaudience,thatitistheActOnefinalewhereCladwellarrivestosnuffouttheuprising!Duringthehubbub,BobbyandHopehaveamomentwheretheyconfronttheliesandmisconceptions.CladwellthenwarnsthatBobby'srushforfreedomwillhavedangerousconsequences,butBobbydoesn'tcare.Inordertoensuretheirescape,therebelskidnapHopeandrunoff("Act1Finale").
ACTTWOThesecondactbeginswiththerebelsholedupinasecrethideout--identifiedbyanindiscreetsign--wheretheyhaveHopetiedup.AstheyanxiouslyawaitBobby'sreturn,theytheorizeaboutwhereUrinetownactuallyis.Simultaneously,Cladwellandhishenchman,Bobby,andLittleSallyeachdiscusstheorizewhatUrinetowniswiththeaudience.Theverdict:Urinetownisyourtownifyou'rehopeless,downandout("WhatIsUrinetown?").Insidethehideout,therebelswonderwhattodowiththeirhostage,Hope.Theywanttotakeoutalltheirangerandfrustrationonherandkillher("SnuffThatGirl").Bobbyappearsandremindsthemthatthepurposeoftheirrevolutionwastoensurethatnomanorwomanbedeniedtheiressentialhumanityduetotheconditionoftheirpocketbook("Run,Freedom,Run").Pennythenarrives.ShetellsBobbythatCladwellwantshisamenitiesupandworkingandiswillingtodiscussasolution.Heagrees,muchtothe
gang'sskepticism.HopeisleftwiththerebelsascollateralandBobbyandPennyleaveforthemeeting.Beforehegoes,hetellsHopetolookfortheanswertotheirproblemsinherheart.Shetries("FollowYourHeart-Reprise").Later,attheofficesofUrineGoodCompany,CladwellmeetswithBobby.HeproposesanoffertoBobby:aloadofcashandfullamnestytoallofthoseinvolvedinexchangeforanendtohisrebellionandagreementofreturningtotheimprovedfeeschedule.BobbyrefusesthecashandtellsCladwellthatallhewantsisfreeaccesstotheamenitiesforall.Bobby'swishwillnotbegrantedandCladwellhashimsenttoUrinetown,evenifithasdireconsequencesforHope.RealizinghowruthlessCladwellactuallyis,PennyandFippwonderifheisworthyofthetrusttheyputinhim("WhyDidIListenToThatMan?").LockstockandBarelltakeBobbytothetopoftheUGCbuildingroof-itturnsoutUrinetownreallyisjustdeath.Withouthesitation,theyhurlBobbyoffthebuilding...tohisuntimelydeath.Nowbackatthesecrethideout,LittleSallyinformstherebelsthatshesawBobbybeingthrownoffabuildingandthathislastwordswerethathelovedHope.WithhelpfromBobby'sghost,LittleSallytellsHopeandtherebelsthattheymustfightforwhattheyknowisright("TellHerILoveHer").Inafit
ofrage,therebelsdecidetheymustkillHopeasrevengeforBobby'sdeath,butPenny--whoturnsouttobeHope'smother--offersherlifeinstead.Hope,inseeingPenny'sreform,realizesthatifshecanchange,maybeUrinetowncanchange.Shetellstherebelsthatiftheykillher,theykilltherebellion.However,iftheyletHopelead,theywillwin.TheyrebelsagreetofollowherandmarchtowardsCladwell'sheadquarters.Hopeconfrontsherfatherandhetellsherthatloveisnotasimportantasfood,water,andshelter,aswellaspilesandpilesofcash.HeispromptlytakenawaytoUrinetown("We'reNotSorry").Hopeproceedstodeclarethatdayabrand-newday;adayofhope.Lockstockreappears,actinasanarrator,toinformtheaudiencethatHopeopenedupthetoiletsforall.TheyevenrenamedtheUGCtotheBobbyStrongMemorialToiletAuthorityandoperatedforthebenefitofthepublic.But,asoriginallypredicted,itwasn'tlongbeforethewaterdisappearedalltogether;manydied.Itturnsoutthatdespitebeingatyrant,Cladwell'smethodsdideffectivelyregulatewaterconsumption.Hope'sdesireforthepeople'slovecausedhertoloseabandonregulationand,intheend,thepeoplerecognizedtheirtownforwhatitwas:Urinetown("ISeeARiver").
PREPARINGTHECHARACTERSUrinetownisaboveallaparodyandacomedy.Inessencecharactersareseriouslysillyormoreaccurately,earnestly,seriouslysilly!!Notwithstandingthisdescription,theartofactingistomakethecharacterasbelievableaspossible.Indeed,thisisthecomedyoftheshow.Gesture,movement,facialexpressionareimportanttoolstodothisalongwithimpeccabletiming.Urinetownwillstandorfallonthisabilitytobe‘seriouslyfunny’–toproducetheatreoftheabsurdratherthanabsurdtheatre.Thisabilitytopresenteachofthecharactersinthiswayisthekeytothesinging,choreography,andgeneralmovementonstage.PRINCIPALROLESRequireCompletingaPrincipalRoleAudition
OfficerLockstockNarratoroftheshowandleaderofthePolice.Afigureofauthority.Akeyrole.Heisasymbolofpolicebrutalityandsuppressionbymeansofforce.Strongactingabilityandexcellentcomictimingarerequired.Somedanceskillsrequired.VocalRange:BaritoneAuditionSong:“CopSong”m.1-36&“Urinetown”m.75-97
LittleSallyApoorstreeturchinwhoisalsoco-narratoroftheshow.Needstobesmallishinstaturebecausesheisthe‘child’ofthecast.Needstolookyounginstageage.Sheisinnocentinitially,butitbecomesclearsheiseasilypersuadedbymobcoercion.Akeyrole.Strongacting-singingabilityandcomictiming.Mediumdanceskillsrequired.VocalRange:MezzoSopranoAuditionSong:“TellHerILoveHer”m.1-21(bothparts)
BobbyStrongThe“Hero”oftheshowandtheassistant-custodianatthepooresturinalintown–Amenity#9.Bobbyistheleaderofthepoorthroughtherebellionandisnotafraidtostandupforwhathebelievesin.FallsinlovewithHope.Heisacollegedrop-outandpseudo-anarchist.Akeyrole.Strongacting-singingabilityandgoodcomictiming.Mediumdanceskillsrequired.VocalRange:TenorAuditionSong:“Run,Freedom,Run”m.1-44CallbackSong:“LookattheSky”m.5-25
HopeCladwellCladwell’sgoodhearteddaughter.FreshoutoftheMostExpensiveUniversityoftheWorldandabouttoworkatherfather’scompany.Anaïvegirlwhobelievesthereisgoodineveryone.FallsinlovewithBobby.Shelivesinignorantbliss,buthasastrongheart.Keyrole.Strongacting-singingabilityandgoodcomictiming.Mediumdanceskillsrequired.VocalRange:SopranoAuditionSong:“FollowYourHeart”m.109-143
CaldwellBCladwellCEOofUrineGoodCompany(UGC).Heisanunscrupulouscapitalistandthemainantagonist.Heuseshisemployeesandpoliceforceforhispersonalbidding.Keyrole.Strongacting-singingabilityandgoodcomictiming.Minimaldancerequired.VocalRange:BaritoneAuditionSong:“Mr.Cladwell”m.5-36CallbackSong:“Don’tBetheBunny”m.59-82
PenelopePennywiseTheproprietorofPublicAmenityNumber#9,thepooresturinalintown.ABlacksheep,shebettersherpublicstandingbyleachingontoCladwell.Sheisanintenserealistandisruthlessinherattackwhenitcomestoearningherliving.Shepossessesaplot-twistingsecret.Agutsyfemalecharacter.Strongacting-singingabilityandcomictiming.Mediumdanceskillspreferable.VocalRange:AltoAuditionSong:“PrivilegetoPee”m.25-79
SUPPORTINGROLESRequireCompletingaPrincipalRoleAudition
SenatorFippAcorruptsenatorwhotakesbribesandlacksmoralvalues.Acreepycharacterwhoseemstolurkinallthewrongplaces.Strongacting,minimalsingingskillsandgoodcomictiming.Minimaldancerequired.VocalRange:BassAuditionSong:“Mr.Cladwell”m.5-36
MrMcQueenCladwell’sheadlackeyandcorporate“yes”-man–aflamboyantcharacter!HeisalwaysfollowinginCladwell’sfootsteps.Tooweaktostepoutoftheshadow.Strongacting,minimalsingingskillsandgoodcomictiming.Minimaldancerequired.VocalRange:TenorAuditionSong:“Mr.Cladwell”m.5-36
HotBladesHarryAdangerousandunpredictableman-asadist!Heiswillingtoinciteviolencetogetwhathewants.Adisgruntledblue-collarworker.Strongacting-singingabilityandcomictiming.Mediumdanceskillspreferable.VocalRange:TenorAuditionSong:“SnuffThatGirl”m.21-35
LittleBeckyTwo-ShoesAdisturbedgirlwhohasbeenledastraybythebadinfluencesofcity-life.Essentially,anangstyteen.FollowsHot-BladesHarry.Strongacting-singingabilityandcomictiming.Mediumdanceskillspreferable.VocalRange:SopranoAuditionSong:“SnuffThatGirl”m.44-59
OfficerBarrelOfficerLockstock’srighthandman.Heishispartnerinallthingscriminal.Blindlyfollowsordersanddoeslittlethinkingforhimself.Strongacting-singingabilityandcomictiming.Minimaldanceskillsrequired.VocalRange:BassAuditionSong:“CopSong”m.1-36
Joseph‘OldMan’StrongBobby’srebelliousfather.Bobbygetsallhisstrengthfromhisfatherandtheyhaveacloserelationship.Strongacting,mediumsingingskillsandcomictiming.Minimaldancerequired.VocalRange:TenorAuditionSong:“SnuffThatGirl”m.21-35
Josephine‘OldMa’StrongBobby’sstrong-willedmother.SheisapoorwomanwhofrequentsPublicAmenityNumber#9.Strongacting-singingabilityandcomictiming.Mediumdanceskillspreferable.VocalRange:MezzoSopranoAuditionSong:“SnuffThatGirl”m.44-59
FEATUREDROLESPrincipalRoleAuditionNotRequired
SoupySueAmiddle-agedwomanwhohasgrowntiredofdesperation.Sheisabitofanenvironmentalist.Angry,yetaffectionate.–singingabilityandcomictiming.Mediumdanceskills.AuditionSong:“SnuffThatGirl”m.44-59
TinyTomHebelieveshimselftobeyoungerthanheactuallyisandappearseccentricduetohischild-likenature.Strongacting-singingabilityandcomictiming.Mediumdanceskills.AuditionSong:“SnuffThatGirl”m.21-35
RobbyTheStockfishSomewhatofagoof.Heisrecentlyunemployedfromamenialdeskjob.Strongacting-singingabilityandcomictiming.Mediumdanceskills.AuditionSong:“SnuffThatGirl”m.21-35
BillyBoyBillAlazyfree-loaderwhojustwantstheeasywayout.ApoorrebelwhofrequentsPublicAmenityNumber#9.Strongacting-singingabilityandcomictiming.Mediumdanceskills.AuditionSong:“SnuffThatGirl”m.21-35
ENSEMBLES
RebelPoorThisfeaturedgroupofpatronsfromamenitynumber9participateintherevolutionandcanlaterbefoundinthe“secrethideout”fromActTwo.Thisisahighenergy,strong-acting,mediumdancingskillsgroupwithassortedvocalparts.
PoliceFeaturedintheCopSong,thisensemblemadeupofstiffpoliceofficerswhopridethemselvesondoingtheirjobwellhaslimiteddancingandassortedvocalparts.
UGCExecutives(Cladwell’sSecretary,Mrs.Millenium,Dr.Billeaux)FeaturedinMr.Cladwellscenes,thisensemblemadeupofcorporateyuppieshaslimiteddancingandassortedvocalpart.
THS Theatre Program Tentative Rehearsal Calendar
Theatre Program: (937) 669-6384 Printed 11/24/15 at 5:09 PM
JANUARY 2016Sunday Monday Tuesday Wednesday Thursday Friday Saturday
JAN 3 4 5 6 7 8 9Winter Break 3:00-4:00 3:30-6:00 3:30-6:00 3:30-6:00
Cast Meeting Vocals Vocal Solos Vocals4:00-6:00 All Called All Called
VocalsEnd of First Semester
10 11 12 13 14 15 163:30-6:00 3:30-6:00 3:30-6:00 3:30-6:00Blocking Vocals Blocking Vocals
Vocal Solos All Called Vocal Solos All Called
17 18 19 20 21 22 23Martin Luther 3:30-6:00 3:30-6:00 3:30-6:00King Jr. Day Choreography Blocking Choreography
Vocal Solos Vocal Solos Vocal SolosAll Called All Called
No School
24 25 26 27 28 29 303:30-6:00 3:30-6:00 3:30-6:00 3:30-6:00Blocking Choreography Blocking Blocking
Vocal Solos Vocal Solos Vocal Solos All CalledAll Called
SW Area Thespian Conf.
THS Theatre Program Tentative Rehearsal Calendar
Theatre Program: (937) 669-6384 Printed 11/24/15 at 5:09 PM
FEBRUARY 2016Sunday Monday Tuesday Wednesday Thursday Friday Saturday
31 FEB 1 2 3 4 5 63:30-6:00 3:30-6:00 3:30-6:00 3:30-6:00Blocking Choreography Blocking Choreography
Vocal Solos Vocal Solos Vocal Solos Vocal SolosAll Called All Called
Solo and Ensemble
7 8 9 10 11 12 133:30-6:00 3:30-6:00 3:30-6:00 3:30-6:00Blocking Choreography Blocking Choreography
Vocal Solos Vocal Solos Vocal Solos Vocal SolosAll Called All Called
Science Fair No School
14 15 16 17 18 19 2010:00 - 3:00 3:30-6:00 3:30-6:00 3:30-6:00 3:30-6:00
Choreography To Be Determined To Be Determined To Be Determined To Be DeterminedAll Called All Called All Called
OFF BOOK DEAD.No School P/T Conf. & CC+ Mtg
21 22 23 24 25 26 273:30-6:00 3:30-6:00 3:30-6:00 3:30-6:00 3:30-6:00
Act I Act I Act II Act II To Be DeterminedAll Called All Called
THS Theatre Program Tentative Rehearsal Calendar
Theatre Program: (937) 669-6384 Printed 11/24/15 at 5:09 PM
MARCH 2016Sunday Monday Tuesday Wednesday Thursday Friday Saturday
28 29 MAR 1 2 3 4 53:30-6:00 3:30-6:00 3:30-6:00 3:30-6:00 3:30-6:00
Act I: Runthrough Act II: Runthrough Act I: Runthrough Act II: Runthrough To Be DeterminedALL CALLED ALL CALLED ALL CALLED ALL CALLED
NO MORE CONFLICTS Band Concert
6 7 8 9 10 11 123:00 - 6:00 3:00 - 6:00 3:00 - 6:00 3:00 - 6:00
Act I Act II Run Show Run ShowALL CALLED ALL CALLED ALL CALLED ALL CALLED
Add Full Orchestra Choir Concert Early Dismissal Band Lrg Grp Contest Choir Lrg Grp Contest
13 14 15 16 17 18 19CALL TIME 5:30 CALL TIME 5:30 CALL TIME 5:30 CALL TIME 6:00 CALL TIME 6:00 CALL TIME 6:00Dress Rehearsal Dress Rehearsal Dress Rehearsal Preview Performance Performance Performance
7:00 7:00 7:00 7:30 7:30 7:30
Winter Sports Awards Spring Sports Orien. End of Quarter 3
20 21 22 23 24 25 26CALL TIME 1:00 Good Friday
Performance2:30
Strike After ShowALL CALLED School Board Mtg ASVAB Testing
URINETOWN – THE MUSICAL Audition Form
ALL INFORMATION MUST BE COMPLETED IN ORDER TO BE CONSIDERED FOR CASTING
Name: ___________________________ Grade: _______ Cell Phone: __________________________
Student Email Address: _______________________________ Alt. Phone: __________________________
Pants Size: _______ Shirt Size: _______ Dress Size: _______ Shoe Size: ________ (Women Only)
Voice Type (circle if known): S A T B Audition Song: ________________________________________
Specific role for which you would like to be considered: ________________________________________
PREVIOUS EXPERIENCE Previous acting lessons/classes: ________________________________________________________________
__________________________________________________________________________________________
Music lessons/classes (vocal, choral, and instrumental): _____________________________________________
__________________________________________________________________________________________
Previous Roles Played: ______________________________________________________________________
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Dance Experience / Other Talents: _____________________________________________________________
REHEARSAL CONFLICTS IMPORTANT NOTICE: Just because it is listed below does not make it excused. Only conflicts that are in accordance with the Attendance Policy and are unavoidable will be excused. Specific schedules for other school activities are required at the audition session! Absolutely no conflicts will be excused for rehearsals beginning February 29. Please note that all schedule conflicts will affect casting decisions and may work against your participation in this production. Make your priorities clear below with what you choose to list. If it is not a priority over the production if cast, don’t list it.
__________________________________________________________________________________________
__________________________________________________________________________________________
__________________________________________________________________________________________
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Policies and Expectations Agreement
Required for Consideration as a Member of the Cast or Crew
I understand that, if offered a role or crew assignment in URINETOWN - THE MUSICAL, I will be expected to follow the policies and expectations outlined in the Theatre Program Student Handbook, to accept any role for which I am cast, and to maintain academic eligibility. I also understand that failure to comply with the policies and expectations can result in my dismissal from the production. _________________________________ __________________________________ Student’s Name Student’s Signature Parents, please read the policies and expectations so that you may understand what commitment your student is making and what expectations will be held of them. Failure to abide by the policies and expectations may result in dismissal from the production. By signing below, I give my child permission to commit to the production should they be assigned as a member of the cast or crew. I understand not all students who audition will be accepted for roles in the cast. _________________________________ __________________________________ Parent / Guardian’s Name Parent / Guardian’s Signature _________________________________ Date If you do not have a physical copy of the handbook, it may be found on the high school theatre program page of the district website at www.tippcityschools.com/theatre. Parent Contact Information: Please complete information so that we may contact you with volunteer opportunities to help give our students’ the best possible experience. _________________________________ Cell Phone ___________________________________________________ Email Address
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