Translation into film: Is Cinema a language?

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Translation into film: Is Cinema a language? tructuralist definition states that a language has 2 levels of artic 1: Articulation of Smallest Functional Units 2: Articulation of Smallest Meaningful Units t,p, b allow for the articulation of different signs such as tin go, come, take allow for the articulation of sentences such as pin bin we go we come we take

description

Translation into film: Is Cinema a language?. The structuralist definition states that a language has 2 levels of articulation. . 1: Articulation of Smallest Functional Units. t,p , b allow for the articulation of different signs such as tin. pin bin. - PowerPoint PPT Presentation

Transcript of Translation into film: Is Cinema a language?

Page 1: Translation into film: Is Cinema a language?

Translation into film:Is Cinema a language?

The structuralist definition states that a language has 2 levels of articulation.

1: Articulation of Smallest Functional Units

2: Articulation of Smallest Meaningful Units

t,p, b allow for the articulation of different signs such as tin

go, come, take allow for the articulation of sentences such as

pinbin

we gowe comewe take

Page 2: Translation into film: Is Cinema a language?

Translation into film:Is Cinema a language?

Is there such a system of double articulation in film that uses 2 types of unitsto produce a third one?

Units without meaningscombined to form

Units with meaningscombined to form

Syntactic units oflanguage

GraphemesPhonemes Words Sentences

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Translation into film:Is Cinema a language?

No

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Translation into film:Is Cinema a language?

Yes

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Translation into film:Is Cinema a language?

Yes

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Something else

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Gustave GuillaumePsychomechanichs of language

andChronogenesis

“Language is a dynamic system of thoughts. Not a fixed system of signs.”

“Langue” or LanguageLangue refers to the system of signs used to communicate. The approach is grammatical.

“Parole” or DiscourseParole refers to utterances produced

by the use of Langue. The approach is pragmatic.

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Gustave GuillaumePsychomechanichs of language

andChronogenesis

Language DiscourseLinguisticsGrammarGenerative GrammarPsychologyRhetoricStructuralism

Page 9: Translation into film: Is Cinema a language?

Gustave GuillaumePsychomechanichs of language

1 Unsayable 2 Sayable 3 Saying 4 Said

Operative Time

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Operative Time

LangueLanguage

ParoleDiscourse

1 Unsayable 2 Sayable 3 Saying 4 Said

Gustave GuillaumePsychomechanichs of language

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Gustave GuillaumePsychomechanichs of language

Operative Time

LangueLanguage

ParoleDiscourse

What is Unsayable? And how does the Unsayable becomes Sayable?

1 Unsayable 2 Sayable 3 Saying 4 Said

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Gustave GuillaumePsychomechanichs of language

Operative Time

LangueLanguage

ParoleDiscourse

Simple percepts in stage 1 are transformed into concepts in stage 2

1 Unsayable 2 Sayable 3 Saying 4 Said

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Gustave GuillaumePsychomechanichs of language

Operative Time

LangueLanguage

ParoleDiscourse

Proper translation has to retrieve the intended message in stage 1

1 Unsayable 2 Sayable 3 Saying 4 Said

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Gustave GuillaumePsychomechanichs of language

Operative Time

LangueLanguage

ParoleDiscourse

From a permanent system of signs to the actualization

1 Unsayable 2 Sayable 3 Saying 4 Said

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Gustave GuillaumePsychomechanichs of language

Operative Time

LangueLanguage

ParoleDiscourse

From Representation to Expression

1 Unsayable 2 Sayable 3 Saying 4 Said

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Gustave GuillaumePsychomechanichs of language

Operative Time

LangueLanguage

ParoleDiscourse

From Expression to Impression

1 Unsayable 2 Sayable 3 Saying 4 Said

Page 17: Translation into film: Is Cinema a language?

Gustave GuillaumePsychomechanichs of language

Operative Time

LangueLanguage

ParoleDiscourse

From Expression to Impression

1 Unsayable 2 Sayable 3 Saying 4 Said

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Gustave GuillaumeChronogenesis

Representing actions with words

The traditional scientific aporia of the many presents

The present of the action

The presentof the witness

The presentof the utterance

The presentof the reception

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Gustave GuillaumeChronogenesis

Representing actions with words

The traditional scientific aporia of the many presents

The present of the action

The presentof the witness

The presentof the utterance

The presentof the reception

Sometimes, the performer, the witness, the receiver are present together

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Gustave GuillaumeChronogenesis

Representing actions with words

The traditional scientific aporia of the many presents

The present of the action

The presentof the witness

The presentof the utterance

The presentof the reception

Most of the times, this is not the case!

Page 21: Translation into film: Is Cinema a language?

Gustave GuillaumeChronogenesis

Representing actions with words

The traditional scientific aporia of the many presents

The present of the action

The presentof the witness

The presentof the utterance

The presentof the reception

Most of the times, this is not the case!

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Gustave GuillaumeChronogenesis

Representing actions with words

The traditional scientific aporia of the many presents

The present of the action

The presentof the witness

The presentof the utterance

The presentof the reception

This is also possible!

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Gustave GuillaumeChronogenesis

Representing actions with words

The traditional scientific aporia of the many presentshas its origin in this representation of time

Where several Nows separate the line of TimeInto several different Pasts and Futures.

Past Future

Past Future

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Gustave GuillaumeChronogenesis

Instead of analyzing the representation of actions on the sole basis of a pre-determinedrepresentation of Time, Guillaume proposes that the representation of actions with words contributes to the representation of Time…

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Gustave GuillaumeChronogenesis

The formation of the image of time or chronogenesis is observable as a thought process in the activity of the producer of the message.

in Posse in Fieriin Esse

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Gustave GuillaumeChronogenesis

The action described by the verb is seen as a tension towards its achievement.The meaning of an occurrence is determined by its position in this process.

in Posse in Fieriin Esse

Possible Probable Actual

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Gustave GuillaumeChronogenesis

The verb does not only point to the identification of the instant of the action(now) but also to the stage of development in the process of accomplishing the action

in Posse in Fieriin Esse

Possible Probable Actual

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Gustave GuillaumeChronogenesis

We identify this capacity of the verb as its plasticity.Something very important when coming to translate words into images…

in Posse in Fieriin Esse

To goI will go

I am goingI will be going

I wentI will have gone

Je me suis couché de bonne heure