The Salon , or Paris Salon , beginning in 1725 was the official
25
The Salon, or Paris Salon, beginning in 1725 was the official art exhibition of the Académie des Beaux -Arts in Paris , France . Between 1748–1890 it was the greatest annual or biannual art event in the Western world. From 1881 onward, it has been organized by the
description
The Salon , or Paris Salon , beginning in 1725 was the official art exhibition of the Académie des Beaux-Arts in Paris , France . Between 1748–1890 it was the greatest annual or biannual art event in the Western world. From 1881 onward, it has been - PowerPoint PPT Presentation
Transcript of The Salon , or Paris Salon , beginning in 1725 was the official
The Salon, or Paris Salon, beginning in 1725 was the official art exhibition of the Académie des Beaux-Arts in Paris, France. Between 1748–1890 it was the greatest annual or biannual art event in the Western world. From 1881 onward, it has been organized by the Société des Artistes Français.
Jacques-Louis David. The Tennis Court Oath, 1791, pen washed with bistre with highlights of
white
Jacques-Louis David. The Sabine Women, 1796-99, oil on canvas
Jacques-Louis David. Napoleon at Saint Bernard Pass, 1800, oil on
canvas
Jacques-Louis David. Madame Recamier, 1800, oil on canvas
Left: Jean-Auguste-Dominique Ingres. Self-
Portrait, 1804, oil on canvas
Below: Jean-Auguste-Dominique Ingres. Self-Portrait, 1858, oil on
canvas
Jacques-Louis David. The Coronation of Napoleon, 1805-8, oil on canvas
Jacques-Louis David. Napoleon in his Study,
1812, oil on canvas
Napoleon Bonaparte/ tirelessly at work/
elaborate furniture in the Empire Style/ tucked away
hand/ Plutarch’s Lives/ Napoleonic Code/
expression of republican virtue
Jean-Auguste-Dominique Ingres. Grande Odalisque, 1814, oil on canvas
Jean-Auguste-Dominique Ingres/ odalisque/ emphasis on linear forms without visible
brushstrokes/ elongated vertebrae/ debt to Mannerism and to a new Romantic movement/ love
of sensuous textures
Jean-Auguste-Dominique Ingres. Odalisque with a Slave, 1839-40, oil on canvas
Jean-Auguste-Dominique Ingres.
Bather of Valpincon, 1808, oil on canvas
image of deceptive simplicity/ subtle
distortions with erotic allusions/ flawless
surface
Left: Jean-Auguste-Dominique Ingres. Louis Bertin, 1832,
oil on canvasRight: Jean-Auguste-Dominique Ingres. Louis Bertin, 1832,
pencil drawing (detail)
Jean-Auguste-Dominique Ingres. The
Comtesse d’Haussonville, 1845, oil
on canvas
Jean-Auguste-Dominique Ingres. Napoleon
Enthroned, 1806, oil on canvas
Oedipus and the Sphinx,
Jean-Auguste-Dominique Ingres,
1808
Jean-Auguste-Dominique Ingres. Jupiter and Thetis,
1811, oil on canvas
Jean-Auguste-Dominique Ingres. The Apotheosis of Homer, 1827, oil on canvas
a doctrine of ideal form/ “sovereign geniuses”
Antonio Canova. Pauline Borghese as Venus, 1808, marble
Antonio Canova/ Neoclassical taste in sculpture
Pierre Vignon. La Madeleine (Paris, France), 1807-1842
Pierre Vignon/ a classical shell on a high podium/ a link between the Napoleonic and Roman empires
Jacques-Germain Soufflot. The Pantheon, or
Sainte-Genevieve (Paris), 1755-92
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