The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of...

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The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University

Transcript of The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of...

Page 1: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

TheLearningProcessFall 2001, rev Jan. 2007, June 2011

by Dennis W. Ritz, D.M.A.Professor of MusicShippensburg University

Page 2: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

TheLearningProcessFall 2001, rev Jan. 2007, June 2011

by Dennis W. Ritz, D.M.A.Professor of MusicShippensburg University

Page 3: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

How to study and succeed in the academic world.

Page 4: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

How to study and succeed in the academic world.

Page 5: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

How to LEARN--based on:

Ch. 1: Material and information organizationLearning takes time.Good process and mechanics pay.

Ch. 2: Information processingHow you think about material is crucial.

Ch. 3: Use of informationDon’t just swallow and regurgitate facts.Digest information and use it to synthesize a

factually “nutritious” story.Note-taking helpsWhat about highlighting in the text?Thoughts on re-writing notes

Page 6: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

Chapter 1

Material and information organization

Page 7: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

Read BEFORE class

Take the time to do this regularly; it is important.

10-15 minute scan read

DO NOT take notes!

You know if you are prepared if:

1. You know what the class will be about.

2. You know simple, basic information about the main subjects or topics.

Page 8: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

Take notes during class!(method 1—printed PowerPoint slides)

Slide 1

info

info

Slide 2

info

info

Slide 3

info

info

Leave this side of your page blank!!

Add details during class

_______________________________________

_______________________________________

_______________________________________

Page 9: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

Take notes during class!(method 2—hand written notes)

Topic 1

item

item

Topic 2

item

item

Topic 3

item

item

Leave this side of your page blank!!

Perhaps, draw a line down

the middle of the page.

Page 10: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

Re-read AFTER class

Doing this the same day increases study time effectiveness.

It will usually take 15-30 minutes.Have your class notes beside your text and

refer to them often as you read. THINK about the class notes & text information: Compare, relate, evaluate, write!

Page 11: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

Take notes while you read.(method 1—printed PowerPoint slides)

Slide 1

info

info

Slide 2

info

info

Slide 3

info

info

Addtextnotes here.

Details added during class

_______________________________________

_______________________________________

_______________________________________

CLASS NOTES TEXT NOTES

Page 12: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

Take notes while you read.(method 2—hand written notes)

Topic 1

item

item

Topic 2

item

item

Topic 3

item

item

Topic 1

Fill in important information to get complete picture

Topic 2

Fill in important information to get complete picture

Topic 3

Fill in important information to get complete picture

CLASS NOTES TEXT NOTES

Page 13: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

Take notes while you read

Topic 1

item

item

Topic 2

item

item

Topic 3

item

item

Topic 1

Fill in important information to get complete picture

Whether you use PowerPoint slides or hand-written class notes…

THINK about what you are reading.RELATE it to the class notes.EVALUATE it. (Does it add important information to the class notes?)WRITE down ONLY what helps you fully understand the topic.

CLASS NOTES TEXT NOTES

Page 14: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

Regular reading and good quality note-taking pays double dividends:

1. You are already learning!

2. You are organizing for future exam preparation.

Page 15: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

Your notes are organized!

Topic 1

item

item

Topic 2

item

item

Topic 3

item

item

CLASS NOTES TEXT NOTES

Topic 1

additional info

additional info

Topic 2

additional info

additional info

Topic 3

additional info

additional info

Page 16: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

Information is centralized.

Topic 1

item

item

Topic 2

item

item

Topic 3

Occasionally you will have NO Class notes.

Topic 1

additional info

additional info

Topic 2

Sometimes you will have NO additional information.Topic 3

additional info

additional info

CLASS NOTES TEXT NOTES

Page 17: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

You are ORGANIZED to study for an exam!

TE

XT

NO

TE

S

CL

ASS

NO

TE

SEVERYTHING you need to know about TOPIC 1!

EVERYTHING you need to know about TOPIC 2!

EVERYTHING you need to know about TOPIC 3!

Page 18: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

Use thesepowerful learning tools:

1. THINK about what you are reading.

2. RELATE what you are reading to the

class lecture.

3. EVALUATE what you are reading.

4. WRITE down information.

5. ORGANIZE your information so that

exam prep is more efficient.

Page 19: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

Chapter 2

Information processing

Page 20: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

Organize your thinking about information…

Page 21: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

Get the

picturefirst!

Page 22: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

Levels of detail = VIMP*!!!Opera

LiteratureVisualaria

melodyacc by orchstops plot

recitativetextacc by basso contadvances plot

ensembleduo, trio, 4tetlead charactersmay portray conflicting moods

overtureprefaces operaorchestra plays

scenerycostumeslightinghall décoractingblocking

plottext

MusicTopicbasic information

greater detail

greatest detail level

*VIMP = Very IMPortant

Page 23: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

Think and learn according to levels of detail (macro to

micro):

Page 24: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

Opera

LiteratureVisualMusicTopic

The broadest

categories of opera’s

components

Least detailed, butimportant

information

Page 25: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

Opera

LiteratureVisualariarecitativeensembleoverture

scenerycostumeslightinghall décoractingblocking

plottext

Music

“fleshing out” the categories

Some detailswithin

broad categories

Page 26: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

Completepicture with

Topicbroad categories

detailsmicro facts

Opera

LiteratureVisualaria

melodyacc by orchstops plot

recitativetextacc by basso contadvances plot

ensembleduo, trio, 4tetlead charactersmay portray conflicting moods

overtureprefaces operaorchestra plays

scenerycostumeslightinghall décoractingblocking

plottext

Music

Page 27: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

Chapter 3

Use of information

Page 28: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

Isolated facts are often USELESS information,

AND

they can be very difficult to learn!

Page 29: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

Consider 11 facts:

• Ca. 1800• E.T.A. Hoffman (1776-1822)• French Revolution (1789-93)• Ludwig van Beethoven (1770-1827)• Beethoven Symphony No. 3 (1803)• Beethoven Symphony No. 5 (1806)• Beethoven Symphony No. 9 (1823)• Napoleon (1769-1821)• Many people considered Napoleon a tyrant.• Romantic period (1820-1900)• Nationalism on rise soon after 1800

Page 30: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

Consider 11 facts:

• Ca. 1800• E.T.A. Hoffman (1776-1822)• French Revolution (1789-93)• Ludwig van Beethoven (1770-1827)• Beethoven Symphony No. 3 (1803)• Beethoven Symphony No. 5 (1806)• Beethoven Symphony No. 9 (1823)• Napoleon (1769-1821)• Many people considered Napoleon a tyrant.• Romantic period (1820-1900)• Nationalism on rise soon after 1800

NO

THE

LPFU

L

Page 31: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

Think and learn: relationships

causeseffects

Try to construct a “story” that weaves all the information together.

Page 32: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

Some relevant questions that might be asked about the 11 “factoids”:

• What are the defining or most important historical events ca. 1800?

• Who are the principal figures ca. 1800?

• How do they relate to the important historical events? What do they do?

• What are the relationships between these people and events?

• How do they shape the coming era?

Page 33: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

Ca. 1800

BeethovenFrench

Revolution

Napoleon

BeethovenSym No. 3

BeethovenSym No. 5

BeethovenSym No. 9

Comingromanticism Growing

nationalism

tyrannyE.T.A. Hoffman

Page 34: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

Learn and know:

• How are Napoleon and the French Revolution related?

• How are Beethoven, B’s Symphony No. 3, Napoleon, and tyranny related?

• How are E.T.A. Hoffman and Beethoven’s Symphony No. 5 related?

• How are both Sym No. 5 and Sym. 9 related to the coming romanticism?

• How are romanticism and nationalism related?

Page 35: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

Remember:

1. Know what the core issue or central idea is.

2. Develop your understanding of the big picture—the overall idea—surrounding that core issue.

3. Think of the “BIG PICTURE” as a puzzle of pieces that fit together and relate to one another. Know those relationships.

4. Add appropriate details, NOT TRIVIA, to “flesh out” the image your puzzle makes.

Page 36: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

Note-taking

• Write least # letrs & wrds th/ convey message• No complete sentences• Use abbreviations

– Dev personal sys– Spelling

• Use symbols– = & $ # < > (& more)

Page 37: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

A word on highlighting the text

Pros:1. can help keep you focused on what you are reading.

2. can help you “ferret out” the main ideas and important info.

Con (mainly one, but it may be a deal-breaker):

Highlighting does NOT consolidate information; it leaves it “unprocessed” and where you found it—distributed on many pages of text. Remember, paging through the text hunting for information is NOT studying; it does not help you learn information or prepare for an exam.

Page 38: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

Thoughts on re-writing notes• Does this help you achieve good testing results?

– Yes. (Stop here. You need not read further.)

– Not sure, or I do not perform well in tests (Go on!!)

• Re-writing can be a “feel-good” job, especially if it produces neat, attractive notes, and you can congratulate yourself for spending much time creating them. Alas, if you do not perform well on tests, rewriting is probably a complete waste of time!

• Take good, organized notes that do not need to be rewritten; add info during your reading/study process; then, LEARN the information. That often means, “memorize.”

• Spend your time doing jobs that produce good results--effective learning verified by good test results.

• Evaluate how re-writing fits into either satisfactory or unsatisfactory test results for you.

Page 39: The Learning Process Fall 2001, rev Jan. 2007, June 2011 by Dennis W. Ritz, D.M.A. Professor of Music Shippensburg University.

Contact

Please email me with any questions, thoughts, comments, suggestions, additions, or corrections.

Dennis W. Ritz

[email protected]