The 9th International Conference on New Interfaces for...

The 9th International Conference onNew Interfaces for Musical Expression

June 4–6, 2009 Pittsburgh, Pennsylvania, USA

Proceedings of the 9th International Conference on New Interfaces for Musical Expression. All rights reserved by Carnegie Mellon University. See copyright notices on individual papers regarding specific permissions to copy. No other part of this electronic proceedings may be reproduced in any format without permission from Carnegie Mellon University. To seek permission, please contact: Gloriana St. Clair, Dean of University Libraries, Carnegie Mellon University, 5000 Forbes Avenue, Pittsburgh, PA 15213, USA (Tel: +1 412 268 2447, Email: [email protected]). For technical support please contact Causal Productions ([email protected]).

Welcome from the Conference Chairs

Conference Organization

NIME 2009 Keynote

NIME 2009 Panel

Sponsors

Welcome Page

Session List

Table of Contents

Author Index: Brief or Detailed

Manuscripts

Legend: View Manuscript

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Hub Page

NIME 2009 Session List [Page 1 / 1]

Session List

1 : Evaluation and Modeling

2 : Posters and Demos I

3 : Robotics and New Interfaces

4 : Electroacoustics

5 : Computer Systems

6 : Posters and Demos II

7 : Haptics and Extended Instruments

8 : Design and Graphics

9 : Sensing and Conducting

10 : Posters and Demos III

11 : Control Strategies and Installations

12 : Mobile Music

Program 1 of the NIME 2009 Concert Schedule




NIME 2009 Installations

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NIME 2009 Table of Contents [Page 1 / 18]

Evaluation and Modeling (NIME 2009 Sessions)9am – 11am, Thursday June 4th 2009

1 From Real to Virtual: A Comparison of Input Devices for Percussion TasksMike Collicutt, Carmine Casciato, Marcelo M. Wanderley

7 Probabilistic Model of Pianists’ Arm Touch MovementsAristotelis Hadjakos, Erwin Aitenbichler, Max Mühlhäuser

13 A Quantitative Evaluation of the Differences Between Knobs and SlidersSteven Gelineck, Stefania Serafin

19 Evaluation of 3D Haptic Target Rendering to Support Timing in Music TasksRicardo Pedrosa, Karon E. MacLean

25 Evaluating Interactive Music Systems: An HCI ApproachWilliam Hsu, Marc Sosnick

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Posters and Demos I (NIME 2009 Sessions)12:15pm – 1:45pm and 3:45pm – 4:30pm, Thursday June 4th 2009

29 The Ghetto Bastard: A Portable Noise InstrumentNeal Spowage

31 The Navi Activity Monitor: Toward Using Kinematic Data to Humanize Computer MusicEric Humphrey, Colby Leider

33 Utilizing Tactile Feedback to Guide Movements Between SoundsAlexander Müller, Georg Essl

35 An Interface for Live Interactive SonificationSam Ferguson, Kirsty Beilharz

37 Responsive Music Interfaces for PerformanceAlexander Reben, Mat Laibowitz, Joseph A. Paradiso

39 Hands on Stage: A Sound and Image Performance InterfaceChi-Hsia Lai

41 The Vibrobyte: A Haptic Interface for Co-Located PerformanceKyle McDonald, Dane Kouttron, Curtis Bahn, Jonas Braasch, Pauline Oliveros

43 Multi-Laser Gestural Interface — Solutions for Cost-Effective and Open SourceControllersMeason Wiley, Ajay Kapur

45 Mims: Interactive Multimedia Live Performance SystemRyo Kanda, Mitsuyo Hashida, Haruhiro Katayose

48 netBody — “Augmented Body and Virtual Body II” with the System, BodySuit, PoweredSuit and Second Life — Its Introduction of an Application of the SystemSuguru Goto, Rob Powell

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Posters and Demos I continued …

50 Life Game Orchestra as an Interactive Music Composition System Translating CellularPatterns of Automata into Musical ScalesKeisuke Ogawa, Yasuo Kuhara

52 Natural Materials on Stage: Custom Controllers for Aesthetic EffectJohn Toenjes

98 The Kalichord: A Physically Modeled Electro-Acoustic Plucked String InstrumentDaniel Schlessinger, Julius O. Smith III

54 Controlling Live Generative Electronic Music with DeviateSarah Keith

56 SpiralSet: A Sound Toy Utilizing Game Engine TechnologiesAndy Dolphin

58 LUMI: Live Performance Paradigms Utilizing Software Integrated Touch Screen andPressure Sensitive Button MatrixMingfei Gao, Craig Hanson

60 The SARC EyesWeb Catalog: A Pattern Recognition Toolbox for Musician-ComputerInteractionNicholas Gillian, R. Benjamin Knapp, Sile O’Modhrain

62 A 2D Fiducial Tracking Method Based on Topological Region Adjacency and AngleInformationHiroki Nishino

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Robotics and New Interfaces (NIME 2009 Sessions)1:45pm – 3:45pm, Thursday June 4th 2009

64 Anthropomorphic Musical Performance Robots at Waseda University: IncreasingUnderstanding of the Nature of Human Musical InteractionJorge Solis, Takeshi Ninomiya, Klaus Petersen, Maasaki Takeuchi, Atsuo Takanishi

70 The Creation of a Multi-Human, Multi-Robot Interactive Jam SessionGil Weinberg, Brian Blosser, Trishul Mallikarjuna, Aparna Raman

74 MusicGrip: A Writing Instrument for Music ControlNan-Wei Gong, Mat Laibowitz, Joseph A. Paradiso

78 Let Loose with WallBalls, a Collaborative Tabletop Instrument for TomorrowGrant Partridge, Pourang Irani, Gordon Fitzell

82 SORISU: Sound with NumbersHye Ki Min

86 The Tactus: A Tangible, Rhythmic Grid Interface Using Found-ObjectsYotam Mann, Jeff Lubow, Adrian Freed

90 Real-Time Phase Vocoder Manipulation by Runner’s PaceJason A. Hockman, Marcelo M. Wanderley, Ichiro Fujinaga

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Electroacoustics (NIME 2009 Sessions)4:30pm – 6pm, Thursday June 4th 2009

94 A Discussion of Multidimensional Mapping in Nymophone2Kristian Nymoen, Alexander Refsum Jensenius

98 The Kalichord: A Physically Modeled Electro-Acoustic Plucked String InstrumentDaniel Schlessinger, Julius O. Smith III

102 Augmenting Chordophones with Hybrid Percussive Sound PossibilitiesOtso Lähdeoja

106 An Electroacoustically Controlled Vibrating PlateMark Kahrs, David Skulina, Stefan Bilbao, Murray Campbell

110 Don’t Forget the Loudspeaker — A History of Hemispherical Speakers at Princeton, Plusa DIY GuideScott Smallwood, Perry R. Cook, Dan Trueman, Lawrence McIntyre

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Computer Systems (NIME 2009 Sessions)9am – 11am, Friday June 5th 2009

116 Features and Future of Open Sound Control Version 1.1 for NIMEAdrian Freed, Andrew Schmeder

121 A Low-Level Embedded Service Architecture for Rapid DIY Design of Real-Time MusicalInstrumentsAndrew Schmeder, Adrian Freed

125 Firmata: Towards Making Microcontrollers Act Like Extensions of the ComputerHans-Christoph Steiner

131 Sharing Data in Collaborative, Interactive Performances: The SenseWorld DataNetworkMarije A.J. Baalman, Harry C. Smoak, Christopher L. Salter, Joseph Malloch,Marcelo M. Wanderley

135 Challenges and Performance of High-Fidelity Audio Streaming for InteractivePerformancesNicolas Bouillot, Jeremy R. Cooperstock

141 “Extension du Corps Sonore” — Dancing ViolaTodor Todoroff, Frédéric Bettens, Loïc Reboursière, Wen-Yang Chu

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Posters and Demos II (NIME 2009 Sessions)12:15pm – 1:45pm and 3:45pm – 4:30pm, Friday June 5th 2009

90 Real-Time Phase Vocoder Manipulation by Runner’s PaceJason A. Hockman, Marcelo M. Wanderley, Ichiro Fujinaga

82 SORISU: Sound with NumbersHye Ki Min

147 The elBo and footPad: Toward Personalized Hardware for Audio ManipulationColby Leider, Doug Mann, Daniel Plazas, Michael Battaglia, Reid Draper

149 The Midi-AirGuitar: A Serious Musical Controller with a Funny NameLangdon Crawford, William David Fastenow

151 An Early Prototype of the Augmented PsychoPhoneNiels Böttcher, Smilen Dimitrov

153 Catch Your Breath — Musical Biofeedback for Breathing RegulationDiana Siwiak, Jonathan Berger, Yao Yang

155 A Wii-Based Gestural Interface for Computer Conducting SystemsLijuan Peng, David Gerhard

157 Chess-Based Composition and Improvisation for Non-MusiciansDale E. Parson

159 MagNular: Symbolic Control of an External Sound Engine Using an Animated InterfaceAndy Dolphin

161 AUDIO ORIENTEERING — Navigating an Invisible TerrainNoah Feehan

163 Developing the CyclotactorStaas de Jong

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Posters and Demos II continued …

86 The Tactus: A Tangible, Rhythmic Grid Interface Using Found-ObjectsYotam Mann, Jeff Lubow, Adrian Freed

207 Designing for Conversational InteractionAndrew Johnston, Linda Candy, Ernest Edmonds

165 midOSC: A Gumstix-Based MIDI-to-OSC ConverterSébastien Schiesser

169 Parallel Processing System Design with “Propeller” ProcessorYoichi Nagashima

171 Where Did It All Go Wrong? A Model of Error from the Spectator’s PerspectiveA. Cavan Fyans, Michael Gurevich, Paul Stapleton

173 Advanced Techniques for Vertical Tablet Playing — An Overview of Two Years ofPracticing the HandSketch 1.xNicolas d’Alessandro, Thierry Dutoit

175 Gyroscope-Based Conducting Gesture RecognitionAndreas Höfer, Aristotelis Hadjakos, Max Mühlhäuser

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Haptics and Extended Instruments (NIME 2009 Sessions)1:45pm – 3:45pm, Friday June 5th 2009

177 Using Haptics to Assist Performers in Making Gestures to a Musical InstrumentEdgar Berdahl, Günter Niemeyer, Julius O. Smith III

183 Using Haptic Devices to Interface Directly with Digital Waveguide-Based MusicalInstrumentsEdgar Berdahl, Günter Niemeyer, Julius O. Smith III

187 Haptic Carillon — Analysis & Design of the Carillon MechanismMark Havryliv, Fazel Naghdy, Greg Schiemer, Timothy Hurd

193 The Electrumpet: A Hybrid Electro-Acoustic InstrumentHans Leeuw

199 Sensor Technology and the Remaking of Instruments from the PastEmmanuelle Gallin, Marc Sirguy

203 Twenty-First Century PianoSarah Nicolls

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Design and Graphics (NIME 2009 Sessions)4:30pm – 6pm, Friday June 5th 2009

207 Designing for Conversational InteractionAndrew Johnston, Linda Candy, Ernest Edmonds

213 Designing for Style in New Musical InteractionsMichael Gurevich, Paul Stapleton, Peter Bennett

218 Re-Designing Principles for Computer Music Controllers: A Case Study of SqueezeVoxMaggiePerry R. Cook

222 Interfacing Graphic and Musical Elements in CounterlinesJaroslaw Kapuscinski, Javier Sanchez

226 FrameWorks 3D: Composition in the Third DimensionRichard Polfreman

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Sensing and Conducting (NIME 2009 Sessions)9am – 11am, Saturday June 6th 2009

230 Novel and Forgotten Current-Steering Techniques for Resistive Multitouch, Duotouch,and Polytouch Position Sensing with PressureAdrian Freed

236 A Force-Sensitive Surface for Intimate ControlRandy Jones, Peter Driessen, Andrew Schloss, George Tzanetakis

242 A Flexible Mapping Editor for Multi-Touch Musical InstrumentsGreg Kellum, Alain Crevoisier

246 Phalanger: Controlling Music Software with Hand Movement Using a Computer Visionand Machine Learning ApproachChris Kiefer, Nick Collins, Geraldine Fitzpatrick

250 The UBS Virtual Maestro: An Interactive Conducting SystemTeresa Marrin Nakra, Yuri Ivanov, Paris Smaragdis, Chris Ault

256 The Vocal Augmentation and Manipulation Prosthesis (VAMP): A Conducting-BasedGestural Controller for Vocal PerformanceElena Jessop

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Posters and Demos III (NIME 2009 Sessions)12:15pm – 1:45pm and 3:45pm – 4:30pm, Saturday June 6th 2009

256 The Vocal Augmentation and Manipulation Prosthesis (VAMP): A Conducting-BasedGestural Controller for Vocal PerformanceElena Jessop

303 Designing Smule’s Ocarina: The iPhone’s Magic FluteGe Wang

316 The Drummer: A Collaborative Musical Interface with MobilityAndrea Bianchi, Woon Seung Yeo

193 The Electrumpet: A Hybrid Electro-Acoustic InstrumentHans Leeuw

260 Double Slide ControllerTomás Henriques

177 Using Haptics to Assist Performers in Making Gestures to a Musical InstrumentEdgar Berdahl, Günter Niemeyer, Julius O. Smith III

308 Scratch-Off: A Gesture Based Mobile Music Game with Tactile FeedbackNicholas Gillian, Sile O’Modhrain, Georg Essl

213 Designing for Style in New Musical InteractionsMichael Gurevich, Paul Stapleton, Peter Bennett

218 Re-Designing Principles for Computer Music Controllers: A Case Study of SqueezeVoxMaggiePerry R. Cook

242 A Flexible Mapping Editor for Multi-Touch Musical InstrumentsGreg Kellum, Alain Crevoisier

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Posters and Demos III continued …

236 A Force-Sensitive Surface for Intimate ControlRandy Jones, Peter Driessen, Andrew Schloss, George Tzanetakis

262 HSP: A Simple and Effective Open-Source Platform for Implementing Haptic MusicalInstrumentsEdgar Berdahl, Günter Niemeyer, Julius O. Smith III

246 Phalanger: Controlling Music Software with Hand Movement Using a Computer Visionand Machine Learning ApproachChris Kiefer, Nick Collins, Geraldine Fitzpatrick

264 Versum: Audiovisual Composing in 3DTarik Barri

266 Towards a Humane Graphical User Interface for Live Electronic MusicJamie Bullock, Lamberto Coccioli

268 YARMI: An Augmented Reality Musical InstrumentTomás Laurenzo, Ernesto Rodríguez, Juan Fabrizio Castro

270 SpeedDial: Rapid and On-the-Fly Mapping of Mobile Phone InstrumentsGeorg Essl

274 ForTouch: A Wearable Digital Ventriloquized ActorSidney Fels, Robert Pritchard, Allison Lenters

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Control Strategies and Installations (NIME 2009 Sessions)1:45pm – 3:45pm, Saturday June 6th 2009

276 Words, Movement and TimbreAlex McLean, Geraint Wiggins

280 A Meta-Instrument for Interactive, On-the-Fly Machine LearningRebecca Fiebrink, Dan Trueman, Perry R. Cook

286 Action and Perception in Interactive Sound Installations: An Ecological ApproachJan C. Schacher

290 The Argus Project: Underwater Soundscape Composition with Laser-ControlledModulationJonathon Kirk, Lee Weisert

293 PlaySoundGround: An Interactive Musical PlaygroundMichael St. Clair, Sasha Leitman

297 The Fragmented OrchestraDaniel Jones, Tim Hodgson, Jane Grant, John Matthias, Nicholas Outram, Nick Ryan

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Mobile Music (NIME 2009 Sessions)4:30pm – 6pm, Saturday June 6th 2009

303 Designing Smule’s Ocarina: The iPhone’s Magic FluteGe Wang

308 Scratch-Off: A Gesture Based Mobile Music Game with Tactile FeedbackNicholas Gillian, Sile O’Modhrain, Georg Essl

312 ZooZBeat: A Gesture-Based Mobile Music StudioGil Weinberg, Andrew Beck, Mark Godfrey

316 The Drummer: A Collaborative Musical Interface with MobilityAndrea Bianchi, Woon Seung Yeo

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Program 1 (NIME 2009 Concert Schedule)

320 The Oklo PhenomenonRobert Wechsler

321 Anigraphical Etude 9David Lieberman

322 Cosmic Strings IIMin Eui Hong

323 Study No. 1 for PAM and MADITroy Rogers, Steven Kemper, Scott Barton

324 Fue Sho – ElectrofusionGarth Paine, Michael Atherton

325 Versum – FluorTarik Barri


326 Angry SparrowChikashi Miyama

327 Biomuse TrioEric Lyon, Ben Knapp, Gascia Ouzounian

328 BodyJackSuguru Goto

329 Code LiveCode Live, or Livecode EmbodiedMarije A.J. Baalman

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330 MOLITVA — Composition for Voice, Live Electronics, Pointing-At Glove Device and 3-DSetup of SpeakersGiuseppe Torre, Robert Sazdov, Dorota Konczewska

331 Ben Neill and LEMURBen Neill, Eric Singer


332 Performance: Modal Kombat Plays PONGDavid Hindman, Evan Drummond

333 Afflux/RefluxColby Leider

334 PLOrk Beat Science 2.0Ge Wang, Rebecca Fiebrink

335 Hands On — A New Work from SLABS Controller and Generative AlgorithmsDavid Wessel

336 BioluminescenceR. Luke DuBois, Lesley Flanigan

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NIME 2009 Installations

337 Elemental & Cyrene ReefsIvica Bukvic, Eric Standley

338 Cellphonia: 4' 33"Scot Gresham-Lancaster, Steve Bull

339 PendaphonicsDan Overholt, Byron Lahey, Anne-Marie Skriver Hansen, Winslow Burleson,Camilla Nørgaard Jensen

340 Sound LanternsScott Smallwood

341 AANN: Artificial Analog Neural NetworkPhillip Stearns

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NIME 2009 Brief Author Index [Page 1 / 6]

AAitenbichler, Erwin . . . . . . . . . . . . . . . . . . . . . . . . . . . .7Atherton, Michael . . . . . . . . . . . . . . . . . . . . . . . . . . .324Ault, Chris . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .250

BBaalman, Marije A.J. . . . . . . . . . . . . . . . . . . 131 329Bahn, Curtis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41Barri, Tarik . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .264 325Barton, Scott . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 323Battaglia, Michael . . . . . . . . . . . . . . . . . . . . . . . . . . . 147Beck, Andrew . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 312Beilharz, Kirsty . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35Bennett, Peter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .213Berdahl, Edgar . . . . . . . . . . . . . . . . . . . . 177 183 262Berger, Jonathan . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153Bettens, Frédéric . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141Bianchi, Andrea . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 316Bilbao, Stefan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106Blosser, Brian . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70Böttcher, Niels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .151Bouillot, Nicolas . . . . . . . . . . . . . . . . . . . . . . . . . . . . .135Braasch, Jonas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41Bukvic, Ivica . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .337Bull, Steve . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 338Bullock, Jamie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 266Burleson, Winslow . . . . . . . . . . . . . . . . . . . . . . . . . . 339

CCampbell, Murray . . . . . . . . . . . . . . . . . . . . . . . . . . .106Candy, Linda . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .207Casciato, Carmine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1Castro, Juan Fabrizio . . . . . . . . . . . . . . . . . . . . . . 268Chu, Wen-Yang . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141Coccioli, Lamberto . . . . . . . . . . . . . . . . . . . . . . . . . 266Collicutt, Mike . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1Collins, Nick . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 246Cook, Perry R. . . . . . . . . . . . . . . . . . . . . .110 218 280Cooperstock, Jeremy R. . . . . . . . . . . . . . . . . . . . 135Crawford, Langdon . . . . . . . . . . . . . . . . . . . . . . . . .149Crevoisier, Alain . . . . . . . . . . . . . . . . . . . . . . . . . . . . 242

Dd’Alessandro, Nicolas . . . . . . . . . . . . . . . . . . . . . .173de Jong, Staas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163Dimitrov, Smilen . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151Dolphin, Andy . . . . . . . . . . . . . . . . . . . . . . . . . . . 56 159Draper, Reid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147Driessen, Peter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 236Drummond, Evan . . . . . . . . . . . . . . . . . . . . . . . . . . . 332DuBois, R. Luke . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 336Dutoit, Thierry . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173

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EEdmonds, Ernest . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207Essl, Georg . . . . . . . . . . . . . . . . . . . . . . . . . . 33 270 308

FFastenow, William David . . . . . . . . . . . . . . . . . . 149Feehan, Noah . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161Fels, Sidney . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 274Ferguson, Sam . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35Fiebrink, Rebecca . . . . . . . . . . . . . . . . . . . . . .280 334Fitzell, Gordon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .78Fitzpatrick, Geraldine . . . . . . . . . . . . . . . . . . . . . 246Flanigan, Lesley . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 336Freed, Adrian . . . . . . . . . . . . . . . . . 86 116 121 230Fujinaga, Ichiro . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90Fyans, A. Cavan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171

GGallin, Emmanuelle . . . . . . . . . . . . . . . . . . . . . . . . .199Gao, Mingfei . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58Gelineck, Steven . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13Gerhard, David . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155Gillian, Nicholas . . . . . . . . . . . . . . . . . . . . . . . . .60 308Godfrey, Mark . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 312Gong, Nan-Wei . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74Goto, Suguru . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48 328Grant, Jane . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 297Gresham-Lancaster, Scot . . . . . . . . . . . . . . . . . . 338Gurevich, Michael . . . . . . . . . . . . . . . . . . . . . 171 213



HHadjakos, Aristotelis . . . . . . . . . . . . . . . . . . . . 7 175Hansen, Anne-Marie Skriver . . . . . . . . . . . . . .339Hanson, Craig . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58Hashida, Mitsuyo . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45Havryliv, Mark . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187Henriques, Tomás . . . . . . . . . . . . . . . . . . . . . . . . . . 260Hindman, David . . . . . . . . . . . . . . . . . . . . . . . . . . . . .332Hockman, Jason A. . . . . . . . . . . . . . . . . . . . . . . . . . . 90Hodgson, Tim . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 297Höfer, Andreas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175Hong, Min Eui . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .322Hsu, William . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25Humphrey, Eric . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31Hurd, Timothy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187

IIrani, Pourang . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78Ivanov, Yuri . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250

JJensen, Camilla Nørgaard . . . . . . . . . . . . . . . . .339Jensenius, Alexander Refsum . . . . . . . . . . . . . 94Jessop, Elena . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .256Johnston, Andrew . . . . . . . . . . . . . . . . . . . . . . . . . . 207Jones, Daniel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .297Jones, Randy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 236

KKahrs, Mark . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106Kanda, Ryo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45Kapur, Ajay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .43Kapuscinski, Jaroslaw . . . . . . . . . . . . . . . . . . . . . 222Katayose, Haruhiro . . . . . . . . . . . . . . . . . . . . . . . . . . 45Keith, Sarah . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54Kellum, Greg . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 242Kemper, Steven . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 323Kiefer, Chris . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 246Kirk, Jonathon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .290Knapp, Ben . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 327Knapp, R. Benjamin . . . . . . . . . . . . . . . . . . . . . . . . . 60Konczewska, Dorota . . . . . . . . . . . . . . . . . . . . . . . 330Kouttron, Dane . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41Kuhara, Yasuo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50



LLähdeoja, Otso . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102Lahey, Byron . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 339Lai, Chi-Hsia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39Laibowitz, Mat . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37 74Laurenzo, Tomás . . . . . . . . . . . . . . . . . . . . . . . . . . . 268Leeuw, Hans . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193Leider, Colby . . . . . . . . . . . . . . . . . . . . . . . 31 147 333Leitman, Sasha . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 293Lenters, Allison . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 274Lieberman, David . . . . . . . . . . . . . . . . . . . . . . . . . . . 321Lubow, Jeff . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86Lyon, Eric . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 327

MMacLean, Karon E. . . . . . . . . . . . . . . . . . . . . . . . . . . . 19Mallikarjuna, Trishul . . . . . . . . . . . . . . . . . . . . . . . . 70Malloch, Joseph . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131Mann, Doug . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147Mann, Yotam . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86Matthias, John . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 297McDonald, Kyle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41McIntyre, Lawrence . . . . . . . . . . . . . . . . . . . . . . . . .110McLean, Alex . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .276Min, Hye Ki . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82Miyama, Chikashi . . . . . . . . . . . . . . . . . . . . . . . . . . . 326Mühlhäuser, Max . . . . . . . . . . . . . . . . . . . . . . . . . 7 175Müller, Alexander . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

NNagashima, Yoichi . . . . . . . . . . . . . . . . . . . . . . . . . .169Naghdy, Fazel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187Nakra, Teresa Marrin . . . . . . . . . . . . . . . . . . . . . . 250Neill, Ben . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 331Nicolls, Sarah . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203Niemeyer, Günter . . . . . . . . . . . . . . . . 177 183 262Ninomiya, Takeshi . . . . . . . . . . . . . . . . . . . . . . . . . . . 64Nishino, Hiroki . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62Nymoen, Kristian . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

OOgawa, Keisuke . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50Oliveros, Pauline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41O’Modhrain, Sile . . . . . . . . . . . . . . . . . . . . . . . . 60 308Outram, Nicholas . . . . . . . . . . . . . . . . . . . . . . . . . . . 297Ouzounian, Gascia . . . . . . . . . . . . . . . . . . . . . . . . . 327Overholt, Dan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .339



PPaine, Garth . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 324Paradiso, Joseph A. . . . . . . . . . . . . . . . . . . . . . . 37 74Parson, Dale E. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157Partridge, Grant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78Pedrosa, Ricardo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19Peng, Lijuan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155Petersen, Klaus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64Plazas, Daniel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .147Polfreman, Richard . . . . . . . . . . . . . . . . . . . . . . . . . 226Powell, Rob . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48Pritchard, Robert . . . . . . . . . . . . . . . . . . . . . . . . . . . 274

QRRaman, Aparna . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70Reben, Alexander . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37Reboursière, Loïc . . . . . . . . . . . . . . . . . . . . . . . . . . . 141Rodríguez, Ernesto . . . . . . . . . . . . . . . . . . . . . . . . . 268Rogers, Troy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 323Ryan, Nick . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 297

SSalter, Christopher L. . . . . . . . . . . . . . . . . . . . . . . 131Sanchez, Javier . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222Sazdov, Robert . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 330Schacher, Jan C. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 286Schiemer, Greg . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187Schiesser, Sébastien . . . . . . . . . . . . . . . . . . . . . . . . 165Schlessinger, Daniel . . . . . . . . . . . . . . . . . . . . . . . . . 98Schloss, Andrew . . . . . . . . . . . . . . . . . . . . . . . . . . . . 236Schmeder, Andrew . . . . . . . . . . . . . . . . . . . . 116 121Serafin, Stefania . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13Singer, Eric . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 331Sirguy, Marc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .199Siwiak, Diana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153Skulina, David . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106Smallwood, Scott . . . . . . . . . . . . . . . . . . . . . . 110 340Smaragdis, Paris . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250Smith III, Julius O. . . . . . . . . . . . 98 177 183 262Smoak, Harry C. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .131Solis, Jorge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .64Sosnick, Marc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25Spowage, Neal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29Standley, Eric . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 337Stapleton, Paul . . . . . . . . . . . . . . . . . . . . . . . . . 171 213St. Clair, Michael . . . . . . . . . . . . . . . . . . . . . . . . . . . . 293Stearns, Phillip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 341Steiner, Hans-Christoph . . . . . . . . . . . . . . . . . . .125



TTakanishi, Atsuo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64Takeuchi, Maasaki . . . . . . . . . . . . . . . . . . . . . . . . . . . 64Todoroff, Todor . . . . . . . . . . . . . . . . . . . . . . . . . . . . .141Toenjes, John . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52Torre, Giuseppe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 330Trueman, Dan . . . . . . . . . . . . . . . . . . . . . . . . . . 110 280Tzanetakis, George . . . . . . . . . . . . . . . . . . . . . . . . . 236

UVWWanderley, Marcelo M. . . . . . . . . . . . . . . 1 90 131Wang, Ge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 303 334Wechsler, Robert . . . . . . . . . . . . . . . . . . . . . . . . . . . .320Weinberg, Gil . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70 312Weisert, Lee . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 290Wessel, David . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 335Wiggins, Geraint . . . . . . . . . . . . . . . . . . . . . . . . . . . . 276Wiley, Meason . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .43

XYYang, Yao . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .153Yeo, Woon Seung . . . . . . . . . . . . . . . . . . . . . . . . . . . 316

Z


NIME 2009 Detailed Author Index [Page 1 / 40]

AAitenbichler, Erwin

7 Probabilistic Model of Pianists’ Arm Touch Movements

Atherton, Michael324 Fue Sho – Electrofusion

Ault, Chris250 The UBS Virtual Maestro: An Interactive Conducting System



BBaalman, Marije A.J.

131 Sharing Data in Collaborative, Interactive Performances: The SenseWorld DataNetwork

329 Code LiveCode Live, or Livecode Embodied

Bahn, Curtis41 The Vibrobyte: A Haptic Interface for Co-Located Performance

Barri, Tarik264 Versum: Audiovisual Composing in 3D

325 Versum – Fluor

Barton, Scott323 Study No. 1 for PAM and MADI

Battaglia, Michael147 The elBo and footPad: Toward Personalized Hardware for Audio Manipulation

Beck, Andrew312 ZooZBeat: A Gesture-Based Mobile Music Studio

Beilharz, Kirsty35 An Interface for Live Interactive Sonification

Bennett, Peter213 Designing for Style in New Musical Interactions

B continues on next page…



Berdahl, Edgar177 Using Haptics to Assist Performers in Making Gestures to a Musical Instrument

183 Using Haptic Devices to Interface Directly with Digital Waveguide-Based MusicalInstruments

262 HSP: A Simple and Effective Open-Source Platform for Implementing Haptic MusicalInstruments

Berger, Jonathan153 Catch Your Breath — Musical Biofeedback for Breathing Regulation

Bettens, Frédéric141 “Extension du Corps Sonore” — Dancing Viola

Bianchi, Andrea316 The Drummer: A Collaborative Musical Interface with Mobility

Bilbao, Stefan106 An Electroacoustically Controlled Vibrating Plate

Blosser, Brian70 The Creation of a Multi-Human, Multi-Robot Interactive Jam Session

Böttcher, Niels151 An Early Prototype of the Augmented PsychoPhone

Bouillot, Nicolas135 Challenges and Performance of High-Fidelity Audio Streaming for Interactive

PerformancesBraasch, Jonas

41 The Vibrobyte: A Haptic Interface for Co-Located Performance

B continues on next page…



Bukvic, Ivica337 Elemental & Cyrene Reefs

Bull, Steve338 Cellphonia: 4' 33"

Bullock, Jamie266 Towards a Humane Graphical User Interface for Live Electronic Music

Burleson, Winslow339 Pendaphonics



CCampbell, Murray

106 An Electroacoustically Controlled Vibrating Plate

Candy, Linda207 Designing for Conversational Interaction

Casciato, Carmine1 From Real to Virtual: A Comparison of Input Devices for Percussion Tasks

Castro, Juan Fabrizio268 YARMI: An Augmented Reality Musical Instrument

Chu, Wen-Yang141 “Extension du Corps Sonore” — Dancing Viola

Coccioli, Lamberto266 Towards a Humane Graphical User Interface for Live Electronic Music

Collicutt, Mike1 From Real to Virtual: A Comparison of Input Devices for Percussion Tasks

Collins, Nick246 Phalanger: Controlling Music Software with Hand Movement Using a Computer Vision

and Machine Learning Approach

C continues on next page…



Cook, Perry R.110 Don’t Forget the Loudspeaker — A History of Hemispherical Speakers at Princeton, Plus

a DIY Guide218 Re-Designing Principles for Computer Music Controllers: A Case Study of SqueezeVox

Maggie

280 A Meta-Instrument for Interactive, On-the-Fly Machine Learning

Cooperstock, Jeremy R.135 Challenges and Performance of High-Fidelity Audio Streaming for Interactive

PerformancesCrawford, Langdon

149 The Midi-AirGuitar: A Serious Musical Controller with a Funny Name

Crevoisier, Alain242 A Flexible Mapping Editor for Multi-Touch Musical Instruments



Dd’Alessandro, Nicolas

173 Advanced Techniques for Vertical Tablet Playing — An Overview of Two Years ofPracticing the HandSketch 1.x

de Jong, Staas163 Developing the Cyclotactor

Dimitrov, Smilen151 An Early Prototype of the Augmented PsychoPhone

Dolphin, Andy56 SpiralSet: A Sound Toy Utilizing Game Engine Technologies

159 MagNular: Symbolic Control of an External Sound Engine Using an Animated Interface

Draper, Reid147 The elBo and footPad: Toward Personalized Hardware for Audio Manipulation

Driessen, Peter236 A Force-Sensitive Surface for Intimate Control

Drummond, Evan332 Performance: Modal Kombat Plays PONG

DuBois, R. Luke336 Bioluminescence

Dutoit, Thierry173 Advanced Techniques for Vertical Tablet Playing — An Overview of Two Years of

Practicing the HandSketch 1.x



EEdmonds, Ernest

207 Designing for Conversational Interaction

Essl, Georg33 Utilizing Tactile Feedback to Guide Movements Between Sounds

270 SpeedDial: Rapid and On-the-Fly Mapping of Mobile Phone Instruments

308 Scratch-Off: A Gesture Based Mobile Music Game with Tactile Feedback



FFastenow, William David

149 The Midi-AirGuitar: A Serious Musical Controller with a Funny Name

Feehan, Noah161 AUDIO ORIENTEERING — Navigating an Invisible Terrain

Fels, Sidney274 ForTouch: A Wearable Digital Ventriloquized Actor

Ferguson, Sam35 An Interface for Live Interactive Sonification

Fiebrink, Rebecca280 A Meta-Instrument for Interactive, On-the-Fly Machine Learning

334 PLOrk Beat Science 2.0

Fitzell, Gordon78 Let Loose with WallBalls, a Collaborative Tabletop Instrument for Tomorrow

Fitzpatrick, Geraldine246 Phalanger: Controlling Music Software with Hand Movement Using a Computer Vision

and Machine Learning ApproachFlanigan, Lesley

336 Bioluminescence

F continues on next page…



Freed, Adrian86 The Tactus: A Tangible, Rhythmic Grid Interface Using Found-Objects

116 Features and Future of Open Sound Control Version 1.1 for NIME

121 A Low-Level Embedded Service Architecture for Rapid DIY Design of Real-Time MusicalInstruments

230 Novel and Forgotten Current-Steering Techniques for Resistive Multitouch, Duotouch,and Polytouch Position Sensing with Pressure

Fujinaga, Ichiro90 Real-Time Phase Vocoder Manipulation by Runner’s Pace

Fyans, A. Cavan171 Where Did It All Go Wrong? A Model of Error from the Spectator’s Perspective



GGallin, Emmanuelle

199 Sensor Technology and the Remaking of Instruments from the Past

Gao, Mingfei58 LUMI: Live Performance Paradigms Utilizing Software Integrated Touch Screen and

Pressure Sensitive Button MatrixGelineck, Steven

13 A Quantitative Evaluation of the Differences Between Knobs and Sliders

Gerhard, David155 A Wii-Based Gestural Interface for Computer Conducting Systems

Gillian, Nicholas60 The SARC EyesWeb Catalog: A Pattern Recognition Toolbox for Musician-Computer

Interaction308 Scratch-Off: A Gesture Based Mobile Music Game with Tactile Feedback

Godfrey, Mark312 ZooZBeat: A Gesture-Based Mobile Music Studio

Gong, Nan-Wei74 MusicGrip: A Writing Instrument for Music Control

Goto, Suguru48 netBody — “Augmented Body and Virtual Body II” with the System, BodySuit, Powered

Suit and Second Life — Its Introduction of an Application of the System

328 BodyJack

G continues on next page…



Grant, Jane297 The Fragmented Orchestra

Gresham-Lancaster, Scot338 Cellphonia: 4' 33"

Gurevich, Michael171 Where Did It All Go Wrong? A Model of Error from the Spectator’s Perspective

213 Designing for Style in New Musical Interactions



HHadjakos, Aristotelis

7 Probabilistic Model of Pianists’ Arm Touch Movements

175 Gyroscope-Based Conducting Gesture Recognition

Hansen, Anne-Marie Skriver339 Pendaphonics

Hanson, Craig58 LUMI: Live Performance Paradigms Utilizing Software Integrated Touch Screen and

Pressure Sensitive Button MatrixHashida, Mitsuyo

45 Mims: Interactive Multimedia Live Performance System

Havryliv, Mark187 Haptic Carillon — Analysis & Design of the Carillon Mechanism

Henriques, Tomás260 Double Slide Controller

Hindman, David332 Performance: Modal Kombat Plays PONG

Hockman, Jason A.90 Real-Time Phase Vocoder Manipulation by Runner’s Pace

Hodgson, Tim297 The Fragmented Orchestra

H continues on next page…



Höfer, Andreas175 Gyroscope-Based Conducting Gesture Recognition

Hong, Min Eui322 Cosmic Strings II

Hsu, William25 Evaluating Interactive Music Systems: An HCI Approach

Humphrey, Eric31 The Navi Activity Monitor: Toward Using Kinematic Data to Humanize Computer Music

Hurd, Timothy187 Haptic Carillon — Analysis & Design of the Carillon Mechanism



IIrani, Pourang

78 Let Loose with WallBalls, a Collaborative Tabletop Instrument for Tomorrow

Ivanov, Yuri250 The UBS Virtual Maestro: An Interactive Conducting System



JJensen, Camilla Nørgaard

339 Pendaphonics

Jensenius, Alexander Refsum94 A Discussion of Multidimensional Mapping in Nymophone2

Jessop, Elena256 The Vocal Augmentation and Manipulation Prosthesis (VAMP): A Conducting-Based

Gestural Controller for Vocal PerformanceJohnston, Andrew

207 Designing for Conversational Interaction

Jones, Daniel297 The Fragmented Orchestra

Jones, Randy236 A Force-Sensitive Surface for Intimate Control



KKahrs, Mark

106 An Electroacoustically Controlled Vibrating Plate

Kanda, Ryo45 Mims: Interactive Multimedia Live Performance System

Kapur, Ajay43 Multi-Laser Gestural Interface — Solutions for Cost-Effective and Open Source

ControllersKapuscinski, Jaroslaw

222 Interfacing Graphic and Musical Elements in Counterlines

Katayose, Haruhiro45 Mims: Interactive Multimedia Live Performance System

Keith, Sarah54 Controlling Live Generative Electronic Music with Deviate

Kellum, Greg242 A Flexible Mapping Editor for Multi-Touch Musical Instruments

Kemper, Steven323 Study No. 1 for PAM and MADI

Kiefer, Chris246 Phalanger: Controlling Music Software with Hand Movement Using a Computer Vision

and Machine Learning Approach

K continues on next page…



Kirk, Jonathon290 The Argus Project: Underwater Soundscape Composition with Laser-Controlled

ModulationKnapp, Ben

327 Biomuse Trio

Knapp, R. Benjamin60 The SARC EyesWeb Catalog: A Pattern Recognition Toolbox for Musician-Computer

InteractionKonczewska, Dorota

330 MOLITVA — Composition for Voice, Live Electronics, Pointing-At Glove Device and 3-DSetup of Speakers

Kouttron, Dane41 The Vibrobyte: A Haptic Interface for Co-Located Performance

Kuhara, Yasuo50 Life Game Orchestra as an Interactive Music Composition System Translating Cellular

Patterns of Automata into Musical Scales



LLähdeoja, Otso

102 Augmenting Chordophones with Hybrid Percussive Sound Possibilities

Lahey, Byron339 Pendaphonics

Lai, Chi-Hsia39 Hands on Stage: A Sound and Image Performance Interface

Laibowitz, Mat37 Responsive Music Interfaces for Performance

74 MusicGrip: A Writing Instrument for Music Control

Laurenzo, Tomás268 YARMI: An Augmented Reality Musical Instrument

Leeuw, Hans193 The Electrumpet: A Hybrid Electro-Acoustic Instrument

Leider, Colby31 The Navi Activity Monitor: Toward Using Kinematic Data to Humanize Computer Music

147 The elBo and footPad: Toward Personalized Hardware for Audio Manipulation

333 Afflux/Reflux

Leitman, Sasha293 PlaySoundGround: An Interactive Musical Playground

L continues on next page…



Lenters, Allison274 ForTouch: A Wearable Digital Ventriloquized Actor

Lieberman, David321 Anigraphical Etude 9

Lubow, Jeff86 The Tactus: A Tangible, Rhythmic Grid Interface Using Found-Objects

Lyon, Eric327 Biomuse Trio



MMacLean, Karon E.

19 Evaluation of 3D Haptic Target Rendering to Support Timing in Music Tasks

Mallikarjuna, Trishul70 The Creation of a Multi-Human, Multi-Robot Interactive Jam Session

Malloch, Joseph131 Sharing Data in Collaborative, Interactive Performances: The SenseWorld DataNetwork

Mann, Doug147 The elBo and footPad: Toward Personalized Hardware for Audio Manipulation

Mann, Yotam86 The Tactus: A Tangible, Rhythmic Grid Interface Using Found-Objects

Matthias, John297 The Fragmented Orchestra

McDonald, Kyle41 The Vibrobyte: A Haptic Interface for Co-Located Performance

McIntyre, Lawrence110 Don’t Forget the Loudspeaker — A History of Hemispherical Speakers at Princeton, Plus

a DIY GuideMcLean, Alex

276 Words, Movement and Timbre

Min, Hye Ki82 SORISU: Sound with Numbers

M continues on next page…



Miyama, Chikashi326 Angry Sparrow

Mühlhäuser, Max7 Probabilistic Model of Pianists’ Arm Touch Movements

175 Gyroscope-Based Conducting Gesture Recognition

Müller, Alexander33 Utilizing Tactile Feedback to Guide Movements Between Sounds



NNagashima, Yoichi

169 Parallel Processing System Design with “Propeller” Processor

Naghdy, Fazel187 Haptic Carillon — Analysis & Design of the Carillon Mechanism

Nakra, Teresa Marrin250 The UBS Virtual Maestro: An Interactive Conducting System

Neill, Ben331 Ben Neill and LEMUR

Nicolls, Sarah203 Twenty-First Century Piano

Niemeyer, Günter177 Using Haptics to Assist Performers in Making Gestures to a Musical Instrument



Ninomiya, Takeshi64 Anthropomorphic Musical Performance Robots at Waseda University: Increasing

Understanding of the Nature of Human Musical InteractionNishino, Hiroki

62 A 2D Fiducial Tracking Method Based on Topological Region Adjacency and AngleInformation

N continues on next page…



Nymoen, Kristian94 A Discussion of Multidimensional Mapping in Nymophone2



OOgawa, Keisuke

50 Life Game Orchestra as an Interactive Music Composition System Translating CellularPatterns of Automata into Musical Scales

Oliveros, Pauline41 The Vibrobyte: A Haptic Interface for Co-Located Performance

O’Modhrain, Sile60 The SARC EyesWeb Catalog: A Pattern Recognition Toolbox for Musician-Computer

Interaction308 Scratch-Off: A Gesture Based Mobile Music Game with Tactile Feedback

Outram, Nicholas297 The Fragmented Orchestra

Ouzounian, Gascia327 Biomuse Trio

Overholt, Dan339 Pendaphonics



PPaine, Garth

324 Fue Sho – Electrofusion

Paradiso, Joseph A.37 Responsive Music Interfaces for Performance

74 MusicGrip: A Writing Instrument for Music Control

Parson, Dale E.157 Chess-Based Composition and Improvisation for Non-Musicians

Partridge, Grant78 Let Loose with WallBalls, a Collaborative Tabletop Instrument for Tomorrow

Pedrosa, Ricardo19 Evaluation of 3D Haptic Target Rendering to Support Timing in Music Tasks

Peng, Lijuan155 A Wii-Based Gestural Interface for Computer Conducting Systems

Petersen, Klaus64 Anthropomorphic Musical Performance Robots at Waseda University: Increasing

Understanding of the Nature of Human Musical InteractionPlazas, Daniel

147 The elBo and footPad: Toward Personalized Hardware for Audio Manipulation

Polfreman, Richard226 FrameWorks 3D: Composition in the Third Dimension

P continues on next page…



Powell, Rob48 netBody — “Augmented Body and Virtual Body II” with the System, BodySuit, Powered

Suit and Second Life — Its Introduction of an Application of the SystemPritchard, Robert

274 ForTouch: A Wearable Digital Ventriloquized Actor



Q



RRaman, Aparna

70 The Creation of a Multi-Human, Multi-Robot Interactive Jam Session

Reben, Alexander37 Responsive Music Interfaces for Performance

Reboursière, Loïc141 “Extension du Corps Sonore” — Dancing Viola

Rodríguez, Ernesto268 YARMI: An Augmented Reality Musical Instrument

Rogers, Troy323 Study No. 1 for PAM and MADI

Ryan, Nick297 The Fragmented Orchestra



SSalter, Christopher L.


Sanchez, Javier222 Interfacing Graphic and Musical Elements in Counterlines

Sazdov, Robert330 MOLITVA — Composition for Voice, Live Electronics, Pointing-At Glove Device and 3-D

Setup of SpeakersSchacher, Jan C.

286 Action and Perception in Interactive Sound Installations: An Ecological Approach

Schiemer, Greg187 Haptic Carillon — Analysis & Design of the Carillon Mechanism

Schiesser, Sébastien165 midOSC: A Gumstix-Based MIDI-to-OSC Converter

Schlessinger, Daniel98 The Kalichord: A Physically Modeled Electro-Acoustic Plucked String Instrument

Schloss, Andrew236 A Force-Sensitive Surface for Intimate Control

Schmeder, Andrew116 Features and Future of Open Sound Control Version 1.1 for NIME

121 A Low-Level Embedded Service Architecture for Rapid DIY Design of Real-Time MusicalInstruments

S continues on next page…



Serafin, Stefania13 A Quantitative Evaluation of the Differences Between Knobs and Sliders

Singer, Eric331 Ben Neill and LEMUR

Sirguy, Marc199 Sensor Technology and the Remaking of Instruments from the Past

Siwiak, Diana153 Catch Your Breath — Musical Biofeedback for Breathing Regulation

Skulina, David106 An Electroacoustically Controlled Vibrating Plate

Smallwood, Scott110 Don’t Forget the Loudspeaker — A History of Hemispherical Speakers at Princeton, Plus

a DIY Guide340 Sound Lanterns

Smaragdis, Paris250 The UBS Virtual Maestro: An Interactive Conducting System




Smith III, Julius O.98 The Kalichord: A Physically Modeled Electro-Acoustic Plucked String Instrument

177 Using Haptics to Assist Performers in Making Gestures to a Musical Instrument



Smoak, Harry C.131 Sharing Data in Collaborative, Interactive Performances: The SenseWorld DataNetwork

Solis, Jorge64 Anthropomorphic Musical Performance Robots at Waseda University: Increasing

Understanding of the Nature of Human Musical InteractionSosnick, Marc

25 Evaluating Interactive Music Systems: An HCI Approach

Spowage, Neal29 The Ghetto Bastard: A Portable Noise Instrument

Standley, Eric337 Elemental & Cyrene Reefs

Stapleton, Paul171 Where Did It All Go Wrong? A Model of Error from the Spectator’s Perspective

213 Designing for Style in New Musical Interactions




St. Clair, Michael293 PlaySoundGround: An Interactive Musical Playground

Stearns, Phillip341 AANN: Artificial Analog Neural Network

Steiner, Hans-Christoph125 Firmata: Towards Making Microcontrollers Act Like Extensions of the Computer



TTakanishi, Atsuo

64 Anthropomorphic Musical Performance Robots at Waseda University: IncreasingUnderstanding of the Nature of Human Musical Interaction

Takeuchi, Maasaki64 Anthropomorphic Musical Performance Robots at Waseda University: Increasing

Understanding of the Nature of Human Musical InteractionTodoroff, Todor

141 “Extension du Corps Sonore” — Dancing Viola

Toenjes, John52 Natural Materials on Stage: Custom Controllers for Aesthetic Effect

Torre, Giuseppe330 MOLITVA — Composition for Voice, Live Electronics, Pointing-At Glove Device and 3-D

Setup of SpeakersTrueman, Dan

110 Don’t Forget the Loudspeaker — A History of Hemispherical Speakers at Princeton, Plusa DIY Guide

280 A Meta-Instrument for Interactive, On-the-Fly Machine Learning

Tzanetakis, George236 A Force-Sensitive Surface for Intimate Control



U



V



WWanderley, Marcelo M.

1 From Real to Virtual: A Comparison of Input Devices for Percussion Tasks

90 Real-Time Phase Vocoder Manipulation by Runner’s Pace


Wang, Ge303 Designing Smule’s Ocarina: The iPhone’s Magic Flute

334 PLOrk Beat Science 2.0

Wechsler, Robert320 The Oklo Phenomenon

Weinberg, Gil70 The Creation of a Multi-Human, Multi-Robot Interactive Jam Session

312 ZooZBeat: A Gesture-Based Mobile Music Studio

Weisert, Lee290 The Argus Project: Underwater Soundscape Composition with Laser-Controlled

ModulationWessel, David

335 Hands On — A New Work from SLABS Controller and Generative Algorithms

Wiggins, Geraint276 Words, Movement and Timbre

Wiley, Meason43 Multi-Laser Gestural Interface — Solutions for Cost-Effective and Open Source

Controllers



X



YYang, Yao

153 Catch Your Breath — Musical Biofeedback for Breathing Regulation

Yeo, Woon Seung316 The Drummer: A Collaborative Musical Interface with Mobility



Z


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