NOBLE 2017-02-06آ s s. s s s s s s. s s. s s s s s s s s s. s s s s s s s s s s s s s s s s s s s s
StrangerInYourSoulTAB.pdf
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STRANGER IN YOUR SOUL 1 Written by Neal Morse, Pete Trewavas, Roine Stolt and Mike Portnoy MELODIC PARTS and CHORD VOICINGS Melodic parts of the work are notated in tablature. Keyboard parts have been arranged for guitar. Some guitar parts are transcribed as performed while others are re-arrangements of multiple parts for solo rendition. Chord suggestions variously depict the recorded guitar parts, emulate the keyboard voicings or else imitate the ensemble sound. A NOTE ABOUT TRANSPOSING The recordings sound one semitone lower than the keys depicted in these charts. Guitars and Keyboards are transposed to B - thus C=B A=Ab etc. On "Live In Europe" Neal can clearly be seen playing "white-note" chords in the introduction whereas on "Building The Bridge" his Hammond overdubs were played a semitone lower. Neal evidently has little difficulty in re-learning these parts for the live shows. PRELUDE: [awakening-theme in Gm] Eb/G F Eb F Gm Bb/F Eo 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + E|-------------5-6-|-3==============-|----------------8-10|-----------------| B|-4-6-8-4-6-8-----|-----------------|-8-10-11-8-10-11----|-11=============-| G|-0======---------|-----0-----0-2-3-|-0========----------|-------------7-10| D|-----------------|-1-3---1-3-------|--------------------|-------7-8-10----| A|---------8======-|-----------------|-----------8=======-|-7-8-10----------| E|-----------------|-----------------|--------------------|-----------------| Gm F Bb Eb Eb Bb/D Gsus4 G 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + E|-15-13----------------|-10-13-6-10-3=======-|---1-3---1-3-5-6-|-3==============-| B|------16-15-13=======-|---------------------|-4-----4---------|-----------------| G|-12========-15-14-12--|---------------------|-----0-----------|-5=======4======-| D|--------------------15|-12===-8===-1=======-|-1-3---1-0======-|-----------------| A|----------------------|---------------------|-----------------|-----------------| E|----------------------|---------------------|-----------------|-----------------| Concert key |D/F# E |D E |F#m A/E |D#o | |F#m E |A D |D A/C# |F#sus4 F# | CHORDS: Eb/G F Eb Gm Bb/F Eo Bb Bb/D Gsus4 G E|--3----1---3---3----1----3---1-----------3----3--| B|--4----1---4---3----3--------3----3------3----3--| G|--3----2---3---3----3----3---3----3------5----4--| D|--5----3---5---5----3----2---3----3------5----5--| A|-----------6-----------------1----5--------------| E|-------------------------------------------------| PETE'S-PROG: Organ melody can be incorporated into the strum C/G D/G Eb/G Bb/G F/G 1 +a2 + 3 4 1 +a2 + 3 4 1 +a2 + 3 +a4 + 1 +a2e+ 3 4 E|-------------|-2--0--2-----|-3-----3-------3-|-1-----1-----| B|-5--3--5-----|-3-----------|-4--6------446---|-3--3--1-----| G|-5-----------|-2-----------|-3---------------|-3----32-----| D|-5-----------|-4-----------|-5---------------|-3-----3-----| A|-------------|-------------|-----------------|-------------| E|-3-----------|-3-----------|-3---------------|-3-----3-----| CHORDS: G-pedal G5 C/G D/G Eb/G Bb/G F/G C D Eb Bb F Bb/F D/A Eb/Bb F/C E|----------3---------2----3-----1-----1---------------------------------------------| B|----------3----5----3----4-----3-----1---5---7---8---6---10---6-----7-----8----10--| G|----------0----5----2----3-----3-----2---5---7---8---7---10---7-----7-----8----10--| D|----------0----5----4----5-----3-----3---5---7---8---8---10---8-----7-----8----10--| A|---------------3-------------------------3---5---6---8---8----8-----5-----6----8---| E|---3------3----3----3----3-----3-----3---------------6--------------5-----6----8---|
Transcript of StrangerInYourSoulTAB.pdf
STRANGER IN YOUR SOUL 1Written by Neal Morse, Pete Trewavas, Roine Stolt and Mike Portnoy
MELODIC PARTS and CHORD VOICINGSMelodic parts of the work are notated in tablature. Keyboard parts have been arranged forguitar. Some guitar parts are transcribed as performed while others are re-arrangements ofmultiple parts for solo rendition. Chord suggestions variously depict the recorded guitarparts, emulate the keyboard voicings or else imitate the ensemble sound.
A NOTE ABOUT TRANSPOSINGThe recordings sound one semitone lower than the keys depicted in these charts. Guitars andKeyboards are transposed to B - thus C=B A=Ab etc. On "Live In Europe" Neal can clearly beseen playing "white-note" chords in the introduction whereas on "Building The Bridge" hisHammond overdubs were played a semitone lower. Neal evidently has little difficulty inre-learning these parts for the live shows.
PRELUDE: [awakening-theme in Gm] Eb/G F Eb F Gm Bb/F Eo 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 +E|-------------5-6-|-3==============-|----------------8-10|-----------------|B|-4-6-8-4-6-8-----|-----------------|-8-10-11-8-10-11----|-11=============-|G|-0======---------|-----0-----0-2-3-|-0========----------|-------------7-10|D|-----------------|-1-3---1-3-------|--------------------|-------7-8-10----|A|---------8======-|-----------------|-----------8=======-|-7-8-10----------|E|-----------------|-----------------|--------------------|-----------------|
Gm F Bb Eb Eb Bb/D Gsus4 G 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 +E|-15-13----------------|-10-13-6-10-3=======-|---1-3---1-3-5-6-|-3==============-|B|------16-15-13=======-|---------------------|-4-----4---------|-----------------|G|-12========-15-14-12--|---------------------|-----0-----------|-5=======4======-|D|--------------------15|-12===-8===-1=======-|-1-3---1-0======-|-----------------|A|----------------------|---------------------|-----------------|-----------------|E|----------------------|---------------------|-----------------|-----------------|
Concert key|D/F# E |D E |F#m A/E |D#o |
|F#m E |A D |D A/C# |F#sus4 F# |
CHORDS: Eb/G F Eb Gm Bb/F Eo Bb Bb/D Gsus4 GE|--3----1---3---3----1----3---1-----------3----3--|B|--4----1---4---3----3--------3----3------3----3--|G|--3----2---3---3----3----3---3----3------5----4--|D|--5----3---5---5----3----2---3----3------5----5--|A|-----------6-----------------1----5--------------|E|-------------------------------------------------|
PETE'S-PROG:Organ melody can be incorporated into the strum
C/G D/G Eb/G Bb/G F/G 1 +a2 + 3 4 1 +a2 + 3 4 1 +a2 + 3 +a4 + 1 +a2e+ 3 4E|-------------|-2--0--2-----|-3-----3-------3-|-1-----1-----|B|-5--3--5-----|-3-----------|-4--6------446---|-3--3--1-----|G|-5-----------|-2-----------|-3---------------|-3----32-----|D|-5-----------|-4-----------|-5---------------|-3-----3-----|A|-------------|-------------|-----------------|-------------|E|-3-----------|-3-----------|-3---------------|-3-----3-----|
CHORDS: G-pedal G5 C/G D/G Eb/G Bb/G F/G C D Eb Bb F Bb/F D/A Eb/Bb F/CE|----------3---------2----3-----1-----1---------------------------------------------|B|----------3----5----3----4-----3-----1---5---7---8---6---10---6-----7-----8----10--|G|----------0----5----2----3-----3-----2---5---7---8---7---10---7-----7-----8----10--|D|----------0----5----4----5-----3-----3---5---7---8---8---10---8-----7-----8----10--|A|---------------3-------------------------3---5---6---8---8----8-----5-----6----8---|E|---3------3----3----3----3-----3-----3---------------6--------------5-----6----8---|
I. SLEEPING WIDE AWAKE 2
SLEEPING-THEME: G D C G D C Em/C#guitar 7/4 1 2 3 4 + 5 + 6 + 7 + 1 2 3 4 + 5 + 6 + 7 + 1 2 3 4 + 5 + 6 + 7 +E|-----------------------|-----------------------|-----------------------|B|-12=====-10--12-`8---10|-12=====-10-B10r-8---10|-12=====-10--12-`8=====|G|-----------------------|-----------------------|-----------------------|D|-----------------------|-----------------------|-----------------------|bass | | |G|-----------------------|-----------------------|-----------------------|D|-------------5---------|-5======-4---3---2-----|-------------2---------|A|-----------------3---5-|---------------------5-|-4======-4-------0---2-|E|-3======-3-------------|-----------------------|-----------------------|
C G D C G D C 1 2 3 + 4 + 5 + 6 + 7 + 1 2 3 4 + 5 + 6 + 7 + 1 + 2 3 4 + 5 + 6 + 7 +E|---------------------------|-~~--------------------|--------------------------|B|====-8-10-12-12b-12--8---10|-12=====-10-B10r-8---10|-10Br=B====-10--12--8---10|G|---------------------------|-----------------------|--------------------------|D|---------------------------|-----------------------|--------------------------| | | | |G|-------------5-------5---7-|-----------------------|--------------------------|D|----------5--------5-------|-5======-----5---------|------------4---3---2-----|A|-3==-3-7---------7---------|---------5-------3---5-|------------------------5-|E|---------------------------|-----------------------|-3=========---------------|
Em/C# C Cadd2 1 2 3 4 + 5 + 6 + 7 + 1 2 3 + 4 + 5 + 6 + 7 + a 1 2 3 4 + 5 + 6 + 7 +E|-----------------------|-------------------------------|-----------------------|B|-12=====-10-B10r-8---10|-8====-8-10-12-12b-12--8---3h5-|-3======g5============-|G|-----------------------|---------------------------5==-|-0======---------------|D|-----------------------|-------------------------------|-----------------------| | | | |G|---------4---2---------|---------------5---------------|-----------------5-----|D|-----------------4-2---|-------------5-------5---------|-----------------------|A|-4======-------------4-|-3====-3-7---------7---3---5---|-3======-3---3---------|E|-----------------------|-------------------------------|-----------------------|
Cadd2 G Gsus4 === = sustained note 1 2 3 + 4 + 5 + 6 + 7 + 1 2 3 4 + 5 6 7 ` = position shiftE|-10====----------------------|-----------------| \ = legato slideB|-------8-10-12-12b-12--8-----|-----------------| b = half-step bendG|--------------------------g9-|\7==============-| B = full-step bendD|-----------------------------|-----------------| B10 = prebend | | | r = release bendG|-----------------------------|-----------------| h = hammer-onD|---------------10------12----|-----------------| p = pull-offA|-3====-3==/=10-----10--------|-10=============-| ~~ = upper mordent --12h13p12--E|-----------------------------|-----------------| g = grace note --3/5---
Seven beat rhythm can be felt in double-time with accents on the down-beats and a half-beatmissing at the end of each bar.
> > > > > <- accents1 2 3 4 5 6 7 1 2 3 4 5 6 7 <- eighths count in 7/81 + 2 + 3 + 4 + 5 + 6 + 7 + <- eighths count in 7/4
Acoustic Guitar part suggests the quarter-note feel with the last three beats of the bar beingsyncopated and played with up-strums.
Rhythm Figure G*
1 + 2 + 3 + 4 + 5 + 6 + 7 + d u d u d u d u d u d u d u <- down/up strum > > > > > > > <- accents G Gsus4
SLEEPING-THEME-LINK: 3 G D C G D Cbass 7/4 1 2 3 4 + 5 + 6 + 7 + 1 2 3 4 + 5 + 6 + 7 +G|-----------------------|-----------------------|D|-5-------4---5---------|-5-------4---2---------|A|-----------------3---5-|-----------------5---2-|E|-----------------------|-----------------------|
REFRAIN: [awakening-theme in Dm] Dm Dm7 Dm6 Dm Dm7 Dm6synth 4/4 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 + 1 2 3 4 1 2 3 4E|---------|-----3-5-|---------|---------||---------|-----6-5--|----------|-10------|B|-3-5-6-3-|-5-6-----|-6-------|---------||-3-5-6-3-|-5-6------|-6--------|---------|G|---------|---------|---------|---------||---------|----------|----------|---------|bass | | | || | | | |G|---------|-9-7-----|---------|---------||---------|-9-7---7h9|-7--------|---------|D|-------7-|-----10--|-9---9-7-|---------||-------7-|-----10---|---10-9-7-|---------|A|-5-7-8---|-------10|---------|-10------||-5-7-8---|----------|----------|-10------|E|---------|---------|---------|---------||---------|----------|----------|---------|
CHORDS: G D C Em/C# Cadd2 G Gsus4 A7 A9 Cadd9 G/B Bb F A/C# Cadd4 Dm Dm7 Dm6E|--3---2---0---0-------0----3----3----0---0-----0-----3---1---1---0------1----1----1----1--|B|--0---3---1---0-------3----0----1----2---0-----3-----3---3---1---2------1----3----1----0--|G|--0---2---0---0-------0----0----0----0---6-----0-----0---3---2---2------0----2----2----2--|D|--0---0---2---2------------0----0----2---5-----2-----0---3---3---2------2----0----0----0--|A|----------3---4-------3--------------0---0-----3-----2---1---3---4------3-----------------|E|--3------------------------3----3----------------------------1----------------------------|
Ensemble sound during Em/C# resembles A9 in first inversion. Lead guitar sometimes playsan A-note on the last eighth of this bar - logical but inconsistent with vocal melody.Vocal sings major-sevenths over G/B and F-chords.
II. HANGING IN THE BALANCE
HANGING-RIFF: 5/4 accents on 2+ and 4+
TAB arrangement combines guitar and organ parts. Drums shown as . = bass x = snareLive Roine plays in 5th-position on 5th and 6th-strings. * organ plays C-chord
Dm Dm(b6) Dm6 C-lick F C* 5/4 1 + 2 + 3 + 4 + 5 + 1 + 2 + 3 + 4 + 5 + 1 + 2 + 3 + 4 + 5 + 1 + 2 + 3 + 4 + 5 +E|---------------5-----|---------------6-----|---------------7-----|---------------------|B|---------------6-----|---------------6-----|---------------6-----|---------------------|G|---------------7-----|---------------7-----|---------------7-----|-5---4-2---0---------|D|-0-0-0-3-2-0---------|-0-0-0-3-2-0---------|-0-0-0-3-2-0---------|-5---4-2---0-3---2---|A|-0-0-0-3-2-0---------|-0-0-0-3-2-0---------|-0-0-0-3-2-0---------|-------------3---2---|E|---------------------|---------------------|---------------------|---------------------| . . . x . x . . x . . x
Highest notes in the Dm-pattern vary in alternate repeats:
Dm Dm(b6) Dm6 C-lick2 F C* 5/4 8/4 1 + 2 + 3 + 4 5 1 + 2 + 3 + 4 5 1 + 2 + 3 + 4 5 1 + 2 + 3 + 4 + 5 + 6 + 7 8 G|-------------------|-------------------|-------------------|-5---4-2---0-2---0-------------|D|-0-0-0-3-2-0-------|-0-0-0-5-4-0-------|-0-0-0-6-5-0-------|-5---4-2---0-2---0-3---2-3--2--|A|-0-0-0-3-2-0-------|-0-0-0-5-4-0-------|-0-0-0-6-5-0-------|-------------------3---2-3--2--|E|-------------------|-------------------|-------------------|-------------------------------| . . x . . . x . x x
HANGING-RIFF-VARIATION: 5/4 accents on 2 and 4 4
Dm-pattern changes to sixteenths and the second variation is always played. Third variation isomitted under the vocals.Drum pattern is 'straighter' but interjecting licks are further complicated by being one beatshorter or longer than previous verse. A superfluous 3/8 bar is thrown in with a play-any-noteharmony then the melody skips the down-beat. The vocals are split across the four singers withoverlapping lyrics, double meanings and homonyms. The fives riff is transposed to G and playedin the refrain in place of the sevens. Whether the listener is expected to assimilate all ofthis or merely perceive a cacophony is open to conjecture - maybe "it will make sense".
Dm Dm7-lick C-lick2 F Ebmaj7 5/4 4/4 9/4 1e+a2 + 3 + 4 + 5 + 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + 5 + 6 + 7 + 8 + 9 +E|---------------5-----| E|-----------------| E|-----------------------------3-------|B|---------------6-----| B|---1p0-----------| B|-----------------------------3-------|G|---------------7-----| G|-------------2---| G|-5---4-2---0-2---0-----------3-------|D|-00000-3-2-0---------| D|-0-----0-1p0-----| D|-5---4-2---0-2---0-3---2-3---1-------|A|-00000-3-2-0---------| A|-----------------| A|-------------------3---2-3-----------|E|---------------------| E|-----------------| E|-------------------------------------| . x . x . . x . . x . . . x . x x
Gm7 G7sus4 5/4 1 + 2 + 3 + 4 + 5 + 1 + 2 + 3 + 4 + 5 +E|---------------6-----|---------------8-----|B|---------------6-----|---------------6-----|G|-0-0-0-3-2-0---7-----|-0-0-0-3-2-0---7-----|D|-0-0-0-3-2-0---------|-0-0-0-3-2-0---------|A|---------------------|---------------------|E|---------------------|---------------------|
CHORDS: Dm Dm(b6) Dm6 C- F C Bb C(4) G Gsus4 Dm7 Ebmaj7 Bb13 Gm7 G7sus4E|--1----1-------1---0--|--1---0--------1----3----3-----1-----3------9-----3-----3---|B|--3----3-------0---1--|--1---1---3----1----3----3-----1-----3------8-----3-----3---|G|--2----3-------2---0--|--2---0---3----0----4----5-----2-----3------7-----3-----5---|D|--0----0-------0---2--|--3---2---3----2----5----5-----0-----1------6-----3-----3---|A|--0----0-------0---0--|------3---1----3----5----5------------------6-----5-----5---|E|----------------------|--------------------3----3------------------6-----3-----3---| 5th-string open for 'strum-along' version
III. LOST AND FOUND Pt.2
A-lick 4/4 1 e + a 2 e + a 3 e + a 4 e + aG|---------------------------------|D|-7-----7-----7-----7-----4-5-6---|A|---4-----5-----6-----7-----------|E|---------------------------------|
PRETTY-LINK: [awakening-theme in Em] C F#o Fsus2 C Bm Asus4(7,9) A(7)synth vocal 4/4 1 + 2 + 3 + 4 + 1 1 + 2 + 3 + 4 + 1 4na 1E|-------------5-7-|---------|---------|-------------5-7-|-7---------|-3---------|B|-5-7-8-5-7-8-----|-8-------|---------|-5-7-8-5-7-8-----|-8------75-|-5---------|G|-----------------|---------|---------|-----------------|-7--------7|-6---------|
C F#o Fsus2 C Bm Em 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + 1E|-------------5-7-|-----------------8-10-|-12-14-15-12-14-15-17-19-|-15------|B|-5-7-8-5-7-8-----|-8-10-12-8-10-12------|-------------------------|---------|G|-----------------|----------------------|-------------------------|---------|
JAM-SECTION: 5 Em Esus4 Em Em7 4/4 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 +D|-----------------|-----------------|-----------------|-------------5---|A|-----------------|-----------------|-----------------|-------5---------|E|-0-0-0-3-----0-0-|-0-0-0-5-----0-0-|-0-0-0-7-----0-0-|-0-5-7-----7-----| ...with variations
REFRAIN-MODULATION:organ-fill A Asus4 A Asus4 4/4 1 + 2 + 3 + 4 + 1 2 3 + 4 1 + 2 + 3 + 4 + 1 2 3 + 4E|---------------2-|---------5----|-------------2---|-------2-0----|B|-----2---2-3-5---|-3-----3-5----|-----2---2-3---3-|-------3-3----|G|-2-4---4---------|-2-----2-2----|-2-4---4-------2-|-------2-2----|
CHORDS: E Esus4 E7sus4 A F#o F Cadd9 C Fsus2 Bm Asus4 A9sus4 A7E|--0----0------0-----0-------1----0----0----1----2-----0------3-----3--|B|--0----0------3-----2---1---1----3----1----1----3-----3------3-----2--|G|--1----2------2-----2---2---2----0----0----0----4-----2------4-----2--|D|--2----2------2-----2---4---3----2----2----3----4-----2------2-----2--|A|--2----2------2-----0-------3----3----3----3----2-----0------0-----0--|E|--0----0------0---------2---1--------------1--------------------------|
CHORDS: Em Esus4 Em7 C, Dsus4, D, Dsus4 D Asus4 F#m11 , = second inversionE|--0-----0-----0---3-----5-----5-----3----2----0------0--|B|--0-----0-----3---5-----8-----7-----3----3----3------0--|G|--0-----2-----0---5-----7-----7-----2----2----2------2--|D|--2-----2-----2---5-----7-----7-----0----0----2------2--|A|--2-----2-----2-------------------------------0---------|E|--0-----0-----0--------------------------------------2--|
F#m11Neal has a fondness for this chord and has used it many times. Most likely discovered on theguitar, the voicing is duplicated on piano. The charts notate the chord as F#m11 but not allof the notes are included F# A C# E G# B - strictly Esus4/F#.
The next section begins with the same chord but modulates to the key of E-flat (or B-flat)and has thus been labelled Gbm11. Piano plays Gbm7 while the 11th is added elsewhere.
IV. AWAKENING THE STRANGER
AWAKENING-THEME: Eb F/Eb Eb F/Eb Eb Bb/D Gm Bb/Fviola 4/4 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 +E|-----------------|-----------------|-----------------|-----------------|B|-----------------|-----------------|-----------------|-----------------|G|-------------5-7-|-----------------|-------------5-7-|-----------------|D|-5-7-8-5-7-8-----|-8---------------|-5-7-8-5-7-8-----|-8---------------|viola | | | |G|-----------------|-----------------|-----------------|-------------5-7-|D|-----------------|-----5-----5-7-8-|-5---------------|-5-7-8-5-7-8-----|A|-----------------|-6-8---6-8-------|---------8-------|-----------------|E|-----------------|-----------------|-----------------|-----------------|
Eb F/Eb Eb Bb/D Gm Bb/F Eo . = 16th triplet 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 . . + . .E|-----------------|-----------------|-----------------|-------------------------|B|-----------------|-----------------|-----------------|-----------------------6-|G|-------------5-7-|-----------------|-------------5-7-|-------------------5-7---|D|-5-7-8-5-7-8-----|-8---------------|-5-7-8-5-7-8-----|-8-----------5-7-8-------| | | | | |G|-----------------|-----------------|-----------------|-------------7-----10----|D|-8-------7-------|-----5-----5-7-8-|-5---------------|-------7-8-10------------|A|-----------------|-6-8---6-8-------|---------8-------|-7-8-10------------------|E|-----------------|-----------------|-----------------|-------------------------|
Eb F/Eb Eb F/Eb Eb Bb/D Gm Bb/F 6 violin 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 . . + . .E|----------------8-10|------------------|----------------11-10|-----------------------8-1013|B|-8-10-11-8-10-11----|-11---------------|-8-10-11-8-10-11-----|-11--------------8-1011------|G|--------------------|------------------|---------------------|-----------------------------|D|--------------------|------------------|---------------------|-----------------------------| | | violin | | |E|--------------------|------------------|---------------------|-----------------8-----10----|B|--------------------|-----8-----8-10-11|-8-------------------|-8-10-11-8-10-11-------------|G|-12-----------------|-8-10--8-10-------|-----------10--------|-----------------------------|D|--------------------|------------------|---------------------|-----------------------------|
Eb F/Eb Eb Bb/D Gm Bb/F Eo(violin sounds octave higher) 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 e + a 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 +E|(15)-------------8-10-|--------------------------|-----------------10-13-|-15--------------|B|-8-10-11-8-10-11------|-11-------10----11-10-8---|-8-10-11-8-10-11-------|-----------------|G|----------------------|------------------------10|-----------------------|-----------------|D|----------------------|--------------------------|-----------------------|-2-3-5-3-2-------|A|----------------------|--------------------------|-----------------------| bass gtr -5-3---|E|----------------------|--------------------------|-----------------------|---------------5-| | | | | |E|-15--------13---------|---13-15--13-15-17----18--|-15--------13----------|-12--------------|B|----------------------|-16-----16----------------|-----------------------|-----------------|G|----------------------|--------------------------|-----------------------|-----------------|
CHORDS: Gbm7(11) Ebadd9(6) Fm7 Gm7 Cm11 Bbadd2/D Eb F/Eb Bb/D Gm Bb/F EoE|--0----------6--------1----3----1-------1------3----5----(5)----3----1----3--|B|--2-(0)------6--------1----3----4-------1------4----6-----3-----3----3----5--|G|--2----------0-(5)----1----3----3-------3------3----5-----3-----3----3----3--|D|--4----------5--------1----3------------0------5----------3-----5----3----5--|A|--4----------6--------3----5----3--------------6----6-----5-----5------------|E|--2-------------------1----3------------------------------------3----1----0--|
Strummers may prefer to add major-seventh to Bb/D.Piano voicing of Ebadd9 omits third thus Ebsus2.
PETE'S-PROG-MODULATION:
CHORDS: Bb-Pedal Eb/Bb F/Bb Gb/Bb Db/Bb Ab/Bb Eb F Gb Db Ab CE|-------------------5------6------------------3---1---2--------------|B|-------------8-----6------7------6------4----4---1---2---6---4---5--|G|-------------8-----5------6------6------5----3---2---3---6---5---5--|D|-------------8-----7------8------6------6----5---3---4---6---6---5--|A|-------------6-------------------------------6---3---4---4---6---3--|E|---6---------6-----6------6------6------6--------1---2-------5------|
V. SLIDE
PHRYGIAN-RIFF:Organ/guitar F Gb/F F F Gb F 1 + 2 + 3 + 4 + 5 + 6 + 1 + 2 + 3 + 4 5 6E|-1-1---1---1-2-2---2---2-|-1-1---1---1-1---2---1---|B|-1-1---1---1-2-2---2---2-|-1-1---1---1-1---2---1---|G|-2-2---2---2-3-3---3---3-|-2-2---2---2-2---3---2---|D|-3-3---3---3-4-4---4---4-|-3-3---3---3-3---4---3---|A|-------------------------|-------------------------|E|-1-1---1---1-1-1---1---1-|-1-1---1---1-1---2---1---|
G Cm/G G G Ab G Cm is very evident in the organ 1 + 2 + 3 + 4 + 5 + 6 + 1 + 2 + 3 + 4 5 6 part but guitar is probablyE|-3-3---3---3-3-3---3---3-|-3-3---3---3-3---4---3---| playing Ab thus Abmaj7.B|-3-3---3---3-4-4---4---4-|-3-3---3---3-3---4---3---|G|-4-4---4---4-5-5---5---5-|-4-4---4---4-4---5---4---|D|-5-5---5---5-5-5---5---5-|-5-5---5---5-5---6---5---|A|-------------------------|-------------------------|E|-3-3---3---3-3-3---3---3-|-3-3---3---3-3---4---3---|
F7-lick 7 6/8 1 + 2 + 3 + 4 5 6G|-------------------------|D|-3-----------------------|A|-------0---1-3---5---6---|E|---1---------------------|
G7.. syncopated lick
1+2+3+4+5+6+ 1+2+3+4 5 6 >> > >>> > > >> > >> > >|G7 G |G7 G Ab G|
6/8 G7 G G7 G Ab G 1 + 2 + 3 + 4 + 5 + 6 + 1 + 2 + 3 + 4 5 6G|-------------------------|-------------------------|D|-3-----------5-----------|-3-----------5---6---5---|A|-------------------------|-------------5---6---5---|E|---3---3---3---3---3---3-|---3---3---3-3---4---3---|
Organ plays rising line
G7 G G7(2) G G7(4) G G7(6) G7 6/8 1+2+3+4+5+6+ 1+2+3+4+5+6+ 1+2+3+4+5+6+ 1+2+3+ 4 5 6E|--------------|--------------|--------------|---------------|B|--------------|--------------|-------3------|-5------6-6-6--|G|--------------|-2-----4------|-5------------|--------4-4-4--|D|-3-----5------|--------------|--------------|--------3-3-3--|A|--------------|--------------|--------------|--------5-5-5--|E|--3-3-3-3-3-3-|--3-3-3-3-3-3-|--3-3-3-3-3-3-|--3-3-3-3-3-3--|
G7-- shuffle lick
1 2 3 4 5 6 1 2 3 4 5 6 > > > > > > > > >|G7 G |G7 G Ab G|
6/8 G7 G G7 G Ab G 1 + 2 + 3 + 4 + 5 + 6 + 1 + 2 + 3 + 4 5 6G|-------------------------|-------------------------|D|-3---3-------5---5-------|-3---3-------5---6---5---|A|-------------------------|-------------5---6---5---|E|---3---3---3---3---3---3-|---3---3---3-3---4---3---|
Go7-licksynth 5/8 4/8 6/8 1 + 2 + 3 + 4 + 5 + 1 + 2 + 3 + 4 + 1E|---------------------|-----------------|----B|---------------------|-----5-----5-6-7-|-8--G|-------------5-6-----|---6-----6-------|----D|-5-7-8-5-7-8-----8---|-8-----8---------|----guitar | |G|---------------------|-----------------|----D|-5-----4-----3---2---|-8-----7-----6---|-5--A|-5-----4-----3---2---|-8-----7-----6---|-5--E|-3-----2-----1---0---|-6-----5-----4---|-3-- G5 F#5 F5 E5 Bb5 A5 Ab5 G5
INTERLUDE-VARIATON: 8Similar syncopated and shuffle patterns with truncated bar-lengths.
5/8 6/8 1+2+3+4 5 1+2+3+4 5 6 >> > >> > >> > >> > >|G7 G |G7 G Ab G|
5/8 6/8 G7 G G7 G Ab G 1 + 2 + 3 + 4 + 5 + 1 + 2 + 3 + 4 5 6G|---------------------|-------------------------|D|-3-----------5---5---|-3-----------5---6---5---|A|---------------------|-------------5---6---5---|E|---3---3---3---------|---3---3---3-3---4---3---|
6/8 5/8 1 2 3 4 5 6 1 2 3 4 5 > > > > > > > >|G7 G |G7 G Ab|
6/8 5/8 G7 G G7 G Ab 1 + 2 + 3 + 4 + 5 + 6 + 1 + 2 + 3 + 4 5G|-------------------------|---------------------|D|-3---3-------5---5-------|-3---3-------5---6---|A|-------------------------|-------------5---6---|E|---3---3---3---3---3---3-|---3---3---3-3---4---|
Vocal melody creates a four-against-six cross-rhythm with accents every three sixteenths.The first acapella phrase "awakening the stranger" appears to slow down but in fact eachsyllable is four sixteenths with the eighth duration remaining the same throughout.
synth Gm-lick Bb-lick Gm 5/8 4/8 5/8 1 + 2 + 3 + 4 + 5 + 1 + 2 + 3 + 4 + 1E|---------------------|---------------5-|-6--B|---------------------|-----------6-8---|----G|-------------5-7-----|---5-7---7-------|----D|-5-7-8-5-7-8-----8---|-8-----8---------|----
synth Gm-lickb Bb-lick Bb/Eb 6/8 (3+2+1) 4/8 1 + 2 + 3 + 4 + 5 + 6 + 1 + 2 + 3 + 4 + 1E|-------------------------|---------------5-|-6--B|-------------------------|-----------6-8---|----G|-------------5-7---------|---5-7---7-------|----D|-5-7-8-5-7-8-----8-------|-8-----8---------|----
Note that Go7-lick and Gm-lick are based on awakening-theme.
CHORDS: F Gb/F Gb G Cm/G Ab Ab/G F7 G7 Fm7 G7sus4 Dm7b5b9 Dm7b5 Fadd2E|--1---2----2---3---3----4----4-------------1-----3-------4--------4------1--|B|--1---2----2---3---4----4----4-------------1-----3-------4--------6------1--|G|--2---3----3---4---5----5----5----2---4----1-----5-------5--------5------0--|D|--3---4----4---5---5----6----6----1---3----1-----3-----------------------3--|A|----------------------------------3---5----3-----5-------5--------5------0--|E|--1---1----2---3---3----4----3----1---3----1-----3-----------------------1--|
Dm7b5b9 third omitted from voicing
CHORDS: Go7 G5 F#5 F5 E5 Bb5 A5 Ab5 Gm Bb Bb/EbE|---3----------------------------------3---6-----6--|B|---5----------------------------------3---6-----6--|G|---3----------------------------------3---7-----7--|D|---5---5----4---3---2----8---7----6---5---8-----8--|A|---4---5----4---3---2----8---7----6---5---8-----6--|E|---3---3----2---1---0----6---5----4---3---6--------|
VI. STRANGER IN YOUR SOUL 9
SLEEPING-THEME-BRIDGE:Theme reprised in 4/4 except for Bar-11 which mimics the 7/4 phrasing.
C /D /C /A /G Am/F# "glimpse brigh-ter than the sky" 7/4 4/4 1 2 3 4 + 5 + 6 + 7 + 1G|----------------------------------|------D|-------------0--------------------|------A|-3-----------------3-----0--------|------E|-------------------------------3--|-2----
CODA: Bb C Dm Em Fm Gm Ab Bbm F 4/4 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + 1E|-----------------|-----------------|-----------------|-----------------|-1---|B|-----------------|-----------------|---------------1-|-----1-----1-2-4-|-1---|G|-----------------|-------------0-2-|---0-1---0-1-3---|-1-3---1-3-------|-2---|D|-----0-----0-2-3-|-0-2-3-0-2-3-----|-3-----3---------|-----------------|-3---|A|-1-3---1-3-------|-----------------|-----------------|-----------------|-3---|E|-----------------|-----------------|-----------------|-----------------|-1---|
CHORDS: Eb6/9 Bbadd2/D Cm11 Bb/F Cm7/G Fsus4 Fm7 Gm7 Cm Bb/D Eb F Gm F/A F5 E5 D5E|---6-------6-------6-----6------3------1-----1----3---3----6----3---1---3----5--------------|B|---6-------6-------6-----6------4------1-----1----3---4----3----4---1---3----6---6---5---3--|G|---5-------5-------8-----7------3------3-----1----3---5----3----3---2---3----5---5---4---2--|D|---5.--------------------8------5------3-----1----3---5----3----5---3---5----7---3---2---0--|A|---6-------5-------------8------3------3-----3----5---3----5----6---3---5-------------------|E|-------------------8------------3------1-----1----3-----------------1---3----5--------------| . omit for no3
First four voicings mimic high Bb-pedal in strings.
Keyboard voicings: Ebsus2 Bbadd2/D Cm11E|---1-------1--------1--|B|---4-------1--------4--|G|---3-------3--------3--|D|---1-------0-----------|A|--------------------3--|E|-----------------------|
CHORDS: C G/C F/C Am/F# G/B Bb F/Eb Bb/D Eo Dm Em Fm Ab Bbm Dm/BE|--3---3----1----0------3---1----5----(5)---3---1---0---1--------1----1--|B|--1---0----1----1------3---3----6-----3----5---3---0---1---1----2----3--|G|--0---0----2----2------0---3----5-----3----3---2---0---1---1----3----2--|D|--2---0----3----2------0---3----------3----5---0---2---3---1----3-------|A|--3---3----3-----------2---1----6-----5-------------------------1----2--|E|----------------2--------------------------0----------------------------|
Strummers may prefer to add major-seventh to Bb/D in awakening-theme.
