DALLAS CENTER FOR THE PERFORMING ARTS FOUNDATION

WINTER ISSUE 2005BEHIND THE SCENES • BRINKER INTERNATIONAL LECTURE SERIES • CORNERSTONE PROGRAM • IN THE WINGS

MILLION DOLLAR DONORS • DESIGN AND CONSTRUCTION • LEADING ROLES • THE MARQUEE

ROBERT REDFORD WILL BE INTERVIEWED BY LEE CULLUM, THE AWARD-WINNING COLUMNIST AND TELEVISION COMMENTATOR, WHOSE WORK APPEARS REGULARLY IN THE DALLAS MORNING NEWS. SHE HAS APPEARED ON THE NEWSHOUR WITH JIM LEHRER, NIGHTLINE, CNN, MSNBC AND HOSTED “CONVERSATIONS,” A SERIES OF BIOGRAPHICAL INTERVIEWS WITH MAJOR NEWSMAKERS FOR THE PBS STATIONS IN THE DALLAS AREA.

Behind the Scenes

B Y B I L L L I V E L YFoundation President & CEO

Robert Redford’s life as an actor, award-winning director, activist and supporter of the arts makes him something of an anomaly. Although he is famous throughout the world, Redford is a private person who is led by social conscience rather than acclaim of stardom. But his credits as a film star can be matched by few other actors. Some of his hits include The Sting, The Way We Were, The Great Gatsby, Barefoot in the Park, The Horse Whisperer, Out of Africa, Jeremiah Johnson and The Electric Horseman. Among the movies he has directed are A River Runs Through It, The Legend of Bagger Vance and The Milagro Beanfield War. Redford has won numerous awards for his work both inside and outside the movie industry. He received the 1989 Audubon Medal Award, the 1994 Nature Conservancy Award and the 1987 United Nations Global 500 Award. He also received the 1997 National Medal for the Arts from President Clinton and was honored with the 2002 Pell Award for Excellence in the Arts: Lifetime Achievement Award. Produced by the Dallas Center for the Performing Arts Foundation, the Brinker International Lecture Series annually brings the world’s most distinguished performing artists in film, theater, opera, music and dance to Dallas. Previous installments of the series featured John Travolta and Mary Tyler Moore.

obert Redford. Simple mention of the name generates immediate interest. On Friday, May 6th, the legendary film star will create excitement when he makes a rare appearance in Dallas as the featured artist for the third annual Brinker International Lecture Series. Redford will appear at the Majestic Theatre in an unscripted interview with columnist and author Lee Cullum, whose work regularly appears in The Dallas Morning News. Although Redford is world famous for his starring roles in such classics as Butch Cassidy and the Sundance Kid, All The President’s Men and The Natural, he has been even more influential as an environmental activist and supporter of independent filmmakers. Redford’s Sundance Film Festival is the single most important showcase for artistic films in search of distributors in the United States. Creation of the Sundance Channel for cable television has further expanded the audience for independent cinema. Redford, who won an Oscar in 1981 for directing Ordinary People and has been director of numerous other notable movies, believes it is important to stand for his principles, regardless of whether he is in Hollywood or in Utah, where he owns a large ranch. Since 1975, he has promoted programs to protect the environment in southern Utah. Redford helped keep a coal-fired power plant from being built in a region surrounded by five national parks and remains active with local, regional and national organizations that are involved in environmental issues.

The campaign to build the Dallas Center for the Performing Arts was launched on November 8, 2000. In May the campaign will reach the midpoint and in the fall construction will begin on the Center’s underground parking facility. At this momentous time, it is important to both measure the campaign’s progress to date and to look ahead to what must be accomplished in 2005. Near the midpoint, the campaign has generated almost $180 million in gifts and grants from the private sector and public funds from the City of Dallas; 61 families and organizations have made gifts and grants of $1 million and above; Pritzker Architecture Prize-winning architects from Foster and Partners of London and Office for Metropolitan Architecture in Rotterdam have designed remarkable concepts for the Center’s Margot and Bill Winspear Opera House and Dee and Charles Wyly Theatre; internationally renowned landscape architect Michel Desvigne of Paris and JJR, LLC of Chicago are designing the Center’s grand plaza; Dallas-based architectural firm Good Fulton & Farrell is designing the Center’s parking facility; the Center’s future governance, operations and management plan has been developed by the Foundation, a plan that includes the best practices of the most successful performing arts facilities operating in the United States with applications for Dallas; the campaign is on schedule to begin construction of the venues in 2006 with the grand opening planned in late 2009; and, at the end of the first four years, the campaign has operated at a cost of three cents of each dollar given. As we look ahead, 2005 holds great promise for productivity and accomplishment. During the next 12 months, the campaign’s new Cornerstone Program will be activated; we expect to raise $40 million in new gifts and pledges; the development agreement will be executed with the City of Dallas affirming the processes by which the Center will be governed and operated and the City’s support of its annual operation; the design concepts for the Center’s grand plaza and parking facility will be introduced; the artistic product to be presented in the Center in addition to the resident companies’ performance seasons will be developed, including a distinguished speaker series, business institute, and Broadway series; and, we will begin construction of the Center’s parking facility. The campaign to build the Dallas Center for the Performing Arts is not unlike climbing a great mountain. The Foundation’s Board of Directors and the many volunteers have dedicated the last four years to finding the trail, beginning the climb, and scaling what often seemed insurmountable obstacles. Now, near the midpoint of the journey, we find ourselves at timberline with the summit in clear view. Our progress to date is significant, our stamina is strong and we are committed to the remainder of the journey which will, without question, be the most fulfilling part of the experience.Sincerely,

Robert Redford’s life as an actor, award-winning director, activist and supporter of the arts makes him something of an anomaly. Although he is famous throughout the world, Redford is a private person who is led by social conscience rather than acclaim of stardom.

IN T

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WIN

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C H A I R O F T H E P R E S I D E N T ’ S A D V I S O R Y C O U N C I L , L I N D A C U S T A R D A N D H E R H U S B A N D , B I L L , W I T H T O N I A N D N O R M A N B R I N K E R A N D F A N C H O N A N D H O W A R D H A L L A M , C H A I R O F T H E F O U N D AT I O N ’ S B O A R D O F D I R E C T O R S .

2005 BRINKER INTERNATIONAL LECTURE SERIES KICK-OFF PARTY On Tuesday, February 1st, Debbie and John Tolleson hosted a cocktail reception to announce Robert Redford as the 2005 guest lecturer for the third annual Brinker International Lecture Series as well as to announce the Platinum Host Committee and Event Sponsors for the May event. The Tollesons and The Mansion on Turtle Creek are this year’s sponsors of the Platinum Committee events.

H O S T S F O R T H E E V E N I N G , D E B B I E A N D J O H N T O L L E S O N , W I T H T H E P R E S I D E N T A N D C E O O F B R I N K E R I N T E R N AT I O N A L , D O U G B R O O K S A N D H I S W I F E H O L LY .

Tickets priced from $35-$200 are available through

all Ticketmaster locations at www.ticketmaster.com, by calling 214-373-8000

or at the Majestic Theatre Box Office,

1925 Elm Street in Downtown Dallas.

For more information, call 214-954-9925, ext. 265 or

check our website, www.dallasperformingarts.org.

2005 Brinker Internat ional Lecture Ser ie s present s

MILLION DOLLAR DONORS

To prepare for the beginning of construction

and to continue the campaign’s fund-raising

momentum, the Dallas Center for the

Performing Arts Foundation has established

its Cornerstone Program, a program being

implemented and managed by 21 Dallas couples

who comprise the Cornerstone Action Team.

Team members include:

Elaine and Neils Agather

Marilyn and Jim Augur

Diotay and Richard Baker

Laura and Dan Boeckman

Nancy and Clint Carlson

Ana and Don Carty

Sheila and Jody Grant

Nancy and Jeremy Halbreich

Fanchon and Howard Hallam

Kate and Dana Juett

Margo and Jim Keyes

Matrice and Ron Kirk

Joy and Ronald Mankoff

Sarah and Ross Perot, Jr.

Jan and Bob Pickens

Cindy and Howard Rachofsky

Myrna and Bob Schlegel

Peggy and Carl Sewell

Gay and Bill Solomon

Diana and Rick Strauss

Debbie and John Tolleson

Over the next 24 months, the Cornerstone

Action Team will host 45 separate dinners,

luncheons, receptions and other events designed

to introduce the campaign and the importance of

the Dallas Center for the Performing Arts to new

and important audiences and, in the process,

raise twenty-four $1 million Cornerstone family

gifts to help construct the Center.

The unprecedented success of the first half

of the campaign to build the Dallas Center for

the Performing Arts is directly attributable to

the service and generosity of a remarkable group

of Dallas leaders supporting the project. The

beginning of the second half of the campaign,

including the launch of the new Cornerstone

Program, holds equal promise because of

the leadership commitment of the couples

comprising the Cornerstone Action Team.

Construction of the Dallas Center for the

Performing Arts will complete the Dallas Arts

District providing unprecedented settings in

which Dallas families and visitors will enjoy the

performing arts at the highest quality level and

making Dallas competitive with the greatest

cities in America and the world in attracting

the next generations of its families, companies

and executives. This is the mission of the

Cornerstone Program as the Program becomes

fully operative beginning this month.

GOOD FULTON & FARRELL SELECTED TO DESIGN CENTER’S PARKING GARAGE

The multilevel, underground parking garage to serve the patrons of the Dallas Center for the

Performing Arts will be designed by Dallas-based Good Fulton & Farrell (GFF) Architects. GFF

Principal-in-Charge, Duncan T. Fulton, FAIA, will be responsible for the overall project. “The

Dallas Center for the Performing Arts is clearly one of the most significant architectural and

cultural initiatives ever envisioned for this region,” said Mr. Fulton. “GFF considers it an honor

to be part of this important effort and is particularly mindful that the Center’s parking structure is

a key component of the project and integral to its overall success.”

GFF has related experience on similar projects and designed the 4-story, underground parking

garage for the Belo Pavilion in the Dallas Arts District, the 4-story parking garage for Nokia at

CarrCommons in Irving, of which approximately 50% of the structure

is below grade, and the 250,000-square-foot garage for the Criswell

Center in the Dallas Central Business District.

The 625-space garage at the Dallas Center for the Performing Arts

will serve five venues – the Margot and Bill Winspear Opera House,

the Dee and Charles Wyly Theatre, the Grand Plaza, the City

Performance Hall and the renovated Annette Strauss Artist Square.

Ground-breaking of the Center’s parking structure is planned for

late 2005.

GFF is involved in most of the major civic initiatives in the

downtown Dallas area including projects for the Inside the Loop

Committee, the Downtown Transportation Master Plan and the

Downtown Parks Master Plan. Twice GFF has been named “Firm of

the Year” by the local chapter of the American Institute of Architects.

d e s i g n and

Construction

D R . A N D M R S . K E N N E T H A L T S H U L E R

A recent trip to Chicago reminded Dr. and Mrs. Kenneth Altshuler just how important the new Dallas Center for the Performing Arts will be to the future of this community and the revitalization of downtown. “Chicago was just alive with activity,” said Mrs. Altshuler. “There was so much to see and do. Dallas will prosper when there are more reasons to bring people back downtown and help the city grow economically.” That is why the well known Dallas philanthropists are so pleased with the $1 million Founding Family gift they have given to the Dallas Center for the Performing Arts Foundation through the Ruth C. and Charles S. Sharp Foundation to help design and construct the Center. “For Dallas to be a city that attracts national attention, it must have a wide variety of entertainment venues,” Dr. Altshuler said. “The whole concept of the downtown arts district is perfect to fill this need. But the one missing ingredient is the Center for the Performing Arts.” The Altshulers said that their community and service work has focused largely on medical and educational institutions. An effective way to ensure that Dallas will always have the top talent and expertise at the area’s best educational institutions will be to build outstanding arts facilities that enhance the city’s reputation, they said. “By constructing cultural facilities like the Dallas Center for the Performing Arts, we can assuredly offer the quality of life and enrichment these highly educated people seek,” Mrs. Altshuler said. The Altshuler’s long record of giving and civic involvement makes them something of a legend in national philanthropic circles. President George W. Bush recently appointed Ruth Collins Sharp Altshuler to the Library of Congress Trust Fund Board and also to the United States Commission for UNESCO. The Association of Governing Boards of Colleges and Universities also named her the Outstanding Trustee in the nation. In addition to her many honors, Mrs. Altshuler is Chair of the Ruth C. and Charles S. Sharp Foundation, Vice Chair of Southwestern Medical Foundation and immediate past chair of the SMU Board of Trustees. Kenneth Altshuler is the former Chair of the UT Southwestern Department of Psychiatry and currently is the University’s first Stanton Sharp Professor of Psychiatry. During his tenure as chair, Dr. Altshuler raised more than $50 million in endowment and built the department into one of major scientific and national stature. “Throughout the nine-year campaign to design and build the Dallas Center for the Performing Arts, many distinguished Dallas families and organizations will make leadership gifts to help ensure the success of this important cultural project,” said Caren Prothro, Vice Chair of the Dallas Center for the Performing Arts Foundation’s Board of Directors. “The prestige, however, that accompanies gifts from Founding Families like the Altshulers, revered for their contributions to our community, results in defining this campaign as one of the most important of its kind in the nation.”

2005 TEXAS MEDAL OF ARTS AWARDSCelebrating Texas Legends and Rising Stars

April 4, 2005, Austin, TXVIP Legislative Reception with special guest Bob Schieff er

Joint Legislative Proclamation Governor’s LuncheonGala Dinner Awards Ceremony Dessert Reception April 5, 2005

Honorary Co-Chairs for 2005: Governor & Mrs. Rick Perry, Lt. Governor David Dewhurst and Speaker of the House & Mrs. Tom Craddick

The Texas Medal of Arts Awards, the signature event of the Texas Cultural Trust Council, celebrates the creative excellence, exemplary talents and outstanding contributions by Texans in selected categories, ultimately featuring the best in Texas. For sponsorship information or to join the email list to receive upcoming Medal of Arts Awards news, visit the website at: www.txculturaltrust.org/tmaa.

Texas Cultural Trust 823 Congress, Suite 650 Austin, TX 78701 877.651.8282

CornerstoneProgram

RUTH & KEN ALTSHULER

D E B B I E A N D J O H N T O L L E S O N H O S T E D A D I N N E R T O L A U N C H T H E C O R N E R S T O N E P R O G R A M F O R M E M B E R S O F T H E P R O G R A M ’ S A C T I O N T E A M .

DUNCAN FULTONGOOD FULTON & FARRELL ARCHITECTS

2106 boll streetdallas, texas 75204

PRSRT. FIRST CLASS

U.S. POSTAGE

P A I DD A L L A S , T X

PERMIT No . 430

MARY ANNE SAMMONS CREE

Mary Anne Sammons Cree has always had an appreciation of the arts and an understanding of the importance of philanthropy. Mrs. Cree, the daughter of the late Charles Sammons and Rosine Smith Sammons, has maintained the family’s tradition of giving to our community. “Support from Mary Anne Cree for any project brings special credibility to the endeavor and sends

a resounding message about its importance,” said Bill Lively, President and CEO of the Dallas Center for the Performing Arts Foundation. But Mrs. Cree’s generosity extends beyond financial gifts. In addition to her role on the Board of Directors of the Dallas Center for the Performing Arts Foundation, she serves on the Foundation’s Naming Threshold and Site Design Committees. Mrs. Cree, a director of Sammons Enterprises, Inc., has provided support to the Meadows Museum of Art at Southern Methodist University through the gift of the Santiago Calatrava Wave sculpture. Other support includes the Rosine Hall of the visitor and education center at the Dallas Arboretum, the Rosine Smith Sammons Butterfly House and Insectarium at the Texas Discovery Center Gardens at Fair Park and the Rosine Smith Sammons Lecture in Media Ethics at SMU.

the marqueeSPOTLIGHT PRESENTATION SERIES FEATURES THEATRE PROJECTS CONSULTANTSThe public had opportunities on September 15 and October 13, 2004, to hear from the theater design experts for the Dallas Center for the Performing Arts’ Margot and Bill Winspear Opera House and Dee and Charles Wyly Theatre. The Spotlight Presentation Series featured discussions with representatives from Theatre Projects Consultants (TPC) on the many issues involved in designing and building the stages and auditoriums for the facilities. The TPC team includes Richard Pilbrow, chairman; Brian Hall, director of design; and principal consultants, David Taylor and John Coyne. TPC is collaborating with Foster and Partners and Office for Metropolitan Architecture on auditorium sightlines, seating and design of all technical systems that are required to present a performance in the auditoriums of the Winspear Opera House and Wyly Theatre. “The Series and its panel of experts associated with this historic project, such as Theatre Project Consultants, gives the public insight into the complex nature of designing and later building these innovative cultural venues,” said Ruben E. Esquivel, Dallas Center for the Performing Arts Foundation Board Member and Chair of its Communications Committee. The Spotlight Presentation Series, which kicked-off in early 2004 with presentations from the design architects, will continue this year with a presentation of the Wyly Theatre schematic design on March 29, 2005. The event will be held at 10:30 a.m. at the Dallas Museum of Art in the Horchow Auditorium and is free to the public.

L E F T T O R I G H T: B R I A N H A L L , J O H N C O Y N E , R I C H A R D P I L B R O W A N D D A V I D T AY L O R

ROGER NANNEY

Ask Roger Nanney, Vice Chairman and Regional Managing Partner of Deloitte & Touche USA LLP, why he has taken on a leadership role with the Foundation at the same time he is serving as 2004-2005 Campaign Chair of United Way of Metropolitan Dallas and he has a quick response. “Community involvement is a manifestation of our shared values,” Roger says, “and helping others is simply the right

thing to do. It’s also a business imperative...a healthy business environment depends on a healthy community.” Under Roger’s leadership, Deloitte was a founding member of the Flagship Corporate Alliance, a consortium of Dallas businesses supporting the campaign to build the Center. “I was surprised that Dallas did not have suitable facilities to house our theater, dance and opera and saw the opportunity to be involved with the most significant cultural event in the history of Dallas,” he said. “Economic impact studies Deloitte has conducted for the past ten years clearly point out the importance of the arts to our community and the value proposition for the world-class venues we will build.” In addition to serving on the Foundation’s Board of Directors, he is also on the Executive and Construction Management Committees and chairs the Finance and Investment Management Committee. Roger is on the Executive Board of the Edwin L. Cox School of Business at Southern Methodist University. He is also a board member of the Greater Dallas Chamber of Commerce, the Dallas Citizens Council and United Way of Metropolitan Dallas.

R. GERALD TURNER

As he leads an era of unprecedented progress at SMU, President R. Gerald Turner maintains a strong commitment to the arts in Dallas. His dedication to building the quality of SMU goes hand in hand with his commitment to supporting the new Dallas Center for the Performing Arts. The cultural arts play a major role in the success of higher education, Turner said. Attracting the best students and

faculty depends in part on the cultural opportunities offered on and away from campus. And SMU’s Meadows School of the Arts benefits from collaborations with area performing artists and organizations. “The Dallas Center for the Performing Arts will be a tremendous addition to the cultural facilities available in our community,” he said. “That’s why I feel it is so important for me to help this project become a reality.” Dr. Turner serves on the Governance, Operations and Management Committee, the Broadway Subcommittee and the Nominating Committee of the Dallas Center for the Performing Arts Foundation. At SMU, Dr. Turner spearheaded the University’s historic fund-raising campaign, “A Time to Lead,” which raised $542 million for academic programs, scholarships and professorships. Facilities funded by the campaign include the new Meadows Museum. Dr. Turner has a deep personal interest in the arts. Both of his daughters are professional performers – Angela, a nationally renowned opera singer, and Jessica, an actress. He and his wife, Gail, are Texas natives. In addition to his work with the Dallas Center for the Performing Arts Foundation, Dr. Turner holds leadership positions with several higher education associations. He is the winner of the Henry Cohn Humanitarian Award from the Anti-Defamation League of Dallas.

FOUNDATION BOARD OF DIRECTORS Howard Hallam, Chair* Caren H. Prothro, Vice Chair* Elaine B. Agather* Lisa Arpey Dolores Barzune David Biegler Daniel D. Boeckman Harold M. Brierley Donald J. Carty Jeanne Marie Clossey* John Cody Mary McDermott Cook Mary Anne Cree Linda Pitts Custard* John W. Dayton* Matrice Ellis-Kirk Bess Enloe* Roger Enrico* Ruben E. Esquivel* Kathleen M. Gibson* Nancy Strauss Halbreich Doug Houser John Howell Gene Jones Robert L. Kaminski* Barbara Thomas Lemmon William H. Lively* Nancy Cain Marcus Maribess Miller Harvey R. Mitchell D. Roger Nanney* Erle Nye Howard Rachofsky* Geoffrey P. Raynor Dr. Marvin E. Robinson Deedie Rose* Lynn Flint Shaw Roger Staubach Ronald G. Steinhart John Tolleson Dr. R. Gerald Turner Martin J. Weiland* Dr. Kern Wildenthal Kari-Pekka Wilska Dr. William W. Winspear* Charles Wyly * Foundation Executive Committee Members

CITY OF DALLAS COMMITTEE Elaine B. Agather, Chair Dolores Barzune David Biegler Mary McDermott Cook Howard Hallam Lisa Limoges ++ William H. Lively Lynn Flint Shaw Ronald G. Steinhart ++ ex officio Member

COMMUNICATIONS COMMITTEE Ruben E. Esquivel, Chair Lisa Arpey Nancy Barry Dolores Barzune Harold M. Brierley Jeanne Marie Clossey Nancy Strauss Halbreich Phillip Jones Lisa Limoges ++ Kevin Martin Les Tanaka Ann Williams ++ ex officio Member

CONSTRUCTION MANAGEMENT COMMITTEE Robert L. Kaminski, Chair Gabriel Barbier-Mueller Douglas T. Curtis ++ John W. Dayton Bess Enloe Howard Hallam Ken Hughes D. Roger Nanney Howard Rachofsky Deedie Rose Dr. William W. Winspear Charles Wyly ++ ex officio Member

DEVELOPMENT COMMITTEE Caren H. Prothro, Chair Elaine B. Agather Daniel D. Boeckman Harold M. Brierley Donald J. Carty Linda Pitts Custard Tom Dunning Matrice Ellis-Kirk Elisabeth Galley ++ Kathleen M. Gibson Jeremy Halbreich Howard Hallam

Gene Jones Barbara Thomas Lemmon William H. Lively Maribess Miller Erle Nye Deedie Rose Roger Staubach John Tolleson ++ ex officio Member

FINANCE AND INVESTMENT MANAGEMENT COMMITTEE D. Roger Nanney, Chair David Biegler Cullum Clark Dr. Joseph M. Grant Fred Hegi Doug Houser Robert L. Kaminski Barbara Thomas Lemmon Harvey R. Mitchell Robert C. Qualls++ Geoffrey P. Raynor Ronald G. Steinhart Kari-Pekka Wilska ++ ex officio Member

GOVERNANCE, OPERATIONS AND MANAGEMENT COMMITTEE Roger Enrico, Chair Harold M. Brierley Donald J. Carty John Cody David Court Bess Enloe Richard Freling Mark Hadley ++ Howard Hallam William H. Lively Maribess Miller D. Roger Nanney Erle Nye Caren H. Prothro Phil Ritter Deedie Rose Ronald G. Steinhart Karen Stone ++ John Tolleson Dr. R. Gerald Turner Martin J. Weiland Dr. Kern Wildenthal Kari-Pekka Wilska Dr. William W. Winspear Charles Wyly ++ ex officio Member

NAMING THRESHOLD COMMITTEE Caren H. Prothro, Chair Ruth Altshuler Mary Anne Cree Linda Pitts Custard Matrice Ellis-Kirk Roger Enrico Elisabeth Galley ++ Howard Hallam William H. Lively Nancy Cain Marcus ++ ex officio Member

NOMINATING COMMITTEE Kathleen M. Gibson, Chair Nancy Strauss Halbreich Doug Houser William H. Lively Geoffrey P. Raynor Roger Staubach Dr. R. Gerald Turner

PRESIDENT’S ADVISORY COUNCIL* Linda Pitts Custard, Chair Allie Beth Allman Ruth Altshuler Teresa Amend Charlotte Jones Anderson Giselle Antoni Marilyn Augur L. Scott Austin Norm Bagwell Shelle Bagot Richard Baker Fred Ball, Jr. Ann Barbier-Mueller Dr. Joanne Stroud Bilby Lucy Billingsley Kathryne S. Bishop Jan Hart Black Beth Ann Blackwood Laura Boeckman Marla Boone Talmage Boston Denis Boulle Delilah H. Boyd Eric Brauss Gillian M. Breidenbach Diane Brierley Norman Brinker

Toni Brinker Dr. Anne Bromberg Bob Buford Stuart M. Bumpas Bruce Calder Nancy Carlson Sis Carr Dianne Cash Darlene Galassi Cass John R. Castle, Jr. Elliot Cattarulla George V. Charlton Nita Prothro Clark Gary Cogill Gail Cook David Court Mary Lee Cox Sally Cullum Lucille DiDomenico Lowell C. Duncan, Jr. Jane C. Dunne Sally Dunning Jennifer Eagle James R. Erwin Laura V. Estrada Vernon E. Faulconer Juan Faura Ed Fjordbak Rebecca Enloe Fletcher Nash Flores Dr. Terry J. Flowers Judith Gausnell Gloria McCall Godat Dorothy G. Goddard Randall G. Goss Dr. Joseph M. Grant Kelly Green Candice J. Haas Fanchon Hallam Paul W. Harris Orrin Harrison III Jess Hay Jan Hegi Jennifer Houser Francis P. Hubach, Jr. Sydney Huffines Angela Hunt Caroline Rose Hunt Tavia S. Hunt Gregory Hustis Mary Jalonick Dr. Franklyn G. Jenifer Graeme Jenkins Michael A. Jenkins James M. Johnston Gene Jones Phillip Jones Richard L. Jones Kim Hiett Jordan Kate Crosland Juett Margo R. Keyes Jack M. Kinnebrew John J. Klein Ann Lardner Stan Levenson Andrew Litton Liz Minyard Lokey Sarah Losinger David M. Love II Dr. Bobby B. Lyle Gail Madden Joy Mankoff Cheryl Mansour Sara Martineau Anita N. Martinez Tom H. McCasland, Jr. Mike McCullough Margaret McDermott Janie Strauss McGarr Patricia B. Meadows Linda Metcalf Su-Su Meyer Cynthia R. Mitchell Joyce Mitchell Susan Byrne Montgomery Francie Moody-Dahlberg Dr. Mike Moses Frank Naboulsi Andrea Nasher Raymond D. Nasher Dana Nearburg Patricia M. Patterson Dr. Sheron C. Patterson Rena Pederson Sarah F. Perot Jan Pickens Nelda Cain Pickens Dr. Alfonso E. Pino III Charles H. Pistor Ann Pomykal Carol H. Poston Kelli Questrom Cindy Rachofsky Robert S. Rendell Marcy Sands John M. Scott III Diane Scovell

Carl Sewell Judy Skinner William T. Solomon Jackie M. Stewart Donald J. Stone Diana Strauss Theodore H. Strauss Emily Summers Jack D. Sweet Betty W. Switzer Barbara Sypult Les Tanaka Dr. Gail Thomas Debbie Tolleson Terdema Ussery Annette Vaughn Lillian Delgado Vecchiarelli Arturo Violante Sarah Warnecke Tucean Webb Jimmy Westcott Michael Wheeler Donna Wilhelm Ann Williams Jamie Williams J. McDonald Williams Michael Wylie *As of 1-31-05

SITE DESIGN COMMITTEE Howard Rachofsky, Chair Daniel D. Boeckman Mary Brinegar Mary McDermott Cook Mary Anne Cree Douglas T. Curtis ++ John W. Dayton Bess Enloe Ken Hughes Melissa McNeil Lee Papert Deedie Rose Lizzie Routman Frederick Steiner Emily Summers Betty Switzer ++ ex officio Member

SPECIAL EVENTS CONCEPT COMMITTEE Jeanne Marie Clossey, Chair Charlotte Jones Anderson Lisa Arpey Janie Cooke Nancy Strauss Halbreich Gene Jones Lisa Limoges ++ Sara Martineau Joyce Mitchell Francie Moody-Dahlberg Lyn Muse Sarah F. Perot Myrna Schlegel ++ ex officio Member

WINSPEAR OPERA HOUSE FACILITIES COMMITTEE Dr. William W. Winspear, Chair Eric Brauss Bruce Calder Bob Carrel Douglas T. Curtis ++ John W. Dayton Ruben E. Esquivel John Gage++ Jeffrey A. Innmon ++ Harvey R. Mitchell Joyce Mitchell Darryl Pounds Karen Stone ++ Martin J. Weiland Dr. Kern Wildenthal ++ ex officio Member

WYLY THEATRE FACILITIES COMMITTEE Bess Enloe, Chair Larry Angelilli Tony Atkiss Diane Brierley Mary McDermott Cook Douglas T. Curtis ++ Arlene Dayton Mark Hadley ++ John Howell Kate Crosland Juett Michael Korns ++ Mark Layton John Levy Chris Luna Nancy Cain Marcus Deedie Rose Lynn Flint Shaw Sarah Warnecke Ann Williams Charles Wyly ++ ex officio Member

Leading Roles