Stage 2 only (stage 3 follow separate research programme)Mini-Programme = 3 weeks

Choice of 2 Mini-Programmes

Stage 2 CCS

Mini-Programmes 06/07

Students follow one programme for assessment (but should go to lectures for both programmes)

Mini-Programmes

Semester 2

WK

2007

22 Jan

1

29 Jan

2

5 Feb

3

12 Feb

4

19 Feb

5

26 Feb

6

5 Mar

7

12 Mar

8

19 Mar

9

26 Mar 2

April 10

9

Apr

11

16 Apr

12

23 Apr

13

30 Apr

14

7 May

15

14 May

Stage 2

Post Assessment

Break

BRIEFING

MONDAY 5 Feb

SB42 1-2pm

Programm e 1 Judit h Findl ay

‘A Del ica t e Shut t le’

Programm e 2 Lesley S cot t

Andrea Peach ‘Co nsu m ing Si gns’

April Break

Assessment 2&3

Assessment 2&3

Critical Notebook including written essay 2,500 -3,000 words

Submission Dates:

Programme 1 - Tuesday 13 March

Programme 2 - Tuesday 10 April

Mini-Programme

Assessment

1. Judith Findlay A Delicate Shuttle - ‘Art as Non-Modern’

2. Lesley Scott / Andrea Peach Consuming Signs

Semester 2

Mini-Programme Themes

A Delicate Shuttle:ART AS ‘NON MODERN’

‘In the eyes of our critics the ozone hole above our heads, the moral law in our hearts, the autonomous text, may each be of interest, but only separately. That a delicate shuttle should have woven together the heavens, industry, texts, souls and moral law – this remains uncanny, unthinkable, unseemly.’ Bruno Latour, We Have Never Been Modern (Cambridge, Mass: Harvard, 1993), p. 5

A Delicate Shuttle-ART AS NON MODERN: The anthropologist Bruno Latour proposes that ‘We Have Never Been Modern’: the ‘careful distinctions between nature and society, between human and thing are distinctions that our ancestors, in their world of alchemy, astrology and phrenology never made. But, he argues, alongside the ‘modern’ purifying practice that defines modernity, there is a seemingly contrary one that mixes politics, science, technology, culture and nature. This programme proposes that Art is also such a mixture and aims to apply a concept of hybridity, connections, context, interdisciplinarity, networks and relationships to the perception of Art. The aim of the programme is not to study the work of Latour but to apply a key idea that art is a ‘quasi-object’ (a part of several categories at once) and a ‘delicate shuttle’. Key themes will include:

Art and Ambiguity; Art and the Domestic; Art Ecology; Art and Fiction. ‘I think what we miss…in art schools is discussion. Wayne Biggs talked about “wild conversations”, rather than academic direction. [What we need in art schools is] something less academic.’ Francis McKee, ‘Teaching Ignorance: A One Step Programme’, The Dynamics of Now: Issues in Art and Education, London: Tate, Wimbledon, 2000.

CONSUMING SIGNS‘What are increasingly produced are not material objects, but signs’

Roland Barthes

CONSUMING SIGNSAndrea Peach / Lesley Scott

This programme will look at how we ‘consume’ culture, and the ways

in which the art and design ‘industries’ increasingly produce

commodities that we consciously or unconsciously aspire to

possess. We will investigate theories behind the complex system of

cultural signs and signifiers that surround us all, and use case

studies from contemporary art and design, as a means of critiquing

art and design practice.

This programme should enable you to have a better understanding of

what is meant by cultural consumption and how cultural artifacts

can be read on many different levels.

We will investigate case studies from art and design such as: art

as commodity advertising and branding, labels and identity, and

the cult of the designer. We will also draw upon texts such as:

Roland Barthes, Judith Williamson, etc. etc.,

Students can state preference for a particular programme, and will be allocated accordingly

Maximum number of students perMini-Programme = 65

Programme lists will be posted on CCS noticeboard by end of the week

Electing Your Semester 2

Mini-Programme

Electing Your Semester 2

Mini-Programme

Judit h Findlay A Delicate Shuttle: Art as ‘Non-‘Modern

Andrea Peach / Lesley Scott Consuming Signs

Either programme would be fine

X

Name: David BrentCourse: Painting

First Lecture starts Monday February 12th at 1.00 in SB42 Scott SutherlandAll students should attend lectures

Mini-Programme Lectures

Seminars will be held on Tuesday mornings in A34M (Gray’s)

First seminar on Tuesday 13 February

Mini-Programme Seminars

See CCS noticeboard for groups and times

CCS coordinators:

Andrea Peach(26) 3692a.peach@rgu.ac.uk

Lesley Scott(26) 3692l.scott@rgu.ac.uk

Any Questions?

Please pick up your Semester 1 Coursework from outside GP 20

Reminder: